Episode 6 The Shadow Line


Episode 6

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Transcript


LineFromTo

Your wife is ill. In three months, if your plan fails she will be dead.

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But this is not something you will hear about because I would have killed you first.

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-This...amnesia.

-You think I'm faking it, sir?

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Are you?

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I know who shot you.

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-Who is this?

-'My name's Peter Glickman.'

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Follow the drugs, Detective Inspector, and then we'll meet.

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I was Peter Glickman's...girlfriend.

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I am his girlfriend.

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I just want to know what's happened.

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That's the first code. Our code. It means this brick has been here before.

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-Someone took it out.

-You offered to cut Delaney a deal,

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strip him a rank and give him to me to put back in line.

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But that's not how it worked out, is it?

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It was 30 kilos in total. 30. Guess where the last 4 were found?

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In the back of the car in which you both got shot.

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You may have started out getting Delaney to walk the line,

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but looks like he pulled you into the shadows.

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You think I'm a bad cop.

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I think you're a good one. It comes with the card.

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God!

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It's daddy.

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You have to tell your wife.

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-I'm in hell.

-No, we are in limbo

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and you need to get us out.

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This programme contains some strong language and scenes which some viewers may find disturbing.

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You can read my mind.

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Not quite. At least, not yet.

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But we can evaluate your reaction to the photos and that gives us an insight into brain function.

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-Or lack of.

-Hmm...

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Well, it's interesting.

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The scan images above the pictures are from three months ago, beneath the pictures are now.

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What's interesting is that most of them have remained consistent.

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So your response to your childhood...

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..schooling, etc.

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All these have remained the same.

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There's been a change in response to your wife.

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There's more orange in it now.

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Hmm...

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-Meaning?

-We don't know what the change means yet, just that there's been one.

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Your response to your colleague who was killed...

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also remains unchanged.

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However, and this is what's particularly interesting,

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your response to the scene of the killing and where you were shot,

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that has changed considerably.

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If you look at the scan from three months ago,

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there's hardly any reaction at all.

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Because of the injury?

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This is what interests us. Whereas, today's scan...

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shows distinctly more activity.

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You think my memory's coming back?

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Starting to, maybe.

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Through a glass, darkly.

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Ah, yes.

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-But later...

-Yeah.

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Later.

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# I'm a featherless bird

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# In a sky so absurd

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# Why oh why

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# Is there so much movement?

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# Oh, hide me deeper

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# In your peace further... #

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PHONE RINGS

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It's all right. Go back to sleep.

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Everything's fine.

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Laura, there's something I have to tell you.

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Don't worry.

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Whatever happens, it'll be all right.

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Why do you say that?

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Why do you always say that?

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It will not be all right to lose this baby. It will not be!

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-I didn't...

-Stop it, Jonah!

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Stop always hedging your fucking bets!

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When are you going to want something?!

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Want something so much, you can't bear to lose it? Say it!

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Say you want this!

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-Of course I do.

-Good!

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Because sometimes wanting something so much that you can't live...

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you can't even see a future if you lose it...

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is the only reason you get it!

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So, for once, want it!

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Like you have never wanted anything else!

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It's all right! It's there! HEART BEATS ON MONITOR

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See!

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Want it!

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I do.

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(I do.)

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Jonah Gabriel.

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Peter Glickman.

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So where did the drugs lead you?

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To me.

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So does that mean you've stopped looking?

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-What else is there to find?

-You think this is all about you - good cop, bad cop?

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You think that's what this is all about?

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You, drugs, dead cops, royal pardons, Harvey Wratten...

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It's not about you, it's not about any of you.

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You're all just threads,

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little tiny threads.

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But if you want to find the rope, there's only one line for you to follow.

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The money.

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What money?

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Talk to Commissioner Penney.

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Ask him about...Counterpoint.

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-What's Counterpoint?

-Say you're looking for answers

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and you won't stop till you've found them.

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He won't give you any,

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but then he'll get in contact with someone who can.

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Who?

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Gatehouse.

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How do I find him?

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Oh, you won't need to.

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Once he knows you're looking, he'll find you.

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So...

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tell me your secret.

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-I don't have one.

-Everyone has a secret. Everyone.

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And that's what he will find.

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And that's where he will find you -

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at your most vulnerable.

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I don't...

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have a secret.

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You want to know who you are, Gabriel?

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You want to know what side of the line you really stand?

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Then tell me your secret,

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because once he finds it, I'm the only one who can save you.

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Good boy.

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-I'm not doing it.

-You have to trust me on this.

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A new hotel every night?!

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-It's just for a short time.

-What's a short time?

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-It's not long!

-Shhh!

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-Is that what she is doing?

-No.

-Why not?

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-Because she's your wife, because she's pregnant?

-Because she's not the one in danger.

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-And we are?!

-You may be, yes.

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If you stay here.

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Why?

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Because if this man comes looking for me, he may well come here.

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I'll just tell him where to go!

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Why would he come here?

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Because...

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-Because...we are your weakness.

-Yes.

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-Is he trying to blackmail you?

-No.

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Threaten us?

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-Call her! Tell her! Tell everyone!

-I will.

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Not will! Do it now! Then he'll have nothing because everything will be out in the open.

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-That won't work.

-It'll work for me!

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It'll work for him!

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It's what I've been asking you for a long time!

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It looks like this guy's doing me a favour!

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-It will make it worse.

-Worse for who? For you? For your wife?!

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Yes! For Laura, for you, for me, for Conrad,

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-for everyone!

-Why?

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Because if this man thinks my secret is here, this is where he'll come.

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So you're using us as bait?!

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No, because you won't be here!

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You'll be safe!

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And all he'll find...

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All he'll find...is me.

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Who is this man?

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I don't know.

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That's what I'm going to find out.

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That's five million. I'll need 48 hours to get you the rest.

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For that kind of a turnover, it's only polite to wait.

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You're in the game now.

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Better than being on it.

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You want the next two shipments in one go?

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400 kilos at 15 grand a kilo.

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-Then I need three million up front.

-It's in the bag...

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along with the four I already owe you.

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Seven.

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-Seven million.

-Plus three on delivery,

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gives you your ten, as I promised.

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400 kilos, that's a heavy weight. Flowers won't cover it.

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-I don't expect them to.

-Then what do you expect?

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A change of plan.

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Hmmm.

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So what have you got?

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400 kilograms, brown,

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at least 70%, import.

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-When?

-Within three weeks.

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Who?

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Joseph Bede.

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How much do you want?

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250,000.

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What?

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With a street value of 20-odd million, I reckon your people will wear it.

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Why are you doing this?

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Ours is a dog-eat-dog world...

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..and this dog's getting too tired to run.

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You didn't come.

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It was good...

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..but it would have been better with you.

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I'm sorry.

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You ought to tell me.

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About what?

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Whatever it is you want to say.

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Tell me.

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I wish I could, but I can't.

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Is there something you know?

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-About Peter?

-Yes.

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No.

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I meant about you and me. I wish...

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But I can't.

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-Because of your wife.

-Because of everything.

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It would be a shame to lose you completely.

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I mean, we've only just met.

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Then next time I'll come.

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-Next time it's Bach.

-I like Bach.

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Yes, I think I saw that about you.

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SHE CHUCKLES

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Then Bach it shall be.

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As friends.

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As friends.

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Where's the harm in that?

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No harm...

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..at all.

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-Jonah.

-Commander.

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Not any more.

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Just plain mister.

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And why was that, exactly?

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You still lost your memory, Detective Inspector?

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I'm yet to get the full picture, if that's what you mean, sir.

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How convenient.

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It hasn't been.

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But I'm starting to pull some threads together.

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Well, be careful they don't form into a noose.

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For whose neck?

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-You're not the first, you know.

-To do what?

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Stand there.

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Who else is there?

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Was.

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That journalist.

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-McGovern.

-Asking questions.

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-About you?

-About you, actually.

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Look what happened to him.

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I don't ride bikes.

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No. It's too dangerous.

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It's not worth the risk.

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But what is?

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-The truth.

-Because you're a policeman?

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It's who I am.

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You don't know who you are.

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I think I might be about to find out.

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Be careful what you wish for.

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Maybe it's what you don't know that's keeping you alive.

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Counterpoint.

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What's Counterpoint?

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It's music, isn't it? It's...

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It's by Bach.

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Gatehouse.

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Who's Gatehouse?

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And what about the money?

0:20:060:20:08

-Safe journey, Detective Inspector.

-See you when I get there, Mr Penney.

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MUSIC: "Toccata And Fugue In D Minor" by JS Bach

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HE SWEARS UNDER HIS BREATH

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Well, that's great men for you.

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In my world, Commander, when everyone knows who you are, you haven't done your fucking job.

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So?

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Gabriel.

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Well, he wasn't faking it.

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And if he doesn't know, he hasn't told anyone else.

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Except now he wants to find out for himself.

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Well, if you're walking around with a bullet in your head, it's all just a matter of time.

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-Sir Richard...

-I know, I know.

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Very moving.

0:21:220:21:24

How?

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He has an ex-mistress

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and a love child he wants to keep secret.

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They argue...often.

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Neighbours have heard them.

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So when your people finally break in, because she's missed an appointment or whatever,

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and find two bodies...

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..hers will be murdered,

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and his will have turned the gun on himself - silenced, of course -

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and, incidentally, stolen from his department a few days previously.

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But, when asked, it will be the arguments the neighbours remember

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and not the unnoticed visit from a stranger the night before.

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-And the child?

-Hmmm.

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Lucky to be alive.

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Like the rest of us,

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don't you think?

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When it's your time...

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It's your time.

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No matter where you look.

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-I might have a shadow on a line. Are you interested?

-Whose?

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Where Harvey Wratten left off.

0:23:010:23:04

-How much for it?

-Quarter of a million.

0:23:050:23:08

HE TUTS

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400 kilos Turkish Brown, 70% pure.

0:23:090:23:12

-When?

-I need a quick decision.

-I'll need a name.

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Without a target there's nothing to aim at.

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-Bede. Joseph Bede.

-Never heard of him.

0:23:230:23:25

Isn't that the point?

0:23:250:23:28

HE WHISTLES A TUNE

0:23:350:23:38

DANCE MUSIC THUMPS WITHIN ROOM

0:23:410:23:44

-Mama...

-Come on, darling, we're going.

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DOOR OPENS

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DOOR OPENS

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DOOR CLOSES

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-What are you doing here?!

-What are YOU doing here?!

0:24:490:24:52

This is my home!

0:24:520:24:53

You have to go.

0:24:530:24:55

Alison! You have to go! BABY CRIES

0:24:560:24:59

Oh, go on! Just you try it.

0:24:590:25:02

Don't go in there.

0:25:050:25:07

Alison!

0:25:070:25:08

Too late.

0:25:080:25:10

Here we are.

0:25:100:25:11

Here we are, my darling.

0:25:110:25:13

SHE KISSES HIM

0:25:130:25:15

Safe and sound.

0:25:150:25:17

Yes, now it's time to go to sleep.

0:25:170:25:21

Mummy's going to go out and I'll come back and give you a kiss, OK?

0:25:210:25:25

Shhh...

0:25:320:25:35

CAT MEOWS

0:25:350:25:39

FOOTSTEPS

0:25:560:25:57

DOOR CLOSES Shhh...

0:26:000:26:01

-(He's here?

-Go in the kitchen.

0:26:010:26:04

-(Don't open the door!

-It's too late.)

0:26:040:26:07

Don't call anyone.

0:26:070:26:08

-I'm not...

-Go in the kitchen.

0:26:090:26:12

Don't come out.

0:26:120:26:13

Jonah Gabriel.

0:26:580:27:00

Who are you?

0:27:010:27:02

-We need to talk.

-What about?

0:27:020:27:06

-May I come in?

-No.

0:27:070:27:10

I have something very important to tell you.

0:27:100:27:13

Then say it here.

0:27:130:27:14

I can't do that.

0:27:140:27:16

-Why not?

-It's a secret.

0:27:160:27:17

Then whisper.

0:27:170:27:19

You want to protect your family.

0:27:190:27:22

I understand.

0:27:240:27:25

Good.

0:27:270:27:28

But then, you see, if I'd wanted to kill them,

0:27:280:27:31

I could have done it at the hotel.

0:27:310:27:34

And if I'd needed to kill you...

0:27:390:27:41

..I could have done it long before now.

0:27:440:27:46

You...

0:27:570:27:59

GUNSHOT

0:28:440:28:46

Where are they?

0:28:540:28:55

Why do you need to know?

0:28:550:28:58

It would be best if they didn't see me.

0:28:580:29:01

He's in his room, she's in the kitchen.

0:29:020:29:04

-Tell her to stay there.

-I have.

0:29:040:29:07

-When?

-Before I came to the door.

0:29:070:29:12

Why?

0:29:120:29:13

It's my job.

0:29:150:29:16

Do you call it a living room or a lounge?

0:29:200:29:23

Neither.

0:29:260:29:27

Then let's go there.

0:29:270:29:30

Come in.

0:29:400:29:42

Sit down.

0:29:590:30:01

That's your choice. This is mine.

0:30:030:30:07

-Will she come in?

-No.

0:30:110:30:15

So you want to know why I shot you.

0:30:200:30:22

I want to know why I was there.

0:30:240:30:26

Because you're afraid you'd come to sell me drugs

0:30:280:30:30

like Delaney had before.

0:30:300:30:32

That somehow he'd...

0:30:350:30:37

..corrupted you.

0:30:390:30:40

Had he?

0:30:410:30:43

You really don't know?

0:30:460:30:48

But what do you think?

0:30:520:30:53

-I don't.

-Because you can't remember?

0:30:550:31:00

That's what your bullet did to me.

0:31:020:31:04

But people just know.

0:31:080:31:11

Don't they?

0:31:120:31:14

Instinctively.

0:31:140:31:17

Whether they're good or bad.

0:31:170:31:19

Why don't you?

0:31:210:31:23

Is it here?

0:31:250:31:28

Is it her?

0:31:280:31:30

Is it your son?

0:31:300:31:32

Is it the lies you tell your wife?

0:31:360:31:39

What is it that makes you so unsure?

0:31:440:31:48

Because whatever it is, it's not just the bullet in your head

0:31:500:31:54

that makes you need to ask.

0:31:540:31:56

May I?

0:32:030:32:05

What?

0:32:050:32:06

I have something to give you.

0:32:060:32:09

What?

0:32:100:32:12

It's what you want to know.

0:32:140:32:15

It's in my breast pocket. May I?

0:32:180:32:20

It's all right. Finger and thumb.

0:32:230:32:26

Finger and thumb.

0:32:260:32:28

It's Delaney's notebook,

0:32:410:32:42

the one I took from him after he'd been shot.

0:32:420:32:46

It's all written down.

0:32:470:32:49

Like what?

0:32:520:32:53

You weren't selling drugs.

0:32:550:32:57

The line you walked was straight.

0:32:590:33:02

You even got Delaney to walk it with you,

0:33:020:33:05

right to its very end.

0:33:050:33:09

It's all right.

0:33:150:33:17

You were a good cop.

0:33:190:33:20

But whether you're a good person...

0:33:230:33:25

Well, that's not for me to say.

0:33:270:33:31

But here.

0:33:350:33:37

Find out for yourself.

0:33:410:33:43

No, I don't think I'll be doing that.

0:33:510:33:53

No? Why not?

0:33:560:34:00

Because you're wearing gloves.

0:34:030:34:04

ALISON SCREAMS

0:34:220:34:26

-No!

-My baby!

0:34:260:34:31

GUNSHOT No!

0:34:310:34:32

ALISON AND JONAH SCREAM

0:34:340:34:38

SCREAMING CONTINUES

0:34:380:34:40

ALISON SHOUTS INCOHERENTLY

0:34:470:34:50

SCREAMING CONTINUES

0:34:570:34:59

PHONE RINGS

0:35:330:35:35

Hello?

0:35:400:35:42

ENGINE STARTS

0:35:420:35:44

Petra?

0:36:210:36:22

-HE SOBS

-It's all right. It's all right.

0:36:300:36:32

It's all right, it's all right.

0:36:320:36:34

Shhh...

0:36:350:36:36

Shhhh, it's all right. It's all right.

0:36:390:36:42

It's all right.

0:36:450:36:46

It'll be all right.

0:36:460:36:48

It'll be all right.

0:36:500:36:51

It'll be all right.

0:36:520:36:54

Thank you for coming.

0:39:330:39:35

I didn't think I should.

0:39:360:39:38

I wanted you to.

0:39:390:39:41

I needed you to.

0:39:430:39:46

I have to tell you something.

0:39:500:39:51

These past three years I have been living a lie.

0:39:580:40:02

And there came a point I decided that I would do anything...

0:40:040:40:08

..anything to make it stop.

0:40:090:40:11

Two weeks ago I told Jonah

0:40:180:40:20

that if he didn't tell you about Connie then I would.

0:40:200:40:25

This week.

0:40:270:40:29

Maybe even today, who knows?

0:40:300:40:34

And if I had done that...

0:40:370:40:39

..I would have ruined your life.

0:40:400:40:42

But I would have done it willingly.

0:40:440:40:46

Willingly, you know...

0:40:480:40:50

..because that's how we feel about truth, isn't it?

0:40:520:40:56

It has to be known, no matter what.

0:40:560:41:00

Even if it means wrecking an innocent woman's life...

0:41:010:41:05

..or opening the door to a man he should never have let in.

0:41:080:41:15

But standing here today,

0:41:200:41:26

I can tell you

0:41:260:41:28

I would rather live with an eternity of lies

0:41:280:41:33

than a second

0:41:330:41:36

without my son.

0:41:360:41:38

You must tell your husband to do the same,

0:41:420:41:45

because if he doesn't,

0:41:450:41:47

I'm very afraid the next person to be standing here

0:41:470:41:52

will be you.

0:41:520:41:54

CAMERA SHUTTERS CLICK Detective, this way.

0:42:160:42:18

Detective, look this way a moment?

0:42:180:42:20

Detective Inspector. Just one more.

0:42:200:42:22

This way.

0:42:220:42:24

How much do they know?

0:42:250:42:27

They certainly smell a story.

0:42:290:42:31

A corrupt police officer selling drugs to criminals.

0:42:310:42:34

-They don't know that.

-Not yet.

0:42:340:42:37

What other choice have I got?

0:42:410:42:43

That's going to make things very difficult for me.

0:42:430:42:47

You should have thought of that

0:42:470:42:49

before you insisted on bringing him back in.

0:42:490:42:51

I'll need time...to tidy up.

0:42:550:42:59

Be sure to take your ashtray with you when you go.

0:43:020:43:04

What?

0:43:040:43:06

Richard, you've no-one to blame... but yourself.

0:43:060:43:10

Inspector.

0:43:180:43:20

This way.

0:43:200:43:21

We are ready to deliver.

0:43:500:43:52

My end buyer needs notice.

0:43:520:43:54

I can give you up to one week.

0:43:540:43:56

-I'll take that.

-Three million.

0:43:560:43:58

You'll have it.

0:43:580:44:00

How's your wife?

0:44:000:44:01

Don't speak about my wife!

0:44:020:44:04

It was you who put her in the deal.

0:44:060:44:09

What did he mean by that?

0:44:160:44:17

Jesus, Joseph! What have you done?

0:44:250:44:28

Tell the boy we need that money.

0:44:300:44:32

Yeah, that's fine.

0:44:390:44:41

Fine? Is that like OK? Because it's got to be more than that.

0:44:410:44:44

It's got to be definite.

0:44:440:44:46

Don't worry, I'll get you the money.

0:44:460:44:49

We're not talking about a visit to the sweet shop.

0:44:490:44:52

You going to watch me make the call?

0:44:520:44:53

You know what?

0:44:530:44:55

When both the cops AND the criminals begin to look like kids, it really is time to leave the game.

0:44:550:45:01

Well, that's a call only you can make, Granddad.

0:45:020:45:05

Just get that money.

0:45:050:45:07

(Shit!)

0:45:180:45:19

HEART MONITOR BEEPS

0:45:190:45:22

Apparently he's got the heartbeat of a 20-year-old.

0:45:290:45:32

That's Benecol for you.

0:45:320:45:35

Can I have a word?

0:45:350:45:36

So what did he have to tell you that was so important you let him in?

0:45:450:45:49

You were a good cop?

0:45:510:45:53

Hmmm. At least I'm not alone.

0:45:560:45:58

Doesn't make it true.

0:46:000:46:02

Judge yourself by your actions, Jonah.

0:46:020:46:04

If you weren't, you'd have given up long before now.

0:46:040:46:07

That's why Khokar wants to have you thrown to the wolves.

0:46:070:46:11

And if I let the press rip you to bits, pretty soon they're going to start licking their chops at me.

0:46:130:46:19

Then maybe you and your boss should think that through more carefully.

0:46:190:46:23

And maybe HE already has.

0:46:230:46:26

You know how to survive?

0:46:280:46:30

It's not just the first blow you've got to look out for, it's knowing where the next one will come.

0:46:300:46:36

So if Khokar's happy enough to have my arse stripped out,

0:46:370:46:40

whatever he's got to hide must look like a whole fucking abattoir.

0:46:400:46:44

And that's the stench he obviously thinks you've caught a whiff of.

0:46:470:46:51

You talked to the wrong guy, Jonah.

0:46:560:46:59

So if there's anything you know, now's the time to tell me,

0:47:010:47:04

because then we can beat this together.

0:47:040:47:07

I met with Peter Glickman.

0:47:170:47:18

Ah. When?

0:47:180:47:22

Before he was killed, sir.

0:47:230:47:25

What did he tell you?

0:47:250:47:27

Where did you get it from?

0:47:370:47:39

DS Delaney.

0:47:400:47:43

When?

0:47:430:47:44

Just before he died, must've been.

0:47:440:47:47

Is it your share?

0:47:480:47:49

What of?

0:47:510:47:52

A drug's deal.

0:47:520:47:55

I think it was his share.

0:47:560:47:59

Of the drugs that got him busted.

0:47:590:48:01

So why's it in OUR wardrobe?

0:48:010:48:03

Because I wanted to know why...

0:48:110:48:12

Seems pretty obvious, doesn't it?

0:48:160:48:18

What have you done, Jonah?

0:48:290:48:30

No, Laura, it's them.

0:48:330:48:37

What have they done?

0:48:380:48:40

Who?

0:48:400:48:41

Look.

0:48:430:48:44

What is it?

0:48:480:48:51

-It's a code.

-Whose?

0:48:520:48:55

Ours.

0:48:550:48:57

I've been looking in the wrong direction.

0:48:580:49:00

It's not the drugs, it's the money - the money used to buy them!

0:49:000:49:05

-Jonah, I...

-It's a police code, Laura.

0:49:050:49:08

What?

0:49:090:49:11

This money...is from our side.

0:49:110:49:15

-So give it back.

-But that's not how it got here.

0:49:170:49:19

If Delaney got this from selling drugs, then who was buying?

0:49:200:49:23

-I don't know...

-The police, Laura.

0:49:250:49:28

He was selling it to us.

0:49:280:49:33

So whose side are we on?

0:49:410:49:43

Can I have a private word?

0:49:500:49:52

I've been offered a shadow on a line.

0:50:010:50:03

-Whose line?

-A guy called Joseph Bede.

0:50:050:50:08

-Never heard of him.

-Isn't that the point?

0:50:100:50:12

What's he looking to bring in?

0:50:150:50:16

400 kilos of heroin, 70% pure.

0:50:160:50:20

Who's the shadow?

0:50:230:50:24

-How much does he want?

-A quarter of a million.

0:50:270:50:31

Baked beans?

0:50:320:50:33

Pounds.

0:50:330:50:35

Hang on, there's a phrase people use for this.

0:50:350:50:39

It's funny, it's, em...

0:50:390:50:41

"Fuck you!" Yeah, that's it.

0:50:410:50:43

Fuck you!

0:50:440:50:45

COMPUTER KEYS CLICK

0:51:020:51:05

-Yes, that's one of our codes.

-When?

0:51:070:51:09

-May the 5th last year.

-How much was marked?

0:51:090:51:12

-I can't tell you that.

-What can you tell me?

0:51:130:51:15

Whatever's not classified.

0:51:150:51:17

Is this operation still ongoing?

0:51:170:51:19

-We were never asked to locate the money.

-Why not?

0:51:230:51:27

It was never initiated.

0:51:270:51:29

What does that mean?

0:51:290:51:30

Well, whoever had it smudged never asked us to trace them.

0:51:320:51:35

And who was that?

0:51:350:51:36

You lost a son.

0:51:410:51:43

(Yes, I did.)

0:51:470:51:49

That's terrible.

0:51:490:51:52

You log every access request?

0:51:560:51:58

-Yes.

-Can you tell me the last person to ask to access that file?

0:51:580:52:01

Well, you were...

0:52:050:52:07

-..and a...

-BOTH: Detective Sergeant Delaney.

0:52:090:52:12

See? They're geeks.

0:52:120:52:14

The reason no-one's here is cos they can talk to each other without even speaking.

0:52:140:52:18

I know why I got shot.

0:52:290:52:32

Harvey Wratten needed to get himself out of jail.

0:52:360:52:38

To do that, he got Gatehouse to buy up a huge amount of drugs and pass them on to Customs.

0:52:380:52:43

Delaney found out and wanted to get in on the act,

0:52:430:52:45

so he stole 30 kilos of heroin from a leaky property room and sold them on to Gatehouse

0:52:450:52:49

and when Customs got them, they gave them back to you.

0:52:490:52:53

How'd you know it was Delaney?

0:52:530:52:56

Silly boy tried to do it again.

0:52:560:52:59

One should always know when to quit.

0:52:590:53:01

So you decided to throw a blanket over it,

0:53:010:53:04

and that's where the story should have ended, and it would have

0:53:040:53:08

if Delaney hadn't decided to take a second chance to heart,

0:53:080:53:11

because that's when he showed me this.

0:53:110:53:13

The cash he got for the drugs was marked.

0:53:180:53:20

Gatehouse had been buying it all with police money.

0:53:200:53:22

So if Gatehouse was working for Harvey Wratten,

0:53:220:53:26

then Harvey Wratten was working for us.

0:53:260:53:29

And that's why I didn't log the operation the night we went out.

0:53:320:53:35

I didn't want anyone from our side to know we were looking,

0:53:350:53:39

but, as it turned out...

0:53:390:53:41

Someone already did.

0:53:410:53:43

And that's what got me shot.

0:53:480:53:50

Whoever it was had the money marked.

0:53:500:53:52

And his name will be on that file.

0:53:520:53:55

You pull the cord on that

0:53:550:53:56

and by the time you get to see it, it won't even exist.

0:53:560:53:59

No, your judgement was right in the first place.

0:54:000:54:05

The key to this...

0:54:050:54:06

..is Gatehouse.

0:54:100:54:12

HEART MONITOR BEEPS

0:54:120:54:15

Don't worry.

0:54:460:54:48

It'll be over in a heartbeat.

0:54:500:54:52

Beep...

0:56:070:56:09

Beep...

0:56:120:56:13

Beep...

0:56:150:56:16

Beep!

0:56:160:56:18

BONES CRUNCH

0:56:210:56:22

BONES CRACK

0:56:240:56:25

# Oh, hide me deeper

0:58:250:58:33

# In your peace further... #

0:58:330:58:42

Subtitles by Red Bee Media Ltd

0:58:480:58:51

E-mail [email protected]

0:58:510:58:54

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