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I want you, that's what I want. | 0:00:02 | 0:00:04 | |
I'm sorry, this keeps happening. | 0:00:04 | 0:00:07 | |
I do not love you, Connie. | 0:00:07 | 0:00:11 | |
- Hector raped me! - We need to go to the police. - No! | 0:00:11 | 0:00:13 | |
- It's absolutely finished. - Who? | 0:00:13 | 0:00:16 | |
Just this girl. It doesn't matter, it's over. | 0:00:16 | 0:00:18 | |
This programme contains strong language | 0:00:28 | 0:00:35 | |
NARRATOR: Richie had not been able to get Hector out of his head | 0:01:26 | 0:01:29 | |
since he found out that he had raped Connie. | 0:01:29 | 0:01:31 | |
He wondered why Hector had done it. | 0:01:32 | 0:01:35 | |
He also wondered if Connie had enjoyed it. | 0:01:36 | 0:01:39 | |
- You miss me? - Get us a drink. | 0:01:39 | 0:01:42 | |
- You miss me? - A little bit. | 0:01:42 | 0:01:46 | |
This much. | 0:01:46 | 0:01:48 | |
MAN: You want another Coke? | 0:01:51 | 0:01:53 | |
I want to see you in some dresses. | 0:01:53 | 0:01:55 | |
MAN: Give us a kiss. WOMAN: Maybe later. | 0:02:09 | 0:02:10 | |
- Come on. - No. | 0:02:10 | 0:02:12 | |
PHONE RINGS | 0:02:15 | 0:02:17 | |
MAN: Are you gonna answer that? | 0:02:22 | 0:02:24 | |
- Who is it? - It's just Connie. | 0:02:24 | 0:02:26 | |
I'll call her back later. | 0:02:26 | 0:02:28 | |
Connie, is that your girlfriend? | 0:02:28 | 0:02:30 | |
No, Connie... She's with a guy called Ali. | 0:02:30 | 0:02:33 | |
Ali? Is he an Arab? | 0:02:33 | 0:02:35 | |
You're so racist. | 0:02:36 | 0:02:38 | |
Richie, I don't give a fuck if she's rooting some Arab. | 0:02:38 | 0:02:40 | |
He's Australian. He was born here. | 0:02:40 | 0:02:42 | |
Oh, yeah, they all were, weren't they? | 0:02:42 | 0:02:46 | |
I know you and me don't have the best relationship... | 0:02:46 | 0:02:48 | |
Dad, it's cool. | 0:02:48 | 0:02:49 | |
..I was only your age when your mum got pregnant... | 0:02:49 | 0:02:52 | |
- I know, Dad. - ..I fucked up and I run away. | 0:02:52 | 0:02:54 | |
But it was her decision not to tell you till you were five. Not mine. | 0:02:54 | 0:02:57 | |
I was seven. Well... you know, whatever. | 0:02:57 | 0:02:59 | |
Hey, hey. | 0:02:59 | 0:03:00 | |
You know I love you, don't you? | 0:03:01 | 0:03:03 | |
I know you're too drunk to drive. | 0:03:03 | 0:03:05 | |
I'll fly home! | 0:03:05 | 0:03:07 | |
Ta-da! | 0:03:29 | 0:03:31 | |
Tap water OK? | 0:03:34 | 0:03:35 | |
Uh, yeah, OK. | 0:03:35 | 0:03:37 | |
Thanks. | 0:03:42 | 0:03:44 | |
You want a cone? | 0:03:51 | 0:03:52 | |
I won't tell your mum. | 0:03:52 | 0:03:54 | |
Piece of shit. | 0:04:02 | 0:04:04 | |
I'll get you another one for when you graduate. | 0:04:05 | 0:04:08 | |
When's that? | 0:04:08 | 0:04:09 | |
Oh, three weeks. | 0:04:09 | 0:04:11 | |
Three weeks, sorted. | 0:04:11 | 0:04:13 | |
- I'd prefer an iPhone if you... - Yeah, I'll get you one of them. | 0:04:13 | 0:04:19 | |
Really? Seriously? | 0:04:19 | 0:04:21 | |
Righto, then, I'm done. | 0:04:25 | 0:04:27 | |
Aw! | 0:04:29 | 0:04:31 | |
'Night, son. | 0:04:42 | 0:04:44 | |
'Night... Dad. | 0:04:44 | 0:04:47 | |
HE SIGHS | 0:05:08 | 0:05:10 | |
GROANING | 0:05:37 | 0:05:39 | |
Sick, sick, sick. Fuck! | 0:05:57 | 0:06:01 | |
DANCE MUSIC ON EARPHONES | 0:06:49 | 0:06:52 | |
MUSIC FALTERS, DISTORTS | 0:06:54 | 0:06:57 | |
INDISTINCT CHATTER | 0:07:03 | 0:07:05 | |
BOY: Hey, what's the score? - I don't know. | 0:07:15 | 0:07:17 | |
What's the score? | 0:07:17 | 0:07:18 | |
GIRL: Come on, Connie. | 0:07:18 | 0:07:20 | |
Fuck! | 0:07:20 | 0:07:22 | |
CHEERING | 0:07:26 | 0:07:29 | |
Whoo! | 0:07:29 | 0:07:30 | |
BOY: Hurry up! Hurry up! | 0:07:35 | 0:07:39 | |
GROANING | 0:07:39 | 0:07:41 | |
- Hey! Hey! JENNA: Do another shot behind your head. | 0:07:41 | 0:07:44 | |
OK. | 0:07:44 | 0:07:45 | |
He got it in before. It was amazing. | 0:07:45 | 0:07:47 | |
- Go, go, go. - Connie, what the fuck! | 0:07:47 | 0:07:50 | |
KIDS: Ooh! | 0:07:50 | 0:07:52 | |
Can we talk? | 0:07:52 | 0:07:54 | |
For, like, five minutes. | 0:07:54 | 0:07:56 | |
Uh... | 0:07:56 | 0:07:58 | |
BOY: Ah! Close. | 0:07:58 | 0:08:00 | |
I, uh... had geography this morning. | 0:08:00 | 0:08:03 | |
Yeah, how'd it go? | 0:08:03 | 0:08:05 | |
Bludge. Finished with over an hour to go. | 0:08:06 | 0:08:08 | |
- Ohhh! - How's Ali? | 0:08:14 | 0:08:16 | |
CONNIE: Uh... he's good. I don't know. | 0:08:16 | 0:08:18 | |
So, do you want to go to the movies this weekend, or...? | 0:08:20 | 0:08:23 | |
I can't. I'm really busy with, um... study and stuff. | 0:08:23 | 0:08:25 | |
Or we can just hang out. We don't have to go to the movies. | 0:08:25 | 0:08:28 | |
Exams and... um... yeah, it's busy. | 0:08:28 | 0:08:31 | |
Yeah, same. | 0:08:32 | 0:08:33 | |
I mean, sometimes I feel trapped, you know? | 0:08:33 | 0:08:36 | |
Connie, if you need to talk to somebody... | 0:08:43 | 0:08:45 | |
you know, I'm... | 0:08:45 | 0:08:48 | |
I'm just... I'm trying to get through school. | 0:08:48 | 0:08:51 | |
JENNA: Connie, we need you! Come on! | 0:08:51 | 0:08:53 | |
I... | 0:08:53 | 0:08:55 | |
INDISTINCT CHATTER | 0:08:57 | 0:09:00 | |
WOMAN: So, how many tablets do I give him? | 0:09:10 | 0:09:12 | |
You give Archie one with his morning meal, one with his evening meal. | 0:09:12 | 0:09:15 | |
How? | 0:09:15 | 0:09:17 | |
Mash it up with some potato or some meats. | 0:09:17 | 0:09:20 | |
Don't expect him to get better straightaway. | 0:09:20 | 0:09:22 | |
He'll, um... he'll take a few days. | 0:09:22 | 0:09:24 | |
Come back and visit us... | 0:09:24 | 0:09:26 | |
NARRATOR: Richie wondered what it was like for Aisha, | 0:09:27 | 0:09:29 | |
being married to a rapist. | 0:09:29 | 0:09:31 | |
- How are you doing, buddy? - Yeah, good. | 0:09:31 | 0:09:33 | |
Can you sweep up the kennel room for us? | 0:09:33 | 0:09:36 | |
Got a bit of paperwork to get through before we get going. | 0:09:36 | 0:09:38 | |
Oh. | 0:09:38 | 0:09:39 | |
Sooner you do it, the sooner we can go. | 0:09:39 | 0:09:41 | |
NARRATOR: 'You don't know anything about your husband,' he thought. | 0:09:43 | 0:09:46 | |
'But I do.' | 0:09:48 | 0:09:50 | |
DOG BARKS | 0:09:50 | 0:09:53 | |
Hey, Richie. | 0:09:53 | 0:09:55 | |
Oh, hey, Aisha. Mum said to sweep. | 0:09:55 | 0:09:57 | |
Oh, thank you. | 0:09:57 | 0:09:59 | |
Oh, this one looks bad. | 0:10:04 | 0:10:06 | |
Yeah, this little lady's had a rough trot. | 0:10:06 | 0:10:08 | |
Haven't you, Jess? Come on. | 0:10:08 | 0:10:09 | |
- What happened to Jess? - She got mistreated by an owner. | 0:10:09 | 0:10:12 | |
How's Hector? Good? | 0:10:14 | 0:10:16 | |
Yeah. | 0:10:16 | 0:10:18 | |
All right, let's hit the frog and toad. I'm hungry. | 0:10:19 | 0:10:22 | |
What's for dinner? | 0:10:25 | 0:10:26 | |
Oh, was going to make bolognese, | 0:10:26 | 0:10:28 | |
but this one's not gonna be home till late again, | 0:10:28 | 0:10:30 | |
so I'll probably just stir-fry something. | 0:10:30 | 0:10:32 | |
I'm studying with Gary. | 0:10:32 | 0:10:34 | |
He thinks Gary's cool. | 0:10:34 | 0:10:35 | |
Yeah, yeah, Gary's a smart guy. | 0:10:35 | 0:10:37 | |
Yeah, he knows everything about English and art. | 0:10:37 | 0:10:40 | |
Um... say hi to Rosie for me. | 0:10:41 | 0:10:44 | |
See you, Jess. | 0:10:45 | 0:10:47 | |
All right, I'll see you bright and early, Aish. | 0:10:47 | 0:10:50 | |
You OK? | 0:11:01 | 0:11:02 | |
Yeah, course. | 0:11:02 | 0:11:04 | |
Well, you wasn't going to say bye, or thanks for the lift. | 0:11:05 | 0:11:08 | |
Thanks. Bye. | 0:11:08 | 0:11:10 | |
Where's Connie these days? | 0:11:12 | 0:11:13 | |
I don't know. | 0:11:15 | 0:11:16 | |
Never seem to hear of her anymore. | 0:11:16 | 0:11:18 | |
Yeah, well, she's too cool. | 0:11:18 | 0:11:20 | |
Can I go? | 0:11:22 | 0:11:23 | |
Study hard, then. | 0:11:23 | 0:11:26 | |
All right, Mum. | 0:11:26 | 0:11:27 | |
Love you. | 0:11:28 | 0:11:30 | |
What are you going to do your text analysis on? | 0:11:34 | 0:11:36 | |
Oh, I'm thinking Duchess Of Malfi by John Webster. | 0:11:38 | 0:11:40 | |
Oh, yeah. | 0:11:40 | 0:11:42 | |
What's your angle? | 0:11:42 | 0:11:44 | |
Huh? | 0:11:44 | 0:11:46 | |
Well, what happens and why? | 0:11:46 | 0:11:47 | |
Well, Ferdinand doesn't really like who his sister marries, so he disowns her. | 0:11:47 | 0:11:51 | |
Yeah, yeah, but why? | 0:11:51 | 0:11:53 | |
Well...the Duchess was widowed. | 0:11:53 | 0:11:56 | |
Yeah, but that's just facts and figures, mate. | 0:11:56 | 0:11:58 | |
I can get that straight out of the text myself. | 0:11:58 | 0:12:00 | |
You know, with this stuff, you gotta have an opinion, mate. | 0:12:00 | 0:12:03 | |
You've got to have an angle on it, you know? | 0:12:03 | 0:12:05 | |
In this life, mate, you gotta find your own voice. | 0:12:05 | 0:12:08 | |
HUGO: I want boobies, Mummy. ROSIE: Not today, sweetheart. | 0:12:08 | 0:12:10 | |
Come on, listen to me. | 0:12:10 | 0:12:12 | |
Hugo, what did we say about this week? It's a boob-free zone, mate. | 0:12:12 | 0:12:15 | |
- Hey, Richie. - Hey, Rosie. | 0:12:15 | 0:12:18 | |
How's this for a pretty picture? | 0:12:18 | 0:12:20 | |
Wh... what's this? | 0:12:20 | 0:12:21 | |
It's our new house. Isn't it gorgeous? | 0:12:21 | 0:12:24 | |
Just outside of Daylesford. | 0:12:25 | 0:12:26 | |
Go up there for a while, get some fresh air. | 0:12:26 | 0:12:28 | |
You're going? | 0:12:28 | 0:12:30 | |
Yeah. Don't worry. You can still visit. | 0:12:30 | 0:12:32 | |
Hugo'd be upset if he didn't see his Uncle Richie. | 0:12:32 | 0:12:34 | |
Well, why are you leaving Melbourne? | 0:12:34 | 0:12:36 | |
Just with everything that's been going on, Richie, | 0:12:36 | 0:12:39 | |
you know, we need a clean start. | 0:12:39 | 0:12:41 | |
Aisha said to say hello. | 0:12:44 | 0:12:45 | |
Oh, yeah? How is Aisha? | 0:12:47 | 0:12:49 | |
Oh, she seems OK. I don't know. | 0:12:49 | 0:12:53 | |
Hard one to read, huh? | 0:12:53 | 0:12:54 | |
Yeah. Mysterious, kind of. | 0:12:54 | 0:12:57 | |
HE LAUGHS Mysterious. | 0:12:57 | 0:13:00 | |
That's a word we use when really we mean cold-hearted bitch. | 0:13:00 | 0:13:03 | |
- Isn't that right, Rosie? - I'm gonna get dinner ready. | 0:13:03 | 0:13:06 | |
Sitting up there on her fuckin' high horse. | 0:13:06 | 0:13:09 | |
Yeah, yeah, Gary. | 0:13:09 | 0:13:10 | |
See, Rich, they're the people society looks after. | 0:13:13 | 0:13:18 | |
They're the people who win in this life. | 0:13:20 | 0:13:22 | |
NARRATOR: Richie felt the weight of Connie's secret bearing down on him. | 0:13:31 | 0:13:34 | |
He wished he could just release it. | 0:13:34 | 0:13:37 | |
Just whisper those three words. | 0:13:38 | 0:13:41 | |
Hey, bud, you eaten yet? | 0:13:44 | 0:13:47 | |
Plenty of stir-fry there. Heat some up in the microwave. | 0:13:47 | 0:13:50 | |
- We're all busy studying, eh? - Mm-hmm. | 0:13:52 | 0:13:55 | |
Do you know the body of a dog contains 321 bones? | 0:13:55 | 0:14:00 | |
Dad, um... said he'd buy me an iPhone for graduation. | 0:14:01 | 0:14:04 | |
Well, I'm glad you and your dad are getting along. | 0:14:05 | 0:14:08 | |
You could do with a male influence. | 0:14:08 | 0:14:10 | |
Be OK if a friend pops around for a drink tonight? | 0:14:13 | 0:14:17 | |
What friend? | 0:14:17 | 0:14:19 | |
Derek. Derek from TAFE, yeah. | 0:14:20 | 0:14:23 | |
The fat one? | 0:14:23 | 0:14:25 | |
- Derek's not fat. - Well, he's not skinny, either. | 0:14:25 | 0:14:28 | |
He has a lovely body, thank you very much. | 0:14:28 | 0:14:30 | |
RICHIE: Chubby chaser. | 0:14:30 | 0:14:32 | |
- What'd you say? - Nothing. | 0:14:32 | 0:14:33 | |
Joking. | 0:14:33 | 0:14:35 | |
Is it OK, Rich? Honest. | 0:14:35 | 0:14:37 | |
Mum, if you want to kiss fat guys, go for it. | 0:14:38 | 0:14:40 | |
SHE LAUGHS You watch yourself, you cheeky bugger. | 0:14:40 | 0:14:43 | |
So you... you seeing anyone or...? | 0:14:45 | 0:14:48 | |
Have fun, Mum. | 0:14:48 | 0:14:50 | |
NARRATOR: Richie imagined the newspaper headlines - | 0:15:16 | 0:15:19 | |
'Brilliant young man uncovers local rapist... | 0:15:19 | 0:15:23 | |
'..just in time.' | 0:15:24 | 0:15:26 | |
CAMERA SHUTTER CLICKS | 0:16:51 | 0:16:54 | |
What the fuck? | 0:16:54 | 0:16:55 | |
Hang on. Aren't you Connie's friend? | 0:16:59 | 0:17:02 | |
PHONE RINGS | 0:17:09 | 0:17:12 | |
You little prick! | 0:17:12 | 0:17:14 | |
Come here! | 0:17:14 | 0:17:16 | |
Hey! Why are you doing this, mate?! | 0:17:16 | 0:17:18 | |
You're a sicko! You'll go to jail, you're sick! | 0:17:18 | 0:17:21 | |
Excuse me? What did you say? | 0:17:21 | 0:17:22 | |
What did you say, freak?! | 0:17:22 | 0:17:25 | |
MAN: Hey, hey, hey! What's going on in here? | 0:17:25 | 0:17:27 | |
Nothing, mate, it's all good. | 0:17:27 | 0:17:29 | |
Doesn't look like nothing. If you'd step away from the cubicle door... | 0:17:29 | 0:17:32 | |
- It's not me. - Step away from the cubicle door, sir! | 0:17:32 | 0:17:34 | |
That little prick in there was taking... | 0:17:34 | 0:17:36 | |
- Come here! - Chase him and I'll call the police! | 0:17:36 | 0:17:38 | |
PHONE RINGS | 0:17:44 | 0:17:47 | |
Don't move. | 0:18:18 | 0:18:20 | |
Oh, fuck off, Lenin! Don't do that! | 0:18:22 | 0:18:24 | |
- Dude, you're like a tomato. - Yeah, well, I ran here. | 0:18:24 | 0:18:27 | |
Why? | 0:18:27 | 0:18:28 | |
I, um... I need a favour. | 0:18:28 | 0:18:30 | |
OK. PHONE RINGS | 0:18:30 | 0:18:33 | |
You can buy SIM cards here, yeah? | 0:18:38 | 0:18:40 | |
Yeah, at the counter. | 0:18:40 | 0:18:41 | |
Cool. | 0:18:41 | 0:18:43 | |
How much are they? | 0:18:43 | 0:18:44 | |
Uh... start-up kits are, like, 25 bucks. | 0:18:44 | 0:18:46 | |
Uh... I'm gonna need to see some ID. | 0:18:49 | 0:18:51 | |
Hey, can I ask you something, honestly? | 0:18:59 | 0:19:02 | |
Yeah. | 0:19:02 | 0:19:03 | |
Are you a terrorist? | 0:19:05 | 0:19:07 | |
Hey, text me later. | 0:19:08 | 0:19:11 | |
Hey, um... | 0:19:18 | 0:19:19 | |
say, hypothetically, if someone was chasing you, | 0:19:19 | 0:19:22 | |
or after you or something, | 0:19:22 | 0:19:24 | |
or anywhere you went you felt like... you know, maybe they're there... | 0:19:24 | 0:19:28 | |
OK... | 0:19:28 | 0:19:29 | |
What would you do? | 0:19:31 | 0:19:32 | |
Well, if they weren't hot, I'd probably, like, lead 'em into a trap or something. | 0:19:32 | 0:19:37 | |
Then I'd restrain them and torture them. | 0:19:37 | 0:19:39 | |
Thanks. | 0:19:40 | 0:19:42 | |
PHONE RINGS OUT | 0:19:52 | 0:19:55 | |
VOICEMAIL: Hi, you've called Connie. Leave a message. Thanks. | 0:19:56 | 0:19:59 | |
Hello, Richie. Haven't seen you for a while. | 0:20:39 | 0:20:41 | |
Tell me, how's exams? How's your mum? How's everything? | 0:20:41 | 0:20:44 | |
Yeah, Tash, I, um... | 0:20:44 | 0:20:46 | |
I just really need to see Connie. | 0:20:46 | 0:20:48 | |
Sure, sure thing. | 0:20:48 | 0:20:50 | |
- Is she in her room? - Yeah, she's just with the girls. | 0:20:50 | 0:20:52 | |
Oh. | 0:20:52 | 0:20:54 | |
CONNIE: How is the role of the supernatural | 0:20:54 | 0:20:56 | |
used to advance the tension and suspense in Wuthering Heights? | 0:20:56 | 0:20:59 | |
Oh. | 0:20:59 | 0:21:01 | |
You, uh... studying English? | 0:21:04 | 0:21:06 | |
Yeah, it's tomorrow. | 0:21:06 | 0:21:08 | |
Connie I... I need to speak to you. Now. | 0:21:12 | 0:21:15 | |
Now! THE GIRLS LAUGH | 0:21:15 | 0:21:19 | |
We're working. | 0:21:19 | 0:21:20 | |
GIRLS GIGGLE CONTINUOUSLY | 0:21:22 | 0:21:25 | |
Why are you here? | 0:21:33 | 0:21:35 | |
Can't I come over anymore? | 0:21:35 | 0:21:37 | |
Yeah, but... just studying. | 0:21:37 | 0:21:39 | |
Well, I take English too. | 0:21:39 | 0:21:42 | |
Yeah, well, you should be at home studying | 0:21:42 | 0:21:44 | |
instead of walking around like a freak. | 0:21:44 | 0:21:46 | |
I can't concentrate. | 0:21:46 | 0:21:47 | |
Why? | 0:21:49 | 0:21:50 | |
Because I think you need to tell someone what happened, Connie. | 0:21:52 | 0:21:56 | |
You need to come clean about that guy. | 0:21:56 | 0:21:58 | |
Richie. | 0:21:58 | 0:21:59 | |
Think about all the other girls Hector's probably preying on right now. | 0:21:59 | 0:22:03 | |
This is my situation. I'm dealing with it, OK? | 0:22:03 | 0:22:07 | |
If you don't say anything, I will go to the police. | 0:22:09 | 0:22:11 | |
Don't. | 0:22:13 | 0:22:15 | |
Connie, you have to say something. | 0:22:15 | 0:22:18 | |
Hector should be in jail. | 0:22:19 | 0:22:21 | |
Just forget about it. | 0:22:25 | 0:22:27 | |
JENNA: What are you two gossiping about? TINA: Can we join in? | 0:22:27 | 0:22:30 | |
GIRLS GIGGLE | 0:22:30 | 0:22:32 | |
JENNA: Are you going to come inside? | 0:22:32 | 0:22:33 | |
GIRLS GIGGLE | 0:22:35 | 0:22:39 | |
DOOR CLOSES | 0:22:39 | 0:22:41 | |
This has got to stop, mate. | 0:22:58 | 0:23:01 | |
- What does? - All of it. | 0:23:02 | 0:23:04 | |
Hanging out at Rosie and Gary's, the after-school socialising, | 0:23:04 | 0:23:07 | |
bloody babysitting for everyone in Northcote. | 0:23:07 | 0:23:09 | |
Yeah, cool. | 0:23:09 | 0:23:11 | |
- You've got English tomorrow. - Yeah, well, English is easy. | 0:23:11 | 0:23:14 | |
Oh, well, you better get a top mark then. | 0:23:14 | 0:23:16 | |
PHONE RINGS | 0:23:16 | 0:23:18 | |
Hello. | 0:23:19 | 0:23:20 | |
Uh... yeah, hang on. | 0:23:22 | 0:23:24 | |
It's Hector, for you. | 0:23:25 | 0:23:26 | |
Um, no, I've got to study. | 0:23:26 | 0:23:29 | |
Hector? | 0:23:32 | 0:23:33 | |
Fuck... Can you knock? Far out! | 0:23:44 | 0:23:47 | |
Chicken noodle soup with greens. | 0:23:48 | 0:23:51 | |
What you working on? | 0:23:54 | 0:23:55 | |
Research. | 0:23:55 | 0:23:57 | |
Listen, whatever's going on with you, Richie, I don't care. | 0:24:00 | 0:24:04 | |
You know? But there are no secrets in this house, remember? | 0:24:04 | 0:24:07 | |
Yes, I do remember. | 0:24:07 | 0:24:10 | |
You want to tell me something, then? | 0:24:12 | 0:24:14 | |
No. | 0:24:15 | 0:24:16 | |
Everybody's different. | 0:24:18 | 0:24:21 | |
There's nothing wrong with being different. | 0:24:21 | 0:24:23 | |
I... I just don't know how to say it. | 0:24:27 | 0:24:31 | |
TRACEY: Just say it. | 0:24:33 | 0:24:35 | |
It's... | 0:24:40 | 0:24:41 | |
I'm just a freak sometimes. That's all. | 0:24:47 | 0:24:50 | |
No, you're not, honey. | 0:24:50 | 0:24:52 | |
You're just you. | 0:24:52 | 0:24:54 | |
Beautiful, unique you. | 0:24:54 | 0:24:56 | |
- What did Hector say? - Hey? | 0:25:01 | 0:25:03 | |
Oh, something about needing a babysitter. | 0:25:03 | 0:25:06 | |
You'd think they'd know. | 0:25:06 | 0:25:08 | |
Pens down, please. | 0:25:44 | 0:25:46 | |
Close books. | 0:25:46 | 0:25:47 | |
And you may leave now. | 0:25:51 | 0:25:52 | |
CHEERING, CHATTER | 0:26:02 | 0:26:05 | |
HE CHUCKLES | 0:26:50 | 0:26:52 | |
- Ah, you can keep that. - Hey! | 0:26:52 | 0:26:53 | |
Don't let the bastards get you down. | 0:26:53 | 0:26:55 | |
- You know who first said that? - Who? | 0:26:55 | 0:26:57 | |
British Army Intelligence in the Second World War. | 0:26:57 | 0:27:00 | |
HE LAUGHS | 0:27:00 | 0:27:01 | |
- Ah! - Richie! | 0:27:01 | 0:27:03 | |
My little monkey! | 0:27:03 | 0:27:04 | |
- How'd your exam go? - Ah, smashed it! | 0:27:04 | 0:27:06 | |
- Is that good? - Yeah. | 0:27:06 | 0:27:08 | |
I, um... I might take Hugo to the park for a bit. | 0:27:08 | 0:27:10 | |
Well, are you sure you don't want to go home? | 0:27:10 | 0:27:12 | |
I'm sure your mum wants to see you. | 0:27:12 | 0:27:14 | |
Did you use that stuff I said about the afterlife? | 0:27:14 | 0:27:16 | |
Yeah, I used all the stuff you said, Gary. | 0:27:16 | 0:27:18 | |
- Awesome. - Are you sure you want to go? | 0:27:18 | 0:27:20 | |
Oh, yeah, I don't mind, Rosie. | 0:27:20 | 0:27:21 | |
I'm just hanging out with my little monkey! | 0:27:21 | 0:27:23 | |
HUGO: Let's kick-to-kick, let's go! | 0:27:24 | 0:27:27 | |
- Ball. - Yeah. | 0:27:28 | 0:27:31 | |
I can kick bigger than you. | 0:27:35 | 0:27:37 | |
NARRATOR: Richie yearned for a moment of innocence, | 0:27:39 | 0:27:42 | |
to be a child again. | 0:27:42 | 0:27:45 | |
Can't get it past me. | 0:27:48 | 0:27:49 | |
Ah, yes I can. Ready? | 0:27:49 | 0:27:51 | |
NARRATOR: But how long would it be before Hector found him, | 0:27:51 | 0:27:54 | |
before they all found out the truth, | 0:27:54 | 0:27:57 | |
that he was a sick pervert? | 0:27:57 | 0:28:00 | |
HUGO: I beat you. - Ah, whatever. | 0:28:03 | 0:28:05 | |
I'm bigger than you. | 0:28:09 | 0:28:11 | |
I think you have an unfair advantage. | 0:28:11 | 0:28:15 | |
- Hugo! - Got ya. | 0:28:15 | 0:28:17 | |
You apologise! | 0:28:17 | 0:28:18 | |
I... I'm so sorry, sir. | 0:28:18 | 0:28:20 | |
- Hugo, you apologise now. - (WHINES) No. | 0:28:20 | 0:28:23 | |
- Apologise now! - No! | 0:28:23 | 0:28:24 | |
- Say you're sorry! - No! | 0:28:24 | 0:28:27 | |
Right. | 0:28:27 | 0:28:28 | |
- It hurts! - I don't care! | 0:28:30 | 0:28:33 | |
Listen, you do not do that! You do not spit on people! | 0:28:33 | 0:28:37 | |
HUGO: Mummy! Mummy! | 0:28:37 | 0:28:39 | |
Honey, what happened? | 0:28:39 | 0:28:42 | |
GARY: Hey, what's going on? - Richie hurt me. | 0:28:42 | 0:28:44 | |
I... No, I didn't. I... | 0:28:44 | 0:28:46 | |
He spat on an old man and I told him off for it. | 0:28:46 | 0:28:48 | |
- That's what happened. - I can't believe that. | 0:28:48 | 0:28:51 | |
- Did the old man scare you, sweetie? - Mmm... Mummy. | 0:28:51 | 0:28:54 | |
GARY: Hugo. Did you spit on an old man? - Richie hurt me. | 0:28:54 | 0:28:57 | |
Hugo, what are you doing? You don't spit on old men. | 0:28:57 | 0:28:59 | |
I'll just take him to play with his truck. | 0:28:59 | 0:29:01 | |
HUGO CRIES | 0:29:01 | 0:29:03 | |
Want a beer? | 0:29:07 | 0:29:09 | |
I'm not gonna have one but you can have one. | 0:29:09 | 0:29:11 | |
- You friends now? - I'm sorry. | 0:29:18 | 0:29:20 | |
You are sorry, aren't you, Richie? | 0:29:20 | 0:29:21 | |
Yes, I'm sorry. | 0:29:21 | 0:29:23 | |
See? Richie's sorry. | 0:29:23 | 0:29:25 | |
Give him a quick kiss. | 0:29:25 | 0:29:26 | |
There you go, come on. | 0:29:26 | 0:29:28 | |
Help me do this one. Just take off the little ends. | 0:29:30 | 0:29:32 | |
The ones that you don't like. | 0:29:32 | 0:29:34 | |
Hey, can you help Mummy do this? | 0:29:34 | 0:29:36 | |
You all right, mate? | 0:29:36 | 0:29:38 | |
Drink your beer. | 0:29:41 | 0:29:42 | |
Mate, we know you wouldn't ever do anything to hurt Hugo. | 0:29:46 | 0:29:49 | |
What's going on, Richie? Are you OK? | 0:29:51 | 0:29:53 | |
I, um... I saw Hector at the pool. | 0:29:58 | 0:30:00 | |
What's... what's Hector got to do with any of this? | 0:30:02 | 0:30:04 | |
GARY: Did he say something to Hugo? | 0:30:06 | 0:30:08 | |
Richie? | 0:30:09 | 0:30:11 | |
It's, um... It's what he did to Connie. | 0:30:12 | 0:30:16 | |
I... I can't stop thinking about it. | 0:30:16 | 0:30:19 | |
Go to your room, sweetheart. | 0:30:19 | 0:30:21 | |
What did he do to Connie? | 0:30:23 | 0:30:24 | |
Richie, what did Hector do to Connie? | 0:30:26 | 0:30:28 | |
Hector raped Connie. | 0:30:33 | 0:30:35 | |
ROSIE GASPS | 0:30:45 | 0:30:47 | |
Let's go. | 0:30:56 | 0:30:58 | |
Now! | 0:31:00 | 0:31:02 | |
You are gonna tell that stuck-up bitch exactly what kind of man her husband is! | 0:31:02 | 0:31:07 | |
And you're gonna come and tell 'em exactly what you just told us! | 0:31:07 | 0:31:10 | |
Do you understand? | 0:31:10 | 0:31:11 | |
You fuckin' wait till she hears this. | 0:31:12 | 0:31:14 | |
You wait till she finds out the truth, huh? | 0:31:14 | 0:31:17 | |
Rosie. | 0:31:17 | 0:31:19 | |
This should come from you. | 0:31:26 | 0:31:28 | |
GARY: Sick fuck. | 0:31:35 | 0:31:37 | |
I hope he goes to jail and gets the treatment. | 0:31:37 | 0:31:39 | |
I hope they surround him in the laundry room. | 0:31:39 | 0:31:41 | |
ROSIE: Gary, Hugo's there. | 0:31:41 | 0:31:42 | |
GARY: So what? Let him hear it. | 0:31:42 | 0:31:44 | |
God knows, these are the people that kids have to stay away from. | 0:31:44 | 0:31:48 | |
Where's Aisha? | 0:31:50 | 0:31:51 | |
What's wrong? | 0:31:51 | 0:31:53 | |
Where the fuck is Aisha? | 0:31:53 | 0:31:54 | |
It's the waiting room, Gary. Behave yourself. | 0:31:54 | 0:31:57 | |
- I want to speak to Aisha. - She's busy. She's in the consult. | 0:31:57 | 0:31:59 | |
- Oh, is she? She's in a consult? - Well, this is her work. | 0:31:59 | 0:32:02 | |
- OK, fine! I'm in a consult too, then. - You can't go in there. | 0:32:02 | 0:32:05 | |
You know what, I'm happy to say this out here. | 0:32:05 | 0:32:07 | |
I'll let her know you're here. | 0:32:07 | 0:32:09 | |
Sorry, Aish, you just got, um... Rosie and Gary here. | 0:32:10 | 0:32:13 | |
OK, well, just put the machine on and go and check on Jess for me. | 0:32:13 | 0:32:18 | |
- Hey, Huges, how's it going? - Good. | 0:32:18 | 0:32:22 | |
What's this about? | 0:32:24 | 0:32:26 | |
It's about an animal you're married to. | 0:32:26 | 0:32:28 | |
- Oh, Gary, don't be an idiot. - Oh, of course. I'm the idiot. | 0:32:28 | 0:32:31 | |
Cos Hector's shit doesn't stink, does it? | 0:32:31 | 0:32:33 | |
You keep your voice down. This is where I work. | 0:32:33 | 0:32:35 | |
Do you know that Hector raped Connie? | 0:32:38 | 0:32:40 | |
I don't believe that for a second. | 0:32:46 | 0:32:48 | |
Tell her. | 0:32:49 | 0:32:50 | |
Go on, tell her. | 0:32:50 | 0:32:52 | |
What do you have to tell me, Richie? | 0:32:52 | 0:32:54 | |
What's wrong? | 0:32:58 | 0:33:00 | |
Richie seems to think that... | 0:33:00 | 0:33:02 | |
that Hector did something to you, something terrible. | 0:33:02 | 0:33:06 | |
Terrible? He raped her! | 0:33:06 | 0:33:08 | |
Is this true? | 0:33:08 | 0:33:09 | |
No, I swear. I swear. I've no idea what he's talking about. | 0:33:11 | 0:33:13 | |
What the fuck is this about, Richie? What did you say? | 0:33:13 | 0:33:16 | |
- Well, did he rape you or not? - No! | 0:33:16 | 0:33:18 | |
I've no idea what he's talking about. He's making it up! | 0:33:18 | 0:33:20 | |
- Aisha, I promise you. - OK. | 0:33:20 | 0:33:22 | |
He's obsessed with Hector. He's sick, he... | 0:33:22 | 0:33:25 | |
He stole a photo out of your album, a photo of Hector, | 0:33:25 | 0:33:28 | |
and he stares at it all day. And he goes to the pool just so he can perve at Hector. | 0:33:28 | 0:33:31 | |
He's sick, he's fucking sick! | 0:33:31 | 0:33:33 | |
GARY: What's going on here, mate? | 0:33:34 | 0:33:36 | |
Richie? | 0:33:36 | 0:33:38 | |
Rosie... | 0:33:43 | 0:33:44 | |
..you take Hugo home. | 0:33:45 | 0:33:47 | |
He shouldn't have to hear this. | 0:33:47 | 0:33:50 | |
Just fucking go and get out of my life! | 0:33:52 | 0:33:55 | |
Go! | 0:33:57 | 0:33:58 | |
Get up. | 0:34:15 | 0:34:17 | |
Get up. | 0:34:18 | 0:34:19 | |
TRACEY: Is this true? | 0:34:22 | 0:34:23 | |
You told all these lies cos of some sex obsession with Hector? | 0:34:25 | 0:34:28 | |
I'm so ashamed of you. | 0:34:31 | 0:34:33 | |
You get up and you say sorry. | 0:34:34 | 0:34:37 | |
Get up. | 0:34:37 | 0:34:38 | |
Get up! Get up! | 0:34:39 | 0:34:42 | |
Rich! | 0:34:42 | 0:34:44 | |
Aisha, I'm sorry. | 0:34:52 | 0:34:54 | |
Come here. | 0:34:55 | 0:34:57 | |
I want my keys. | 0:35:05 | 0:35:07 | |
You don't work here anymore. | 0:35:13 | 0:35:15 | |
Put the phones back on, and bring the next patient through when they come. | 0:35:19 | 0:35:23 | |
HE GASPS, BREATHES HEAVILY | 0:36:08 | 0:36:11 | |
HE CRIES | 0:36:14 | 0:36:17 | |
TAP DRIPS | 0:36:19 | 0:36:22 | |
NARRATOR: There were three things that made Richie not want to die - | 0:36:40 | 0:36:44 | |
the dipped, dipped of drops of water falling from the tap... | 0:36:45 | 0:36:49 | |
..the sunlight reflected through the window... | 0:36:53 | 0:36:56 | |
..and the thought of his mother alone in that house | 0:36:59 | 0:37:04 | |
blaming herself for the death of her son. | 0:37:04 | 0:37:07 | |
Mum? | 0:37:15 | 0:37:17 | |
Rich? | 0:37:30 | 0:37:31 | |
Oh! | 0:37:35 | 0:37:36 | |
Now what have you done? What have you done? | 0:37:36 | 0:37:39 | |
Just get it out! Get it out, mate! | 0:37:41 | 0:37:43 | |
Come on! Help me, buddy! | 0:37:43 | 0:37:46 | |
Oh! Oh! | 0:37:47 | 0:37:49 | |
SHE CRIES | 0:37:49 | 0:37:51 | |
Here! Here! | 0:37:51 | 0:37:52 | |
Just... | 0:37:52 | 0:37:53 | |
You keep breathing, you hear me? | 0:37:53 | 0:37:56 | |
You keep breathing! | 0:37:56 | 0:37:58 | |
SHE CRIES | 0:37:58 | 0:38:00 | |
Come on, come on, come. Come on. | 0:38:00 | 0:38:04 | |
You are not leaving me. | 0:38:04 | 0:38:06 | |
I'm sorry I hit you. I will never do that again. | 0:38:08 | 0:38:12 | |
I've never hit you before, have I? | 0:38:12 | 0:38:14 | |
Hey? | 0:38:14 | 0:38:15 | |
I smacked you a couple of times when you was a young bubba. | 0:38:15 | 0:38:18 | |
I smacked you once when you was gonna put your hand through a candle flame. | 0:38:18 | 0:38:21 | |
And I remember smacking you once on the bum when you was rude to your nan. | 0:38:21 | 0:38:25 | |
But I never hit you, never hit you, never done that. | 0:38:25 | 0:38:29 | |
Oh, we're nearly there. | 0:38:29 | 0:38:31 | |
I... I'm sorry, Mum. | 0:38:32 | 0:38:34 | |
I love you so much. | 0:38:34 | 0:38:36 | |
I am so proud of who you are. | 0:38:37 | 0:38:39 | |
Not what you did to Hector and Aish. | 0:38:39 | 0:38:42 | |
Hector's a married man, babe. He loves Aish, you know? | 0:38:42 | 0:38:45 | |
He can't love you. | 0:38:45 | 0:38:47 | |
You'll fall in love with other men. | 0:38:48 | 0:38:50 | |
Hey? | 0:38:50 | 0:38:52 | |
And many men will fall in love with you. | 0:38:52 | 0:38:54 | |
Here we are, here we are. | 0:38:58 | 0:39:01 | |
DOORBELL RINGS | 0:39:09 | 0:39:11 | |
CHATTER ON TV | 0:39:11 | 0:39:14 | |
TRACEY: Hey. CONNIE: Hi. Is Richie OK? | 0:39:14 | 0:39:16 | |
TRACEY: Yeah, he's in his room. | 0:39:16 | 0:39:18 | |
CONNIE: I went to the hospital. | 0:39:18 | 0:39:21 | |
Is he in his room? | 0:39:23 | 0:39:24 | |
Hi. | 0:39:28 | 0:39:30 | |
Hey. | 0:39:32 | 0:39:33 | |
Can I sit here? | 0:39:40 | 0:39:41 | |
Don't cry. | 0:40:08 | 0:40:10 | |
Hector didn't rape me. | 0:40:26 | 0:40:28 | |
Why did you tell me he did? | 0:40:30 | 0:40:34 | |
I wanted to hurt him. | 0:40:37 | 0:40:40 | |
I'm sorry. | 0:40:42 | 0:40:44 | |
I'm really sorry. | 0:40:47 | 0:40:48 | |
Um... | 0:40:52 | 0:40:54 | |
I got you some tickets to this festival. | 0:40:54 | 0:41:02 | |
It's, um... gonna be really fun. | 0:41:02 | 0:41:07 | |
Ali and I are going and we got you a ticket. | 0:41:08 | 0:41:10 | |
Um... | 0:41:13 | 0:41:14 | |
OK, um... | 0:41:28 | 0:41:30 | |
OK. | 0:42:07 | 0:42:09 | |
- Hi. - Richie. | 0:42:37 | 0:42:38 | |
Is Aisha in? | 0:42:40 | 0:42:42 | |
No, mate. | 0:42:42 | 0:42:43 | |
I, um... | 0:42:44 | 0:42:46 | |
I just wanted to apologise for what happened. | 0:42:46 | 0:42:49 | |
Uh-huh. | 0:42:49 | 0:42:50 | |
I went kind of crazy. | 0:42:50 | 0:42:53 | |
Yeah. | 0:42:53 | 0:42:54 | |
If you want to keep going to the pool, it's OK, I won't go anymore. | 0:42:59 | 0:43:03 | |
HE LAUGHS | 0:43:04 | 0:43:06 | |
HE LAUGHS | 0:43:08 | 0:43:10 | |
Sorry. Sorry, Hector. | 0:43:10 | 0:43:12 | |
Yeah. | 0:43:13 | 0:43:15 | |
We're all sorry, mate. | 0:43:15 | 0:43:17 | |
When's Mum coming back? | 0:43:24 | 0:43:26 | |
I told you not to say that. | 0:43:26 | 0:43:28 | |
Soon, monkey. Want some banana? | 0:43:28 | 0:43:30 | |
Huh. | 0:43:36 | 0:43:38 | |
Long message, Mum. | 0:43:40 | 0:43:42 | |
Oh, had a lot to say. | 0:43:42 | 0:43:44 | |
Well, I love you too. | 0:43:44 | 0:43:45 | |
I love you so much, my boy. | 0:43:45 | 0:43:47 | |
CHAMPAGNE CORK POPS Craig! | 0:43:47 | 0:43:50 | |
Oh, it's good when it spills. It's like the Grand Prix. | 0:43:50 | 0:43:53 | |
- Tracey. - Idiot. | 0:43:55 | 0:43:57 | |
- Legend. - All right. | 0:43:57 | 0:43:58 | |
It's a bit warm, but it'll do the trick. | 0:43:58 | 0:44:00 | |
Well, come on, open your pressie. Here you go. | 0:44:00 | 0:44:02 | |
Wow! | 0:44:06 | 0:44:08 | |
- Is that the one? - Yes! This is the one! | 0:44:08 | 0:44:10 | |
Yeah, that's the one he said. | 0:44:10 | 0:44:12 | |
Mate, your dad and me split the cost. | 0:44:12 | 0:44:14 | |
Now, come on. You can play with it after. | 0:44:14 | 0:44:16 | |
Cheers your mum and dad, please. | 0:44:16 | 0:44:17 | |
- All right. - Come on. | 0:44:17 | 0:44:19 | |
- Cheers. - Good on you, legend. | 0:44:19 | 0:44:21 | |
DOORBELL RINGS | 0:44:21 | 0:44:22 | |
Mmm. I'll get that. Hang on. | 0:44:22 | 0:44:25 | |
So, is your mum, um... seeing anyone at the moment? | 0:44:31 | 0:44:34 | |
- Yeah. - She is? | 0:44:34 | 0:44:37 | |
- Seeing a bloke? - Mm-hmm. | 0:44:37 | 0:44:39 | |
- Good. TRACEY: Your friends are here, Rich. | 0:44:41 | 0:44:43 | |
That's a surprise. | 0:44:45 | 0:44:46 | |
CONNIE: Oh, my God, how rude. | 0:44:52 | 0:44:54 | |
Hey. | 0:44:54 | 0:44:56 | |
Hi. | 0:44:56 | 0:44:57 | |
Are you coming? | 0:44:57 | 0:44:59 | |
Uh... where? | 0:44:59 | 0:45:00 | |
To the festival. | 0:45:00 | 0:45:02 | |
Oh, Connie... | 0:45:02 | 0:45:04 | |
Oh, come on, please. | 0:45:04 | 0:45:06 | |
It's all right. You go. | 0:45:08 | 0:45:10 | |
HE BEATBOXES Who's in the house? | 0:45:14 | 0:45:16 | |
Richie's in the house! | 0:45:16 | 0:45:19 | |
Oh! | 0:45:19 | 0:45:20 | |
CONNIE LAUGHS | 0:45:20 | 0:45:21 | |
Ohh... | 0:45:21 | 0:45:23 | |
All right, give me a sec. | 0:45:23 | 0:45:25 | |
# ELECTRONIC DANCE MUSIC | 0:45:25 | 0:45:28 | |
CHEERING | 0:46:03 | 0:46:05 | |
# ELECTRONIC DANCE MUSIC | 0:46:09 | 0:46:12 | |
MOUTHS | 0:46:34 | 0:46:36 | |
# HEAVY BASS BEAT | 0:46:55 | 0:46:57 | |
CONNIE LAUGHS | 0:46:57 | 0:46:59 | |
CROWD CHEERS, WHISTLES | 0:47:09 | 0:47:12 | |
# GUITAR MUSIC | 0:47:14 | 0:47:17 | |
BOY: What time is it? | 0:47:28 | 0:47:29 | |
CONNIE: Oh, it's still early. | 0:47:29 | 0:47:31 | |
Far out. | 0:47:36 | 0:47:38 | |
Should come over more often. Mum'll fatten you up. | 0:47:40 | 0:47:42 | |
Sure! Anytime. | 0:47:42 | 0:47:44 | |
Mrs Faisal's awesome, isn't she? | 0:47:44 | 0:47:47 | |
SHE LAUGHS | 0:47:48 | 0:47:50 | |
All right. Do you want to go inside? | 0:47:50 | 0:47:53 | |
Um... I think I'll wait out here with Lenin. | 0:47:56 | 0:47:59 | |
Trippers. | 0:48:01 | 0:48:02 | |
- Goodnight, guys. Love you. - Bye. | 0:48:02 | 0:48:05 | |
Love you. Thanks. | 0:48:05 | 0:48:06 | |
It was fuckin' awesome, wasn't it? | 0:48:28 | 0:48:30 | |
Man, my mouth is really dry. | 0:48:39 | 0:48:42 | |
Fuck. | 0:48:54 | 0:48:56 | |
I'm not, uh... I'm not working Tuesday. | 0:48:59 | 0:49:02 | |
How about you? | 0:49:04 | 0:49:06 | |
Um... no. | 0:49:06 | 0:49:09 | |
Do you want to just come around, just hang out? Watch a DVD? | 0:49:10 | 0:49:14 | |
- Only if you want to. - Sure. | 0:49:14 | 0:49:16 | |
Hey. Is that a joint? | 0:49:19 | 0:49:21 | |
No. | 0:49:21 | 0:49:23 | |
Oh. Trippers. | 0:49:23 | 0:49:25 | |
TOILET FLUSHES | 0:50:10 | 0:50:13 | |
- Richie. - Uh... Derek. | 0:50:15 | 0:50:17 | |
G'day. | 0:50:17 | 0:50:18 | |
You're looking well. | 0:50:18 | 0:50:20 | |
Goodnight, young man. | 0:50:20 | 0:50:22 | |
# ANGUS AND JULIA STONE: Babylon | 0:50:51 | 0:50:54 | |
# So rest your head | 0:51:36 | 0:51:39 | |
# You're all mine | 0:51:43 | 0:51:45 | |
# And I stay awake | 0:51:51 | 0:51:54 | |
# I won't go home | 0:51:57 | 0:52:01 | |
# Let's go on holidays | 0:52:04 | 0:52:07 | |
# To burn this town | 0:52:11 | 0:52:15 | |
# She's my Babylon | 0:52:18 | 0:52:20 | |
# So rest your heart | 0:52:32 | 0:52:35 | |
# You're all mine | 0:52:39 | 0:52:41 | |
# Because if you walk away | 0:52:46 | 0:52:49 | |
# I fall on down | 0:52:53 | 0:52:56 | |
# And bleed reddest blood | 0:53:00 | 0:53:02 | |
# Red as wine | 0:53:07 | 0:53:08 | |
# She's my Babylon | 0:53:13 | 0:53:15 | |
# No, I don't want to see you go | 0:53:22 | 0:53:29 | |
# No, I don't want to be alone. # | 0:53:36 | 0:53:43 | |
AISHA SIGHS | 0:53:58 | 0:54:00 | |
# INSTRUMENTAL MUSIC | 0:54:08 | 0:54:11 |