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THIS PROGRAMME CONTAINS STRONG LANGUAGE Rosie's going to press charges. | 0:00:02 | 0:00:04 | |
-THIS PROGRAMME CONTAINS STRONG LANGUAGE -You're coming. -It's difficult. | 0:00:04 | 0:00:09 | |
When Hugo was six weeks old, did you leave him alone in the house | 0:00:09 | 0:00:13 | |
and drive two hours away to a hotel on the Mornington Peninsula? | 0:00:13 | 0:00:16 | |
-I'm sick of everyone excusing that man, just because he's your fucking cousin! -All right. | 0:00:16 | 0:00:20 | |
I'll never forgive Harry for what he did, | 0:00:20 | 0:00:21 | |
and it's not that slap. | 0:00:21 | 0:00:23 | |
CAR TYRES SCREECH | 0:01:42 | 0:01:43 | |
DOG BARKS | 0:01:44 | 0:01:46 | |
The hearing was over | 0:01:48 | 0:01:49 | |
and that chapter of their lives had closed. | 0:01:49 | 0:01:53 | |
But for Aisha, nothing was settled or resolved. | 0:01:53 | 0:01:56 | |
Instead it was as if dogs were prowling the neighbourhood in the night, | 0:01:56 | 0:02:00 | |
digging up things long buried. | 0:02:00 | 0:02:03 | |
TYRES SCREECH, HORN BLARES | 0:02:11 | 0:02:13 | |
Can somebody help this lady?! | 0:02:13 | 0:02:15 | |
What's going on? What's happening? | 0:02:16 | 0:02:18 | |
Oh, Jesus, Sandi. | 0:02:19 | 0:02:21 | |
-It's OK, it's OK. -SANDI CRIES HYSTERICALLY | 0:02:21 | 0:02:25 | |
Come on. Let's get you inside. | 0:02:25 | 0:02:27 | |
GUITAR STRUMS | 0:02:36 | 0:02:38 | |
# Sound of their breath fades with the light... # | 0:02:38 | 0:02:42 | |
STRUMS CHORD | 0:02:43 | 0:02:45 | |
-Hey, that's really good. -Thanks. | 0:02:45 | 0:02:47 | |
# Sometimes when this place gets kind of empty... # | 0:02:47 | 0:02:52 | |
PHONE RINGS OUT | 0:03:00 | 0:03:02 | |
AISHA EXHALES | 0:03:02 | 0:03:05 | |
-Hello? -Hey, Gary, it's Aish. | 0:03:10 | 0:03:13 | |
How are you? | 0:03:13 | 0:03:15 | |
Rosie's just gone out. I'll tell her you rang. | 0:03:15 | 0:03:18 | |
AISHA SIGHS | 0:03:18 | 0:03:19 | |
Um... Well, I need to speak to her. When do you think she'll be back? | 0:03:19 | 0:03:23 | |
Well, I can't say exactly. | 0:03:25 | 0:03:27 | |
She's there, isn't she? | 0:03:29 | 0:03:31 | |
What? No, she's not. I said I'll give her the message. | 0:03:31 | 0:03:34 | |
OK. | 0:03:35 | 0:03:36 | |
HECTOR CRIES IN DISTANCE | 0:03:43 | 0:03:46 | |
HECTOR CRIES CONTINUOUSLY | 0:03:49 | 0:03:52 | |
HECTOR MOANS | 0:03:57 | 0:03:59 | |
Hector? | 0:03:59 | 0:04:00 | |
HECTOR CRIES CONTINUOUSLY | 0:04:00 | 0:04:03 | |
A postcard from Yiayia. She misses us. | 0:04:19 | 0:04:22 | |
I'm sure she does. Come and eat. | 0:04:22 | 0:04:24 | |
Adam, food! | 0:04:25 | 0:04:26 | |
I made you guys chicken kalia and satini for tonight. | 0:04:26 | 0:04:29 | |
All you gotta do is cook the rice. | 0:04:29 | 0:04:30 | |
Oh, you said we could have pizza. | 0:04:30 | 0:04:32 | |
-"Dear Mel..." -We'll see, OK? | 0:04:32 | 0:04:34 | |
"..and Adam. | 0:04:34 | 0:04:36 | |
-"This is the Ac... Ac...ropolis." -Acropolis. | 0:04:36 | 0:04:41 | |
-Get your schoolbag. -I don't know where my trainers are. -Why don't you just follow the smell? | 0:04:41 | 0:04:45 | |
-Oh, well. -AISHA LAUGHS | 0:04:45 | 0:04:48 | |
HIP-HOP BLARES | 0:04:48 | 0:04:49 | |
Mate, turn that crap off. That's not music. | 0:04:49 | 0:04:51 | |
Want a lift? | 0:04:53 | 0:04:55 | |
No, I said I'd drop the keys to Anouk, so I've booked a taxi. | 0:04:55 | 0:04:57 | |
-No, I can take you. -Oh. OK. | 0:04:57 | 0:04:59 | |
Guys, so I'll be at the conference for two days | 0:04:59 | 0:05:02 | |
and then Dad and I will be having a holiday for the entire weekend. | 0:05:02 | 0:05:05 | |
That's five days. | 0:05:05 | 0:05:07 | |
It'll be over before you know it. | 0:05:09 | 0:05:12 | |
I love you. | 0:05:13 | 0:05:15 | |
Aish! | 0:05:16 | 0:05:17 | |
-Thanks for looking after them. -It's absolutely fine. | 0:05:17 | 0:05:20 | |
Is it terrible to say that I don't really feel like going? | 0:05:23 | 0:05:26 | |
I've been trying to call you for weeks. | 0:05:30 | 0:05:33 | |
-Oh, I've interrupted you. -No, no, no. | 0:05:35 | 0:05:37 | |
No, look, I was just going to drop the keys... | 0:05:37 | 0:05:39 | |
It's fine. It's OK, Aish, you can stay. | 0:05:39 | 0:05:41 | |
You're upset with me. | 0:05:47 | 0:05:50 | |
I'm just going to check my emails. | 0:05:52 | 0:05:54 | |
I was worried about you. Are you OK? | 0:05:57 | 0:05:59 | |
I'm just trying to get on with things, you know? | 0:05:59 | 0:06:03 | |
Yeah. | 0:06:03 | 0:06:04 | |
You didn't call me back. | 0:06:04 | 0:06:07 | |
ROSIE SIGHS | 0:06:07 | 0:06:08 | |
I've got to go. | 0:06:12 | 0:06:14 | |
No, no, no, don't go. | 0:06:14 | 0:06:16 | |
You can't leave me with champagne. I'll drink it all. | 0:06:16 | 0:06:19 | |
It's a Friday. If, um... | 0:06:19 | 0:06:21 | |
If you can be there at three o'clock when the kids come? | 0:06:21 | 0:06:24 | |
-The kids'll be fine. -Yeah. | 0:06:24 | 0:06:27 | |
Try and have fun. | 0:06:27 | 0:06:28 | |
Try and enjoy yourself, OK? | 0:06:28 | 0:06:30 | |
Maybe we could do a coffee when I get back? | 0:06:31 | 0:06:34 | |
Hmm? Yeah. | 0:06:34 | 0:06:36 | |
Aish. | 0:06:40 | 0:06:42 | |
She's still upset. | 0:06:42 | 0:06:43 | |
SHE SIGHS | 0:06:48 | 0:06:49 | |
Aish. | 0:06:49 | 0:06:52 | |
-Hi. Your name, please? -Aisha Desessard. | 0:08:08 | 0:08:10 | |
Ah, there we are. I'll get you to fill out this form. | 0:08:11 | 0:08:14 | |
Excuse me. Just pop your details down on the form and I'll... | 0:08:14 | 0:08:17 | |
Dr Ramirez, hi, Katie Freedman. | 0:08:18 | 0:08:21 | |
Thank you so much for coming along to our conference. | 0:08:21 | 0:08:23 | |
It's really lovely to meet you. | 0:08:23 | 0:08:26 | |
AISHA SIGHS | 0:09:09 | 0:09:11 | |
This has not been pursued adequately until fairly recently in China. | 0:09:17 | 0:09:22 | |
But the massacre of 50,000 dogs, | 0:09:22 | 0:09:26 | |
in most instances involving beating the dogs to death | 0:09:26 | 0:09:31 | |
is incompatible | 0:09:31 | 0:09:33 | |
with acceptable international standard of animal welfare. | 0:09:33 | 0:09:38 | |
The good news is, in places like Beijing and Guangzhou, | 0:09:38 | 0:09:42 | |
culling's been replaced by neuter-vaccinate-and-release programme. | 0:09:42 | 0:09:47 | |
Eddie Michaels from Dunedin. | 0:10:02 | 0:10:04 | |
Aisha Desessard. | 0:10:04 | 0:10:06 | |
What do you fancy from the trough, Aisha? | 0:10:06 | 0:10:08 | |
Um... I'll have a champagne, thanks. | 0:10:08 | 0:10:12 | |
One champers coming up. | 0:10:12 | 0:10:13 | |
Is this stool taken? | 0:10:21 | 0:10:23 | |
No. | 0:10:24 | 0:10:26 | |
Art. | 0:10:29 | 0:10:31 | |
Aisha. | 0:10:31 | 0:10:32 | |
Hi, Art. I met you in Paris at the OIE wildlife conference. | 0:10:32 | 0:10:36 | |
You were just excellent. | 0:10:36 | 0:10:37 | |
Your presentation is always very stimulating. | 0:10:37 | 0:10:40 | |
There you go, Aisha. | 0:10:40 | 0:10:41 | |
When I saw your name, I had to come and see you again. | 0:10:41 | 0:10:44 | |
Cheers. | 0:10:44 | 0:10:45 | |
You don't have a drink. | 0:10:45 | 0:10:46 | |
-Here's to the conference. -Yeah. | 0:10:46 | 0:10:47 | |
Uh... You two coming up for a sundowner? | 0:10:50 | 0:10:52 | |
Oh, goody! | 0:10:52 | 0:10:54 | |
Coming up for one drink? | 0:10:54 | 0:10:55 | |
-Come on, we won't bite. -OK. -Why not? | 0:10:55 | 0:10:58 | |
Are you Creole? | 0:11:08 | 0:11:09 | |
Well, half. | 0:11:09 | 0:11:11 | |
My mother's Creole and my father's Indian, | 0:11:11 | 0:11:13 | |
which made for a tense wedding. | 0:11:13 | 0:11:16 | |
Have you been back to Mauritius at all? | 0:11:19 | 0:11:22 | |
Twice, but not for a long time. | 0:11:22 | 0:11:24 | |
What were you doing there? | 0:11:24 | 0:11:27 | |
Oh, working on health guidelines with the Mauritian port officials. | 0:11:27 | 0:11:31 | |
There's this huge export business in wild macaques | 0:11:31 | 0:11:34 | |
and they're treated pretty badly. | 0:11:34 | 0:11:36 | |
But otherwise, I thought it was a great country. | 0:11:36 | 0:11:40 | |
It's good, the work that you're doing. | 0:11:40 | 0:11:43 | |
I'm kind of jealous. | 0:11:43 | 0:11:45 | |
When I was doing vet science, I wanted to work with orang-utans in Borneo. | 0:11:45 | 0:11:51 | |
West Kalimantan is like, um... ground zero for them at the moment. | 0:11:51 | 0:11:55 | |
Well, if you're ever in the neighbourhood, take this email address. | 0:12:00 | 0:12:06 | |
My friend runs a rescue centre in Borneo. | 0:12:06 | 0:12:11 | |
She always needs passionate, talented people. | 0:12:11 | 0:12:15 | |
Wow, yeah. | 0:12:18 | 0:12:20 | |
-Cheers. -Cheers. | 0:12:27 | 0:12:29 | |
SHE CHUCKLES | 0:12:29 | 0:12:30 | |
PHONE RINGS | 0:13:36 | 0:13:39 | |
-Hello. -Hey, it's me, Art. | 0:13:53 | 0:13:55 | |
Hi. | 0:13:57 | 0:13:58 | |
Can I come up to your room for a minute? | 0:13:58 | 0:14:00 | |
Uh... | 0:14:02 | 0:14:04 | |
I'll be right up. I have to show you something. | 0:14:04 | 0:14:06 | |
Oh, OK. OK. | 0:14:06 | 0:14:09 | |
Shit. | 0:14:12 | 0:14:13 | |
COMPUTER RINGS | 0:14:19 | 0:14:22 | |
TOGETHER: Hi, Mum! | 0:14:28 | 0:14:30 | |
Hey! What's happening? | 0:14:30 | 0:14:33 | |
Me and Dad and Adam are making cake. | 0:14:33 | 0:14:36 | |
Um...what does "fold" mean? | 0:14:36 | 0:14:38 | |
I just... I can't work this thing out. Is fold like stir? | 0:14:38 | 0:14:41 | |
It means slowly stir the dry ingredients into the wet ingredients with a spatula, | 0:14:42 | 0:14:46 | |
don't just dump them all in at once. | 0:14:46 | 0:14:48 | |
KNOCK AT DOOR OK, um... I've got to go dinner, guys. | 0:14:48 | 0:14:50 | |
-I wish I could send you a... -Bye! | 0:14:50 | 0:14:53 | |
KNOCK AT DOOR Um... | 0:14:53 | 0:14:55 | |
-OK, bye. Love you. Bye. -Oh, bye, Mum! -Bye. | 0:14:55 | 0:14:59 | |
Hi. | 0:15:08 | 0:15:09 | |
Wow, you look amazing. | 0:15:09 | 0:15:10 | |
AISHA LAUGHS | 0:15:10 | 0:15:12 | |
Oh, don't be silly. | 0:15:12 | 0:15:14 | |
I'm not being silly. It's true. | 0:15:14 | 0:15:16 | |
You're the best-looking woman in this conference. | 0:15:16 | 0:15:18 | |
Want a drink? | 0:15:18 | 0:15:20 | |
-Are you hitting the minibar already? -Yeah. | 0:15:20 | 0:15:22 | |
I'll take a beer, thanks. | 0:15:22 | 0:15:24 | |
One of my few tricks. | 0:15:26 | 0:15:27 | |
I got an email from my friend in Indonesia today. | 0:15:33 | 0:15:36 | |
She's looking for more vets in the field. | 0:15:36 | 0:15:39 | |
And are you going to go? | 0:15:40 | 0:15:42 | |
I think you should go. | 0:15:42 | 0:15:43 | |
AISHA CHUCKLES | 0:15:43 | 0:15:45 | |
I just thought it was a karmic coincidence, given what you told me. | 0:15:48 | 0:15:52 | |
AISHA SIGHS Yeah, it is. | 0:15:52 | 0:15:55 | |
SHE SIGHS AGAIN | 0:15:55 | 0:15:58 | |
You OK? | 0:15:58 | 0:15:59 | |
We should go down, cos, um... I've got to have an early night. | 0:16:03 | 0:16:08 | |
Has the night begun already? | 0:16:08 | 0:16:09 | |
I'm just saying that, um... I need to go to bed early. | 0:16:09 | 0:16:15 | |
You mean early in the morning after we go dancing. | 0:16:15 | 0:16:20 | |
Mmm...maybe. | 0:16:22 | 0:16:24 | |
ART LAUGHS | 0:16:24 | 0:16:26 | |
HECTOR SPEAKS INDISTINCTLY | 0:18:58 | 0:19:01 | |
-Can I get you a drink? -Um... | 0:19:05 | 0:19:07 | |
HECTOR SPEAKS INDISTINCTLY | 0:19:07 | 0:19:09 | |
WAITRESS LAUGHS | 0:19:09 | 0:19:11 | |
-No worries. -Thanks. | 0:19:11 | 0:19:13 | |
Ah, flirting while you wait. | 0:19:16 | 0:19:19 | |
AISHA SIGHS | 0:19:24 | 0:19:26 | |
Have you been waiting ages? | 0:19:27 | 0:19:29 | |
No, couple of hours. So how was the conference? | 0:19:29 | 0:19:32 | |
Yeah, it was...good. | 0:19:33 | 0:19:35 | |
-Partying with vets? -AISHA CHUCKLES | 0:19:35 | 0:19:38 | |
How'd you go with the cake? | 0:19:39 | 0:19:40 | |
Ah, well, let's just say that cake's not my strong suit. | 0:19:40 | 0:19:44 | |
-Kids still ate it. -I should call them. | 0:19:44 | 0:19:47 | |
Can I get you another drink? | 0:19:47 | 0:19:49 | |
Another one of these and a, um... | 0:19:49 | 0:19:51 | |
..vodka, tonic and fresh lime, please, for my wife. | 0:19:51 | 0:19:54 | |
All right, then. | 0:19:54 | 0:19:55 | |
BACKGROUND LAUGHTER, CHATTER | 0:20:00 | 0:20:03 | |
Hey. We can get a massage down by the lake. | 0:20:11 | 0:20:16 | |
I just booked us a massage. | 0:20:20 | 0:20:22 | |
Come. | 0:20:22 | 0:20:23 | |
Come here. | 0:20:24 | 0:20:26 | |
WHISPERS: I want to fuck you. | 0:20:33 | 0:20:35 | |
What's wrong? | 0:20:44 | 0:20:45 | |
Nothing's wrong. | 0:20:45 | 0:20:47 | |
I just... | 0:20:51 | 0:20:54 | |
I've just been looking forward to this massage. | 0:20:55 | 0:20:59 | |
I'll be down in a minute. | 0:21:03 | 0:21:05 | |
-Can you zip? -Yeah. | 0:22:22 | 0:22:25 | |
There you go. | 0:22:28 | 0:22:30 | |
Tie that back. | 0:22:31 | 0:22:33 | |
OK. | 0:22:33 | 0:22:34 | |
-Looks nice. -Thanks. | 0:22:36 | 0:22:39 | |
Thanks. | 0:23:11 | 0:23:13 | |
We'll start with the, um... the barramundi. | 0:23:13 | 0:23:16 | |
-Excellent. -Great, thanks, mate. | 0:23:16 | 0:23:17 | |
So, uh... Mum had some news. | 0:23:28 | 0:23:31 | |
Oh, you spoke to her? | 0:23:32 | 0:23:33 | |
Yeah, the kids kept asking to ring. | 0:23:33 | 0:23:36 | |
Uh... You know, I think it's a, uh... | 0:23:36 | 0:23:38 | |
I think it's been a disappointing trip for her. | 0:23:38 | 0:23:40 | |
She's perpetually disappointed. | 0:23:40 | 0:23:42 | |
She'd be disappointed if she wasn't disappointed. | 0:23:42 | 0:23:44 | |
They...they just haven't been able to see everyone they thought they would. | 0:23:44 | 0:23:49 | |
All these friends of theirs are sick. | 0:23:49 | 0:23:50 | |
Anyway, the good news is that, um... Sandi's pregnant, 15 weeks. | 0:23:50 | 0:23:56 | |
Oh. | 0:23:56 | 0:23:58 | |
I think she's been trying to call you. Sandi, I mean. | 0:23:58 | 0:24:01 | |
Well, that's good news for her. | 0:24:01 | 0:24:06 | |
-Yeah. -She'll be relieved. | 0:24:06 | 0:24:08 | |
Yeah, yeah, yeah, she's been trying for ages. | 0:24:08 | 0:24:11 | |
To get pregnant to a cruel, violent man. | 0:24:11 | 0:24:15 | |
Come on, Aish. He's her husband. | 0:24:17 | 0:24:20 | |
Doesn't change the fact. | 0:24:20 | 0:24:22 | |
Well, nobody else is going to say it, are they? | 0:24:23 | 0:24:26 | |
Yeah, well... | 0:24:28 | 0:24:29 | |
Anyway, maybe you should call her, congratulate her, eh? | 0:24:29 | 0:24:32 | |
I'll send a card. | 0:24:32 | 0:24:34 | |
Fuck. | 0:24:36 | 0:24:37 | |
Fuck. You're fucking incredible. | 0:24:37 | 0:24:41 | |
Can't you just give the poor bastard a break? | 0:24:43 | 0:24:45 | |
I'm not going to give him a break. All we do is give him a break. | 0:24:45 | 0:24:47 | |
OK. Can we just have one weekend where we don't fuckin' fight about this? | 0:24:47 | 0:24:52 | |
Well, none of "this" would've happened if we'd done something the last time. | 0:24:52 | 0:24:55 | |
Oh, Jesus Christ, that was nine years ago, Aisha. | 0:24:55 | 0:24:58 | |
And you're still lying for him. | 0:24:58 | 0:25:00 | |
I didn't lie. How many times do I have to fucking tell you I didn't lie! | 0:25:00 | 0:25:03 | |
WHISPERS: Keep your voice down. | 0:25:03 | 0:25:04 | |
You know, we let Rosie get torn to shreds. | 0:25:07 | 0:25:10 | |
She didn't deserve to have all her secrets paraded up there | 0:25:11 | 0:25:14 | |
as if they were public knowledge. | 0:25:14 | 0:25:15 | |
She told me that stuff in confidence. | 0:25:15 | 0:25:17 | |
And yet, Harry got to keep his secret. | 0:25:17 | 0:25:20 | |
Unless Sandi goes up there, it's nothing, it's hearsay. | 0:25:20 | 0:25:24 | |
Her face, that I saw, that you saw? That's not hearsay. | 0:25:24 | 0:25:27 | |
Yeah, well, he's never done it again, so... | 0:25:27 | 0:25:30 | |
How can you keep defending him? | 0:25:31 | 0:25:33 | |
You didn't tell Rosie either, if you're so fucking concerned. | 0:25:33 | 0:25:36 | |
Don't you think I feel absolutely shit about it? | 0:25:36 | 0:25:38 | |
I don't know what the fuck you feel. | 0:25:38 | 0:25:40 | |
Excuse me. Here's the meze board with the local scallop chorba. | 0:25:43 | 0:25:47 | |
The maitre d' tells me it's your anniversary. | 0:25:47 | 0:25:49 | |
Congratulations. | 0:25:49 | 0:25:51 | |
How many years? | 0:25:51 | 0:25:53 | |
-Oh, it's just 16. -16 years? -Yeah. | 0:25:53 | 0:25:56 | |
16, hey? | 0:25:58 | 0:26:00 | |
Guess this is what they mean by "for better or for worse". | 0:26:17 | 0:26:20 | |
Well, nothing like putting it out there. | 0:26:23 | 0:26:26 | |
Cheers. | 0:26:28 | 0:26:30 | |
HECTOR CRIES | 0:26:34 | 0:26:36 | |
Hector. | 0:26:39 | 0:26:41 | |
Hector, look, it's fine. | 0:26:42 | 0:26:44 | |
HECTOR SOBS Look, let's just go back to the room. | 0:26:44 | 0:26:46 | |
Hey. | 0:26:47 | 0:26:49 | |
For Christ's sake, stop it. | 0:26:49 | 0:26:51 | |
HECTOR SOBS | 0:26:51 | 0:26:53 | |
Hey, come on, let's go. | 0:26:53 | 0:26:54 | |
HECTOR SIGHS | 0:27:06 | 0:27:07 | |
HE BREATHES HEAVILY | 0:27:09 | 0:27:12 | |
-HE SIGHS -Oh, I can't breathe. | 0:27:26 | 0:27:30 | |
It's OK. | 0:27:30 | 0:27:32 | |
HE SIGHS AGAIN | 0:27:32 | 0:27:35 | |
Thank you. | 0:27:38 | 0:27:39 | |
HE BLOWS NOISILY | 0:27:41 | 0:27:43 | |
HE SIGHS | 0:27:45 | 0:27:47 | |
Sorry, Aish. Fuck is happening to me? | 0:27:53 | 0:27:57 | |
Oh! | 0:27:58 | 0:28:00 | |
Oh, fuck, I can't live like this. | 0:28:01 | 0:28:04 | |
Do you want a divorce? | 0:28:10 | 0:28:12 | |
What? | 0:28:12 | 0:28:13 | |
Do you want a divorce? | 0:28:14 | 0:28:16 | |
No. | 0:28:16 | 0:28:18 | |
No, Aish, I love you. I don't want to lose you. | 0:28:18 | 0:28:21 | |
-HE SIGHS DEEPLY -Fuck, I've been so stupid. | 0:28:23 | 0:28:27 | |
Let's just talk about anything you want. | 0:28:28 | 0:28:33 | |
OK. | 0:28:33 | 0:28:35 | |
Can you hold me? | 0:28:37 | 0:28:39 | |
Shh. Shh, shh. | 0:28:42 | 0:28:46 | |
It's OK. | 0:28:46 | 0:28:49 | |
HE SIGHS It's OK. | 0:28:49 | 0:28:51 | |
Oh, Aish. | 0:28:51 | 0:28:52 | |
I fucked up. | 0:28:54 | 0:28:56 | |
I had an affair. | 0:29:01 | 0:29:03 | |
But it's over. It's absolutely finished. | 0:29:11 | 0:29:14 | |
Who? | 0:29:14 | 0:29:15 | |
-Just this girl. -It doesn't matter. It's over. | 0:29:15 | 0:29:18 | |
-A girl? -A woman. | 0:29:18 | 0:29:19 | |
How old? | 0:29:21 | 0:29:22 | |
I don't know. 19... 20? | 0:29:22 | 0:29:25 | |
That's a girl. | 0:29:25 | 0:29:27 | |
Uh... Aish, I promise you, | 0:29:27 | 0:29:28 | |
we were only together twice and we never even screwed. | 0:29:28 | 0:29:30 | |
I don't even want to... I don't want to know the details. | 0:29:30 | 0:29:33 | |
I don't know why you're telling me this. | 0:29:33 | 0:29:35 | |
I had to tell you. It was...it was killing me. | 0:29:35 | 0:29:38 | |
What am I supposed to do with it? | 0:29:39 | 0:29:41 | |
Well, I just don't want to lie to you any more. | 0:29:41 | 0:29:44 | |
I just... I don't. | 0:29:45 | 0:29:47 | |
We've been lying to each other for years. | 0:29:49 | 0:29:51 | |
Aisha watched herself as if from afar. | 0:30:10 | 0:30:13 | |
She knew she should have a position, | 0:30:14 | 0:30:15 | |
but the truth was... she didn't even feel jealousy. | 0:30:15 | 0:30:20 | |
Even that door slam had felt affected. | 0:30:21 | 0:30:23 | |
It was chilling how little she felt. | 0:30:24 | 0:30:27 | |
RAIN PATTERS, THUNDER RUMBLES | 0:30:29 | 0:30:32 | |
What's her name? | 0:31:40 | 0:31:42 | |
What, Aish? | 0:31:49 | 0:31:51 | |
Your teenager. | 0:31:52 | 0:31:53 | |
I told you, it's over. | 0:31:53 | 0:31:56 | |
So she doesn't have a name? | 0:31:57 | 0:31:59 | |
HECTOR SIGHS | 0:32:01 | 0:32:03 | |
Yes, she has a name. | 0:32:05 | 0:32:07 | |
It was Angela. | 0:32:09 | 0:32:11 | |
She your type, then, this Angela? | 0:32:13 | 0:32:16 | |
What? | 0:32:18 | 0:32:19 | |
She white? | 0:32:21 | 0:32:23 | |
You said you didn't want the details. | 0:32:26 | 0:32:28 | |
So she's white. | 0:32:28 | 0:32:30 | |
I thought you didn't care. | 0:32:30 | 0:32:32 | |
She's 19. Of course I fucking care! | 0:32:33 | 0:32:37 | |
Where are you going? | 0:32:38 | 0:32:40 | |
Aish? Aish? | 0:32:41 | 0:32:43 | |
Please leave me alone. | 0:32:45 | 0:32:48 | |
I'm sorry. Aish, please stop! | 0:32:48 | 0:32:50 | |
You're going to do it again. | 0:32:50 | 0:32:52 | |
No, I'm not going to see her again. | 0:32:52 | 0:32:54 | |
I mean with anyone. | 0:32:54 | 0:32:55 | |
-Aish. -Oh! | 0:32:55 | 0:32:57 | |
Aish! Aish! | 0:32:58 | 0:33:00 | |
AISHA CRIES | 0:33:02 | 0:33:04 | |
Stop! | 0:33:05 | 0:33:06 | |
-AISHA SOBS -Aish, I'm sorry. | 0:33:06 | 0:33:09 | |
AISHA SOBS | 0:33:12 | 0:33:13 | |
AISHA SIGHS | 0:33:21 | 0:33:23 | |
I want to go home. | 0:33:23 | 0:33:25 | |
I need to see my children. | 0:33:28 | 0:33:30 | |
Sometimes I... | 0:33:47 | 0:33:49 | |
I wonder what I would be like if we weren't together... | 0:33:49 | 0:33:54 | |
..who I'd be, without... you and the kids and your family. | 0:33:55 | 0:34:02 | |
You think I don't wonder that too? | 0:34:05 | 0:34:07 | |
Excuse me, Mr and Mrs Sossidis? Your taxi's here. | 0:34:17 | 0:34:21 | |
Thanks. | 0:34:21 | 0:34:23 | |
Hey. | 0:34:28 | 0:34:29 | |
-Mum's here! -Hello. | 0:34:29 | 0:34:31 | |
Ah! Hi there, my dear. | 0:34:31 | 0:34:34 | |
Ooh! | 0:34:34 | 0:34:36 | |
Mmm, mmm. | 0:34:37 | 0:34:38 | |
-Hello, gorgeous. -Hi, Mum. | 0:34:38 | 0:34:40 | |
You take my bag? Thank you. | 0:34:40 | 0:34:43 | |
-Hi, Dad. -Hi, mate. How are you? | 0:34:44 | 0:34:46 | |
Where's that naughty lady? | 0:34:47 | 0:34:49 | |
Hey. | 0:34:51 | 0:34:53 | |
-How was it? -Oh. | 0:34:53 | 0:34:54 | |
AISHA SIGHS | 0:35:03 | 0:35:04 | |
Well, the kids have been excellent. | 0:35:04 | 0:35:07 | |
Mum, look! What does it say? | 0:35:07 | 0:35:09 | |
Um...it says... | 0:35:10 | 0:35:12 | |
"Mrs Hector Sossidis, | 0:35:12 | 0:35:16 | |
"we missed you all. Love, Yiayia." | 0:35:16 | 0:35:20 | |
Mm-hm. | 0:35:21 | 0:35:22 | |
Mrs Hector Sossidis. | 0:35:22 | 0:35:24 | |
Mum, look what Dad got Rocco for his birthday. | 0:35:24 | 0:35:27 | |
It's Rocco's birthday? | 0:35:27 | 0:35:29 | |
Yeah, on Saturday. It's a pool party. Dad said we're going. | 0:35:29 | 0:35:32 | |
Are you going to see him again? | 0:35:41 | 0:35:43 | |
AISHA SIGHS I don't know. | 0:35:43 | 0:35:45 | |
I mean, he does sound divine. | 0:35:47 | 0:35:49 | |
And after what Hector's done. | 0:35:49 | 0:35:51 | |
Just don't tell him. | 0:35:52 | 0:35:53 | |
Give me some of your cigarettes. | 0:36:00 | 0:36:02 | |
How's Rosie? | 0:36:03 | 0:36:06 | |
-SHE SIGHS -Better. | 0:36:06 | 0:36:08 | |
Give her a call. | 0:36:09 | 0:36:11 | |
-Thank you. -Mmm. | 0:36:11 | 0:36:13 | |
My pleasure. | 0:36:13 | 0:36:15 | |
Melissa wants your help. | 0:36:34 | 0:36:35 | |
Claims I lack talent in the hair-rinsing department. | 0:36:36 | 0:36:39 | |
PHONE BEEPS | 0:36:39 | 0:36:41 | |
Please, tell her to stop contacting you. | 0:36:44 | 0:36:47 | |
It's not her. | 0:36:47 | 0:36:50 | |
Aish, I hate this. | 0:36:53 | 0:36:57 | |
Come back. | 0:36:59 | 0:37:00 | |
I'm trying. | 0:37:00 | 0:37:02 | |
I just wish you'd never told me. | 0:37:02 | 0:37:06 | |
It's here now. | 0:37:06 | 0:37:08 | |
I wanted to be honest. | 0:37:09 | 0:37:11 | |
You can shove your honesty up your arse. | 0:37:11 | 0:37:14 | |
Fair enough. | 0:37:14 | 0:37:15 | |
That's honest. | 0:37:16 | 0:37:18 | |
I need space. | 0:37:20 | 0:37:22 | |
AISHA SIGHS | 0:38:18 | 0:38:19 | |
Keep him still. | 0:38:45 | 0:38:46 | |
That's a good boy, Zeus. | 0:38:46 | 0:38:49 | |
OK. | 0:38:50 | 0:38:52 | |
Zeus had two small lumps on his right foreleg. | 0:38:59 | 0:39:03 | |
Brendan removed them. | 0:39:03 | 0:39:04 | |
Oh, well. They've come back. | 0:39:04 | 0:39:08 | |
But they'd be back anyways. | 0:39:09 | 0:39:11 | |
It was flat out on Saturday. | 0:39:11 | 0:39:12 | |
Tried to get Connie to stay back later | 0:39:12 | 0:39:15 | |
but she's on another planet at the moment. | 0:39:15 | 0:39:17 | |
-Think she's seeing someone. -Oh, that's nice. | 0:39:17 | 0:39:20 | |
Oh, not really. | 0:39:20 | 0:39:22 | |
Caught her on Facebook in the middle of rush | 0:39:22 | 0:39:24 | |
and came in this morning and there's a pile of files on the bench. | 0:39:24 | 0:39:26 | |
-I mean, I don't want to bitch... -Well, then, don't bitch. | 0:39:26 | 0:39:29 | |
Ah, well, the bloods have anomalies. | 0:39:32 | 0:39:35 | |
My hunch is it's pancreatic cancer. | 0:39:35 | 0:39:37 | |
-I'll book him in for an ultrasound. -No, they can't afford it. | 0:39:37 | 0:39:40 | |
He's in a lot of pain. COMPUTER BEEPS | 0:39:40 | 0:39:42 | |
What do you want me to do, then? | 0:39:43 | 0:39:45 | |
Um...I'll have a conversation with them. | 0:39:46 | 0:39:50 | |
Mum, can I have another drink? | 0:40:11 | 0:40:13 | |
-Help yourself. -I was just asking. | 0:40:14 | 0:40:17 | |
Have you rung Sandi yet? | 0:40:23 | 0:40:25 | |
I don't have her number at work. | 0:40:27 | 0:40:28 | |
OK. Can you ring her tonight? | 0:40:31 | 0:40:33 | |
We really should let her know | 0:40:33 | 0:40:35 | |
that we're all coming over this weekend for Rocco's birthday. | 0:40:35 | 0:40:38 | |
You know Sandi. | 0:40:38 | 0:40:41 | |
She'll want to know how many mouths she needs to feed. | 0:40:41 | 0:40:43 | |
Can we talk about this later, please? | 0:40:43 | 0:40:44 | |
Kids are really looking forward to this, aren't you? | 0:40:46 | 0:40:50 | |
This is our family, Aish. | 0:40:50 | 0:40:51 | |
Hector, I'll prefer not to speak about this right now. | 0:40:51 | 0:40:55 | |
Chill out, Mum. | 0:40:57 | 0:40:59 | |
I am chilled. I'm completely chilled. | 0:40:59 | 0:41:03 | |
CAR ENGINE REVS | 0:41:27 | 0:41:29 | |
CAR APPROACHES | 0:41:29 | 0:41:32 | |
Can somebody help this lady?! | 0:41:33 | 0:41:35 | |
Thank you. | 0:41:38 | 0:41:39 | |
Oh! | 0:41:54 | 0:41:56 | |
It's so good to see you. | 0:41:56 | 0:41:59 | |
You too, sweetie. | 0:41:59 | 0:42:00 | |
Here's some little pressies from the Gold Coast. | 0:42:00 | 0:42:03 | |
Hugo will love that. | 0:42:06 | 0:42:08 | |
Thank you. | 0:42:09 | 0:42:10 | |
-How was the anniversary? -Oh. | 0:42:11 | 0:42:14 | |
I want to hear about you first. | 0:42:14 | 0:42:16 | |
ROSIE SIGHS | 0:42:16 | 0:42:17 | |
We're good. Really good, really happy. | 0:42:17 | 0:42:19 | |
Gary hasn't been drinking the last couple of weeks, | 0:42:19 | 0:42:21 | |
which has been, you know, fantastic. | 0:42:21 | 0:42:24 | |
Um...we've been thinking about having another baby. | 0:42:24 | 0:42:27 | |
-Ooh... -Yeah, it's like we're back. | 0:42:27 | 0:42:32 | |
Oh, that's so great. | 0:42:32 | 0:42:34 | |
It's funny, you know. | 0:42:34 | 0:42:35 | |
You wake up and everything's changed, just like that. | 0:42:35 | 0:42:38 | |
I'm really glad you called. | 0:42:43 | 0:42:45 | |
I missed you. | 0:42:48 | 0:42:49 | |
I missed you too. | 0:42:49 | 0:42:52 | |
I have to talk to you. | 0:42:55 | 0:42:57 | |
Um... | 0:42:59 | 0:43:01 | |
What is it? | 0:43:01 | 0:43:02 | |
Look, I've known for some time about something which I should have told you. | 0:43:06 | 0:43:12 | |
I tried to after the hearing. | 0:43:12 | 0:43:15 | |
It's... | 0:43:15 | 0:43:16 | |
It's a family matter which... | 0:43:18 | 0:43:20 | |
Hector and his parents thought should stay in the family | 0:43:20 | 0:43:24 | |
-and I respected that at the time. -Well, just...just say it. | 0:43:24 | 0:43:27 | |
If I thought that it would have affected your case in any way, | 0:43:29 | 0:43:32 | |
I would've told you. | 0:43:32 | 0:43:34 | |
What are you talking about? | 0:43:34 | 0:43:36 | |
He's done it before. | 0:43:40 | 0:43:41 | |
Not to a child. | 0:43:43 | 0:43:44 | |
To who? | 0:43:48 | 0:43:49 | |
To Sandi. | 0:43:52 | 0:43:54 | |
He broke her jaw. | 0:43:55 | 0:43:57 | |
It wouldn't have made any difference | 0:44:03 | 0:44:05 | |
because Sandi would've... she would've denied it. | 0:44:05 | 0:44:08 | |
And I should've told you. | 0:44:08 | 0:44:09 | |
I knew it. | 0:44:12 | 0:44:13 | |
-I'm so sorry. -I'm not going to... | 0:44:18 | 0:44:21 | |
I'm not going to fuckin' cry. | 0:44:21 | 0:44:23 | |
I'm not going to cry in front of you. | 0:44:23 | 0:44:26 | |
I'm so sorry. | 0:44:29 | 0:44:31 | |
I hate Harry as much as you do. | 0:44:32 | 0:44:34 | |
You don't. | 0:44:34 | 0:44:36 | |
You couldn't possibly. | 0:44:38 | 0:44:39 | |
How can you protect that animal? | 0:44:45 | 0:44:47 | |
I did it for Hector. | 0:44:47 | 0:44:49 | |
Hector's always been a prick. | 0:44:49 | 0:44:52 | |
You feel better now? | 0:44:55 | 0:44:56 | |
You got it off your chest. | 0:44:58 | 0:45:00 | |
Yeah, you feel good? | 0:45:01 | 0:45:03 | |
Hector... | 0:45:05 | 0:45:06 | |
I don't know, they're my... they're my husband's fam... | 0:45:06 | 0:45:09 | |
I don't fucking care! | 0:45:09 | 0:45:11 | |
Rosie... | 0:45:13 | 0:45:14 | |
You ever speak to that man again, I'll never forgive you. | 0:45:14 | 0:45:16 | |
Can we just let it go? | 0:45:24 | 0:45:25 | |
Fuck you! | 0:45:25 | 0:45:27 | |
Fuck you. | 0:45:27 | 0:45:29 | |
Your whole perfect middle-class life. I fucking hate you! | 0:45:29 | 0:45:33 | |
DOOR CLOSES | 0:45:39 | 0:45:41 | |
Hey. | 0:45:55 | 0:45:56 | |
Where are the kids? | 0:46:52 | 0:46:54 | |
Yiayia, I missed you! | 0:46:55 | 0:46:57 | |
-I missed you. -Yiayia! | 0:46:57 | 0:46:59 | |
I missed you too. | 0:46:59 | 0:47:01 | |
I look all around Ellada and I say, "Where is Melissa?" | 0:47:01 | 0:47:03 | |
-You didn't miss nothing. -Oh-h. | 0:47:03 | 0:47:05 | |
Where is my Adam? | 0:47:05 | 0:47:07 | |
Where's my Aisha? | 0:47:10 | 0:47:12 | |
I wish you were there too. | 0:47:13 | 0:47:15 | |
KOULA CRIES | 0:47:15 | 0:47:17 | |
Everybody's dying. | 0:47:18 | 0:47:20 | |
We missed you. | 0:47:20 | 0:47:22 | |
I missed you too. | 0:47:22 | 0:47:23 | |
Yia mas. | 0:47:23 | 0:47:25 | |
I'm making the kids strapatsada. | 0:47:25 | 0:47:27 | |
Not "strap-a-sada" - "strapatzada". | 0:47:27 | 0:47:31 | |
Strap-a-tsada. | 0:47:31 | 0:47:33 | |
-I help you. -I'm sure. | 0:47:33 | 0:47:34 | |
-I help you. -Go mix the eggs. | 0:47:34 | 0:47:37 | |
-Hey. -Hi. | 0:48:24 | 0:48:27 | |
Hey. | 0:48:27 | 0:48:28 | |
Oh, hello, gorgeous, hello. | 0:48:28 | 0:48:29 | |
Mwah! Come in, come in. | 0:48:29 | 0:48:31 | |
-Where's Rocco? -He's upstairs. | 0:48:31 | 0:48:33 | |
Rocco! They're here. | 0:48:33 | 0:48:35 | |
How are you? Hello. | 0:48:35 | 0:48:37 | |
Oh, it is so good to see you. Hello. | 0:48:37 | 0:48:41 | |
Mwah. Aisha. Ah. | 0:48:41 | 0:48:44 | |
Come in, come in, come in. | 0:48:44 | 0:48:45 | |
Koula and Manolis are on their way and Harry's just gone down to the shops. | 0:48:45 | 0:48:48 | |
-Congratulations are in order. -Thank you. | 0:48:48 | 0:48:52 | |
Hey, check out my tits. Massive! | 0:48:52 | 0:48:54 | |
I'm going to get you! | 0:48:56 | 0:48:58 | |
-Aish, will you have a drink? -Oh, definitely. | 0:49:05 | 0:49:08 | |
-White? -That's good. | 0:49:08 | 0:49:11 | |
Hope we get some sun. | 0:49:18 | 0:49:20 | |
Mmm, tell me about it. | 0:49:20 | 0:49:21 | |
Hey, Adam. Come give me a hand. | 0:49:23 | 0:49:26 | |
Sorry that we haven't spoken for so long. | 0:49:30 | 0:49:33 | |
Oh, it's been a shit of a year. | 0:49:33 | 0:49:37 | |
Everything's OK now. | 0:49:39 | 0:49:40 | |
Yeah, I guess. | 0:49:40 | 0:49:42 | |
I might just go check on the boys. | 0:49:47 | 0:49:49 | |
Be back in a sec. | 0:49:49 | 0:49:51 | |
GARAGE DOOR WHIRRS | 0:49:53 | 0:49:56 | |
Aisha, hey. | 0:50:14 | 0:50:16 | |
Shame about the weather, eh? | 0:50:16 | 0:50:18 | |
Listen, um... | 0:50:20 | 0:50:21 | |
I'll be friends with Sandi and your children | 0:50:21 | 0:50:24 | |
for their sake and for Hector's, | 0:50:24 | 0:50:26 | |
I'll come to your house and play the part at your barbecue... | 0:50:26 | 0:50:30 | |
..but I'm never going to forgive you. | 0:50:31 | 0:50:34 | |
Oh, get a life. The hearing's over, OK? You should be satisfied. | 0:50:34 | 0:50:38 | |
I'm talking about what you did to Sandi. | 0:50:38 | 0:50:42 | |
She might have forgotten. I haven't. | 0:50:44 | 0:50:47 | |
CHILDREN LAUGH, CHATTER | 0:51:05 | 0:51:08 | |
Hector was not forgiven, not yet, not inside her. | 0:51:36 | 0:51:40 | |
But Aisha would forgive Hector, | 0:51:41 | 0:51:44 | |
as Hector would forgive her one day. | 0:51:44 | 0:51:47 | |
She knew that. | 0:51:47 | 0:51:50 | |
Maybe that's what marriage was. | 0:51:50 | 0:51:53 | |
At its core, it was negotiation. | 0:51:53 | 0:51:55 | |
It was surrender. | 0:51:56 | 0:51:58 |