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This programme contains some strong language. | 0:00:02 | 0:00:10 | |
Dragging kids round a country where I don't speak the language, visiting fucking cousins, is not my dream. | 0:00:10 | 0:00:15 | |
-Coming to Greece? -Yeah, we're all coming. Your mum didn't tell you? | 0:00:15 | 0:00:19 | |
-I want to hear the saga of the Greek odyssey. -I'm not going, it's over, please don't bring it up. | 0:00:19 | 0:00:24 | |
Aren't you ashamed of what you've done to us, to my little boy? Just fuck off. | 0:00:24 | 0:00:29 | |
ANDREW: How many alcoholic beverages had you consumed on the day of the barbecue? | 0:01:28 | 0:01:32 | |
-ROSIE: -Two, maybe three. -And you're still breastfeeding, aren't you? | 0:01:32 | 0:01:35 | |
Yes. | 0:01:35 | 0:01:37 | |
Do you breastfeed your son to help him get to sleep? | 0:01:37 | 0:01:41 | |
Yes. | 0:01:43 | 0:01:44 | |
Even after you've consumed three alcoholic drinks? | 0:01:44 | 0:01:47 | |
-Well, not straight... -SHE CLEARS THROAT | 0:01:47 | 0:01:49 | |
Not straightaway. I wouldn't feed him...straightaway. | 0:01:49 | 0:01:53 | |
That is most comforting. | 0:01:53 | 0:01:54 | |
-NARRATOR: -'God is a cocksucker. | 0:01:56 | 0:01:59 | |
'That much was clear to Manolis. | 0:01:59 | 0:02:02 | |
'His honest, hardworking nephew standing accused in a court of law, | 0:02:02 | 0:02:06 | |
'a once beautiful young woman ending up like this - pathetic and lost, | 0:02:06 | 0:02:12 | |
'married to a drunk.' | 0:02:12 | 0:02:14 | |
When Hugo was six weeks old, did you leave him alone in the house | 0:02:14 | 0:02:18 | |
and drive two hours away to a hotel on the Mornington Peninsula? | 0:02:18 | 0:02:21 | |
Rosebud, I believe it was. | 0:02:21 | 0:02:23 | |
Can the court please direct the witness to answer the question, Your Honour? | 0:02:25 | 0:02:29 | |
-MAGISTRATE: -Mrs Bryant, can you please answer? | 0:02:29 | 0:02:32 | |
'And all because of one slap. | 0:02:34 | 0:02:36 | |
'God really is a dirty cocksucker.' | 0:02:39 | 0:02:42 | |
I not like this lawyer. | 0:02:51 | 0:02:53 | |
His eyes not honest. | 0:02:53 | 0:02:55 | |
Yeah, Andrew got me off. | 0:02:55 | 0:02:56 | |
OK, he saved me. | 0:02:56 | 0:02:58 | |
Judge say you guilty! How did he save you if you guilty? | 0:02:58 | 0:03:02 | |
There was no conviction recorded. | 0:03:02 | 0:03:04 | |
He could've gone to jail, Mum. Instead he didn't even get a fine. | 0:03:04 | 0:03:07 | |
THEA SPEAKS GREEK | 0:03:07 | 0:03:09 | |
OK, maybe we should all just try and forget about it and just move on. | 0:03:12 | 0:03:15 | |
Thea, the kid wasn't holding the bat when I hit him. | 0:03:15 | 0:03:18 | |
OK, so, you know, legally, | 0:03:18 | 0:03:19 | |
that means that I wasn't defending Rocco and that makes me guilty. | 0:03:19 | 0:03:23 | |
Next time if that boy hits somebody, who's going to teach him a lesson, huh? | 0:03:23 | 0:03:26 | |
Jesus. | 0:03:26 | 0:03:28 | |
You got a cigarette? | 0:03:28 | 0:03:29 | |
Thanks. | 0:03:32 | 0:03:34 | |
What's up? | 0:03:46 | 0:03:48 | |
The stuff about Rosie walking out on Hugo. | 0:03:50 | 0:03:53 | |
Andrew reckons it probably saved my arse. | 0:03:53 | 0:03:55 | |
I owe you one, cuz. | 0:03:55 | 0:03:58 | |
He went in pretty hard on her, mate. | 0:03:58 | 0:04:00 | |
Yeah. | 0:04:00 | 0:04:01 | |
-That's what lawyers do, mate. -They kick heads. | 0:04:01 | 0:04:03 | |
You didn't know he was gonna say any of that stuff, right? | 0:04:03 | 0:04:07 | |
Of course I knew. So what? | 0:04:07 | 0:04:09 | |
Fuck. | 0:04:10 | 0:04:11 | |
Mate, I was charged with a criminal offence. | 0:04:12 | 0:04:15 | |
OK, you tell me stuff like that, I'm gonna use it. | 0:04:15 | 0:04:18 | |
I mean, you must've known that. | 0:04:18 | 0:04:20 | |
PHONE RINGS | 0:04:20 | 0:04:23 | |
I've got to take this. | 0:04:25 | 0:04:27 | |
Hi. | 0:04:28 | 0:04:29 | |
CAT MIAOWS | 0:04:33 | 0:04:36 | |
Er... Sandi, please, please. You're guest, please leave it. | 0:04:43 | 0:04:47 | |
-No, it's OK, I'm just doing the plates. -Hector's wife causes all the worries. | 0:04:47 | 0:04:51 | |
I think... I think when they decided to pull out of this trip to Greece... | 0:04:54 | 0:04:58 | |
When SHE pull out. | 0:04:58 | 0:05:00 | |
Well, when Aisha pulled out, I think that's what got to Harry. | 0:05:00 | 0:05:05 | |
You know, he was hoping that somehow this holiday | 0:05:05 | 0:05:07 | |
was gonna make everything right, you know, with the family. | 0:05:07 | 0:05:10 | |
She doesn't care about the family. | 0:05:10 | 0:05:12 | |
I don't want to speak against her, but she still won't come to my home. | 0:05:12 | 0:05:16 | |
She still won't speak to Harry, | 0:05:16 | 0:05:18 | |
and now Rocco and Adam, they can't see each other. | 0:05:18 | 0:05:20 | |
See, I told you. | 0:05:20 | 0:05:21 | |
She put the stupid Australeza in front of her own husband. | 0:05:21 | 0:05:24 | |
Manolis, I don't want to make things worse, but maybe if you spoke to Aisha. | 0:05:27 | 0:05:30 | |
-Ohh. -No, she might listen to you. | 0:05:30 | 0:05:32 | |
OK, we're going. | 0:05:32 | 0:05:34 | |
Rocco'll be home from school. I gotta get dinner. | 0:05:36 | 0:05:38 | |
-Thank you. Bye. -Bye, bye, bye. | 0:05:40 | 0:05:42 | |
Thea, thanks for everything. | 0:05:42 | 0:05:45 | |
-Bye. -See ya. | 0:05:45 | 0:05:47 | |
Well, they gave Rosie a pretty hard time. | 0:05:55 | 0:05:57 | |
I don't know. | 0:05:57 | 0:05:59 | |
Answered the questions I was asked, that's all. | 0:06:00 | 0:06:03 | |
No. | 0:06:03 | 0:06:06 | |
I gotta go. OK, we'll talk about it when I get home. | 0:06:06 | 0:06:10 | |
Fine. | 0:06:10 | 0:06:11 | |
Bye. Bye. | 0:06:11 | 0:06:14 | |
Aish sends her love to you and Mum. | 0:06:15 | 0:06:18 | |
Harry and Sandi, they gone. Sandi asked me tell you goodbye. | 0:06:18 | 0:06:22 | |
Sorry I, uh... I was on the phone. | 0:06:22 | 0:06:24 | |
Who's pushing you? Harry? | 0:06:28 | 0:06:30 | |
If Aisha and Harry fight, | 0:06:30 | 0:06:32 | |
it put stress on the whole family and the family is my business. | 0:06:32 | 0:06:36 | |
You think I like this? | 0:06:36 | 0:06:38 | |
It's driving me fuckin' nuts. | 0:06:38 | 0:06:40 | |
Then maybe you do something about it. | 0:06:40 | 0:06:42 | |
What, Dad? What should I do? | 0:06:42 | 0:06:43 | |
She your wife, put your foot down. | 0:06:43 | 0:06:46 | |
Oh, Jesus, Dad, I love you, | 0:06:46 | 0:06:47 | |
but sometimes I think you're still in the bloody village. | 0:06:47 | 0:06:50 | |
Maybe I am. | 0:06:50 | 0:06:52 | |
Nothing. It's, uh...nothing. | 0:06:58 | 0:07:01 | |
-I gotta go. -No, stay. | 0:07:04 | 0:07:06 | |
I gotta go. | 0:07:06 | 0:07:07 | |
And just so it's clear, Aisha's not alone on this Harry thing. | 0:07:07 | 0:07:11 | |
We're totally together on it. | 0:07:11 | 0:07:13 | |
Totally. | 0:07:13 | 0:07:15 | |
Nobody ate the dips. | 0:07:18 | 0:07:20 | |
-You had enough! -I had one. | 0:07:26 | 0:07:29 | |
NOW you had one. Before, you had the whole plate! | 0:07:29 | 0:07:31 | |
Hey, where the fish? | 0:07:40 | 0:07:41 | |
I threw it away. | 0:07:41 | 0:07:44 | |
I tell you keep it. | 0:07:44 | 0:07:46 | |
Was sitting in the sun all afternoon. | 0:07:46 | 0:07:49 | |
Cat is cleaner than they are. | 0:07:58 | 0:08:00 | |
You sound like the mavri. | 0:08:00 | 0:08:02 | |
She loves the animals, too. More than her own family. | 0:08:02 | 0:08:06 | |
She been good wife to our son. | 0:08:06 | 0:08:08 | |
Then why does she shame him? Why she shame us? | 0:08:08 | 0:08:11 | |
You want Hector to be divorce? | 0:08:13 | 0:08:15 | |
-And whose fault is it if he did? -What, my fault? | 0:08:16 | 0:08:18 | |
YOU won't even speak his wife name. | 0:08:18 | 0:08:21 | |
At least I know what's important. My family. | 0:08:21 | 0:08:24 | |
My blood is always first, not the dirty cats! | 0:08:24 | 0:08:27 | |
'Manolis had discovered | 0:08:41 | 0:08:42 | |
'that the best way to control his rage was to not even look at Koula. | 0:08:42 | 0:08:48 | |
'For that reason, | 0:08:57 | 0:08:59 | |
'he had become an expert on the water stain above their bed, | 0:08:59 | 0:09:03 | |
'watching it spread and grow over the years.' | 0:09:03 | 0:09:07 | |
MAN ON TV SPEAKS GREEK | 0:09:25 | 0:09:28 | |
DOOR OPENS | 0:09:31 | 0:09:33 | |
-Hi, Pappou. -Hello, darling. | 0:09:36 | 0:09:38 | |
Hey, Sava, what's wrong with you? You lose your voice? | 0:09:39 | 0:09:42 | |
-Hey, Pappou. -Sava wiped a booger on me. | 0:09:42 | 0:09:45 | |
Can we please drop the booger issue, Angie? It's been resolved. | 0:09:45 | 0:09:48 | |
I didn't know you coming over? | 0:09:49 | 0:09:51 | |
Last-minute change of plans. | 0:09:52 | 0:09:54 | |
Can I leave the kids with you for a few hours? | 0:09:54 | 0:09:57 | |
Now? | 0:09:57 | 0:09:58 | |
I've got a job interview. I feel really positive about this one. | 0:09:58 | 0:10:02 | |
I've got some loukoumi for you, eh? | 0:10:05 | 0:10:08 | |
KIDS: Oh, thank you! I love you! | 0:10:08 | 0:10:10 | |
You couldn't phone first? | 0:10:10 | 0:10:11 | |
Oh, I was in the area. I thought it was easier if I just dropped in. | 0:10:11 | 0:10:14 | |
THEY GIGGLE | 0:10:14 | 0:10:16 | |
Working for a literacy programme, help kids learn to read and write. | 0:10:20 | 0:10:24 | |
If you study, you learn. Easy. | 0:10:24 | 0:10:26 | |
Actually, it's not that simple, Ma. These kids are underprivileged. | 0:10:26 | 0:10:29 | |
You talk to your cousin? | 0:10:29 | 0:10:32 | |
I've been busy. | 0:10:33 | 0:10:35 | |
He could call me. Anyway, this whole business, the court case, | 0:10:37 | 0:10:41 | |
-it makes me very uncomfortable. -You think it's Harry's fault? | 0:10:41 | 0:10:44 | |
If you ask me, Rosie and Gary had every right to do what they did. | 0:10:49 | 0:10:52 | |
I hit Sava before. | 0:10:53 | 0:10:55 | |
You tell police on me now? | 0:10:55 | 0:10:57 | |
You shouldn't hit him! | 0:10:57 | 0:10:58 | |
When he's swearing at me, when he spits. | 0:10:58 | 0:11:00 | |
It's never right to hit a child. | 0:11:00 | 0:11:04 | |
Violence does not teach children anything. | 0:11:12 | 0:11:14 | |
In fact... | 0:11:14 | 0:11:15 | |
Oh, Harry give that boy one slap, one bloody slap, that's all! | 0:11:15 | 0:11:20 | |
I happen to be trained in child welfare, | 0:11:20 | 0:11:22 | |
so maybe you should both try listening for once, | 0:11:22 | 0:11:24 | |
instead of just shouting over the top of me! | 0:11:24 | 0:11:27 | |
Fine, I'll leave you to it. | 0:11:30 | 0:11:33 | |
KETTLE WHISTLES | 0:11:33 | 0:11:35 | |
No, hey... | 0:11:35 | 0:11:37 | |
Elisavet. | 0:11:42 | 0:11:43 | |
Elisavet, wait. | 0:11:44 | 0:11:46 | |
Hey, hey. | 0:11:46 | 0:11:48 | |
My temper... I sorry. | 0:11:48 | 0:11:50 | |
It's not you, it's Mum. She doesn't listen to anyone. | 0:11:50 | 0:11:54 | |
Love you, Dad. | 0:11:59 | 0:12:00 | |
-I'll be back around 5:00, OK? -OK. | 0:12:00 | 0:12:03 | |
I hate this episode. You promised we were going to skip it. | 0:12:06 | 0:12:08 | |
Well, it's my disk, so we're gonna watch what I want. | 0:12:08 | 0:12:11 | |
I'm gonna dob. I'm gonna dob to Yiayia. | 0:12:11 | 0:12:13 | |
-- You're such a baby. -I am not. | 0:12:13 | 0:12:15 | |
-Are so. -Oh, really? -Yeah, really. | 0:12:15 | 0:12:17 | |
69 years old, he's so young. | 0:13:04 | 0:13:07 | |
SHE CRIES | 0:13:13 | 0:13:15 | |
CAT MIAOWS | 0:14:09 | 0:14:11 | |
I call Harry and Elisavet - they say they can come to Thimios' funeral. | 0:14:11 | 0:14:16 | |
I left a message, no answer. | 0:14:18 | 0:14:20 | |
I call again. | 0:14:33 | 0:14:35 | |
Again, answer machine. | 0:14:43 | 0:14:46 | |
Wait. | 0:14:58 | 0:14:59 | |
HE WINCES | 0:15:16 | 0:15:18 | |
Grandpa. | 0:15:29 | 0:15:31 | |
Mum, Grandpa's here. | 0:15:31 | 0:15:32 | |
-AISHA: -OK, I'm coming. | 0:15:33 | 0:15:35 | |
She's coming. | 0:15:35 | 0:15:36 | |
I'll just go get her. | 0:15:39 | 0:15:40 | |
Oh, yeah, look, last couple of days | 0:15:41 | 0:15:44 | |
I've been getting text messages from a number I don't recognise. | 0:15:44 | 0:15:47 | |
No, no, I just wanted to find out if there's any way | 0:15:47 | 0:15:49 | |
I can get the name of the person who owns the phone. | 0:15:49 | 0:15:52 | |
Yeah, I tried calling them back, but... | 0:15:52 | 0:15:54 | |
Oh, OK. Look, then, can I get the number blocked so they can't send me any more...? | 0:15:54 | 0:15:59 | |
An order from the police? Are you serious? | 0:16:00 | 0:16:03 | |
-AISHA: -Clean your teeth now. | 0:16:03 | 0:16:05 | |
Yeah, uh... No, no, that's fine. | 0:16:05 | 0:16:07 | |
Thanks, yeah. OK, great. Thank you. | 0:16:07 | 0:16:09 | |
30 seconds. | 0:16:10 | 0:16:12 | |
We got Koula's messages. I'm so sorry for your loss. | 0:16:12 | 0:16:15 | |
Is loss for Hector too. | 0:16:15 | 0:16:17 | |
We're both back late at work last night so... | 0:16:17 | 0:16:19 | |
Is this Mum's idea you coming around here? | 0:16:25 | 0:16:28 | |
Right, well...tell Mum she can keep her shorts on, OK? | 0:16:31 | 0:16:36 | |
I'm taking the afternoon off and we'll be there. | 0:16:36 | 0:16:38 | |
No, whole family must come. | 0:16:38 | 0:16:40 | |
Manolis, I'm sorry but it's... it's a bad day for me. | 0:16:40 | 0:16:43 | |
Yeah, Brendan's away, Dad. | 0:16:43 | 0:16:45 | |
If Aish takes the day off, it'll shut the practice, right? | 0:16:45 | 0:16:48 | |
Is your godfather, same as family. | 0:16:48 | 0:16:51 | |
OK, um... | 0:16:51 | 0:16:53 | |
I'm gonna try and find a locum to fill in for me tomorrow, | 0:16:53 | 0:16:56 | |
and right now, I'm sorry if it seems rude, | 0:16:56 | 0:16:59 | |
but I am late for work, I've got to get the kids to school. | 0:16:59 | 0:17:02 | |
See you tonight... | 0:17:02 | 0:17:04 | |
and maybe I'll see you tomorrow. | 0:17:04 | 0:17:08 | |
If not, please pass on my condolences. | 0:17:11 | 0:17:13 | |
OK, guys. CHILDREN YELL AND GIGGLE | 0:17:13 | 0:17:15 | |
Yes. | 0:17:15 | 0:17:17 | |
-See you, Grandpa. See you, Dad. -I don't want to carry your bag. | 0:17:17 | 0:17:20 | |
-See you, Dad. -Bye, guys. Have a good day. | 0:17:20 | 0:17:22 | |
You heard what Aish said, she's gonna try. | 0:17:26 | 0:17:28 | |
Your nono is dead. His family is mourning. | 0:17:30 | 0:17:35 | |
Yeah, OK. | 0:17:38 | 0:17:40 | |
We'll all be there. I'll make sure of it, OK? | 0:17:40 | 0:17:42 | |
Do you want a coffee? | 0:17:42 | 0:17:44 | |
Is fixed. | 0:17:50 | 0:17:52 | |
HE SIGHS | 0:18:44 | 0:18:45 | |
See? Too much cakes. | 0:18:45 | 0:18:48 | |
'As Manolis watched Koula pick his best jacket apart, | 0:18:56 | 0:18:59 | |
'it occurred to him that he would never wear it to another dance, | 0:18:59 | 0:19:04 | |
'just funerals from now on. | 0:19:04 | 0:19:07 | |
'He would never lose the fat he carried around his middle, | 0:19:09 | 0:19:13 | |
'unless it was through illness and wasting. | 0:19:13 | 0:19:15 | |
'And he would never fuck a woman again. | 0:19:17 | 0:19:19 | |
'Would not so much as touch a young woman's breast. | 0:19:19 | 0:19:22 | |
'Never again.' | 0:19:22 | 0:19:24 | |
Dad. | 0:19:26 | 0:19:27 | |
-HE SPEAKS GREEK. -Hello, darling. | 0:19:30 | 0:19:32 | |
Hi, Mum. | 0:19:32 | 0:19:34 | |
Hey. | 0:19:36 | 0:19:37 | |
-Hi, Sandi. -Hi. | 0:19:37 | 0:19:39 | |
-Harry. -Hey, Elisavet. | 0:19:39 | 0:19:42 | |
HARRY SPEAKS GREEK | 0:19:45 | 0:19:46 | |
Where's Hector? | 0:19:49 | 0:19:51 | |
Isn't he supposed to be a pallbearer? | 0:19:53 | 0:19:56 | |
It's time to go. | 0:19:56 | 0:19:57 | |
No, no, no, no, he be here soon. | 0:19:57 | 0:19:59 | |
Sorry, the traffic was shit. | 0:20:02 | 0:20:04 | |
Where is your family? | 0:20:04 | 0:20:06 | |
Aisha had a work emergency. She's sorry, sends her apologies. | 0:20:06 | 0:20:09 | |
-What about children? -It's a school day, Mum. | 0:20:09 | 0:20:12 | |
School? Rocco, Sava and Angeliki are here. They haven't got school. | 0:20:12 | 0:20:16 | |
We don't wanna frighten them. There's going to be an open casket. | 0:20:16 | 0:20:19 | |
Casket or school? Which lie is it? | 0:20:19 | 0:20:21 | |
Thea, relax, OK? She's a busy woman. | 0:20:21 | 0:20:23 | |
She owns her own business, it's hard. | 0:20:23 | 0:20:25 | |
OK, I understand that. | 0:20:25 | 0:20:27 | |
Let's just go inside, hey, get it over with. | 0:20:27 | 0:20:29 | |
Dad, listen, is this appropriate? | 0:20:34 | 0:20:36 | |
I mean, I haven't seen the poor guy in 35 years. | 0:20:36 | 0:20:38 | |
I don't care whether you see him or not! | 0:20:38 | 0:20:39 | |
PHONE RINGS | 0:20:43 | 0:20:45 | |
OK. | 0:20:55 | 0:20:56 | |
MAN SINGS TRADITIONAL HYMN | 0:20:57 | 0:21:00 | |
MAN SINGS | 0:21:36 | 0:21:39 | |
BELLS RING | 0:21:53 | 0:21:56 | |
'Manolis searched for familiar faces... | 0:22:44 | 0:22:46 | |
'..the companions of his youth, | 0:22:48 | 0:22:50 | |
'before family and obligation came between them. | 0:22:50 | 0:22:54 | |
'How did they all become so old?' | 0:22:56 | 0:22:59 | |
SINGING STOPS | 0:23:12 | 0:23:14 | |
KOULA CRIES | 0:23:20 | 0:23:24 | |
'Manolis remembered the obligations of being Greek, | 0:23:44 | 0:23:48 | |
'that he must shed a tear for the dead man. | 0:23:48 | 0:23:51 | |
-'Yet try as he might...' -WOMAN CRIES | 0:23:51 | 0:23:55 | |
'..no tears would come. | 0:23:55 | 0:23:57 | |
'Then Manolis thought of himself, | 0:24:04 | 0:24:06 | |
'the young man he had been when he last saw these people... | 0:24:06 | 0:24:11 | |
'..with a life so full of promise, | 0:24:12 | 0:24:15 | |
'a life now lived, promise unfulfilled.' | 0:24:15 | 0:24:19 | |
Hey, Manolis! | 0:24:48 | 0:24:50 | |
Hey, malaka, you don't remember me? | 0:24:55 | 0:24:58 | |
Is this my beautiful Koula? | 0:25:01 | 0:25:02 | |
Thanasis! | 0:25:02 | 0:25:05 | |
Look at him, senile already. | 0:25:10 | 0:25:13 | |
You see, Koula, you should have married me instead. | 0:25:13 | 0:25:16 | |
After burying poor Thimios, I need a drink. | 0:25:19 | 0:25:22 | |
You think he remember the address, Yero? | 0:25:22 | 0:25:25 | |
Thanasis. | 0:25:25 | 0:25:26 | |
-Ah! -Thanasis. | 0:25:26 | 0:25:28 | |
Look at this place - a boring, fussy old man's house. | 0:25:41 | 0:25:47 | |
Old? Maybe. | 0:25:51 | 0:25:54 | |
But boring? Not yet, my friend, not yet. | 0:25:54 | 0:25:58 | |
Dimitri not here? | 0:26:00 | 0:26:01 | |
Yeah, I heard he was sick, but who knows? | 0:26:01 | 0:26:04 | |
Teresa, she followed the, um... | 0:26:04 | 0:26:08 | |
..aggellia thanatou - she keep the death watch. | 0:26:08 | 0:26:13 | |
But since I got rid of her, I'm free of all that now. | 0:26:13 | 0:26:16 | |
Got rid of her? | 0:26:18 | 0:26:19 | |
She had, um... | 0:26:19 | 0:26:21 | |
..spasmena nevra, a nervous breakdown. | 0:26:21 | 0:26:24 | |
I paid for the best doctors, | 0:26:24 | 0:26:27 | |
but nothing could cure the bitch, so I divorce her. | 0:26:27 | 0:26:31 | |
But you say she sick? | 0:26:31 | 0:26:33 | |
So what? | 0:26:33 | 0:26:34 | |
What do you want me to do? | 0:26:34 | 0:26:36 | |
Be a martyr, sacrifice my own happiness? Gamoto! | 0:26:36 | 0:26:41 | |
HE LAUGHS | 0:26:43 | 0:26:44 | |
I got myself a Filipineza, Antoinetta, | 0:26:44 | 0:26:49 | |
only 45 years old and still in good shape, let me tell you. | 0:26:49 | 0:26:53 | |
Ah, my family thinks she'll get all my money. | 0:26:53 | 0:26:58 | |
And you know what, she deserves it more than they do. | 0:26:58 | 0:27:01 | |
Antoinetta, she keeps my house clean, | 0:27:01 | 0:27:04 | |
she shows me respect and we have sex. | 0:27:04 | 0:27:07 | |
I bet that's more than you can say, eh, Manolis? | 0:27:07 | 0:27:11 | |
Ah, Koula, what a woman. | 0:27:18 | 0:27:21 | |
You know it's not too late. We can still the love together. | 0:27:21 | 0:27:24 | |
Leave this malaka behind. | 0:27:24 | 0:27:26 | |
New cars - there's no artistry involved. | 0:27:27 | 0:27:31 | |
I mean, for instance, the 1968 Alpha. | 0:27:31 | 0:27:35 | |
You want to make that thing sing? | 0:27:35 | 0:27:36 | |
Need a special touch, you know, there's artistry involved. | 0:27:36 | 0:27:39 | |
New cars, it's all technical. | 0:27:39 | 0:27:41 | |
Maybe not a lot of art, but you know, plenty of cash to be made, eh? | 0:27:41 | 0:27:44 | |
Yeah, I do alright. | 0:27:44 | 0:27:46 | |
Still, everything I got is due to the old generation. | 0:27:47 | 0:27:50 | |
Hey? Isn't that right, Theo? | 0:27:50 | 0:27:51 | |
Well, well, Aussies not like to work, so somebody have to do it. | 0:27:51 | 0:27:56 | |
HE LAUGHS | 0:27:56 | 0:27:58 | |
So, um...are you a mechanic too, Hector? | 0:27:58 | 0:28:00 | |
Me? Christ, no. | 0:28:00 | 0:28:02 | |
Oh, no, no, he's a brains, this one, intellectual. | 0:28:02 | 0:28:05 | |
-I'm with the State Trustees Office. -Right. | 0:28:05 | 0:28:07 | |
But he could've been anything he wanted, this guy - doctor, lawyer, you name it. | 0:28:07 | 0:28:11 | |
HECTOR'S PHONE RINGS | 0:28:11 | 0:28:13 | |
Excuse me, I uh...need to get a drink. | 0:28:13 | 0:28:15 | |
Yeah, like I said, smart. | 0:28:17 | 0:28:20 | |
KEYPAD TONES | 0:28:30 | 0:28:32 | |
KEYPAD TONES | 0:28:39 | 0:28:41 | |
Hello? Hector? | 0:28:45 | 0:28:47 | |
-Who've you told, Connie? -What? | 0:28:47 | 0:28:49 | |
About what happened between us, who knows? | 0:28:49 | 0:28:51 | |
No...no-one I...I told no-one. | 0:28:51 | 0:28:54 | |
I need to know if you've shot your mouth off to anyone. | 0:28:54 | 0:28:56 | |
I didn't, I swear. | 0:28:56 | 0:28:58 | |
Anyone, Connie, because I have kids to think of, I have a wife. | 0:28:58 | 0:29:01 | |
I didn't do anything like that, I wouldn't do anything like that. OK? | 0:29:01 | 0:29:05 | |
-You swear to me? -Yes, yes! Of course, I swear. | 0:29:05 | 0:29:08 | |
Hector? | 0:29:08 | 0:29:09 | |
Hey, cuz. | 0:29:17 | 0:29:19 | |
If you've got a problem with me, why don't you just speak up about it? | 0:29:20 | 0:29:23 | |
Who says there's a problem? | 0:29:23 | 0:29:25 | |
Listen, we haven't told anyone about this, OK, | 0:29:29 | 0:29:32 | |
so you got to keep it to yourself. | 0:29:32 | 0:29:33 | |
Me and Sandi, we've been trying for a while to have another kid. | 0:29:35 | 0:29:38 | |
Well, now it looks like we finally got lucky. | 0:29:39 | 0:29:42 | |
Congratulations. | 0:29:43 | 0:29:44 | |
I just want you to understand where I was coming from. | 0:29:47 | 0:29:49 | |
OK, I got a pregnant wife to think about. | 0:29:49 | 0:29:53 | |
And this court case was the first problem. | 0:29:56 | 0:29:58 | |
The shit you brought down when you slapped that kid, | 0:29:58 | 0:30:00 | |
I'm in the permanent doghouse. | 0:30:00 | 0:30:02 | |
Not my fault your wife wears the pants... | 0:30:02 | 0:30:04 | |
Fuck you! | 0:30:04 | 0:30:05 | |
No, fuck you! | 0:30:06 | 0:30:08 | |
-You fuckin' cock sucker. -Hey, hey, hey! | 0:30:08 | 0:30:10 | |
HE EXHALES | 0:30:25 | 0:30:26 | |
Poor Dimitri, he's so sick, he's got the evil disease. | 0:30:46 | 0:30:49 | |
I have been waiting, | 0:31:04 | 0:31:06 | |
refusing every tray, waiting for my Koula to return. | 0:31:06 | 0:31:09 | |
SHE LAUGHS | 0:31:09 | 0:31:11 | |
HE BREATHES HEAVILY | 0:31:13 | 0:31:16 | |
HE SUPPRESSES ROAR | 0:31:22 | 0:31:24 | |
KNOCKING | 0:31:39 | 0:31:41 | |
KNOCKING | 0:31:48 | 0:31:50 | |
Hey, what are you doing in there so long, old man? | 0:31:50 | 0:31:53 | |
Playing with yourself? | 0:31:53 | 0:31:55 | |
I understand what it's like when you don't get to fuck any more. | 0:31:55 | 0:31:58 | |
Ahh. | 0:31:58 | 0:31:59 | |
You know, if you can't get yourself a Filipineza, | 0:31:59 | 0:32:02 | |
maybe you can get me a mavri, like your son. | 0:32:02 | 0:32:04 | |
CLATTER | 0:32:07 | 0:32:09 | |
What's going on?! | 0:32:12 | 0:32:13 | |
The crazy bastard, he pushed me! | 0:32:13 | 0:32:15 | |
You calling my uncle crazy? Did you push him down? | 0:32:15 | 0:32:17 | |
Hey, leave him alone. | 0:32:17 | 0:32:19 | |
Dad, what the hell happened? | 0:32:21 | 0:32:23 | |
Here, Theo, get up, get up, come on. | 0:32:23 | 0:32:25 | |
He's fine, all right? I got it. | 0:32:25 | 0:32:26 | |
Mate, I'm just trying to help. OK? | 0:32:44 | 0:32:46 | |
Yeah, we don't need your help, all right? | 0:32:46 | 0:32:48 | |
-Hey! -Come on. | 0:32:48 | 0:32:50 | |
HE GROANS | 0:32:50 | 0:32:53 | |
It was an argument. Shit happens. | 0:32:57 | 0:32:59 | |
Baba! | 0:33:09 | 0:33:11 | |
You're gonna bugger up your knee again. | 0:33:14 | 0:33:16 | |
Dad? | 0:33:16 | 0:33:17 | |
My Pappou, he say, | 0:33:56 | 0:33:58 | |
to marry a woman because she beautiful | 0:33:58 | 0:34:02 | |
is like eating the bird because you like its feathers. | 0:34:02 | 0:34:06 | |
I marry a woman because I like her voice. | 0:34:14 | 0:34:17 | |
Hey, come with me. | 0:34:17 | 0:34:19 | |
It's all here, all here, this all Greek area, always. | 0:34:22 | 0:34:26 | |
TRADITIONAL GREEK MUSIC Ah, you see? This is music. | 0:34:31 | 0:34:35 | |
You ought to try Charles Mingus. | 0:34:35 | 0:34:37 | |
Oh, what? You think I don't know Charles Mingus? | 0:34:37 | 0:34:40 | |
I listen to him before you born. | 0:34:40 | 0:34:43 | |
It's not too late. | 0:34:58 | 0:35:01 | |
Maybe I get a Filipineza instead. | 0:35:01 | 0:35:04 | |
Why a Filipino? | 0:35:04 | 0:35:06 | |
You can get a Russian cheap, and they're Orthodox. | 0:35:06 | 0:35:10 | |
You think I joking? | 0:35:11 | 0:35:13 | |
MOBILE RINGS | 0:35:13 | 0:35:15 | |
-HE SIGHS -It's Aisha. | 0:35:17 | 0:35:19 | |
I'm late. | 0:35:21 | 0:35:23 | |
MOBILE RINGS | 0:35:23 | 0:35:25 | |
Oh, fuck, Dad. | 0:35:26 | 0:35:28 | |
I feel like I'm losing my grip. | 0:35:30 | 0:35:31 | |
Ah, this problem with Harry is getting worse. | 0:35:31 | 0:35:35 | |
I, um... | 0:35:41 | 0:35:43 | |
I had an affair. | 0:35:45 | 0:35:47 | |
Was a much younger woman. | 0:35:54 | 0:35:57 | |
Was a terrible mistake. | 0:35:59 | 0:36:00 | |
Stupid. | 0:36:00 | 0:36:02 | |
And now it's... it's too late. | 0:36:02 | 0:36:06 | |
Can't take it back. | 0:36:07 | 0:36:09 | |
Yeah. | 0:36:13 | 0:36:14 | |
Uh... Aisha, she know? | 0:36:14 | 0:36:17 | |
No. | 0:36:19 | 0:36:20 | |
I can't think of anything else. It's... it's eating me up. | 0:36:21 | 0:36:24 | |
I don't want to hurt my family. | 0:36:27 | 0:36:29 | |
I don't... I don't want my children to hate me. | 0:36:29 | 0:36:33 | |
You are young. | 0:36:34 | 0:36:35 | |
When I marry your mother, | 0:36:43 | 0:36:46 | |
I know she have her faults, | 0:36:46 | 0:36:49 | |
but I think she loyal. | 0:36:49 | 0:36:52 | |
I don't know she already in love... | 0:36:55 | 0:36:59 | |
..with Thimios. | 0:37:01 | 0:37:03 | |
Mum cheated on you? | 0:37:04 | 0:37:06 | |
By then we already have a little baby. | 0:37:09 | 0:37:12 | |
So I do the right thing. | 0:37:14 | 0:37:16 | |
I keep my marriage together. | 0:37:16 | 0:37:19 | |
I put my family first. | 0:37:19 | 0:37:23 | |
Yeah, well, what you did was right. | 0:37:25 | 0:37:29 | |
Me, I'm a piece of shit. | 0:37:31 | 0:37:32 | |
I ought to go. | 0:37:53 | 0:37:55 | |
Come on. We can face Mum together. | 0:37:55 | 0:37:57 | |
You go. | 0:37:59 | 0:38:01 | |
DOORBELL CHIMES | 0:38:36 | 0:38:38 | |
HE RINGS AGAIN | 0:38:45 | 0:38:47 | |
Manolis! | 0:38:56 | 0:38:57 | |
Dimitri, look who comes. | 0:39:11 | 0:39:13 | |
Hello, Man. Did you come to finish me off? | 0:39:26 | 0:39:29 | |
-GEORGIA: -Stop talking foolishness. | 0:39:29 | 0:39:30 | |
Bring us a bottle so we can drink together. | 0:39:48 | 0:39:52 | |
-Dimitri mou. -What? | 0:39:52 | 0:39:53 | |
I'm not going to drink when my best friend comes? | 0:39:53 | 0:39:58 | |
TRADITIONAL GREEK MUSIC PLAYS | 0:40:00 | 0:40:04 | |
Yia mas. | 0:40:13 | 0:40:15 | |
He goes to university, studying law. | 0:40:19 | 0:40:22 | |
Go, then. | 0:40:48 | 0:40:49 | |
Ah, Koula never go without the family. | 0:40:49 | 0:40:53 | |
Hey, Manolis. Hey. | 0:40:53 | 0:40:56 | |
-HE GRUNTS -Mitso! | 0:41:08 | 0:41:10 | |
Koula... Koula will cut your dick off, Manolis. | 0:41:56 | 0:42:01 | |
Ah! I never use it anyway! | 0:42:01 | 0:42:03 | |
THEY LAUGH | 0:42:03 | 0:42:06 | |
SHE SIGHS | 0:42:13 | 0:42:14 | |
May... maybe is better in hospital... | 0:42:22 | 0:42:26 | |
MUSIC IN BACKGROUND & CHATTER | 0:42:49 | 0:42:53 | |
Hey! That's not music. | 0:42:59 | 0:43:02 | |
This is music. | 0:43:02 | 0:43:04 | |
HE SINGS IN GREEK | 0:43:06 | 0:43:09 | |
THEY LAUGH | 0:43:15 | 0:43:16 | |
Whoo! | 0:43:19 | 0:43:20 | |
HE CLICKS HIS FINGERS IN RHYTHM | 0:43:20 | 0:43:24 | |
Are you OK? | 0:44:18 | 0:44:20 | |
Just... Just relax. | 0:44:20 | 0:44:22 | |
Maybe is OK. | 0:44:22 | 0:44:24 | |
I just touch you, uh? | 0:44:24 | 0:44:27 | |
HE COUGHS | 0:44:55 | 0:44:57 | |
I will talk to Aisha. | 0:45:31 | 0:45:33 | |
HE SIGHS | 0:45:55 | 0:45:58 | |
Sorry. | 0:46:41 | 0:46:43 | |
It's... It's OK. | 0:46:43 | 0:46:45 | |
Sorry to keep you waiting. | 0:46:45 | 0:46:46 | |
It's hard for me to get out of work without some notice. | 0:46:46 | 0:46:49 | |
-I have a full appointment book. -It's OK. | 0:46:49 | 0:46:51 | |
SHE SIGHS | 0:46:51 | 0:46:53 | |
So, what can I do for you? | 0:46:53 | 0:46:56 | |
Aisha, mou, I must ask you something. | 0:46:56 | 0:47:01 | |
I want you to come to Greece. | 0:47:02 | 0:47:04 | |
Oh, we've made up our minds. I thought you understood that. | 0:47:04 | 0:47:07 | |
I ask you to change your mind. | 0:47:07 | 0:47:10 | |
I... I can't get the refund on the tickets. | 0:47:10 | 0:47:13 | |
You... You can still come. | 0:47:13 | 0:47:15 | |
I can't believe we're still talking about this. | 0:47:15 | 0:47:18 | |
Is important for our family. | 0:47:18 | 0:47:22 | |
Well, if you wanted me to come, why do you invite Harry? | 0:47:22 | 0:47:24 | |
Well, Harry, Sandi, Rocco, they you family too. | 0:47:24 | 0:47:27 | |
I have no problem with Sandi and Rocco, you know that. | 0:47:27 | 0:47:30 | |
Well, Harry is sorry. He wants to make up between you. | 0:47:30 | 0:47:33 | |
Yeah, right(!) | 0:47:33 | 0:47:35 | |
Aisha mou, I always feel you my friend. | 0:47:39 | 0:47:43 | |
Well? | 0:47:46 | 0:47:47 | |
Come for me. | 0:47:49 | 0:47:50 | |
You see, I've got friends on both sides of this. | 0:47:52 | 0:47:55 | |
And I've known Rosie a lot... | 0:47:55 | 0:47:59 | |
You will come to Greece. | 0:47:59 | 0:48:02 | |
I'll do what I think is right, not what you tell me. | 0:48:05 | 0:48:08 | |
You have no forgiveness. | 0:48:10 | 0:48:13 | |
I'll never forgive Harry for what he did. | 0:48:17 | 0:48:19 | |
Oh, one slap. | 0:48:19 | 0:48:21 | |
You know what I'm talking about, and it's not that slap. | 0:48:21 | 0:48:25 | |
I think you must be... | 0:48:32 | 0:48:34 | |
SHE SIGHS | 0:48:34 | 0:48:36 | |
You must be out of pocket for the trip so... | 0:48:36 | 0:48:38 | |
..this should cover the full amount of the airfares. | 0:48:40 | 0:48:43 | |
You know, I am really, really sorry. | 0:48:50 | 0:48:54 | |
Sorry about this whole thing. | 0:48:57 | 0:49:00 | |
DOOR SLAMS | 0:49:12 | 0:49:14 | |
What happened? | 0:49:47 | 0:49:49 | |
Nothing. | 0:49:50 | 0:49:52 | |
Hector call. | 0:49:52 | 0:49:54 | |
He was very angry. | 0:49:54 | 0:49:56 | |
Aisha, she was crying after you spoke to her. | 0:49:56 | 0:49:59 | |
PHONE RINGS | 0:50:09 | 0:50:12 | |
PHONE RINGS CONTINUOUSLY | 0:50:25 | 0:50:28 | |
MUSICAL MONTAGE | 0:50:39 | 0:50:42 | |
MOBILE CHIMES | 0:51:01 | 0:51:03 | |
SHE SINGS IN GREEK | 0:51:22 | 0:51:25 | |
GREEK SONG RESUMES | 0:51:57 | 0:52:00 |