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I'm Ivy Moxam. I was taken 13 years ago, I've just escaped. Please help me. | 0:00:02 | 0:00:05 | |
This programme contains some strong language | 0:00:05 | 0:00:08 | |
This is my daughter. | 0:00:08 | 0:00:09 | |
GLASS SMASHES, SHOUTING | 0:00:09 | 0:00:12 | |
TV: 'If the reports are true, | 0:00:12 | 0:00:13 | |
'Ivy Moxam will now be a 26-year-old woman.' | 0:00:13 | 0:00:16 | |
No sighting of kidnapper at address. He's still at large. | 0:00:16 | 0:00:19 | |
There's nothing left. | 0:00:19 | 0:00:21 | |
We have a face! | 0:00:21 | 0:00:22 | |
Mark White. | 0:00:22 | 0:00:24 | |
A 13-year-old who was meant to be in class at your school | 0:00:24 | 0:00:26 | |
was TAKEN by a member of YOUR staff. | 0:00:26 | 0:00:29 | |
"Tim, Ivy here..." | 0:00:29 | 0:00:31 | |
I swear, I didn't know. | 0:00:31 | 0:00:33 | |
He's taken another girl. | 0:00:36 | 0:00:38 | |
# Kiss your face | 0:00:41 | 0:00:43 | |
# Turn your cheek | 0:00:45 | 0:00:47 | |
# Lay your head down | 0:00:48 | 0:00:49 | |
# Lay your head down | 0:00:49 | 0:00:51 | |
# Lay your head down | 0:00:54 | 0:00:55 | |
# Lay your head down... # | 0:00:55 | 0:00:58 | |
RADIO: 'All units, looking for a silver Ford Fiesta | 0:01:28 | 0:01:31 | |
'used to abduct ten-year-old Phoebe Tarl, | 0:01:31 | 0:01:33 | |
'missing for over nine hours. | 0:01:33 | 0:01:36 | |
'Witnesses identified Mark White as a suspect.' | 0:01:36 | 0:01:40 | |
Did you know him? | 0:01:40 | 0:01:41 | |
Did I know him? | 0:01:44 | 0:01:45 | |
The kidnapper, Mark White. | 0:01:47 | 0:01:49 | |
Was he known to you before your abduction? | 0:01:50 | 0:01:52 | |
We found out he worked at your school as a kitchen porter. | 0:01:54 | 0:01:58 | |
You didn't know that, did you, Ivy? | 0:01:58 | 0:02:00 | |
We're aware it's a big school. | 0:02:00 | 0:02:03 | |
The kitchen alone employ 20 people. | 0:02:03 | 0:02:05 | |
But did you ever cross paths with him? | 0:02:05 | 0:02:07 | |
Did he know the little girl? Is that why you're asking me. | 0:02:07 | 0:02:10 | |
We're yet to establish a connection between White and Phoebe. | 0:02:10 | 0:02:13 | |
Most likely, it was an opportunistic abduction. | 0:02:13 | 0:02:16 | |
It looks as if he followed her back from youth club. | 0:02:16 | 0:02:19 | |
You don't happen to know where he might have taken Phoebe, do you? | 0:02:21 | 0:02:25 | |
Was there anywhere else he talked about? | 0:02:26 | 0:02:29 | |
What about family or friends? | 0:02:29 | 0:02:32 | |
It would make sense if he was hunkering down with someone | 0:02:32 | 0:02:35 | |
who loves him enough to protect him. | 0:02:35 | 0:02:37 | |
Uh. His mum. | 0:02:40 | 0:02:41 | |
Carol. | 0:02:42 | 0:02:44 | |
What did he say about her? | 0:02:45 | 0:02:47 | |
That he'd put her away. | 0:02:47 | 0:02:49 | |
In a home. | 0:02:50 | 0:02:53 | |
Will that help you find the little girl? | 0:02:53 | 0:02:55 | |
Elliott? | 0:02:57 | 0:02:59 | |
"Elliott"? Eh? | 0:03:07 | 0:03:09 | |
-Last time I checked, that WAS my name. -Smart-arse. | 0:03:09 | 0:03:12 | |
KEYPAD BEEPS | 0:03:12 | 0:03:14 | |
You give a first name, you get trust. | 0:03:14 | 0:03:16 | |
Chief Superintendent Burridge from New Scotland Yard. | 0:03:29 | 0:03:32 | |
But, on this case, you can call me David. | 0:03:32 | 0:03:34 | |
Sorry. "On this case"? | 0:03:34 | 0:03:37 | |
Are we still reporting to you, sir? | 0:03:37 | 0:03:38 | |
As has just been made clear to you, DI Carne, | 0:03:38 | 0:03:40 | |
it's Chief Superintendent Burridge's case now. | 0:03:40 | 0:03:43 | |
-HE SCOFFS -And what about you? | 0:03:44 | 0:03:46 | |
Reassigned. | 0:03:46 | 0:03:48 | |
We have offices over at Sunbridge High. Then, of course, | 0:03:48 | 0:03:51 | |
there's your girl. | 0:03:51 | 0:03:54 | |
Look. This news, it's... | 0:03:54 | 0:03:55 | |
She's fragile. | 0:03:57 | 0:03:59 | |
Mmm. | 0:03:59 | 0:04:00 | |
There's a Dr Young. | 0:04:00 | 0:04:02 | |
She'll carry out a psych assessment. | 0:04:02 | 0:04:04 | |
Find out how much leeway we have with Ivy. | 0:04:04 | 0:04:06 | |
-Which of you is closer to her? -Elliott. | 0:04:06 | 0:04:09 | |
Do the introductions. | 0:04:09 | 0:04:11 | |
Lisa, I want you to find the mother, Carol White. | 0:04:11 | 0:04:14 | |
Time is not our friend. | 0:04:14 | 0:04:16 | |
TV: 'With a second girl taken, questions are, inevitably, | 0:04:16 | 0:04:20 | |
'being asked of the police. | 0:04:20 | 0:04:22 | |
'How could this be allowed to happen again? | 0:04:22 | 0:04:24 | |
'Just days after Ivy Moxam managed to escape captivity | 0:04:24 | 0:04:28 | |
'and reunite with her family.' | 0:04:28 | 0:04:30 | |
What are you up to? | 0:04:54 | 0:04:56 | |
I can't find my phone. | 0:04:57 | 0:04:59 | |
It's plugged in by your side of the bed, where it always is. | 0:04:59 | 0:05:02 | |
Oh! My brain's crying out for the morning coffee. | 0:05:02 | 0:05:05 | |
Oh! | 0:05:06 | 0:05:07 | |
Over this way, Mr Tarl. | 0:05:30 | 0:05:32 | |
We'll find her, Ivy. | 0:05:40 | 0:05:42 | |
We will. | 0:05:43 | 0:05:44 | |
They kept me in overnight. | 0:05:50 | 0:05:51 | |
Until they were satisfied that I knew nothing about that... | 0:05:54 | 0:05:57 | |
Him...working here. | 0:05:59 | 0:06:01 | |
Would you...dig out the contact details | 0:06:04 | 0:06:07 | |
of all staff from the period | 0:06:07 | 0:06:09 | |
that Mark White was on these premises? | 0:06:09 | 0:06:12 | |
-I want to talk to them. -Aren't the police doing that? | 0:06:12 | 0:06:15 | |
People clam up with them. | 0:06:15 | 0:06:16 | |
They know me. | 0:06:16 | 0:06:18 | |
This school - everyone in it - | 0:06:18 | 0:06:20 | |
it's my responsibility. | 0:06:20 | 0:06:22 | |
I thought it was just bad luck, him taking me. | 0:06:25 | 0:06:28 | |
If he was at my school, it can't have been. | 0:06:29 | 0:06:32 | |
Can it? | 0:06:32 | 0:06:33 | |
I must have been chosen. | 0:06:33 | 0:06:35 | |
KNOCK AT DOOR, DOOR OPENS | 0:06:38 | 0:06:39 | |
-A Dr Young here for you? -Thank you. | 0:06:39 | 0:06:42 | |
Hi. DI Carne. | 0:06:43 | 0:06:44 | |
Ivy, hello. | 0:06:45 | 0:06:47 | |
I'm Dr Young. | 0:06:47 | 0:06:48 | |
I'll need to speak to Ivy alone. | 0:06:49 | 0:06:51 | |
I'll be outside, if you need me. | 0:06:54 | 0:06:56 | |
Don't know what they've told you about me | 0:06:57 | 0:07:00 | |
but I'm a clinical psychologist | 0:07:00 | 0:07:02 | |
and we're going to spend an hour here now | 0:07:02 | 0:07:05 | |
to see if the two of us can work together. | 0:07:05 | 0:07:07 | |
Everything you say is just between us. | 0:07:07 | 0:07:10 | |
I'm someone with no agenda apart from to help you. | 0:07:10 | 0:07:15 | |
Someone you can talk to. | 0:07:16 | 0:07:18 | |
I'm tired of talking. | 0:07:18 | 0:07:20 | |
I'm sure. But... | 0:07:21 | 0:07:22 | |
..it's very important for you to have someone | 0:07:24 | 0:07:27 | |
you can feel at ease with. | 0:07:27 | 0:07:29 | |
I do. | 0:07:29 | 0:07:30 | |
With Tim. | 0:07:32 | 0:07:33 | |
And, um... | 0:07:34 | 0:07:35 | |
Tim is...? | 0:07:35 | 0:07:37 | |
A boyfriend. | 0:07:39 | 0:07:40 | |
Not like that, though. | 0:07:41 | 0:07:43 | |
A friend who's a boy. | 0:07:45 | 0:07:48 | |
And he's from your past? | 0:07:48 | 0:07:50 | |
And now. | 0:07:51 | 0:07:52 | |
PHONE RINGS | 0:07:54 | 0:07:56 | |
Jesse Rawlins. Hi. | 0:08:04 | 0:08:07 | |
Two hands at your disposal. | 0:08:07 | 0:08:08 | |
From the Met? | 0:08:08 | 0:08:11 | |
The Super sent me over. Said you've a search on. | 0:08:11 | 0:08:13 | |
For White's mum. Yes. | 0:08:13 | 0:08:15 | |
It seems care homes | 0:08:15 | 0:08:17 | |
are the last places holding out from the modern world. | 0:08:17 | 0:08:20 | |
Paper records. Find any Carol Whites, give me a shout. | 0:08:21 | 0:08:25 | |
SIRENS WAIL | 0:08:29 | 0:08:31 | |
Is this all for the little girl? | 0:08:32 | 0:08:34 | |
The whole force is out looking for her. | 0:08:34 | 0:08:36 | |
SIRENS BLARE | 0:08:36 | 0:08:38 | |
CLASSICAL MUSIC PLAYS LOUDLY | 0:08:51 | 0:08:56 | |
-I was listening to that. -So was the whole street. Tea? | 0:08:56 | 0:09:00 | |
No. I want everything ready for when Ivy's back. | 0:09:00 | 0:09:02 | |
It's just a cup of tea, Chris. I think you can allow yourself that. | 0:09:02 | 0:09:05 | |
DOOR BELL RINGS | 0:09:05 | 0:09:07 | |
HE SIGHS | 0:09:07 | 0:09:09 | |
DOOR OPENS | 0:09:11 | 0:09:12 | |
Um... | 0:09:17 | 0:09:18 | |
I'm sorry to, er, well, just come round like this, | 0:09:18 | 0:09:21 | |
but I've something for Ivy, if it's OK to give to her? | 0:09:21 | 0:09:25 | |
I thought because of the other girl being taken... | 0:09:25 | 0:09:28 | |
-That's good of you. -She's not here. | 0:09:28 | 0:09:31 | |
They've taken her in to help with the enquiries. | 0:09:31 | 0:09:34 | |
Oh. Could I... | 0:09:34 | 0:09:35 | |
..maybe wait for her? | 0:09:36 | 0:09:38 | |
We need time alone as a family. | 0:09:38 | 0:09:39 | |
DOOR OPENS | 0:09:42 | 0:09:44 | |
DOOR SLAMS | 0:09:46 | 0:09:47 | |
It might do Ivy be good to see Tim. | 0:09:47 | 0:09:49 | |
SHE WHISKS | 0:09:53 | 0:09:56 | |
Tim. | 0:10:00 | 0:10:01 | |
Put your number in there. When Ivy gets back, I'll give you a call. | 0:10:06 | 0:10:09 | |
See if we can sort something out. | 0:10:09 | 0:10:12 | |
How's she...? | 0:10:14 | 0:10:16 | |
Is she all right? | 0:10:17 | 0:10:18 | |
Honestly? | 0:10:18 | 0:10:20 | |
I don't know. | 0:10:22 | 0:10:24 | |
RINGING TONE | 0:10:30 | 0:10:33 | |
-Mum! -Ivy? | 0:10:33 | 0:10:35 | |
It's just me. | 0:10:36 | 0:10:38 | |
-Who is it? -He hasn't said. | 0:10:41 | 0:10:43 | |
Well... Tell whoever it is I can't speak. | 0:10:45 | 0:10:47 | |
She needs some clothes. | 0:11:03 | 0:11:06 | |
-What size is she? -It's not exactly my speciality. I don't know. | 0:11:06 | 0:11:10 | |
-Ten? Eight? -I should know. I'm her sister. | 0:11:10 | 0:11:13 | |
Go easy on yourself, huh? | 0:11:15 | 0:11:16 | |
-We're a team, right? -Always. | 0:11:18 | 0:11:21 | |
It's just this. It's quicker alone. | 0:11:21 | 0:11:23 | |
SPLASHING | 0:11:29 | 0:11:32 | |
Mrs Moxam? | 0:11:36 | 0:11:38 | |
Uh... | 0:11:39 | 0:11:40 | |
Shit! | 0:11:41 | 0:11:43 | |
You have no idea how many cakes I've incinerated. | 0:11:44 | 0:11:49 | |
My specialist skill. | 0:11:49 | 0:11:50 | |
Rescuing them. | 0:11:50 | 0:11:52 | |
I thought cake. She always liked cake. That can't have changed. | 0:11:52 | 0:11:55 | |
May I? | 0:11:56 | 0:11:57 | |
Then, load on whipped cream and... | 0:12:03 | 0:12:06 | |
as many strawberries as you can find. | 0:12:06 | 0:12:08 | |
DOOR OPENS | 0:12:08 | 0:12:10 | |
-How did it go? You all right? -Fine. -Well done, darling. | 0:12:12 | 0:12:15 | |
Emma, get your sister a drink. | 0:12:15 | 0:12:17 | |
There's juice in the fridge, or tea. Or... | 0:12:17 | 0:12:19 | |
Thank you, DI Carne. | 0:12:20 | 0:12:22 | |
(Right.) | 0:12:22 | 0:12:23 | |
Sorry. | 0:12:46 | 0:12:48 | |
You always beat me to it. | 0:12:57 | 0:12:59 | |
Lucky not to come and find you with your tongue right in the bowl. | 0:12:59 | 0:13:02 | |
You used to get it all over your face | 0:13:02 | 0:13:04 | |
and Mum would say "There are raw eggs in that..." | 0:13:04 | 0:13:06 | |
"There are raw eggs in that, you know!" | 0:13:06 | 0:13:08 | |
Do you have a mobile I could borrow? | 0:13:11 | 0:13:14 | |
Who do you want to call? | 0:13:15 | 0:13:16 | |
Is it Tim? | 0:13:17 | 0:13:18 | |
-Shall we have cake first? -I'm not hungry. | 0:13:20 | 0:13:23 | |
TV: '..In the hunt to find ten-year-old Phoebe Tarl | 0:13:27 | 0:13:30 | |
'after she was abducted by Mark White. Today, her father...' | 0:13:30 | 0:13:33 | |
Are you sure you want to watch this? | 0:13:33 | 0:13:35 | |
'My baby girl Phoebe was snatched last night by Mark White. | 0:13:36 | 0:13:40 | |
'Mr White, Mark, please don't hurt her. | 0:13:40 | 0:13:45 | |
'Let her go. | 0:13:45 | 0:13:48 | |
'Phoebe... Sweetie, if you can hear me, | 0:13:48 | 0:13:50 | |
'know that Daddy loves you. | 0:13:50 | 0:13:53 | |
"Lots of people love you, your Nan...' | 0:13:53 | 0:13:56 | |
How's Granny? | 0:13:56 | 0:13:58 | |
'..all your friends are thinking of you | 0:13:58 | 0:14:00 | |
'and we just can't wait to see you again.' | 0:14:00 | 0:14:02 | |
She's gone, love. | 0:14:02 | 0:14:03 | |
Gone where? | 0:14:05 | 0:14:07 | |
She got sick. | 0:14:07 | 0:14:08 | |
Five years ago. | 0:14:11 | 0:14:12 | |
'She was wearing her jeans, pink coat, | 0:14:12 | 0:14:15 | |
'and she has on her favourite backpack...' | 0:14:15 | 0:14:17 | |
No, don't. | 0:14:17 | 0:14:19 | |
'I can confirm that this case is linked to the disappearance, | 0:14:19 | 0:14:23 | |
'13 years ago, of Ivy Moxam. | 0:14:23 | 0:14:25 | |
'The suspect in both cases is Mark White. | 0:14:25 | 0:14:27 | |
'His image is circulating widely and I can assure the public | 0:14:27 | 0:14:31 | |
'that I have a large team of officers working round-the-clock | 0:14:31 | 0:14:35 | |
'to apprehend him.' | 0:14:35 | 0:14:36 | |
-'If anyone...' -Phoebe... | 0:14:38 | 0:14:40 | |
'..has any information on the whereabouts of Phoebe Tarl, | 0:14:40 | 0:14:43 | |
'please, come forward, and speak to us immediately.' | 0:14:43 | 0:14:46 | |
What are you up to, darling? | 0:14:54 | 0:14:55 | |
ALBUM SLAMS | 0:14:55 | 0:14:57 | |
I can carry those down, if you like? | 0:15:03 | 0:15:05 | |
There are some lovely ones in there of you. | 0:15:05 | 0:15:07 | |
We could all have a look. | 0:15:08 | 0:15:10 | |
-I'm all cobwebby, I need a shower. -How about I run you a bath? | 0:15:10 | 0:15:13 | |
-You're being really brave. -Mum, please... | 0:15:15 | 0:15:17 | |
I want you to know that it will be better now. | 0:15:17 | 0:15:19 | |
I'll do everything I can to make it better. | 0:15:19 | 0:15:21 | |
OFFICE HUBBUB | 0:15:31 | 0:15:34 | |
How was baby-sitting? | 0:15:40 | 0:15:42 | |
You get time out to read the psych assessment? | 0:15:42 | 0:15:45 | |
It only confirmed what I know. | 0:15:45 | 0:15:47 | |
We need to tread carefully. | 0:15:47 | 0:15:48 | |
Take our time. | 0:15:48 | 0:15:50 | |
Did we read the same report? | 0:15:50 | 0:15:52 | |
Let me guess, you want to go at Ivy all guns blazing? | 0:15:52 | 0:15:55 | |
I want to find Phoebe. | 0:15:55 | 0:15:57 | |
You shove a lot of bodies in from the Yard, | 0:16:00 | 0:16:02 | |
it sends a message - "cock up". | 0:16:02 | 0:16:04 | |
And we didn't. | 0:16:04 | 0:16:05 | |
Phoebe being taken was... | 0:16:05 | 0:16:07 | |
We can't watch all the young girls in Bristol all the time. | 0:16:10 | 0:16:13 | |
We're in the minority that weren't bumped off this case. | 0:16:13 | 0:16:16 | |
-Means we're doing something right. -Yeah. You coming? | 0:16:16 | 0:16:18 | |
-We have to say something. -He's trying to leave quietly. Let him. | 0:16:18 | 0:16:21 | |
Sir! I just wanted to say, it's really shitty what they've done. | 0:16:21 | 0:16:24 | |
Careful, son. | 0:16:24 | 0:16:26 | |
A case like this is the kind you look up from a year on | 0:16:27 | 0:16:31 | |
and you've lost everything else. | 0:16:31 | 0:16:33 | |
All done. | 0:16:40 | 0:16:41 | |
-Leaving us three options. -Two, actually. | 0:16:41 | 0:16:44 | |
Tillwell got closed down four years ago. | 0:16:44 | 0:16:47 | |
And this is? | 0:16:48 | 0:16:50 | |
James. Thanks. | 0:16:50 | 0:16:52 | |
Actually, it's Jesse. | 0:16:52 | 0:16:54 | |
Got it down to two Carol Whites in Bristol care homes. | 0:16:55 | 0:16:59 | |
My kind of odds. | 0:16:59 | 0:17:01 | |
We get to his mother, you crack a smile? | 0:17:01 | 0:17:04 | |
Yeah. Well, anywhere's better than here. | 0:17:04 | 0:17:07 | |
And I wouldn't go waiting for that smile. | 0:17:07 | 0:17:09 | |
Maybe I'll get one tomorrow night? | 0:17:09 | 0:17:11 | |
You hadn't forgotten, had you? | 0:17:13 | 0:17:15 | |
I've defrosted some old chicken and everything. | 0:17:18 | 0:17:20 | |
-Way to make a girl feel special! -HE CHUCKLES | 0:17:20 | 0:17:23 | |
KNOCK AT DOOR | 0:17:30 | 0:17:32 | |
I'm busy. | 0:17:32 | 0:17:34 | |
KNOCKING CONTINUES | 0:17:34 | 0:17:35 | |
I'm sorry to... | 0:17:39 | 0:17:40 | |
I don't want you to think that I'm interfering, but I've spoken to Tim | 0:17:42 | 0:17:46 | |
and he's going to meet you this afternoon. | 0:17:47 | 0:17:50 | |
Alia'll take you. | 0:17:50 | 0:17:52 | |
Thanks, Dad. | 0:17:53 | 0:17:55 | |
I'll leave you to get ready. | 0:17:58 | 0:18:00 | |
Here. | 0:18:01 | 0:18:03 | |
Carol White. | 0:18:03 | 0:18:05 | |
Passed away in 2002. | 0:18:05 | 0:18:08 | |
Do you ever think about updating your records? | 0:18:09 | 0:18:12 | |
Save us a lot of time when we don't really have it to waste. | 0:18:12 | 0:18:15 | |
-Sorry about him. Does it have a next of kin on there? -I'll check. | 0:18:15 | 0:18:18 | |
Mark White. | 0:18:21 | 0:18:22 | |
She's our girl. | 0:18:22 | 0:18:24 | |
WAS our girl. Well, elderly lady... | 0:18:24 | 0:18:26 | |
Could you print us off a copy of her file? | 0:18:26 | 0:18:29 | |
When I'm been the charming one, we're in trouble. | 0:18:32 | 0:18:34 | |
What's up with you? | 0:18:34 | 0:18:35 | |
These places... I'm not a fan. | 0:18:37 | 0:18:39 | |
Whereas, I positively love the stale air | 0:18:39 | 0:18:41 | |
and threat of imminent death(!) | 0:18:41 | 0:18:43 | |
There you go. | 0:18:43 | 0:18:44 | |
Carol White's previous address, | 0:18:46 | 0:18:48 | |
15, Denby Close, Basingstoke. | 0:18:48 | 0:18:50 | |
Let's get a team out there. | 0:18:50 | 0:18:51 | |
Hi. | 0:19:14 | 0:19:15 | |
Hi. | 0:19:15 | 0:19:17 | |
This girl that's been taken... | 0:19:31 | 0:19:33 | |
I can't imagine how you must... | 0:19:35 | 0:19:36 | |
I suppose I'm trying to say, I'm... I'm sorry. | 0:19:40 | 0:19:44 | |
You remembered this place. | 0:19:44 | 0:19:46 | |
Course! | 0:19:46 | 0:19:48 | |
I used to come here when... | 0:19:48 | 0:19:50 | |
After... | 0:19:50 | 0:19:52 | |
Lucky dip. | 0:19:57 | 0:19:58 | |
Close your eyes. | 0:20:00 | 0:20:02 | |
Still got yours? | 0:20:15 | 0:20:17 | |
I saved you the chest. | 0:20:17 | 0:20:18 | |
That was the best bit. | 0:20:20 | 0:20:21 | |
Pick again. | 0:20:23 | 0:20:25 | |
El tried to get me to sneak out after curfew to see you. | 0:20:36 | 0:20:40 | |
Mm. Eloise was the definition of trouble. | 0:20:40 | 0:20:44 | |
Do you still see her? | 0:20:44 | 0:20:45 | |
I haven't. Not for, um... | 0:20:46 | 0:20:49 | |
She couldn't get out of this place quick enough. | 0:20:49 | 0:20:52 | |
But this place is home. | 0:20:55 | 0:20:56 | |
I think so. | 0:20:59 | 0:21:00 | |
Your last pick. | 0:21:09 | 0:21:10 | |
You kept them? | 0:21:23 | 0:21:25 | |
No-one seems to write any more. | 0:21:26 | 0:21:28 | |
You're lucky if you get a postcard. | 0:21:29 | 0:21:31 | |
What do you mean? | 0:21:32 | 0:21:34 | |
It's all e-mails now. | 0:21:34 | 0:21:37 | |
Facebook, text, Twitter. | 0:21:37 | 0:21:40 | |
Modern life has killed the art of letter-writing. | 0:21:40 | 0:21:42 | |
What's that? | 0:21:45 | 0:21:46 | |
No sign of Mark White at his mum's house. | 0:21:52 | 0:21:55 | |
It's been rented out for the past 14 years. | 0:21:55 | 0:21:58 | |
All money's going to her son. | 0:21:58 | 0:21:59 | |
So, our kidnapper's solvent. | 0:21:59 | 0:22:01 | |
And income equals options. | 0:22:01 | 0:22:03 | |
He's headed somewhere. | 0:22:03 | 0:22:05 | |
Maybe he plans to hole up, recreate what he had with Ivy? | 0:22:05 | 0:22:08 | |
We won't let him. We'll pick him up en route. | 0:22:08 | 0:22:11 | |
Put this sorry mess to bed. | 0:22:11 | 0:22:12 | |
Year Six. | 0:22:18 | 0:22:19 | |
Your sponsored silence. | 0:22:19 | 0:22:22 | |
I reckon you lasted... | 0:22:22 | 0:22:23 | |
..four minutes? | 0:22:24 | 0:22:25 | |
I can see the telltale signs, Ivy Moxam. | 0:22:26 | 0:22:30 | |
That's a smile you've got brewing. | 0:22:30 | 0:22:33 | |
It was six minutes, actually. | 0:22:35 | 0:22:37 | |
Well, that's a record for you. | 0:22:37 | 0:22:40 | |
THEY LAUGH | 0:22:40 | 0:22:42 | |
-Before it gets dark, do you want to go for a walk? -A walk? | 0:22:44 | 0:22:49 | |
All right, grandpa! | 0:22:51 | 0:22:53 | |
Try and keep up. | 0:22:53 | 0:22:54 | |
SHE SHRIEKS HAPPILY | 0:22:58 | 0:23:01 | |
LAUGHTER | 0:23:06 | 0:23:08 | |
SHE GASPS FOR BREATH | 0:23:31 | 0:23:34 | |
Thanks. | 0:23:38 | 0:23:39 | |
For giving you a head start? | 0:23:39 | 0:23:41 | |
SHE PANTS | 0:23:41 | 0:23:43 | |
For the first time since... | 0:23:43 | 0:23:45 | |
..I've felt free. | 0:23:47 | 0:23:49 | |
Well, don't get too excited. And, erm... | 0:23:54 | 0:23:57 | |
It's called an iPod. | 0:23:57 | 0:23:59 | |
It's somewhere you can keep all your music, your CDs, | 0:23:59 | 0:24:02 | |
all in one place. | 0:24:02 | 0:24:03 | |
There's 13 playlists on there, one for each year. | 0:24:05 | 0:24:09 | |
Sort of like a musical tour. | 0:24:10 | 0:24:12 | |
That must have taken you ages. | 0:24:12 | 0:24:14 | |
I liked doing it. | 0:24:16 | 0:24:18 | |
Um... | 0:24:19 | 0:24:20 | |
Here. | 0:24:22 | 0:24:24 | |
Which song do you want to hear first? | 0:24:26 | 0:24:28 | |
Surprise me. | 0:24:29 | 0:24:31 | |
How about that song that we wore out? | 0:24:33 | 0:24:35 | |
This has been the same for me. | 0:24:37 | 0:24:38 | |
TINNY MUSIC FROM HEADPHONES | 0:24:38 | 0:24:41 | |
# This is just a simple song To say what you done | 0:24:41 | 0:24:44 | |
SOUNDTRACK MUSIC SWELLS # I told you about all those fears | 0:24:44 | 0:24:50 | |
# And the way they did run | 0:24:50 | 0:24:53 | |
# You sure must be strong | 0:24:53 | 0:24:54 | |
# When you feel like an ocean being warmed by the sun | 0:24:58 | 0:25:03 | |
# When I was just nine years old | 0:25:06 | 0:25:10 | |
# I swear that I dreamt | 0:25:10 | 0:25:15 | |
# Your face on a football field... # | 0:25:15 | 0:25:17 | |
CAMERA SHUTTER CLICKS | 0:25:19 | 0:25:21 | |
Mark White was in a rush. | 0:25:33 | 0:25:35 | |
The forgotten hair tie is proof of that. He dumps the car. | 0:25:36 | 0:25:39 | |
Has he found another? Is he on foot? Where's he going? | 0:25:39 | 0:25:44 | |
Nowhere. He's staying in Bristol. | 0:25:44 | 0:25:46 | |
Where he knows most people are looking for him? | 0:25:46 | 0:25:49 | |
-So, what's keeping him here? -Ivy. | 0:25:49 | 0:25:52 | |
So, why take Phoebe? | 0:25:56 | 0:25:57 | |
A straight replacement. | 0:25:58 | 0:26:00 | |
The man can't stand a moment without a captive. Someone in his power. | 0:26:01 | 0:26:05 | |
Or, he isn't finished with Ivy yet. | 0:26:05 | 0:26:07 | |
DISTANT SIRENS | 0:26:13 | 0:26:16 | |
TINNY MUSIC PLAYS | 0:26:19 | 0:26:22 | |
I'm afraid we've got to go via the station before home. | 0:26:23 | 0:26:26 | |
I've spoken to your mum. | 0:26:28 | 0:26:30 | |
THEIR SONG PLAYS LOUDLY | 0:26:30 | 0:26:33 | |
Tim? | 0:26:34 | 0:26:36 | |
Tim! | 0:26:36 | 0:26:37 | |
TIM! | 0:26:37 | 0:26:39 | |
Table eight have asked again for their bottle of Pinot Noir. | 0:26:40 | 0:26:44 | |
Shit, yeah. Sorry. Coming right up. | 0:26:44 | 0:26:46 | |
Interview of Ivy Moxam commencing at 21.04 | 0:26:58 | 0:27:01 | |
by DS Merchant and DI Carne. | 0:27:01 | 0:27:03 | |
We've an update for you on the Phoebe Tarl investigation. | 0:27:03 | 0:27:06 | |
-You found her? -Unfortunately not. Yet. | 0:27:06 | 0:27:09 | |
White's car's been found abandoned. | 0:27:09 | 0:27:12 | |
We think he's now on foot or already in a secure location. | 0:27:12 | 0:27:14 | |
Which is where you can help by retracing your movements | 0:27:14 | 0:27:18 | |
the day of your abduction. | 0:27:18 | 0:27:20 | |
Knowing how White acted before could tell us how he'll act now. | 0:27:20 | 0:27:23 | |
Get us one step ahead of him. | 0:27:23 | 0:27:26 | |
What about his mum? What did she say? | 0:27:27 | 0:27:30 | |
Not a lot. | 0:27:30 | 0:27:32 | |
Carol White passed away in 2002. | 0:27:34 | 0:27:37 | |
But... | 0:27:41 | 0:27:42 | |
I thought she was alive while... | 0:27:46 | 0:27:47 | |
Why would he do...? | 0:27:49 | 0:27:50 | |
If we could go back to the 2nd May, 2003. | 0:27:50 | 0:27:55 | |
From your previous statement, | 0:27:55 | 0:27:58 | |
it seems you lost consciousness after the blow to the head. | 0:27:58 | 0:28:01 | |
That would account for a few minutes. | 0:28:01 | 0:28:04 | |
The rest? | 0:28:04 | 0:28:05 | |
That's all I remember...sorry. | 0:28:08 | 0:28:10 | |
Can you try? | 0:28:13 | 0:28:14 | |
See if anything else comes back. | 0:28:16 | 0:28:18 | |
For Phoebe? | 0:28:20 | 0:28:21 | |
OK. Thanks, Ivy. | 0:28:24 | 0:28:26 | |
Well, how will you find Phoebe... | 0:28:26 | 0:28:29 | |
..if I can't remember? | 0:28:30 | 0:28:32 | |
That'll be hard. | 0:28:32 | 0:28:33 | |
Harder. | 0:28:35 | 0:28:36 | |
The memories are there, Ivy. | 0:28:39 | 0:28:42 | |
It's just a question of unlocking them. | 0:28:42 | 0:28:45 | |
I don't know how. | 0:28:46 | 0:28:47 | |
Then that's us done. | 0:28:49 | 0:28:51 | |
RECORDER CLICKS OFF | 0:28:55 | 0:28:56 | |
There is a way. | 0:28:56 | 0:28:58 | |
We could take you back there. | 0:29:01 | 0:29:04 | |
Wh...? | 0:29:05 | 0:29:06 | |
Lisa? | 0:29:06 | 0:29:08 | |
A word? | 0:29:08 | 0:29:09 | |
She'd be totally safe, both of us'll be with her. | 0:29:17 | 0:29:20 | |
Being back there could bring her memories to the fore. | 0:29:20 | 0:29:23 | |
-At what risk to her recovery? -None. If we do it properly. | 0:29:23 | 0:29:26 | |
Sensitively. | 0:29:27 | 0:29:29 | |
I can do sensitively. | 0:29:29 | 0:29:31 | |
-I don't like it. -Oh, God. No shit(!) | 0:29:33 | 0:29:35 | |
I want to go back to the house... | 0:29:42 | 0:29:43 | |
..to help Phoebe. | 0:29:45 | 0:29:47 | |
Go at your own pace towards the house. | 0:29:57 | 0:29:59 | |
Anything that strikes you - an image, a noise, a smell - | 0:29:59 | 0:30:04 | |
anything at all, just shout. OK? | 0:30:04 | 0:30:07 | |
Forensics finished up this morning | 0:30:50 | 0:30:52 | |
so everything should be as was when you were here. | 0:30:52 | 0:30:55 | |
DOOR SLAMS SHUT | 0:31:06 | 0:31:08 | |
-MAN'S VOICE, DISTORTED: -'Will you be a good girl? | 0:31:10 | 0:31:13 | |
'See, there's a good girl.' | 0:31:13 | 0:31:15 | |
METALLIC CLICK | 0:31:15 | 0:31:17 | |
'I knew you were a good girl.' | 0:31:19 | 0:31:21 | |
Ivy. | 0:31:24 | 0:31:25 | |
Are you OK? | 0:31:27 | 0:31:28 | |
Elliott! | 0:31:32 | 0:31:34 | |
Do you remember being brought here? | 0:31:38 | 0:31:41 | |
Whatever was on me was pulled off. | 0:31:41 | 0:31:43 | |
I could see, but... | 0:31:48 | 0:31:49 | |
I could...I couldn't... | 0:31:52 | 0:31:54 | |
You were gagged? | 0:31:54 | 0:31:55 | |
What did you see? | 0:31:57 | 0:31:58 | |
Him. | 0:32:00 | 0:32:01 | |
-He had a gun. -Did he threaten you with it? | 0:32:03 | 0:32:06 | |
You don't have to go back there. Ivy? | 0:32:19 | 0:32:22 | |
-What have you done to it? -It's as was. -No, it isn't. | 0:33:27 | 0:33:31 | |
It isn't! | 0:33:33 | 0:33:34 | |
This is how we found it, Ivy. | 0:33:36 | 0:33:38 | |
It wasn't the police who left it this way. It was Mark White. | 0:33:39 | 0:33:42 | |
This was ours. | 0:33:46 | 0:33:48 | |
Even you have to admit - | 0:33:58 | 0:33:59 | |
that was really odd behaviour. | 0:33:59 | 0:34:02 | |
She actively wanted to go into the cellar and when she was in there... | 0:34:02 | 0:34:06 | |
It was her whole life for 13 years, Lisa. | 0:34:06 | 0:34:09 | |
But what kind of life? | 0:34:09 | 0:34:11 | |
That's the question. | 0:34:11 | 0:34:13 | |
Thank you for doing that, Ivy. I can't imagine... | 0:34:23 | 0:34:26 | |
-I'll get you home. -Don't tell my family. | 0:34:28 | 0:34:31 | |
I don't want them to know I came back. | 0:34:32 | 0:34:34 | |
CAR DOOR OPENS, ENGINE STARTS | 0:34:38 | 0:34:41 | |
There's dinner for you here, love. | 0:34:44 | 0:34:46 | |
HE SIGHS | 0:35:02 | 0:35:04 | |
TINNY MUSIC PLAYS | 0:35:38 | 0:35:41 | |
HE KNOCKS | 0:36:16 | 0:36:18 | |
-I didn't get the memo. -Last night's events... | 0:36:21 | 0:36:25 | |
-It was nothing. -Not strictly true. | 0:36:25 | 0:36:28 | |
Lisa, tell him your theory. | 0:36:28 | 0:36:30 | |
In the cellar, Ivy said, "This was ours." | 0:36:32 | 0:36:35 | |
There's a possibility - | 0:36:36 | 0:36:38 | |
and it's just that, a possibility - | 0:36:38 | 0:36:40 | |
that Ivy knew Mark White before the abduction. | 0:36:40 | 0:36:43 | |
That she had seen him in school. | 0:36:43 | 0:36:45 | |
-Why would she lie? -If he was grooming her. | 0:36:47 | 0:36:51 | |
If it was a pre-existing relationship that then went sour. | 0:36:51 | 0:36:53 | |
Sorry. Sorry. | 0:36:53 | 0:36:55 | |
I'm not sure I'm hearing this right. | 0:36:55 | 0:36:57 | |
You're saying she willingly went into that house, | 0:36:57 | 0:37:01 | |
into that cellar, | 0:37:01 | 0:37:03 | |
and stayed there for 13 years? | 0:37:03 | 0:37:05 | |
Like I said, it's a possibility. | 0:37:05 | 0:37:08 | |
And one we need to consider. | 0:37:08 | 0:37:10 | |
Because if Ivy is misleading us, then we can't trust her, | 0:37:10 | 0:37:13 | |
and if we can't trust her, then... | 0:37:13 | 0:37:16 | |
No-one's denying it's an unpalatable thought, Elliott, | 0:37:16 | 0:37:18 | |
but if there is any truth in it, for Phoebe's sake, | 0:37:18 | 0:37:21 | |
we need to follow it through. | 0:37:21 | 0:37:23 | |
I'd really like to know why you've gone behind my back with this. | 0:37:33 | 0:37:36 | |
-We're supposed to be a team. -Yeah, we are. | 0:37:36 | 0:37:39 | |
And I should be able to go to you with anything. | 0:37:39 | 0:37:41 | |
If I can't, whose fault is that? | 0:37:41 | 0:37:43 | |
TINNY MUSIC PLAYS | 0:37:50 | 0:37:53 | |
-You sure I should go to work? -Can't have both of us not earning. | 0:37:58 | 0:38:02 | |
-LOUD CLUNKING -You'll wake Ivy up! | 0:38:05 | 0:38:08 | |
"Exclusive photo of Ivy Moxam... | 0:38:14 | 0:38:17 | |
"Moxam caught on a date with mystery man | 0:38:17 | 0:38:19 | |
"when ten-year-old Phoebe's still missing." | 0:38:19 | 0:38:21 | |
"Oh, it'll do her good to see Tim"(!) | 0:38:21 | 0:38:24 | |
-Bra-fucking-vo, Angus! -HE SIGHS | 0:38:24 | 0:38:26 | |
How did they know? | 0:38:35 | 0:38:37 | |
You have to assume they're still watching you all the time. | 0:38:37 | 0:38:39 | |
I'd hope they'd move on. | 0:38:40 | 0:38:43 | |
They... They will eventually. | 0:38:43 | 0:38:45 | |
What exactly were you doing? | 0:38:49 | 0:38:51 | |
Ivy does know her mystery man is married, doesn't she? | 0:38:52 | 0:38:55 | |
Of course! | 0:38:57 | 0:38:58 | |
She was upset, that's all. | 0:38:58 | 0:39:00 | |
After everything she's gone through, and here's me... | 0:39:04 | 0:39:06 | |
Sorry. | 0:39:08 | 0:39:10 | |
Please, don't apologise. | 0:39:10 | 0:39:12 | |
-Could we borrow a word, Ivy? -I don't want to talk. | 0:39:21 | 0:39:23 | |
It won't take long, I promise. | 0:39:23 | 0:39:25 | |
To be clear, you had never seen White before the 2nd May, 2003, | 0:39:27 | 0:39:31 | |
when he abducted you from Docton Lane? | 0:39:31 | 0:39:34 | |
I've already told you all of this. | 0:39:34 | 0:39:37 | |
No, I hadn't. | 0:39:37 | 0:39:38 | |
Not even maybe just to wave to at school | 0:39:38 | 0:39:41 | |
or maybe just a smile? | 0:39:41 | 0:39:42 | |
Thanks, Ivy. | 0:39:44 | 0:39:45 | |
There's one more area we need to track back on...if I may? | 0:39:45 | 0:39:48 | |
The time White allowed you out of the house, | 0:39:52 | 0:39:54 | |
where did you go? | 0:39:54 | 0:39:56 | |
I'm not sure. | 0:39:56 | 0:39:58 | |
Did he leave you alone at any point? | 0:39:59 | 0:40:01 | |
She was allowed out...of that place! | 0:40:02 | 0:40:05 | |
Why didn't she run or scream or ANYTHING?! | 0:40:07 | 0:40:09 | |
Emma, can you give us a minute alone, please, love? | 0:40:12 | 0:40:14 | |
No. You're not shutting me out from it all again. | 0:40:14 | 0:40:17 | |
We're not going to be able to move forward as a family unless | 0:40:26 | 0:40:29 | |
-we face up to what's happened. -I've got a load of washing... | 0:40:29 | 0:40:32 | |
We have to be prepared to ask questions, Chris. | 0:40:32 | 0:40:34 | |
No matter how difficult the answers might be. | 0:40:34 | 0:40:36 | |
-She'll talk when she's ready to talk. -She won't. | 0:40:36 | 0:40:38 | |
Not if we're behaving like everything's normal. | 0:40:38 | 0:40:40 | |
This doesn't FEEL very normal. | 0:40:40 | 0:40:42 | |
-Where's the phone? -Who do you want to call? -I just want the phone, OK? | 0:40:45 | 0:40:49 | |
You're not calling Tim. | 0:40:49 | 0:40:51 | |
We'll let ourselves out. | 0:40:51 | 0:40:52 | |
The papers, these people, they twist things. | 0:40:52 | 0:40:55 | |
-They're already twisting things. -I would like the phone. | 0:40:55 | 0:40:58 | |
You can speak to him when it's all died down. | 0:40:58 | 0:41:00 | |
-You can't tell me what to do. -It's for your own good, darling. | 0:41:00 | 0:41:03 | |
People see you with a man | 0:41:03 | 0:41:04 | |
and it might give the wrong impression. | 0:41:04 | 0:41:07 | |
I'm not a child any more. | 0:41:07 | 0:41:08 | |
I've had sex. | 0:41:11 | 0:41:12 | |
SHE GASPS | 0:41:13 | 0:41:14 | |
-Any service this side of Christmas? -Not open yet. | 0:41:23 | 0:41:26 | |
That go for an old friend, too? | 0:41:26 | 0:41:29 | |
-Shit! Hello, mate! -SHE LAUGHS | 0:41:30 | 0:41:33 | |
As greetings go, that's on the shoddy side. | 0:41:33 | 0:41:36 | |
-You've put on a few quid. -Phht. -Shit. | 0:41:39 | 0:41:42 | |
-Supposed to be buttering you up. -Why's that? | 0:41:42 | 0:41:45 | |
I need a bottle of wine | 0:41:46 | 0:41:47 | |
and a terrible night's sleep on your floor? | 0:41:47 | 0:41:50 | |
I need to work out what I'm going to say to Ivy. | 0:41:52 | 0:41:55 | |
That makes two of us. | 0:41:55 | 0:41:58 | |
SHE SOBS | 0:42:14 | 0:42:17 | |
You were right. | 0:42:46 | 0:42:48 | |
You were right about everything. | 0:42:51 | 0:42:53 | |
For the girl who's hard to impress. | 0:43:12 | 0:43:14 | |
-What is it? -Just watch it. | 0:43:14 | 0:43:16 | |
Then work out how you're going to pay me back. | 0:43:16 | 0:43:19 | |
"29th May, 2002. | 0:43:37 | 0:43:39 | |
"Today, in the canteen, Tim asked me to see The Scorpion King. | 0:43:39 | 0:43:44 | |
"El kicked me under the table before I could answer. | 0:43:44 | 0:43:47 | |
"She says I need to learn to play games, | 0:43:47 | 0:43:49 | |
"though I don't want to play games. He's asked me out. | 0:43:49 | 0:43:53 | |
"He's finally asked me out and I want to scream 'Yes!'" | 0:43:53 | 0:43:56 | |
DOORBELL RINGS | 0:43:58 | 0:43:59 | |
KNOCK ON DOOR Who is it? | 0:44:01 | 0:44:04 | |
It's me. Tim. | 0:44:04 | 0:44:06 | |
Come in. | 0:44:19 | 0:44:20 | |
You're OK? | 0:44:44 | 0:44:46 | |
That moment in the park was for us. | 0:44:50 | 0:44:53 | |
I'm really sorry, I... | 0:44:53 | 0:44:54 | |
Don't say sorry. | 0:44:54 | 0:44:56 | |
It's not you, it's me. They won't... | 0:44:57 | 0:44:59 | |
..leave me alone. | 0:45:00 | 0:45:01 | |
When's it enough for... | 0:45:04 | 0:45:06 | |
I went back there for HER. | 0:45:08 | 0:45:10 | |
Doesn't matter! | 0:45:13 | 0:45:15 | |
Let's just enjoy being alone for five minutes. | 0:45:16 | 0:45:19 | |
Ivy, I... | 0:45:24 | 0:45:25 | |
Five minutes would be a record with Mum around. | 0:45:25 | 0:45:28 | |
-How was she with you? -She was... -She doesn't want me to see you. | 0:45:28 | 0:45:32 | |
-Ivy... -She'd happily keep me in my room. -She just loves you. | 0:45:33 | 0:45:37 | |
I know. | 0:45:41 | 0:45:42 | |
-Ivy, there's something... -Please don't! | 0:45:47 | 0:45:50 | |
MUSIC: "In Your Dreams" by Dark Dark Dark | 0:45:56 | 0:46:00 | |
# Don't say nothin' No | 0:46:17 | 0:46:21 | |
# I can see when you're lyin' Oh | 0:46:23 | 0:46:26 | |
# When you're alone You're so alone | 0:46:29 | 0:46:33 | |
# When you're alone You're so alone... # | 0:46:36 | 0:46:39 | |
-KNOCK ON DOOR -Ivy? | 0:46:56 | 0:46:59 | |
They need you back in. | 0:47:03 | 0:47:06 | |
Sorry. | 0:47:07 | 0:47:08 | |
MUSIC DISTORTS | 0:47:16 | 0:47:18 | |
You're about to hear one audio extract, one visual extract. | 0:47:32 | 0:47:36 | |
Both relate to 5th July, 2013, | 0:47:36 | 0:47:38 | |
when you were permitted to leave 5, Colbridge Road. | 0:47:38 | 0:47:42 | |
We appreciate you helping us out. | 0:47:42 | 0:47:44 | |
From an interview you gave us today at 9.10, as it plays, | 0:47:44 | 0:47:48 | |
if could you turn your attention to the screen on your left. | 0:47:48 | 0:47:51 | |
-LISA, ON TAPE: -'The time Mark White allowed you out of the house, | 0:47:56 | 0:47:59 | |
'where exactly did you go? | 0:47:59 | 0:48:01 | |
IVY, ON TAPE: 'I'm not sure.' | 0:48:02 | 0:48:04 | |
This is where you went. | 0:48:06 | 0:48:08 | |
Darterton Shopping Centre in 2013. | 0:48:08 | 0:48:12 | |
We found CCTV of it. | 0:48:12 | 0:48:14 | |
You may not have known the name. It was poorly signed. | 0:48:15 | 0:48:17 | |
-ON TAPE: -'Were you left alone at any point? | 0:48:19 | 0:48:21 | |
'No.' | 0:48:21 | 0:48:23 | |
Can you confirm that the CCTV image shows you walking, | 0:48:26 | 0:48:29 | |
unaccompanied by Mark, | 0:48:29 | 0:48:31 | |
into the ladies' toilets? | 0:48:31 | 0:48:34 | |
Yes. | 0:48:44 | 0:48:45 | |
But it was for... | 0:48:46 | 0:48:48 | |
Um, I was... | 0:48:48 | 0:48:49 | |
-ON TAPE: -'Did you feel there was ever an occasion | 0:48:51 | 0:48:53 | |
'where you could've attempted to flee? | 0:48:53 | 0:48:55 | |
'No, he was with me the whole time.' | 0:48:57 | 0:48:59 | |
Except he wasn't. | 0:49:03 | 0:49:04 | |
What's the time stamp, DI Carne? | 0:49:06 | 0:49:08 | |
11.45. | 0:49:09 | 0:49:11 | |
11.45. | 0:49:12 | 0:49:14 | |
Six minutes after you walk into the toilets alone, | 0:49:16 | 0:49:19 | |
you emerge from the toilets alone. | 0:49:19 | 0:49:22 | |
Six minutes is a long time, Ivy. | 0:49:24 | 0:49:27 | |
Why didn't you run from here? | 0:49:27 | 0:49:30 | |
A public space? Yet, you DID run from Mark's house. | 0:49:30 | 0:49:33 | |
I couldn't. | 0:49:33 | 0:49:34 | |
He was outside. | 0:49:34 | 0:49:36 | |
Outside where? | 0:49:37 | 0:49:38 | |
Because he isn't here. | 0:49:41 | 0:49:42 | |
Instead, | 0:49:45 | 0:49:47 | |
here YOU are... | 0:49:47 | 0:49:49 | |
..LOOKING for Mark White. | 0:49:50 | 0:49:52 | |
Actively looking for your kidnapper. | 0:49:52 | 0:49:54 | |
You walk past these other shoppers, | 0:49:54 | 0:49:57 | |
not once alerting them to your situation, | 0:49:57 | 0:49:59 | |
as if in a rush to find Mark. | 0:49:59 | 0:50:02 | |
And when you do, you sit down beside him | 0:50:02 | 0:50:05 | |
-and take his hand... -Turn it off. | 0:50:05 | 0:50:07 | |
-I'm sorry if this is upsetting. -Turn it off, Elliott. | 0:50:07 | 0:50:10 | |
I can't do that. | 0:50:10 | 0:50:12 | |
Not until we're through, and we almost are. | 0:50:12 | 0:50:15 | |
You've lied to us about this. | 0:50:23 | 0:50:25 | |
What's to say you're not lying about other things? About knowing White? | 0:50:25 | 0:50:30 | |
About what really happened the day you were taken? | 0:50:31 | 0:50:33 | |
-About where Phoebe is? -How many times? I want you to find her. | 0:50:34 | 0:50:39 | |
You did know him, didn't you? | 0:50:39 | 0:50:42 | |
Do you know where he is right now? | 0:50:44 | 0:50:46 | |
I don't. | 0:50:48 | 0:50:50 | |
I want to believe you. | 0:50:50 | 0:50:52 | |
I really do. | 0:50:52 | 0:50:53 | |
But if anything happens to Phoebe | 0:50:53 | 0:50:56 | |
and you're found to have mislead us, | 0:50:56 | 0:50:58 | |
it will be very serious indeed. | 0:50:58 | 0:51:00 | |
Elliott... | 0:51:00 | 0:51:01 | |
You believe me, don't you? | 0:51:03 | 0:51:04 | |
Ivy, we ARE on your side. You need to know that. | 0:51:08 | 0:51:10 | |
You don't want us to find him, do you? | 0:51:15 | 0:51:18 | |
You walked up to him - your abductor - | 0:51:19 | 0:51:22 | |
and you took his hand! | 0:51:22 | 0:51:23 | |
Maybe it would just be easier | 0:51:26 | 0:51:29 | |
if you admitted to us... | 0:51:29 | 0:51:30 | |
..you love him. | 0:51:35 | 0:51:36 | |
I need to see Tim. | 0:51:44 | 0:51:45 | |
-You're right to go hardline. -Oh, we don't think | 0:51:58 | 0:52:00 | |
-Ivy's been through enough? -Save your empathy for Phoebe. | 0:52:00 | 0:52:03 | |
If Ivy is protecting White, even by omission, | 0:52:03 | 0:52:06 | |
she's abetting a serial kidnapper. Remember that. | 0:52:06 | 0:52:08 | |
How do we move forward then, sir? | 0:52:08 | 0:52:10 | |
See where she goes, | 0:52:10 | 0:52:12 | |
who she speaks to. | 0:52:12 | 0:52:14 | |
If there's a sniff of her knowing where White is. | 0:52:14 | 0:52:16 | |
Can I speak to Tim, please? | 0:53:09 | 0:53:11 | |
Don't you know who I am? | 0:53:11 | 0:53:13 | |
-I need to speak to Tim. -Tim! | 0:53:14 | 0:53:17 | |
Live and direct, in the flesh. | 0:53:17 | 0:53:18 | |
-Ivy! -Please, can I go? | 0:53:20 | 0:53:23 | |
Cos I've got all the words ready | 0:53:23 | 0:53:26 | |
and I don't want something else getting in the way again. | 0:53:26 | 0:53:29 | |
People making out I feel things when I don't. | 0:53:29 | 0:53:31 | |
Everything's changed. | 0:53:33 | 0:53:34 | |
Everyone. | 0:53:36 | 0:53:37 | |
Except me and you. | 0:53:38 | 0:53:40 | |
I want us to be together like we were and... | 0:53:42 | 0:53:44 | |
..I love you. | 0:53:47 | 0:53:49 | |
Who's this? | 0:53:55 | 0:53:56 | |
TEARFULLY: Tim, who's this? | 0:54:02 | 0:54:04 | |
Yazz. | 0:54:07 | 0:54:09 | |
Yazmin. | 0:54:11 | 0:54:12 | |
SHE GASPS FOR AIR | 0:54:23 | 0:54:26 | |
Ivy! | 0:54:29 | 0:54:31 | |
Ivy, wait! | 0:54:32 | 0:54:33 | |
Can we go? CAR ENGINE TURNS | 0:54:35 | 0:54:38 | |
ENGINE REVS | 0:54:38 | 0:54:40 | |
Guess our date's off, then? | 0:54:52 | 0:54:54 | |
You thought it was a date? | 0:54:54 | 0:54:56 | |
-No, course not. -You wanted to eat, that's all. | 0:54:57 | 0:55:01 | |
To the casual observer, I'd say you're taking this Ivy business | 0:55:01 | 0:55:04 | |
-a mite too personally, wouldn't you? -Fuck off! | 0:55:04 | 0:55:06 | |
I'll take that as an admission, then. | 0:55:06 | 0:55:09 | |
Here was me feeling sorry for you, | 0:55:09 | 0:55:11 | |
worrying that SHE was getting too attached, when look at you! | 0:55:11 | 0:55:14 | |
Careful, you're sounding jealous. | 0:55:14 | 0:55:16 | |
Of her? | 0:55:16 | 0:55:17 | |
HE SNIFFS | 0:55:17 | 0:55:18 | |
-SHE SCOFFS -You're going down a stupid path, | 0:55:18 | 0:55:21 | |
even with your track record. | 0:55:21 | 0:55:22 | |
She's lying to us, making a fool of you. | 0:55:22 | 0:55:25 | |
So much of what she says doesn't add up. | 0:55:25 | 0:55:27 | |
There's a little girl out there... | 0:55:27 | 0:55:29 | |
Don't pretend this is about finding Phoebe. Remember, I know you, Lisa. | 0:55:29 | 0:55:32 | |
This is about you. It always is. | 0:55:32 | 0:55:36 | |
You sniffed out a chance at being DI and you're going for it, | 0:55:36 | 0:55:39 | |
snarling jaws and all. Tell you something - | 0:55:39 | 0:55:41 | |
it's not an attractive look. | 0:55:41 | 0:55:43 | |
Now take your hands off my car. | 0:55:43 | 0:55:44 | |
Hands off! | 0:55:46 | 0:55:48 | |
We're here. | 0:55:57 | 0:55:58 | |
Ivy? | 0:55:58 | 0:55:59 | |
Home. | 0:56:04 | 0:56:05 | |
I don't want my mum to see me like this. | 0:56:13 | 0:56:15 | |
Could I have a minute alone? | 0:56:19 | 0:56:21 | |
Please? | 0:56:23 | 0:56:25 | |
Of course. | 0:56:26 | 0:56:28 | |
It'll... | 0:56:31 | 0:56:32 | |
It'll be OK. | 0:56:35 | 0:56:36 | |
MUFFLED SCREAMS | 0:57:05 | 0:57:07 | |
-I'm not going to hurt you, Ivy. -Is she OK? -You're very brave. | 0:57:08 | 0:57:12 | |
Mark White, we believe that you're telling us you want to talk. | 0:57:12 | 0:57:16 | |
So, where were you? | 0:57:16 | 0:57:17 | |
I don't really go in for the Good Samaritan side of things. | 0:57:17 | 0:57:20 | |
-That would be a hell of a lie from Ivy. -Hardly the first. | 0:57:20 | 0:57:23 | |
# Don't say nothing No | 0:57:31 | 0:57:34 | |
# I can see when you're lying Oh | 0:57:37 | 0:57:41 | |
# And when you're alone You're so alone | 0:57:43 | 0:57:47 | |
# When you're alone You're so alone... # | 0:57:50 | 0:57:53 |