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Line | From | To | |
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It's not Ivy. | 0:00:02 | 0:00:03 | |
Whatever happens, I'll be here. | 0:00:03 | 0:00:05 | |
I'm getting married. | 0:00:05 | 0:00:06 | |
He's taken another girl. | 0:00:08 | 0:00:10 | |
Why take Phoebe? | 0:00:10 | 0:00:11 | |
Maybe he plans to hole up, | 0:00:11 | 0:00:12 | |
recreate what he had with Ivy. | 0:00:12 | 0:00:14 | |
Everything's changed, except me and you. I love you. | 0:00:14 | 0:00:18 | |
Ivy, wait! | 0:00:18 | 0:00:20 | |
You don't want us to find him, do you? | 0:00:20 | 0:00:22 | |
You walked up to him, your abductor, and you took his hand. | 0:00:22 | 0:00:26 | |
This was ours. | 0:00:28 | 0:00:29 | |
She's lying to us and making a fool of you. | 0:00:29 | 0:00:32 | |
Ah! | 0:00:33 | 0:00:34 | |
# Kiss your face | 0:00:37 | 0:00:39 | |
# Turn your cheek | 0:00:41 | 0:00:43 | |
# Lay your head down, lay your head down | 0:00:44 | 0:00:48 | |
# Lay your head down, lay your head down. # | 0:00:50 | 0:00:54 | |
Be quiet! | 0:01:25 | 0:01:26 | |
I'm not going to hurt you. I'm not going to hurt you, Ivy. | 0:01:27 | 0:01:30 | |
I'm not going to hurt you. Just take me to my daughter! | 0:01:31 | 0:01:33 | |
-No! -Em, no, wait! | 0:01:33 | 0:01:35 | |
Ah! | 0:01:35 | 0:01:36 | |
Oh! | 0:01:38 | 0:01:39 | |
Ivy?! | 0:01:40 | 0:01:41 | |
Trust me. You're safe. | 0:01:43 | 0:01:45 | |
Speak to me, darling. | 0:01:45 | 0:01:46 | |
Are you OK, Ivy? | 0:02:11 | 0:02:13 | |
You're sure you're not hurt? | 0:02:21 | 0:02:23 | |
How about you, Em? | 0:02:27 | 0:02:28 | |
Phoebe's father has been taken to the station. | 0:02:28 | 0:02:31 | |
I'm sure it's a small comfort, but we'll make sure he's charged. | 0:02:31 | 0:02:34 | |
No. | 0:02:35 | 0:02:37 | |
That man deserves to be punished. | 0:02:37 | 0:02:39 | |
He is being punished. | 0:02:41 | 0:02:43 | |
Where are you going, darling? | 0:02:50 | 0:02:51 | |
Bath, that's what's needed. | 0:02:52 | 0:02:54 | |
I'll go heavy on the bubbles, I promise. | 0:02:54 | 0:02:56 | |
I thought he was going to... | 0:03:00 | 0:03:02 | |
Hey, hey, hey... | 0:03:02 | 0:03:03 | |
You were very brave. | 0:03:05 | 0:03:07 | |
I think it's how you like it. | 0:03:16 | 0:03:18 | |
On the hot side of hot. | 0:03:19 | 0:03:20 | |
I'll leave you to it. | 0:03:22 | 0:03:24 | |
I'm sorry. | 0:03:25 | 0:03:26 | |
Just shout down if you need anything. | 0:03:29 | 0:03:32 | |
DOOR CLOSES | 0:03:41 | 0:03:42 | |
Christina, please... | 0:04:09 | 0:04:11 | |
I trusted you. | 0:04:12 | 0:04:14 | |
Why was Ivy left alone out there? | 0:04:14 | 0:04:16 | |
It was a...lapse of judgment. | 0:04:16 | 0:04:19 | |
She... | 0:04:19 | 0:04:20 | |
She was upset. | 0:04:20 | 0:04:22 | |
-Upset, how? -What had you said? | 0:04:22 | 0:04:24 | |
Ivy asked to be taken to Tim Hobson's on the way home. | 0:04:26 | 0:04:30 | |
It doesn't matter what she asked. You shouldn't have left her. | 0:04:31 | 0:04:34 | |
PHONE RINGS | 0:04:35 | 0:04:37 | |
It's not so easy to explain. | 0:04:37 | 0:04:39 | |
That's not us done with this, Tim. | 0:04:39 | 0:04:40 | |
Not even close. | 0:04:40 | 0:04:42 | |
-Hello? -'What went on tonight, Tim?' | 0:04:42 | 0:04:45 | |
-Is she OK? -'Not really. Did something happen?' | 0:04:45 | 0:04:47 | |
Ivy... | 0:04:49 | 0:04:50 | |
She, erm... | 0:04:50 | 0:04:52 | |
She had things she wanted to tell me. | 0:04:52 | 0:04:54 | |
'What kind of things?' | 0:04:54 | 0:04:57 | |
What's he... What's he saying? | 0:04:57 | 0:04:59 | |
What kind of things, Tim? | 0:04:59 | 0:05:00 | |
Personal...things. | 0:05:02 | 0:05:04 | |
I had to tell her, I'm... | 0:05:06 | 0:05:08 | |
..I'm married. | 0:05:09 | 0:05:11 | |
And it took you this long to tell her? | 0:05:11 | 0:05:14 | |
'Sorry, I...' | 0:05:14 | 0:05:15 | |
-SHE HANGS UP THE PHONE -Shit! | 0:05:15 | 0:05:16 | |
I should have asked about... | 0:05:23 | 0:05:25 | |
It's not your fault. | 0:05:25 | 0:05:27 | |
-I'm the one who pushed the whole Tim thing. -If Ivy had known... | 0:05:27 | 0:05:30 | |
My poor, poor baby. | 0:05:31 | 0:05:33 | |
MUFFLED CONVERSATION DOWNSTAIRS | 0:05:35 | 0:05:38 | |
I want you removed as our FLO. | 0:05:50 | 0:05:53 | |
I'm sorry I let you down. | 0:06:02 | 0:06:04 | |
We've, erm... | 0:06:09 | 0:06:11 | |
We've a number of brilliant liaison officers. | 0:06:11 | 0:06:13 | |
We can set up a meeting and get you someone you're happy with. | 0:06:13 | 0:06:16 | |
-I don't think we want anyone else. -You lot, what use are you, exactly? | 0:06:16 | 0:06:19 | |
Mrs Moxam, believe me, we understand you feeling frustrated. | 0:06:19 | 0:06:24 | |
A little more than that. | 0:06:24 | 0:06:25 | |
Any more interviews, they take place here. | 0:06:25 | 0:06:28 | |
It all comes through us now. | 0:06:28 | 0:06:29 | |
-With due respect, there's a missing girl... -We understand. | 0:06:29 | 0:06:32 | |
We'll contact you when we next need to speak to Ivy. | 0:06:33 | 0:06:36 | |
-I mean, if we... -If we give them space... | 0:06:54 | 0:06:56 | |
-Sorry, you go. -How gentlemanly of you. | 0:06:58 | 0:07:01 | |
It's a missing girl investigation. | 0:07:03 | 0:07:04 | |
If we're not careful, it will become a murder investigation. | 0:07:04 | 0:07:07 | |
-We need total access to Ivy at all times. -Which we'll have. | 0:07:07 | 0:07:09 | |
A little...delicacy was required, that's all. | 0:07:10 | 0:07:14 | |
It strikes me this is good for one thing. | 0:07:15 | 0:07:18 | |
Oh, yeah? | 0:07:18 | 0:07:19 | |
It reminds us that Ivy's still a victim in all of this. | 0:07:20 | 0:07:23 | |
HE STARTS THE CAR | 0:07:26 | 0:07:29 | |
Tim... | 0:08:14 | 0:08:16 | |
Ivy didn't know who I was. | 0:08:16 | 0:08:18 | |
I've hurt her. | 0:08:21 | 0:08:23 | |
After everything Ivy's been through... | 0:08:24 | 0:08:27 | |
..I've hurt her. | 0:08:28 | 0:08:29 | |
Ivy's our strongest lead to finding Phoebe. | 0:08:35 | 0:08:38 | |
I'm relying on you both. | 0:08:38 | 0:08:40 | |
Be Ivy's point of contact. | 0:08:42 | 0:08:44 | |
Better yet... | 0:08:44 | 0:08:46 | |
be her friend. | 0:08:46 | 0:08:47 | |
I'd... I'd hate to appear less than professional, sir. | 0:08:48 | 0:08:53 | |
A ten-year-old girl has been in the care of a rapist for two days. | 0:08:53 | 0:08:57 | |
Your qualms, Elliott, don't really interest me. | 0:08:57 | 0:09:00 | |
We do whatever it takes to bring Phoebe home. | 0:09:01 | 0:09:03 | |
Promise me you won't do anything like that again. | 0:09:14 | 0:09:17 | |
You could have been hurt. | 0:09:17 | 0:09:19 | |
-I was fine. -You could have not been. | 0:09:20 | 0:09:22 | |
For me. | 0:09:24 | 0:09:26 | |
You're my girl. | 0:09:27 | 0:09:29 | |
KNOCK ON DOOR | 0:09:45 | 0:09:47 | |
Come in. | 0:09:48 | 0:09:49 | |
Couldn't sleep? | 0:09:54 | 0:09:56 | |
Do you want to sleep in here tonight? | 0:09:58 | 0:09:59 | |
You'll be OK on the sofa? | 0:10:04 | 0:10:06 | |
That's me all set, then. | 0:10:21 | 0:10:22 | |
Sorry. | 0:10:26 | 0:10:28 | |
DOOR CLOSES | 0:10:28 | 0:10:29 | |
You've nothing to say sorry for. | 0:10:29 | 0:10:32 | |
You're my sister and you come first. | 0:10:33 | 0:10:36 | |
I've found Craig another duvet. | 0:10:49 | 0:10:51 | |
What he had was just too tragic. | 0:10:52 | 0:10:54 | |
He's a good man. | 0:10:56 | 0:10:58 | |
It might help you sleep. | 0:11:02 | 0:11:03 | |
I haven't slept for years. | 0:11:03 | 0:11:05 | |
I remember. | 0:11:05 | 0:11:07 | |
I can't stop thinking about Robert Tarl. | 0:11:11 | 0:11:13 | |
-Do you think we should have talked Ivy round to a charge? -No, I don't. | 0:11:13 | 0:11:16 | |
I mean, I'm angry. I'm furious about what he did. But... | 0:11:16 | 0:11:19 | |
..at the same time, I can't help feeling sorry for him. | 0:11:20 | 0:11:23 | |
A father is meant to protect, you know? | 0:11:23 | 0:11:25 | |
To feel, and that. | 0:11:27 | 0:11:29 | |
And I know how that feels. | 0:11:31 | 0:11:34 | |
Angus... | 0:11:34 | 0:11:35 | |
..don't. | 0:11:37 | 0:11:38 | |
The pull-out will wreck your back eventually. | 0:11:40 | 0:11:43 | |
Get in with me tonight. | 0:11:43 | 0:11:45 | |
Thanks. | 0:12:04 | 0:12:06 | |
HE SNORES GENTLY | 0:12:26 | 0:12:28 | |
You slept? | 0:12:52 | 0:12:54 | |
I slept. | 0:12:55 | 0:12:57 | |
Well done. | 0:12:57 | 0:12:58 | |
-I just need to grab my work stuff. -No, Ivy, stay put. | 0:13:05 | 0:13:08 | |
-I'll see you at the restaurant later, yeah? -Yeah, sure. Great. | 0:13:10 | 0:13:13 | |
DOOR CLOSES | 0:13:21 | 0:13:23 | |
My coffee tastes good this morning. | 0:13:28 | 0:13:30 | |
I was joking. You don't need to get me a coffee every day. | 0:13:32 | 0:13:35 | |
I like getting you a coffee every day. | 0:13:35 | 0:13:37 | |
-You look like you're going somewhere. -We're going somewhere. | 0:13:37 | 0:13:40 | |
Eloise Wye is in the interview room. | 0:13:40 | 0:13:42 | |
We need to know the truth about what happened the day Ivy was abducted. | 0:13:42 | 0:13:46 | |
I told Ivy to meet me outside the corner shop. | 0:13:46 | 0:13:49 | |
-Why not at your house? -Because we were bunking. | 0:13:49 | 0:13:52 | |
Why, then, when you didn't show, did Ivy begin walking to your house? | 0:13:53 | 0:13:57 | |
To find me, no doubt. | 0:13:57 | 0:14:00 | |
Was it your idea to go to the arcade that day and skip school? | 0:14:00 | 0:14:05 | |
So where were you? | 0:14:08 | 0:14:09 | |
I had this friend two years above - Sarah. | 0:14:11 | 0:14:14 | |
I thought she was beyond cool | 0:14:14 | 0:14:16 | |
and she said to come and bunk off with her. | 0:14:16 | 0:14:19 | |
But Sarah said that Ivy couldn't come. | 0:14:19 | 0:14:22 | |
Said she'd cramp our style. | 0:14:22 | 0:14:23 | |
But Ivy was meeting you at 9am at the corner shop | 0:14:24 | 0:14:27 | |
and when you didn't show, | 0:14:27 | 0:14:29 | |
she assumed you'd been held up at home and went to find you. | 0:14:29 | 0:14:32 | |
-Yes? -Yes. | 0:14:32 | 0:14:33 | |
SHE CLEARS HER THROAT | 0:14:33 | 0:14:35 | |
Mark White worked at Sunbridge High. | 0:14:35 | 0:14:38 | |
Did you know him? | 0:14:39 | 0:14:41 | |
That man worked at school? | 0:14:42 | 0:14:44 | |
-Did you know him? -No. | 0:14:44 | 0:14:46 | |
Did Ivy? | 0:14:47 | 0:14:49 | |
What? | 0:14:49 | 0:14:50 | |
Maybe she talked about him or mentioned an older man? | 0:14:50 | 0:14:54 | |
She didn't know him. | 0:14:54 | 0:14:56 | |
He did work there. | 0:14:58 | 0:15:00 | |
I understand, after everything, | 0:15:03 | 0:15:06 | |
you wanting to protect your friend. | 0:15:06 | 0:15:09 | |
But if Ivy was in any way involved with this man.... | 0:15:09 | 0:15:12 | |
Involved with...? | 0:15:12 | 0:15:13 | |
You mean, like...? | 0:15:13 | 0:15:15 | |
Care in the community, this is! | 0:15:18 | 0:15:20 | |
Ivy had barely even kissed a boy. And you think... | 0:15:23 | 0:15:27 | |
You're way off the mark. | 0:15:28 | 0:15:29 | |
KNOCKING ON THE DOOR | 0:15:29 | 0:15:31 | |
I think I've got something on the Carol White front. | 0:15:41 | 0:15:43 | |
A neighbour from way back, | 0:15:43 | 0:15:44 | |
who seems to know something about the kidnapper's background. | 0:15:44 | 0:15:47 | |
Great. | 0:15:47 | 0:15:48 | |
We'll get down there. Nice work. | 0:15:48 | 0:15:50 | |
Mum will go mad if I leave all of this. | 0:16:00 | 0:16:02 | |
There! The evidence has gone. | 0:16:08 | 0:16:11 | |
They got the address right, but it's for an Alison. | 0:16:11 | 0:16:14 | |
It's what he called me. | 0:16:18 | 0:16:20 | |
What do you mean? | 0:16:20 | 0:16:22 | |
I wasn't allowed to be Ivy. | 0:16:24 | 0:16:26 | |
That man... | 0:16:26 | 0:16:27 | |
Careful, Angus. | 0:16:27 | 0:16:28 | |
I'll call DI Carne. Emma, get me the phone. | 0:16:28 | 0:16:30 | |
Emma, phone, please. | 0:16:30 | 0:16:32 | |
I'm getting it. I'm getting it. | 0:16:32 | 0:16:34 | |
Ivy? | 0:17:04 | 0:17:05 | |
We're going to open the letter now, OK? | 0:17:07 | 0:17:09 | |
What? | 0:17:29 | 0:17:30 | |
What does he say? | 0:17:30 | 0:17:33 | |
"Dear Alison, my Alison, | 0:17:33 | 0:17:36 | |
"I wanted to write and say I know you didn't leave me. | 0:17:36 | 0:17:39 | |
"I know you'll be back. | 0:17:39 | 0:17:40 | |
"Our love is as it always was. | 0:17:41 | 0:17:44 | |
"As is my forgiveness. Leonard." | 0:17:45 | 0:17:47 | |
And then he ends it with a kiss. | 0:17:49 | 0:17:51 | |
-ANGUS: -What does he want? | 0:17:51 | 0:17:52 | |
It's hubris, plain and simple. | 0:17:52 | 0:17:54 | |
Good news is, he's just brought us one step closer to finding him. | 0:17:54 | 0:17:57 | |
-How has he? -The letter will be analysed to death. | 0:17:57 | 0:18:01 | |
Watermark, style of writing, DNA traces... | 0:18:01 | 0:18:04 | |
All of which will tell us where White was when he wrote it | 0:18:04 | 0:18:07 | |
and where he could be holding Phoebe. | 0:18:07 | 0:18:10 | |
But yet, it gives us the chance to open a dialogue with him. | 0:18:10 | 0:18:13 | |
I write back? | 0:18:13 | 0:18:15 | |
-We wouldn't ask you to do that. -But it was to me. | 0:18:15 | 0:18:18 | |
We'll have a trained behavioural profiler work up a response. | 0:18:18 | 0:18:21 | |
The police will reply, Ivy. | 0:18:22 | 0:18:24 | |
Not you. | 0:18:24 | 0:18:26 | |
Let's go. | 0:18:29 | 0:18:31 | |
-WOMAN: -'Henry, please call me back. | 0:18:43 | 0:18:45 | |
'You staying away doesn't look good on you.' | 0:18:45 | 0:18:48 | |
HE HANGS UP | 0:18:48 | 0:18:49 | |
DOORBELL RINGS | 0:18:56 | 0:18:58 | |
I'll get it. | 0:18:58 | 0:18:59 | |
-Ivy, wait, please... -Tim. | 0:19:10 | 0:19:12 | |
Don't. I think you'd better go. | 0:19:13 | 0:19:15 | |
-Please, I just want to explain. -How are you going to do that? | 0:19:17 | 0:19:20 | |
Er...I don't know. | 0:19:20 | 0:19:22 | |
Have you any idea how difficult it must be for Ivy to trust people? | 0:19:22 | 0:19:25 | |
And you took that trust, my little girl's... | 0:19:27 | 0:19:29 | |
..and you shit all over it. | 0:19:30 | 0:19:32 | |
DOOR CLOSES | 0:19:42 | 0:19:44 | |
I guess we were smaller back then. | 0:20:06 | 0:20:09 | |
It's the same, isn't it? | 0:20:09 | 0:20:10 | |
Exactly the same. | 0:20:12 | 0:20:14 | |
Why can't he leave me alone? | 0:20:23 | 0:20:25 | |
I just want to get on with things... | 0:20:27 | 0:20:29 | |
..with my family. | 0:20:30 | 0:20:32 | |
Tim shouldn't have lied. | 0:20:35 | 0:20:36 | |
-No. -No-one should. | 0:20:37 | 0:20:39 | |
SHE SINGS SOFTLY | 0:20:50 | 0:20:52 | |
-TOGETHER: -Tic-tac-toe... | 0:20:56 | 0:20:58 | |
-DI CARNE: -Surely you're not going to sulk for the next 50 miles? | 0:21:07 | 0:21:10 | |
Ivy's story tallies with Eloise's. | 0:21:10 | 0:21:12 | |
There's no proof Ivy knew White at the school. | 0:21:12 | 0:21:14 | |
But how do you explain the rest? | 0:21:14 | 0:21:16 | |
Ivy's testimony being all over the shop. | 0:21:16 | 0:21:19 | |
The fact that she actively sought him out in a shopping centre. | 0:21:19 | 0:21:22 | |
And now she doesn't even flinch when he writes to her. | 0:21:22 | 0:21:25 | |
She's protecting him. | 0:21:25 | 0:21:26 | |
She isn't. | 0:21:26 | 0:21:28 | |
I'm sorry, I don't want to have the same argument we had last night. | 0:21:29 | 0:21:32 | |
What, in case it ends the same way? | 0:21:33 | 0:21:35 | |
You lot don't half make a racket. | 0:21:43 | 0:21:46 | |
I was watching Countdown and there was this crash. | 0:21:47 | 0:21:50 | |
Loads of your lot charging into Carol's house. | 0:21:50 | 0:21:54 | |
And I bet you didn't find anything. | 0:21:56 | 0:21:58 | |
Well, we were hoping you could help us, Mrs Tedder. | 0:21:59 | 0:22:01 | |
Besides Carol, who else lived there? | 0:22:02 | 0:22:05 | |
Well, it wasn't her house, you see? | 0:22:05 | 0:22:07 | |
It was her fancy man, Greg's. | 0:22:07 | 0:22:09 | |
She and her boy... | 0:22:10 | 0:22:12 | |
Yes, yes, yes, the charmer in all the news. | 0:22:12 | 0:22:16 | |
..moved in back in '78. | 0:22:16 | 0:22:19 | |
Eight years on, she kicked Mark out. | 0:22:19 | 0:22:22 | |
Done her bit, she said. | 0:22:22 | 0:22:24 | |
White would have been 16. | 0:22:24 | 0:22:26 | |
If Dylan was seven, sounds about right. | 0:22:28 | 0:22:32 | |
Dylan? | 0:22:32 | 0:22:33 | |
The kid she had with Greg. | 0:22:33 | 0:22:35 | |
He was a mistake. | 0:22:36 | 0:22:38 | |
"A bottle-of-gin-shaped one," Carol used to say. | 0:22:38 | 0:22:41 | |
A bit on the slow side, though. | 0:22:42 | 0:22:45 | |
It's probably not PC for me to say that. | 0:22:45 | 0:22:48 | |
White has a half-brother. | 0:22:49 | 0:22:51 | |
Brevity wasn't Mrs Tedder's strong suit. | 0:22:54 | 0:22:57 | |
Headlines... She's given us the brother. | 0:22:57 | 0:22:59 | |
The minute we know anything about him, you'll know, sir. | 0:22:59 | 0:23:02 | |
Also, some useful background on White. | 0:23:02 | 0:23:05 | |
Hardly an unusual one. | 0:23:05 | 0:23:08 | |
A social outcast. Tricky relationship with his mum. | 0:23:08 | 0:23:11 | |
Abandonment issues. | 0:23:11 | 0:23:13 | |
I mean, shit parenting doesn't give you a licence. | 0:23:13 | 0:23:16 | |
Or else we'd all be in trouble. | 0:23:16 | 0:23:17 | |
Speak for yourself. | 0:23:18 | 0:23:20 | |
We've had a profiler look at the letter to Ivy. | 0:23:20 | 0:23:23 | |
There are heavy scoring points to White's state of mind. | 0:23:23 | 0:23:26 | |
Erratic, working in haste, prone to mistakes | 0:23:26 | 0:23:29 | |
and entirely focused on Ivy. | 0:23:29 | 0:23:31 | |
Which makes me think... | 0:23:33 | 0:23:34 | |
Phoebe's disposable. | 0:23:34 | 0:23:37 | |
Have our man draw up a response. | 0:23:38 | 0:23:41 | |
I want it out there soon as. | 0:23:41 | 0:23:43 | |
If we engage White, we might stand a chance | 0:23:43 | 0:23:45 | |
of getting him to hand himself in. | 0:23:45 | 0:23:47 | |
We'll be as quick as is humanly possible, Mrs Moxam. | 0:24:15 | 0:24:17 | |
Ivy, hello. | 0:24:20 | 0:24:21 | |
Have you written your letter yet? | 0:24:31 | 0:24:33 | |
Sadly, it's not quite that simple. | 0:24:35 | 0:24:36 | |
We've been looking into Mark White's family set-up, | 0:24:37 | 0:24:40 | |
trying to build up a better picture of him. | 0:24:40 | 0:24:43 | |
Did he have a half-brother? | 0:24:43 | 0:24:44 | |
-He never talked about a Dylan? -No. | 0:24:48 | 0:24:51 | |
You're absolutely certain that a Dylan Hawthorne | 0:24:52 | 0:24:54 | |
was never mentioned by White? | 0:24:54 | 0:24:56 | |
Yes. | 0:24:58 | 0:25:00 | |
Odd. | 0:25:01 | 0:25:02 | |
Because he is his half-brother. | 0:25:03 | 0:25:05 | |
Eight years younger. | 0:25:05 | 0:25:07 | |
He never said. | 0:25:07 | 0:25:09 | |
OK, Ivy. Sorry to have wasted your time. | 0:25:09 | 0:25:11 | |
Listen, with Alia being, erm... | 0:25:13 | 0:25:15 | |
Well, I wanted to offer to take you to your appointment | 0:25:16 | 0:25:18 | |
-with Dr Young later. -No need. | 0:25:18 | 0:25:21 | |
My sister's taking me. | 0:25:22 | 0:25:24 | |
Are you OK? | 0:25:32 | 0:25:33 | |
Did something happen with the police? | 0:25:35 | 0:25:38 | |
Everything's fine. | 0:25:49 | 0:25:51 | |
Can we play Snake? | 0:25:56 | 0:25:58 | |
I wish. | 0:25:59 | 0:26:01 | |
It doesn't have it. | 0:26:01 | 0:26:02 | |
And you'd only thrash me, anyway. | 0:26:03 | 0:26:06 | |
There's lots of photos of you two. | 0:26:08 | 0:26:09 | |
I hadn't really noticed. | 0:26:11 | 0:26:13 | |
Is that him? | 0:26:13 | 0:26:15 | |
He... | 0:26:15 | 0:26:16 | |
He wants them of the both of you, not... | 0:26:17 | 0:26:19 | |
not just you? | 0:26:19 | 0:26:21 | |
What are all these? | 0:26:23 | 0:26:25 | |
-Mostly totally useless. -Show me. | 0:26:25 | 0:26:28 | |
I feel left behind. | 0:26:29 | 0:26:31 | |
Better yet. | 0:26:34 | 0:26:35 | |
You can have your very own. | 0:26:42 | 0:26:44 | |
I can't imagine my little sister driving. | 0:26:57 | 0:27:00 | |
Am I safe? | 0:27:00 | 0:27:02 | |
"Slow and steady wins the race" is my motto. | 0:27:02 | 0:27:04 | |
So you're dangerously safe. | 0:27:04 | 0:27:06 | |
SHE TAPS ON THE WINDOW | 0:27:06 | 0:27:07 | |
It's that girl from the pub. But... | 0:27:09 | 0:27:11 | |
It's Eloise. | 0:27:11 | 0:27:13 | |
Hi. | 0:27:17 | 0:27:18 | |
Hi. | 0:27:19 | 0:27:21 | |
Hi, Ivy. | 0:27:22 | 0:27:23 | |
Eloise. | 0:27:23 | 0:27:25 | |
Hi. | 0:27:27 | 0:27:29 | |
I've dicked about with my hair so much, | 0:27:29 | 0:27:31 | |
even I don't know what its actual colour is. | 0:27:31 | 0:27:33 | |
Let alone the metal show. | 0:27:33 | 0:27:35 | |
Sorry, I'm talking too much, aren't I? | 0:27:35 | 0:27:38 | |
No change there, then. | 0:27:38 | 0:27:40 | |
Is it a totally ridiculous question to ask you how you are? | 0:27:40 | 0:27:44 | |
Yeah, totally ridiculous question. | 0:27:45 | 0:27:46 | |
I heard you moved away. | 0:27:46 | 0:27:48 | |
To the Big, Unfriendly Smoke, for my sins. | 0:27:48 | 0:27:50 | |
So where are you staying? | 0:27:51 | 0:27:53 | |
Tim's. | 0:27:53 | 0:27:54 | |
On the sofa, obviously. | 0:27:56 | 0:27:58 | |
You've come to get me to talk to him, haven't you? | 0:27:58 | 0:28:00 | |
-He messed up, Eloise. -No arguments from me, I... | 0:28:00 | 0:28:03 | |
I don't want to talk about Tim. I don't want to talk to Tim. | 0:28:03 | 0:28:06 | |
Ivy, I don't give a shit about Tim. I came to talk to you. | 0:28:06 | 0:28:09 | |
-WOMAN ON TV: -'And we go live to the scene at Sunbridge High.' | 0:28:13 | 0:28:17 | |
'Headmaster Henry Stone can't be reached for comment. | 0:28:17 | 0:28:20 | |
-'Sunbidge High itself...' -SHE TURNS THE TV OFF | 0:28:20 | 0:28:22 | |
Just missed them. | 0:28:25 | 0:28:27 | |
I told Em to call me when she's dropped her off at Dr Young's. | 0:28:27 | 0:28:30 | |
And she's not to leave her on her own. | 0:28:30 | 0:28:32 | |
Nice shirt. | 0:28:32 | 0:28:34 | |
What's the occasion? | 0:28:35 | 0:28:36 | |
Is it? I don't... | 0:28:36 | 0:28:38 | |
Seeing them get on like this, well, it's... | 0:28:42 | 0:28:44 | |
..it's a relief. | 0:28:46 | 0:28:47 | |
I'm going to run into the office, make a few calls, | 0:28:49 | 0:28:51 | |
keep things ticking over. | 0:28:51 | 0:28:53 | |
-MAN ON TV: -'The continued silence | 0:29:00 | 0:29:02 | |
'has led to a growing clamour from concerned parents.' | 0:29:02 | 0:29:05 | |
Henry, I'm worried about you. | 0:29:08 | 0:29:10 | |
When I don't call back, | 0:29:10 | 0:29:12 | |
you should take it as a clue, Angela. | 0:29:12 | 0:29:14 | |
'The Board of Governors have called a meeting tomorrow. | 0:29:14 | 0:29:17 | |
'I'm worried they'll go for a no-confidence vote in you.' | 0:29:17 | 0:29:20 | |
I think I've got something... | 0:29:44 | 0:29:46 | |
Dylan Hawthorne's medical history. | 0:29:46 | 0:29:48 | |
I even threw in a shiny new folder. | 0:29:48 | 0:29:50 | |
High standards you're setting yourself, Jesse. | 0:29:51 | 0:29:54 | |
I can handle it. DI CARNE COUGHS | 0:29:54 | 0:29:57 | |
I think that's your cue to go. | 0:29:57 | 0:29:59 | |
Born in 1978. | 0:30:03 | 0:30:05 | |
Underwent investigations by a paediatric neurologist. | 0:30:05 | 0:30:08 | |
There's a deficiency noted, but it's typically vague. | 0:30:08 | 0:30:11 | |
Then again, it was the '70s. | 0:30:11 | 0:30:14 | |
Your era. | 0:30:14 | 0:30:15 | |
You know the '70s isn't my era. | 0:30:15 | 0:30:17 | |
And I'll stop you there. | 0:30:17 | 0:30:19 | |
Because Dylan's got a criminal record. | 0:30:19 | 0:30:21 | |
1993, expelled for possession of a knife. | 0:30:22 | 0:30:25 | |
Emma Moxam, I can confirm I feel safe in your car. | 0:30:29 | 0:30:32 | |
Good. I'm glad. | 0:30:32 | 0:30:34 | |
I'll be back here by the time you're done. | 0:30:36 | 0:30:40 | |
Come on in, Ivy. | 0:30:40 | 0:30:41 | |
Mark White, in reaching out to Ivy Moxam, | 0:30:51 | 0:30:54 | |
we believe that you're telling us you want to talk. | 0:30:54 | 0:30:57 | |
We're here to listen to what you have to say. | 0:30:57 | 0:31:00 | |
In responding to you directly, | 0:31:01 | 0:31:02 | |
we hope the line of communication is open between us. | 0:31:02 | 0:31:06 | |
Our primary concern is the safety and wellbeing of Phoebe Tarl. | 0:31:07 | 0:31:11 | |
I've gone from warm to icy cold on Dylan Hawthorne. | 0:31:13 | 0:31:15 | |
After his arrest, there's nothing. No trail. Nothing. | 0:31:15 | 0:31:18 | |
Maybe he moved abroad. | 0:31:18 | 0:31:20 | |
Yeah, well, wherever he went is nowhere useful for us. | 0:31:20 | 0:31:22 | |
We've got our very own Magnum PI wanting a word. | 0:31:24 | 0:31:27 | |
I really don't want this to be the second time | 0:31:32 | 0:31:34 | |
you've taken up police resources, Mr Stone. | 0:31:34 | 0:31:36 | |
Look, I'm not time-wasting. | 0:31:36 | 0:31:38 | |
There's 40-odd testimonies from ex-staff there. | 0:31:38 | 0:31:41 | |
What is it, half-baked recalls | 0:31:41 | 0:31:42 | |
of how Mark White liked his tea in the morning? | 0:31:42 | 0:31:45 | |
"Back in 2006, | 0:31:45 | 0:31:47 | |
"a young man ran up in a panic looking for Mark. | 0:31:47 | 0:31:50 | |
"When I asked who it was, he took a while to answer. | 0:31:50 | 0:31:53 | |
"His brother, he said. | 0:31:53 | 0:31:54 | |
"After that day, I never saw Mark again at the school." | 0:31:54 | 0:31:58 | |
Is it useful? | 0:31:58 | 0:31:59 | |
It puts the brothers together within the timeframe of Ivy's abduction. | 0:32:00 | 0:32:04 | |
It's more than useful, Mr Stone. | 0:32:04 | 0:32:06 | |
Thank you. | 0:32:06 | 0:32:07 | |
I don't really go in for the Good Samaritan side of things. | 0:32:08 | 0:32:12 | |
Why go to all this effort to help us? | 0:32:13 | 0:32:16 | |
It seems you have enough problems of your own to solve. | 0:32:16 | 0:32:18 | |
I just wanted to make it up to her. | 0:32:21 | 0:32:24 | |
We've sourced an old image of Dylan as a teenager. | 0:32:52 | 0:32:55 | |
I've decided to release it to the press. | 0:32:56 | 0:32:59 | |
We have to consider that the brother may be hiding Mark White. | 0:33:00 | 0:33:03 | |
How was your session, darling? | 0:33:13 | 0:33:15 | |
Fine. Thanks. | 0:33:15 | 0:33:16 | |
Is he here - Dad? | 0:33:26 | 0:33:28 | |
No, he had to go to work. | 0:33:28 | 0:33:30 | |
I bet he did(!) | 0:33:30 | 0:33:32 | |
Are you all right? | 0:33:32 | 0:33:33 | |
Did Ivy hear the news? | 0:33:33 | 0:33:35 | |
Mark White's letter. The police response is all over it. | 0:33:35 | 0:33:37 | |
She didn't want the radio on. | 0:33:37 | 0:33:39 | |
Is she OK? | 0:33:39 | 0:33:40 | |
Did she tell you what she and Dr Young talked about? | 0:33:40 | 0:33:43 | |
I didn't ask. | 0:33:43 | 0:33:44 | |
I think she's sick of us all asking. | 0:33:44 | 0:33:46 | |
I know. | 0:33:47 | 0:33:48 | |
I can't seem to help myself. | 0:33:49 | 0:33:51 | |
She seems happy with you. Thank you for being so good with her. | 0:33:51 | 0:33:55 | |
You're a good girl. | 0:33:55 | 0:33:56 | |
It's just right. | 0:34:07 | 0:34:09 | |
I remember how we used to fight over these, | 0:34:12 | 0:34:15 | |
if you got a good one. | 0:34:15 | 0:34:17 | |
You'd want yours for Edward Farr. | 0:34:22 | 0:34:25 | |
Edward Farr... | 0:34:27 | 0:34:29 | |
Oh, boy, could I pick them! | 0:34:30 | 0:34:31 | |
He was the last boy I knew you liked. | 0:34:32 | 0:34:35 | |
And then I came back and you were engaged. | 0:34:41 | 0:34:44 | |
Sorry. | 0:34:44 | 0:34:46 | |
That must've been weird. | 0:34:46 | 0:34:48 | |
What's he like? | 0:34:49 | 0:34:50 | |
Craig? | 0:34:50 | 0:34:52 | |
How did you know he was the one? | 0:34:52 | 0:34:54 | |
I don't know if I believe in "the one". | 0:34:54 | 0:34:57 | |
A one, maybe. | 0:34:58 | 0:35:00 | |
Maybe not, even. | 0:35:00 | 0:35:01 | |
Did you have a lot of boyfriends, then? | 0:35:01 | 0:35:04 | |
Just Craig. | 0:35:04 | 0:35:05 | |
So he... | 0:35:06 | 0:35:08 | |
He was your first? | 0:35:08 | 0:35:09 | |
And only. | 0:35:11 | 0:35:13 | |
Not that I'm complaining. | 0:35:13 | 0:35:15 | |
You mean you... | 0:35:16 | 0:35:17 | |
..like it? | 0:35:19 | 0:35:21 | |
-I didn't mean to... -No, it's... | 0:35:21 | 0:35:23 | |
We're sisters, we're supposed to talk about this stuff, aren't we? | 0:35:23 | 0:35:27 | |
If that's what you want. | 0:35:27 | 0:35:29 | |
Then, yeah. | 0:35:33 | 0:35:34 | |
I do... | 0:35:35 | 0:35:37 | |
like it. | 0:35:37 | 0:35:39 | |
When did you know you were in love? | 0:35:39 | 0:35:41 | |
It creeps up on you. | 0:35:46 | 0:35:48 | |
He was just nice to me. | 0:35:50 | 0:35:52 | |
It was nice to have someone be nice. | 0:35:54 | 0:35:57 | |
And Mum liked him, which was... | 0:35:58 | 0:36:01 | |
Well, it made a difference. | 0:36:01 | 0:36:03 | |
-Did Dad? -He didn't come into it. | 0:36:03 | 0:36:06 | |
Why not? | 0:36:06 | 0:36:07 | |
Well, it doesn't matter. | 0:36:09 | 0:36:11 | |
Your face says it does. | 0:36:11 | 0:36:13 | |
It really doesn't. | 0:36:13 | 0:36:15 | |
Em, what's going on? | 0:36:15 | 0:36:17 | |
I haven't had a choice in not telling you. | 0:36:19 | 0:36:22 | |
I mean, you have to know that. | 0:36:22 | 0:36:24 | |
Dad had... | 0:36:28 | 0:36:30 | |
..has... | 0:36:31 | 0:36:32 | |
..another woman. | 0:36:35 | 0:36:36 | |
If you'd call her that. | 0:36:38 | 0:36:39 | |
What about Mum? They're together. | 0:36:39 | 0:36:42 | |
Only because of me? | 0:36:45 | 0:36:47 | |
Chris, what do you think of this? | 0:36:56 | 0:36:58 | |
'It went on for two years. | 0:37:07 | 0:37:10 | |
'Behind Mum's back. | 0:37:10 | 0:37:12 | |
'And then one day, everyone just seemed to know. | 0:37:12 | 0:37:15 | |
'And he left us.' | 0:37:16 | 0:37:18 | |
You've a match. | 0:37:32 | 0:37:34 | |
Dylan's been in the house? | 0:37:34 | 0:37:35 | |
-All over it, in fact. -If the cellar hadn't been a bleach job, | 0:37:35 | 0:37:38 | |
what's the betting his prints would be down there too? | 0:37:38 | 0:37:40 | |
That'd be a hell of a lie from Ivy. | 0:37:40 | 0:37:42 | |
Hardly the first. | 0:37:42 | 0:37:43 | |
How could his brother have been there without knowing about Ivy? | 0:37:43 | 0:37:46 | |
-HOOVER RUNNING -'Police search teams have been combing the city...' | 0:37:58 | 0:38:02 | |
It's not going to calm down for Ivy, is it? | 0:38:02 | 0:38:04 | |
-Not until they find the bastard. -Come on. | 0:38:04 | 0:38:06 | |
Even then, her whole life will be under the shadow of this | 0:38:06 | 0:38:09 | |
miserable, shitty little story. | 0:38:09 | 0:38:11 | |
I've, er, called Carlene. | 0:38:14 | 0:38:16 | |
I thought you could have a night off. | 0:38:16 | 0:38:18 | |
You know we don't smoke in here, Tim. | 0:38:18 | 0:38:21 | |
Oh! Sorry, I didn't know. | 0:38:21 | 0:38:24 | |
Of course you didn't know. | 0:38:24 | 0:38:26 | |
Because Tim here, well... | 0:38:26 | 0:38:28 | |
he's not very good at saying what needs saying. | 0:38:28 | 0:38:30 | |
Are you, Tim? | 0:38:30 | 0:38:31 | |
Do you know who this is? | 0:38:44 | 0:38:46 | |
DS Merchant's not coming. | 0:38:49 | 0:38:51 | |
It's just you and me, Ivy. | 0:38:52 | 0:38:54 | |
It's White's half-brother. | 0:38:57 | 0:39:00 | |
Dylan. | 0:39:00 | 0:39:02 | |
You never heard anyone in the house? | 0:39:02 | 0:39:05 | |
Voices, or even just a voice, one that didn't sound like White? | 0:39:05 | 0:39:09 | |
Because we think that Dylan was in that house a lot | 0:39:09 | 0:39:11 | |
while you were being held. | 0:39:11 | 0:39:13 | |
Maybe he even lived there. | 0:39:13 | 0:39:14 | |
Do you not feel like talking today? | 0:39:20 | 0:39:23 | |
I just want to be left alone. | 0:39:23 | 0:39:25 | |
Yeah, I get it. | 0:39:25 | 0:39:26 | |
I do, I get it. | 0:39:26 | 0:39:28 | |
I have to be here, asking you these questions. | 0:39:32 | 0:39:35 | |
If I don't, Phoebe's still out there somewhere, in danger. | 0:39:35 | 0:39:39 | |
How would you feel if someone asked you question after question? | 0:39:39 | 0:39:42 | |
I probably wouldn't like it. | 0:39:43 | 0:39:46 | |
But I'd do it if I needed to. | 0:39:46 | 0:39:47 | |
Easy to say. | 0:39:49 | 0:39:50 | |
Fine. | 0:39:51 | 0:39:52 | |
Ask away. | 0:39:54 | 0:39:55 | |
Why did you become a policeman? | 0:39:57 | 0:39:59 | |
To help people. | 0:40:01 | 0:40:02 | |
Why did you become a policeman? | 0:40:03 | 0:40:06 | |
I guess I needed a... | 0:40:10 | 0:40:12 | |
-a firm hand. -Where's your home? | 0:40:12 | 0:40:14 | |
-Bedminster. -Not with that accent. | 0:40:14 | 0:40:16 | |
HE LAUGHS | 0:40:16 | 0:40:18 | |
I was born in Glasgow. | 0:40:18 | 0:40:20 | |
Are your family still there? | 0:40:20 | 0:40:22 | |
-You said ask away. -My dad is. | 0:40:27 | 0:40:29 | |
And your mum? | 0:40:29 | 0:40:31 | |
You don't know where your mum lives? | 0:40:32 | 0:40:34 | |
OK, I get the point. It's not... | 0:40:36 | 0:40:38 | |
Why don't you know where she is? | 0:40:38 | 0:40:41 | |
I just don't. | 0:40:41 | 0:40:42 | |
You don't want to talk about it. | 0:40:46 | 0:40:47 | |
Why should I? | 0:40:51 | 0:40:52 | |
It's my life, my past. | 0:40:56 | 0:40:57 | |
So don't come into my home, acting like you are trying to help me. | 0:40:59 | 0:41:03 | |
Funnily enough, I am actually trying to help you, Ivy. | 0:41:07 | 0:41:10 | |
I'll put you on the record as never having seen this man. | 0:41:22 | 0:41:26 | |
Never having heard mention of him, | 0:41:26 | 0:41:28 | |
never having the impression he was attending on Corbridge Road. Yes? | 0:41:28 | 0:41:31 | |
Yes. | 0:41:31 | 0:41:33 | |
This is what you've been doing? | 0:41:52 | 0:41:54 | |
Craig, I'm busy. | 0:41:54 | 0:41:55 | |
So busy that I'm left like a tool at the tasting session, | 0:41:55 | 0:41:58 | |
promising them over and over that my fiancee will be here any moment. | 0:41:58 | 0:42:01 | |
Shit. | 0:42:01 | 0:42:02 | |
I'm sorry. | 0:42:03 | 0:42:05 | |
It's been a mad day. I forgot. | 0:42:05 | 0:42:08 | |
I reminded you this morning. | 0:42:08 | 0:42:10 | |
You weren't listening. | 0:42:12 | 0:42:13 | |
Look, we're going to start losing deposits for things | 0:42:14 | 0:42:17 | |
if we don't show up. | 0:42:17 | 0:42:18 | |
You still want to get married, don't you? | 0:42:20 | 0:42:23 | |
Of course. | 0:42:24 | 0:42:26 | |
I just think... | 0:42:26 | 0:42:28 | |
with everything that's going on... | 0:42:28 | 0:42:30 | |
..maybe it's worth us thinking about postponing. | 0:42:31 | 0:42:33 | |
There's no such thing this close. | 0:42:34 | 0:42:36 | |
It's either we carry on or not have it at all, so we carry on, right? | 0:42:37 | 0:42:41 | |
-I just think everything with Ivy... -Yes or no? | 0:42:41 | 0:42:44 | |
I don't know. | 0:42:44 | 0:42:45 | |
But I... | 0:42:46 | 0:42:48 | |
Craig, just the man. | 0:42:53 | 0:42:54 | |
-Grab the other end of this, will you? -I can manage. | 0:42:54 | 0:42:56 | |
Don't listen to her. Stubbornness comes before a wrecked back. | 0:42:56 | 0:43:00 | |
Good man. | 0:43:05 | 0:43:06 | |
Thanks, Craig. | 0:43:06 | 0:43:07 | |
SHE CHUCKLES | 0:43:10 | 0:43:12 | |
I hope you've washed your hands. | 0:43:24 | 0:43:26 | |
I'm certain you've more important things to do than to wait here | 0:43:26 | 0:43:29 | |
to pass comment on my hygiene practice. | 0:43:29 | 0:43:31 | |
Which, by the way, is a lot better than yours. | 0:43:31 | 0:43:34 | |
I wanted to say sorry. | 0:43:36 | 0:43:37 | |
I went to interview Ivy alone. | 0:43:41 | 0:43:44 | |
I thought she would open up. | 0:43:44 | 0:43:46 | |
She didn't. | 0:43:46 | 0:43:47 | |
I don't like this. | 0:43:52 | 0:43:53 | |
Us not being on the same side. | 0:43:55 | 0:43:56 | |
Me neither. | 0:43:57 | 0:43:59 | |
However, I promise to stop fighting you every step of the way. | 0:44:03 | 0:44:08 | |
-LOUD MUSIC PLAYING -Please, Yazz, calm down. | 0:44:15 | 0:44:17 | |
-Don't tell me to calm down! -Yazz, come back. | 0:44:17 | 0:44:19 | |
What's she doing now? | 0:44:19 | 0:44:21 | |
I can't even hear myself argue. | 0:44:21 | 0:44:22 | |
But what are you doing in here? | 0:44:22 | 0:44:24 | |
Cooking. | 0:44:24 | 0:44:25 | |
To the best of my limited abilities. | 0:44:25 | 0:44:28 | |
I wanted to make a "Sorry for being in the way" meal. | 0:44:28 | 0:44:31 | |
Well, you are... | 0:44:31 | 0:44:33 | |
in the way. | 0:44:33 | 0:44:34 | |
Be fair, Yazz, none of this is Eloise's fault. | 0:44:34 | 0:44:37 | |
Two ghosts from his past is two too many. | 0:44:37 | 0:44:40 | |
I hope you understand. | 0:44:41 | 0:44:42 | |
Sorry, I didn't think. | 0:44:44 | 0:44:46 | |
I should have... | 0:44:46 | 0:44:48 | |
I'll find somewhere else. | 0:44:48 | 0:44:49 | |
Come on, Yazz! | 0:44:51 | 0:44:52 | |
You are this close to following your friend here out the door. | 0:44:52 | 0:44:55 | |
You see how fast she is to shake her head? | 0:45:01 | 0:45:03 | |
I'd barely even got the question out about a half-brother. | 0:45:04 | 0:45:08 | |
To know what's going on in there... | 0:45:13 | 0:45:15 | |
Drink? | 0:45:18 | 0:45:20 | |
Plans, sorry. | 0:45:20 | 0:45:22 | |
Girl's got to keep hydrated. | 0:45:22 | 0:45:24 | |
Night, then, Jesse. | 0:45:24 | 0:45:25 | |
Care to elaborate on these "plans"? | 0:45:30 | 0:45:33 | |
You know me, I like to keep a bit of mystery. | 0:45:33 | 0:45:37 | |
You? | 0:45:37 | 0:45:38 | |
Got to see a friend. | 0:45:39 | 0:45:41 | |
You know, prove I'm still alive. | 0:45:42 | 0:45:43 | |
But maybe after? | 0:45:46 | 0:45:47 | |
Ivy, love? We're ready. | 0:46:01 | 0:46:03 | |
Our very own cinema. Popcorn and everything. | 0:46:08 | 0:46:11 | |
-Dad's found our old videos. -Come sit by me. | 0:46:11 | 0:46:13 | |
We thought it might be a nice thing. | 0:46:13 | 0:46:15 | |
Craig, would you dim the lights? | 0:46:18 | 0:46:20 | |
BABY CRYING | 0:46:29 | 0:46:30 | |
'World, meet baby Ivy Moxam. | 0:46:33 | 0:46:35 | |
'Eight pounds, four ounces. | 0:46:35 | 0:46:37 | |
'Ivy Moxam, meet world.' | 0:46:37 | 0:46:39 | |
That was the best day of my life. | 0:46:41 | 0:46:43 | |
Well, one of two. | 0:46:43 | 0:46:45 | |
It feels like some low-rent This Is Your Life. | 0:46:45 | 0:46:48 | |
-Do we have to? -Oh, he's gone to a lot of trouble. | 0:46:48 | 0:46:51 | |
There's been endless frowning and fiddling with the TV. | 0:46:51 | 0:46:55 | |
-Here we go. -'She's waving at you. | 0:46:58 | 0:47:01 | |
'I'm not sure I'll get her back! | 0:47:03 | 0:47:05 | |
'She looks just like you.' | 0:47:12 | 0:47:14 | |
We're a family. | 0:47:14 | 0:47:16 | |
Coming into being. | 0:47:16 | 0:47:17 | |
With room for one more. | 0:47:19 | 0:47:20 | |
'Run, girls. Run!' | 0:48:06 | 0:48:09 | |
Arty shot, was it? | 0:48:18 | 0:48:20 | |
Give your dad a break. | 0:48:20 | 0:48:21 | |
I'm tired, Mum. | 0:48:25 | 0:48:26 | |
A week away. | 0:48:41 | 0:48:43 | |
Same cottage, same beach. | 0:48:43 | 0:48:44 | |
We can even see if they've got the same ropey old tennis court. | 0:48:44 | 0:48:48 | |
I thought it might be good for us to get away as a family. | 0:48:48 | 0:48:51 | |
As a family? | 0:48:53 | 0:48:55 | |
-Is it too soon, love? -No, it's not too soon. | 0:49:01 | 0:49:04 | |
I've only been stuck underground for 13 years, after all. | 0:49:05 | 0:49:08 | |
I've got this wrong, haven't I? | 0:49:12 | 0:49:13 | |
No change there, then. | 0:49:13 | 0:49:14 | |
Talk to us. | 0:49:16 | 0:49:17 | |
What is it? | 0:49:18 | 0:49:19 | |
Did you ever give up hope that I'd be found? | 0:49:24 | 0:49:27 | |
(Never.) | 0:49:29 | 0:49:30 | |
Never! | 0:49:30 | 0:49:31 | |
-Of course not. -Liar! | 0:49:39 | 0:49:41 | |
Ivy, I knew you'd be back. | 0:49:44 | 0:49:46 | |
I never gave up. | 0:49:46 | 0:49:47 | |
You having an affair, leaving our home, proves you gave up. | 0:49:49 | 0:49:54 | |
-Emma? -Classy work, Em. | 0:49:56 | 0:49:58 | |
It is not her fault, it is yours! | 0:49:58 | 0:50:00 | |
SHE SOBS | 0:50:04 | 0:50:06 | |
-Darling... -Ivy, please. | 0:50:08 | 0:50:10 | |
You have ruined the one thing I had left. | 0:50:13 | 0:50:17 | |
The past, before... | 0:50:19 | 0:50:20 | |
Tell me what I need to do to make this right. | 0:50:30 | 0:50:33 | |
SHE SIGHS | 0:50:35 | 0:50:36 | |
Your dad's got nowhere to go. | 0:51:14 | 0:51:16 | |
Try back to his Spanish whore. | 0:51:16 | 0:51:18 | |
He was with her today. I saw them. | 0:51:19 | 0:51:23 | |
I went to end things for good. | 0:51:23 | 0:51:24 | |
I never forgave myself, you know. | 0:51:31 | 0:51:33 | |
Em! | 0:51:55 | 0:51:56 | |
TAPPING ECHOES | 0:52:21 | 0:52:23 | |
HOLLOW RINGING | 0:52:32 | 0:52:35 | |
MOBILE PHONE VIBRATES | 0:52:49 | 0:52:51 | |
-BANGING ON DOOR CRAIG: -Em? | 0:52:59 | 0:53:00 | |
Open the door, Em. | 0:53:00 | 0:53:01 | |
Get out! | 0:53:03 | 0:53:05 | |
This is my room and you're my girl, or at least you were a day ago, | 0:53:05 | 0:53:07 | |
-so I'm not going anywhere. -You think it's OK to do that? | 0:53:07 | 0:53:10 | |
To scare us, to scare Ivy? | 0:53:10 | 0:53:12 | |
Stop using her as an excuse. | 0:53:12 | 0:53:13 | |
You didn't even think she was your sister in the first place. | 0:53:13 | 0:53:16 | |
SHE GASPS FOR BREATH | 0:53:29 | 0:53:31 | |
PHONE VIBRATES, MAN GRUNTING | 0:53:37 | 0:53:40 | |
'Eloise here, leave a message and I'll hit you back.' | 0:53:41 | 0:53:46 | |
It's Ivy. I need to talk to you, please. | 0:53:46 | 0:53:48 | |
IVY: 'Everyone has someone. | 0:53:56 | 0:53:58 | |
'Their person. | 0:53:59 | 0:54:00 | |
'Tim has his wife, Em has Craig, Mum has Dad. | 0:54:00 | 0:54:05 | |
'I'm glad about that, I am. | 0:54:05 | 0:54:07 | |
'Even Elliott, he has someone of his own.' | 0:54:07 | 0:54:10 | |
Sir, we need an excavation team down at Corbridge. | 0:54:10 | 0:54:13 | |
There's something odd here. | 0:54:14 | 0:54:16 | |
'I should never have left him. | 0:54:21 | 0:54:24 | |
'All I want is not to be alone any more.' | 0:54:24 | 0:54:28 | |
MOBILE PHONE VIBRATES | 0:54:29 | 0:54:33 | |
I need you to come over. | 0:54:38 | 0:54:40 | |
I can't do that, Ivy. | 0:54:45 | 0:54:47 | |
It's... | 0:54:47 | 0:54:49 | |
-'I better go.' -There's someone outside! | 0:54:49 | 0:54:51 | |
DRILLING | 0:54:55 | 0:54:58 | |
He ran off when you came. | 0:55:07 | 0:55:09 | |
Well, you're safe now. | 0:55:13 | 0:55:15 | |
Everyone keeps saying that. I'm not, though, am I? | 0:55:15 | 0:55:18 | |
Not when he... | 0:55:18 | 0:55:19 | |
Will you stay? | 0:55:21 | 0:55:24 | |
No. | 0:55:24 | 0:55:26 | |
-No, I can't. -Please! | 0:55:26 | 0:55:27 | |
I don't want to be on my own. | 0:55:28 | 0:55:30 | |
I need you over here, Elliott. | 0:56:10 | 0:56:13 | |
To be unreachable in the middle of an investigation of this scale... | 0:56:13 | 0:56:17 | |
Sir, if you'd let me explain... | 0:56:17 | 0:56:19 | |
Does Ivy know about this? | 0:56:20 | 0:56:23 | |
Is this because of last night? | 0:56:23 | 0:56:24 | |
Me asking you to stay over? | 0:56:24 | 0:56:26 | |
Elliott? | 0:56:29 | 0:56:30 | |
What more do you want, Yazz? | 0:56:30 | 0:56:32 | |
I want to feel like you want to make it right. | 0:56:32 | 0:56:34 | |
-I don't know what I'm supposed to have done. -Answer the question. | 0:56:34 | 0:56:37 | |
All she's been through, and you dare to do this? | 0:56:37 | 0:56:39 | |
Do you know where he is? | 0:56:39 | 0:56:41 | |
Phoebe doesn't stand a chance. | 0:56:41 | 0:56:43 | |
SHE GASPS | 0:56:47 | 0:56:48 | |
# Don't say nothing, no | 0:56:48 | 0:56:52 | |
# I can see when you're lying | 0:56:55 | 0:56:57 | |
# Oh, whoa | 0:56:57 | 0:56:58 | |
# When you're alone, you're so alone | 0:57:01 | 0:57:04 | |
# When you're alone, you're so alone. # | 0:57:08 | 0:57:11 |