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They're chucking a bunch of boxes off to Paradise. | 0:00:03 | 0:00:06 | |
-Hey, GJ... -Is she in charge? -Yeah. -Is she a she? | 0:00:06 | 0:00:09 | |
She's 12 years old. | 0:00:09 | 0:00:10 | |
Do you have an ultrasound facility? | 0:00:10 | 0:00:12 | |
Who is the man that did this to you? This is statutory rape. | 0:00:12 | 0:00:15 | |
You don't think I know that? | 0:00:15 | 0:00:17 | |
-Is he all right? -No, he's not all right. | 0:00:17 | 0:00:20 | |
It's the past, it's history. Leave it there. | 0:00:20 | 0:00:22 | |
You really want to shoot someone, you point right here. | 0:00:22 | 0:00:27 | |
You've got a time bomb in there. | 0:00:27 | 0:00:30 | |
Boom! | 0:00:30 | 0:00:31 | |
Tui Mitcham's missing. | 0:00:32 | 0:00:34 | |
This programme contains strong language, | 0:00:37 | 0:00:39 | |
scenes which some viewers may find disturbing | 0:00:39 | 0:00:42 | |
and scenes of a sexual nature. | 0:00:42 | 0:00:43 | |
HORN BEEPS | 0:01:28 | 0:01:30 | |
MUSIC: "Living Next Door To Alice" by Smokie | 0:01:51 | 0:01:55 | |
# ..To tell her how I feel and maybe get a second glance... # | 0:01:55 | 0:01:58 | |
This is for a fuck. | 0:02:00 | 0:02:02 | |
Seven minutes, not a minute more. | 0:02:03 | 0:02:06 | |
I'll be in... | 0:02:09 | 0:02:12 | |
room six. | 0:02:12 | 0:02:14 | |
DOOR CLOSES | 0:02:16 | 0:02:17 | |
# ..Now she walks through the door With her head held high | 0:02:21 | 0:02:25 | |
# Just for a moment I caught her eye | 0:02:25 | 0:02:29 | |
# As the big limousine pulled slowly out of Alice's drive | 0:02:29 | 0:02:35 | |
# Oh, I don't know why she's leaving Or where she's going to go | 0:02:36 | 0:02:41 | |
# I guess she's got her reasons But I just don't want to know | 0:02:41 | 0:02:44 | |
# Cos for 24 years I've been living next door to Alice... # | 0:02:44 | 0:02:50 | |
Come in. | 0:02:50 | 0:02:53 | |
Take a shower. | 0:02:53 | 0:02:54 | |
When you finish, the clock will start ticking. | 0:02:54 | 0:02:57 | |
I like to be undressed, that should take two minutes. | 0:02:57 | 0:03:00 | |
That leaves five for the fuck. | 0:03:00 | 0:03:03 | |
Why the seven minutes? | 0:03:25 | 0:03:27 | |
Please undress me. | 0:03:27 | 0:03:29 | |
-Um... -Sarge. | 0:03:29 | 0:03:31 | |
Please undress me, Sarge. Time's running out. | 0:03:31 | 0:03:34 | |
Why the time limit? | 0:03:37 | 0:03:39 | |
Do you really want to know? | 0:03:39 | 0:03:42 | |
Yeah. | 0:03:42 | 0:03:43 | |
I have these compulsions, serious ones, | 0:03:43 | 0:03:46 | |
that my...teacher is helping me with. | 0:03:46 | 0:03:51 | |
If I spend more than seven minutes with a man... | 0:03:51 | 0:03:55 | |
..with any kind of a man, | 0:03:57 | 0:03:59 | |
I run the danger of growing a romantic attachment | 0:03:59 | 0:04:02 | |
that could take seven weeks or seven months to get over. | 0:04:02 | 0:04:06 | |
-Yeah, right. -Slower! | 0:04:06 | 0:04:08 | |
The time thing's probably arbitrary, but it's a restriction... | 0:04:08 | 0:04:12 | |
SHE GASPS | 0:04:12 | 0:04:14 | |
..that stops me feeling too much. | 0:04:14 | 0:04:17 | |
Jesus, I don't feel much about anybody, really. | 0:04:17 | 0:04:22 | |
Nothing? | 0:04:22 | 0:04:23 | |
Not even angry? | 0:04:23 | 0:04:25 | |
No. Oh, er, pissed off, maybe. | 0:04:25 | 0:04:28 | |
Hm. | 0:04:28 | 0:04:30 | |
Leave it be. | 0:04:35 | 0:04:38 | |
How are we going for time? | 0:04:42 | 0:04:45 | |
Well... | 0:04:45 | 0:04:47 | |
You want your tits done? | 0:04:47 | 0:04:49 | |
Don't talk. | 0:04:49 | 0:04:50 | |
Uh, just shove my hands and my head where you want 'em. | 0:04:50 | 0:04:53 | |
Yeah, yeah. Here. | 0:04:53 | 0:04:55 | |
HE GRUNTS | 0:05:01 | 0:05:03 | |
Right. | 0:05:07 | 0:05:08 | |
Well, the most important is immigration. | 0:05:08 | 0:05:12 | |
Good. Hospitals and homeless shelters? | 0:05:12 | 0:05:14 | |
Right. | 0:05:14 | 0:05:15 | |
Great. Thank you. | 0:05:16 | 0:05:18 | |
Um, well, I'm off track somewhere near Lake Sylvan. | 0:05:18 | 0:05:21 | |
Paola from the cafe thinks she saw smoke out here this morning. | 0:05:21 | 0:05:24 | |
OK. Thank you, Zena. | 0:05:26 | 0:05:28 | |
Are you early? | 0:07:59 | 0:08:00 | |
Hope so. | 0:08:00 | 0:08:03 | |
Did you sleep there? | 0:08:05 | 0:08:06 | |
I'll see you in an hour. | 0:08:09 | 0:08:11 | |
Shaved legs aren't a bit of a turn off? Are they not a bit gay? | 0:08:13 | 0:08:16 | |
I don't know. For who? | 0:08:18 | 0:08:20 | |
I don't have a boyfriend. | 0:08:20 | 0:08:24 | |
Take a look at this, then. | 0:08:38 | 0:08:40 | |
Name tags, mate. | 0:08:40 | 0:08:42 | |
-Excuse me, that's my seat. -Yeah. | 0:08:45 | 0:08:46 | |
-No, yours is over there. -Sit somewhere else, then. | 0:08:46 | 0:08:49 | |
MURMURING | 0:08:49 | 0:08:51 | |
Shh. | 0:08:51 | 0:08:52 | |
OK. | 0:08:57 | 0:08:59 | |
Tui Angel Mitcham, 12 years of age. | 0:08:59 | 0:09:01 | |
Matt Mitcham and Kimmie Wongsawat's only daughter. | 0:09:01 | 0:09:04 | |
Eurasian appearance and she is at present five months pregnant. | 0:09:04 | 0:09:09 | |
She was last seen at the Paradise property. | 0:09:09 | 0:09:12 | |
The new residents, eight females, said she arrived by horse and stayed one night. | 0:09:12 | 0:09:16 | |
And according to Matt Mitcham, she never came home. | 0:09:16 | 0:09:19 | |
But her dog did. | 0:09:19 | 0:09:21 | |
And her horse was found here, on the Rees River bridge. | 0:09:21 | 0:09:25 | |
-So, either she fell or... -How about we start with the current situation? | 0:09:25 | 0:09:28 | |
I thought I was. | 0:09:28 | 0:09:30 | |
No, the clear facts. How long has she been missing for? | 0:09:30 | 0:09:32 | |
-36 hours. -Well, that's not a good sign already. -Correct. | 0:09:32 | 0:09:37 | |
And let's also remember we are looking at a crime. | 0:09:37 | 0:09:39 | |
Whoever did this to her might want to hide her, or even eliminate her | 0:09:39 | 0:09:43 | |
to avoid the possibility of a DNA match. | 0:09:43 | 0:09:45 | |
There was a case in Canada and another in Australia | 0:09:45 | 0:09:47 | |
where young victims were found with their wombs removed. | 0:09:47 | 0:09:50 | |
-WOMAN GROANS -So, who are the suspects? | 0:09:50 | 0:09:53 | |
So far, it's the usual family members. | 0:09:53 | 0:09:55 | |
Matt Mitcham and his sons, | 0:09:57 | 0:09:59 | |
Mark, Luke and Johnno. | 0:09:59 | 0:10:02 | |
But there is one other possible suspect. | 0:10:02 | 0:10:04 | |
A Wolfgang Zanic. | 0:10:04 | 0:10:06 | |
He's on the sexual crimes register as a paedophile. | 0:10:06 | 0:10:09 | |
He's 55, Austrian, resident of Eel Creek, Laketop. | 0:10:09 | 0:10:14 | |
Two previous arrests and one conviction. | 0:10:14 | 0:10:16 | |
He did time at Mount Eden, | 0:10:16 | 0:10:18 | |
two years, reduced from five. | 0:10:18 | 0:10:19 | |
Hmm. Is anyone aware of him? | 0:10:19 | 0:10:21 | |
Yeah, I know Wolfie. Does a couple of shifts at the Laketop pub. | 0:10:21 | 0:10:24 | |
-Uh-huh. And? -You don't want to go up there interviewing him. | 0:10:24 | 0:10:26 | |
Yeah? Why not? | 0:10:26 | 0:10:28 | |
He's a deerstalker, Al. He's got he's got a bunk bed piled high with rifles. | 0:10:28 | 0:10:32 | |
Has he got a cellar? | 0:10:32 | 0:10:34 | |
I suggest a search warrant for Wolfgang Zanic, Al. | 0:10:34 | 0:10:37 | |
Um... | 0:10:37 | 0:10:39 | |
-Pete, can you review his weapons licence? -Yep. | 0:10:39 | 0:10:42 | |
Right now, I want to search the river flats first. | 0:10:44 | 0:10:47 | |
And then sections of the bush from the Routeburn Saddle down to Greenstone. | 0:10:47 | 0:10:51 | |
Robin, hi. Uh, John. I'm coordinating search and rescue. | 0:10:51 | 0:10:54 | |
-Hi. -Do you realise you've nominated an area | 0:10:54 | 0:10:57 | |
of around 200,000 acres of bush land? | 0:10:57 | 0:11:01 | |
No, I didn't know the acreage. | 0:11:01 | 0:11:03 | |
They don't want to be found if they're hiding. | 0:11:03 | 0:11:05 | |
It's going to be difficult. | 0:11:05 | 0:11:07 | |
John, I'm sorry it's difficult. | 0:11:07 | 0:11:08 | |
No, what I mean is, even if we do find her, | 0:11:08 | 0:11:11 | |
won't she just run off again? | 0:11:11 | 0:11:12 | |
No. Even if Tui manages to stay out in the bush and keep alive, | 0:11:12 | 0:11:16 | |
what will happen when she has the baby? | 0:11:16 | 0:11:18 | |
The overwhelming likelihood is that they'll both die. | 0:11:18 | 0:11:21 | |
Don't mumble, Joy, speak up. | 0:11:21 | 0:11:23 | |
What about in primitive societies | 0:11:25 | 0:11:27 | |
where they get married early and just | 0:11:27 | 0:11:29 | |
wander off lying in the bush to give birth? | 0:11:29 | 0:11:32 | |
What about that? | 0:11:32 | 0:11:34 | |
I just think you're exaggerating. In any case, | 0:11:34 | 0:11:37 | |
more than likely she's already dead. | 0:11:37 | 0:11:40 | |
Could I speak to you in the hall? | 0:11:42 | 0:11:44 | |
Now. | 0:11:45 | 0:11:47 | |
Now? | 0:11:47 | 0:11:49 | |
INDISTINCT CHATTER | 0:11:56 | 0:11:57 | |
What's this? About women giving birth in the bush? | 0:11:57 | 0:12:02 | |
Oh, I saw it on a National Geographic documentary. | 0:12:02 | 0:12:04 | |
Where did your wife give birth? In hospital, right? | 0:12:04 | 0:12:06 | |
-What I'm saying is that in Africa... -We're talking about a 12-year-old, | 0:12:06 | 0:12:10 | |
whose pelvis may not be developed enough to deliver a full-term baby. | 0:12:10 | 0:12:13 | |
-Thanks. I got to go. Sorry. -What? | 0:12:13 | 0:12:16 | |
Um... Excuse me... | 0:12:16 | 0:12:19 | |
There's a couple more matters. | 0:12:19 | 0:12:21 | |
I've set up a file, Wildbird. Please add to it whenever you have relevant information. | 0:12:21 | 0:12:25 | |
And also, I've put in a C24 to DNA test every male in the Laketop area, | 0:12:25 | 0:12:29 | |
including teachers, coaches, et cetera in Queenstown. | 0:12:29 | 0:12:32 | |
What? Al. Now, has that gone through? | 0:12:32 | 0:12:34 | |
Don't erupt, mate. Or we'll start with your DNA sample. | 0:12:34 | 0:12:37 | |
I don't want Officer Joy on the team. | 0:12:39 | 0:12:41 | |
-I think we got that. -Good. | 0:12:41 | 0:12:44 | |
Why weren't they listening? It was like... | 0:12:44 | 0:12:46 | |
"Yeah, yeah. Day two, she's dead." | 0:12:46 | 0:12:49 | |
Yeah. Maybe some of them. | 0:12:49 | 0:12:52 | |
-This is nice. -Yeah, the coffee's great. | 0:12:52 | 0:12:55 | |
Local business community set it up. | 0:12:55 | 0:12:58 | |
It's um... | 0:12:58 | 0:13:00 | |
It's a youth support scheme, really. | 0:13:00 | 0:13:02 | |
We teach, er, struggling kids hospitality skills, | 0:13:02 | 0:13:06 | |
they get a barista certificate, then they can compete with the gabby kids who've got manners. | 0:13:06 | 0:13:10 | |
Uh, Chase, the usual, thanks, and for you? | 0:13:10 | 0:13:13 | |
Uh, skinny flat white. | 0:13:13 | 0:13:15 | |
-Anything else with that? -There's a huh? | 0:13:15 | 0:13:17 | |
Mate? Mate, open your mouth when you talk, OK? | 0:13:17 | 0:13:20 | |
People need to hear you. | 0:13:20 | 0:13:22 | |
-Anything else with that? -No, thanks. | 0:13:22 | 0:13:25 | |
Oh, you could understand that? | 0:13:25 | 0:13:27 | |
"Anything else with that?" | 0:13:27 | 0:13:29 | |
Yeah, these are some of the graduates. | 0:13:33 | 0:13:36 | |
Hmm. | 0:13:36 | 0:13:37 | |
Tui. | 0:13:38 | 0:13:39 | |
Yeah. She was headed for an old judge direction. | 0:13:39 | 0:13:42 | |
-What was she doing? -Shoplifting. | 0:13:42 | 0:13:44 | |
Hair clips, chemist stuff. | 0:13:44 | 0:13:46 | |
Hey, don't over-think it. You did well today. | 0:13:47 | 0:13:50 | |
They're a bloody hard bunch to win over. | 0:13:50 | 0:13:53 | |
Anyway, today did me good. It was, um... | 0:13:53 | 0:13:56 | |
It was a good reminder. | 0:13:56 | 0:13:57 | |
You know, when you spoke, you spoke with real heart. I like that. | 0:13:57 | 0:14:00 | |
I, um... | 0:14:02 | 0:14:03 | |
I didn't join the force for the right reasons. | 0:14:03 | 0:14:06 | |
-No? Does anyone? -Hmm. | 0:14:06 | 0:14:09 | |
-Thank you. -When I was a teenager, | 0:14:09 | 0:14:12 | |
there was a murder in our apartment block, a crime of passion. | 0:14:12 | 0:14:15 | |
These two detectives arrived, | 0:14:15 | 0:14:16 | |
very, very smartly dressed. They were full of flare. | 0:14:16 | 0:14:20 | |
My mother and her friends couldn't do enough for them. | 0:14:20 | 0:14:24 | |
And my mother ended up dating one of those two detectives. | 0:14:24 | 0:14:27 | |
When he cheated on her, she dated the other one. | 0:14:27 | 0:14:31 | |
So what's your story? | 0:14:31 | 0:14:33 | |
An avenging angel? | 0:14:33 | 0:14:35 | |
-Don't know about "angel". -I do. | 0:14:36 | 0:14:39 | |
So, er... | 0:14:39 | 0:14:41 | |
who's getting you all to himself? | 0:14:41 | 0:14:43 | |
What? | 0:14:43 | 0:14:45 | |
Sparkler on your left hand. | 0:14:45 | 0:14:47 | |
Oh. | 0:14:47 | 0:14:49 | |
Steve. | 0:14:49 | 0:14:51 | |
He's a cop, too, so... | 0:14:51 | 0:14:53 | |
-He's a really good guy. -Oh, yeah? But? | 0:14:53 | 0:14:55 | |
But what? | 0:14:57 | 0:14:58 | |
Oh, that's the thing with good guys - very boring. | 0:14:58 | 0:15:02 | |
He sets the bar high. | 0:15:04 | 0:15:06 | |
While I'm here, I'm going to have a bit of a think. | 0:15:06 | 0:15:09 | |
Oh, you're going to have a bit of a fling? | 0:15:09 | 0:15:11 | |
-No. A bit of a THINK. -Oh? | 0:15:11 | 0:15:14 | |
AL CHUCKLES | 0:15:14 | 0:15:15 | |
-A think. -Oh. | 0:15:15 | 0:15:16 | |
Al, look. I need a budget. | 0:15:16 | 0:15:18 | |
I need helicopters. | 0:15:18 | 0:15:20 | |
I want to search the river banks and the lake and up into the bush. | 0:15:20 | 0:15:24 | |
One helicopter a day. | 0:15:26 | 0:15:28 | |
Two. We can cover the area quicker. | 0:15:28 | 0:15:30 | |
All right. But, um, the lake's another thing, that's 77-kilometres long. | 0:15:30 | 0:15:35 | |
And it's almost a kilometre deep in some areas. | 0:15:35 | 0:15:37 | |
And what if she's in there? | 0:15:37 | 0:15:39 | |
Well, if she is, she's gone. | 0:15:39 | 0:15:41 | |
-Well, what about Bob Platt? -I'm sorry, but if Tui was weighted, | 0:15:41 | 0:15:45 | |
what with the water pressure, she might never come up. | 0:15:45 | 0:15:48 | |
And Bob Platt wasn't weighted, his death was an accident. | 0:15:48 | 0:15:51 | |
You know what my bet is? Tui's going to come back into the house one night, | 0:15:53 | 0:15:56 | |
curl up in bed, very grateful. | 0:15:56 | 0:15:59 | |
Very grateful? | 0:16:00 | 0:16:03 | |
No, I don't think so. | 0:16:03 | 0:16:05 | |
HELICOPTER WHIRS | 0:16:14 | 0:16:16 | |
How the fuck could you leave her on her own | 0:17:16 | 0:17:18 | |
when you knew she wasn't well? | 0:17:18 | 0:17:20 | |
Stop talking about me, Dad! You arsehole! | 0:17:20 | 0:17:24 | |
I had to fly back from Beijing. | 0:17:24 | 0:17:26 | |
-I'm fucking fine! -The hospital wouldn't release her, right, | 0:17:26 | 0:17:29 | |
without a parent to sign. | 0:17:29 | 0:17:30 | |
Where the fuck were you?! | 0:17:30 | 0:17:32 | |
What are you doing here? | 0:17:35 | 0:17:36 | |
-Are you out of your mind? -Shut up! | 0:17:36 | 0:17:38 | |
You've got 15 minutes to pack a carry-on bag. | 0:17:38 | 0:17:40 | |
That's all we can fit in the chopper. | 0:17:40 | 0:17:43 | |
No. No, Jock. | 0:17:43 | 0:17:46 | |
HE SIGHS | 0:17:51 | 0:17:53 | |
He had the softest, softest fur. | 0:17:56 | 0:17:58 | |
Softer than, than, than anything you could imagine. | 0:17:58 | 0:18:02 | |
And these, these really big eyes. | 0:18:02 | 0:18:06 | |
You think it would be all gristly, but it was really... | 0:18:06 | 0:18:10 | |
HE CLEARS HIS THROAT | 0:18:21 | 0:18:22 | |
What's the problem, Jock? | 0:18:23 | 0:18:25 | |
I don't have a problem. | 0:18:26 | 0:18:29 | |
Actually, I'm getting married again. | 0:18:29 | 0:18:31 | |
Quite a young woman. | 0:18:31 | 0:18:33 | |
We're having a baby shortly and I... | 0:18:33 | 0:18:35 | |
I know that's all a bit cliche, but... | 0:18:35 | 0:18:37 | |
No, the problem is Bunny's daughter. | 0:18:40 | 0:18:43 | |
Now, what sort of programme do you run here? | 0:18:43 | 0:18:47 | |
-No programme. -No programme. | 0:18:47 | 0:18:49 | |
You must have some type of timetable, a structure? | 0:18:50 | 0:18:55 | |
-No structure. -No structure. | 0:18:55 | 0:18:57 | |
So what happens here? | 0:18:57 | 0:18:58 | |
Nothing. | 0:19:14 | 0:19:16 | |
We stop. We don't think. We don't do. | 0:19:16 | 0:19:19 | |
(Don't do.) | 0:19:19 | 0:19:20 | |
And you're the teacher? | 0:19:20 | 0:19:21 | |
No, no teacher. | 0:19:21 | 0:19:24 | |
She won't talk to me. She swears at me. | 0:19:26 | 0:19:29 | |
She wouldn't sit next to me on the plane. | 0:19:29 | 0:19:31 | |
How long have you got? | 0:19:31 | 0:19:34 | |
Oh, I have to get that helicopter back in an hour, | 0:19:34 | 0:19:36 | |
-so I would say... -Mmm. | 0:19:36 | 0:19:38 | |
-..five, ten minutes. -Mmm-mmm. | 0:19:38 | 0:19:40 | |
Mmm. | 0:19:40 | 0:19:42 | |
Not enough, Jock. | 0:19:43 | 0:19:45 | |
Shit, how long do you want? | 0:19:45 | 0:19:46 | |
I don't know. But minimum, seven days. | 0:19:46 | 0:19:50 | |
And no guarantees. | 0:19:51 | 0:19:53 | |
Seven? | 0:19:54 | 0:19:56 | |
Listen, I'm leaving Melissa with you in your care | 0:19:59 | 0:20:02 | |
and if anything happens to her, I'll come back in full force. | 0:20:02 | 0:20:06 | |
Big Mr Jock(!) | 0:20:06 | 0:20:09 | |
Can't look after your own daughter, so you expect me to. | 0:20:09 | 0:20:13 | |
No. Don't accept. | 0:20:13 | 0:20:16 | |
Give him a chocolate. | 0:20:17 | 0:20:19 | |
GUITAR STRUMMING | 0:20:23 | 0:20:26 | |
You all right? | 0:20:41 | 0:20:43 | |
HE IMPERSONATES LEAD GUITAR | 0:20:47 | 0:20:49 | |
MOBILE RINGS | 0:20:56 | 0:20:57 | |
Hello? | 0:21:01 | 0:21:02 | |
Can you take me over Paradise? | 0:21:25 | 0:21:27 | |
That's where Tui was last seen. | 0:21:27 | 0:21:30 | |
Delta Echo Charlie. | 0:21:30 | 0:21:31 | |
I'm in Laketop looking to go over the Double Barrel to Paradise. | 0:21:31 | 0:21:36 | |
Have you spotted any smoke? | 0:21:36 | 0:21:38 | |
ON RADIO: 'No, nothing yet.' | 0:21:38 | 0:21:40 | |
Welcome to Paradise. | 0:21:44 | 0:21:46 | |
See this clearing, they call it Eden. | 0:21:48 | 0:21:52 | |
Oh, look, there's Eve as well(!) | 0:21:52 | 0:21:55 | |
Delta Echo Charlie, heading north up the Dart now. | 0:21:55 | 0:21:58 | |
We'll go over the Saddle and come back down the Rees, over. | 0:21:58 | 0:22:02 | |
HELICOPTER WHIRS OVERHEAD | 0:22:40 | 0:22:42 | |
Why weren't you at the search? | 0:23:00 | 0:23:02 | |
-There's no point. -There's no point looking for your sister? | 0:23:02 | 0:23:04 | |
Here's her jacket. | 0:23:04 | 0:23:06 | |
Where was it? | 0:23:06 | 0:23:08 | |
Some kids found it down by the lake edge where she went in. | 0:23:08 | 0:23:12 | |
Those kids didn't say anything to you? | 0:23:12 | 0:23:14 | |
No. | 0:23:14 | 0:23:16 | |
For five minutes? Nothing? | 0:23:16 | 0:23:18 | |
What would she be wishing for? | 0:23:23 | 0:23:25 | |
You should never have taken her back to Matt's. | 0:23:25 | 0:23:27 | |
I want to interview you. | 0:23:32 | 0:23:34 | |
OK. Well, what's your number? | 0:23:34 | 0:23:37 | |
Oh. | 0:23:42 | 0:23:44 | |
Mine's 021-967-4114. | 0:23:44 | 0:23:49 | |
You can call any time. | 0:23:49 | 0:23:50 | |
MUSIC: "Repo Man" by Ray Lamontagne | 0:23:53 | 0:23:55 | |
# ..Don't fill my heart with no pity... # | 0:23:55 | 0:23:58 | |
THEY TALK INDISTINCTLY | 0:23:58 | 0:24:01 | |
THEY LAUGH | 0:24:01 | 0:24:03 | |
I want to thank everyone for coming here today. | 0:24:07 | 0:24:10 | |
You did the right thing. | 0:24:10 | 0:24:12 | |
'Course, most of us knew we weren't going to find anything, | 0:24:12 | 0:24:16 | |
cos Tui's not stupid enough to go camping in the bottom of the riverbed, | 0:24:16 | 0:24:19 | |
but the powers that be know better than us. | 0:24:19 | 0:24:23 | |
So we had us a search picnic. | 0:24:23 | 0:24:25 | |
Hope you all enjoyed yourselves. | 0:24:25 | 0:24:28 | |
Let's hear it for the powers that be(!) | 0:24:28 | 0:24:30 | |
I still think that Tui is up there. | 0:24:34 | 0:24:38 | |
That's what I think. | 0:24:38 | 0:24:39 | |
She's got the skills to survive, | 0:24:41 | 0:24:44 | |
and she knows, my little one knows that in her heart of hearts, | 0:24:44 | 0:24:48 | |
she can come home whenever she feels like it. | 0:24:48 | 0:24:51 | |
No matter what she's done, doesn't matter. | 0:24:51 | 0:24:54 | |
She can come home. | 0:24:54 | 0:24:57 | |
We're a small town | 0:24:57 | 0:24:58 | |
and we all know no-one can hide anything. | 0:24:58 | 0:25:02 | |
Someone here... | 0:25:03 | 0:25:07 | |
..knows something. | 0:25:08 | 0:25:10 | |
I look at the mountains and the hills | 0:25:14 | 0:25:16 | |
and I like to think of my little one shooting deer, hunting, | 0:25:16 | 0:25:20 | |
doing whatever she needs to do to survive. | 0:25:20 | 0:25:24 | |
What I can't bear... | 0:25:25 | 0:25:27 | |
..is the very idea... | 0:25:28 | 0:25:30 | |
..that someone has her chained up against a wall, | 0:25:32 | 0:25:34 | |
holding my little one captive | 0:25:34 | 0:25:36 | |
so she can suck his cock whenever he feels like it... | 0:25:36 | 0:25:39 | |
OK, Matt, I think we get the picture. | 0:25:39 | 0:25:41 | |
You've had your little party. | 0:25:41 | 0:25:43 | |
So, if anyone wants to come forward, | 0:25:43 | 0:25:47 | |
not tomorrow, not next week, | 0:25:47 | 0:25:50 | |
not next month, not next year, | 0:25:50 | 0:25:53 | |
but right now, | 0:25:53 | 0:25:56 | |
it's your last chance. | 0:25:56 | 0:25:57 | |
If you are that person, | 0:25:59 | 0:26:03 | |
and you're holding something back, then quite frankly, | 0:26:03 | 0:26:08 | |
you deserve to fucking die. | 0:26:08 | 0:26:11 | |
We'll fucking kill you. | 0:26:11 | 0:26:12 | |
Huh, Lukey? | 0:26:12 | 0:26:14 | |
Thanks, Matt. | 0:26:14 | 0:26:16 | |
I think, um... I think everybody here, er, understands | 0:26:16 | 0:26:18 | |
what you, er, must be going through at the moment. | 0:26:18 | 0:26:22 | |
OK, people, Matt's been kind enough to put some money behind the bar so everyone can have a drink. | 0:26:22 | 0:26:26 | |
Yeah, but they're only actually for people that were there. | 0:26:26 | 0:26:30 | |
Excuse me, the drinks are only for the people | 0:26:30 | 0:26:32 | |
that were on the river flats between 12 and 4.30 PM, OK? | 0:26:32 | 0:26:35 | |
There's a few of you who weren't here, like Penguin. | 0:26:35 | 0:26:37 | |
-Fuck, I was... -You weren't there, mate. Pay up. | 0:26:37 | 0:26:40 | |
Boganville. | 0:26:40 | 0:26:42 | |
It is beautiful down there. Just beautiful. | 0:26:55 | 0:26:58 | |
Tui should stay down there. | 0:26:58 | 0:26:59 | |
I'll tell her. I must tell Tui all about this. | 0:26:59 | 0:27:01 | |
Buy me a vodka. Could you, could you buy me a vodka? | 0:27:01 | 0:27:04 | |
HE MUTTERS INDISTINCTLY | 0:27:04 | 0:27:06 | |
You've got to leave her down there, you see, | 0:27:09 | 0:27:11 | |
because it's so beautiful. It's all so slo-mo. | 0:27:11 | 0:27:14 | |
Just leave her down there. | 0:27:14 | 0:27:16 | |
And you can get fucked. | 0:27:16 | 0:27:18 | |
Yeah, go get fucked. | 0:27:18 | 0:27:19 | |
Yeah, fuck off, Terry. | 0:27:19 | 0:27:21 | |
You from Sydney? | 0:27:21 | 0:27:23 | |
Not now. | 0:27:24 | 0:27:25 | |
Oh, sounds like you are. | 0:27:25 | 0:27:27 | |
Are you the detective? | 0:27:28 | 0:27:30 | |
-Sounds like YOU are. -ALL: Ooh! | 0:27:30 | 0:27:33 | |
So, tell me, you a feminist? | 0:27:33 | 0:27:35 | |
Are you a lesbian? | 0:27:37 | 0:27:39 | |
-You'd be better off being a lesbian. -Why's that? | 0:27:39 | 0:27:41 | |
Well, it's pretty lonely up here. | 0:27:41 | 0:27:45 | |
Because? | 0:27:45 | 0:27:46 | |
Well, no-one likes a feminist, except a lesbian. | 0:27:46 | 0:27:49 | |
Well, that makes sense. | 0:27:49 | 0:27:52 | |
So I get a lesbian. What do you get? | 0:27:52 | 0:27:55 | |
Who would want you? | 0:27:55 | 0:27:57 | |
About 10,000 sheep. | 0:27:57 | 0:27:58 | |
-They're up there in the cold and the dark waiting for me. -Sick bastard. | 0:27:58 | 0:28:02 | |
What? A sheep's vagina | 0:28:02 | 0:28:03 | |
is the closest thing to a woman's vagina, | 0:28:03 | 0:28:05 | |
so I can get it whenever I want. | 0:28:05 | 0:28:07 | |
-Anything with a pulse, eh? -Fuck you. | 0:28:07 | 0:28:10 | |
Not as good as Thai pussy, though. | 0:28:10 | 0:28:12 | |
I mean, they make all other women irrelevant. | 0:28:12 | 0:28:14 | |
Not just talking about the sex, either. | 0:28:14 | 0:28:15 | |
It's the little fruit salads they make you when you wake up. Bonuses. | 0:28:15 | 0:28:18 | |
MAN WHISTLES | 0:28:21 | 0:28:23 | |
You be careful. | 0:28:23 | 0:28:24 | |
Mitcham got himself a Thai lady. | 0:28:24 | 0:28:26 | |
Yeah, and we've got Tui, our Thai poontang. | 0:28:26 | 0:28:28 | |
Excuse me? | 0:28:28 | 0:28:30 | |
Hey, what does it mean when a girl gets around town wearing tiny shorts? | 0:28:30 | 0:28:33 | |
I don't know. What does it mean? | 0:28:33 | 0:28:35 | |
It means she's hot. | 0:28:35 | 0:28:37 | |
Or a slut. | 0:28:37 | 0:28:38 | |
THEY LAUGH | 0:28:38 | 0:28:40 | |
Jesus Christ! | 0:28:44 | 0:28:45 | |
The girl was 12. | 0:28:48 | 0:28:49 | |
Yeah, she's a liar, OK? She tells a lot of lies. | 0:28:49 | 0:28:51 | |
I don't care what she said. I'll collect the DNA of every man in this town. | 0:28:51 | 0:28:54 | |
-And when that baby is born, one of you gentlemen will go to jail. -ALL: -Ooh! | 0:28:54 | 0:28:58 | |
Well, I'm ready, love. You can collect mine now. | 0:28:58 | 0:29:00 | |
Putty doesn't come in cups. | 0:29:00 | 0:29:02 | |
-Ah, she's just a kid. -I don't come in cups. | 0:29:02 | 0:29:05 | |
-You wouldn't catch me... -No, I don't serve you. | 0:29:05 | 0:29:07 | |
-Come on. -No! | 0:29:07 | 0:29:09 | |
-Fuck! -Good bloke, eh? | 0:29:09 | 0:29:11 | |
Except he's your main suspect, according to that cop, Joy. | 0:29:11 | 0:29:14 | |
-That's the gingerbread man, Zanic. -Zanic? | 0:29:14 | 0:29:17 | |
-That's him? -Yeah. | 0:29:17 | 0:29:19 | |
Shotover reckons he heard a girl crying at his place the other night. | 0:29:19 | 0:29:22 | |
DOG BARKS IN DISTANCE | 0:29:33 | 0:29:35 | |
Who are you feeding? | 0:30:57 | 0:30:58 | |
My old lady. | 0:31:00 | 0:31:02 | |
May I come in? | 0:31:17 | 0:31:18 | |
Why are you snooping around the house here? | 0:31:36 | 0:31:40 | |
That's Tui. | 0:31:40 | 0:31:42 | |
Ja. Tui. | 0:31:42 | 0:31:43 | |
She's wearing Lederhosen because never enough boys. | 0:31:43 | 0:31:48 | |
I teach kids folk dancing. | 0:31:48 | 0:31:51 | |
Tui was a good dancer. | 0:31:51 | 0:31:54 | |
Pumpernickel? | 0:31:55 | 0:31:58 | |
I saw your charge sheet. | 0:31:58 | 0:31:59 | |
Ja, so... | 0:32:05 | 0:32:07 | |
..I'm not supposed to work with children. | 0:32:09 | 0:32:11 | |
But you have been. | 0:32:11 | 0:32:13 | |
I don't touch no-one. | 0:32:13 | 0:32:15 | |
What happened in Auckland? | 0:32:18 | 0:32:20 | |
Long time ago now. | 0:32:23 | 0:32:25 | |
Uh, I was working...at hotel. | 0:32:25 | 0:32:28 | |
Cook. Good job. | 0:32:30 | 0:32:33 | |
Everything going OK. | 0:32:33 | 0:32:34 | |
Then...one evening... | 0:32:36 | 0:32:41 | |
..the most beautiful person I ever saw in my life... | 0:32:44 | 0:32:48 | |
..come into dining hall. | 0:32:49 | 0:32:51 | |
-That was a young boy? -Yeah. | 0:32:53 | 0:32:57 | |
At first, he sit alone. | 0:32:57 | 0:32:59 | |
He order a hamburger. | 0:33:02 | 0:33:04 | |
Then his family come to dinner. | 0:33:07 | 0:33:10 | |
We get talking. | 0:33:11 | 0:33:14 | |
I realise they don't understand him. | 0:33:14 | 0:33:18 | |
They don't know him. | 0:33:20 | 0:33:22 | |
And they don't love him. | 0:33:25 | 0:33:27 | |
How old was he? | 0:33:30 | 0:33:32 | |
Ja, so... | 0:33:35 | 0:33:37 | |
..I'm sick, old man | 0:33:38 | 0:33:40 | |
who should be looking for love of equals. | 0:33:40 | 0:33:43 | |
What you call real love. | 0:33:45 | 0:33:49 | |
But you don't realise, | 0:33:50 | 0:33:52 | |
something so pure, | 0:33:52 | 0:33:56 | |
so powerful. | 0:33:56 | 0:33:58 | |
You never have it. | 0:33:58 | 0:34:00 | |
I chuck up on what people call real love. | 0:34:01 | 0:34:04 | |
I do big shit on real love. | 0:34:04 | 0:34:07 | |
I already sit in jail for him, thinking about him. | 0:34:07 | 0:34:11 | |
I don't care if I tell you. | 0:34:15 | 0:34:17 | |
I love him. | 0:34:17 | 0:34:19 | |
And you can't do nothing! | 0:34:20 | 0:34:23 | |
Where were you last Thursday? | 0:34:23 | 0:34:25 | |
I am on medication. No harm to anybody. | 0:34:25 | 0:34:28 | |
No danger to the people. Not dangerous! | 0:34:28 | 0:34:31 | |
Someone said they heard crying. | 0:34:31 | 0:34:34 | |
I need to look through the house. | 0:34:34 | 0:34:37 | |
Is there a basement? | 0:34:37 | 0:34:40 | |
Oh, ja. | 0:34:40 | 0:34:41 | |
The basement. | 0:34:42 | 0:34:44 | |
Zanic? | 0:35:13 | 0:35:14 | |
I never hurt kids! | 0:35:53 | 0:35:54 | |
GUNSHOT | 0:35:54 | 0:35:55 | |
HE GRUNTS | 0:35:55 | 0:35:57 | |
DOGS HOWL | 0:35:57 | 0:35:59 | |
I never! Never hurt kids! | 0:35:59 | 0:36:02 | |
They said I hurt kids! | 0:36:04 | 0:36:06 | |
DOGS BARK | 0:36:06 | 0:36:07 | |
-Tui? -They lied! | 0:36:07 | 0:36:10 | |
Tui? | 0:36:12 | 0:36:14 | |
Tui, if you're here, call out! | 0:36:24 | 0:36:28 | |
GUNSHOT | 0:36:29 | 0:36:30 | |
Fuck. | 0:36:35 | 0:36:37 | |
GUNSHOT | 0:36:42 | 0:36:43 | |
Hello, Johnno? It's Robin. | 0:36:49 | 0:36:50 | |
I've done something a bit silly | 0:36:50 | 0:36:53 | |
and I'm going to need your help pretty fast. | 0:36:53 | 0:36:56 | |
-Where are you? -Do you know Wolfie Zanic? | 0:36:56 | 0:36:59 | |
Yeah, yeah, Eel Creek. | 0:36:59 | 0:37:00 | |
-I'll be there in ten minutes. -'No, no, no, wait.' | 0:37:00 | 0:37:03 | |
He's outside and he has a gun. | 0:37:03 | 0:37:04 | |
Yeah, OK. Just lock the doors, front and back, | 0:37:04 | 0:37:06 | |
stay away from the windows. I'll be there. | 0:37:06 | 0:37:09 | |
SHE BREATHES HEAVILY | 0:37:16 | 0:37:19 | |
MUSIC: "Six Months In A Leaky Boat" by Split Enz | 0:37:20 | 0:37:22 | |
Wolfie, where are you? | 0:37:44 | 0:37:46 | |
Wolfie, step out! | 0:37:49 | 0:37:52 | |
Wolfie, can you hear me? | 0:37:52 | 0:37:55 | |
GUN IS COCKED | 0:37:59 | 0:38:00 | |
You're OK. (It's OK.) | 0:38:08 | 0:38:11 | |
I'm alone. It's all right. | 0:38:12 | 0:38:15 | |
It's OK. You're fine. | 0:38:17 | 0:38:19 | |
Wolfie. Wolfie, it's fine. | 0:38:19 | 0:38:22 | |
I didn't do nothing. | 0:38:22 | 0:38:25 | |
I know. I know. | 0:38:25 | 0:38:27 | |
I know. | 0:38:29 | 0:38:31 | |
I didn't do nothing. | 0:38:31 | 0:38:34 | |
I know. | 0:38:34 | 0:38:35 | |
(It's OK, it's OK. Put it down.) | 0:38:37 | 0:38:39 | |
WOLFGANG CRIES | 0:38:41 | 0:38:43 | |
Robin! | 0:38:43 | 0:38:45 | |
I NEVER HURT KID! | 0:38:48 | 0:38:51 | |
Do you want to come in for some tea? | 0:39:10 | 0:39:12 | |
I'd like to, but I can't. I've got someone waiting. | 0:39:16 | 0:39:19 | |
OK. | 0:39:19 | 0:39:21 | |
Thanks. | 0:39:24 | 0:39:26 | |
Hey, can you deal with that? | 0:39:41 | 0:39:43 | |
Al, I have the paperwork for the Mitcham search warrant. | 0:39:43 | 0:39:45 | |
Can you look at it? | 0:39:45 | 0:39:47 | |
I heard you got into a bit of trouble last night. | 0:39:48 | 0:39:50 | |
You got Mike Bolt with a dart. | 0:39:53 | 0:39:57 | |
Yes. Happy accident. | 0:39:57 | 0:39:59 | |
-So he wasn't annoying you? -No. He just got in the way. | 0:39:59 | 0:40:03 | |
-They're self-policing up there. Back-up's an hour away. You be careful. Everything OK? -Mmm-hmm. | 0:40:03 | 0:40:09 | |
-There you go. -Ta. | 0:40:44 | 0:40:45 | |
-You heard from Tui? -Nope. -You're not worried at all? | 0:40:48 | 0:40:52 | |
She can look after herself. | 0:40:52 | 0:40:55 | |
She'll come home when she's ready. | 0:40:55 | 0:40:58 | |
Well, we're going to do a bush search. | 0:40:58 | 0:41:01 | |
She'll see you coming, man. | 0:41:01 | 0:41:02 | |
She'll be watching everyone from the top of Mount Earnshaw. | 0:41:02 | 0:41:06 | |
What did you do to Bob Platt? | 0:41:09 | 0:41:10 | |
Nothing. I wasn't there. | 0:41:14 | 0:41:18 | |
Yeah, no more accidents, Matt. | 0:41:19 | 0:41:21 | |
We're, um...we're going to have to search your joint. | 0:41:21 | 0:41:25 | |
I'm not having the police in there. | 0:41:25 | 0:41:27 | |
No way. Or is this one of your detective's ideas? | 0:41:27 | 0:41:30 | |
It's going to happen. | 0:41:30 | 0:41:32 | |
Why haven't you got rid of that bitch, Al? | 0:41:34 | 0:41:36 | |
What, like an accident(?) | 0:41:36 | 0:41:37 | |
Why aren't you in the women's camp, hmm? | 0:41:37 | 0:41:41 | |
That's where she was last seen. | 0:41:41 | 0:41:43 | |
I want you in there. I want you to get in there | 0:41:43 | 0:41:46 | |
and check on those fuckin' bitches' visas... | 0:41:46 | 0:41:48 | |
Hey, Matt, don't tell me how to do my job. | 0:41:48 | 0:41:51 | |
We, um... We've identified a suspect. | 0:41:55 | 0:41:59 | |
What the fuck are you talking about? Who? | 0:42:01 | 0:42:05 | |
You know Zanic, the Austrian fella who teaches the kids folk dancing? | 0:42:05 | 0:42:08 | |
-Uh-huh, what about him? -He's, um... he's a convicted paedophile. | 0:42:08 | 0:42:12 | |
How long have you known that? | 0:42:13 | 0:42:15 | |
Huh? | 0:42:16 | 0:42:18 | |
Can you open this one, please? | 0:42:32 | 0:42:34 | |
-Hey, how long have you been engaged for? -Five years, almost. | 0:42:34 | 0:42:38 | |
Whose is this container? | 0:42:39 | 0:42:41 | |
It's where we keep all the dead children(!) | 0:42:41 | 0:42:43 | |
Do you think it's really important to be sexually passionate with each other, after that long? | 0:42:43 | 0:42:47 | |
-Is this yours? -Yep. | 0:42:47 | 0:42:49 | |
-Are you Anita Schultz? -Yeah. | 0:42:49 | 0:42:52 | |
Your visa's good for another two months. | 0:42:52 | 0:42:54 | |
After that, you'll have to renew it. | 0:42:54 | 0:42:55 | |
-Is this your first marriage? -Yes. | 0:42:55 | 0:42:58 | |
Hey, no-one has a happy marriage. | 0:42:58 | 0:43:02 | |
Well, no-one here. | 0:43:02 | 0:43:03 | |
My husband, he was a workaholic and alcoholic. | 0:43:03 | 0:43:06 | |
-Could you get the key, please? -Yeah. | 0:43:06 | 0:43:08 | |
Is this everyone? | 0:43:10 | 0:43:11 | |
I've got nine passports here. | 0:43:13 | 0:43:15 | |
There are two people missing. | 0:43:15 | 0:43:18 | |
Is that how many people there are, nine? | 0:43:18 | 0:43:20 | |
-Yes, nine. -So where are they? | 0:43:20 | 0:43:23 | |
GJ is resting. | 0:43:23 | 0:43:24 | |
Barry, my husband, he also lied all the time. | 0:43:24 | 0:43:27 | |
Couldn't face any kind of reality. | 0:43:27 | 0:43:29 | |
That's normal. | 0:43:29 | 0:43:31 | |
Who's GJ? | 0:43:31 | 0:43:33 | |
She's asleep. | 0:43:45 | 0:43:46 | |
No. Not now. | 0:43:57 | 0:44:00 | |
-She's looking for the girl? -Yes, I am. | 0:44:02 | 0:44:06 | |
She's not here, lady. That's for free. | 0:44:07 | 0:44:11 | |
Searchers search. | 0:44:12 | 0:44:14 | |
All the bitches here are searching for love. | 0:44:14 | 0:44:16 | |
And when they don't find that, for enlightenment, | 0:44:16 | 0:44:18 | |
they don't find anything. | 0:44:18 | 0:44:21 | |
Not one of them. | 0:44:21 | 0:44:22 | |
Are you travelling on a Swiss passport? | 0:44:24 | 0:44:26 | |
GJ's a Swiss national. | 0:44:26 | 0:44:28 | |
How are your knees? | 0:44:28 | 0:44:30 | |
Pardon? | 0:44:30 | 0:44:32 | |
You will go down hard. Bang. | 0:44:32 | 0:44:36 | |
The search will bring you low. | 0:44:37 | 0:44:40 | |
To the ground. On your two knees. | 0:44:40 | 0:44:43 | |
That's right. | 0:44:43 | 0:44:45 | |
No-one likes it. | 0:44:47 | 0:44:49 | |
Face in the dirt. | 0:44:52 | 0:44:54 | |
-Hi. -Hey. Steve. | 0:45:08 | 0:45:11 | |
He asked if you could give him a call the minute you came in. | 0:45:11 | 0:45:14 | |
Where were you? We were expecting you home last night. | 0:45:15 | 0:45:18 | |
-Hi, it's me. -'When are you coming home?' | 0:45:21 | 0:45:25 | |
(Hi, Mum.) | 0:45:25 | 0:45:27 | |
'Where's your commitment, Robin? It's getting ridiculous.' | 0:45:29 | 0:45:32 | |
Come on, Steve. She's a 12-year-old girl. What do you expect me to do? | 0:45:32 | 0:45:36 | |
STEVE SIGHS | 0:45:36 | 0:45:37 | |
'I don't like what's happening to you.' | 0:45:44 | 0:45:46 | |
So how long have I got? | 0:45:52 | 0:45:55 | |
'Not long.' | 0:45:55 | 0:45:57 | |
I don't deserve you. | 0:45:57 | 0:45:58 | |
-'Come on.' -No, I mean it. | 0:45:59 | 0:46:01 | |
'I've got to go.' | 0:46:03 | 0:46:04 | |
Why don't you just marry him? | 0:46:08 | 0:46:10 | |
Yeah, why don't I? | 0:46:11 | 0:46:13 | |
I'm hoping he'll find someone better. | 0:46:15 | 0:46:18 | |
Do you love him? | 0:46:18 | 0:46:20 | |
I don't know. | 0:46:22 | 0:46:24 | |
Oh, fuck! | 0:46:38 | 0:46:40 | |
I never got to the doctor's appointment. | 0:46:41 | 0:46:43 | |
Shit. It was yesterday, right? | 0:46:45 | 0:46:47 | |
Mum, what happened? | 0:46:50 | 0:46:52 | |
No more chemo. | 0:46:52 | 0:46:55 | |
That's good. | 0:46:55 | 0:46:57 | |
Isn't it? Isn't it? | 0:46:57 | 0:47:01 | |
Yeah, it is good. | 0:47:01 | 0:47:04 | |
I don't have to put any more poison through this body. | 0:47:04 | 0:47:07 | |
Well, what did he say? | 0:47:10 | 0:47:12 | |
There's more here and there's more here. | 0:47:14 | 0:47:17 | |
And it's not going away. | 0:47:17 | 0:47:19 | |
That's it. | 0:47:19 | 0:47:21 | |
Do you want a cup of tea? | 0:47:25 | 0:47:27 | |
COUPLE CHATTER | 0:47:53 | 0:47:55 | |
COUPLE CONTINUE CHATTING | 0:48:08 | 0:48:10 | |
Get out of the way. | 0:48:29 | 0:48:31 | |
Move away. | 0:48:31 | 0:48:33 | |
Move! | 0:48:34 | 0:48:36 | |
-The Mitcham warrant. -OK. | 0:49:18 | 0:49:21 | |
I hope you're ready, cos Matt's going to love this(!) | 0:49:24 | 0:49:27 | |
Let's go. | 0:49:27 | 0:49:29 | |
MUSIC PLAYS ON CAR RADIO | 0:49:35 | 0:49:39 | |
# ..Life is a roller-coaster | 0:49:39 | 0:49:41 | |
# Just got to ride it | 0:49:41 | 0:49:43 | |
# I need you... # | 0:49:45 | 0:49:48 | |
You OK in there? | 0:49:51 | 0:49:52 | |
I'll take care of Matt, don't worry about it. | 0:49:54 | 0:49:56 | |
You just do the searching, OK? | 0:49:56 | 0:49:59 | |
Pull over, please. | 0:49:59 | 0:50:00 | |
SHE VOMITS | 0:50:07 | 0:50:10 | |
Nothing to do with me, is it? | 0:50:12 | 0:50:14 | |
No. | 0:50:14 | 0:50:16 | |
Mitcham loves to find people's soft spots and poke them. | 0:50:24 | 0:50:28 | |
The only person who ever had it over him | 0:50:28 | 0:50:30 | |
was his mother - she used to flog him with his father's belt. | 0:50:30 | 0:50:33 | |
Bloody horrible woman, terribly bitter. | 0:50:33 | 0:50:36 | |
What, are you two friends? | 0:50:36 | 0:50:39 | |
No-one's ever really friends with Matt. | 0:50:39 | 0:50:41 | |
Still, I'm close enough to regret it. | 0:50:41 | 0:50:44 | |
Afternoon. | 0:51:41 | 0:51:44 | |
Come on, what kind of handshake's that, huh? | 0:51:51 | 0:51:54 | |
Sweaty. | 0:51:54 | 0:51:55 | |
We need to check through the house and all the sheds. | 0:51:57 | 0:51:59 | |
I'll do the sheds, you go on in. | 0:52:01 | 0:52:04 | |
What the fuck's going on? | 0:52:10 | 0:52:12 | |
You said you'd resist this. | 0:52:12 | 0:52:14 | |
Er, it wasn't possible, mate. | 0:52:14 | 0:52:16 | |
WOMEN CHATTERING | 0:53:37 | 0:53:39 | |
What's his old man like? | 0:53:47 | 0:53:49 | |
Just eats meat, drinks beer, eats meat, drinks beer. | 0:53:49 | 0:53:53 | |
-A real man's man! -Yeah, well. Maybe. | 0:53:53 | 0:53:57 | |
-Hey. -SHE GASPS | 0:54:13 | 0:54:14 | |
If you want to use a toilet, you can use my en suite. | 0:54:14 | 0:54:17 | |
I saw two ladies leaving. | 0:54:17 | 0:54:20 | |
Must have been the cleaners. | 0:54:20 | 0:54:22 | |
I know. Hopeless, aren't they? | 0:54:23 | 0:54:26 | |
Your boss wants you. | 0:54:27 | 0:54:28 | |
I'll sort it out when I get back. | 0:54:38 | 0:54:40 | |
Robin? | 0:54:41 | 0:54:42 | |
Any sign of the girl? | 0:54:42 | 0:54:44 | |
OK, we're on our way. Bye. | 0:54:47 | 0:54:50 | |
It looks like we've got our guy. | 0:54:51 | 0:54:54 | |
Wolfie's hung himself. | 0:54:54 | 0:54:56 | |
He left a suicide note. | 0:54:56 | 0:54:58 | |
What about Tui, Al? | 0:54:58 | 0:55:00 | |
What's happened to her? | 0:55:00 | 0:55:01 | |
When you get to the edge of the universe, | 0:55:24 | 0:55:27 | |
what's so scary? | 0:55:27 | 0:55:29 | |
A lost little girl | 0:55:29 | 0:55:30 | |
with a secret growing inside. | 0:55:30 | 0:55:32 | |
Come on, Al, someone's obviously been harassing him. | 0:55:32 | 0:55:35 | |
Look at his house. | 0:55:35 | 0:55:36 | |
OK, Miss Marple, I know this, all right? | 0:55:36 | 0:55:38 | |
'Adam and Eve, Garden of Eden, | 0:55:38 | 0:55:41 | |
'the coming of the serpent.' | 0:55:41 | 0:55:43 | |
Sometimes, maybe once in your career, | 0:55:43 | 0:55:45 | |
a case come along that fits so tightly that you can't let go. | 0:55:45 | 0:55:49 | |
Can't we do a bit more of the wrong thing before we do the right thing? | 0:55:49 | 0:55:52 | |
I know you from somewhere, don't I? | 0:55:52 | 0:55:55 | |
SHE SOBS | 0:55:55 | 0:55:56 | |
-ECHOING: -TUI! | 0:55:56 | 0:55:59 |