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-We've identified a suspect. -Who? -You know Zanic, the Austrian fella? | 0:00:02 | 0:00:04 | |
He's a convicted paedophile. | 0:00:04 | 0:00:06 | |
-That's Tui. -Yeah. Tui. | 0:00:06 | 0:00:08 | |
Someone said they heard crying. I need to look through the house. | 0:00:08 | 0:00:11 | |
HE ROARS, GUNSHOT | 0:00:11 | 0:00:12 | |
There's more here, and there's more here. And it's not going away. | 0:00:12 | 0:00:16 | |
You don't remember me? | 0:00:16 | 0:00:17 | |
What's the past? It's history? Leave it there. | 0:00:17 | 0:00:20 | |
She's not here, lady. That's for free. | 0:00:21 | 0:00:23 | |
-Who's signature is this? -It wasn't possible, mate. | 0:00:23 | 0:00:27 | |
Hey, if you want to use the toilet, you can use my en suite. | 0:00:27 | 0:00:32 | |
-Wolfie's hung himself. He left a suicide note. -What about Tui, Al? | 0:00:32 | 0:00:37 | |
This programme contains some violent scenes, very strong language | 0:00:44 | 0:00:49 | |
and scenes which some viewers may find disturbing. | 0:00:49 | 0:00:52 | |
# I don't know why she's leaving Or where she's gonna go | 0:01:11 | 0:01:14 | |
# I guess she's got her reasons But I just don't want to know | 0:01:14 | 0:01:17 | |
# Cos for 24 years, I've been living next door | 0:01:17 | 0:01:21 | |
HE GRUNTS # To Alice. # | 0:01:21 | 0:01:23 | |
Why did he put the panties on his head? | 0:01:28 | 0:01:30 | |
-Let's go. -SIRENS APPROACH | 0:01:30 | 0:01:33 | |
Hey! Hey! What are you doing here? | 0:01:53 | 0:01:55 | |
-Get off the path. -He was helping me, Detective Sergeant. | 0:01:55 | 0:01:58 | |
-Right. It's Sarge, isn't it? -Yeah. | 0:01:58 | 0:02:00 | |
-Well, get off the path, now. -I fucking found him down on the tree. | 0:02:00 | 0:02:03 | |
-You what? You found him, did you? -Yeah. | 0:02:03 | 0:02:05 | |
On the tree with the fucking undies on his head. | 0:02:05 | 0:02:07 | |
-Is that right? -Yeah. -Well, you're a suspect. | 0:02:07 | 0:02:09 | |
You're in a lot of trouble, son. Howe, take him back to the car. | 0:02:09 | 0:02:13 | |
Oh, a suspect? What are you, Einstein? | 0:02:13 | 0:02:15 | |
Just going to pick the first bloke who shows up? | 0:02:15 | 0:02:17 | |
-Brilliant police work, that is. -Hey! Come on, Paul. Come on. | 0:02:17 | 0:02:21 | |
Fuckin' arsehole! | 0:02:21 | 0:02:22 | |
Robin? | 0:02:31 | 0:02:32 | |
"I am sorry for what I done. | 0:02:36 | 0:02:38 | |
"I sorry to mother who must know I die happily in sleep." | 0:02:38 | 0:02:42 | |
Died in your sleep. | 0:02:42 | 0:02:44 | |
Howe! | 0:02:54 | 0:02:55 | |
-When's the photographer coming? -He's on his way, sir. | 0:02:57 | 0:03:00 | |
-Any sign of that girl? -No. | 0:03:03 | 0:03:06 | |
Detective sergeant. | 0:03:35 | 0:03:36 | |
He's got a pile of video equipment, sir. | 0:03:56 | 0:03:58 | |
-Any tapes? -Yeah, boxes of them. | 0:03:58 | 0:04:00 | |
Now, you're OCCS tonight, OK? | 0:04:00 | 0:04:02 | |
-Sir, I'll have nightmares. -No, you won't, you'll be awake. | 0:04:02 | 0:04:05 | |
Sausage on the Barbie, if you want. | 0:04:05 | 0:04:08 | |
There's no need for an ESR. It's pretty clear it's a suicide. | 0:04:08 | 0:04:11 | |
Put those in the car, mate. | 0:04:11 | 0:04:12 | |
Al. | 0:04:14 | 0:04:16 | |
Tell me it's too small for her. | 0:04:51 | 0:04:53 | |
Pete, make a new perimeter, and call the ESR. | 0:04:58 | 0:05:00 | |
I want them here as soon as they can. | 0:05:00 | 0:05:02 | |
Tell the others it's a negative on removing the male body. | 0:05:02 | 0:05:04 | |
Don't cut him down. Leave him up there. GUNSHOTS | 0:05:04 | 0:05:07 | |
Oi! | 0:05:07 | 0:05:08 | |
There's a grave. | 0:05:35 | 0:05:37 | |
We have to wait for forensics. | 0:05:42 | 0:05:43 | |
Have you got company? | 0:05:51 | 0:05:52 | |
No, not now. | 0:05:58 | 0:06:00 | |
DOGS BARKING | 0:06:04 | 0:06:06 | |
-Tea? -Wrapping paper. Do we have any wrapping paper? | 0:06:13 | 0:06:16 | |
-Hello? -Yep, right down the bottom. | 0:06:16 | 0:06:20 | |
BELL RINGS, DOGS BARK | 0:06:25 | 0:06:27 | |
Dad, the girls are here. | 0:06:27 | 0:06:29 | |
Right. Well, I want them to finish those trimmings. | 0:06:29 | 0:06:32 | |
There's a lamp at the back. Tell them It needs fixed. | 0:06:32 | 0:06:34 | |
And get them to clean those beakers out, OK? | 0:06:34 | 0:06:37 | |
Dad, should I let them in? | 0:06:37 | 0:06:39 | |
They'd better not fuck me about. | 0:06:40 | 0:06:41 | |
Haven't got time for it this morning. | 0:06:41 | 0:06:44 | |
Morning. | 0:06:50 | 0:06:52 | |
Narelle, do we have any sugar? | 0:06:52 | 0:06:53 | |
-Straight downstairs. -Morning. | 0:06:53 | 0:06:56 | |
Morning, Delia. | 0:06:57 | 0:06:59 | |
Yeah, she got hit by a fucking car. | 0:06:59 | 0:07:02 | |
She's in the hospital, mate. Not doing too good, either. | 0:07:02 | 0:07:04 | |
He completely lost it. He spent all the money. | 0:07:04 | 0:07:07 | |
The deal we had is if it's not paid for, it doesn't leave here. | 0:07:07 | 0:07:11 | |
Cos otherwise what you're asking me is to trust you. | 0:07:11 | 0:07:15 | |
And all I can say to that is you must be fucking joking me. | 0:07:15 | 0:07:19 | |
Get the fucking money. | 0:07:19 | 0:07:21 | |
A GRASS STRIMMER WHIRS | 0:07:42 | 0:07:44 | |
Hi. I was wondering if you'd, uh, | 0:08:19 | 0:08:23 | |
-Like these? -No! No! No, no, no, no. | 0:08:23 | 0:08:27 | |
So you want to come have dinner with me? | 0:08:45 | 0:08:48 | |
Yeah, why not? | 0:08:48 | 0:08:50 | |
-GUITAR MUSIC PLAYS -What's that, band practise? | 0:08:51 | 0:08:54 | |
Oh, we have these meetings. | 0:08:54 | 0:08:57 | |
Everyone's welcome, you know. You can come if you want to. | 0:08:57 | 0:09:00 | |
-Is she going to be there? -Maybe. | 0:09:00 | 0:09:03 | |
SHE SOBS | 0:09:08 | 0:09:11 | |
Why are these people closing their eyes? | 0:09:11 | 0:09:15 | |
They're meditating, GJ. | 0:09:15 | 0:09:17 | |
Wake up! | 0:09:17 | 0:09:19 | |
I've got a question. Is there such a thing | 0:09:27 | 0:09:32 | |
-as the human mind? -Human mind, wow. | 0:09:32 | 0:09:36 | |
Is someone speaking? | 0:09:36 | 0:09:38 | |
What is the nature of the human mind? | 0:09:41 | 0:09:46 | |
Plotting and scheming. Planning and calculating. | 0:09:47 | 0:09:52 | |
That is the nature of mind. Constant thought. | 0:09:52 | 0:09:57 | |
Recent research tells us that the Universe is not infinite. | 0:09:57 | 0:10:01 | |
-so what I want to know is... -Who's this guy? | 0:10:01 | 0:10:05 | |
-Matt Mitcham, the girl's father. -Matt Mitcham. | 0:10:05 | 0:10:08 | |
What I want to know is, when you get | 0:10:08 | 0:10:12 | |
to the edge of the Universe, | 0:10:12 | 0:10:16 | |
What's there, hmm? | 0:10:16 | 0:10:18 | |
Don't know. Not going there any time soon. | 0:10:18 | 0:10:21 | |
What do you see? | 0:10:26 | 0:10:28 | |
Ask something a little bit more personal. | 0:10:28 | 0:10:30 | |
-THIS is personal. -My guess? | 0:10:30 | 0:10:34 | |
You're not going to like it, mister. | 0:10:34 | 0:10:36 | |
So what is it? | 0:10:39 | 0:10:41 | |
What's beyond the void that's so frightening? | 0:10:41 | 0:10:46 | |
What's so scary? | 0:10:46 | 0:10:48 | |
A lost little girl. | 0:10:49 | 0:10:51 | |
Your girl, Mr Matt. Your kid. | 0:10:51 | 0:10:55 | |
With a secret growing inside. | 0:10:55 | 0:10:58 | |
Would you call the photographer, please? | 0:11:40 | 0:11:42 | |
Where the bloody hell's Lee? | 0:11:42 | 0:11:44 | |
HOWE: They headed off towards the lake. | 0:11:44 | 0:11:45 | |
-What? Well, get him immediately. -Taking a piss, sir. | 0:11:45 | 0:11:48 | |
I don't care what he's doing. Get him here now. | 0:11:48 | 0:11:51 | |
Robin? | 0:11:51 | 0:11:53 | |
All right, everyone. Mic on? | 0:12:02 | 0:12:04 | |
Peeling back the bloodstained towel. | 0:12:06 | 0:12:08 | |
What the bloody hell is that? | 0:12:12 | 0:12:15 | |
-Looks like an animal. -It's a dog. | 0:12:15 | 0:12:17 | |
CAMERA CLICKS | 0:12:17 | 0:12:19 | |
Robin? Go get four of the guys and | 0:12:25 | 0:12:26 | |
check the property for any further burials. | 0:12:26 | 0:12:29 | |
You can go, um, 100 metres beyond this boundary. | 0:12:29 | 0:12:32 | |
You still think he's done something? | 0:12:32 | 0:12:34 | |
Well, his note said he's sorry for something | 0:12:34 | 0:12:37 | |
And I'm sure it's not for euthanizing his dog. | 0:12:37 | 0:12:39 | |
Come on, Al. Someone's obviously been harassing him. | 0:12:39 | 0:12:43 | |
Look at his house. | 0:12:43 | 0:12:45 | |
What do you expect? He was exposed. | 0:12:45 | 0:12:47 | |
No wonder he hung himself. | 0:12:47 | 0:12:49 | |
You might want to look at this. Zanic's video. | 0:13:12 | 0:13:16 | |
FOLK MUSIC PLAYS ON THE TAPE Hey. Up. | 0:13:18 | 0:13:20 | |
-Can I have it? -'Ja! Ja, that is so good.' | 0:13:32 | 0:13:35 | |
Does Wolfie have a blue hoodie? | 0:13:56 | 0:13:59 | |
-Whoever shot this did. -Doesn't everyone have one? | 0:13:59 | 0:14:02 | |
# Well, darling, haven't you changed? # | 0:14:02 | 0:14:06 | |
TUI CONTINUES TO SING ON THE TAPE | 0:14:06 | 0:14:11 | |
Have you got kids? | 0:14:17 | 0:14:18 | |
Can I be left alone, please? | 0:14:22 | 0:14:24 | |
# A memory... # | 0:14:24 | 0:14:26 | |
SHE WHISTLES | 0:14:32 | 0:14:35 | |
SHE LISTENS TO THE RECORDING OF TUI SINGING | 0:15:02 | 0:15:05 | |
TUI CONTINUES TO SING | 0:15:16 | 0:15:19 | |
# A memory... # | 0:15:23 | 0:15:25 | |
KNOCK ON THE DOOR | 0:15:38 | 0:15:40 | |
Uh, I've brought my Canadian. You want to go out on the lake? | 0:15:48 | 0:15:52 | |
All right. | 0:15:54 | 0:15:56 | |
You know, Tui sings really well. | 0:16:01 | 0:16:03 | |
We should have brought the wine. | 0:16:07 | 0:16:10 | |
Be nice to have a glass out here. | 0:16:10 | 0:16:13 | |
-Yeah, I don't drink. -What about the other night at the bar? | 0:16:13 | 0:16:16 | |
-No, that was a soft drink. -So you've no excuses. | 0:16:16 | 0:16:19 | |
So... | 0:16:25 | 0:16:28 | |
-Are we going to do it again? -It's complicated. | 0:16:29 | 0:16:32 | |
Don't you think? | 0:16:35 | 0:16:37 | |
No. | 0:16:39 | 0:16:41 | |
Going to fish? | 0:16:44 | 0:16:45 | |
Can't we do a bit more of the wrong thing | 0:16:48 | 0:16:51 | |
Before we do the right thing? | 0:16:51 | 0:16:52 | |
I found a place. There's this old teak opium house. | 0:17:01 | 0:17:04 | |
It's up near the Thai-Cambodian border. | 0:17:04 | 0:17:07 | |
And the rivers there run right down out of the mountains, | 0:17:07 | 0:17:10 | |
and there are these small poppy plantations | 0:17:10 | 0:17:13 | |
Scattered out there through the rainforest. | 0:17:13 | 0:17:16 | |
People there were really good to me. | 0:17:16 | 0:17:19 | |
But, after a time, I just became an addict. Just a fucking arsehole. | 0:17:19 | 0:17:25 | |
I ran out of money. I ran away. | 0:17:25 | 0:17:29 | |
They caught me trying to get across the border. | 0:17:29 | 0:17:32 | |
I got processed. Ended up in this... | 0:17:32 | 0:17:36 | |
This hell hole. | 0:17:38 | 0:17:40 | |
Just concrete wall and floors, and a hole in the ground for the toilet. | 0:17:40 | 0:17:44 | |
Dad, He just said, "stuff you." | 0:17:44 | 0:17:47 | |
-How many years was it? -It was eight. | 0:17:49 | 0:17:52 | |
The last few there were a lot easier. My mum, | 0:17:52 | 0:17:56 | |
she really stepped up. She helped me pay for food, medicine. | 0:17:56 | 0:18:02 | |
I was able to study law. | 0:18:02 | 0:18:04 | |
Shocked? | 0:18:07 | 0:18:08 | |
No. | 0:18:10 | 0:18:11 | |
What do you think? | 0:18:22 | 0:18:23 | |
You know, you were my first kiss. | 0:18:38 | 0:18:41 | |
-Was I yours? -First long kiss. | 0:18:43 | 0:18:46 | |
Can I do this properly? Like in bed? | 0:18:58 | 0:19:01 | |
I don't know. I don't want to fall for you. | 0:19:01 | 0:19:03 | |
We can make it the last time. | 0:19:03 | 0:19:05 | |
Do you have to work in the morning? | 0:19:06 | 0:19:08 | |
-Why? -I want to go for coffee. | 0:19:08 | 0:19:11 | |
No. No coffee. | 0:19:13 | 0:19:15 | |
I'm about to get married. I don't want to fall in love. | 0:19:17 | 0:19:21 | |
Wear it. | 0:19:26 | 0:19:28 | |
BLUES MUSIC PLAYS IN THE BACKGROUND | 0:19:38 | 0:19:41 | |
Here. | 0:20:00 | 0:20:01 | |
LOUD MUSIC CONTINUES IN THE BACKGROUND | 0:20:10 | 0:20:13 | |
Hey, turn the music down. | 0:20:13 | 0:20:16 | |
Sara. | 0:20:16 | 0:20:18 | |
Turn the fucking music down! | 0:20:18 | 0:20:20 | |
What is it? | 0:20:21 | 0:20:24 | |
Oh, yeah. | 0:20:24 | 0:20:26 | |
-Fertiliser. -Awesome. I want some of that, eh. | 0:20:26 | 0:20:28 | |
It's mephedrone, bro. | 0:20:32 | 0:20:33 | |
Here. There you go. "Gives three to four hours' stimulus, | 0:20:40 | 0:20:42 | |
"Mild euphoria, enhanced appreciation of music, | 0:20:42 | 0:20:45 | |
-"Some erotic overtones." -Who's this old fucker? | 0:20:45 | 0:20:49 | |
Mate, that's Dr Shulgin. Berkeley, California legend, OK? | 0:20:49 | 0:20:52 | |
He discovered and experimented with over 230 psychoactive drugs. | 0:20:52 | 0:20:56 | |
Living legend. | 0:20:56 | 0:20:57 | |
Good man. Yeah, that's nice. | 0:20:59 | 0:21:03 | |
-That's nice. -Where'd the shit come from? | 0:21:03 | 0:21:05 | |
It's good. | 0:21:07 | 0:21:08 | |
You reckon the old man'll go for it, Marky? | 0:21:12 | 0:21:15 | |
Hey, just do a halvie ya, bro. We'll be peeling you off the walls. | 0:21:24 | 0:21:28 | |
-Oh! What'd I just say? -I'll be all right, mate. | 0:21:28 | 0:21:31 | |
-THEY LAUGH -No, you won't, bro. | 0:21:31 | 0:21:33 | |
No, you won't, bro. | 0:21:34 | 0:21:36 | |
This is really good. | 0:21:53 | 0:21:55 | |
THEY LAUGH | 0:21:55 | 0:21:56 | |
ALL: No! | 0:21:59 | 0:22:01 | |
-My first date in years. -Uh, this is not a date. | 0:22:02 | 0:22:05 | |
It's an apology. If I wanted a date, I would have asked Bunny. | 0:22:05 | 0:22:09 | |
OK, I'm... I'm kind of confused. | 0:22:09 | 0:22:12 | |
So how did Bunny get in with that, uh...? | 0:22:13 | 0:22:16 | |
-GJ? -GJ. GJ, yeah. | 0:22:16 | 0:22:18 | |
-Oh, they met in rehab. -Who was in rehab? GJ was in rehab? | 0:22:18 | 0:22:20 | |
-No, no, no, she was visiting someone. -Hmm. | 0:22:20 | 0:22:24 | |
And they got talking. Bunny said, "you're the first person | 0:22:24 | 0:22:28 | |
"who's ever really spoken the truth. | 0:22:28 | 0:22:30 | |
"wherever you want to go, wherever you want to be, | 0:22:30 | 0:22:32 | |
"I'll pay for it." | 0:22:32 | 0:22:35 | |
GJ said, "let's see if you really mean it." | 0:22:35 | 0:22:37 | |
And she put her finger on the map... | 0:22:37 | 0:22:39 | |
like that. | 0:22:39 | 0:22:42 | |
And now here we are, Paradise. | 0:22:42 | 0:22:46 | |
She put her finger on a map? | 0:22:46 | 0:22:48 | |
Yeah. Yeah. Here we are. | 0:22:48 | 0:22:52 | |
How are you handling Paradise? | 0:22:52 | 0:22:55 | |
-Beautiful. -Yeah. | 0:22:55 | 0:22:57 | |
Got quite a history, you know. | 0:22:57 | 0:23:00 | |
No, I didn't know. | 0:23:00 | 0:23:03 | |
Adam and Eve, Garden of Eden. | 0:23:03 | 0:23:06 | |
-Hmm. -The coming of the serpent. | 0:23:06 | 0:23:09 | |
-Serpent. Wow. Right. -No, not me. | 0:23:09 | 0:23:14 | |
-No, not you. -No, the first guy that moved in | 0:23:17 | 0:23:20 | |
there killed his wife and kids. | 0:23:20 | 0:23:22 | |
Burned the house down. | 0:23:22 | 0:23:24 | |
Next family, the silence nearly drove them mad. | 0:23:24 | 0:23:28 | |
Thought they could hear the kids wailing through the walls. | 0:23:28 | 0:23:33 | |
One day, they just got up and left. | 0:23:33 | 0:23:36 | |
-Is it really true? -You should tell Bunny. | 0:23:39 | 0:23:42 | |
I bet you Bob Platt didn't. | 0:23:42 | 0:23:45 | |
-Why don't you tell her yourself? -OK. | 0:23:45 | 0:23:49 | |
So how do I get a date with Bunny? | 0:23:49 | 0:23:52 | |
I think it's time to go home. To your place. | 0:23:52 | 0:23:57 | |
That's what I want to do. | 0:23:58 | 0:24:00 | |
You have some of that, eh, you'll be fucked for work tomorrow. | 0:24:01 | 0:24:03 | |
OK, don't talk to me unless you're | 0:24:03 | 0:24:05 | |
going to keep to the present tense, OK? | 0:24:05 | 0:24:07 | |
Don't want to hear about anything else. Just pisses me off. | 0:24:07 | 0:24:10 | |
Just say what's happening now, OK? | 0:24:10 | 0:24:12 | |
Right now. Whatever's happening now. | 0:24:12 | 0:24:13 | |
Anything else, just keep to yourself. | 0:24:13 | 0:24:16 | |
I don't want to hear about it. | 0:24:16 | 0:24:18 | |
Here's Dad. | 0:24:18 | 0:24:19 | |
Yeah, see, that's good. Hey? Yeah, that's good, see? | 0:24:19 | 0:24:23 | |
He's coming. He's right here. | 0:24:23 | 0:24:26 | |
Hey, Dad! | 0:24:26 | 0:24:27 | |
Dad. | 0:24:27 | 0:24:29 | |
-It's Luke! -Wonder where the fuck he's been. | 0:24:30 | 0:24:32 | |
Well, see, that's not what I want to know about. | 0:24:32 | 0:24:34 | |
I don't want to know where he's fucking been. | 0:24:34 | 0:24:36 | |
Hey, hey, it's here. | 0:24:36 | 0:24:39 | |
Here! | 0:24:39 | 0:24:40 | |
Hi. | 0:24:40 | 0:24:41 | |
-What's the matter with him? -He's high. | 0:24:41 | 0:24:44 | |
Living in the present. It's a problem for some people. | 0:24:44 | 0:24:47 | |
Hi. | 0:24:47 | 0:24:48 | |
Was that the chimp lady? | 0:24:50 | 0:24:52 | |
IS that the chimp lady? "IS". | 0:24:52 | 0:24:56 | |
Jesus, you came prepared. | 0:25:14 | 0:25:16 | |
Oh, yeah. | 0:25:16 | 0:25:18 | |
Listen, Anita, there's a confession I have to make. | 0:25:20 | 0:25:24 | |
I can get hard, OK? | 0:25:27 | 0:25:29 | |
I CAN get hard. I've got the chemicals. | 0:25:29 | 0:25:32 | |
It's just the thing is... | 0:25:32 | 0:25:34 | |
I need warning, OK? | 0:25:35 | 0:25:38 | |
OK. | 0:25:39 | 0:25:41 | |
Well, | 0:25:41 | 0:25:43 | |
we don't need to make love tonight. | 0:25:43 | 0:25:46 | |
You're not disappointed? | 0:25:46 | 0:25:49 | |
No. | 0:25:49 | 0:25:51 | |
-You sure? -Yeah, come on. | 0:25:51 | 0:25:54 | |
Come on. I won't bite. | 0:25:57 | 0:26:00 | |
My last wife was Thai. | 0:26:10 | 0:26:14 | |
Thai, right. | 0:26:14 | 0:26:16 | |
She was a good woman, | 0:26:16 | 0:26:17 | |
apart from the fact that she didn't love me. | 0:26:17 | 0:26:21 | |
-Yeah. -Which I didn't think mattered, but obviously it did. | 0:26:21 | 0:26:25 | |
"Oh, Matthew, | 0:26:28 | 0:26:31 | |
"You take too long, you got no power." | 0:26:31 | 0:26:35 | |
"You take too long, you got no power." | 0:26:35 | 0:26:38 | |
THEY LAUGH | 0:26:38 | 0:26:40 | |
It wasn't funny at the time. | 0:26:41 | 0:26:45 | |
Sorry. | 0:26:45 | 0:26:46 | |
Let's just play together. | 0:26:53 | 0:26:55 | |
Get to know each other. | 0:26:56 | 0:26:58 | |
Touch. | 0:27:01 | 0:27:02 | |
Cuddle. | 0:27:06 | 0:27:07 | |
I bet you've never been here before, huh? | 0:27:20 | 0:27:22 | |
-The arse end of Paradise. -I've NEVER been here. | 0:27:22 | 0:27:26 | |
Hey, Luke gave me an E. | 0:27:27 | 0:27:30 | |
-Oh, did he now? -Yeah. Well, actually, | 0:27:30 | 0:27:31 | |
He gave me two Es. Do you want one? | 0:27:31 | 0:27:35 | |
I've... I've taken mine. | 0:27:35 | 0:27:38 | |
Come on. Come here. | 0:27:38 | 0:27:40 | |
Come on. | 0:27:45 | 0:27:46 | |
Give me your tongue. | 0:27:46 | 0:27:48 | |
Come on. | 0:27:48 | 0:27:50 | |
Oh, you're really beautiful. | 0:28:15 | 0:28:19 | |
You're really... Oh, God, you're really real. | 0:28:19 | 0:28:25 | |
You're so beautiful. | 0:28:28 | 0:28:30 | |
THEY GIGGLE | 0:28:46 | 0:28:49 | |
Want to meet Mum? | 0:29:26 | 0:29:27 | |
Your mum? | 0:29:29 | 0:29:30 | |
You're beautiful. | 0:29:34 | 0:29:35 | |
Mum... | 0:29:42 | 0:29:44 | |
This is Anita. | 0:29:44 | 0:29:47 | |
Anita, Mum. | 0:29:47 | 0:29:49 | |
Hi, Mrs Mitcham. | 0:29:49 | 0:29:53 | |
Fuck. Poor Mum. | 0:29:54 | 0:29:56 | |
Once again, where she doesn't belong. | 0:29:56 | 0:30:00 | |
No. No, Matt, look. She's... She's so at peace. | 0:30:00 | 0:30:05 | |
Not with you fucking standing on her, she's not. | 0:30:05 | 0:30:09 | |
-What? -Get the fuck off her! | 0:30:09 | 0:30:11 | |
-Oh. -Get off her. -Sorry. | 0:30:11 | 0:30:15 | |
What the fuck is wrong with you? | 0:30:15 | 0:30:17 | |
I promise you... | 0:30:31 | 0:30:33 | |
I will fix this. | 0:30:37 | 0:30:38 | |
Oh! | 0:30:40 | 0:30:42 | |
I promise you, | 0:30:42 | 0:30:44 | |
you will rest | 0:30:44 | 0:30:46 | |
in my land. | 0:30:46 | 0:30:50 | |
On the hilltop, Mum. | 0:30:50 | 0:30:52 | |
-Hello? -Al, it's Robin. | 0:31:48 | 0:31:52 | |
I think I've got it. I think I understand what Tui meant. | 0:31:52 | 0:31:55 | |
-Can I drive over now? -No. Not now. | 0:31:55 | 0:31:58 | |
Hey, what are you doing tomorrow? How about Sunday dinner? | 0:31:58 | 0:32:02 | |
Did you find anything else at Zanic's? | 0:32:02 | 0:32:05 | |
Just two dead sheep. | 0:32:05 | 0:32:07 | |
Are you able to make it 7:30? | 0:32:07 | 0:32:10 | |
-Bye. -Good night. | 0:32:10 | 0:32:11 | |
-May I take your coat? -I'll keep it on, thanks. | 0:32:53 | 0:32:55 | |
Oh, you won't be cold, I just lit the fire. | 0:32:55 | 0:32:59 | |
I'll take it off later. | 0:32:59 | 0:33:01 | |
-I'm not really dressed for this. -There you are. | 0:33:04 | 0:33:08 | |
-Cheers. -Cheers. | 0:33:09 | 0:33:11 | |
I don't have any salad dressing. Can you whip one up? | 0:33:11 | 0:33:15 | |
OK. | 0:33:15 | 0:33:16 | |
Do you have garlic? | 0:33:16 | 0:33:19 | |
Yeah, got a lot of garlic. | 0:33:19 | 0:33:21 | |
Shall I tell you what I came up with last night? | 0:33:29 | 0:33:32 | |
Yeah, sure. | 0:33:32 | 0:33:34 | |
I'll just get these out of the way. | 0:33:34 | 0:33:36 | |
-I'll fill your glass. -Thanks. | 0:33:39 | 0:33:40 | |
I think I know what Tui was trying to tell me. | 0:33:48 | 0:33:53 | |
Look, I think she meant literally "no, one". | 0:33:53 | 0:33:57 | |
As in three or four. | 0:33:57 | 0:33:59 | |
Not one, I think she was | 0:33:59 | 0:34:01 | |
multiple raped. | 0:34:01 | 0:34:03 | |
When you think of Tui, what do you see? | 0:34:09 | 0:34:12 | |
SHE SIGHS | 0:34:13 | 0:34:15 | |
A very lonely, frightened little girl. | 0:34:16 | 0:34:19 | |
Why? | 0:34:21 | 0:34:22 | |
-What do you see? -Well, yeah, I see that, but | 0:34:25 | 0:34:29 | |
I'm looking at that frightened, lonely little girl. | 0:34:29 | 0:34:32 | |
You know, sometimes, maybe once in your career a case comes along that | 0:34:35 | 0:34:39 | |
fits so tightly that you can't let go. | 0:34:39 | 0:34:42 | |
You know? That's when things start to go crazy. | 0:34:42 | 0:34:45 | |
You dream about it, you can't stop thinking about it and | 0:34:45 | 0:34:48 | |
Everything around starts to be a sign. | 0:34:48 | 0:34:51 | |
Why do you say that? | 0:34:55 | 0:34:58 | |
Well, because I think that, um, | 0:34:59 | 0:35:01 | |
Tui's case is triggering history in your life. | 0:35:01 | 0:35:04 | |
I didn't run away from home. | 0:35:10 | 0:35:12 | |
We got those lads, you know. | 0:35:14 | 0:35:16 | |
15 years ago we brought those little hard-ons in. | 0:35:19 | 0:35:24 | |
It was right after you left for Sydney with your mother. | 0:35:24 | 0:35:27 | |
Now, a few of us, | 0:35:29 | 0:35:30 | |
older guys, Matt Mitcham included, we, um, | 0:35:30 | 0:35:32 | |
brought them in and whacked them around, we stripped them and | 0:35:32 | 0:35:35 | |
gave them a hiding on their skinny little arses. | 0:35:35 | 0:35:38 | |
You know, Mitcham figured out | 0:35:38 | 0:35:41 | |
that Sarge was the dirty little start-up | 0:35:41 | 0:35:43 | |
So he made him lick the other guys' arseholes. | 0:35:43 | 0:35:45 | |
So does everyone know? | 0:35:48 | 0:35:52 | |
Does Officer Joy know? | 0:35:56 | 0:35:57 | |
(SOFTLY) Yeah. | 0:35:57 | 0:36:00 | |
The whole police station? | 0:36:00 | 0:36:02 | |
It wasn't your fault, you know. What happened should never have happened. | 0:36:02 | 0:36:05 | |
We only did what we did because | 0:36:05 | 0:36:07 | |
your father wasn't around to teach those dirty little shits a lesson. | 0:36:07 | 0:36:11 | |
Hey... | 0:36:17 | 0:36:19 | |
Are you OK? | 0:36:21 | 0:36:23 | |
Hey, I know this can't be easy for you. | 0:36:27 | 0:36:31 | |
So everyone knows I've been raped. | 0:36:31 | 0:36:35 | |
And those... Those arses are just... | 0:36:38 | 0:36:42 | |
They're just walking about. | 0:36:42 | 0:36:44 | |
No, they were bloody well punished. | 0:36:44 | 0:36:46 | |
Yeah... | 0:36:49 | 0:36:51 | |
And I had a baby. | 0:36:54 | 0:36:56 | |
Oh, Jesus, I didn't know that. How old were you? | 0:36:58 | 0:37:02 | |
Just 16. | 0:37:06 | 0:37:08 | |
Mum was Catholic. | 0:37:08 | 0:37:11 | |
Didn't have a choice. | 0:37:13 | 0:37:14 | |
My girl wrote to me a few months ago. | 0:37:20 | 0:37:22 | |
She wrote on pink notepaper with two doves in one corner. | 0:37:27 | 0:37:33 | |
She really wanted to know a few things about her | 0:37:35 | 0:37:38 | |
biological parents. | 0:37:38 | 0:37:41 | |
You know, like, were we into sport or | 0:37:41 | 0:37:43 | |
books like her. | 0:37:43 | 0:37:48 | |
What the fuck could I say? | 0:37:53 | 0:37:55 | |
Cos if I was her... | 0:37:59 | 0:38:01 | |
If I was her and I found out | 0:38:03 | 0:38:05 | |
that my father | 0:38:05 | 0:38:08 | |
was one of four rapists and my mother, | 0:38:08 | 0:38:13 | |
their 15-year-old victim... | 0:38:13 | 0:38:16 | |
I would want to kill myself. | 0:38:20 | 0:38:21 | |
I would want to blow my fucking brains out. | 0:38:30 | 0:38:33 | |
And that she doesn't know. | 0:38:41 | 0:38:44 | |
Never has to know. | 0:38:45 | 0:38:47 | |
That's it. | 0:38:51 | 0:38:52 | |
That's all I have to give her. | 0:38:55 | 0:38:57 | |
Every birthday, | 0:38:59 | 0:39:01 | |
every Christmas... | 0:39:01 | 0:39:03 | |
Her fucking right to innocence. | 0:39:04 | 0:39:07 | |
Fuck the truth, Al. | 0:39:09 | 0:39:12 | |
SHE CHUCKLES | 0:39:12 | 0:39:14 | |
Fuck the truth. | 0:39:18 | 0:39:20 | |
Was Johnno involved? | 0:39:31 | 0:39:33 | |
-SHE LAUGHS -No. | 0:39:33 | 0:39:36 | |
No. | 0:39:36 | 0:39:37 | |
No, he was... He was my date. | 0:39:38 | 0:39:40 | |
-He was my date. -I need some more wine. | 0:39:43 | 0:39:46 | |
And you? | 0:39:50 | 0:39:51 | |
Most of those guys have left now. | 0:39:57 | 0:40:01 | |
They're not around any more. | 0:40:01 | 0:40:03 | |
Not Sarge. | 0:40:07 | 0:40:09 | |
Oh, so you recognised him, eh? | 0:40:09 | 0:40:11 | |
I wondered if you would. | 0:40:11 | 0:40:14 | |
Oh, yeah. | 0:40:14 | 0:40:16 | |
Now that he's driving an old rust bucket, | 0:40:16 | 0:40:18 | |
-you should pull him over and book him. -OK. | 0:40:18 | 0:40:21 | |
And after that can I kill him? | 0:40:23 | 0:40:24 | |
-This is fucking stupid. -Hey, hey. Hey. | 0:40:30 | 0:40:35 | |
My sense is that you're just working this too hard. | 0:40:35 | 0:40:38 | |
I think she just didn't want to say. | 0:40:40 | 0:40:43 | |
No. She's afraid to say. | 0:40:44 | 0:40:48 | |
Hey, hey! | 0:40:55 | 0:40:58 | |
I'm going home. | 0:40:58 | 0:40:59 | |
This is stupid. You don't get it. | 0:40:59 | 0:41:03 | |
-Are you OK? -I'm fine. | 0:41:07 | 0:41:09 | |
You're not gonna drive home. Where's your keys? | 0:41:09 | 0:41:11 | |
-I'm all right. I'm all right. -OK, you're not gonna drive. | 0:41:11 | 0:41:15 | |
Come on, up you get. SHE GROANS | 0:41:15 | 0:41:17 | |
DRIER WHIRRS | 0:41:46 | 0:41:49 | |
PHONE RINGING | 0:42:06 | 0:42:08 | |
Yeah. | 0:42:11 | 0:42:12 | |
Hello, there. You feeling OK? | 0:42:14 | 0:42:15 | |
Sure. | 0:42:18 | 0:42:19 | |
Come in. | 0:42:20 | 0:42:21 | |
You might want to shut the door. | 0:42:25 | 0:42:27 | |
-What's up? -I woke up in your shirt in your bed. | 0:42:35 | 0:42:39 | |
How did I get there? | 0:42:41 | 0:42:42 | |
Well, you had blacked out, | 0:42:43 | 0:42:45 | |
you threw up on your clothes, so I washed them. | 0:42:45 | 0:42:48 | |
Well, why didn't you put me on the couch? | 0:42:51 | 0:42:55 | |
It's completely inappropriate. | 0:42:55 | 0:42:57 | |
Completely. | 0:42:57 | 0:42:58 | |
What's the alcohol content of that red? I never pass out. | 0:43:00 | 0:43:03 | |
Oh, this is masterful. Stop drinking, it works. | 0:43:03 | 0:43:06 | |
Zanic's credit card statement. | 0:43:06 | 0:43:08 | |
Look at March. | 0:43:09 | 0:43:11 | |
There's five dental billings in Auckland. | 0:43:11 | 0:43:13 | |
He wasn't here when Tui got pregnant. | 0:43:13 | 0:43:15 | |
He was getting his teeth done. | 0:43:15 | 0:43:18 | |
Why haven't you asked who wrote the slogans on his hut? | 0:43:18 | 0:43:22 | |
Yeah, OK, Miss Marple, I know this, all right? | 0:43:22 | 0:43:25 | |
We're on to it. It's happening. | 0:43:25 | 0:43:27 | |
-So where did you sleep? -On the freaking couch. | 0:43:28 | 0:43:31 | |
Robin, you passed out. It was my obligation to look after you. | 0:43:31 | 0:43:34 | |
Then why don't I feel like saying thank you? | 0:43:34 | 0:43:37 | |
Oh, my guess? You embarrassed yourself. | 0:43:37 | 0:43:40 | |
SLAMS DOOR | 0:43:43 | 0:43:45 | |
HORN HONKING | 0:44:03 | 0:44:05 | |
Excuse me! Excuse me. | 0:44:11 | 0:44:13 | |
Can I speak to you? | 0:44:13 | 0:44:15 | |
-I'm looking for a Jamie, Tui's friend. -Who are you? | 0:44:15 | 0:44:20 | |
Sorry. Detective Robin Griffin, Southern Lakes Police. | 0:44:20 | 0:44:23 | |
He doesn't have any friends. He doesn't talk to anyone. | 0:44:23 | 0:44:25 | |
He texts. | 0:44:25 | 0:44:27 | |
30, 35 texts. | 0:44:27 | 0:44:30 | |
I've got to go to work. | 0:44:30 | 0:44:32 | |
-OK. Where? -Mitcham's. | 0:44:32 | 0:44:34 | |
ANITA SOBBING | 0:44:52 | 0:44:55 | |
Tui? | 0:45:10 | 0:45:11 | |
Tui? | 0:45:16 | 0:45:17 | |
What are you doing here? SOBBING | 0:45:20 | 0:45:23 | |
This is Tui's room. | 0:45:23 | 0:45:25 | |
She could come back any time. Nobody comes in here. Nobody! | 0:45:25 | 0:45:29 | |
-Get out. Get out! -Matt, I'm... I'm so sorry. | 0:45:29 | 0:45:33 | |
You must be... You must be feeling terrible. | 0:45:33 | 0:45:36 | |
Why would I feel terrible? I've not done anything. | 0:45:36 | 0:45:38 | |
You don't mention Tui and I won't mention your boyfriend, Brad. | 0:45:38 | 0:45:42 | |
Brad wasn't my boyfriend. He was a pet, but he... | 0:45:42 | 0:45:44 | |
That's enough, enough. I've heard enough of this. | 0:45:44 | 0:45:46 | |
-Pack your things and go. -No, no. | 0:45:46 | 0:45:47 | |
No, Matt. We can sort this in the morning. | 0:45:47 | 0:45:50 | |
You don't put the cups back properly! | 0:45:50 | 0:45:55 | |
The handles face out! | 0:45:55 | 0:45:57 | |
Excuse me. | 0:46:05 | 0:46:07 | |
I'll get it. | 0:46:36 | 0:46:37 | |
HORN HONKING | 0:46:50 | 0:46:52 | |
Hurry up, you stupid bitch. | 0:46:52 | 0:46:55 | |
HORN HONKING | 0:46:55 | 0:46:57 | |
-There! -Ahh! | 0:47:07 | 0:47:09 | |
SHE CRIES OUT Stupid bitch! | 0:47:09 | 0:47:13 | |
See what you made me fucking do. | 0:47:13 | 0:47:15 | |
-What are you looking at? -Where's Anita? | 0:47:24 | 0:47:26 | |
Bunny! Bunny! | 0:47:29 | 0:47:31 | |
Hello! Where's Anita? | 0:47:31 | 0:47:34 | |
How long do you think you're going to last here, eh? | 0:47:35 | 0:47:38 | |
You fucking... | 0:47:38 | 0:47:40 | |
You are talking through your arsehole! | 0:47:40 | 0:47:42 | |
-You won't last in this land. -Shit's coming out of your mouth. | 0:47:42 | 0:47:44 | |
-What? What did you say? -Yeah, you. I'm talking to you, arsehole. | 0:47:44 | 0:47:47 | |
-Talk about arseholes... -Shit, just shit, you have shit for brains. | 0:47:47 | 0:47:50 | |
-Excuse me. -Where do you put your piss and your shit? | 0:47:50 | 0:47:52 | |
You put it in MY FUCKING LAND! | 0:47:52 | 0:47:54 | |
-That's where you fucking put it. -Oh, bullshit! | 0:47:54 | 0:47:57 | |
-Your fucking menstrual waste. -Excuse me! | 0:47:57 | 0:47:59 | |
Your fucking... Your scum is going right in there. | 0:47:59 | 0:48:02 | |
Menstrual waste? We don't even get our fucking periods! | 0:48:02 | 0:48:05 | |
Of course you don't. You know why? You're unfuckable. | 0:48:05 | 0:48:09 | |
-What's he say? -You're unfuckable. | 0:48:09 | 0:48:11 | |
You're a dry, useless, fucking bitch! SHE SCREAMS | 0:48:11 | 0:48:14 | |
-You, you, unfuckable. -Yes! | 0:48:14 | 0:48:16 | |
-Unfuckable. -Oh, please! | 0:48:16 | 0:48:18 | |
Unfuckable... Utterly unfuckable! | 0:48:18 | 0:48:20 | |
I'm calling the police. | 0:48:20 | 0:48:21 | |
Oh, and you are so fuckable, you shit-for-brains. | 0:48:21 | 0:48:24 | |
-Oh, my god! Anita! -Come back! | 0:48:24 | 0:48:26 | |
-Wait, fucker! Do not... Get out of the car! -I'll go! | 0:48:26 | 0:48:31 | |
Anita, has he hurt you? | 0:48:31 | 0:48:32 | |
-Is she all right? -No, she's not all right. | 0:48:32 | 0:48:35 | |
ALL TALKING INDISTINCTLY | 0:48:35 | 0:48:38 | |
Fucker! Just fuck you! | 0:48:38 | 0:48:41 | |
Is she all right? Get her in here. | 0:48:41 | 0:48:43 | |
INDISTINCT TALKING CONTINUES | 0:48:43 | 0:48:45 | |
I know I'm not supposed to say it, | 0:49:22 | 0:49:24 | |
but I want to meet my granddaughter. | 0:49:24 | 0:49:26 | |
She's got a family. | 0:49:32 | 0:49:33 | |
This is what's killing me. | 0:49:37 | 0:49:40 | |
You may not want to see her, but I do and I'm going to look for her. | 0:49:44 | 0:49:48 | |
MOBILE CHIMING | 0:51:24 | 0:51:27 | |
Tui! | 0:51:37 | 0:51:39 | |
Tui! | 0:51:42 | 0:51:43 | |
Tui! | 0:51:46 | 0:51:48 | |
I got lost. | 0:51:54 | 0:51:56 | |
Left the path, I couldn't find it again. | 0:51:56 | 0:51:59 | |
We were just about to call the police. | 0:52:01 | 0:52:04 | |
I have to get home. This is uncomfortable. | 0:52:05 | 0:52:09 | |
I'm sorry about earlier. | 0:52:09 | 0:52:12 | |
My emotion surprised me. | 0:52:12 | 0:52:15 | |
It's the medications. | 0:52:15 | 0:52:17 | |
Do you really have to go? | 0:52:20 | 0:52:22 | |
Why didn't you call if you got lost? | 0:52:22 | 0:52:24 | |
I couldn't, I... When I tried, my phone died. | 0:52:24 | 0:52:28 | |
I'm sorry, Mum. | 0:52:30 | 0:52:32 | |
OK. | 0:52:33 | 0:52:34 | |
ENGINE STARTING | 0:52:36 | 0:52:38 | |
MAN: Have you seen Zanic's place? | 0:52:45 | 0:52:47 | |
-Guess what? -What? | 0:52:48 | 0:52:51 | |
-Not there? -Not there. | 0:52:51 | 0:52:54 | |
-Ah, she'll be dead, but. -Yeah... | 0:52:54 | 0:52:57 | |
I'm not saying she's alive or anything. | 0:52:57 | 0:53:00 | |
They just didn't find her. | 0:53:00 | 0:53:04 | |
Well, you didn't find any bodies at Eel Creek, did you? | 0:53:04 | 0:53:06 | |
Not playing tonight? | 0:53:11 | 0:53:13 | |
HE CHUCKLES | 0:53:18 | 0:53:20 | |
Hey! | 0:53:22 | 0:53:24 | |
-Do you know what the perfect murder weapon is? -No! | 0:53:24 | 0:53:28 | |
-Get fucked, that's what I do. -HE LAUGHS | 0:53:28 | 0:53:29 | |
Go on, you tell her then, Sarge. | 0:53:29 | 0:53:32 | |
An icicle stalagmite. Ta-da! | 0:53:32 | 0:53:35 | |
Cos after you stab them, it melts. | 0:53:38 | 0:53:42 | |
It self destructs. | 0:53:42 | 0:53:45 | |
-OLD MAN: -You're a good man, eh? | 0:53:45 | 0:53:46 | |
You're buddy's mate. You're buddy's mate. | 0:53:46 | 0:53:49 | |
I've got some words for you, eh? | 0:53:49 | 0:53:52 | |
There you go. | 0:53:52 | 0:53:54 | |
Fuck off. | 0:53:54 | 0:53:57 | |
I know you from somewhere, don't I? | 0:53:57 | 0:54:00 | |
You're not a Sydney girl? Hmm? | 0:54:00 | 0:54:03 | |
Too classy for you to be a Sydney girl. | 0:54:03 | 0:54:05 | |
I reckon it's like a picnic races or something. | 0:54:05 | 0:54:10 | |
You don't remember me, do you? | 0:54:10 | 0:54:12 | |
BOTH CHUCKLING | 0:54:12 | 0:54:14 | |
Probably the Royal Easter Show, I'm thinking. | 0:54:17 | 0:54:21 | |
-No. -Yeah? | 0:54:21 | 0:54:23 | |
Did we fuck or something? | 0:54:27 | 0:54:29 | |
We fucking did, didn't we? | 0:54:30 | 0:54:32 | |
-HE SCREAMS -You remember me now, arsehole? | 0:54:38 | 0:54:41 | |
You remember me now, arsehole? Do you remember me now? | 0:54:41 | 0:54:44 | |
Do you remember me now, you motherfucker?! | 0:54:44 | 0:54:46 | |
-Get the fuck out of here. -Fuck you, piece of fucking shit! | 0:54:46 | 0:54:50 | |
-HE GROANS -Fuck you! | 0:54:50 | 0:54:52 | |
Piece of fucking shit! | 0:54:52 | 0:54:54 | |
SHE SCREAMING | 0:54:57 | 0:54:59 | |
-SHOUTING: -Fucking remember me now? | 0:54:59 | 0:55:01 | |
Do you fucking remember me? | 0:55:01 | 0:55:04 | |
You piece of shit! | 0:55:05 | 0:55:08 | |
SHE CRIES | 0:55:08 | 0:55:10 | |
What the fuck is happening to me? | 0:55:14 | 0:55:17 | |
-SHE GASPS -What the fuck is happening? | 0:55:20 | 0:55:24 | |
KNOCKING ON DOOR | 0:56:23 | 0:56:24 | |
CONTINUES KNOCKING | 0:56:29 | 0:56:31 | |
I want to know the bad thing you were going to tell me. | 0:57:28 | 0:57:31 | |
-Sarge! -SHOUTING AND ROARING | 0:57:32 | 0:57:35 | |
Things are going to change when we find Tui and bring her back here. | 0:57:37 | 0:57:40 | |
-I lost it. It won't happen again. -No. | 0:57:41 | 0:57:45 | |
Cos you're stood down. | 0:57:45 | 0:57:46 | |
Can you talk to my boy Jamie? | 0:57:49 | 0:57:51 | |
Lie low and we'll see a lot about how this place operates. | 0:57:51 | 0:57:55 | |
SCREAMING | 0:57:56 | 0:57:58 |