Browse content similar to A Rainbow Above Us. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains scenes of sexual violence, strong language | 0:00:02 | 0:00:04 | |
and some scenes of a sexual nature. | 0:00:04 | 0:00:06 | |
-What's so scary? -A lost little girl | 0:00:06 | 0:00:07 | |
with a secret growing inside. | 0:00:07 | 0:00:09 | |
Your girl, Mr Matt. | 0:00:09 | 0:00:11 | |
There's more here, and there's more here, and it's not going away. | 0:00:11 | 0:00:15 | |
I know you from somewhere, don't I? | 0:00:15 | 0:00:17 | |
Because I think that Tui's case is triggering history in your life. | 0:00:17 | 0:00:22 | |
So everyone knows I've been...raped. | 0:00:23 | 0:00:27 | |
SHE SCREAMS | 0:00:27 | 0:00:28 | |
You want to see me? | 0:01:09 | 0:01:11 | |
How's life in the tepee? Looks a bit rough. | 0:01:19 | 0:01:21 | |
Al, I'm sorry. I lost it. | 0:01:21 | 0:01:25 | |
It won't happen again. | 0:01:25 | 0:01:26 | |
No, cos you're stood down. | 0:01:26 | 0:01:30 | |
And who'll take over Tui's case? | 0:01:35 | 0:01:38 | |
She's dead. | 0:01:38 | 0:01:40 | |
You put your finger out of the window lately? | 0:01:40 | 0:01:42 | |
No-one can survive out there in this cold. | 0:01:42 | 0:01:45 | |
Go and get some sleep. | 0:01:53 | 0:01:55 | |
And, uh, think about getting back to Australia. | 0:01:55 | 0:01:59 | |
An aggressive cop, and I'm talking grievous bodily harm, | 0:01:59 | 0:02:04 | |
it's just not on. | 0:02:04 | 0:02:07 | |
Where are you? | 0:02:28 | 0:02:31 | |
Are you dead or alive? | 0:02:31 | 0:02:33 | |
DOOR OPENING AND CLOSING | 0:02:35 | 0:02:39 | |
Hey. | 0:02:45 | 0:02:47 | |
I've blown it. | 0:02:49 | 0:02:51 | |
Al sacked me. | 0:02:51 | 0:02:53 | |
And I'm single. | 0:02:55 | 0:02:57 | |
-You're single? -Yeah. | 0:02:57 | 0:02:59 | |
I'm not a detective and I'm not engaged. | 0:03:02 | 0:03:05 | |
I'm so angry for her. | 0:03:21 | 0:03:24 | |
Just lie low, and you'll see a lot about how this place operates. | 0:03:25 | 0:03:31 | |
While there's nothing going on we can get to know each other. | 0:03:33 | 0:03:38 | |
No impediments. | 0:03:38 | 0:03:39 | |
It's pretty threatening. | 0:03:41 | 0:03:43 | |
MAN TALKING ON TV | 0:05:02 | 0:05:04 | |
What is it? | 0:05:18 | 0:05:20 | |
Kid. | 0:05:20 | 0:05:21 | |
Which kid? | 0:05:21 | 0:05:23 | |
I've been keeping an eye on these kids' canoes. | 0:05:26 | 0:05:30 | |
Checking how often they go out. | 0:05:30 | 0:05:32 | |
This means he's been out. | 0:05:39 | 0:05:42 | |
The boy with the hoodie? | 0:05:42 | 0:05:44 | |
Yeah. | 0:05:46 | 0:05:47 | |
Watch your footprints. | 0:05:53 | 0:05:54 | |
STRUMMING GUITAR | 0:05:54 | 0:05:56 | |
HE HUMS | 0:05:56 | 0:05:58 | |
Hey, you're in this. | 0:06:02 | 0:06:03 | |
Look, school camp. | 0:06:03 | 0:06:06 | |
Oh, yeah, look at that. | 0:06:14 | 0:06:17 | |
Hey, it's your little brother. | 0:06:17 | 0:06:19 | |
His arm's all bandaged up. | 0:06:19 | 0:06:21 | |
What's that? | 0:06:29 | 0:06:32 | |
Shit, that's us. | 0:06:32 | 0:06:33 | |
KNOCK AT DOOR | 0:06:46 | 0:06:47 | |
You want milk? | 0:06:53 | 0:06:55 | |
Can you talk to my boy? Jamie. | 0:07:03 | 0:07:06 | |
What about? | 0:07:06 | 0:07:08 | |
He's not normal, he doesn't... He doesn't talk. | 0:07:16 | 0:07:21 | |
He collects bones. | 0:07:24 | 0:07:26 | |
He told me there're 206 in the human body. | 0:07:27 | 0:07:31 | |
LOUD MUSIC PLAYING | 0:07:32 | 0:07:34 | |
MUSIC STOPS | 0:07:38 | 0:07:39 | |
I'll leave you to it. | 0:07:40 | 0:07:42 | |
DOOR CLOSES | 0:07:48 | 0:07:49 | |
Your mum says you won't speak to anyone. | 0:08:02 | 0:08:05 | |
Should she worry? | 0:08:05 | 0:08:07 | |
Sometimes when people are silent it's because | 0:08:13 | 0:08:16 | |
they're afraid of what they might say. | 0:08:16 | 0:08:20 | |
People can make mistakes, you know. | 0:08:20 | 0:08:23 | |
They can lose their temper and do things they regret. | 0:08:23 | 0:08:26 | |
Is this yours? | 0:08:43 | 0:08:45 | |
It's wet. | 0:08:49 | 0:08:50 | |
Have you been out on a kayak? | 0:08:51 | 0:08:53 | |
How'd it get wet? | 0:08:58 | 0:09:00 | |
SHE SIGHS | 0:09:03 | 0:09:04 | |
You know, when very young girls get pregnant, it's often innocent. | 0:09:04 | 0:09:09 | |
They've been with a boy and it's... | 0:09:09 | 0:09:12 | |
They do things, things happen... | 0:09:12 | 0:09:16 | |
It's an accident, it's not a crime. | 0:09:16 | 0:09:18 | |
Was Tui your girlfriend? | 0:09:21 | 0:09:22 | |
You two ever fool around? | 0:09:26 | 0:09:28 | |
You are friends. Jamie, I know that. | 0:09:30 | 0:09:33 | |
I found your messages on her phone. | 0:09:33 | 0:09:35 | |
I called your number. | 0:09:38 | 0:09:40 | |
You know, Jamie... | 0:09:45 | 0:09:48 | |
You ought to know the police won't give up on a case like this. | 0:09:49 | 0:09:53 | |
They're not allowed to give up. | 0:09:55 | 0:09:57 | |
Wishbones. | 0:10:12 | 0:10:14 | |
What do you like about bones? | 0:10:17 | 0:10:19 | |
HE TYPES | 0:10:22 | 0:10:24 | |
MOBILE CHIMES MESSAGE ALERT | 0:10:29 | 0:10:30 | |
Oh, you're a barista. That's cool. | 0:10:40 | 0:10:43 | |
Congratulations. | 0:10:45 | 0:10:47 | |
Do you really believe in all that shit? | 0:10:47 | 0:10:49 | |
DOOR OPENS | 0:10:50 | 0:10:52 | |
Hey. | 0:11:00 | 0:11:02 | |
You know that kid who doesn't speak to adults? | 0:11:02 | 0:11:04 | |
He doesn't speak to anyone. | 0:11:04 | 0:11:06 | |
I hear he's speaking to you. | 0:11:06 | 0:11:08 | |
We were speaking with him. | 0:11:08 | 0:11:09 | |
Hey, have you done the barista course? | 0:11:09 | 0:11:12 | |
Have you done it? | 0:11:16 | 0:11:18 | |
I'm doing it. | 0:11:18 | 0:11:19 | |
-TEDDY: -Hug me. | 0:11:19 | 0:11:21 | |
-They slave us. -They don't actually, they just make them work. | 0:11:21 | 0:11:24 | |
DOOR CLOSES | 0:11:32 | 0:11:34 | |
Hey, Simone's son, he collects bones. | 0:11:34 | 0:11:38 | |
There's hundreds of them. And guess what? | 0:11:38 | 0:11:42 | |
He's got a pale blue hoodie. And it was really wet. | 0:11:42 | 0:11:45 | |
What? | 0:11:48 | 0:11:49 | |
I just don't remember this being taken. | 0:11:55 | 0:11:58 | |
Do you? | 0:12:02 | 0:12:04 | |
It's not a good time. | 0:12:11 | 0:12:13 | |
SHE SIGHS | 0:12:17 | 0:12:18 | |
Mum made that dress. | 0:12:21 | 0:12:24 | |
Your mum. | 0:12:24 | 0:12:26 | |
I remember her face falling when she opened the door to me. | 0:12:26 | 0:12:29 | |
No, it was when she heard your name, | 0:12:31 | 0:12:34 | |
and she realised you were Matt's son. | 0:12:34 | 0:12:38 | |
She hates him. | 0:12:38 | 0:12:39 | |
'She thought you would be just as bad.' | 0:12:42 | 0:12:44 | |
'I remember that kiss. | 0:12:53 | 0:12:55 | |
'I do remember that.' | 0:12:58 | 0:13:01 | |
'Where'd you go off to?' | 0:13:30 | 0:13:32 | |
Just didn't want you to know I smoked weed. | 0:13:32 | 0:13:36 | |
You didn't come back. | 0:13:36 | 0:13:38 | |
I had a lot. | 0:13:41 | 0:13:42 | |
I was pretty stoned. | 0:13:44 | 0:13:45 | |
You up for this? | 0:13:50 | 0:13:52 | |
Not really. | 0:13:58 | 0:13:59 | |
I was so hurt. | 0:14:12 | 0:14:14 | |
So I decided to walk home. | 0:14:17 | 0:14:19 | |
'Didn't you see me? | 0:14:22 | 0:14:24 | |
'I came right after you. I was waving. I thought you saw.' | 0:14:24 | 0:14:27 | |
Hey, Robin! | 0:14:27 | 0:14:29 | |
'I don't remember you waving. | 0:14:29 | 0:14:32 | |
'Then that truck pulled up out of nowhere.' | 0:14:32 | 0:14:34 | |
ENGINE STARTS | 0:14:34 | 0:14:36 | |
I didn't notice how many men were in the truck. | 0:14:44 | 0:14:47 | |
And I didn't see how drunk they were. | 0:14:48 | 0:14:51 | |
DOGS BARK | 0:14:51 | 0:14:53 | |
'I tried to talk my way into the cab.' | 0:14:53 | 0:14:57 | |
They threw me in the dog cage on the back. | 0:14:58 | 0:15:00 | |
You came, too? | 0:15:04 | 0:15:05 | |
HE SIGHS | 0:15:05 | 0:15:07 | |
There's something I need to tell you. | 0:15:07 | 0:15:10 | |
Is it bad? | 0:15:10 | 0:15:12 | |
PHONE RINGS | 0:15:12 | 0:15:15 | |
What is it? | 0:15:15 | 0:15:17 | |
Yeah. | 0:15:17 | 0:15:18 | |
HE SIGHS | 0:15:20 | 0:15:21 | |
Yeah, I think it's bad. | 0:15:21 | 0:15:23 | |
You're scaring me. | 0:15:23 | 0:15:25 | |
PHONE CONTINUES RINGING | 0:15:25 | 0:15:27 | |
Don't tell me. | 0:15:35 | 0:15:36 | |
Don't tell me! | 0:15:40 | 0:15:42 | |
-Hi! Me. -You're late. | 0:16:05 | 0:16:08 | |
I brought you dinner. | 0:16:08 | 0:16:10 | |
That's nice. | 0:16:10 | 0:16:11 | |
Hi. This guy's been ringing for you for a couple of days now. | 0:16:14 | 0:16:18 | |
Says it's important that he talks to you. | 0:16:18 | 0:16:19 | |
He's at the Lakeside motel and he's come up specially to see you. | 0:16:19 | 0:16:23 | |
-Who is he? -He wouldn't say. | 0:16:23 | 0:16:26 | |
Does he know I'm not a cop any more? | 0:16:26 | 0:16:28 | |
Why did I have to hear that from other people? | 0:16:28 | 0:16:32 | |
-Who told you? -Al rang to see how you were going. | 0:16:32 | 0:16:34 | |
I had no idea you were sacked. | 0:16:34 | 0:16:37 | |
What's happening to you? | 0:16:38 | 0:16:41 | |
I don't understand the behaviour. | 0:16:43 | 0:16:46 | |
You're not violent. | 0:16:46 | 0:16:48 | |
You're lucky Al stepped in for you. | 0:16:51 | 0:16:53 | |
He could've stepped in 15 years ago. | 0:16:53 | 0:16:56 | |
Then what? A court case? | 0:16:56 | 0:16:59 | |
Why not? | 0:16:59 | 0:17:00 | |
It happens all the time. | 0:17:00 | 0:17:02 | |
And you know what, I don't give a shit | 0:17:03 | 0:17:05 | |
if Sarge is walking around with a grubby bandage on. | 0:17:05 | 0:17:07 | |
I hope he's awake and in fucking pain! Always! | 0:17:07 | 0:17:11 | |
Me, too. Always. | 0:17:11 | 0:17:14 | |
Don't go back to Laketop. | 0:17:16 | 0:17:18 | |
There's too much history for you there. | 0:17:18 | 0:17:21 | |
It's destructive. | 0:17:21 | 0:17:23 | |
Robin Griffin. You are? | 0:17:31 | 0:17:34 | |
Ian Fellows, pathologist in Macau. | 0:17:34 | 0:17:39 | |
You got identification? | 0:17:39 | 0:17:41 | |
Well, good point. | 0:17:41 | 0:17:44 | |
Uh, a good point. | 0:17:44 | 0:17:47 | |
Huh. | 0:17:47 | 0:17:48 | |
HE CLEARS HIS THROAT | 0:17:48 | 0:17:49 | |
Oh, I hear you're on loan from the New South Wales crime squad. | 0:17:53 | 0:17:58 | |
Who told you that? | 0:17:59 | 0:18:01 | |
Your old boss. | 0:18:01 | 0:18:03 | |
What's your opinion of the police here? | 0:18:03 | 0:18:07 | |
I don't work for them any more. | 0:18:08 | 0:18:10 | |
That's a side step. | 0:18:10 | 0:18:11 | |
No, actually, it's a step down. | 0:18:11 | 0:18:15 | |
Detective Parker stood me down. | 0:18:16 | 0:18:19 | |
Really. Well, I can tell you from my experience, they're fucking pathetic. | 0:18:19 | 0:18:24 | |
That's like a lost and found office, | 0:18:26 | 0:18:28 | |
with Al Parker as head clerk. | 0:18:28 | 0:18:30 | |
HE SCOFFS | 0:18:30 | 0:18:31 | |
I suggested three cases | 0:18:31 | 0:18:34 | |
go forward to coronial inquiry. | 0:18:34 | 0:18:36 | |
He hasn't moved on one of them. | 0:18:36 | 0:18:38 | |
Bob Platt, drowned in a boating incident. | 0:18:40 | 0:18:45 | |
They call "accident". | 0:18:45 | 0:18:47 | |
Wolfgang Zanic, suicide with lacerations and bruises | 0:18:47 | 0:18:53 | |
I can't make any sense of. | 0:18:53 | 0:18:55 | |
And April Stephens, 13, | 0:18:55 | 0:18:58 | |
hit by a car on Laketop Road. | 0:18:58 | 0:19:01 | |
Traces of cocaine in her vagina. | 0:19:01 | 0:19:04 | |
-When was she hit? -Oh, uh... | 0:19:04 | 0:19:07 | |
Late last year, let me see. | 0:19:07 | 0:19:09 | |
Uh, yeah, November 15. | 0:19:10 | 0:19:13 | |
Cocaine? | 0:19:15 | 0:19:16 | |
Where'd she get that? It's not a kid's drug. | 0:19:17 | 0:19:21 | |
That's right, far too expensive. | 0:19:21 | 0:19:24 | |
Was there any evidence of sexual intercourse? | 0:19:25 | 0:19:28 | |
Slight vaginal abrasions. | 0:19:28 | 0:19:30 | |
And no sperm. | 0:19:31 | 0:19:33 | |
Probably used a condom. | 0:19:35 | 0:19:37 | |
What are you thinking? | 0:19:38 | 0:19:40 | |
Ah, Queenstown is a millionaire's playground. | 0:19:40 | 0:19:44 | |
What they want, they get. | 0:19:44 | 0:19:45 | |
Top grade cocaine, prostitutes. | 0:19:45 | 0:19:48 | |
And I'm adding underage sex. | 0:19:48 | 0:19:50 | |
When I have someone on my slab, | 0:19:54 | 0:19:57 | |
they all just become, uh, decaying matter, evidence. | 0:19:57 | 0:20:00 | |
But when a kid's involved, it's different. | 0:20:02 | 0:20:04 | |
I had a daughter who overdosed. | 0:20:07 | 0:20:08 | |
So for me, it's emotional. | 0:20:10 | 0:20:12 | |
Did April have a habit? | 0:20:16 | 0:20:18 | |
I don't think so, no. Her arms were clean. | 0:20:18 | 0:20:20 | |
Apparently, she walked out in front of the car as if she wanted to be hit. | 0:20:20 | 0:20:25 | |
-TEDDY: -Hug me. -(LAUGHS) | 0:21:06 | 0:21:07 | |
CAR HORN BLARES | 0:21:23 | 0:21:25 | |
I want to know the bad thing you were going to tell me. | 0:21:58 | 0:22:01 | |
Yeah? | 0:22:16 | 0:22:17 | |
Yeah. | 0:22:19 | 0:22:20 | |
'Now at first I thought they were going to be decent and just drive you home...' | 0:22:26 | 0:22:32 | |
But then when they turned off toward the river, | 0:22:32 | 0:22:34 | |
it was pretty clear that wasn't going to happen. | 0:22:34 | 0:22:37 | |
I remember that turn. | 0:22:38 | 0:22:41 | |
'Sarge said he wanted to show me a secret sand island. | 0:22:41 | 0:22:45 | |
'And I said, "No, thank you, I don't have time," | 0:22:45 | 0:22:49 | |
'And he said, "That's OK, | 0:22:49 | 0:22:52 | |
'"won't take long. We'll be quick."' | 0:22:52 | 0:22:55 | |
Time for a walk, sunshine. | 0:22:58 | 0:23:00 | |
MEN LAUGH, ROBIN CRIES | 0:23:00 | 0:23:02 | |
-MAN: -Hey! Hey! Where you going? | 0:23:02 | 0:23:04 | |
MEN LAUGH | 0:23:04 | 0:23:05 | |
-MAN: -Let's get it done. | 0:23:05 | 0:23:07 | |
DOG BARKS | 0:23:08 | 0:23:09 | |
No! | 0:23:09 | 0:23:10 | |
Come on. | 0:23:10 | 0:23:12 | |
ROBIN SCREAMS | 0:23:12 | 0:23:14 | |
No! | 0:23:21 | 0:23:23 | |
-No! -Get her! | 0:23:23 | 0:23:26 | |
Get her! | 0:23:28 | 0:23:30 | |
I could hear you screaming. | 0:23:31 | 0:23:33 | |
I actually pissed all over myself. | 0:23:36 | 0:23:39 | |
And then I worked out I could get out. I found a little latch. | 0:23:42 | 0:23:46 | |
And I climbed off the back of the truck, and I walked towards the screams. | 0:23:46 | 0:23:50 | |
One of the guys came walking towards me, and... | 0:23:54 | 0:23:57 | |
He asked me if I wanted to have a go. | 0:23:57 | 0:24:01 | |
-You're hurting her! -You want a go, mate? | 0:24:02 | 0:24:06 | |
Please, no! Don't! | 0:24:06 | 0:24:08 | |
Sit down. Good boy! Bad boy. | 0:24:08 | 0:24:11 | |
Good boy! | 0:24:11 | 0:24:13 | |
Please, no! | 0:24:14 | 0:24:16 | |
HE GRUNTS | 0:24:18 | 0:24:19 | |
MAN LAUGHS | 0:24:19 | 0:24:21 | |
I should have helped you. | 0:24:39 | 0:24:41 | |
And I didn't. | 0:24:43 | 0:24:44 | |
Is that it? | 0:24:52 | 0:24:53 | |
I was a coward. | 0:24:57 | 0:24:59 | |
No. | 0:25:02 | 0:25:04 | |
There was nothing you could have done. | 0:25:05 | 0:25:08 | |
It was four against one. | 0:25:08 | 0:25:10 | |
You were a kid. | 0:25:18 | 0:25:20 | |
Where you going? | 0:25:28 | 0:25:30 | |
To take the rubbish out. | 0:25:30 | 0:25:32 | |
-Right now? -Yeah. | 0:25:32 | 0:25:34 | |
-Why can't it wait? -Because it can't. | 0:25:34 | 0:25:37 | |
Johnno, please, can you stay? | 0:25:37 | 0:25:39 | |
BANGING | 0:26:01 | 0:26:02 | |
Sarge! | 0:26:02 | 0:26:04 | |
Sarge! | 0:26:04 | 0:26:05 | |
BANGING | 0:26:05 | 0:26:07 | |
DOGS BARK | 0:26:07 | 0:26:08 | |
Sarge? | 0:26:09 | 0:26:10 | |
Where are you, Sarge? | 0:26:12 | 0:26:14 | |
Sarge? | 0:26:15 | 0:26:17 | |
Hey, what's going on? | 0:26:19 | 0:26:20 | |
Settle down, mate. | 0:26:22 | 0:26:24 | |
Get in your car. | 0:26:25 | 0:26:27 | |
You're going to leave here, and you're never going to come back. | 0:26:27 | 0:26:30 | |
-What's your problem, mate? -The problem? | 0:26:30 | 0:26:33 | |
You raped my friend. | 0:26:33 | 0:26:35 | |
Fucking sweetheart. | 0:26:36 | 0:26:38 | |
15, she was 15. | 0:26:38 | 0:26:41 | |
I don't remember, mate, I don't know what you're talking... | 0:26:43 | 0:26:46 | |
Aargh! Fucking hell! | 0:26:46 | 0:26:48 | |
Jesus! | 0:26:48 | 0:26:50 | |
-Leave! Leave! -Please, mate, I don't know what you're... | 0:26:51 | 0:26:56 | |
-Please, mate. -Get the fuck out of here! | 0:26:59 | 0:27:01 | |
Leave! | 0:27:02 | 0:27:04 | |
WOMAN CLAPS | 0:27:12 | 0:27:13 | |
I'm going to love you for ever. | 0:27:27 | 0:27:30 | |
I will never let you go. | 0:27:32 | 0:27:34 | |
Walk through the valley of death... | 0:27:38 | 0:27:41 | |
..with a fucking rainbow above us. | 0:27:42 | 0:27:44 | |
KNOCK ON DOOR | 0:28:13 | 0:28:14 | |
Hi. The boss wants you. | 0:28:23 | 0:28:26 | |
Can you come? | 0:28:26 | 0:28:28 | |
-Hey, what's happened? -He'll tell you. | 0:28:28 | 0:28:31 | |
How's your mother? | 0:28:52 | 0:28:54 | |
Fine. | 0:28:56 | 0:28:57 | |
You're in love, aren't you? | 0:28:59 | 0:29:01 | |
Oh, it's none of my business. | 0:29:09 | 0:29:11 | |
Look, I've got a bit of a problem. | 0:29:13 | 0:29:16 | |
I need you back. | 0:29:16 | 0:29:18 | |
This is Detective Robin Griffin. | 0:29:27 | 0:29:29 | |
She's the officer in charge of the disappeared girl, the Tui Mitcham case. | 0:29:29 | 0:29:33 | |
When I called from Auckland, I was told by Zena Sami that the case was closed. | 0:29:36 | 0:29:40 | |
We've had a lot of readers' inquiries, they want to know if the girl's been found. | 0:29:40 | 0:29:44 | |
Uh, no. No, it's not closed, and it's not looking good. | 0:29:44 | 0:29:50 | |
The girl's been missing for more than two months. | 0:29:50 | 0:29:53 | |
The statistical chance of survival in this weather is less than one percent. | 0:29:53 | 0:29:57 | |
If you'll excuse me, I'll leave you with Robin, | 0:30:01 | 0:30:03 | |
I've got another appointment to rush off to, but, uh... | 0:30:03 | 0:30:05 | |
Look, if you're down here again let us know and I can show you some of | 0:30:05 | 0:30:08 | |
The good things we have to offer down here. | 0:30:08 | 0:30:10 | |
-Do you fish? You ski? -No. | 0:30:10 | 0:30:11 | |
Take you heli-skiing, you can write a story about that. | 0:30:11 | 0:30:15 | |
See you later, Robin. | 0:30:15 | 0:30:17 | |
Well, Tui was pregnant, | 0:30:22 | 0:30:24 | |
which is not for publication, it's a child protection issue, so... | 0:30:24 | 0:30:28 | |
Even if she is deceased, | 0:30:30 | 0:30:31 | |
it's statutory rape and her body is very important evidence for us. | 0:30:31 | 0:30:36 | |
This cafe's actually modelled on a Danish initiative, | 0:30:41 | 0:30:44 | |
it's a training scheme for troubled kids. | 0:30:44 | 0:30:47 | |
-That'd be a good boost to self-esteem. -Yeah. | 0:30:47 | 0:30:51 | |
Tui's up there. | 0:30:52 | 0:30:54 | |
-Oh. Can I take a picture? -Mmm-hmm. | 0:30:54 | 0:30:57 | |
The top row, in the middle. | 0:31:01 | 0:31:03 | |
DOOR CLOSES | 0:31:15 | 0:31:16 | |
Just got a call from your journalist friend. | 0:31:16 | 0:31:18 | |
Very impressed with your candour on the case so far. | 0:31:18 | 0:31:22 | |
Well done. | 0:31:22 | 0:31:24 | |
I told him we have a DNA database. | 0:31:25 | 0:31:29 | |
That has to happen. | 0:31:30 | 0:31:32 | |
Yeah, it's a good idea. | 0:31:33 | 0:31:35 | |
-What do you know about April Stevens? -What? | 0:31:37 | 0:31:41 | |
Oh, that was a sad story, that, um... | 0:31:41 | 0:31:45 | |
That added up pretty much to a suicide. | 0:31:45 | 0:31:48 | |
What about the traces of cocaine in her vagina? | 0:31:48 | 0:31:52 | |
Sounds like you've met our crime-writer pathologist. | 0:31:53 | 0:31:57 | |
Did he call you up, get you to meet him at a quiet motel? | 0:31:57 | 0:32:01 | |
-Something like that. -Yeah, that's his mo. | 0:32:01 | 0:32:04 | |
He's concerned. | 0:32:05 | 0:32:06 | |
No, he's not concerned, he's exhausting. | 0:32:06 | 0:32:09 | |
I've got one of his novels holding up my desk. | 0:32:09 | 0:32:12 | |
On The Rocks. | 0:32:12 | 0:32:14 | |
You need furniture in here. | 0:32:18 | 0:32:21 | |
I feel like a student again. | 0:32:22 | 0:32:24 | |
Hey, you be careful of your, uh, drug addict friend. | 0:32:28 | 0:32:31 | |
-That was a long time ago. -Oh, he'll fuck up again, I'm waiting. | 0:32:31 | 0:32:36 | |
Don't wait. | 0:32:38 | 0:32:39 | |
OK, I won't. | 0:32:40 | 0:32:42 | |
Will you marry me? | 0:32:44 | 0:32:46 | |
-This is weird, Al. -No, hear me out. | 0:32:49 | 0:32:52 | |
I'm old enough to recognise my angel when I meet her. | 0:32:54 | 0:32:57 | |
Just think about it. | 0:33:00 | 0:33:03 | |
Not now, but over the next few weeks. | 0:33:03 | 0:33:06 | |
We could have a life together, a beautiful one. | 0:33:08 | 0:33:11 | |
We could have a baby, whatever you want. | 0:33:11 | 0:33:14 | |
Redeem me. | 0:33:17 | 0:33:19 | |
Or if you're not interested, go ahead. Exterminate me. | 0:33:19 | 0:33:22 | |
I wouldn't want to do that. | 0:33:26 | 0:33:28 | |
WOMEN LAUGH | 0:33:37 | 0:33:39 | |
LAUGHING CONTINUES | 0:33:45 | 0:33:47 | |
Hey, I think I'll wait here, eh? | 0:33:50 | 0:33:53 | |
Does it ever end? Does it? | 0:34:21 | 0:34:23 | |
Are you dying? | 0:34:48 | 0:34:49 | |
Yes, yeah. Mmm. | 0:34:55 | 0:34:56 | |
Nothing wrong with that. | 0:34:56 | 0:34:58 | |
Very natural. | 0:34:58 | 0:34:59 | |
The body knows what to do. Just go with the body. | 0:34:59 | 0:35:02 | |
Are you frightened? | 0:35:09 | 0:35:11 | |
You're not going to experience this death of yours. | 0:35:15 | 0:35:19 | |
He will. | 0:35:19 | 0:35:20 | |
I'll be dead. | 0:35:20 | 0:35:22 | |
SHE SIGHS | 0:35:26 | 0:35:28 | |
What about the pain? | 0:35:28 | 0:35:29 | |
The pain will never be too much, but when it is, | 0:35:32 | 0:35:35 | |
the body goes unconscious. | 0:35:35 | 0:35:37 | |
But you guys have drugs, yeah? | 0:35:37 | 0:35:40 | |
Yes, morphine. | 0:35:40 | 0:35:41 | |
That's not good. | 0:35:41 | 0:35:43 | |
Find some heroin. | 0:35:43 | 0:35:44 | |
In nature there is no death. | 0:35:47 | 0:35:49 | |
Just a reshuffling of atoms. | 0:35:49 | 0:35:52 | |
And you? | 0:35:54 | 0:35:56 | |
Do you have a question? | 0:35:57 | 0:35:59 | |
Would you like to ask something? | 0:36:01 | 0:36:04 | |
No. | 0:36:04 | 0:36:06 | |
-Here you go. -Ah, good. | 0:36:06 | 0:36:08 | |
Mum, do you recognize this guy? | 0:36:10 | 0:36:13 | |
Should I? | 0:36:13 | 0:36:15 | |
Do I know you? | 0:36:15 | 0:36:16 | |
Hi, Jude. | 0:36:16 | 0:36:18 | |
Johnno Mitcham. | 0:36:18 | 0:36:19 | |
Oh. | 0:36:22 | 0:36:23 | |
He has a tent set up by the lake, | 0:36:23 | 0:36:25 | |
and he chops my wood and we keep each other company. | 0:36:25 | 0:36:28 | |
Swimming in the lake? | 0:36:31 | 0:36:33 | |
It was freezing. | 0:36:33 | 0:36:34 | |
GJ and the women were really helpful. Well, I think... | 0:36:34 | 0:36:39 | |
I can't say what happened, but... | 0:36:39 | 0:36:42 | |
..I'm lighter. | 0:36:43 | 0:36:44 | |
I'm feeling relieved. | 0:36:44 | 0:36:45 | |
That is remission. You've got to believe in it. | 0:36:45 | 0:36:49 | |
Maybe. | 0:36:49 | 0:36:51 | |
Well, remission from the arguments anyway, eh? | 0:36:51 | 0:36:54 | |
Yes. | 0:36:54 | 0:36:55 | |
SHE LAUGHS | 0:36:55 | 0:36:56 | |
Yep, we don't argue any more. | 0:36:58 | 0:37:00 | |
We even talked about getting married. | 0:37:00 | 0:37:02 | |
I proposed with a beer tab. | 0:37:02 | 0:37:05 | |
ALL LAUGH | 0:37:05 | 0:37:07 | |
Hey, are you teasing? | 0:37:13 | 0:37:15 | |
-The lamest job ever. -Ah. | 0:37:18 | 0:37:21 | |
SHE CHUCKLES | 0:37:22 | 0:37:24 | |
Turangi, I need a shot. | 0:37:37 | 0:37:39 | |
Thanks. | 0:37:45 | 0:37:47 | |
You OK, Mum? | 0:38:00 | 0:38:02 | |
It's been like this. She's fine, and suddenly the pain hits her. | 0:38:04 | 0:38:10 | |
OK, Johnno, just follow me. Strike. | 0:38:16 | 0:38:19 | |
Can I speak with you? | 0:38:24 | 0:38:26 | |
Of course. | 0:38:26 | 0:38:28 | |
I'm Caroline Platt. | 0:38:30 | 0:38:32 | |
Bob Platt's widow. | 0:38:34 | 0:38:36 | |
I heard that you're the one who found his body. | 0:38:39 | 0:38:43 | |
I'm sorry, I didn't realise who you were. | 0:38:43 | 0:38:45 | |
I don't live here at Laketop any more. | 0:38:45 | 0:38:49 | |
Bob and I were getting a divorce, actually. | 0:38:49 | 0:38:52 | |
We met in Christchurch to discuss it, and decided to try again, away from Laketop... | 0:38:52 | 0:38:58 | |
Well, that never happened. | 0:38:59 | 0:39:00 | |
Bob wasn't an angel. | 0:39:03 | 0:39:05 | |
He drank too much, | 0:39:07 | 0:39:08 | |
and like a lot of real estate agents, he could be sly with facts. | 0:39:08 | 0:39:12 | |
That's not what I want to tell you about. | 0:39:16 | 0:39:18 | |
A few months before he died, | 0:39:21 | 0:39:24 | |
Bob called me, very frightened. | 0:39:24 | 0:39:26 | |
He said that he'd seen something terrifying, | 0:39:28 | 0:39:31 | |
something completely shocking. | 0:39:31 | 0:39:33 | |
And he had to get out. | 0:39:33 | 0:39:35 | |
He said he had to leave immediately. | 0:39:35 | 0:39:38 | |
And then he said he had to cash up, because we'd have nothing to live on. | 0:39:38 | 0:39:43 | |
So it seemed like a miracle when that woman up at Paradise paid | 0:39:43 | 0:39:46 | |
nearly 2 million for the property. | 0:39:46 | 0:39:48 | |
That's twice what Mitcham had negotiated. | 0:39:48 | 0:39:51 | |
And Bob didn't care about crossing Mitcham because he was leaving. | 0:39:51 | 0:39:56 | |
And then he drowned. | 0:39:57 | 0:39:59 | |
Can you get me access to his computer? | 0:40:02 | 0:40:05 | |
That's a good looking car, man. | 0:40:10 | 0:40:13 | |
I want to give you a hug. | 0:40:16 | 0:40:18 | |
OK. | 0:40:19 | 0:40:20 | |
There's a favour I want, a request. | 0:40:24 | 0:40:27 | |
-Yes. -I wouldn't ask if it wasn't absolutely vital. | 0:40:27 | 0:40:32 | |
What? | 0:40:33 | 0:40:34 | |
Don't see Johnno. | 0:40:36 | 0:40:37 | |
Why? | 0:40:40 | 0:40:42 | |
It's important. | 0:40:42 | 0:40:44 | |
You mustn't. | 0:40:44 | 0:40:46 | |
Mum, you have to drop this. | 0:40:47 | 0:40:49 | |
You OK? | 0:40:50 | 0:40:52 | |
Please. | 0:40:52 | 0:40:53 | |
OK. | 0:40:59 | 0:41:01 | |
Thanks. | 0:41:02 | 0:41:04 | |
What's up? | 0:41:32 | 0:41:33 | |
I have to ask you a question. | 0:41:40 | 0:41:42 | |
Did you signal to Sarge's truck? | 0:41:45 | 0:41:48 | |
Was that the wave? | 0:41:49 | 0:41:51 | |
Why were they waiting near the gate? | 0:41:53 | 0:41:55 | |
You mean, did I... | 0:41:55 | 0:41:56 | |
..set you up? | 0:41:57 | 0:41:59 | |
Did I offer you up to those animals? | 0:42:01 | 0:42:05 | |
Just say no. | 0:42:05 | 0:42:06 | |
Say no! | 0:42:15 | 0:42:16 | |
It's fine. Where are you going? | 0:42:18 | 0:42:20 | |
Hey! | 0:42:20 | 0:42:22 | |
Hey, where are you going? | 0:42:22 | 0:42:23 | |
-This is the end. -What do you mean? | 0:42:23 | 0:42:27 | |
Come on, just say no. Just say no. | 0:42:27 | 0:42:29 | |
You know what? I was actually beginning to find this much happiness fucking disturbing. | 0:42:29 | 0:42:33 | |
-If you leave, it's over. -Yeah. | 0:42:33 | 0:42:35 | |
You understand that? | 0:42:35 | 0:42:37 | |
Where's your resilience, huh? | 0:42:37 | 0:42:39 | |
Oh, yeah, that's a fucking great question! | 0:42:39 | 0:42:41 | |
Where is it? Where is it? You got any you want to fucking share? | 0:42:41 | 0:42:44 | |
Oh, fuck you! | 0:42:44 | 0:42:45 | |
DOOR SLAMS | 0:42:53 | 0:42:54 | |
How's it for you being back? | 0:43:07 | 0:43:09 | |
Challenging. | 0:43:11 | 0:43:13 | |
I can't see anything at the moment. | 0:43:17 | 0:43:20 | |
Do you mind if I take it? | 0:43:20 | 0:43:22 | |
Sure. | 0:43:25 | 0:43:26 | |
DOGS BARK | 0:43:38 | 0:43:39 | |
SNORING | 0:43:42 | 0:43:44 | |
DOG WHINES | 0:43:46 | 0:43:48 | |
DOGS CONTINUE BARKING | 0:43:54 | 0:43:56 | |
SMALL DOG BARKS | 0:44:11 | 0:44:13 | |
Terry? | 0:44:23 | 0:44:24 | |
DOG WHIMPERS | 0:44:33 | 0:44:35 | |
Hey, come on. Family conference. | 0:45:08 | 0:45:12 | |
Hey! | 0:45:12 | 0:45:14 | |
Things are going to change when we find Tui and bring her back here. | 0:45:21 | 0:45:25 | |
We're going to sit down, | 0:45:27 | 0:45:29 | |
set meals around this table, | 0:45:29 | 0:45:32 | |
like a family. | 0:45:32 | 0:45:34 | |
Maybe even have a conversation. | 0:45:36 | 0:45:39 | |
I'm going to hire some hunters to find her. | 0:45:43 | 0:45:49 | |
But they're not to touch her. | 0:45:49 | 0:45:50 | |
OK, what's going on? | 0:45:53 | 0:45:55 | |
There's something going on. What's going on? | 0:45:56 | 0:46:00 | |
Tell me. | 0:46:00 | 0:46:01 | |
That's what this is all about, tell me. | 0:46:01 | 0:46:04 | |
Tell him. | 0:46:06 | 0:46:07 | |
I saw you a couple of times | 0:46:10 | 0:46:12 | |
passed out on Tui's bed, and she was walking up and down on top of you. | 0:46:12 | 0:46:17 | |
It's true. | 0:46:18 | 0:46:20 | |
She told me, too. | 0:46:20 | 0:46:22 | |
How dare you? | 0:46:28 | 0:46:30 | |
-Hey! -How dare you? | 0:46:30 | 0:46:31 | |
My own daughter! | 0:46:31 | 0:46:33 | |
I'd never touch her! | 0:46:33 | 0:46:34 | |
You get it? Do you get it? | 0:46:34 | 0:46:37 | |
I love her! | 0:46:37 | 0:46:38 | |
Yeah, we get it. You love her, OK? | 0:46:41 | 0:46:44 | |
DOOR OPENS | 0:47:14 | 0:47:16 | |
SHE COCKS A GUN | 0:47:22 | 0:47:23 | |
Fucking hell! | 0:47:26 | 0:47:28 | |
That kid's back out on the lake. | 0:47:31 | 0:47:33 | |
He's paddling to the other side. | 0:47:33 | 0:47:36 | |
Matt's mounted his own search, he's got two hunters out after her. | 0:47:38 | 0:47:41 | |
And a 10k reward. | 0:47:41 | 0:47:43 | |
Does Al know? | 0:47:44 | 0:47:46 | |
Well, Al can't stop Matt looking for his own daughter. | 0:47:46 | 0:47:49 | |
(Boat.) | 0:48:24 | 0:48:25 | |
RUSTLING | 0:48:28 | 0:48:29 | |
Hey! | 0:48:32 | 0:48:34 | |
WHISTLING | 0:48:55 | 0:48:56 | |
Robin! | 0:48:59 | 0:49:00 | |
I'm sorry I got scared. | 0:49:55 | 0:49:57 | |
Mum, she confuses you with Matt. | 0:49:59 | 0:50:02 | |
ROBIN MOANS | 0:50:45 | 0:50:47 | |
(Oh, yeah.) | 0:51:00 | 0:51:03 | |
(Oh, yeah.) | 0:51:03 | 0:51:05 | |
(Oh, yeah.) | 0:51:07 | 0:51:09 | |
(To your left.) | 0:51:11 | 0:51:12 | |
GIGGLING | 0:51:17 | 0:51:18 | |
Stop! | 0:51:19 | 0:51:20 | |
Go on, get out! | 0:51:20 | 0:51:22 | |
Stop or I'll shoot! | 0:51:22 | 0:51:24 | |
-Hand it over. -Come on, come on! | 0:51:24 | 0:51:25 | |
Here's the phone! Here's the phone! | 0:51:25 | 0:51:28 | |
Hey! | 0:51:28 | 0:51:29 | |
Hey, man, that's my evidence! | 0:51:29 | 0:51:31 | |
-That's my evidence! -For our job, we need the fucking phone. | 0:51:31 | 0:51:35 | |
Eh? Give him his phone back to him, eh? | 0:51:35 | 0:51:37 | |
Yeah? | 0:51:37 | 0:51:38 | |
HE SCREAMS | 0:51:38 | 0:51:40 | |
GUNSHOTS | 0:51:40 | 0:51:42 | |
GUNSHOT | 0:51:43 | 0:51:45 | |
Shit. | 0:52:00 | 0:52:01 | |
-This is hard to stop. Can you walk? -Yeah. | 0:52:01 | 0:52:04 | |
Anything? | 0:52:06 | 0:52:08 | |
I can't find the track, but we can follow the river. | 0:52:08 | 0:52:11 | |
THUNDER RUMBLES | 0:52:13 | 0:52:15 | |
-Hey, lift up, lift up. -Sorry. | 0:52:42 | 0:52:44 | |
-This is a Mexican dish of mine, which is... -I'm really OK. | 0:52:44 | 0:52:47 | |
Well, it's got beans, carrots and chard. | 0:52:47 | 0:52:49 | |
-Where's Robin? -Um, I don't know. | 0:52:49 | 0:52:52 | |
She's elsewhere, man. Why? | 0:52:52 | 0:52:55 | |
So you have tetanus, sure now? | 0:52:58 | 0:53:00 | |
Thank you. | 0:53:01 | 0:53:03 | |
-Hi. -Hi. | 0:53:03 | 0:53:04 | |
Thank you. It's good, thank you. | 0:53:07 | 0:53:09 | |
Will you hold this for me, please, Prue? | 0:53:12 | 0:53:14 | |
-Sure. -Thank you. | 0:53:14 | 0:53:16 | |
You see, Prue here, | 0:53:17 | 0:53:19 | |
she's the first virgin I've ever met. | 0:53:19 | 0:53:22 | |
-Virgin, yeah. -Mmm. | 0:53:22 | 0:53:24 | |
The hymen, intact. | 0:53:24 | 0:53:26 | |
That's right, huh, Prue? | 0:53:26 | 0:53:28 | |
No-one chose me. | 0:53:29 | 0:53:30 | |
Yet! | 0:53:30 | 0:53:32 | |
Yes, not yet. | 0:53:32 | 0:53:34 | |
My cheek's got a birth mark, so no. | 0:53:34 | 0:53:36 | |
Unattractive people have sexy feelings, too, Anne-Marie. | 0:53:38 | 0:53:41 | |
Should be illegal! | 0:53:41 | 0:53:43 | |
Hi, how are you? | 0:53:45 | 0:53:47 | |
Delete it. Delete it! | 0:53:51 | 0:53:55 | |
-Delete it. -Why? | 0:53:55 | 0:53:56 | |
-Delete them all. Just do it. -No. | 0:53:56 | 0:53:59 | |
I did nudist outdoor calendar. | 0:53:59 | 0:54:02 | |
With two guys, | 0:54:02 | 0:54:03 | |
one black, and the other, he was this gorgeous blond... | 0:54:03 | 0:54:08 | |
Danish boy. | 0:54:09 | 0:54:11 | |
Delete them! | 0:54:11 | 0:54:12 | |
-Stop it. -No, that's her. | 0:54:21 | 0:54:24 | |
It's who? | 0:54:24 | 0:54:25 | |
Good girl, Tui. | 0:54:44 | 0:54:45 | |
-Good girl. -It's Tui. | 0:54:49 | 0:54:51 | |
-Hey. The kid's alive. Yeah. -Huh? | 0:54:51 | 0:54:53 | |
-Really? -The kid's alive. That little girl's alive. | 0:54:53 | 0:54:56 | |
We're going to celebrate! | 0:54:58 | 0:54:59 | |
Get the champagne! | 0:54:59 | 0:55:01 | |
You should see it too. | 0:55:01 | 0:55:03 | |
Yeah, the kid's alive... | 0:55:03 | 0:55:06 | |
EXCITED CHATTER | 0:55:11 | 0:55:13 | |
Good girl, Tui. | 0:55:20 | 0:55:22 | |
CHATTER AND LAUGHTER | 0:55:24 | 0:55:26 | |
She really wanted you to come. | 0:56:03 | 0:56:06 | |
To be there. | 0:56:06 | 0:56:08 | |
And I called, eh, lots of times. | 0:56:08 | 0:56:10 | |
She left a message for you on your home phone. | 0:56:11 | 0:56:15 | |
I just wanted to warn you. | 0:56:15 | 0:56:16 | |
DIALLING | 0:56:26 | 0:56:27 | |
ANSWERING MACHINE BEEPS | 0:56:33 | 0:56:35 | |
'Hi, Robin. This is Mum. | 0:56:37 | 0:56:41 | |
'I think I'm going. And then there'll be nothing. | 0:56:41 | 0:56:48 | |
'Hello darkness, and love. | 0:56:48 | 0:56:52 | |
'I'm imagining your face... | 0:56:53 | 0:56:56 | |
'Oh, Turangi just passed me a picture of you. | 0:56:56 | 0:57:02 | |
'I'm looking at you, kid. | 0:57:03 | 0:57:07 | |
'Oh... | 0:57:08 | 0:57:09 | |
'Bye. Goodbye, my little girl.' | 0:57:12 | 0:57:16 | |
MESSAGE ENDS | 0:57:16 | 0:57:18 | |
Stop! | 0:57:30 | 0:57:31 | |
Stop it. Stop it! | 0:57:31 | 0:57:33 | |
When you find her, don't swear. | 0:57:35 | 0:57:39 | |
Don't fight. | 0:57:39 | 0:57:41 | |
Don't do anything to scare the kid. | 0:57:43 | 0:57:45 | |
Everyone's involved out here. They'll come after you. They'll burn this place down. | 0:57:48 | 0:57:51 | |
Get off! | 0:57:52 | 0:57:53 | |
Tui! | 0:57:55 | 0:57:56 |