The Loss Wallander
Similar Content
Browse content similar to The Loss. Check below for episodes and series from the same categories and more!
Transcript
| Line | From | To | |
|---|---|---|---|
WIND WHISTLES | 0:00:31 | 0:00:35 | |
TRAIN HORN HONKS | 0:00:35 | 0:00:38 | |
WIND WHISTLES, RAIN PATTERS | 0:00:49 | 0:00:51 | |
WOMAN SPLUTTERS | 0:00:54 | 0:00:56 | |
SHE WHIMPERS | 0:00:56 | 0:00:58 | |
SHE SOBS, KEYPAD TONES | 0:01:02 | 0:01:04 | |
SOBBING OVER PHONE | 0:01:07 | 0:01:08 | |
-'Hello?' -Ajutati-ma...ajutati-ma... | 0:01:08 | 0:01:11 | |
Ajutati-ma... | 0:01:11 | 0:01:13 | |
SOBBING AND GASPING | 0:01:13 | 0:01:15 | |
Mor... | 0:01:15 | 0:01:17 | |
Mor! | 0:01:17 | 0:01:19 | |
-'Can you speak English, please?' -SOBBING | 0:01:19 | 0:01:22 | |
Hello? | 0:01:22 | 0:01:24 | |
SHE GASPS | 0:01:25 | 0:01:28 | |
SHE WHEEZES | 0:01:28 | 0:01:31 | |
WATER LAPS | 0:01:31 | 0:01:33 | |
WAVES BREAK | 0:01:39 | 0:01:43 | |
HE CHUCKLES | 0:03:03 | 0:03:04 | |
ALL SHOUT AND YELL | 0:03:28 | 0:03:30 | |
KIDS LAUGH AND SQUEAL | 0:03:30 | 0:03:32 | |
DIGGER CHUGS | 0:03:34 | 0:03:36 | |
KID CRIES | 0:03:55 | 0:03:58 | |
WOMAN PACIFIES KIDS > | 0:03:58 | 0:04:00 | |
HE LAUGHS | 0:04:30 | 0:04:32 | |
SIRENS NEARBY | 0:04:35 | 0:04:36 | |
LIGHTERS CLICK | 0:04:36 | 0:04:38 | |
ENGINE TURNS | 0:05:05 | 0:05:08 | |
KIDS GIGGLE | 0:05:13 | 0:05:16 | |
CHATTERING | 0:05:16 | 0:05:18 | |
LAUGHING AND CHATTERING | 0:05:18 | 0:05:20 | |
KIDS SCREAM | 0:05:26 | 0:05:28 | |
OFFICE HUBBUB | 0:07:15 | 0:07:18 | |
Hm? | 0:07:33 | 0:07:35 | |
HE KNOCKS | 0:07:39 | 0:07:41 | |
< KNOCKING | 0:07:41 | 0:07:42 | |
FOGHORNS BLARE NEARBY | 0:07:47 | 0:07:50 | |
LEVEL CROSSING BELLS RING | 0:07:50 | 0:07:52 | |
TRAIN RUMBLES | 0:08:04 | 0:08:09 | |
BIRDS CRY | 0:08:41 | 0:08:43 | |
CAMERA SHUTTER CLICKS | 0:08:43 | 0:08:46 | |
CLICKING | 0:08:46 | 0:08:47 | |
HE SIGHS | 0:09:40 | 0:09:42 | |
RECORDING PLAYS: | 0:10:19 | 0:10:21 | |
'Can you speak English, please?' | 0:10:30 | 0:10:33 | |
'Mor... Mor!' | 0:10:33 | 0:10:36 | |
GASPING ON RECORDING | 0:10:36 | 0:10:39 | |
'O multime de sange...' | 0:10:39 | 0:10:41 | |
'Where are you?' | 0:10:41 | 0:10:43 | |
ENGINE STARTS | 0:11:22 | 0:11:24 | |
Hello? Wait. | 0:12:18 | 0:12:20 | |
Wait! | 0:12:20 | 0:12:22 | |
Come on, wait! | 0:12:22 | 0:12:24 | |
TYRES SCREECH, ENGINE REVS | 0:12:24 | 0:12:26 | |
SMASHING GLASS, SHOUTING | 0:12:39 | 0:12:41 | |
COMMOTION | 0:12:41 | 0:12:43 | |
SHOUTING | 0:12:45 | 0:12:47 | |
Stop! | 0:12:49 | 0:12:51 | |
SHOUTING | 0:12:52 | 0:12:55 | |
WOMEN CHATTERING | 0:13:05 | 0:13:08 | |
CAR DOORS CLOSING | 0:13:18 | 0:13:20 | |
INDISTINCT RADIO CHATTER | 0:13:47 | 0:13:49 | |
HE GASPS | 0:14:49 | 0:14:51 | |
HE EXHALES | 0:14:53 | 0:14:55 | |
FOOTSTEPS APPROACH | 0:15:17 | 0:15:19 | |
-Hej. -Hej. | 0:15:21 | 0:15:23 | |
-Mr Perski? -Yes. -Can we talk? | 0:15:49 | 0:15:52 | |
Police. | 0:15:53 | 0:15:54 | |
-Well, Mr Martinsson, what can I do for you? -It's about a girl. | 0:15:57 | 0:16:01 | |
-She's dead, murdered. Probably a prostitute. -I know nothing about that. | 0:16:01 | 0:16:04 | |
From Romania... | 0:16:04 | 0:16:07 | |
Red hair, short, tattoo? You know of such a girl? | 0:16:07 | 0:16:10 | |
I meet so many. | 0:16:10 | 0:16:11 | |
GIRLS CHATTER | 0:16:11 | 0:16:13 | |
I have girls, so what? I give them great opportunity | 0:16:15 | 0:16:19 | |
I give them better life. | 0:16:19 | 0:16:22 | |
At home - no work, no nothing, just shit. | 0:16:22 | 0:16:26 | |
I bring them here and they get happiness. | 0:16:26 | 0:16:30 | |
-What do you have back here? -Storage. Be my guest. | 0:16:30 | 0:16:33 | |
Hej? | 0:16:33 | 0:16:35 | |
We're looking for a girl. | 0:16:36 | 0:16:38 | |
Red hair, tattoo like this. | 0:16:40 | 0:16:42 | |
Have you seen her? | 0:16:44 | 0:16:46 | |
Are you sure? Have you seen her? | 0:16:48 | 0:16:51 | |
Hej? | 0:16:51 | 0:16:53 | |
Please, have you seen her? | 0:16:53 | 0:16:55 | |
SHE MURMURS IN ROMANIAN | 0:16:55 | 0:16:57 | |
HE SIGHS | 0:17:41 | 0:17:42 | |
BUZZER SOUNDS | 0:17:48 | 0:17:50 | |
PEOPLE ARGUE NEARBY, BABY CRIES | 0:17:50 | 0:17:53 | |
LOCKS CLICK | 0:17:55 | 0:17:57 | |
KNOCKING | 0:19:49 | 0:19:51 | |
MOBILE RINGS | 0:20:19 | 0:20:21 | |
MARTINSSON SPEAKS INDISTINCTLY | 0:20:26 | 0:20:28 | |
'Bye.' | 0:20:32 | 0:20:33 | |
-Hej. -Hej. | 0:21:11 | 0:21:14 | |
BELL RINGS | 0:21:18 | 0:21:21 | |
-Hej. -Hej. | 0:21:26 | 0:21:28 | |
Hi. Hello, wait a minute. | 0:22:03 | 0:22:06 | |
I just want to talk to you. | 0:22:06 | 0:22:08 | |
-I'm looking for a girl, maybe you know her? -No. | 0:22:08 | 0:22:12 | |
I think she was Romanian, | 0:22:12 | 0:22:13 | |
she had a tattoo on her shoulder. | 0:22:13 | 0:22:16 | |
Maybe it was a flower? | 0:22:16 | 0:22:19 | |
SHE MURMURS What did you say? | 0:22:19 | 0:22:21 | |
You know, she was young, she's dead now, | 0:22:22 | 0:22:25 | |
she had all her life ahead of her. | 0:22:25 | 0:22:27 | |
What life? | 0:22:27 | 0:22:29 | |
-She was from Moldova, not Romania. -OK. | 0:22:30 | 0:22:33 | |
Do you know her? What was her name? | 0:22:33 | 0:22:35 | |
What was her name? | 0:22:35 | 0:22:37 | |
She was from Tiraspol. | 0:22:37 | 0:22:38 | |
Tiraspol. Do you know if she was afraid of someone? | 0:22:38 | 0:22:42 | |
Tigran Perski? Are you afraid of Tigran Perski? | 0:22:42 | 0:22:46 | |
She sent me this. | 0:22:52 | 0:22:54 | |
Is that Nadia? | 0:22:57 | 0:22:59 | |
Just a minute. | 0:22:59 | 0:23:01 | |
BEEPING | 0:23:01 | 0:23:02 | |
Thanks. | 0:23:02 | 0:23:04 | |
DOOR CLOSES | 0:24:08 | 0:24:10 | |
HE SLURPS | 0:24:11 | 0:24:12 | |
HE SIGHS | 0:24:16 | 0:24:18 | |
BUZZERS SOUND | 0:24:19 | 0:24:20 | |
CONVERSATION NEARBY | 0:24:20 | 0:24:22 | |
GIRLS CHATTER NEARBY SHUTTER CLICKS | 0:26:13 | 0:26:15 | |
Like this... | 0:26:15 | 0:26:17 | |
Put out the tits a little bit? Thank you. | 0:26:17 | 0:26:19 | |
Have you seen this picture before? | 0:26:22 | 0:26:24 | |
-It's from my website. -Who is the girl? -Don't know. | 0:26:24 | 0:26:27 | |
It's the same girl, same tattoo. | 0:26:27 | 0:26:30 | |
-And now, she is dead. -I'm sorry. I don't know anything. | 0:26:30 | 0:26:34 | |
I think you're lying. Where did you get the picture? | 0:26:39 | 0:26:42 | |
I found it on the internet. They're nice tits. I liked the tits. | 0:26:42 | 0:26:46 | |
-I liked the tattoo. OK? -I think you know something about that girl. | 0:26:46 | 0:26:51 | |
So, better you tell me now or you prefer we come down to the station. | 0:26:53 | 0:26:55 | |
I already told you, I don't know anything. | 0:26:55 | 0:26:58 | |
I will be back. | 0:26:58 | 0:27:00 | |
SHUTTER CLICKS | 0:27:02 | 0:27:03 | |
HE CHUCKLES | 0:27:19 | 0:27:21 | |
Yeah, yes. Thank you, goodbye. | 0:28:00 | 0:28:04 | |
-PHONE CLATTERS -(Fuck!) | 0:28:04 | 0:28:06 | |
SHE EXHALES | 0:28:06 | 0:28:08 | |
FOOTSTEPS RECEDING | 0:29:11 | 0:29:13 | |
SHIP FOGHORN BLARES | 0:29:30 | 0:29:33 | |
INDISTINCT TRAIN ANNOUNCEMENTS | 0:29:40 | 0:29:42 | |
CITY BUSTLE | 0:29:44 | 0:29:48 | |
DOG BARKS | 0:29:48 | 0:29:50 | |
SHOUTING NEARBY | 0:29:50 | 0:29:52 | |
DOG BARKS, SHOUTING | 0:29:53 | 0:29:56 | |
SHEEP BLEAT NEARBY | 0:29:56 | 0:29:58 | |
Mr Lupu? | 0:29:58 | 0:30:01 | |
Yes? | 0:30:01 | 0:30:02 | |
Hello, I'm from the Swedish police. | 0:30:03 | 0:30:06 | |
HE GREETS IN ROMANIAN | 0:30:08 | 0:30:10 | |
I'd like to talk to you about your daughter, Tatiana. | 0:30:10 | 0:30:13 | |
-Problem? -Can we talk inside? | 0:30:14 | 0:30:18 | |
-Yeah. -Thank you. | 0:30:18 | 0:30:20 | |
HE SPEAKS IN ROMANIAN | 0:30:35 | 0:30:37 | |
This your daughter? | 0:30:43 | 0:30:45 | |
Yes. | 0:30:45 | 0:30:46 | |
Tatiana. | 0:30:46 | 0:30:48 | |
Mr Lupu, I hate to tell you this... | 0:30:52 | 0:30:56 | |
but your daughter is dead. | 0:30:56 | 0:30:58 | |
No. | 0:31:01 | 0:31:02 | |
HE MURMURS IN ROMANIAN | 0:31:05 | 0:31:07 | |
HE SHOUTS IN ROMANIAN | 0:31:08 | 0:31:11 | |
HE SOBS | 0:31:11 | 0:31:13 | |
Daddy! Daddy! | 0:31:13 | 0:31:15 | |
Tatiana! | 0:31:17 | 0:31:19 | |
A mori! | 0:31:19 | 0:31:20 | |
SHE GASPS | 0:31:20 | 0:31:23 | |
SOBBING | 0:31:23 | 0:31:25 | |
BOTH SOB | 0:31:25 | 0:31:27 | |
SHEEP BLEAT | 0:31:37 | 0:31:40 | |
THUNDER RUMBLES | 0:31:40 | 0:31:43 | |
THUNDER RUMBLES | 0:31:47 | 0:31:49 | |
My father reported her missing six months ago. | 0:31:49 | 0:31:52 | |
After that, nothing happened. | 0:31:54 | 0:31:57 | |
You and your sister are very much similar to each other. | 0:31:57 | 0:32:01 | |
-I know. Twins. -Ah. | 0:32:01 | 0:32:04 | |
THUNDER RUMBLES | 0:32:04 | 0:32:06 | |
-Um, do you know if she had a boyfriend? -I don't know. | 0:32:06 | 0:32:10 | |
She had one, two years ago. | 0:32:12 | 0:32:15 | |
But she left him after she won that model competition. | 0:32:15 | 0:32:18 | |
He was jealous. He didn't want her to leave Tiraspol. | 0:32:20 | 0:32:23 | |
You know, this man, the fashion photographer. | 0:32:24 | 0:32:29 | |
He promised her a job. | 0:32:29 | 0:32:31 | |
-She was so happy. -Do you remember his name? | 0:32:33 | 0:32:37 | |
He was from Belarus. | 0:32:40 | 0:32:44 | |
Good-looking. Tatiana liked him. | 0:32:44 | 0:32:47 | |
Tigran Perski? | 0:32:47 | 0:32:49 | |
She was no good at school, | 0:32:53 | 0:32:56 | |
because of her dyslexia. | 0:32:56 | 0:32:58 | |
So, my father let me study. | 0:33:00 | 0:33:02 | |
HE SPEAKS IN ROMANIAN | 0:33:04 | 0:33:06 | |
He said he didn't have money for both of us. | 0:33:06 | 0:33:09 | |
Did she ever call you? No. Only e-mail. | 0:33:13 | 0:33:18 | |
She said she was so happy. | 0:33:18 | 0:33:21 | |
But not why. | 0:33:21 | 0:33:24 | |
"It was a secret," she said. | 0:33:24 | 0:33:26 | |
The last one she sent was in February. | 0:33:30 | 0:33:33 | |
Everything was fine. But after, nothing. | 0:33:39 | 0:33:44 | |
After a couple of weeks, there were some money in my father's account. | 0:33:44 | 0:33:50 | |
-100,000. -That's a lot of money. -Yes. | 0:33:50 | 0:33:54 | |
-Can I have the mail, please? -Yes. | 0:33:54 | 0:33:58 | |
HE SPEAKS IN ROMANIAN | 0:33:58 | 0:34:01 | |
KEYBOARD CLACKS | 0:34:01 | 0:34:03 | |
HE SPEAKS IN ROMANIAN | 0:34:03 | 0:34:05 | |
He said, she was not a bad girl. | 0:34:05 | 0:34:08 | |
Very ambitious. | 0:34:08 | 0:34:10 | |
TRINKET TINKLES | 0:34:10 | 0:34:12 | |
HE SPEAKS IN ROMANIAN | 0:34:12 | 0:34:14 | |
MR LUPU SPEAKS IN ROMANIAN | 0:34:17 | 0:34:19 | |
She used to make this to sell in the street. | 0:34:19 | 0:34:23 | |
Can I keep it? | 0:34:27 | 0:34:28 | |
I think I knew, all the time, that something had happened to her. | 0:34:33 | 0:34:36 | |
RAIN PATTERS | 0:34:36 | 0:34:38 | |
She wrote to me that it was a great country | 0:34:43 | 0:34:45 | |
where people have beautiful houses and a lot of money. | 0:34:45 | 0:34:48 | |
And that men can take care of children | 0:34:51 | 0:34:53 | |
and wear earrings without being gay. | 0:34:53 | 0:34:56 | |
Is that true? | 0:34:56 | 0:34:58 | |
For some people, it is. | 0:34:58 | 0:34:59 | |
-Hm. -Nice to meet you. | 0:35:01 | 0:35:03 | |
You take care. | 0:35:04 | 0:35:06 | |
FOGHORN BLARES | 0:35:28 | 0:35:31 | |
CHATTERING | 0:35:43 | 0:35:46 | |
ALL CHATTER | 0:35:54 | 0:35:56 | |
CHATTING | 0:36:05 | 0:36:08 | |
LAUGHTER AND CHATTERING | 0:36:12 | 0:36:14 | |
ALARM BELLS RING | 0:36:14 | 0:36:16 | |
SHIP'S MACHINERY CLANKS | 0:36:16 | 0:36:19 | |
INDISTINCT PA ANNOUNCEMENTS | 0:36:49 | 0:36:51 | |
SHE GROANS | 0:36:56 | 0:36:58 | |
SHE SIGHS | 0:36:58 | 0:37:00 | |
Hm. | 0:37:04 | 0:37:05 | |
HE SIGHS | 0:37:11 | 0:37:14 | |
ENGINE STOPS | 0:37:16 | 0:37:19 | |
HE PANTS | 0:37:19 | 0:37:21 | |
SOUND DISTORTS | 0:37:25 | 0:37:27 | |
INDISTINCT | 0:37:27 | 0:37:30 | |
BUZZING | 0:37:30 | 0:37:32 | |
Papa? | 0:37:32 | 0:37:34 | |
-BUZZING -Papa! | 0:37:34 | 0:37:36 | |
HORNS BLARE, TYRES SCREECH | 0:37:45 | 0:37:47 | |
SHE GASPS | 0:37:47 | 0:37:49 | |
HE PANTS | 0:37:49 | 0:37:51 | |
HE PANTS | 0:38:06 | 0:38:08 | |
Mm. | 0:40:29 | 0:40:30 | |
SHE GROANS | 0:40:35 | 0:40:37 | |
-Hej. -Hej. | 0:40:57 | 0:40:59 | |
BOTTLE TOP CLATTERS | 0:41:01 | 0:41:03 | |
HE SIGHS | 0:41:13 | 0:41:14 | |
HE SIGHS | 0:42:23 | 0:42:26 | |
DOOR OPENS | 0:42:42 | 0:42:44 | |
Jussi? | 0:42:44 | 0:42:46 | |
Jussi? | 0:42:46 | 0:42:48 | |
HE WHISTLES | 0:42:48 | 0:42:51 | |
Jussi! | 0:42:51 | 0:42:53 | |
Papa? | 0:42:53 | 0:42:54 | |
Papa... | 0:42:56 | 0:42:59 | |
DOG YAPS NEARBY | 0:43:35 | 0:43:37 | |
BARKING | 0:43:37 | 0:43:40 | |
BLEATING NEARBY, WIND HOWLS | 0:43:58 | 0:44:01 | |
-Hej. -Hej. | 0:44:01 | 0:44:02 | |
Hello? | 0:44:14 | 0:44:16 | |
Hello? | 0:44:16 | 0:44:17 | |
OK... | 0:44:30 | 0:44:32 | |
KURT SIGHS | 0:44:50 | 0:44:52 | |
KIDS SQUEAL AND LAUGH | 0:45:08 | 0:45:11 | |
Klara! | 0:45:11 | 0:45:13 | |
Hej! | 0:45:13 | 0:45:15 | |
Hej... | 0:45:21 | 0:45:22 | |
Hej, hej, hej, hej... | 0:45:22 | 0:45:25 | |
WINE POURS | 0:46:07 | 0:46:09 | |
HE SNARLS AND SLOBBERS | 0:47:11 | 0:47:14 | |
HE SLURPS, SHE GIGGLES | 0:47:16 | 0:47:19 | |
HE SLURPS AND GULPS | 0:47:23 | 0:47:25 | |
HE GROWLS, SHE GIGGLES | 0:47:25 | 0:47:27 | |
HE SIGHS, LAUGHING | 0:47:27 | 0:47:29 | |
HE CHUCKLES | 0:47:29 | 0:47:31 | |
SHE GIGGLES | 0:47:31 | 0:47:33 | |
INDISTINCT MURMURS | 0:47:33 | 0:47:36 | |
CLATTERING | 0:47:40 | 0:47:42 | |
THUDDING | 0:47:52 | 0:47:53 | |
SCREAMING | 0:48:00 | 0:48:02 | |
COMMOTION | 0:48:02 | 0:48:04 | |
SHOUTING AND COMMOTION | 0:48:04 | 0:48:08 | |
SHOUTING | 0:48:11 | 0:48:13 | |
GIRLS YELL | 0:48:16 | 0:48:19 | |
ENGINE REVS | 0:48:19 | 0:48:21 | |
TYRES SCREECH | 0:48:25 | 0:48:26 | |
SHE PANTS | 0:48:34 | 0:48:35 | |
SIRENS WAIL | 0:48:37 | 0:48:40 | |
CARS REV AND TYRES SCREECH | 0:48:42 | 0:48:45 | |
Let me go! | 0:48:54 | 0:48:55 | |
Let me go! I didn't do anything! | 0:48:59 | 0:49:01 | |
Where are you taking me? > | 0:49:03 | 0:49:05 | |
GIRL PROTESTS | 0:49:06 | 0:49:08 | |
Hm? | 0:49:16 | 0:49:17 | |
HE CHOKES A LAUGH | 0:49:17 | 0:49:19 | |
MOBILE RINGS | 0:49:33 | 0:49:36 | |
Hm. | 0:49:53 | 0:49:55 | |
HE INHALES | 0:49:55 | 0:49:57 | |
HE SIGHS | 0:49:57 | 0:49:58 | |
SHE SPEAKS IN ROMANIAN | 0:50:28 | 0:50:30 | |
SHE SPEAKS IN ROMANIAN | 0:50:33 | 0:50:36 | |
SHE REPLIES IN ROMANIAN | 0:50:37 | 0:50:39 | |
SHE SPEAKS IN ROMANIAN | 0:50:45 | 0:50:47 | |
GIRL REPLIES IN ROMANIAN | 0:50:47 | 0:50:51 | |
GIRL CONTINUES | 0:50:51 | 0:50:53 | |
SHE SPEAKS IN ROMANIAN | 0:51:02 | 0:51:04 | |
GIRL SPEAKS IN ROMANIAN | 0:51:09 | 0:51:13 | |
TRANSLATOR SPEAKS IN ROMANIAN | 0:51:29 | 0:51:33 | |
SHE SPEAKS IN ROMANIAN | 0:51:38 | 0:51:42 | |
SHE REPLIES IN ROMANIAN | 0:51:42 | 0:51:44 | |
SHE SHOUTS | 0:51:44 | 0:51:48 | |
GIRL SPEAKS IN ROMANIAN | 0:51:50 | 0:51:52 | |
SHOUTING IN ROMANIAN | 0:51:56 | 0:52:00 | |
SHE KNOCKS | 0:52:12 | 0:52:13 | |
DOOR CLOSES | 0:52:33 | 0:52:35 | |
Hej. | 0:52:35 | 0:52:36 | |
HE CHUCKLES | 0:52:58 | 0:52:59 | |
HE LAUGHS | 0:53:09 | 0:53:11 | |
HE GULPS | 0:53:26 | 0:53:29 | |
HUSHED HOSPITAL BUSTLE | 0:53:29 | 0:53:32 | |
DOOR CLOSES | 0:53:47 | 0:53:49 | |
Kurt Wallander? | 0:53:52 | 0:53:54 | |
ENGINE STARTS | 0:54:06 | 0:54:08 | |
Yes! | 0:55:19 | 0:55:20 | |
THEY CHUCKLE AND MURMUR | 0:55:20 | 0:55:23 | |
OK. | 0:55:26 | 0:55:28 | |
Hello. | 0:56:16 | 0:56:18 | |
Can I have a word with you? Wallander, police. | 0:56:18 | 0:56:20 | |
Would you want to talk about, Mr Wallander? | 0:56:20 | 0:56:22 | |
What kind of business do you have together with Dr Herlitz? | 0:56:22 | 0:56:28 | |
A decent doctor and a pimp like you. | 0:56:28 | 0:56:30 | |
HE SCOFFS | 0:56:30 | 0:56:32 | |
Did you kill her? | 0:56:32 | 0:56:34 | |
-Nadia? -Tatiana. | 0:56:34 | 0:56:37 | |
She didn't want to give me my money. | 0:56:37 | 0:56:39 | |
She was pissed off and screamed. I had to calm her down. | 0:56:40 | 0:56:44 | |
-But I didn't kill her. Why should I? -You fucked her? | 0:56:44 | 0:56:47 | |
-I don't fuck the girls. -I'm like their father. | 0:56:47 | 0:56:50 | |
You don't fuck your daughters. Or do you, Mr Wallander? | 0:56:50 | 0:56:55 | |
You know what, Nadia was no angel. | 0:56:59 | 0:57:03 | |
She was a greedy bitch that could do anything for money. | 0:57:03 | 0:57:06 | |
And when I say "anything", I mean anything. | 0:57:06 | 0:57:09 | |
Bye, Mr Wallander. | 0:57:09 | 0:57:11 | |
DOOR CLOSES | 0:57:11 | 0:57:13 | |
ENGINE STARTS | 0:57:13 | 0:57:16 | |
TYRES SCREECH | 0:57:17 | 0:57:19 | |
OK. | 0:57:47 | 0:57:48 | |
MULTIPLE CARS APPROACH | 0:57:51 | 0:57:54 | |
INDISTINCT CONVERSATIONS | 0:58:02 | 0:58:04 | |
INDISTINCT | 0:58:04 | 0:58:07 | |
GUNS COCK | 0:58:09 | 0:58:12 | |
INDISTINCT CONVERSATION | 0:58:13 | 0:58:16 | |
You want to come in? | 0:59:01 | 0:59:03 | |
-OK? -Um... | 0:59:10 | 0:59:12 | |
Tigran threatened her. | 0:59:14 | 0:59:16 | |
And he told her she couldn't get free unless she gave him money. | 0:59:16 | 0:59:21 | |
-And she had no money. But, the doctor had money. -The doctor? -Mm. | 0:59:21 | 0:59:26 | |
You mean Bosse Herlitz? | 0:59:27 | 0:59:29 | |
-So Bosse Herlitz gave Tigran money? -Yes. | 0:59:30 | 0:59:33 | |
-OK. Are you absolutely sure about this? -Yes, yes. | 0:59:33 | 0:59:37 | |
I was the one who delivered the money. He bought her freedom. | 0:59:37 | 0:59:42 | |
-And what happened then? -I don't know. | 0:59:44 | 0:59:47 | |
I...I only knew her a little. | 0:59:47 | 0:59:50 | |
I mean, she was nice, I liked her. | 0:59:50 | 0:59:52 | |
But, after this, with the money, | 0:59:52 | 0:59:55 | |
I never saw her again. | 0:59:55 | 0:59:57 | |
But I was happy for her. | 0:59:57 | 0:59:59 | |
Yeah? Why? | 0:59:59 | 1:00:01 | |
Because she met someone who could take her out of her life. | 1:00:02 | 1:00:05 | |
And what about you? | 1:00:06 | 1:00:08 | |
I have no doctor. | 1:00:10 | 1:00:12 | |
And all men are the same, they just want one thing. | 1:00:12 | 1:00:15 | |
Why don't you stay at the shelter? | 1:00:15 | 1:00:17 | |
You know, you can get help there. You can start a new life. | 1:00:19 | 1:00:22 | |
Well, Tatiana got her freedom and look how that turned out. | 1:00:22 | 1:00:25 | |
-It doesn't have to be like that. -And what do you know about that? | 1:00:25 | 1:00:28 | |
FOOTSTEPS RECEDE | 1:00:28 | 1:00:31 | |
SHE SIGHS | 1:00:33 | 1:00:34 | |
PHONE BUZZES | 1:00:47 | 1:00:49 | |
PHONE BUZZES | 1:00:53 | 1:00:56 | |
PHONE RINGS | 1:01:23 | 1:01:25 | |
PHONE RINGS | 1:01:32 | 1:01:35 | |
WATER DRIPS | 1:01:35 | 1:01:37 | |
FLIES BUZZ | 1:01:41 | 1:01:44 | |
MURMURED CONVERSATION | 1:01:51 | 1:01:52 | |
PHONE RINGS | 1:02:44 | 1:02:45 | |
LINDA SIGHS OVER PHONE | 1:03:07 | 1:03:10 | |
HE COUGHS | 1:03:10 | 1:03:11 | |
DOOR BELL RINGS | 1:03:15 | 1:03:17 | |
FOOTSTEPS APPROACH | 1:03:17 | 1:03:19 | |
HE EXHALES | 1:05:48 | 1:05:51 | |
HE TAKES A BREATH | 1:06:05 | 1:06:06 | |
HE SIGHS | 1:07:46 | 1:07:49 | |
OK. | 1:07:49 | 1:07:52 | |
ENGINE STARTS | 1:07:55 | 1:07:57 | |
MOBILE BEEPS | 1:08:15 | 1:08:17 | |
MOBILE RINGS | 1:08:44 | 1:08:46 | |
HE SIGHS | 1:09:08 | 1:09:10 | |
-Hej? -Hej. | 1:09:40 | 1:09:43 | |
YELLING | 1:10:39 | 1:10:40 | |
THUDDING | 1:10:40 | 1:10:42 | |
SPLASHING | 1:10:42 | 1:10:45 | |
HE PANTS | 1:10:48 | 1:10:50 | |
CAN SEAL CRACKS | 1:11:03 | 1:11:05 | |
OK. | 1:11:27 | 1:11:28 | |
BABY GRIZZLES, BOTH FUSS AND CHUCKLE | 1:11:28 | 1:11:30 | |
SEA LAPS | 1:11:38 | 1:11:40 | |
PHONE RINGS | 1:12:06 | 1:12:09 | |
CAR ALARM CHIRPS | 1:12:15 | 1:12:17 | |
MOBILE RINGS | 1:12:38 | 1:12:41 | |
HE GASPS | 1:13:43 | 1:13:45 | |
HE RATTLES DOOR | 1:14:06 | 1:14:07 | |
DOOR BELL RINGS | 1:14:09 | 1:14:11 | |
DOOR BELL RINGS | 1:14:12 | 1:14:14 | |
SHE BREATHES RAGGEDLY | 1:14:24 | 1:14:26 | |
STEPS CREAK | 1:14:41 | 1:14:43 | |
CLICKS SWITCHES | 1:15:02 | 1:15:03 | |
SIRENS APPROACH | 1:15:56 | 1:15:59 | |
SIRENS WAIL | 1:16:14 | 1:16:16 | |
ENGINE STARTS | 1:16:21 | 1:16:23 | |
Johan! | 1:17:06 | 1:17:08 | |
-BABY CRIES -Johan! | 1:17:09 | 1:17:13 | |
BABY CRIES OK. | 1:17:40 | 1:17:43 | |
OK. | 1:17:46 | 1:17:47 | |
WIND WHISTLES | 1:19:57 | 1:19:59 | |
BABY GRIZZLES | 1:20:17 | 1:20:20 | |
BABY CRIES | 1:20:20 | 1:20:23 | |
BABY CRIES | 1:20:27 | 1:20:29 | |
BABY CRIES | 1:20:33 | 1:20:34 | |
LINDA SHUSHES BABY | 1:20:37 | 1:20:38 | |
HE SIGHS | 1:21:23 | 1:21:25 | |
SHE SIGHS DEEPLY | 1:21:30 | 1:21:32 | |
MOBILE RINGS | 1:21:59 | 1:22:01 | |
KEYPAD TONE | 1:22:03 | 1:22:04 | |
Linda Wallander? | 1:22:04 | 1:22:05 | |
Oh, ja, hej, um... | 1:22:07 | 1:22:10 | |
MUSIC DROWNS CONVERSATION | 1:22:26 | 1:22:28 | |
BANGLES JINGLE | 1:23:03 | 1:23:05 | |
SEA LAPS | 1:23:58 | 1:24:02 | |
# When there's so much darkness closing in | 1:24:20 | 1:24:27 | |
# Just swerve around slowly | 1:24:27 | 1:24:32 | |
# You'll find an opening | 1:24:32 | 1:24:36 | |
# A light will appear | 1:24:36 | 1:24:40 | |
# Like an animal | 1:24:40 | 1:24:42 | |
# Between the trees | 1:24:42 | 1:24:45 | |
# There you'll find your | 1:24:45 | 1:24:48 | |
# Pocket of peace | 1:24:48 | 1:24:51 | |
# Make a perfect circle | 1:24:53 | 1:24:56 | |
# It's all around you | 1:24:56 | 1:25:00 | |
# Put your mark on the map | 1:25:00 | 1:25:02 | |
# Anywhere or nowhere | 1:25:04 | 1:25:08 | |
# It's up to you | 1:25:08 | 1:25:11 | |
# It's not too late to find an opening | 1:25:11 | 1:25:18 | |
# Trace a track until you find the end | 1:25:28 | 1:25:35 | |
# There's a clearing in every forest | 1:25:35 | 1:25:39 | |
# At least one for every man | 1:25:39 | 1:25:42 | |
# The light will appear like an animal | 1:25:44 | 1:25:49 | |
# Between the trees | 1:25:49 | 1:25:52 | |
# There you'll find your | 1:25:52 | 1:25:56 | |
# Pocket of peace | 1:25:56 | 1:25:58 | |
# Make a perfect circle | 1:26:00 | 1:26:03 | |
# It's all around you | 1:26:03 | 1:26:06 | |
# You know that everything | 1:26:08 | 1:26:12 | |
# Lingers for you to follow through | 1:26:12 | 1:26:16 | |
# It's up to you | 1:26:16 | 1:26:18 | |
# It's not too late to find an opening. # | 1:26:20 | 1:26:25 |
