Browse content similar to The White Lioness. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
FAINT MUSIC | 0:00:05 | 0:00:07 | |
MUSIC IS LOUDER | 0:00:20 | 0:00:22 | |
Hello? | 0:02:08 | 0:02:09 | |
CHOPPING | 0:02:25 | 0:02:28 | |
Hi. | 0:02:40 | 0:02:41 | |
I'm looking for the... | 0:02:45 | 0:02:47 | |
ENGINE REVS OUTSIDE | 0:02:47 | 0:02:49 | |
# Tram wires | 0:02:58 | 0:03:00 | |
# Cross Northern skies | 0:03:01 | 0:03:04 | |
# Cut my blue heart in two | 0:03:06 | 0:03:10 | |
# My knuckles bleed | 0:03:12 | 0:03:16 | |
# Down the tattered street | 0:03:16 | 0:03:19 | |
# On a door that shouldn't be | 0:03:19 | 0:03:23 | |
# In front of me. # | 0:03:23 | 0:03:25 | |
PANTING | 0:03:28 | 0:03:29 | |
HE GROANS | 0:04:01 | 0:04:02 | |
RINGING | 0:04:36 | 0:04:40 | |
RINGING CONTINUES | 0:04:52 | 0:04:54 | |
'Hi, Dad.' | 0:04:56 | 0:04:58 | |
Oh, hi, hi, hi. | 0:04:58 | 0:05:00 | |
'You made it? | 0:05:00 | 0:05:01 | |
'How is it?' | 0:05:01 | 0:05:03 | |
Er... It's, er...sunny. | 0:05:03 | 0:05:05 | |
Be good if you were here. | 0:05:05 | 0:05:07 | |
How's, how's Klara? | 0:05:07 | 0:05:09 | |
'She's good, she's at nursery. When's your speech?' | 0:05:09 | 0:05:11 | |
My speech is, um... | 0:05:11 | 0:05:15 | |
not till Saturday. | 0:05:15 | 0:05:16 | |
'Wear your nice suit.' | 0:05:16 | 0:05:18 | |
Yes, and I have shaved. | 0:05:18 | 0:05:19 | |
'You nervous?' | 0:05:19 | 0:05:21 | |
Um... | 0:05:22 | 0:05:24 | |
No, I'm just...not quite sure how to pitch it. | 0:05:24 | 0:05:28 | |
'Just say what you feel.' | 0:05:28 | 0:05:30 | |
Yeah. I don't want to waste anybody's time is all. | 0:05:30 | 0:05:32 | |
'You've got good instincts, Dad. Just follow them.' | 0:05:32 | 0:05:36 | |
Sure - I will. I just, you know, I want it to... | 0:05:36 | 0:05:39 | |
I've come all this way. | 0:05:39 | 0:05:41 | |
-I just want it to, um... mean something. -'Remember...' | 0:05:42 | 0:05:46 | |
COMPUTER BEEPS | 0:05:46 | 0:05:47 | |
Hello? Hello? | 0:05:47 | 0:05:49 | |
Hello? | 0:05:49 | 0:05:51 | |
LIFT PINGS | 0:06:20 | 0:06:24 | |
-WHAT ARE YOU DOING HERE?! -Mr Hedeman, please... | 0:06:41 | 0:06:44 | |
Eh? Why are you wasting time here?! | 0:06:44 | 0:06:47 | |
This is not the time or the place. | 0:06:47 | 0:06:48 | |
-Where is my wife? -Mr Hedeman, please. | 0:06:48 | 0:06:51 | |
We are at the conference. Can we deal with this later? | 0:06:51 | 0:06:53 | |
You've got all these extra staff now. | 0:06:53 | 0:06:55 | |
Please. We are investigating the case. We are doing the best we can. | 0:06:55 | 0:06:58 | |
Well, then find her! SHE'S OUT THERE SOMEWHERE! | 0:06:58 | 0:07:00 | |
WHY AREN'T YOU DOING ANYTHING?! | 0:07:00 | 0:07:02 | |
GET OFF ME! | 0:07:02 | 0:07:03 | |
TAKE YOUR HANDS OFF ME! | 0:07:03 | 0:07:05 | |
-FAINTER: -I said get off me! | 0:07:05 | 0:07:07 | |
PEOPLE CHAT QUIETLY | 0:07:10 | 0:07:14 | |
Good morning, ladies and gentlemen. | 0:07:22 | 0:07:25 | |
So today - day two - we have another gentleman to speak to you - | 0:07:25 | 0:07:29 | |
something of a legendary person here in the Western Cape. | 0:07:31 | 0:07:34 | |
A one-time communist, firebrand, freedom fighter, | 0:07:36 | 0:07:39 | |
joining us today in his capacity as Chair of the Tourism Committee, | 0:07:40 | 0:07:45 | |
please welcome Mr Max Khulu. | 0:07:45 | 0:07:47 | |
ENTHUSIASTIC APPLAUSE | 0:07:47 | 0:07:48 | |
Thank you. | 0:07:57 | 0:07:59 | |
Please, please. | 0:07:59 | 0:08:01 | |
Thank you. | 0:08:01 | 0:08:03 | |
-Thank you, Colonel. -You're welcome. | 0:08:03 | 0:08:05 | |
So, looking out of the shining windows | 0:08:05 | 0:08:08 | |
of this brand-new hotel, one of many hundreds, | 0:08:08 | 0:08:11 | |
it is not hard to see how tourism provides | 0:08:11 | 0:08:15 | |
one in every 12 jobs in South Africa today. | 0:08:15 | 0:08:19 | |
You good-looking foreigners want to come here | 0:08:20 | 0:08:23 | |
and spend your good-looking money. | 0:08:23 | 0:08:26 | |
LAUGHTER | 0:08:26 | 0:08:27 | |
I think it's a brilliant idea. | 0:08:27 | 0:08:29 | |
But we must be considerate hosts. | 0:08:30 | 0:08:34 | |
We must take care of our guests. | 0:08:34 | 0:08:37 | |
If our guests do not feel that they will be safe, | 0:08:37 | 0:08:39 | |
they will not come. | 0:08:39 | 0:08:41 | |
It is the duty of our police force to ensure that never happens. | 0:08:41 | 0:08:45 | |
APPLAUSE | 0:08:45 | 0:08:48 | |
We in this province... | 0:08:48 | 0:08:50 | |
CONVERSATION IN AFRIKAANS | 0:09:02 | 0:09:05 | |
Hi. Julian Van Heerden. | 0:09:17 | 0:09:19 | |
Kurt Wallander. | 0:09:19 | 0:09:21 | |
I have a gentleman - | 0:09:21 | 0:09:23 | |
a Swedish gentleman living out at Sir Lowry's Pass - Axel Hedeman. | 0:09:23 | 0:09:27 | |
His wife's been missing for ten days. | 0:09:27 | 0:09:29 | |
Yes. I have read about it. | 0:09:29 | 0:09:31 | |
To be blunt, he's causing us a lot of difficulty | 0:09:31 | 0:09:33 | |
and he is refusing to co-operate - he's talking to the press - | 0:09:33 | 0:09:36 | |
I think you saw he brought them here. | 0:09:36 | 0:09:38 | |
Well, it's never easy just waiting for news, as you know. | 0:09:38 | 0:09:41 | |
Look, um... | 0:09:41 | 0:09:43 | |
Look, we both know it's not about PR. | 0:09:48 | 0:09:50 | |
He's hampering our work - he's stopping us from finding his wife. | 0:09:50 | 0:09:54 | |
I was wondering if you could maybe talk to him, | 0:09:56 | 0:09:59 | |
you know, countryman to countryman - | 0:09:59 | 0:10:01 | |
I think he needs some reassurance that we are not just... | 0:10:01 | 0:10:04 | |
corrupt amateurs. | 0:10:04 | 0:10:06 | |
Well, I am sure ultimately he understands that... | 0:10:06 | 0:10:08 | |
I would really, really appreciate it. I'd be grateful. | 0:10:08 | 0:10:12 | |
Could I see the case notes? | 0:10:16 | 0:10:18 | |
Yeah, of course. I'll even get someone to drive you out there. | 0:10:18 | 0:10:21 | |
My sergeant could meet you. | 0:10:21 | 0:10:23 | |
The case notes will do. If you give me the address, I'll drive myself. | 0:10:23 | 0:10:27 | |
You do understand that his wife is missing, | 0:10:29 | 0:10:31 | |
so, er, we're not closing down certain avenues. | 0:10:31 | 0:10:35 | |
Understood. | 0:10:35 | 0:10:36 | |
Thank you. | 0:10:39 | 0:10:40 | |
Thank you very much. | 0:10:41 | 0:10:43 | |
HE SPEAKS IN AFRIKAANS | 0:10:50 | 0:10:51 | |
HE PUTS THE HANDBRAKE ON | 0:11:44 | 0:11:46 | |
Detective Inspector Wallander? | 0:11:51 | 0:11:53 | |
-Sergeant Matube. -Mthembu. | 0:11:53 | 0:11:55 | |
Mthembu. | 0:11:55 | 0:11:56 | |
We appreciate this. | 0:11:57 | 0:11:58 | |
There was no mention in the file of a background check on Hedeman. | 0:12:00 | 0:12:04 | |
We did put in a request. | 0:12:04 | 0:12:06 | |
We're still waiting to hear back from the Swedish police. | 0:12:06 | 0:12:09 | |
The one place in the country you know she isn't and here you are. | 0:12:16 | 0:12:20 | |
This is Detective Kurt Wallander. | 0:12:20 | 0:12:23 | |
I'm from Sweden. Ystad Police. | 0:12:23 | 0:12:26 | |
Good. It's about time. | 0:12:26 | 0:12:28 | |
Maybe you can do something about finding my wife! | 0:12:28 | 0:12:31 | |
Come on, guys, don't just leave them there. | 0:12:31 | 0:12:33 | |
Take them inside - put them on the counter, yeah - | 0:12:33 | 0:12:35 | |
otherwise they'll be stinking next time we use them. | 0:12:35 | 0:12:38 | |
Most of them are ex-offenders. | 0:12:42 | 0:12:44 | |
What do you do for them, sir? | 0:12:44 | 0:12:46 | |
Gym, soccer - some kind of male role-model, that's my side. | 0:12:46 | 0:12:51 | |
And your wife, what did, er... | 0:12:51 | 0:12:53 | |
Inga - she's a teacher. | 0:12:53 | 0:12:55 | |
That's a nasty cut you have there. | 0:12:59 | 0:13:01 | |
I teach them boxing. | 0:13:01 | 0:13:03 | |
Don't look at me like that. | 0:13:03 | 0:13:04 | |
That's the way that they look at me. | 0:13:04 | 0:13:06 | |
When they're not helping, not looking. | 0:13:06 | 0:13:08 | |
Why aren't they looking? How can there be nothing after... | 0:13:08 | 0:13:11 | |
This type of inquiry is very difficult to rush. | 0:13:11 | 0:13:13 | |
After 72 hours you're not looking for a living person any more, | 0:13:13 | 0:13:16 | |
you're looking for a corpse, right? | 0:13:16 | 0:13:18 | |
-And it's been more than 247 hours now. -Mr Hedeman... | 0:13:18 | 0:13:21 | |
I've seen the case notes and Sergeant Mthembu | 0:13:21 | 0:13:23 | |
and her colleagues are doing everything they can. | 0:13:23 | 0:13:25 | |
I know it's frustrating, | 0:13:25 | 0:13:26 | |
but if you talk to the press and not the police, | 0:13:26 | 0:13:29 | |
it's getting in the way of the investigation. | 0:13:29 | 0:13:33 | |
You may be decreasing the chances of them finding your wife. | 0:13:34 | 0:13:41 | |
Do you think she could still be alive? | 0:13:41 | 0:13:43 | |
Yes, of course she could. | 0:13:43 | 0:13:45 | |
Right. | 0:13:49 | 0:13:51 | |
Right, well, thank you. | 0:13:53 | 0:13:57 | |
Come on, guys, off you go. | 0:13:57 | 0:13:59 | |
I'll see you at the centre. | 0:13:59 | 0:14:01 | |
We'll be in touch, sir. | 0:14:08 | 0:14:09 | |
That was helpful, thanks. | 0:14:26 | 0:14:28 | |
Oh, you're welcome. | 0:14:28 | 0:14:29 | |
Yeah. Enjoy the rest of your conference. | 0:14:29 | 0:14:32 | |
Oh, that's right. Thanks. | 0:14:32 | 0:14:34 | |
-Oh, great. Nice to meet you. -You too. | 0:14:34 | 0:14:38 | |
CAR STARTS UP | 0:14:45 | 0:14:46 | |
Sorry. Er... | 0:15:19 | 0:15:21 | |
where Inga was going that day - is that somewhere she'd been before? | 0:15:21 | 0:15:25 | |
No. It was an outreach centre. | 0:15:25 | 0:15:27 | |
She went to pick up some textbooks they weren't using any more. | 0:15:27 | 0:15:30 | |
She never got there. | 0:15:30 | 0:15:32 | |
Do you have an address? | 0:15:32 | 0:15:34 | |
I've got directions somewhere. | 0:15:35 | 0:15:37 | |
Right. Thanks. | 0:15:37 | 0:15:39 | |
-This is the place. -Thanks. | 0:16:20 | 0:16:23 | |
This - this is a faith-based programme, yes? | 0:16:24 | 0:16:28 | |
Everything here is faith-based, one way or another. You need it. | 0:16:28 | 0:16:33 | |
I thought being here might challenge my faith. | 0:16:37 | 0:16:39 | |
Has it? | 0:16:39 | 0:16:40 | |
It has. But not in the way I was expecting. | 0:16:40 | 0:16:44 | |
Thank you for this. | 0:16:48 | 0:16:49 | |
I need you to chase up an information request | 0:16:53 | 0:16:56 | |
-for the local police here. -Do you have a name? | 0:16:56 | 0:16:59 | |
Yes, the name is Axel Hedeman. He's from Degeberga. | 0:16:59 | 0:17:02 | |
OK, leave it with me. I'll call you back. | 0:17:02 | 0:17:05 | |
Yeah, soon as possible. | 0:17:05 | 0:17:07 | |
Hello? | 0:18:42 | 0:18:43 | |
Hello? | 0:18:45 | 0:18:47 | |
DOOR CREAKS IN THE WIND | 0:19:11 | 0:19:13 | |
Hello? | 0:19:15 | 0:19:16 | |
Hello? | 0:19:18 | 0:19:20 | |
KEYPAD BEEPS | 0:20:17 | 0:20:19 | |
RINGING TONE | 0:20:46 | 0:20:47 | |
-'Hello?' -Hi, Grace, it's Kurt. | 0:20:49 | 0:20:51 | |
VOICES ON POLICE RADIO | 0:21:10 | 0:21:12 | |
How'd you find this place? | 0:21:26 | 0:21:27 | |
I got lost. The map's wrong. | 0:21:27 | 0:21:30 | |
Maybe Inga did the same thing. | 0:21:34 | 0:21:35 | |
Hedeman never gave us this - | 0:21:42 | 0:21:44 | |
he gave us an address, that's all. | 0:21:45 | 0:21:47 | |
Hedeman could have hired somebody to do his dirty work. | 0:21:51 | 0:21:54 | |
She could have been followed. | 0:22:00 | 0:22:02 | |
Where better? | 0:22:04 | 0:22:06 | |
Cutting their fingers off - does that mean anything in tribal, or... | 0:22:42 | 0:22:47 | |
Tribal? | 0:22:47 | 0:22:49 | |
It means something to the man who has his fingers cut off. | 0:22:52 | 0:22:55 | |
Good shot. | 0:23:05 | 0:23:06 | |
Everyone out here has a gun. | 0:23:17 | 0:23:18 | |
Let's talk to Hedeman. | 0:23:23 | 0:23:25 | |
PHONE RINGS | 0:23:55 | 0:23:57 | |
Yeah, hello? | 0:23:59 | 0:24:00 | |
-'Hi, Kurt, I have the information you wanted on Axel Hedemen.' -Yeah. | 0:24:00 | 0:24:03 | |
'He has a previous conviction...' | 0:24:03 | 0:24:05 | |
Right. OK. Hold on a sec - let me just, er... | 0:24:05 | 0:24:08 | |
Yeah. | 0:24:12 | 0:24:13 | |
Yep. | 0:24:15 | 0:24:17 | |
Anything since? | 0:24:17 | 0:24:18 | |
OK - thanks. | 0:24:22 | 0:24:23 | |
OK - bye. Bye. | 0:24:23 | 0:24:25 | |
He is not here. | 0:24:25 | 0:24:27 | |
So Hedeman has a criminal record. In Sweden. Um... Aggravated assault. | 0:24:27 | 0:24:32 | |
Er...ten-month suspended sentence. | 0:24:32 | 0:24:35 | |
He broke his girlfriend's arm, when he was drunk. | 0:24:35 | 0:24:38 | |
2001. | 0:24:38 | 0:24:40 | |
It wasn't his wife? | 0:24:42 | 0:24:44 | |
Nothing reported since. | 0:24:45 | 0:24:46 | |
He did say he was going to the Community Centre? Shall we? | 0:24:50 | 0:24:54 | |
Put the ball in the net! | 0:25:02 | 0:25:04 | |
The ANC has forgotten its principles. | 0:25:04 | 0:25:09 | |
And we have forgotten our promise. | 0:25:11 | 0:25:13 | |
CHEERING | 0:25:13 | 0:25:15 | |
The basic and fundamental promise | 0:25:15 | 0:25:17 | |
that the wealth of this country... | 0:25:17 | 0:25:19 | |
Municipal elections. | 0:25:19 | 0:25:21 | |
-His name's Bernie Meyiwa. -..belongs to this nation. | 0:25:21 | 0:25:23 | |
CHEERING | 0:25:23 | 0:25:25 | |
ANC. Max Khulu's protege. | 0:25:25 | 0:25:26 | |
The ANC has been dominated by men... | 0:25:29 | 0:25:32 | |
Six months ago, a white student tried his luck with a 9mm. | 0:25:32 | 0:25:37 | |
..who have abandoned our principles. | 0:25:37 | 0:25:39 | |
Men who think that they can come here and lie to you and fool you, | 0:25:40 | 0:25:47 | |
with lazy, costly words and rhetoric. | 0:25:47 | 0:25:51 | |
Instead of building luxury houses, luxury hotels, | 0:25:51 | 0:25:55 | |
where rich foreigners | 0:25:55 | 0:25:58 | |
can line their pockets with your money right next door to your community... | 0:25:58 | 0:26:02 | |
CHEERING | 0:26:03 | 0:26:05 | |
..we should be building you affordable homes. | 0:26:05 | 0:26:08 | |
We should make sure that you can feel our wealth. | 0:26:11 | 0:26:14 | |
You can feel the improvements. | 0:26:15 | 0:26:18 | |
You should feel that there is someone better for you. | 0:26:18 | 0:26:21 | |
For all of us to go. | 0:26:21 | 0:26:23 | |
So is he gonna get in? | 0:26:23 | 0:26:25 | |
I'm gonna vote for him. | 0:26:25 | 0:26:27 | |
Come, on keep your guard up. | 0:26:31 | 0:26:33 | |
Keep your guard up! | 0:26:34 | 0:26:36 | |
Mr Hedeman. | 0:26:41 | 0:26:42 | |
Do you recognise this, sir? | 0:26:55 | 0:26:57 | |
HE PANTS | 0:26:57 | 0:26:59 | |
Yes, I recognise it - | 0:26:59 | 0:27:01 | |
where did you find it? | 0:27:01 | 0:27:02 | |
She never takes this off! | 0:27:02 | 0:27:04 | |
It was found at an old stock farm | 0:27:04 | 0:27:06 | |
off a road your wife would have taken, | 0:27:06 | 0:27:08 | |
according to a map you gave the Detective Inspector here. | 0:27:08 | 0:27:11 | |
Why would she have been...? Did you find the car? | 0:27:11 | 0:27:13 | |
There was a wrong turning on the map so Inga might have got lost. | 0:27:13 | 0:27:17 | |
Why didn't you give the map to us, sir, | 0:27:17 | 0:27:19 | |
when you reported your wife missing? | 0:27:19 | 0:27:21 | |
It would have helped. | 0:27:21 | 0:27:22 | |
No, I... I gave you the address - | 0:27:26 | 0:27:29 | |
I didn't... | 0:27:29 | 0:27:31 | |
You have a history. | 0:27:31 | 0:27:33 | |
We all have a history. | 0:27:33 | 0:27:35 | |
Some of us overcome it. | 0:27:35 | 0:27:36 | |
PHONE RINGS | 0:27:41 | 0:27:43 | |
Grace. ..Excuse me. ..Hi. | 0:27:45 | 0:27:47 | |
No other sign of her? | 0:27:47 | 0:27:49 | |
No. No, nothing. | 0:27:49 | 0:27:51 | |
She, erm... | 0:27:57 | 0:27:59 | |
That was the first time she drove - on her own, yeah. | 0:28:02 | 0:28:05 | |
She was afraid of being on her own. Being lost. | 0:28:07 | 0:28:11 | |
Excuse me, sorry. | 0:28:14 | 0:28:15 | |
I have a match on the prints. | 0:28:20 | 0:28:22 | |
Belongs to a low-level gang member. A tsotsi. | 0:28:22 | 0:28:25 | |
Mr Hedeman, we'll find her. | 0:28:25 | 0:28:29 | |
You have something for me? | 0:28:54 | 0:28:56 | |
Yes. | 0:28:56 | 0:28:59 | |
The boy's name is Victor Mabasha. Member of the 26s. | 0:28:59 | 0:29:01 | |
It's a prison gang. | 0:29:01 | 0:29:02 | |
Interviewed in 2012 in Pollsmoor about the murder of a prison guard. | 0:29:02 | 0:29:06 | |
His initiation into the 26s. Not charged. | 0:29:06 | 0:29:09 | |
-Lack of evidence. -What else? -Well, he's nothing big - a foot soldier. | 0:29:09 | 0:29:13 | |
He's just a kid, isn't he? | 0:29:13 | 0:29:14 | |
They're all just kids. | 0:29:14 | 0:29:16 | |
I mean, they don't live long enough to grow up. | 0:29:16 | 0:29:18 | |
He hangs out at a shebeen - Bomba's. Near Khayelitsha station. | 0:29:18 | 0:29:22 | |
Is this reliable? | 0:29:22 | 0:29:24 | |
As reliable as any of our other leads. | 0:29:24 | 0:29:27 | |
Right, so we take a detachment out there - | 0:29:27 | 0:29:29 | |
you see if there's any connection between Mabasha and the Hedemans - | 0:29:29 | 0:29:32 | |
specifically see if he was one of their projects? | 0:29:32 | 0:29:34 | |
Do you want to come with me to Bomba's? Some real sightseeing? | 0:29:34 | 0:29:38 | |
It's fine, Sergeant. | 0:29:38 | 0:29:39 | |
Thanks for your help. | 0:29:39 | 0:29:41 | |
We'll need a statement concerning the stock farm. | 0:29:41 | 0:29:44 | |
I could send someone over to the hotel. | 0:29:44 | 0:29:46 | |
Sure. | 0:29:46 | 0:29:48 | |
Enjoy the rest of the conference. | 0:29:48 | 0:29:50 | |
-Thanks. -Sergeant. | 0:29:50 | 0:29:51 | |
Yes. Thanks, Kurt. | 0:29:51 | 0:29:53 | |
RINGING TONE | 0:31:19 | 0:31:22 | |
'The subscriber you have dialled is not available at present.' | 0:31:22 | 0:31:26 | |
-Excuse me. -Good day, sir. | 0:31:31 | 0:31:33 | |
Do you know where - er - Khayelitsha station is? | 0:31:33 | 0:31:35 | |
MEN SHOUT AND MUSIC BOOMS | 0:32:19 | 0:32:23 | |
MUSIC BOOMS OUT | 0:32:44 | 0:32:46 | |
Hi. Um... Bomba's? | 0:33:07 | 0:33:09 | |
Left up there, up there. Left. | 0:33:13 | 0:33:17 | |
-Left, right, thank you. -Easy on the Umqombothi, OK? | 0:33:17 | 0:33:20 | |
All right. | 0:33:20 | 0:33:22 | |
LOUD CHATTER AND MUSIC | 0:33:46 | 0:33:48 | |
-Do you have a sparkling water? -Yes. | 0:34:08 | 0:34:12 | |
POOL BALLS CLACK | 0:34:35 | 0:34:39 | |
RINGING TONE | 0:35:14 | 0:35:15 | |
Police? | 0:35:15 | 0:35:17 | |
-I'm not. I just... -Who are you? | 0:35:17 | 0:35:20 | |
I'm just a... Kurt. My name's Kurt. | 0:35:20 | 0:35:23 | |
-Go sit there. -OK. -Sit! | 0:35:23 | 0:35:27 | |
-I'm not South African. -No! | 0:35:30 | 0:35:33 | |
I'm not South African. I'll show you my ID. | 0:35:33 | 0:35:35 | |
It's OK. It's just... | 0:35:37 | 0:35:40 | |
I just want to talk. | 0:35:45 | 0:35:47 | |
Just talk. That's all. Take the money - we can talk. | 0:35:47 | 0:35:50 | |
Do you recognise her? | 0:35:54 | 0:35:56 | |
Just listen. Listen. | 0:36:03 | 0:36:05 | |
What happened out there at the stock farm? | 0:36:05 | 0:36:08 | |
How did that happen? | 0:36:08 | 0:36:10 | |
You must be in real pain. | 0:36:12 | 0:36:14 | |
I just... | 0:36:14 | 0:36:16 | |
I just want to find out what happened to her. | 0:36:16 | 0:36:18 | |
That's all. | 0:36:19 | 0:36:20 | |
Where do you come from? | 0:36:20 | 0:36:22 | |
Where...? From Sweden. | 0:36:22 | 0:36:24 | |
And so does she. | 0:36:25 | 0:36:27 | |
I come from a country called Sweden. We both come from Sweden. | 0:36:27 | 0:36:31 | |
I... | 0:36:33 | 0:36:34 | |
Look out! | 0:36:37 | 0:36:39 | |
GUNSHOT | 0:36:39 | 0:36:41 | |
SHOUTING AND MORE GUNSHOTS | 0:36:44 | 0:36:45 | |
MOTORBIKE REVS | 0:36:56 | 0:36:59 | |
Victor. | 0:37:06 | 0:37:07 | |
ENGINE REVS | 0:37:41 | 0:37:42 | |
CHILDREN LAUGH | 0:37:52 | 0:37:56 | |
Thanks. | 0:38:33 | 0:38:35 | |
What are you doing here, Kurt? | 0:38:41 | 0:38:43 | |
I just... | 0:38:43 | 0:38:45 | |
I thought that you'd be... | 0:38:46 | 0:38:48 | |
I'm sorry. | 0:38:48 | 0:38:50 | |
I tried to call. | 0:38:51 | 0:38:53 | |
Yeah? | 0:38:53 | 0:38:55 | |
So you should have waited for a reply. | 0:38:55 | 0:38:58 | |
We have people! | 0:38:59 | 0:39:00 | |
You know about surveillance, huh?! | 0:39:01 | 0:39:05 | |
Khulu wants to see you. Both of you. | 0:39:05 | 0:39:07 | |
Get Max off my back, for God's sake. | 0:39:09 | 0:39:11 | |
Sir! | 0:39:12 | 0:39:13 | |
There have been reports of a shoot-out | 0:39:16 | 0:39:18 | |
involving a Swedish national this afternoon. | 0:39:18 | 0:39:21 | |
Reports suggest that this shoot-out | 0:39:21 | 0:39:22 | |
was linked to the recent disappearance... | 0:39:22 | 0:39:25 | |
BEEP | 0:39:30 | 0:39:32 | |
Sir, was I wrong in assuming that the purpose of your involvement | 0:39:54 | 0:39:57 | |
was to limit bad news stories? | 0:39:57 | 0:40:00 | |
Max, try to be polite. They're guests - behave yourself. | 0:40:00 | 0:40:05 | |
Behave? These Swedes should behave themselves! | 0:40:05 | 0:40:10 | |
Max has a habit of talking to people | 0:40:11 | 0:40:14 | |
like he's addressing a public meeting. | 0:40:14 | 0:40:16 | |
Take your pills, dear. | 0:40:17 | 0:40:19 | |
Pleasure meeting you. | 0:40:19 | 0:40:21 | |
-Thank you. -Thank you very much. | 0:40:21 | 0:40:23 | |
So how did our Swedish friend know to search for this boy in the Flats? | 0:40:23 | 0:40:28 | |
I was just looking for my own... | 0:40:28 | 0:40:30 | |
Did you see the shooter? | 0:40:30 | 0:40:31 | |
He was wear... I can't... | 0:40:31 | 0:40:34 | |
No! I know that he was white. | 0:40:34 | 0:40:36 | |
And, er... Registration number? | 0:40:36 | 0:40:37 | |
No. I didn't get it. | 0:40:37 | 0:40:39 | |
Do you think it was the husband? | 0:40:46 | 0:40:48 | |
Axel Hedeman does have a history of violence. | 0:40:48 | 0:40:51 | |
So, he hired this boy Mabasha to kill his wife for him? | 0:40:51 | 0:40:55 | |
It's a possibility. | 0:40:55 | 0:40:56 | |
These are cut from the plants I kept in the garden at Pollsmoor prison. | 0:41:03 | 0:41:06 | |
This tsotsi has been in Pollsmoor. | 0:41:06 | 0:41:10 | |
Yeah. | 0:41:10 | 0:41:12 | |
How much would you get for a life? | 0:41:12 | 0:41:15 | |
Next to nothing. | 0:41:16 | 0:41:18 | |
10,000 rand? | 0:41:18 | 0:41:19 | |
So that's what a man sells his freedom for. | 0:41:24 | 0:41:27 | |
I wish we'd known the price 30 years ago. | 0:41:29 | 0:41:31 | |
BIRD CALLS | 0:41:33 | 0:41:34 | |
Do you have anything more? | 0:41:36 | 0:41:38 | |
No. | 0:41:38 | 0:41:40 | |
I appreciate you taking the time to come here, Sergeant. | 0:41:41 | 0:41:45 | |
Keep us informed. | 0:41:45 | 0:41:47 | |
I think we'd all like to put it to bed as soon as possible. | 0:41:47 | 0:41:51 | |
As much as it has been a pleasure, Mr Wallander, | 0:41:51 | 0:41:55 | |
I don't expect we'll be seeing each other again. | 0:41:55 | 0:41:57 | |
BIRD CALLS | 0:42:03 | 0:42:05 | |
Oh, er... I'm having friends - family - over. Food. Drink. | 0:42:15 | 0:42:20 | |
Come. | 0:42:20 | 0:42:22 | |
I wouldn't mind keeping an eye on you. | 0:42:22 | 0:42:24 | |
Thank you very much. Thanks. | 0:42:26 | 0:42:27 | |
LOUD VOICES AND MUSIC | 0:42:49 | 0:42:52 | |
Hi, how are you? So sorry we are late. | 0:42:52 | 0:42:55 | |
Hello, nice to see you. | 0:42:55 | 0:42:57 | |
Oh, is that for me? | 0:43:00 | 0:43:01 | |
Thank you very much. | 0:43:01 | 0:43:03 | |
I'm Kurt. Nice to see you. | 0:43:03 | 0:43:05 | |
Hello, nice to see you. | 0:43:05 | 0:43:07 | |
Hello, nice to see you. | 0:43:07 | 0:43:10 | |
-Hello. -I am going to go change. | 0:43:10 | 0:43:13 | |
He is going to fight corruption and he is going to freeze every | 0:43:18 | 0:43:21 | |
major development in the Western Cape. | 0:43:21 | 0:43:23 | |
OK, but meanwhile all the foreign investors are going to | 0:43:23 | 0:43:25 | |
pack their businesses up... | 0:43:25 | 0:43:28 | |
Hello. | 0:43:28 | 0:43:30 | |
Hi. I am just going to put this down here if I may. | 0:43:30 | 0:43:33 | |
Thank you. Thanks. | 0:43:33 | 0:43:35 | |
CHILD TALKING | 0:43:54 | 0:43:55 | |
Oh, hello. Who are you? | 0:43:58 | 0:44:00 | |
Nomalanga. | 0:44:00 | 0:44:02 | |
Nomalanga. And who do you belong to? | 0:44:02 | 0:44:04 | |
Mummy. | 0:44:04 | 0:44:06 | |
Oh, right. OK. | 0:44:06 | 0:44:08 | |
Who do you belong to? | 0:44:08 | 0:44:10 | |
Who do I belong to? | 0:44:10 | 0:44:11 | |
Well, I have a daughter and a little granddaughter like you | 0:44:11 | 0:44:15 | |
so I suppose I belong to them, really. | 0:44:15 | 0:44:17 | |
You look like a white lion. | 0:44:17 | 0:44:19 | |
Really? | 0:44:19 | 0:44:21 | |
She has a thing about white lions. | 0:44:21 | 0:44:23 | |
White lions and a boy in her class called Qukeza. | 0:44:23 | 0:44:27 | |
SHE LAUGHS | 0:44:30 | 0:44:33 | |
Is it just you with her, or is there...? | 0:44:35 | 0:44:37 | |
My husband was a police constable. | 0:44:38 | 0:44:40 | |
He was shot while trying to stop an armed robbery in Claremont. | 0:44:40 | 0:44:45 | |
He died six days before she was born. | 0:44:45 | 0:44:49 | |
Yeah, it's just me and her. What about you? | 0:44:49 | 0:44:51 | |
Uh...divorced. A daughter. | 0:44:51 | 0:44:54 | |
-And grand-daughter. -Hi. | 0:44:54 | 0:44:56 | |
Cheers. | 0:44:56 | 0:44:58 | |
Cheers. | 0:44:58 | 0:45:00 | |
BEEPING SOUND | 0:45:00 | 0:45:03 | |
Do you think Mabasha was paid by Hedeman to kill his wife? | 0:45:04 | 0:45:08 | |
I don't know. | 0:45:08 | 0:45:09 | |
You know, it happens. | 0:45:09 | 0:45:11 | |
A lot of kids around like him. | 0:45:11 | 0:45:13 | |
No interest in the future. Just take what they can get. | 0:45:15 | 0:45:19 | |
Can you blame them? Considering the kinds of places they come from? | 0:45:19 | 0:45:22 | |
Nobody forces them to do what they do. | 0:45:22 | 0:45:25 | |
You can't just pin it on society. | 0:45:28 | 0:45:31 | |
It's the individual's choice. | 0:45:31 | 0:45:33 | |
Do you think everybody's equipped to make that choice? | 0:45:33 | 0:45:36 | |
I grew up a half mile from that Shebeen. | 0:45:36 | 0:45:39 | |
My mother died of HIV when I was 12. | 0:45:39 | 0:45:41 | |
Things can get better. | 0:45:49 | 0:45:51 | |
They can be made better. | 0:45:53 | 0:45:54 | |
By all of us. | 0:45:54 | 0:45:56 | |
Bit by bit. | 0:45:58 | 0:46:00 | |
Mama! | 0:46:00 | 0:46:01 | |
Coming! | 0:46:01 | 0:46:02 | |
You know, the white lion is a symbol of hope. | 0:46:06 | 0:46:09 | |
Roar! | 0:46:13 | 0:46:15 | |
Sorry, I'm Wallander. | 0:46:49 | 0:46:51 | |
I've lost my room keys. 107. | 0:46:51 | 0:46:54 | |
OK, no problem. | 0:46:54 | 0:46:56 | |
-All right, sorry about that. -There you go. -Thanks. | 0:46:59 | 0:47:02 | |
RAUCOUS LAUGHTER | 0:47:03 | 0:47:06 | |
HE BREATHES HEAVILY | 0:47:44 | 0:47:46 | |
OK. Put the gun down. I'll talk to you if you put the gun down. | 0:47:55 | 0:47:59 | |
-What are you doing? -Let's go. | 0:47:59 | 0:48:01 | |
Let's go. | 0:48:03 | 0:48:05 | |
ECHOING LAUGHTER | 0:48:20 | 0:48:24 | |
Turn right. | 0:48:48 | 0:48:49 | |
Victor, where am I driving? | 0:49:02 | 0:49:04 | |
You don't need to know. Just drive. | 0:49:04 | 0:49:06 | |
Drive on! | 0:49:52 | 0:49:53 | |
You need help, Victor. | 0:50:28 | 0:50:30 | |
You need medicine. | 0:50:31 | 0:50:33 | |
Water. We both need to eat. | 0:50:33 | 0:50:34 | |
Quiet! | 0:50:34 | 0:50:36 | |
Why did you bring me here? | 0:50:36 | 0:50:38 | |
Shut up. | 0:50:38 | 0:50:39 | |
Victor, you came to me for some reason. | 0:50:41 | 0:50:44 | |
You're keeping me alive for some reason. | 0:50:44 | 0:50:46 | |
Tell me what that is and we can do something about. Listen to me... | 0:50:46 | 0:50:49 | |
-You're Swedish? -Yeah. Yeah. | 0:50:49 | 0:50:51 | |
There is snow? | 0:50:52 | 0:50:53 | |
Where you come from, there is snow? | 0:50:53 | 0:50:55 | |
Yeah, I can help you. I want to help you, right? | 0:50:55 | 0:50:58 | |
You're going to help me. I want to go there. | 0:50:58 | 0:51:01 | |
What happened to the white woman? | 0:51:01 | 0:51:04 | |
If you tell me that, I can help you, we can go. | 0:51:04 | 0:51:06 | |
Bad spirits. | 0:51:07 | 0:51:09 | |
Bad spirits took her. | 0:51:10 | 0:51:11 | |
They led her to that place. | 0:51:12 | 0:51:14 | |
Is she dead? | 0:51:14 | 0:51:16 | |
I didn't touch her. I did not kill her. | 0:51:16 | 0:51:18 | |
She screamed. She shouldn't have screamed. | 0:51:18 | 0:51:21 | |
-He was angry. -Who? Who was angry? | 0:51:21 | 0:51:24 | |
Was it the man who tried to shoot you, who cut your hand? | 0:51:24 | 0:51:27 | |
I don't know why I tried to help your friend. | 0:51:27 | 0:51:29 | |
But you did, you tried to help her? | 0:51:29 | 0:51:31 | |
He took her away. | 0:51:31 | 0:51:32 | |
Where did he take her? Victor, is this even safe? | 0:51:32 | 0:51:35 | |
Does this man know where you might have gone? | 0:51:35 | 0:51:38 | |
FLIES BUZZ | 0:51:49 | 0:51:52 | |
My mum was killed by witchcraft. | 0:52:07 | 0:52:09 | |
My uncle took me into the city. | 0:52:12 | 0:52:14 | |
To his friends, so I could have a second chance. | 0:52:18 | 0:52:20 | |
Victor, who was this man? Can you tell me who this man was? | 0:52:41 | 0:52:44 | |
Where did he take my friend? | 0:52:45 | 0:52:47 | |
DOOR OPENS NOISILY | 0:52:48 | 0:52:50 | |
THEY SHOUT AT EACH OTHER IN DIALECT | 0:52:52 | 0:52:56 | |
OK, OK, OK! | 0:53:05 | 0:53:07 | |
If you go to... | 0:53:44 | 0:53:46 | |
If I sorted it so that you could... | 0:53:54 | 0:53:57 | |
..come to Sweden with me... | 0:53:59 | 0:54:01 | |
..you'd see plenty of snow. | 0:54:05 | 0:54:07 | |
Sweden is a good place. | 0:54:17 | 0:54:19 | |
We try and help people who have been hurt. | 0:54:26 | 0:54:28 | |
You can't help me. You won't help me. | 0:54:31 | 0:54:34 | |
Then what's this for then?! | 0:54:34 | 0:54:35 | |
I said I'm going to help you! That's all I've said! | 0:54:37 | 0:54:40 | |
I can't help you if you don't tell me what I need to know! | 0:54:40 | 0:54:43 | |
Why were you there? | 0:54:43 | 0:54:44 | |
I was training. | 0:54:53 | 0:54:55 | |
-He was training me. -Training? | 0:54:56 | 0:54:58 | |
Training for what? | 0:55:00 | 0:55:02 | |
To shoot? | 0:55:02 | 0:55:04 | |
To shoot who? | 0:55:04 | 0:55:06 | |
A black man. | 0:55:09 | 0:55:10 | |
100,000 rand. | 0:55:15 | 0:55:16 | |
That is how much the lives of important people are. | 0:55:18 | 0:55:22 | |
Who? | 0:55:31 | 0:55:32 | |
Victor, who were you trying to shoot? | 0:55:34 | 0:55:36 | |
Call the police... | 0:55:43 | 0:55:44 | |
Tell them that... | 0:55:46 | 0:55:47 | |
..that I'll do it. | 0:55:49 | 0:55:51 | |
Tell them that we have a deal. | 0:55:53 | 0:55:55 | |
Go to Sweden. | 0:56:13 | 0:56:15 | |
I'm coming to Sweden with you. | 0:56:17 | 0:56:19 | |
'Hello, SAP, how can I assist you?' | 0:57:03 | 0:57:06 | |
Yeah. | 0:57:06 | 0:57:07 | |
My name is Kurt Wallander... | 0:57:07 | 0:57:10 | |
I need to speak urgently to Sergeant Grace Mthembu. | 0:57:10 | 0:57:14 | |
-'Sergeant Mthembu?' -Yeah. | 0:57:14 | 0:57:16 | |
'Just bear with me one moment, I'll see if she's at her desk.' | 0:57:16 | 0:57:20 | |
MOTORBIKE ENGINE ROARS | 0:57:20 | 0:57:22 | |
Come on, out of the car! Out of the car, please! | 0:57:26 | 0:57:29 | |
Come on, please! Come on! Come on! Come on! Come on! | 0:57:29 | 0:57:32 | |
Come on, come on, get out of the car! | 0:57:32 | 0:57:34 | |
OUT OF THE CAR! OUT OF THE CAR! | 0:57:34 | 0:57:37 | |
MOTORBIKE ENGINE STARTS UP | 0:58:29 | 0:58:33 | |
VICTOR SPLUTTERS | 0:58:46 | 0:58:49 | |
HE GASPS | 0:58:53 | 0:58:55 | |
Friday. | 0:58:58 | 0:58:59 | |
What? | 0:58:59 | 0:59:00 | |
Friday... | 0:59:04 | 0:59:05 | |
It's OK, it's OK. | 0:59:06 | 0:59:08 | |
Friday. | 0:59:08 | 0:59:10 | |
POLICE RADIO CHATTER | 0:59:56 | 1:00:00 | |
There's never a dull moment with you, is there, Kurt? | 1:00:06 | 1:00:09 | |
The bike's registered to a man called Meyer. | 1:00:18 | 1:00:21 | |
Ex-army. Mercenary. | 1:00:21 | 1:00:22 | |
CAR ENGINE STARTS | 1:00:46 | 1:00:48 | |
Victor said he was training to shoot someone. | 1:00:51 | 1:00:55 | |
At the farm. | 1:00:56 | 1:00:58 | |
A black man. | 1:00:58 | 1:00:59 | |
Someone...important. | 1:01:00 | 1:01:02 | |
Friday... | 1:01:07 | 1:01:08 | |
Hm? | 1:01:08 | 1:01:09 | |
It was...the last thing he said. | 1:01:10 | 1:01:13 | |
Friday. | 1:01:15 | 1:01:16 | |
It has to be the day of the shooting, doesn't it? | 1:01:19 | 1:01:21 | |
Friday? | 1:01:21 | 1:01:23 | |
There's a big election rally on that day. At Five Sisters. | 1:01:24 | 1:01:28 | |
-Bernie Meyiwa? -Yeah. | 1:01:30 | 1:01:33 | |
SHE DIALS PHONE | 1:01:34 | 1:01:37 | |
-'Hello?' -Yes, I need to speak to Van Heerden. Now. | 1:01:37 | 1:01:40 | |
If this man wanted me dead, why train up a boy like that? | 1:01:43 | 1:01:46 | |
Why not do it himself? | 1:01:46 | 1:01:48 | |
With all respect, sir, a white man kills you, it's a tragedy. | 1:01:48 | 1:01:52 | |
A black man kills you... | 1:01:52 | 1:01:54 | |
It's political. People will blame the ANC. | 1:01:54 | 1:01:57 | |
30 years ago, would you have listened to this? | 1:01:59 | 1:02:02 | |
30 years ago I was in prison. | 1:02:02 | 1:02:04 | |
It's the same fight, Max. | 1:02:07 | 1:02:09 | |
If I don't go up on that stage they'll say I'm a coward. | 1:02:09 | 1:02:13 | |
And they'll be right. | 1:02:13 | 1:02:14 | |
They need to see that I can face these battles. | 1:02:14 | 1:02:17 | |
And I can win. | 1:02:17 | 1:02:19 | |
If you're dead, you're no use to anyone. | 1:02:19 | 1:02:20 | |
I will not be silenced by a white man with a gun. | 1:02:20 | 1:02:24 | |
You will catch this man, | 1:02:26 | 1:02:30 | |
and I will speak. | 1:02:30 | 1:02:32 | |
And I will win. | 1:02:33 | 1:02:34 | |
OK, yeah, thank you. They've found Meyer's flat. | 1:02:38 | 1:02:41 | |
He's ex-military... | 1:03:11 | 1:03:14 | |
CONVERSATION BECOMES INDISTINCT | 1:03:14 | 1:03:17 | |
He was a security guard part-time. Western Cape Homes. | 1:03:51 | 1:03:54 | |
He's been working there since October 2013. | 1:03:54 | 1:03:57 | |
Get over there. Take a unit with you. | 1:03:57 | 1:04:00 | |
This is the company that's involved in one of the developments | 1:04:02 | 1:04:05 | |
that Bernie Meyiwa is trying to stop. | 1:04:05 | 1:04:07 | |
So do we need to... | 1:04:07 | 1:04:09 | |
The security detail on the Five Sisters rally's been told. | 1:04:09 | 1:04:12 | |
Kurt, get some rest. | 1:04:14 | 1:04:17 | |
I'll call you. | 1:04:18 | 1:04:20 | |
Your keys. | 1:04:23 | 1:04:25 | |
WAVES BREAK SOOTHINGLY | 1:04:39 | 1:04:44 | |
Our role as a police force is simple. | 1:05:21 | 1:05:24 | |
Maintain social order by fighting crime... | 1:05:24 | 1:05:27 | |
WORDS BECOME DISTORTED | 1:05:28 | 1:05:33 | |
PLANE BUZZES OVERHEAD | 1:07:01 | 1:07:05 | |
HE DIALS PHONE | 1:07:38 | 1:07:42 | |
'Hello?' | 1:07:42 | 1:07:43 | |
Grace? It's Kurt. I found Meyer's car. | 1:07:43 | 1:07:46 | |
It's near his flat and I've got his sat nav. | 1:07:46 | 1:07:49 | |
He's been making repeated trips to somewhere called Pinelands, | 1:07:49 | 1:07:53 | |
it's near Forest Drive. | 1:07:53 | 1:07:54 | |
That's Department of Defence land. It's a disused military base. | 1:07:54 | 1:07:58 | |
Could be where he took Inga. I'll see you there. | 1:07:58 | 1:08:00 | |
Wait, Kurt! Why don't...? | 1:08:00 | 1:08:01 | |
SOUND OF RUNNING WATER | 1:08:59 | 1:09:03 | |
FLIES BUZZ | 1:09:11 | 1:09:14 | |
MOTORBIKE APPROACHES | 1:11:49 | 1:11:53 | |
SOUND OF GUN COCKING | 1:12:25 | 1:12:27 | |
Kurt! | 1:12:45 | 1:12:46 | |
Wallander! | 1:12:51 | 1:12:52 | |
Kurt? | 1:12:59 | 1:13:01 | |
Inga Hedeman's body's back there, in one of the water tanks. | 1:13:25 | 1:13:28 | |
Are you OK? | 1:13:28 | 1:13:30 | |
SHE DIALS PHONE | 1:13:40 | 1:13:42 | |
-'Hello?' -I need to speak to Van Heerden. | 1:13:42 | 1:13:45 | |
PHONE BUZZES | 1:13:48 | 1:13:51 | |
GRACE TALKS DISTANTLY | 1:13:51 | 1:13:53 | |
'Meyer, what the hell's going on?' | 1:14:01 | 1:14:04 | |
PEACOCK SCREECHES IN BACKGROUND | 1:14:04 | 1:14:06 | |
LINE GOES DEAD | 1:14:06 | 1:14:08 | |
What is it? | 1:14:13 | 1:14:14 | |
Khulu. | 1:14:18 | 1:14:19 | |
That doesn't make any sense. | 1:14:23 | 1:14:24 | |
It's him. | 1:14:25 | 1:14:26 | |
I heard the peacocks in the garden. | 1:14:29 | 1:14:31 | |
-Are you sure? -I'm sure, Grace. | 1:14:38 | 1:14:40 | |
Is there anything else you would like to add to your statement? | 1:15:04 | 1:15:07 | |
No, that's it. | 1:15:07 | 1:15:09 | |
Right. | 1:15:12 | 1:15:13 | |
Well, you know, signature at the bottom. | 1:15:16 | 1:15:19 | |
Are you OK? | 1:15:34 | 1:15:35 | |
Yeah. I need to go through this. | 1:15:36 | 1:15:38 | |
You need to get some sleep. | 1:15:38 | 1:15:40 | |
I'll call you tomorrow. | 1:15:40 | 1:15:42 | |
Yeah. | 1:15:42 | 1:15:43 | |
-You just take care, yeah? -Yeah. | 1:15:46 | 1:15:47 | |
Max Khulu set up a trust, run by a holding company, | 1:16:06 | 1:16:09 | |
registered under his mother's maiden name. | 1:16:09 | 1:16:12 | |
It holds a 75% stake in Western Cape Homes. | 1:16:12 | 1:16:15 | |
Has done since just before the company bid | 1:16:15 | 1:16:18 | |
for a new luxury housing development out in Sir Lowry's Pass. | 1:16:18 | 1:16:22 | |
The trust also owns the land being developed. | 1:16:23 | 1:16:26 | |
Borrowed millions of rand just to buy it up. | 1:16:27 | 1:16:29 | |
He's put absolutely everything into this. | 1:16:31 | 1:16:33 | |
Past evidence says that it'll quadruple in value... | 1:16:35 | 1:16:38 | |
..making Max Khulu a very rich man. | 1:16:40 | 1:16:42 | |
Unless, of course, Bernie Meyiwa's elected | 1:16:43 | 1:16:46 | |
and puts all these developments on hold. | 1:16:46 | 1:16:49 | |
100,000 rand doesn't seem like very much, | 1:16:50 | 1:16:53 | |
to invest in having Bernie Meyiwa killed. | 1:16:53 | 1:16:56 | |
I used to... | 1:17:01 | 1:17:02 | |
He... Max Khulu came to open the clinic where my mother was. | 1:17:07 | 1:17:12 | |
I just thought he was different. | 1:17:17 | 1:17:19 | |
BUZZER | 1:17:38 | 1:17:40 | |
We'd like to talk to your husband. | 1:17:52 | 1:17:54 | |
About what? | 1:17:54 | 1:17:55 | |
What's the matter? | 1:17:55 | 1:17:57 | |
I wasn't expecting to see you again, Mr Wallander. | 1:17:57 | 1:18:01 | |
We just want to talk to you about one or two things, sir. | 1:18:02 | 1:18:06 | |
I have to go to the rally. | 1:18:08 | 1:18:10 | |
Perhaps tomorrow. | 1:18:10 | 1:18:12 | |
Your trust owns a stake in Western Cape Homes. Is that correct? | 1:18:12 | 1:18:15 | |
Through a holding company registered in your mother's name. | 1:18:15 | 1:18:18 | |
I believe they're part of the trust portfolio. | 1:18:21 | 1:18:24 | |
Western Cape? | 1:18:25 | 1:18:26 | |
A few shares, I think. | 1:18:26 | 1:18:30 | |
To me, it seems as though the trust is the majority shareholder. | 1:18:30 | 1:18:33 | |
No. | 1:18:33 | 1:18:34 | |
I don't believe so. | 1:18:34 | 1:18:36 | |
Your information is wrong. | 1:18:36 | 1:18:38 | |
Were you aware that the man who trained Victor Mabasha | 1:18:38 | 1:18:40 | |
also works for Western Cape as a security guard? | 1:18:40 | 1:18:43 | |
Tell Colonel Van Heerden that I will see him at the station | 1:18:47 | 1:18:50 | |
at his convenience, and answer any further questions, | 1:18:50 | 1:18:54 | |
but right now... | 1:18:54 | 1:18:56 | |
May we see your phone? | 1:18:56 | 1:18:57 | |
That's not the one you used, is it? | 1:19:14 | 1:19:16 | |
It's not the one you used to call Meyer. | 1:19:20 | 1:19:22 | |
I don't know anyone by that name. | 1:19:22 | 1:19:25 | |
You should know he's dead. | 1:19:25 | 1:19:26 | |
He's dead, | 1:19:28 | 1:19:29 | |
and Bernie Meyiwa is going to stop the development. | 1:19:29 | 1:19:32 | |
Was there anything else? | 1:19:42 | 1:19:44 | |
Bernie Meyiwa stands for everything you fought for, sir. | 1:19:48 | 1:19:52 | |
That's why I'll stand beside him today, and make sure that he wins. | 1:19:54 | 1:19:59 | |
The car is ready, darling. | 1:20:01 | 1:20:03 | |
The maid will see you out. | 1:20:06 | 1:20:09 | |
How many million rand has he got invested in this? | 1:20:14 | 1:20:16 | |
A couple of hundred. | 1:20:16 | 1:20:18 | |
-When's Bernie Meyiwa due to speak? -20 minutes. -Why is he so calm? | 1:20:18 | 1:20:21 | |
CROWD SHOUTS AND CHANTS | 1:20:30 | 1:20:33 | |
'Khulu!' | 1:20:42 | 1:20:44 | |
CROWD CHEERS | 1:20:44 | 1:20:46 | |
CROWD CHANTS "KHULU!" | 1:20:47 | 1:20:49 | |
Thank you! | 1:20:53 | 1:20:55 | |
Thank you! Thank you, my people. | 1:20:55 | 1:20:59 | |
Thank you! | 1:20:59 | 1:21:01 | |
Thank you, my friends. | 1:21:02 | 1:21:04 | |
Today is the day for my friend. | 1:21:05 | 1:21:09 | |
My colleague, | 1:21:09 | 1:21:11 | |
my hope! | 1:21:11 | 1:21:13 | |
Our hope! | 1:21:13 | 1:21:14 | |
CHEERING | 1:21:14 | 1:21:17 | |
Comrade, Bernie Meyiwa! | 1:21:17 | 1:21:20 | |
CHEERING AND APPLAUSE | 1:21:20 | 1:21:24 | |
CROWD CHANTS "BERNIE!" | 1:21:24 | 1:21:29 | |
Grace? Why did Meyer need a second training ground? | 1:21:37 | 1:21:40 | |
Practice? | 1:21:40 | 1:21:42 | |
But he's a professional! Why have two? | 1:21:42 | 1:21:44 | |
Maybe he was training another kid. | 1:21:47 | 1:21:49 | |
-He would have needed a back-up. -Exactly! Let's find him. | 1:21:49 | 1:21:52 | |
Grace! Grace! | 1:22:16 | 1:22:18 | |
Grace! | 1:22:19 | 1:22:21 | |
Thank you, my friends. | 1:22:21 | 1:22:24 | |
Thank you for coming. | 1:22:26 | 1:22:29 | |
What do I promise you? | 1:22:29 | 1:22:31 | |
I will make sure that you have a share in the wealth of this country. | 1:22:31 | 1:22:37 | |
They say that Bernie Meyiwa is simplistic and idealistic. | 1:22:37 | 1:22:44 | |
I say, what the hell is wrong with that? | 1:22:44 | 1:22:48 | |
Wait, wait, wait. | 1:22:48 | 1:22:50 | |
Wait, wait, wait, wait! | 1:22:50 | 1:22:51 | |
Meyer's dead, there's no money. | 1:22:51 | 1:22:53 | |
I know who you are, I know why you're here. | 1:22:55 | 1:22:58 | |
There was another boy, just like you. | 1:22:58 | 1:23:00 | |
Maybe you knew him. His name was Victor. | 1:23:00 | 1:23:02 | |
Another boy, with a gun. He's dead. He is dead now. | 1:23:02 | 1:23:05 | |
You can live. | 1:23:05 | 1:23:06 | |
Listen to that man. | 1:23:09 | 1:23:11 | |
Listen to what he's saying. | 1:23:11 | 1:23:13 | |
That's who you'll be killing. | 1:23:14 | 1:23:16 | |
You'll be killing him for nothing. | 1:23:17 | 1:23:20 | |
..sometimes are all we have to sustain us. | 1:23:20 | 1:23:24 | |
When we have been caged and trapped for so long. | 1:23:24 | 1:23:28 | |
We need to show our young men and women that there is still hope. | 1:23:30 | 1:23:37 | |
CHEERING | 1:23:37 | 1:23:38 | |
We owe them this hope! | 1:23:38 | 1:23:41 | |
And I... No, we... | 1:23:41 | 1:23:44 | |
will deliver that hope to them together! | 1:23:44 | 1:23:49 | |
Just walk away. | 1:23:49 | 1:23:50 | |
Walk away. | 1:23:52 | 1:23:54 | |
Walk away. | 1:23:56 | 1:23:57 | |
Iafrica! Iafrica! | 1:23:57 | 1:24:01 | |
I promise you that there will be a change coming. | 1:24:07 | 1:24:11 | |
And when we decide that it is time for a change together. | 1:24:11 | 1:24:17 | |
When we have made up our minds that we will stand shoulder to shoulder. | 1:24:17 | 1:24:22 | |
CHEERING | 1:24:22 | 1:24:24 | |
Iafrica! | 1:24:24 | 1:24:26 | |
CROWD: Mayibuye! | 1:24:26 | 1:24:27 | |
-Iafrica! -Mayibuye! -Iafrica! | 1:24:27 | 1:24:30 | |
Mayibuye! | 1:24:30 | 1:24:31 | |
Mayibuye! | 1:24:31 | 1:24:33 | |
Mayibuye! | 1:24:33 | 1:24:34 | |
There is no force in this wonderful land of ours. | 1:24:35 | 1:24:40 | |
There is no force in this world that can stop us. Amandla! | 1:24:40 | 1:24:46 | |
Kurt? | 1:24:46 | 1:24:48 | |
-The shooter? -He's gone. | 1:24:51 | 1:24:54 | |
So has Khulu. | 1:25:00 | 1:25:02 | |
GUNSHOT | 1:25:28 | 1:25:30 | |
HE GRUNTS | 1:26:23 | 1:26:27 | |
APPLAUSE | 1:27:42 | 1:27:45 | |
Do we make a difference? | 1:27:48 | 1:27:51 | |
Maybe. | 1:27:52 | 1:27:54 | |
Sometimes. | 1:27:55 | 1:27:56 | |
Not much. | 1:27:57 | 1:27:59 | |
What I do know | 1:28:01 | 1:28:03 | |
is that we should never stop trying. | 1:28:03 | 1:28:06 | |
And we need to remember that every little counts. | 1:28:09 | 1:28:12 | |
Recently I met a young man called Victor Mabasha. | 1:28:16 | 1:28:19 | |
He was just a boy really. | 1:28:21 | 1:28:23 |