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ENGINES ROAR IN DISTANCE | 0:00:02 | 0:00:05 | |
ENGINES ROAR | 0:00:50 | 0:00:54 | |
CAR LOCK BEEPS | 0:01:16 | 0:01:18 | |
ENGINES ROAR | 0:01:26 | 0:01:29 | |
HE GROANS | 0:01:33 | 0:01:34 | |
HE GROANS | 0:01:43 | 0:01:45 | |
# Tram wires cross northern skies | 0:02:01 | 0:02:08 | |
# Cut my blue heart in two | 0:02:08 | 0:02:12 | |
# My knuckles bleed | 0:02:14 | 0:02:17 | |
# Down the tattered street | 0:02:17 | 0:02:21 | |
# On a door that shouldn't be in front of me. # | 0:02:21 | 0:02:28 | |
HE GROANS | 0:02:39 | 0:02:41 | |
HE BREATHES HEAVILY | 0:02:49 | 0:02:53 | |
CHURCH BELLS RING | 0:03:58 | 0:04:02 | |
THEY GIGGLE | 0:04:12 | 0:04:15 | |
Hello. | 0:04:15 | 0:04:16 | |
Grandad! | 0:04:16 | 0:04:17 | |
Hi! | 0:04:17 | 0:04:19 | |
Oh, hello. Ooh, careful with Grandad. | 0:04:19 | 0:04:22 | |
He's a very, very old person. | 0:04:22 | 0:04:25 | |
Now, shall we put those shoes on? Ah, these are yours. | 0:04:25 | 0:04:28 | |
Oh, that's very nice. Thank you very much. | 0:04:28 | 0:04:31 | |
Do you want to put that one on? | 0:04:31 | 0:04:33 | |
You do right and I'll do left. | 0:04:33 | 0:04:35 | |
That's a great picture. | 0:04:35 | 0:04:36 | |
Yeah. Well, no, I've got the morning off, | 0:04:36 | 0:04:39 | |
but I'll be back after two at the station. | 0:04:39 | 0:04:45 | |
So if I take you to Africa, yeah? | 0:04:45 | 0:04:47 | |
With Mummy and Daddy, which animals would you like to see? | 0:04:47 | 0:04:51 | |
Elephants. | 0:04:51 | 0:04:52 | |
Elephants, yeah, any others? | 0:04:52 | 0:04:55 | |
Er, lions. | 0:04:55 | 0:04:56 | |
Quite scary. Would you like to go up close to a lion? | 0:04:56 | 0:05:00 | |
-No. -No. | 0:05:00 | 0:05:01 | |
Do you know where an elephant packs his clothes? | 0:05:01 | 0:05:04 | |
No. | 0:05:04 | 0:05:05 | |
Well, an elephant packs his clothes in his trunk, of course. | 0:05:05 | 0:05:08 | |
SHE GIGGLES | 0:05:08 | 0:05:09 | |
And they've got very good memories. Do you have a good memory? | 0:05:09 | 0:05:12 | |
-Yeah. -Good. Good. Elephants have got the best memories of all. | 0:05:12 | 0:05:16 | |
Right, so, we have to get as many | 0:05:16 | 0:05:17 | |
basil leaves as we can in ten seconds. | 0:05:17 | 0:05:20 | |
Oh, you missed one. Nearly missed one. Missed one. Missed one. | 0:05:20 | 0:05:22 | |
-No, you've got one, now you got two... -It's me. | 0:05:22 | 0:05:24 | |
Oh, look who it is, go and say hello to Mummy, quickly! | 0:05:24 | 0:05:27 | |
Mummy! | 0:05:28 | 0:05:30 | |
Oh, hello. Did you have a nice time with Grandad? | 0:05:30 | 0:05:35 | |
Yes. | 0:05:35 | 0:05:37 | |
Yes, we did, we actually went to a cake shop. | 0:05:37 | 0:05:39 | |
-Oh, did you? -We did. | 0:05:39 | 0:05:42 | |
What's that? | 0:05:42 | 0:05:43 | |
Grandad caught a robber. | 0:05:43 | 0:05:45 | |
We were walking the dog... | 0:05:45 | 0:05:47 | |
I was walking the dog and there was a big slippery rock. | 0:05:47 | 0:05:50 | |
It was covered in seaweed, | 0:05:50 | 0:05:51 | |
and I just went whoosh and I fell. | 0:05:51 | 0:05:53 | |
Come on, let's finish this. | 0:05:53 | 0:05:55 | |
Grandad's a policeman. | 0:05:55 | 0:05:57 | |
-Yes, I am a policeman. -Yes! | 0:05:57 | 0:05:59 | |
So how much pasta do we need? | 0:06:01 | 0:06:03 | |
One, two, three, four... | 0:06:03 | 0:06:08 | |
Oh, that's nice. | 0:06:08 | 0:06:09 | |
See up there, I like what you have done there, cos that's... | 0:06:09 | 0:06:12 | |
Do you want to use that one to...? | 0:06:12 | 0:06:14 | |
Cos if you see it on Grandad's grass, he's got a little | 0:06:14 | 0:06:17 | |
red at the top, but he's also got a little white on the wings, | 0:06:17 | 0:06:19 | |
hasn't he? Which you've got. | 0:06:19 | 0:06:21 | |
So, how was the play? | 0:06:23 | 0:06:25 | |
I left at the interval. | 0:06:25 | 0:06:27 | |
How's your glucose? | 0:06:27 | 0:06:28 | |
It's fine, thanks. | 0:06:28 | 0:06:31 | |
Oh, that's nice. You're a good drawer, aren't you? | 0:06:31 | 0:06:33 | |
-HANS: -Hello. -Oh, look, it's Daddy! | 0:06:33 | 0:06:35 | |
-Oh, Kurt. -Hi, Hans. -Hi. | 0:06:35 | 0:06:37 | |
-Hello? -Grandpa! | 0:06:37 | 0:06:39 | |
Hello? Hello? Hello! | 0:06:39 | 0:06:42 | |
What are you doing here? | 0:06:42 | 0:06:44 | |
-Long story. -Oh, my little Klara. | 0:06:44 | 0:06:47 | |
Kurt! They've been keeping us apart. | 0:06:47 | 0:06:50 | |
If I had known that you were coming, we would've... | 0:06:50 | 0:06:52 | |
When was the last time - Klara's christening? | 0:06:52 | 0:06:56 | |
-Hello. -Hello, Linda. | 0:06:56 | 0:06:57 | |
Now, who do you think this is for? | 0:06:58 | 0:07:01 | |
Ah! | 0:07:01 | 0:07:03 | |
I've just been helping Dad. | 0:07:05 | 0:07:07 | |
-He's here for the afternoon. -OK. | 0:07:07 | 0:07:09 | |
How's the police? | 0:07:09 | 0:07:11 | |
-Yes, er, not bad. -Wow! | 0:07:11 | 0:07:13 | |
Oh, Hakon, you shouldn't have. | 0:07:13 | 0:07:15 | |
Mummy, it's a doll's house. | 0:07:15 | 0:07:17 | |
-Now... -Thank you, Grandpa. | 0:07:17 | 0:07:19 | |
Who do you think could live in here and here? | 0:07:19 | 0:07:23 | |
Grandfathers are meant to spoil. Isn't that right, Kurt? | 0:07:23 | 0:07:27 | |
-Hello, is anybody home? -I have to get back to work, unfortunately. | 0:07:27 | 0:07:31 | |
-You're coming to my birthday party? -Erm... | 0:07:31 | 0:07:33 | |
It's about time we got to know each other. Wednesday. Please come. | 0:07:33 | 0:07:37 | |
Everyone else is. | 0:07:37 | 0:07:39 | |
Sure. Yeah. OK. Thank you. | 0:07:39 | 0:07:41 | |
Let's go and find some friends. | 0:07:42 | 0:07:44 | |
-WHISPERING: I don't even have a suit. -You do. | 0:07:44 | 0:07:48 | |
He's only asking me to be polite. | 0:07:48 | 0:07:49 | |
He doesn't want me to come to his birthday party. | 0:07:49 | 0:07:52 | |
-Linda, do you want to...? -Yep. | 0:07:52 | 0:07:54 | |
-I'll call you. -All right. -Look after yourself, Dad. | 0:07:54 | 0:07:56 | |
Yeah. Bye, Hans. See you. | 0:07:56 | 0:07:58 | |
Bye-bye, Klara. | 0:07:58 | 0:08:00 | |
Grandpa, no! | 0:08:00 | 0:08:02 | |
ENGINES ROAR | 0:08:20 | 0:08:23 | |
Hi. | 0:08:53 | 0:08:54 | |
Here you go. | 0:08:55 | 0:08:56 | |
Thank you. | 0:08:56 | 0:08:57 | |
What have you done? | 0:09:01 | 0:09:02 | |
Oh, it's just... | 0:09:02 | 0:09:04 | |
Er, what is this? A missing person? | 0:09:04 | 0:09:07 | |
Oh, er, yeah, that's some | 0:09:07 | 0:09:09 | |
old woman who's gone off from her old folks' home. | 0:09:09 | 0:09:12 | |
Eliasson's gone out to help. He's fine. | 0:09:12 | 0:09:15 | |
Well, I'll... You know, I'm supposed to be mentoring him, | 0:09:15 | 0:09:19 | |
so I'll... | 0:09:19 | 0:09:21 | |
Are you OK? | 0:09:21 | 0:09:23 | |
Just slipped off a ladder. Yeah. It's fine. | 0:09:23 | 0:09:27 | |
All right. | 0:09:27 | 0:09:28 | |
-Hello. -Hello, Kurt. Nice to see you again. | 0:10:12 | 0:10:14 | |
Nice to see you. You spoke to my colleagues, I think. | 0:10:14 | 0:10:17 | |
Yes, we were talking about your dad. | 0:10:17 | 0:10:19 | |
It's been a long time. Years! | 0:10:19 | 0:10:21 | |
Seven. | 0:10:21 | 0:10:23 | |
We were talking about how he dashed off down the road to Skurup | 0:10:23 | 0:10:26 | |
with a load of paintings... | 0:10:26 | 0:10:28 | |
So Anita's been missing since nine this morning, has she? | 0:10:28 | 0:10:30 | |
Yes, it's very kind of you to come. | 0:10:30 | 0:10:32 | |
She's missed two doses of medication. | 0:10:32 | 0:10:34 | |
We're very concerned, Kurt. | 0:10:34 | 0:10:35 | |
I'm sure we'll find her. | 0:10:35 | 0:10:37 | |
..picture of Anita and also of the local area. | 0:10:39 | 0:10:41 | |
Now, she's believed to have been missing | 0:10:41 | 0:10:43 | |
since about nine o'clock this morning. | 0:10:43 | 0:10:45 | |
We're going to start our search just over there. | 0:10:45 | 0:10:48 | |
Just beyond the tree... Oh, Kurt. | 0:10:48 | 0:10:50 | |
I thought you could do with a hand. | 0:10:50 | 0:10:51 | |
-Thanks. -What is the temperature? Six, seven degrees? | 0:10:51 | 0:10:54 | |
-Yeah. -What was she dressed in? | 0:10:54 | 0:10:56 | |
-Just nightclothes. -Right. Sooner we go, the better, I think. | 0:10:56 | 0:10:59 | |
OK. Let's go. | 0:10:59 | 0:11:01 | |
ALL: Anita! Anita! Anita! Anita! | 0:11:07 | 0:11:12 | |
Anita! | 0:11:12 | 0:11:13 | |
Anita! Anita! | 0:11:15 | 0:11:18 | |
WHIMPERING | 0:11:18 | 0:11:21 | |
There. There she is. | 0:11:21 | 0:11:22 | |
Bring the blankets. | 0:11:24 | 0:11:26 | |
SHE SOBS | 0:11:26 | 0:11:29 | |
Yeah. We've found her. The field through the trees. | 0:11:29 | 0:11:32 | |
-RADIO: -Copy that. | 0:11:32 | 0:11:33 | |
There's nothing to worry about, Anita. It's fine. | 0:11:33 | 0:11:37 | |
It's all going to be OK, Anita. Come on, let's get you up. | 0:11:37 | 0:11:40 | |
Let's get you up, Anita. | 0:11:40 | 0:11:42 | |
My name's Kurt. My name's Kurt. | 0:11:42 | 0:11:44 | |
Please! Please! Please! | 0:11:44 | 0:11:48 | |
We'll get you back home, get you warm. | 0:11:48 | 0:11:50 | |
-Please! Please! Please! Please! -Let's get you warm. | 0:11:50 | 0:11:54 | |
Please! Please! | 0:11:54 | 0:11:55 | |
Please! Please! PLEASE! | 0:11:57 | 0:12:02 | |
SHE SOBS | 0:12:02 | 0:12:05 | |
Yeah, the woman's back in her home now. | 0:12:40 | 0:12:42 | |
Eliasson's securing the scene. | 0:12:42 | 0:12:43 | |
She's been dead a few days, we think. | 0:12:43 | 0:12:46 | |
One of our boys recognised her. Erika Hjelmqvist. | 0:12:46 | 0:12:49 | |
Lived in Skane Tranas. | 0:12:49 | 0:12:50 | |
-PHONE: -Any children? -Teenage daughter. | 0:12:50 | 0:12:53 | |
-And a husband? -Yeah. Husband's dead. | 0:12:53 | 0:12:55 | |
-OK, do we know where she lived? -Yes, thanks. I have her address. | 0:12:55 | 0:12:58 | |
DOORBELL RINGS | 0:13:31 | 0:13:33 | |
FLIES BUZZ | 0:13:39 | 0:13:42 | |
BROKEN GLASS CRUNCHES | 0:14:24 | 0:14:26 | |
CLATTERING | 0:15:04 | 0:15:06 | |
BIRD CHEEPS | 0:15:37 | 0:15:40 | |
She was stabbed twice. | 0:15:40 | 0:15:43 | |
There are also six or seven deep defensive wounds | 0:15:43 | 0:15:45 | |
on her hands and wrists. | 0:15:45 | 0:15:47 | |
It looks like she may have fled into the fields, fell into the ditch. | 0:15:47 | 0:15:50 | |
No sign of a sexual assault. | 0:15:50 | 0:15:52 | |
The weapon used had a serrated edge. | 0:15:52 | 0:15:54 | |
Knife drawer in the kitchen's tipped onto the floor. | 0:15:54 | 0:15:57 | |
Bread knife, maybe. | 0:15:57 | 0:15:59 | |
There'll have been a lot of blood. Somebody tried to clean it up. | 0:15:59 | 0:16:02 | |
Right. OK, so the urgent priority is locating the daughter - | 0:16:02 | 0:16:06 | |
Hannah Hjelmqvist. So, school, social security records, | 0:16:06 | 0:16:09 | |
any friends. I'll talk to the neighbours. Thanks. | 0:16:09 | 0:16:12 | |
What happened? | 0:16:12 | 0:16:14 | |
Nothing. | 0:16:14 | 0:16:15 | |
Is it Erika? | 0:16:15 | 0:16:16 | |
It's not Hannah? I knew it would end in trouble. | 0:16:17 | 0:16:20 | |
Have you any idea where Hannah might be? | 0:16:20 | 0:16:22 | |
We've been away two weeks. | 0:16:22 | 0:16:24 | |
They were here just before we left. | 0:16:24 | 0:16:26 | |
You said it'd end in trouble. What were you talking about? | 0:16:26 | 0:16:28 | |
The bikers. | 0:16:28 | 0:16:30 | |
The motorcycle club. | 0:16:30 | 0:16:31 | |
They make a hell of a lot of noise, come through here 110k an hour. | 0:16:31 | 0:16:34 | |
Which bikers? | 0:16:34 | 0:16:36 | |
Well, Erika's husband got into a row with this gang, | 0:16:36 | 0:16:39 | |
or whatever they say they are - they rented a farm from him. | 0:16:39 | 0:16:41 | |
Her husband, Anders, he's dead, is that correct? | 0:16:41 | 0:16:44 | |
Last year. He went up there, | 0:16:44 | 0:16:46 | |
he got into an argument. | 0:16:46 | 0:16:48 | |
He came home, he had a heart attack. That was it. | 0:16:48 | 0:16:50 | |
49. | 0:16:50 | 0:16:52 | |
This was a violent argument? | 0:16:52 | 0:16:53 | |
Pushing and shoving, I think, but they just... | 0:16:53 | 0:16:56 | |
It was the stress of it, it was an accident waiting to happen. | 0:16:56 | 0:16:58 | |
She's trying to have them evicted. | 0:16:58 | 0:17:00 | |
Or was. | 0:17:00 | 0:17:01 | |
Has Erika had any trouble with them since? | 0:17:01 | 0:17:03 | |
All the time. Horrible. | 0:17:03 | 0:17:05 | |
I'm going to ask one of my officers | 0:17:07 | 0:17:09 | |
to take a more detailed statement from you. | 0:17:09 | 0:17:11 | |
Can you tell me where the motorcycle club is? | 0:17:11 | 0:17:13 | |
Towards Fyledalen. It's along there. | 0:17:13 | 0:17:15 | |
You'll know it when you see it. | 0:17:15 | 0:17:17 | |
All right. Thank you. | 0:17:17 | 0:17:19 | |
-Thanks. -Thank you. | 0:17:19 | 0:17:20 | |
Can you take her statement? | 0:17:20 | 0:17:22 | |
Yeah, sure. | 0:17:22 | 0:17:23 | |
DOGS BARK | 0:18:31 | 0:18:33 | |
ENGINES ROAR | 0:18:38 | 0:18:40 | |
You're a policeman. | 0:19:13 | 0:19:14 | |
Wallander. | 0:19:14 | 0:19:16 | |
What's your name? | 0:19:16 | 0:19:17 | |
A woman from Skane Tranas has been found stabbed in a field | 0:19:24 | 0:19:27 | |
just outside of the village. We think she's Erika Hjelmqvist. | 0:19:27 | 0:19:30 | |
I'm sorry to hear that. | 0:19:31 | 0:19:33 | |
Erika Hjelmqvist who owns this farm. | 0:19:33 | 0:19:35 | |
When you say stabbed, you mean she's dead? | 0:19:39 | 0:19:43 | |
When was the last time you saw her? | 0:19:43 | 0:19:45 | |
Her daughter Hannah is missing. Have you seen her? | 0:19:49 | 0:19:52 | |
Well, if you hear anything about it, | 0:20:00 | 0:20:03 | |
or if you think of anything, | 0:20:03 | 0:20:06 | |
will you call me? | 0:20:06 | 0:20:08 | |
Yeah. I'll call you. | 0:20:19 | 0:20:21 | |
Hello. | 0:20:49 | 0:20:50 | |
Good boy. | 0:20:51 | 0:20:53 | |
HE SIGHS | 0:21:15 | 0:21:18 | |
MACHINE BEEPS | 0:21:22 | 0:21:24 | |
PHONE RINGS | 0:21:24 | 0:21:26 | |
Hello? | 0:21:29 | 0:21:31 | |
'Hi Dad, it's me.' | 0:21:31 | 0:21:32 | |
Hi. | 0:21:32 | 0:21:34 | |
'Listen, I am sorry about earlier - Hakon.' | 0:21:34 | 0:21:37 | |
What are you... what are you sorry about? | 0:21:37 | 0:21:39 | |
'The birthday party. | 0:21:39 | 0:21:42 | |
'It'll be nice if you come, though. The house is quite something.' | 0:21:42 | 0:21:45 | |
Er, yeah, when was it? | 0:21:45 | 0:21:48 | |
'This Wednesday.' | 0:21:48 | 0:21:51 | |
Wednesday - Hakon. | 0:21:52 | 0:21:54 | |
'It's a bit of a drive. Do you think you can make it?' | 0:21:54 | 0:21:56 | |
Yeah, yeah, I'll make sure. | 0:21:56 | 0:21:58 | |
'Oh, that'd be great! | 0:21:58 | 0:22:00 | |
'Oh, and Klara wants to say goodnight. | 0:22:00 | 0:22:02 | |
'There you go, sweetie.' | 0:22:02 | 0:22:04 | |
'Night-night, Grandad!' | 0:22:04 | 0:22:06 | |
Night-night, Klara-bo-bo-bo! | 0:22:06 | 0:22:09 | |
SHE GIGGLES | 0:22:09 | 0:22:12 | |
All right. | 0:22:13 | 0:22:15 | |
-'I'll speak to you soon, Dad.' -Yeah. Night, sweetheart. | 0:22:15 | 0:22:18 | |
CLICK | 0:22:37 | 0:22:39 | |
WARNING BEEPS | 0:23:13 | 0:23:16 | |
BEEPING CONTINUES | 0:23:23 | 0:23:26 | |
BEEPING STOPS CAR LOCKS | 0:23:31 | 0:23:33 | |
Good boy. Good boy. | 0:23:37 | 0:23:39 | |
Good boy. Come here. | 0:23:42 | 0:23:44 | |
There's a good dog. | 0:23:47 | 0:23:49 | |
Good boy, good boy. | 0:23:50 | 0:23:52 | |
Good boy. | 0:23:52 | 0:23:53 | |
ENGINES ROAR | 0:23:56 | 0:23:59 | |
Good boy. | 0:24:05 | 0:24:07 | |
-SCREAMING: -No! | 0:24:35 | 0:24:37 | |
-Can we have a word? -Do you have any idea where Hannah...? | 0:24:37 | 0:24:40 | |
-Detective, do you have a statement? -I am sure there will be a statement, | 0:24:40 | 0:24:43 | |
but it will be...it will be later in the morning. | 0:24:43 | 0:24:45 | |
Later in the morning. Thanks. | 0:24:45 | 0:24:46 | |
HE SIGHS | 0:24:48 | 0:24:50 | |
Kurt? | 0:24:50 | 0:24:52 | |
Hi. | 0:24:52 | 0:24:53 | |
We found two blood traces at the house. | 0:24:54 | 0:24:57 | |
DNA suggests it's mother and child. | 0:24:57 | 0:25:00 | |
Three sets of fingerprints in the blood in the kitchen area - | 0:25:02 | 0:25:06 | |
Erika's, Hannah's, probably, judging by other prints in her bedroom, | 0:25:06 | 0:25:10 | |
and one set unidentified. | 0:25:10 | 0:25:12 | |
Come in. Sit down. | 0:25:13 | 0:25:15 | |
So Hannah hasn't been seen since the mother disappeared, | 0:25:17 | 0:25:20 | |
-which is approximately, what, six days ago? -Yep. | 0:25:20 | 0:25:23 | |
We haven't found the mobile but we know that it hasn't been used, | 0:25:23 | 0:25:27 | |
so, given the evidence, we need to work on the assumption that | 0:25:27 | 0:25:30 | |
she was attacked herself, potentially kidnapped. | 0:25:30 | 0:25:33 | |
So what information do we have about Hannah? | 0:25:33 | 0:25:35 | |
Born in 2000, parents were Anders and Erika Hjelmqvist. | 0:25:35 | 0:25:39 | |
Fostered by a family in Landskrona between the ages of five and nine. | 0:25:39 | 0:25:43 | |
Reunited with her parents in March, 2009. | 0:25:43 | 0:25:45 | |
And why was she fostered? | 0:25:45 | 0:25:47 | |
The mother had severe post-natal depression - | 0:25:47 | 0:25:50 | |
institutionalised briefly - | 0:25:50 | 0:25:51 | |
and compounded by alcohol dependency problems. | 0:25:51 | 0:25:54 | |
Right. And what detail do we have on this motorcycle gang? | 0:25:54 | 0:25:58 | |
Gustav Ericsson is the man with his name on the lease. | 0:25:58 | 0:26:00 | |
Long record. Assault, drugs - possession, dealing. | 0:26:00 | 0:26:04 | |
He spent six years in prison in Copenhagen for manslaughter. | 0:26:04 | 0:26:07 | |
What about this property dispute? | 0:26:07 | 0:26:08 | |
Erika was trying to have them evicted. | 0:26:08 | 0:26:11 | |
Standard landlord/tenant dispute. | 0:26:11 | 0:26:13 | |
She started the proceedings after her husband died. | 0:26:13 | 0:26:16 | |
Who are the lawyers on that? | 0:26:16 | 0:26:17 | |
Larsson, Skane Tranas. | 0:26:17 | 0:26:19 | |
Yeah, I know her. So... | 0:26:19 | 0:26:21 | |
Right. | 0:26:21 | 0:26:22 | |
You co-ordinate the vulnerable and missing persons protocols | 0:26:22 | 0:26:26 | |
and I will talk to Rita Larsson. | 0:26:26 | 0:26:28 | |
-Yep. -Thanks. | 0:26:28 | 0:26:30 | |
-Inspector? -Inspector? -Detective, do you have any suspects? | 0:26:35 | 0:26:39 | |
-I can't say anything... -Detective, is this a murder investigation? | 0:26:39 | 0:26:42 | |
Can you tell me anything about Hannah? Have you found her? | 0:26:42 | 0:26:45 | |
My colleagues are putting together a statement... | 0:26:45 | 0:26:47 | |
No, I'm not a journalist. We were fostered together, | 0:26:47 | 0:26:49 | |
-Hannah and me. -Right. OK. | 0:26:49 | 0:26:51 | |
Seven years ago. | 0:26:51 | 0:26:52 | |
I saw it, I read about her going missing and, er... | 0:26:52 | 0:26:55 | |
You seen her recently or heard from her? | 0:26:55 | 0:26:57 | |
Just worried. Is she OK? | 0:26:57 | 0:26:59 | |
We're doing everything we can to find her. | 0:26:59 | 0:27:01 | |
Listen, I need you to give your details to Emma here on reception. | 0:27:01 | 0:27:05 | |
We will definitely talk to you about this. | 0:27:05 | 0:27:07 | |
OK. | 0:27:07 | 0:27:08 | |
I'm sorry I can't tell you anything more at the moment, | 0:27:08 | 0:27:11 | |
but thank you for coming in. | 0:27:11 | 0:27:12 | |
EXAGGERATED THUMP OF WINDSCREEN WIPERS | 0:27:42 | 0:27:45 | |
EXAGGERATED BRUSHING SOUNDS | 0:28:02 | 0:28:06 | |
Can I help you? | 0:28:09 | 0:28:11 | |
Uh, I... | 0:28:11 | 0:28:13 | |
Uh.... Lawyer, um, Larsson.... | 0:28:13 | 0:28:15 | |
Erm... Rita Larsson, lawyer's office. | 0:28:15 | 0:28:18 | |
You're sitting outside it. | 0:28:18 | 0:28:21 | |
Thanks. Thanks. | 0:28:21 | 0:28:23 | |
I've seen a lot of her since her husband died. | 0:28:50 | 0:28:54 | |
She tried very hard to bring charges against them, | 0:28:54 | 0:28:57 | |
but there was no violence, they didn't kill him. | 0:28:57 | 0:29:00 | |
A lot of intimidation - nothing illegal, though - | 0:29:00 | 0:29:03 | |
but she became obsessed by it. | 0:29:03 | 0:29:06 | |
She...was very heavy handed. | 0:29:06 | 0:29:08 | |
Why do you think her husband hired it to them in the first place? | 0:29:09 | 0:29:13 | |
He leased it to the one man, Gustav Ericsson, | 0:29:13 | 0:29:15 | |
he had no idea he'd bring his friends with him. | 0:29:15 | 0:29:18 | |
And how far on are you in the eviction process? | 0:29:18 | 0:29:21 | |
It's been registered as an EM2 by the council. | 0:29:22 | 0:29:26 | |
Means, er...shouldn't be long now. | 0:29:26 | 0:29:29 | |
Is that public? | 0:29:29 | 0:29:31 | |
Can people know about that in advance? | 0:29:31 | 0:29:34 | |
No. Small town, Kurt - | 0:29:34 | 0:29:36 | |
they probably had some idea which way the wind was blowing. | 0:29:36 | 0:29:39 | |
Erika would have told them about it if no-one else did. | 0:29:39 | 0:29:42 | |
She would've yelled it through the letterbox. | 0:29:42 | 0:29:44 | |
Right. Thanks, Rita. I appreciate that. | 0:29:48 | 0:29:51 | |
-I'd like permission to search the biker place. -'Yeah, OK.' | 0:29:51 | 0:29:54 | |
There's a history of conflict | 0:29:54 | 0:29:56 | |
between the Hjelmqvists and that group. | 0:29:56 | 0:29:58 | |
I think it's likely they knew they were going to be evicted. | 0:29:58 | 0:30:00 | |
'I'll chase it but it's going to take a couple of hours. | 0:30:00 | 0:30:02 | |
'I'll send Eliasson up when it comes through.' | 0:30:02 | 0:30:05 | |
ENGINE ROARS | 0:30:05 | 0:30:07 | |
'Kurt? Kurt?' | 0:30:07 | 0:30:09 | |
Right, thanks. | 0:30:09 | 0:30:11 | |
-Now, if you just hold that down. -Thanks. | 0:30:44 | 0:30:48 | |
I mean, I'm not... I just... I don't know how it happened. | 0:30:50 | 0:30:54 | |
I was, um, I was just... I was just standing there, | 0:30:54 | 0:30:57 | |
I was looking for my car, actually, | 0:30:57 | 0:31:00 | |
and I heard, er...motorbikes, | 0:31:00 | 0:31:03 | |
and then I don't know what happened after that. | 0:31:03 | 0:31:05 | |
You don't seem concussed. There's no sign of bleeding. | 0:31:05 | 0:31:09 | |
It's very good you came in, though, Kurt. | 0:31:09 | 0:31:12 | |
Good. | 0:31:12 | 0:31:14 | |
I mean, er... I'm just, er... | 0:31:14 | 0:31:17 | |
What? | 0:31:17 | 0:31:18 | |
I'm dizzy, on and off. | 0:31:21 | 0:31:23 | |
Erm... | 0:31:23 | 0:31:24 | |
Earlier today, I just... I didn't know where I, uh... | 0:31:24 | 0:31:27 | |
There's nothing unusual with your glucose. Are you eating? | 0:31:27 | 0:31:30 | |
Yeah. I'm taking care of myself, I'm exercising regularly. | 0:31:30 | 0:31:33 | |
How's your balance? | 0:31:33 | 0:31:35 | |
Er... | 0:31:35 | 0:31:36 | |
I...I don't know. | 0:31:37 | 0:31:40 | |
There was a moment or two in South Africa | 0:31:40 | 0:31:43 | |
where I was, erm... | 0:31:43 | 0:31:45 | |
..light-headed for a couple of minutes. | 0:31:47 | 0:31:49 | |
-I don't know if that's anything... -Are they getting more frequent, | 0:31:49 | 0:31:51 | |
-the dizzy spells? -I don't really know. | 0:31:51 | 0:31:55 | |
Diabetes is a serious condition, Kurt. You know that. | 0:31:55 | 0:31:59 | |
-I'm... I'm just, uh... -What? | 0:31:59 | 0:32:02 | |
I'm just, you know, thinking... | 0:32:04 | 0:32:07 | |
..about how my dad, er... | 0:32:09 | 0:32:11 | |
Kurt, don't overthink it. | 0:32:13 | 0:32:16 | |
We will absolutely run some tests, | 0:32:16 | 0:32:20 | |
but I am sure you'll be fine. | 0:32:20 | 0:32:23 | |
-CHUCKLING: -You're 55, you've got a stressful job, you're a diabetic | 0:32:23 | 0:32:28 | |
and you've just been beaten up, | 0:32:28 | 0:32:30 | |
so don't work yourself up. | 0:32:30 | 0:32:32 | |
-You going to say I'm not getting any younger? -Well, who is? | 0:32:32 | 0:32:35 | |
THEY LAUGH | 0:32:35 | 0:32:37 | |
Thanks. That's a big, uh... | 0:32:43 | 0:32:44 | |
DOGS BARK | 0:33:17 | 0:33:19 | |
We have a warrant to search your property | 0:33:30 | 0:33:32 | |
for evidence pertaining to the killing of Erika Hjelmqvist. | 0:33:32 | 0:33:36 | |
I can't say I'm entirely surprised. | 0:33:36 | 0:33:38 | |
We will look in here first, thank you. | 0:33:40 | 0:33:42 | |
You want anything - coffee or...? | 0:33:45 | 0:33:48 | |
Or you just want to look around, see where the corpses are buried? | 0:33:48 | 0:33:52 | |
Thing is, you gave me warning, coming round the other day. | 0:33:52 | 0:33:55 | |
I've executed all the sex-slaves | 0:33:55 | 0:33:57 | |
and flushed their body parts down the toilet. | 0:33:57 | 0:33:59 | |
It would be helpful if you could give us | 0:33:59 | 0:34:01 | |
the names and numbers of everyone who's here. | 0:34:01 | 0:34:03 | |
Anyone who lives here permanently, anyone who visits. | 0:34:03 | 0:34:05 | |
-That'll take a bit of time to organise. -Yeah, I appreciate it, | 0:34:05 | 0:34:08 | |
-thank you. -Look around in the meantime. Why not? | 0:34:08 | 0:34:10 | |
Shame people won't just allow us to be somewhere. | 0:34:14 | 0:34:16 | |
It's the only kindness I ask these days, | 0:34:18 | 0:34:20 | |
just to be allowed to be somewhere, raise my boy in peace. | 0:34:20 | 0:34:23 | |
-It's our sixth place in ten years. -Why is that? | 0:34:25 | 0:34:27 | |
Isn't going to do you any good asking me. Ask them. | 0:34:29 | 0:34:31 | |
Ask her. | 0:34:31 | 0:34:32 | |
Get your Ouija board and ask her. | 0:34:32 | 0:34:34 | |
I don't have a problem with people. | 0:34:34 | 0:34:36 | |
I did six years for manslaughter, as you know. | 0:34:39 | 0:34:41 | |
I missed my son being born. I missed him being a child. | 0:34:43 | 0:34:46 | |
That's something that hurts me every day. | 0:34:46 | 0:34:48 | |
You will not find a single bloody thing here. | 0:34:52 | 0:34:55 | |
DOG BARKS | 0:34:57 | 0:35:00 | |
-The barn, yeah? -Sure. | 0:35:02 | 0:35:03 | |
ENGINE ROARS | 0:35:10 | 0:35:12 | |
SHOUTING VOICES ECHO AND FADE | 0:35:20 | 0:35:25 | |
HINGE CREAKS | 0:36:21 | 0:36:23 | |
Kurt? | 0:36:40 | 0:36:41 | |
Is this yours, sir? | 0:37:09 | 0:37:11 | |
You know bloody well it's not mine! I'll cut your bloody throat with it! | 0:37:11 | 0:37:14 | |
Will you just calm down? | 0:37:14 | 0:37:16 | |
-I will cut your neck open! -Will you just calm down? | 0:37:16 | 0:37:19 | |
GUNSHOT | 0:37:23 | 0:37:24 | |
Stand back! All of you! Put your hands up! | 0:37:24 | 0:37:27 | |
Sorry I have to...go. I don't really want to. | 0:37:36 | 0:37:39 | |
Go, it's fine. They're going to take some getting through, anyway. | 0:37:39 | 0:37:43 | |
All right, well, call me if there's anything at all, | 0:37:43 | 0:37:46 | |
-anything about Hannah. -Sure. | 0:37:46 | 0:37:48 | |
(Aahh!) | 0:38:06 | 0:38:07 | |
QUIET POP MUSIC ON CAR RADIO | 0:39:02 | 0:39:04 | |
KURT TURNS UP THE VOLUME | 0:39:04 | 0:39:07 | |
Good afternoon. | 0:39:42 | 0:39:43 | |
HUBBUB OF VOICES IN ADJACENT ROOM | 0:40:05 | 0:40:07 | |
-Thank you. -Thank you. | 0:40:12 | 0:40:14 | |
-Kurt! -Louise. | 0:40:27 | 0:40:30 | |
I hope it wasn't too long a journey for you. | 0:40:30 | 0:40:32 | |
No, it, er... What a...a beautiful house. | 0:40:32 | 0:40:37 | |
It's been in Hakan's family for a long time, built in 1778. | 0:40:37 | 0:40:41 | |
-You'll have some champagne? -Er, yes. | 0:40:41 | 0:40:44 | |
I'll see if I can find Linda for you. | 0:40:46 | 0:40:48 | |
MANY VOICES TALK AT ONCE | 0:41:10 | 0:41:13 | |
WHISPERING VOICES ECHO | 0:41:45 | 0:41:50 | |
QUIET CONVERSATION | 0:41:56 | 0:41:59 | |
Kurt? You fancy a drink, away from all this nonsense? | 0:42:01 | 0:42:06 | |
-Do you see much of your ex-wife? -Oh... -Inga? | 0:42:16 | 0:42:19 | |
-Well, I... -She and Louise seem to get along. I like her. | 0:42:19 | 0:42:24 | |
She seems very nice. | 0:42:24 | 0:42:26 | |
-Pity she couldn't...be here. -Yeah. | 0:42:26 | 0:42:29 | |
Odd, that one should be so much a part of somebody's life, and then... | 0:42:33 | 0:42:37 | |
Yeah, I don't see her very often. | 0:42:37 | 0:42:39 | |
-We're perfectly fine these days, but I just... -Oh, I don't mean to pry. | 0:42:39 | 0:42:42 | |
Klara's a wonderful little girl. | 0:42:46 | 0:42:48 | |
Yes, she is. | 0:42:48 | 0:42:50 | |
Very bright. Very light. | 0:42:50 | 0:42:52 | |
Very. | 0:42:52 | 0:42:53 | |
I hope she manages to hold on to her light-heartedness. | 0:42:53 | 0:42:56 | |
Most children seem to lose it sooner or later. | 0:42:56 | 0:42:59 | |
It's a rare thing, to be able to be happy. | 0:43:01 | 0:43:03 | |
It's different nowadays. | 0:43:07 | 0:43:09 | |
Happiness is something that people seem to think is their right. | 0:43:09 | 0:43:12 | |
They don't worry about starvation, or having a roof over their head, | 0:43:12 | 0:43:18 | |
or being invaded, so they worry about whether they're happy or not. | 0:43:18 | 0:43:23 | |
I suppose that's some kind of progress. | 0:43:23 | 0:43:26 | |
Hakan? | 0:43:31 | 0:43:32 | |
-What is it? -I... | 0:43:40 | 0:43:42 | |
The autumn of 1980. | 0:43:49 | 0:43:51 | |
What were you doing then? | 0:43:52 | 0:43:54 | |
Police officer, just started. | 0:43:54 | 0:43:57 | |
35 years. On the 1st of October, we had an alarm call. | 0:43:57 | 0:44:02 | |
A Russian submarine was in the Harsfjarden channel. | 0:44:02 | 0:44:06 | |
Foreign submarines in a restricted area. | 0:44:06 | 0:44:10 | |
-You remember all the fuss? -I do. | 0:44:10 | 0:44:12 | |
Don't know what you could compare it with, really. | 0:44:12 | 0:44:16 | |
Maybe a Soviet helicopter landing outside the Royal Palace. | 0:44:16 | 0:44:21 | |
That's what it felt like. We never got it, though. | 0:44:21 | 0:44:24 | |
They didn't let us. | 0:44:24 | 0:44:26 | |
They made us leave the submarines where they were | 0:44:28 | 0:44:30 | |
because they didn't want an international incident. | 0:44:30 | 0:44:33 | |
I think it was the greatest betrayal in Swedish history. | 0:44:36 | 0:44:39 | |
I must go back to my party. I'm being rude. | 0:44:43 | 0:44:48 | |
TEXT ALERT | 0:45:15 | 0:45:17 | |
Let me help. | 0:45:20 | 0:45:21 | |
Leave it. Leave it! | 0:45:21 | 0:45:23 | |
I thought you'd gone to bed. | 0:45:31 | 0:45:33 | |
Oh...about to. Sorry, I'm in the middle of a... | 0:45:33 | 0:45:36 | |
There's a young girl gone missing. | 0:45:37 | 0:45:40 | |
Thank you for coming. | 0:45:42 | 0:45:44 | |
Linda, come and talk to some of these people, will you? | 0:45:46 | 0:45:48 | |
-I've got nothing to say to them. -OK. Night, Dad. | 0:45:48 | 0:45:52 | |
Yeah. Night, sweetheart. | 0:45:52 | 0:45:53 | |
PHONE RINGS | 0:46:11 | 0:46:13 | |
-Yeah? -Kurt, it's Lennart. | 0:46:15 | 0:46:16 | |
I... I have to rush back down to work. Some urgency. | 0:46:37 | 0:46:41 | |
Sorry... | 0:46:41 | 0:46:42 | |
I understand. Oh... I must thank you for the painting. | 0:46:42 | 0:46:47 | |
Oh, it's nothing. | 0:46:47 | 0:46:49 | |
One of your father's? | 0:46:49 | 0:46:50 | |
One of many. Of the same thing. | 0:46:50 | 0:46:52 | |
My dad always painted the same thing. | 0:46:52 | 0:46:55 | |
We all have our furrows to plough. | 0:46:55 | 0:46:57 | |
I go for the same walk every day. Drink the same coffee. | 0:47:01 | 0:47:04 | |
Think the same thoughts. | 0:47:04 | 0:47:06 | |
You come to an age like mine, you start to realise | 0:47:06 | 0:47:09 | |
it's impossible to be anybody other than you have always been. | 0:47:09 | 0:47:12 | |
Thank you, Kurt. See you soon. | 0:47:14 | 0:47:17 | |
Hope so. | 0:47:17 | 0:47:18 | |
ENGINE STARTS | 0:47:37 | 0:47:39 | |
Sorry... | 0:48:10 | 0:48:12 | |
You're keeping my boy. Why are you keeping my boy? | 0:48:12 | 0:48:14 | |
We can discuss this when I've taken... | 0:48:14 | 0:48:16 | |
I have a temper. You've seen I have a temper. | 0:48:16 | 0:48:18 | |
Don't threaten me! I'm doing my job. | 0:48:18 | 0:48:19 | |
A woman has been murdered, a girl's gone missing. | 0:48:19 | 0:48:21 | |
I'm not threatening you. | 0:48:21 | 0:48:23 | |
I'm telling you that if you try and pin any of this shit on him, | 0:48:23 | 0:48:26 | |
I'll hunt you down and I'll kill you. | 0:48:26 | 0:48:28 | |
The boy did nothing. | 0:48:28 | 0:48:29 | |
Now you mess with my blood, I'll mess with yours. | 0:48:29 | 0:48:32 | |
Policeman or not. | 0:48:32 | 0:48:33 | |
Now, you should go home. | 0:48:38 | 0:48:40 | |
So? | 0:48:57 | 0:48:59 | |
He's not talking. The knife you found is the murder weapon. | 0:48:59 | 0:49:02 | |
His prints are on it, and they were in the Hjelmqvist place. | 0:49:03 | 0:49:07 | |
He was there, clearing it up. | 0:49:07 | 0:49:09 | |
What were you doing at Erika and Hannah Hjelmqvist's house? | 0:49:17 | 0:49:20 | |
Were you there at any point between | 0:49:23 | 0:49:25 | |
the 10th and the 16th of October? | 0:49:25 | 0:49:27 | |
Do you want something to eat? | 0:49:30 | 0:49:32 | |
You can answer that without incriminating yourself. | 0:49:34 | 0:49:37 | |
Yeah. | 0:49:37 | 0:49:38 | |
OK. | 0:49:38 | 0:49:40 | |
DOOR CLOSES | 0:49:49 | 0:49:51 | |
So why would you kill two people? | 0:49:51 | 0:49:54 | |
For your father? | 0:49:54 | 0:49:56 | |
For that farm? That was what, your tenth house in six years? | 0:49:58 | 0:50:02 | |
Two people dead? | 0:50:02 | 0:50:04 | |
Hey, Pontus, do you want to tell me what really went on? | 0:50:05 | 0:50:08 | |
We just want to know what's happened to Hannah. | 0:50:10 | 0:50:13 | |
Fine. | 0:50:15 | 0:50:17 | |
So...later on today, Pontus, | 0:50:17 | 0:50:20 | |
we're going to charge you formally | 0:50:20 | 0:50:23 | |
with the murder of Erika Hjelmqvist. | 0:50:23 | 0:50:26 | |
And we're going to continue to interview you tomorrow. | 0:50:28 | 0:50:30 | |
-Kurt. -Yeah? | 0:50:42 | 0:50:44 | |
I was thinking, as far as Hannah goes, maybe she was spooked. | 0:50:44 | 0:50:50 | |
Sorry? | 0:50:50 | 0:50:52 | |
Her mother ran away, she ran off. | 0:50:52 | 0:50:54 | |
She didn't die where she was attacked. | 0:50:54 | 0:50:57 | |
I can't think of many mothers who would leave their daughter behind. | 0:50:58 | 0:51:01 | |
Maybe they both got out. Maybe she's still alive. | 0:51:02 | 0:51:06 | |
If she escaped but she was injured, where might she go? | 0:51:07 | 0:51:12 | |
Where do you think we haven't concentrated? | 0:51:12 | 0:51:14 | |
The foster family. | 0:51:14 | 0:51:16 | |
Yeah, you're right. That is exactly where we should go. | 0:51:19 | 0:51:22 | |
Oh, there's someone in reception to see you. | 0:51:24 | 0:51:27 | |
OK, let's go then. | 0:51:27 | 0:51:28 | |
Baiba? | 0:51:43 | 0:51:45 | |
How are you? Are you...? | 0:51:46 | 0:51:49 | |
What the hell are you doing here? | 0:51:51 | 0:51:53 | |
I'm fine. Are you fine? | 0:51:53 | 0:51:55 | |
I... I am fine... I... | 0:51:56 | 0:51:59 | |
What are you... What are you doing here? | 0:52:00 | 0:52:03 | |
I have a concert in Copenhagen. I saw a train to Ystad. | 0:52:03 | 0:52:08 | |
And...I thought it would be a surprise. | 0:52:08 | 0:52:12 | |
It is. Yeah. | 0:52:12 | 0:52:15 | |
Oh, how is Linda and... | 0:52:15 | 0:52:19 | |
-Klara? -Klara... | 0:52:19 | 0:52:20 | |
Erm, great, they're both fine. | 0:52:20 | 0:52:22 | |
How are you? | 0:52:23 | 0:52:25 | |
I'm...happier. | 0:52:25 | 0:52:28 | |
It's nice to be travelling and playing again. | 0:52:28 | 0:52:32 | |
How long are you... How long are you staying? | 0:52:33 | 0:52:35 | |
A few days. | 0:52:35 | 0:52:36 | |
Kurt, you...? | 0:52:37 | 0:52:39 | |
-Yeah. I'm just, erm... -Go. | 0:52:39 | 0:52:41 | |
Will you... Will you stay? | 0:52:41 | 0:52:43 | |
Cos I... I don't want you to leave. | 0:52:43 | 0:52:45 | |
Erm, take my keys. Get a taxi and make yourself at home... | 0:52:45 | 0:52:51 | |
Erm, we don't have to. We could have a drink here later if you want to? | 0:52:51 | 0:52:54 | |
I'd like to. | 0:52:54 | 0:52:56 | |
-Yeah? -Yes. | 0:52:56 | 0:52:57 | |
Erm... | 0:52:57 | 0:52:59 | |
Hey, have you got a...? Thank you. | 0:52:59 | 0:53:01 | |
Now, there is a slightly smelly black dog. | 0:53:02 | 0:53:07 | |
Jussi. | 0:53:07 | 0:53:08 | |
Jussi, well remembered. He's very friendly. | 0:53:08 | 0:53:11 | |
I'll try not to get lost on my way. | 0:53:13 | 0:53:16 | |
It's great to see you. | 0:53:16 | 0:53:18 | |
I'd no idea. I hadn't heard a thing. | 0:53:23 | 0:53:27 | |
There'll have been a conspiracy to keep it from me. | 0:53:28 | 0:53:31 | |
They won't have wanted me to worry... | 0:53:31 | 0:53:34 | |
but that's just stupid of them. | 0:53:34 | 0:53:38 | |
I mean, I fostered her for years. | 0:53:38 | 0:53:40 | |
Oh, Christ, poor thing... | 0:53:41 | 0:53:42 | |
We don't know that she's necessarily come to any harm. | 0:53:42 | 0:53:45 | |
Well, she hasn't come to any good, has she? | 0:53:45 | 0:53:47 | |
Well, if she was afraid, or... Has she been in touch with you recently? | 0:53:47 | 0:53:51 | |
No. | 0:53:51 | 0:53:52 | |
At all, since she was fostered? | 0:53:52 | 0:53:54 | |
No. | 0:53:54 | 0:53:55 | |
This is her. | 0:54:14 | 0:54:15 | |
She couldn't sleep with the light off. | 0:54:17 | 0:54:20 | |
Little puppet she called Mouse, she wouldn't let go of. | 0:54:20 | 0:54:23 | |
She called it Mouse but it was a dog. | 0:54:23 | 0:54:26 | |
You try to turn them around, give them some love, stability. | 0:54:26 | 0:54:31 | |
And you hope they turn out well. | 0:54:31 | 0:54:33 | |
She went back to her parents. | 0:54:33 | 0:54:35 | |
Yes. They were still together. I mean, that is unusual. | 0:54:35 | 0:54:39 | |
She was very sad to go. | 0:54:39 | 0:54:40 | |
And you haven't heard from her since? | 0:54:41 | 0:54:44 | |
No. I mean, we write. | 0:54:44 | 0:54:47 | |
Photographs at Christmas, little birthday things. | 0:54:47 | 0:54:50 | |
Some of them write back. Some of them visit. | 0:54:50 | 0:54:53 | |
I sent her a note when Rasmus died last year. My husband. | 0:54:55 | 0:55:00 | |
Did she reply? | 0:55:00 | 0:55:01 | |
No. | 0:55:01 | 0:55:03 | |
Well, I suppose it's better if they don't, to be honest. | 0:55:03 | 0:55:07 | |
If we've done it well, they should be happy to forget us. | 0:55:07 | 0:55:10 | |
Hi, Maja. | 0:55:12 | 0:55:13 | |
-Hello, darlings. -Hi, Maja. | 0:55:13 | 0:55:15 | |
Hi. | 0:55:15 | 0:55:17 | |
Well, I'd better get these ones fed, if you don't mind. | 0:55:17 | 0:55:21 | |
We'll be in touch as soon as we know anything. | 0:55:21 | 0:55:24 | |
Now, then, what will we have? | 0:55:26 | 0:55:28 | |
PEOPLE CHAT INSIDE | 0:55:35 | 0:55:37 | |
No, he's really fit. I mean, I even took him to yoga class once. | 0:55:48 | 0:55:51 | |
Oh! | 0:55:51 | 0:55:53 | |
Yeah. I mean, that was a mistake... | 0:55:53 | 0:55:56 | |
Erm...hello, everybody. | 0:55:56 | 0:55:58 | |
Hello. | 0:55:58 | 0:56:00 | |
-Hello, Grandad! -Hello, you! Lovely to see you! | 0:56:00 | 0:56:03 | |
You have lots of guests. | 0:56:03 | 0:56:05 | |
Linda is coming to my concert. | 0:56:06 | 0:56:08 | |
Really? Well, the more the merrier. | 0:56:08 | 0:56:09 | |
Are you going to stay for din-dins tonight? | 0:56:09 | 0:56:11 | |
-No, we're long overdue. -OK. | 0:56:11 | 0:56:13 | |
I've got to get this one to bed. | 0:56:13 | 0:56:15 | |
Come here. | 0:56:15 | 0:56:16 | |
We were, erm... We were really just checking if you were OK. | 0:56:18 | 0:56:23 | |
Which clearly you are. So we are just going to say goodnight. | 0:56:24 | 0:56:29 | |
Say bye-bye to Grandad. | 0:56:29 | 0:56:30 | |
-Bye, Grandad. -Bye, sweetheart. | 0:56:30 | 0:56:33 | |
-Say bye to Baiba. -Bye-bye, Baiba! | 0:56:33 | 0:56:34 | |
-Bye, Baiba. -Bye! -All right. | 0:56:34 | 0:56:35 | |
Have a nice evening. See you soon. | 0:56:35 | 0:56:37 | |
Take it easy. Sleep well and drive safe, please. | 0:56:37 | 0:56:40 | |
There's something you're thinking about. | 0:57:12 | 0:57:15 | |
No, not really... | 0:57:15 | 0:57:16 | |
A woman. | 0:57:16 | 0:57:18 | |
There's no woman. Well, there's no other woman. | 0:57:18 | 0:57:21 | |
Oh! | 0:57:27 | 0:57:28 | |
Have you hurt yourself? | 0:57:30 | 0:57:32 | |
Yeah. | 0:57:32 | 0:57:33 | |
I was mugged. | 0:57:36 | 0:57:38 | |
-I, erm... -Thank you. | 0:57:40 | 0:57:43 | |
I think I was beaten up by a couple of kids the other night. | 0:57:43 | 0:57:48 | |
I didn't really know what was going on. | 0:57:48 | 0:57:50 | |
But I did suddenly feel a bit...a bit wobbly, you know? | 0:57:50 | 0:57:54 | |
But I'm OK. | 0:57:56 | 0:57:57 | |
There's just a, you know, a work, | 0:58:00 | 0:58:02 | |
a work thing that, erm... | 0:58:02 | 0:58:04 | |
Work? | 0:58:04 | 0:58:06 | |
Do you need to talk? | 0:58:09 | 0:58:11 | |
Hmm? | 0:58:13 | 0:58:14 | |
Talk? | 0:58:14 | 0:58:16 | |
There's a young girl who has gone missing. | 0:58:16 | 0:58:18 | |
And these things are always so... | 0:58:18 | 0:58:20 | |
And, you know, some things bother you. | 0:58:21 | 0:58:24 | |
Just as a policeman, they bother you a bit more than others. | 0:58:24 | 0:58:28 | |
Anyway, we have this boy...kid, who we have arrested. | 0:58:29 | 0:58:35 | |
And it seems like...he killed her and killed her mother. | 0:58:35 | 0:58:41 | |
He will not tell us where the daughter is, and... | 0:58:43 | 0:58:47 | |
I just... I do not see... | 0:58:50 | 0:58:55 | |
why he would or could have done it. | 0:58:55 | 0:58:58 | |
You know, I just... I can't. I can't see it. | 0:59:00 | 0:59:03 | |
Hmm. Well...I can't help. | 0:59:11 | 0:59:15 | |
It's good to be able to share it, at least. | 0:59:17 | 0:59:20 | |
You don't have a piano? | 0:59:22 | 0:59:24 | |
No. | 0:59:25 | 0:59:27 | |
Every house should have a piano. | 0:59:28 | 0:59:30 | |
A lady might come one time and want to play the piano for you. | 0:59:30 | 0:59:34 | |
Well, I will get one. | 0:59:36 | 0:59:37 | |
-Are you all right? -Mm-hm. | 1:01:00 | 1:01:02 | |
Karlis once said that love was the only reason that people killed. | 1:01:02 | 1:01:07 | |
It's just a matter of working out what they loved. | 1:01:07 | 1:01:09 | |
Can I help you? | 1:01:47 | 1:01:49 | |
What is it? | 1:01:58 | 1:02:00 | |
Look, I used to go over there every now and again after Anders died. | 1:02:06 | 1:02:10 | |
Help her with the heavy stuff. Odd jobs, you know, fixing. | 1:02:10 | 1:02:14 | |
Right. | 1:02:14 | 1:02:16 | |
I screwed her a couple of times. | 1:02:16 | 1:02:19 | |
My wife doesn't know. | 1:02:19 | 1:02:20 | |
I mean, she was... | 1:02:23 | 1:02:25 | |
Erika was a bit wild. | 1:02:26 | 1:02:28 | |
I feel I took advantage, really. | 1:02:32 | 1:02:34 | |
She wasn't...100% in control. | 1:02:35 | 1:02:38 | |
So, how do you mean? | 1:02:38 | 1:02:40 | |
Things weren't right between her and the girl. | 1:02:40 | 1:02:42 | |
They hadn't been right for a long time. | 1:02:42 | 1:02:44 | |
Not since she moved back in with them. | 1:02:44 | 1:02:46 | |
-She didn't love her mum. -How can you know that? | 1:02:46 | 1:02:49 | |
Erika said so. It's what she felt. | 1:02:49 | 1:02:51 | |
Her daughter hated her. | 1:02:51 | 1:02:53 | |
So, they argued? | 1:02:53 | 1:02:55 | |
Argued like hell after he died. | 1:02:55 | 1:02:58 | |
She had a boyfriend, Hannah. | 1:02:59 | 1:03:01 | |
Whoever it was, she wouldn't say, | 1:03:01 | 1:03:03 | |
but she was hardly there some weeks, stayed out all night. | 1:03:03 | 1:03:06 | |
-And you have no idea who the boyfriend was? -No. | 1:03:06 | 1:03:09 | |
Thanks. | 1:03:12 | 1:03:13 | |
Was your son having a relationship with Hannah Hjelmqvist? | 1:03:26 | 1:03:29 | |
Are you out of your mind? | 1:03:29 | 1:03:31 | |
Had he shown any interest in her? | 1:03:37 | 1:03:40 | |
Do you know what that bitch of a mother was like with us? | 1:03:40 | 1:03:43 | |
I'd have killed him myself. | 1:03:43 | 1:03:45 | |
-You've charged him? It's what I've heard, with murder. -We're going to. | 1:03:45 | 1:03:49 | |
We have no choice unless you can do something to help your son. | 1:03:49 | 1:03:51 | |
You think he could be so dumb? Killing people? | 1:03:51 | 1:03:54 | |
-Leaving a knife in a rubbish bag? -Somebody was that dumb. | 1:03:54 | 1:03:56 | |
-DOG BARKS -I haven't got anything left. | 1:03:56 | 1:03:59 | |
DOG BARKS | 1:03:59 | 1:04:00 | |
-SHOUTING: -I haven't got anything left! | 1:04:00 | 1:04:02 | |
HIS VOICE ECHOES | 1:04:02 | 1:04:05 | |
Did you hear what I said? | 1:04:05 | 1:04:06 | |
HIS VOICE ECHOES | 1:04:06 | 1:04:08 | |
Get out! | 1:04:10 | 1:04:12 | |
Just...think about it. | 1:04:18 | 1:04:21 | |
Think about it, she was an attractive girl. | 1:04:21 | 1:04:24 | |
You think about your son. | 1:04:24 | 1:04:25 | |
TYRES SCREECH | 1:04:36 | 1:04:38 | |
HE GROANS | 1:04:49 | 1:04:50 | |
HE BREATHES HEAVILY | 1:04:52 | 1:04:54 | |
GAS STARTS | 1:05:12 | 1:05:14 | |
BOTTLE CAP FALLS ON FLOOR | 1:05:25 | 1:05:27 | |
BELLS RING | 1:05:33 | 1:05:36 | |
INDISTINCT TRAIN ANNOUNCEMENTS | 1:05:36 | 1:05:38 | |
PIANO PLAYS | 1:06:00 | 1:06:03 | |
HE WHISPERS: Sorry. | 1:06:35 | 1:06:37 | |
PLAYING CONTINUES | 1:06:40 | 1:06:42 | |
APPLAUSE | 1:07:23 | 1:07:24 | |
Bravo! Bravo! | 1:07:28 | 1:07:31 | |
Bravo! | 1:07:31 | 1:07:33 | |
INDISTINCT | 1:07:41 | 1:07:44 | |
That was amazing! | 1:07:56 | 1:07:58 | |
INDISTINCT CHATTER | 1:08:00 | 1:08:03 | |
I was surprised! | 1:08:03 | 1:08:05 | |
INDISTINCT CHATTER | 1:08:10 | 1:08:14 | |
You deserve a drink. | 1:08:25 | 1:08:27 | |
Is he all right? Jussi, you all right? Good boy. | 1:08:44 | 1:08:48 | |
Good job you had an alarm. In the kitchen. | 1:08:48 | 1:08:51 | |
You forgot to turn the gas off? | 1:09:05 | 1:09:07 | |
No, I didn't forget. | 1:09:07 | 1:09:10 | |
Kurt, it's not so bad. We can clean this up... | 1:09:10 | 1:09:13 | |
No, I didn't forget. I didn't forget. | 1:09:13 | 1:09:14 | |
And I just... What I want... What I want... | 1:09:14 | 1:09:17 | |
I just want some... I am not... | 1:09:17 | 1:09:20 | |
I need to... People are trying to scare me. | 1:09:20 | 1:09:22 | |
That's what they are trying to do. | 1:09:22 | 1:09:24 | |
DOOR OPENS | 1:09:51 | 1:09:53 | |
Kurt? | 1:09:54 | 1:09:57 | |
DOG BARKS | 1:10:04 | 1:10:06 | |
DOGS BARK | 1:10:06 | 1:10:09 | |
Gustav? | 1:10:09 | 1:10:10 | |
-What the hell do you think you're doing? -Kurt! | 1:10:19 | 1:10:22 | |
-What are you doing here? -Kurt? | 1:10:22 | 1:10:24 | |
You know how much you'll serve? Arson? 25 years. | 1:10:24 | 1:10:27 | |
Kurt! It's Hannah's. It's her childhood dog toy and letters. | 1:10:27 | 1:10:32 | |
Where was it? | 1:10:32 | 1:10:35 | |
My son's things... | 1:10:35 | 1:10:37 | |
Stupid lad. | 1:10:38 | 1:10:40 | |
There it is, then. He knew her. One way or another. | 1:10:41 | 1:10:44 | |
It's yours. You do what you like with it. | 1:10:46 | 1:10:48 | |
Let me know, yeah? | 1:10:48 | 1:10:50 | |
What you saying about arson? | 1:10:52 | 1:10:53 | |
What you shouting about? | 1:10:55 | 1:10:56 | |
It's nothing. Thank you. | 1:10:56 | 1:10:59 | |
Let me know. | 1:11:01 | 1:11:02 | |
Why would he have these, these foster things? | 1:11:09 | 1:11:12 | |
-None of them are addressed to her. -What? | 1:11:12 | 1:11:15 | |
These letters from the foster mother. They're to "Dear Stefan". | 1:11:15 | 1:11:19 | |
Stefan was the name of her foster brother. | 1:11:19 | 1:11:22 | |
-What, have we heard of him somewhere? -No. | 1:11:24 | 1:11:27 | |
Argh! Yeah! Yeah! He was here. He was here the other day. | 1:11:30 | 1:11:33 | |
-He was here asking about her. -That's him! | 1:11:33 | 1:11:35 | |
-Yeah, come on! Come on! -Kurt? | 1:11:35 | 1:11:37 | |
-Excuse me. Stefan Persson, please. -Yeah, sure. | 1:11:50 | 1:11:53 | |
Stefan! | 1:11:53 | 1:11:55 | |
The police are in my office. They want to see you. | 1:11:55 | 1:11:59 | |
Stefan! Have you seen Hannah recently? | 1:12:02 | 1:12:05 | |
Have you seen Hannah recently? | 1:12:05 | 1:12:07 | |
We know she had your letters. Why? Why didn't you tell us? | 1:12:07 | 1:12:10 | |
Why didn't you tell us you had seen her? | 1:12:10 | 1:12:12 | |
-I didn't... I wasn't sure it had... -When did you see her? | 1:12:12 | 1:12:16 | |
I didn't recognise her, OK? | 1:12:16 | 1:12:18 | |
I hadn't set eyes on her in seven years, | 1:12:18 | 1:12:20 | |
then there was just this girl there, | 1:12:20 | 1:12:21 | |
suddenly giving me this almighty hug. She looked...thin. | 1:12:21 | 1:12:26 | |
And we sat and talked about the old days when we were kids. | 1:12:26 | 1:12:30 | |
What was she doing when you saw her? | 1:12:30 | 1:12:32 | |
The train. Catching a train to Tomelilla. See her boyfriend. | 1:12:32 | 1:12:34 | |
Why did she have your letters? | 1:12:34 | 1:12:36 | |
She asked me why Maja and Rasmus, our foster parents, | 1:12:36 | 1:12:39 | |
had never written to her. | 1:12:39 | 1:12:41 | |
She was really desperate about that. | 1:12:41 | 1:12:44 | |
I told her they must have done. They always did - to all of us. | 1:12:44 | 1:12:46 | |
It was a point of principle. She came home with me. | 1:12:46 | 1:12:49 | |
I gave her my old letters and things, to read. | 1:12:49 | 1:12:51 | |
How did she react? | 1:12:51 | 1:12:53 | |
She was upset. Her mum must have been keeping them from her. | 1:12:53 | 1:12:57 | |
Her mum would never allow her to get in contact. | 1:12:57 | 1:13:00 | |
Cos she'd been desperate to go back to Maja and Rasmus. | 1:13:00 | 1:13:04 | |
There was never much love lost between her and her birth mother. | 1:13:04 | 1:13:07 | |
And she was heartbroken when she read the letter about Rasmus. | 1:13:07 | 1:13:11 | |
That he was dead. | 1:13:11 | 1:13:12 | |
I put her on the train, she was still sobbing her heart out. | 1:13:15 | 1:13:18 | |
Did you see her again? | 1:13:18 | 1:13:20 | |
Did you see her again? | 1:13:20 | 1:13:22 | |
I said we'd meet up. Then... | 1:13:22 | 1:13:24 | |
..this happened. | 1:13:25 | 1:13:27 | |
I didn't know if she... | 1:13:28 | 1:13:30 | |
I knew she always had a temper, | 1:13:30 | 1:13:31 | |
but I wouldn't think for one second that she was capable of... | 1:13:31 | 1:13:34 | |
It's all right, thank you. | 1:13:34 | 1:13:35 | |
All right, Pontus? | 1:13:44 | 1:13:47 | |
So, we don't have much time, I don't think, | 1:13:47 | 1:13:49 | |
so we know that you know Hannah. | 1:13:49 | 1:13:52 | |
We know that you care about her a lot. | 1:13:52 | 1:13:54 | |
We know that you're her friend, so did she come to you for help? | 1:13:54 | 1:13:57 | |
Did you try and help her? Did you keep her things safe? | 1:13:57 | 1:14:00 | |
Did you take care of her? Did you clean up after her? | 1:14:00 | 1:14:02 | |
Did you clean everything up after her? | 1:14:02 | 1:14:04 | |
Just tell us, Pontus, what kind of state was she in? | 1:14:07 | 1:14:10 | |
She was terrified - I assume absolutely terrified. | 1:14:10 | 1:14:12 | |
She'd fought with her mum. | 1:14:12 | 1:14:14 | |
She'd hurt her mum, she'd really hurt her mum | 1:14:14 | 1:14:16 | |
because her mum had lied to her all those years. | 1:14:16 | 1:14:18 | |
And you tried to help her | 1:14:18 | 1:14:19 | |
because you care about her, cos she was in a mess. | 1:14:19 | 1:14:22 | |
You must be terrified for her. | 1:14:26 | 1:14:29 | |
So where is she, Pontus? | 1:14:29 | 1:14:30 | |
You tell us where she is, we can get her safe. | 1:14:30 | 1:14:33 | |
We can make sure that she's OK. | 1:14:33 | 1:14:34 | |
Hannah pitched up at mine last week. | 1:14:38 | 1:14:41 | |
She'd fought with her mum. | 1:14:41 | 1:14:43 | |
Her mum was drunk. | 1:14:43 | 1:14:44 | |
We went back, but she wasn't there. | 1:14:46 | 1:14:48 | |
We didn't know what'd happened. | 1:14:48 | 1:14:49 | |
So wh-where is she now? | 1:14:49 | 1:14:51 | |
I can't... | 1:14:53 | 1:14:54 | |
You tell me where she is now | 1:14:54 | 1:14:55 | |
or I'll make sure that you never see her again. Do you understand? | 1:14:55 | 1:14:59 | |
Tomelilla. | 1:15:02 | 1:15:03 | |
A caravan. | 1:15:08 | 1:15:09 | |
By some greenhouses. | 1:15:09 | 1:15:10 | |
I was bringing her food. | 1:15:13 | 1:15:14 | |
I don't know where she'll be now. | 1:15:14 | 1:15:16 | |
She'll be worried to death. | 1:15:19 | 1:15:21 | |
SIRENS | 1:15:24 | 1:15:26 | |
Right, let's step up the alert for Hannah. | 1:15:41 | 1:15:44 | |
Search the area. | 1:15:44 | 1:15:45 | |
See if we can get roadblocks on the E65 and the 101 | 1:15:45 | 1:15:48 | |
and give Maja Hahne and Stefan Persson a call. | 1:15:48 | 1:15:50 | |
-She may be in touch with them if she's nowhere else to go. -Sure. | 1:15:50 | 1:15:53 | |
MOBILE RINGS Yeah. Wallander. | 1:15:53 | 1:15:55 | |
-'Hi, Kurt. It's Doctor Oberg here.' -Yeah. | 1:15:55 | 1:15:58 | |
-'I was wondering if you could come in.' -Why? | 1:15:58 | 1:16:00 | |
'I'd like to discuss your blood tests with you.' | 1:16:00 | 1:16:03 | |
Uh... I'm just, I'm busy right now, sorry. | 1:16:03 | 1:16:06 | |
So I'll have to give you a call, yeah? | 1:16:06 | 1:16:09 | |
-'OK, Kurt.' -Thanks. | 1:16:09 | 1:16:10 | |
-Where you heading? -Ystad? | 1:16:49 | 1:16:52 | |
OK, jump in. | 1:16:52 | 1:16:53 | |
You can, um... | 1:17:33 | 1:17:35 | |
I know I said Ystad. But you can actually... | 1:17:35 | 1:17:38 | |
You know, you could drop me off here at the corner. | 1:17:38 | 1:17:41 | |
It's fine. It's no trouble. | 1:17:41 | 1:17:43 | |
PUMP WHIRRING ECHOES | 1:18:30 | 1:18:35 | |
VOICES ECHO INDISTINCTLY | 1:18:35 | 1:18:37 | |
PUMP CLICKS, ECHOING STOPS | 1:18:43 | 1:18:45 | |
Hannah? | 1:18:55 | 1:18:56 | |
Hannah? | 1:18:59 | 1:19:00 | |
Hannah? | 1:19:03 | 1:19:04 | |
Hannah? | 1:19:10 | 1:19:11 | |
Hannah? | 1:19:26 | 1:19:27 | |
Hannah! | 1:19:35 | 1:19:36 | |
Hannah? Wait. Wait. | 1:19:40 | 1:19:43 | |
Wait, wait! Be careful! Hannah? Hannah! | 1:19:43 | 1:19:46 | |
Hannah. | 1:19:46 | 1:19:47 | |
What's wrong with you? | 1:19:49 | 1:19:50 | |
What's wrong with you?! | 1:19:52 | 1:19:54 | |
-Hannah, my name's Kurt. I'm a police officer. -No! | 1:19:54 | 1:19:57 | |
We know you were angry. We know you were hurt. It's all right. | 1:19:57 | 1:19:59 | |
We know you didn't mean for it to happen. | 1:19:59 | 1:20:02 | |
I'm sorry. | 1:20:10 | 1:20:12 | |
She... | 1:20:15 | 1:20:16 | |
I didn't... | 1:20:16 | 1:20:17 | |
It's all right. | 1:20:17 | 1:20:19 | |
I...I'm so sorry. | 1:20:19 | 1:20:20 | |
It's all right. Come on. | 1:20:22 | 1:20:23 | |
Come on. | 1:20:27 | 1:20:28 | |
Where's Pontus? | 1:20:30 | 1:20:32 | |
He's safe, he's fine. | 1:20:32 | 1:20:35 | |
It's all right. | 1:20:35 | 1:20:37 | |
It's all right. | 1:20:37 | 1:20:38 | |
We really need you to help us with some details. | 1:20:47 | 1:20:50 | |
I was only trying to protect myself. | 1:20:53 | 1:20:56 | |
I wasn't actually going to do anything. | 1:20:56 | 1:20:58 | |
But she didn't believe me. And... | 1:20:58 | 1:21:00 | |
MOTORBIKE ENGINES ROAR | 1:21:39 | 1:21:42 | |
MOBILE CHIRPS | 1:22:16 | 1:22:18 | |
WOMAN'S VOICE ECHOES INDISTINCTLY | 1:22:21 | 1:22:24 | |
CONVERSATION ECHOES INDISTINCTLY | 1:22:42 | 1:22:44 | |
DOG BARKS IN DISTANCE | 1:22:54 | 1:22:55 | |
TYRES ROAR ON ASPHALT | 1:22:57 | 1:22:59 | |
MOBILE CHIRPS | 1:23:07 | 1:23:09 | |
-Yeah? -'Kurt, I need you back at the station as soon as you can.' | 1:23:13 | 1:23:18 | |
All right. | 1:23:18 | 1:23:19 | |
'OK.' | 1:23:19 | 1:23:20 | |
What's the problem? | 1:23:41 | 1:23:42 | |
Is this yours? | 1:23:48 | 1:23:50 | |
I don't... | 1:23:50 | 1:23:51 | |
You left it on a chair at a restaurant next to the E65. | 1:23:59 | 1:24:03 | |
I... | 1:24:06 | 1:24:07 | |
A little girl picked it up. | 1:24:10 | 1:24:12 | |
Her dad took it from her. | 1:24:12 | 1:24:14 | |
It was fully loaded. | 1:24:14 | 1:24:16 | |
I'm sorry. | 1:24:16 | 1:24:17 | |
Were you drunk? | 1:24:24 | 1:24:25 | |
No. No... | 1:24:25 | 1:24:26 | |
I'm sorry, Kurt, I'm going to have to suspend you | 1:24:28 | 1:24:30 | |
pending an internal affairs investigation. | 1:24:30 | 1:24:33 | |
I'm sorry. Er... | 1:24:38 | 1:24:40 | |
So, well, Sweden was very beautiful. | 1:26:19 | 1:26:22 | |
Yeah. | 1:26:22 | 1:26:24 | |
But...you will be coming to Riga soon? | 1:26:25 | 1:26:28 | |
As soon as I get some time off. I'll try not to get lost on the way. | 1:26:28 | 1:26:31 | |
Bye. | 1:26:33 | 1:26:35 | |
HE WHISPERS: I love you. | 1:26:50 | 1:26:51 |