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Come on. It's up here. | 0:00:13 | 0:00:16 | |
DOG BARKS | 0:00:22 | 0:00:24 | |
It's just through there. | 0:00:24 | 0:00:26 | |
DOG BARKS | 0:00:33 | 0:00:35 | |
Did you remove these? | 0:00:40 | 0:00:41 | |
Had to. She ran in and wouldn't come out again. | 0:00:41 | 0:00:44 | |
Stay here. | 0:00:44 | 0:00:46 | |
DOG BARKS | 0:00:57 | 0:00:59 | |
# Well, I saw my baby walkin' | 0:01:40 | 0:01:43 | |
# With another man today | 0:01:43 | 0:01:46 | |
# Well, I saw my baby walkin' | 0:01:46 | 0:01:49 | |
# With another man today | 0:01:49 | 0:01:52 | |
# When I asked her "What's the matter?" | 0:01:52 | 0:01:55 | |
# This is what I heard her say... # | 0:01:55 | 0:01:58 | |
Hey! Wait for me! | 0:01:58 | 0:02:01 | |
Give me your hand. | 0:02:01 | 0:02:03 | |
OK! | 0:02:03 | 0:02:04 | |
# See you later, alligator... # | 0:02:04 | 0:02:07 | |
Thank you! | 0:02:07 | 0:02:09 | |
You're welcome. | 0:02:09 | 0:02:11 | |
I can't be late on my first day, can I? | 0:02:13 | 0:02:15 | |
Your first day? | 0:02:15 | 0:02:16 | |
A police woman? | 0:02:19 | 0:02:21 | |
At your service. What do you think? Do I look the part? | 0:02:21 | 0:02:25 | |
Lord, yes. Criminals of Birmingham beware. | 0:02:25 | 0:02:29 | |
You know, me so scared on my first day in England, | 0:02:38 | 0:02:41 | |
me want to turn around and catch the boat right back home again. | 0:02:41 | 0:02:44 | |
But now, me wear three jumpers in the wintertime, | 0:02:44 | 0:02:47 | |
so me feel right at home. | 0:02:47 | 0:02:49 | |
THEY LAUGH | 0:02:49 | 0:02:50 | |
# See you later, alligator | 0:02:53 | 0:02:55 | |
# After a while, crocodile | 0:02:55 | 0:02:59 | |
# Can't you see you're in my way now? | 0:02:59 | 0:03:02 | |
HORN BEEPS | 0:03:02 | 0:03:03 | |
# See you later, alligator | 0:03:05 | 0:03:08 | |
# After a while, crocodile | 0:03:08 | 0:03:11 | |
# See you later, alligator | 0:03:11 | 0:03:14 | |
# So long, that's all | 0:03:14 | 0:03:17 | |
# Goodbye! # | 0:03:17 | 0:03:20 | |
Take him down to the cells till he sobers up. | 0:03:22 | 0:03:27 | |
Morning, Sergeant, I'm... | 0:03:27 | 0:03:30 | |
Hey, now, right, I warned you two, didn't I? | 0:03:30 | 0:03:32 | |
Where do you think you are? | 0:03:32 | 0:03:34 | |
Back row of the pictures? | 0:03:34 | 0:03:36 | |
You, move over there. Go on, right till the end. | 0:03:36 | 0:03:40 | |
And stay there. | 0:03:42 | 0:03:44 | |
Ah, you must be WPC Dawson. | 0:03:45 | 0:03:48 | |
-Yes, Sergeant. -Sergeant Pratt. Come on through. | 0:03:48 | 0:03:51 | |
I'll take you to the Chief, he's expecting you. | 0:03:51 | 0:03:54 | |
Thank you, Sergeant. It's lucky I'm here in one piece. | 0:03:54 | 0:03:57 | |
I nearly got flattened by a police car just now. | 0:03:57 | 0:03:59 | |
Not the best start, is it? | 0:03:59 | 0:04:01 | |
GIRL GIGGLES | 0:04:01 | 0:04:03 | |
Move your backside, lad, or I'll move it for you! | 0:04:05 | 0:04:09 | |
Any more funny business and I'm locking you both in separate cells. | 0:04:09 | 0:04:13 | |
What were they arrested for, Sergeant? | 0:04:15 | 0:04:18 | |
Arrested? They're the victims. | 0:04:18 | 0:04:20 | |
They were impressed with you at Divisional Headquarters. | 0:04:22 | 0:04:25 | |
-Thank you, sir. -Why volunteer for a post in Brinford? | 0:04:25 | 0:04:27 | |
I grew up around here, sir. | 0:04:27 | 0:04:29 | |
I live with my mum and dad, so it's sort of perfect, really. | 0:04:29 | 0:04:32 | |
Well, perfect might be pushing it. | 0:04:32 | 0:04:33 | |
Anyway, I'm glad I won't have to take the daily train | 0:04:33 | 0:04:36 | |
to Birmingham any more, now my training's over. | 0:04:36 | 0:04:38 | |
I'll be honest with you, Dawson. | 0:04:38 | 0:04:40 | |
Recruiting you wasn't my idea. | 0:04:42 | 0:04:44 | |
I have a team of good men here, but they're few in number. | 0:04:44 | 0:04:46 | |
They haven't the time or resources to concern themselves | 0:04:46 | 0:04:49 | |
with your safety. | 0:04:49 | 0:04:50 | |
-That's all right, sir, I wouldn't expect... -Let me finish. | 0:04:50 | 0:04:53 | |
Whether you need protection or not is beside the point, | 0:04:53 | 0:04:55 | |
men are naturally inclined to offer it. | 0:04:55 | 0:04:57 | |
So it's best for you to avoid situations that lead to | 0:04:57 | 0:05:00 | |
them being...distracted. | 0:05:00 | 0:05:02 | |
Yes, sir. | 0:05:02 | 0:05:04 | |
I expect you had female-only offices and facilities in Birmingham. | 0:05:04 | 0:05:07 | |
As you can imagine, we've hardly the space for that here. | 0:05:07 | 0:05:09 | |
But we've made provision for you as best we can. | 0:05:09 | 0:05:12 | |
Honestly, you could stick me in a broom cupboard, | 0:05:12 | 0:05:14 | |
-I'm just grateful to be here. -Well... | 0:05:14 | 0:05:16 | |
What I mean to say is, thank you, sir, for this opportunity | 0:05:16 | 0:05:19 | |
and I'm ready to go about my duties as soon as possible, sir. | 0:05:19 | 0:05:21 | |
Well, if the men need help with women or children, | 0:05:21 | 0:05:24 | |
-you're to take that off their hands. -Yes, sir. | 0:05:24 | 0:05:27 | |
Never forget that your sole responsibility is to support the men, | 0:05:27 | 0:05:31 | |
so they can get on with the job of real policing. | 0:05:31 | 0:05:34 | |
-Oi! -Don't leave 'em sitting there, then! | 0:05:37 | 0:05:39 | |
I'd rather have chocolates sitting on me desk than you. | 0:05:39 | 0:05:42 | |
You only left 'em out to make me jealous. | 0:05:42 | 0:05:44 | |
It's not working, you know. | 0:05:44 | 0:05:46 | |
All right, it's working. Who gave 'em ya? | 0:05:48 | 0:05:50 | |
That would be telling. | 0:05:50 | 0:05:52 | |
I bet whoever he is doesn't have a Triumph Tiger. | 0:05:52 | 0:05:55 | |
When are you going to come for a ride with me? | 0:05:56 | 0:05:59 | |
When you drive something proper, like a car. | 0:05:59 | 0:06:01 | |
HE LAUGHS | 0:06:01 | 0:06:03 | |
I'll get you on my bike yet, Cathy Sinclair, you see if I don't. | 0:06:03 | 0:06:06 | |
Oh! I just typed the same sentence twice. | 0:06:06 | 0:06:11 | |
I hear the new WPC's arrived. What's she like? | 0:06:11 | 0:06:15 | |
-Coulson, what are you doing? -Nothing, sir. | 0:06:15 | 0:06:18 | |
Evidently. Make yourself useful and show Dawson her office. | 0:06:18 | 0:06:22 | |
Yes, sir. | 0:06:22 | 0:06:23 | |
How come she gets her own office? | 0:06:28 | 0:06:30 | |
I need those letters sent out today, Miss Sinclair. | 0:06:30 | 0:06:33 | |
This actually is a broom cupboard. | 0:06:42 | 0:06:44 | |
Handy for keeping the place clean though, eh? | 0:06:44 | 0:06:47 | |
Will I get my own telephone, do you think? | 0:06:51 | 0:06:53 | |
Not likely, we'd never get you off it. | 0:06:53 | 0:06:56 | |
Well, if I get lonely I can always talk to myself, I suppose. | 0:06:56 | 0:07:00 | |
-You're a funny one, aren't you? -What do you mean? | 0:07:00 | 0:07:02 | |
SHE COUGHS | 0:07:05 | 0:07:07 | |
Just take a seat here, Mr Marsh. | 0:07:07 | 0:07:10 | |
DI Burns? This is WPC Dawson, just started today. | 0:07:11 | 0:07:15 | |
Good to meet you, sir. | 0:07:15 | 0:07:17 | |
Likewise. Your timing couldn't be better. | 0:07:17 | 0:07:20 | |
Do you know where the teapot is? | 0:07:20 | 0:07:22 | |
-Sir? -It's just in the kitchen. | 0:07:22 | 0:07:24 | |
How many sugars? | 0:07:24 | 0:07:26 | |
Two. Actually, make it four. | 0:07:26 | 0:07:28 | |
Um, yes, sir. | 0:07:28 | 0:07:30 | |
A day like today calls for four, I reckon. | 0:07:32 | 0:07:34 | |
-Cigarette? -No, thanks. | 0:07:34 | 0:07:36 | |
Sit tight. I'll be right back. | 0:07:36 | 0:07:38 | |
So he grabbed your purse and ran off down St James Street. | 0:07:38 | 0:07:41 | |
Fenton. There's been a sighting, 'bout ten minutes ago. | 0:07:41 | 0:07:44 | |
-Where? -Kenrick Road. | 0:07:44 | 0:07:47 | |
Right, everybody to the courtyard, that's a double! | 0:07:47 | 0:07:51 | |
Looks like we found your bag-snatcher. | 0:07:51 | 0:07:53 | |
Just kidding! | 0:07:54 | 0:07:56 | |
Don't worry, we'll be in touch if anything turns up. | 0:07:57 | 0:08:01 | |
That's it. Through there. | 0:08:01 | 0:08:03 | |
Where is everyone? | 0:08:12 | 0:08:13 | |
Everyone was ordered to the courtyard, miss. | 0:08:13 | 0:08:16 | |
He said on the double. | 0:08:16 | 0:08:18 | |
Sorry, didn't hear the order! | 0:08:40 | 0:08:42 | |
Um, Sergeant Fenton? | 0:08:45 | 0:08:47 | |
Shut the doors! We haven't got all day! | 0:08:47 | 0:08:49 | |
BELL RINGS | 0:08:52 | 0:08:54 | |
Thanks for making a statement, Mr Marsh. | 0:09:00 | 0:09:02 | |
I can get someone to drive you home, if you like. | 0:09:02 | 0:09:05 | |
If you can call it that. I live on a canal boat. | 0:09:05 | 0:09:08 | |
Oh. | 0:09:08 | 0:09:09 | |
-PC Hunt. -Yes, sir? -could you drop Mr Marsh off at...? | 0:09:09 | 0:09:14 | |
Where's your boat? | 0:09:14 | 0:09:16 | |
It's still moored up near the mine, for now anyway. | 0:09:16 | 0:09:19 | |
There's no part of the country I haven't stopped in, | 0:09:21 | 0:09:24 | |
one time or another. | 0:09:24 | 0:09:25 | |
I like to walk the hills and countryside. | 0:09:25 | 0:09:27 | |
Have you ever collected wild flowers, Detective Burns? | 0:09:28 | 0:09:31 | |
-Collected? -Pressed. | 0:09:31 | 0:09:34 | |
You don't need a proper flower press, a good solid book will do. | 0:09:34 | 0:09:37 | |
Can't say I have. | 0:09:37 | 0:09:38 | |
I'm just an amateur, really. | 0:09:40 | 0:09:42 | |
You find the rarest species of plants where people don't often go. | 0:09:42 | 0:09:47 | |
I'll be off then. | 0:09:52 | 0:09:55 | |
Can you tell if it was a boy or a girl? | 0:09:55 | 0:09:57 | |
We haven't examined the remains yet, Mr Marsh. | 0:09:57 | 0:10:01 | |
But it was a child, wasn't it? | 0:10:01 | 0:10:04 | |
You did the right thing calling it in. | 0:10:04 | 0:10:07 | |
Right, listen up. We approach as quietly as possible. | 0:10:32 | 0:10:35 | |
Spread yourselves out. Cover all the exits. | 0:10:35 | 0:10:37 | |
And remember, lads, they could be armed. | 0:10:37 | 0:10:39 | |
Who's this? | 0:10:46 | 0:10:48 | |
Her name's Dawson, Sergeant. She's the new WPC. | 0:10:48 | 0:10:50 | |
I can see that. What's she doing here? | 0:10:50 | 0:10:53 | |
She just got in the van, Sergeant. | 0:10:53 | 0:10:55 | |
Brilliant. Maybe Cathy should've come along too. | 0:10:55 | 0:10:57 | |
And Glenda the tea lady. Get back in the van. | 0:10:57 | 0:11:00 | |
I won't get in the way, Sergeant, honest. | 0:11:00 | 0:11:02 | |
No, you won't. Because you'll be in the van. | 0:11:02 | 0:11:05 | |
Don't move till we get back. Right, you ready? | 0:11:05 | 0:11:08 | |
Yes, Sergeant. | 0:11:11 | 0:11:12 | |
# Hey, get rhythm when you get the blues | 0:11:16 | 0:11:20 | |
# Come on, get rhythm... # | 0:11:20 | 0:11:22 | |
A 60/40 split. Daylight robbery is what it is. | 0:11:22 | 0:11:26 | |
Hardly worth my while. I hope you know that. | 0:11:26 | 0:11:28 | |
Do you want them or what? | 0:11:28 | 0:11:30 | |
But you know, obviously, as your mate... | 0:11:30 | 0:11:33 | |
Everybody stay where you are! | 0:11:33 | 0:11:36 | |
# A little shoeshine boy never gets low down | 0:11:36 | 0:11:38 | |
# But he's got the dirtiest job in town | 0:11:38 | 0:11:40 | |
# Bendin' low at the peoples' feet | 0:11:40 | 0:11:41 | |
# On the windy corner of the dirty street | 0:11:41 | 0:11:44 | |
WHISTLES BLOW | 0:11:44 | 0:11:45 | |
# Get rhythm | 0:11:45 | 0:11:46 | |
# When you get the blues | 0:11:46 | 0:11:48 | |
# It only costs a dime Just a nickel a shoe | 0:11:48 | 0:11:50 | |
# It does 1 million worth of good for you | 0:11:50 | 0:11:52 | |
# Get rhythm when you get the blues. # | 0:11:52 | 0:11:59 | |
-Drop the bag. -Don't be like that. -I said drop it. | 0:12:08 | 0:12:11 | |
Look, I had nothing to do with the hijacking, I swear. | 0:12:16 | 0:12:19 | |
I was just helping to flog the fags. | 0:12:19 | 0:12:20 | |
You know me, I wouldn't get involved in no violence. | 0:12:20 | 0:12:23 | |
-Tell it to the judge. -Wait, Fenton, Fenton! Please! Don't! | 0:12:23 | 0:12:25 | |
Keep your voice down. | 0:12:25 | 0:12:27 | |
-You don't want to arrest me, not now. -Oh, don't I? | 0:12:27 | 0:12:30 | |
I'm close to something big. | 0:12:30 | 0:12:32 | |
I'm serious, if this pays off you'll be a hero. | 0:12:32 | 0:12:35 | |
What you talking about? | 0:12:35 | 0:12:37 | |
Bank job. All right? Big one. | 0:12:37 | 0:12:40 | |
Week from now, maybe two, but it's definitely happening. | 0:12:40 | 0:12:43 | |
And you're in on it? | 0:12:43 | 0:12:45 | |
I told you I don't do nothing with guns. | 0:12:45 | 0:12:47 | |
But there's this kid I know, right, | 0:12:47 | 0:12:49 | |
he's trying to make a name for himself. | 0:12:49 | 0:12:51 | |
I've done him some favours and he trusts me, all right, enough to talk. | 0:12:51 | 0:12:55 | |
I'm no good to you if I'm banged up for this, now am I? | 0:12:55 | 0:12:58 | |
Hey. Stop! Police! | 0:13:09 | 0:13:11 | |
Hey! | 0:13:13 | 0:13:15 | |
I should've come with you, Sergeant. He wouldn't have given me the slip. | 0:13:15 | 0:13:18 | |
I could still outrun you, lad, don't you worry. | 0:13:18 | 0:13:20 | |
Hey. Stop! | 0:13:20 | 0:13:22 | |
SHE SCREAMS | 0:13:22 | 0:13:23 | |
THEY LAUGH | 0:13:23 | 0:13:25 | |
It's all right. | 0:13:29 | 0:13:30 | |
I'm OK. | 0:13:30 | 0:13:32 | |
All right. | 0:13:32 | 0:13:34 | |
What did the pathologist say? | 0:13:36 | 0:13:39 | |
He confirmed it was a boy, about six or seven. | 0:13:39 | 0:13:41 | |
Evidence of rickets. | 0:13:41 | 0:13:43 | |
Found that in his pocket. | 0:13:43 | 0:13:45 | |
Had to scrape a fair bit off it, but you can still make out the date. | 0:13:45 | 0:13:49 | |
1923. Think he could've been down there that long? | 0:13:49 | 0:13:52 | |
Maybe. | 0:13:52 | 0:13:53 | |
Or he just had an old coin on him. | 0:13:53 | 0:13:55 | |
Did the pathologist give a cause of death? | 0:13:56 | 0:13:58 | |
-He said he'd call. -Any theories? -The skull was fractured. | 0:13:58 | 0:14:02 | |
Could be he crawled into the tunnel somehow and fell in the dark. | 0:14:02 | 0:14:07 | |
Poor kid. | 0:14:07 | 0:14:08 | |
Yeah. | 0:14:08 | 0:14:10 | |
Next time I give you an order you'll do as you're told. | 0:14:13 | 0:14:16 | |
-Understood? -Yes, Sergeant. -Go and clean yourself up. | 0:14:16 | 0:14:19 | |
-What happened to her? -She picked the wrong job. | 0:14:19 | 0:14:21 | |
HE LAUGHS | 0:14:21 | 0:14:22 | |
Brinford Police, Sergeant Pratt speaking. | 0:14:24 | 0:14:27 | |
Oh, thank goodness it's you! | 0:14:27 | 0:14:29 | |
Ah, Mrs Pemberton. What can I do for you? | 0:14:29 | 0:14:31 | |
My Hector's run away again! I don't know what to do! | 0:14:31 | 0:14:34 | |
I'm sure it's nothing to worry about, | 0:14:34 | 0:14:36 | |
he always comes home of his own accord. | 0:14:36 | 0:14:38 | |
But anything could happen to him! | 0:14:38 | 0:14:40 | |
Third time this week. | 0:14:40 | 0:14:41 | |
Tell her we'll send someone right away. | 0:14:41 | 0:14:44 | |
-What? -Just tell her. | 0:14:44 | 0:14:45 | |
Oh. | 0:14:47 | 0:14:49 | |
Mrs Pemberton? I'm WPC Dawson. | 0:14:49 | 0:14:53 | |
I was told I'd be sent an officer. | 0:14:53 | 0:14:55 | |
Don't worry, I'm just as qualified and twice as determined. | 0:14:55 | 0:14:59 | |
I believe you reported a runaway by the name of Hector. | 0:14:59 | 0:15:02 | |
Yes. | 0:15:02 | 0:15:03 | |
How old is he? | 0:15:07 | 0:15:08 | |
I explained all of this on the telephone. | 0:15:08 | 0:15:10 | |
I just need a few extra details. | 0:15:10 | 0:15:12 | |
I'm told this isn't the first time he's run off. | 0:15:12 | 0:15:14 | |
And I'm worried sick! What if he runs into traffic? | 0:15:14 | 0:15:16 | |
I won't let that happen, Mrs Pemberton. | 0:15:16 | 0:15:18 | |
Could you describe him to me? | 0:15:18 | 0:15:21 | |
Well, he has sandy-coloured hair. | 0:15:21 | 0:15:23 | |
He looks the way you'd expect him to, really. | 0:15:26 | 0:15:30 | |
Right. | 0:15:30 | 0:15:32 | |
Perhaps you have a photograph? | 0:15:32 | 0:15:34 | |
Well, I'll have a look. | 0:15:34 | 0:15:36 | |
'Will a painting do?' | 0:15:38 | 0:15:41 | |
A painting? | 0:15:41 | 0:15:43 | |
I did it myself. | 0:15:43 | 0:15:44 | |
Had a devil of a time getting him to sit still. | 0:15:44 | 0:15:46 | |
Hilarious. Grown men. Nothing better to do. | 0:15:50 | 0:15:55 | |
Poor little thing, being left out in the rain like that. | 0:16:09 | 0:16:13 | |
Come on, Charlie, love. | 0:16:17 | 0:16:19 | |
METAL CLANKS | 0:16:26 | 0:16:28 | |
Hey boy. Hello. | 0:16:33 | 0:16:35 | |
Couple more pubs and I reckon we'll shift the lot. | 0:16:35 | 0:16:37 | |
Does that mean we can finally have a pint? | 0:16:37 | 0:16:39 | |
All in good time, amigo. | 0:16:39 | 0:16:41 | |
DOG GROWLS | 0:16:41 | 0:16:43 | |
Leg it! | 0:16:43 | 0:16:45 | |
Stop! Stop! Police! | 0:16:47 | 0:16:50 | |
She's been gone a long time. Think she's run into trouble? | 0:16:52 | 0:16:57 | |
Like what? Torn her nylons again? | 0:16:57 | 0:16:59 | |
-Yeah, or broken a nail. -HE CHUCKLES | 0:16:59 | 0:17:01 | |
Sergeant Fenton, do you want to charge them or shall I? | 0:17:03 | 0:17:08 | |
DOG SLOBBERS | 0:17:10 | 0:17:13 | |
FOOTSTEPS APPROACH | 0:17:13 | 0:17:16 | |
DOOR UNLOCKS, OPENS | 0:17:16 | 0:17:18 | |
You boys are in a lot of trouble. | 0:17:23 | 0:17:26 | |
Flogging stolen goods is a serious offence. | 0:17:26 | 0:17:29 | |
I'm sure it is. | 0:17:29 | 0:17:31 | |
-But we bought them fags for us, didn't we, Kev? Didn't we? -Yeah. | 0:17:31 | 0:17:35 | |
100-a-day habit, is it? You should cut down. | 0:17:35 | 0:17:37 | |
Just tell me where you got 'em | 0:17:37 | 0:17:39 | |
and I'll have a word with the magistrate. | 0:17:39 | 0:17:41 | |
All right, hang on a sec. | 0:17:41 | 0:17:43 | |
Let me, erm... | 0:17:43 | 0:17:45 | |
Ah, do you know what, I think I may have lost the receipt. | 0:17:47 | 0:17:50 | |
Right! | 0:17:52 | 0:17:54 | |
You think this is funny?! | 0:17:56 | 0:17:57 | |
No! I don't! I'm sorry! | 0:17:57 | 0:18:00 | |
BANGING | 0:18:00 | 0:18:03 | |
Ow! | 0:18:03 | 0:18:04 | |
Ow! | 0:18:05 | 0:18:07 | |
Ow! | 0:18:08 | 0:18:09 | |
When I go to the trouble of letting you go, | 0:18:09 | 0:18:11 | |
I don't expect you to get yourself nicked again. | 0:18:11 | 0:18:13 | |
It's that woman copper. She's everywhere. | 0:18:13 | 0:18:16 | |
For you and me both. | 0:18:16 | 0:18:17 | |
HE CRIES OUT | 0:18:17 | 0:18:19 | |
Is that the lad? | 0:18:19 | 0:18:20 | |
Not the face! | 0:18:21 | 0:18:23 | |
Ow! | 0:18:24 | 0:18:25 | |
So what do we do? | 0:18:27 | 0:18:29 | |
HE GROANS | 0:18:29 | 0:18:30 | |
-I'll handle it. -What happened to counting to three? | 0:18:30 | 0:18:32 | |
-Oh, shut up. -I think you've broken it. | 0:18:32 | 0:18:35 | |
You're fine, stop acting like such a woman. | 0:18:35 | 0:18:37 | |
I'll let you go in a few hours. | 0:18:37 | 0:18:39 | |
Can I be out by 6.00? I'm meant to be taking a bird to the pictures. | 0:18:39 | 0:18:43 | |
So you missed the second goal then? | 0:18:49 | 0:18:52 | |
INDISTINCT CHAT | 0:18:52 | 0:18:54 | |
Good of you to stay late, sweetheart. | 0:18:54 | 0:18:56 | |
Seems like we all fell behind on our paperwork. | 0:18:56 | 0:18:59 | |
It's all right, Sergeant Fenton. | 0:18:59 | 0:19:01 | |
-I hear you let Brody and his friend go. -And? | 0:19:04 | 0:19:07 | |
It's just I thought... because of the cigarettes. | 0:19:07 | 0:19:10 | |
What cigarettes? | 0:19:10 | 0:19:12 | |
THEY LAUGH | 0:19:12 | 0:19:14 | |
G'night then. | 0:19:20 | 0:19:22 | |
Not so fast. End of your first shift. | 0:19:22 | 0:19:24 | |
Time for a Brinford branding. | 0:19:24 | 0:19:26 | |
You can't do that, she's a woman. | 0:19:26 | 0:19:28 | |
It's a station tradition. Why should she be exempt? | 0:19:28 | 0:19:31 | |
-What is it? -We all get to, you know, rubber-stamp you. | 0:19:31 | 0:19:35 | |
THEY LAUGH | 0:19:35 | 0:19:36 | |
Where? | 0:19:36 | 0:19:37 | |
On the bum. | 0:19:37 | 0:19:39 | |
THEY GIGGLE | 0:19:39 | 0:19:40 | |
All right, then. | 0:19:43 | 0:19:44 | |
Fetch the stamp. | 0:19:46 | 0:19:47 | |
Go on, Eddie, you heard her. | 0:19:49 | 0:19:51 | |
-It's this or nothing. -That'll do. | 0:19:56 | 0:19:58 | |
Oh, and, eh, watch the stockings. | 0:20:02 | 0:20:03 | |
I don't fancy explaining this to me mum. | 0:20:03 | 0:20:06 | |
THEY CHEER | 0:20:06 | 0:20:08 | |
THEY CHUCKLE | 0:20:18 | 0:20:20 | |
Go on, Pratt! Get stuck in, son. | 0:20:24 | 0:20:27 | |
THEY CHEER | 0:20:32 | 0:20:34 | |
-Saving the best till last. -Go on, Eddie. | 0:20:34 | 0:20:36 | |
THEY APPLAUD | 0:20:38 | 0:20:40 | |
Goodnight, gentlemen. | 0:20:45 | 0:20:47 | |
INDISTINCT CHATTER | 0:20:57 | 0:20:59 | |
Is this what it's going to be like from now on? | 0:21:05 | 0:21:07 | |
Dinner ready and no sign of her? | 0:21:07 | 0:21:09 | |
Give her a chance, Brenda. It's her first day. | 0:21:09 | 0:21:12 | |
DOOR OPENS | 0:21:12 | 0:21:13 | |
Here she is. How'd it go, love? | 0:21:13 | 0:21:16 | |
It went great, Dad. | 0:21:16 | 0:21:17 | |
Everyone's really nice. | 0:21:20 | 0:21:22 | |
Well, sit down. I want to hear all about it. | 0:21:23 | 0:21:25 | |
No, never mind that. | 0:21:25 | 0:21:27 | |
You said you would finish work an hour ago. | 0:21:27 | 0:21:29 | |
I had to lay the table myself. | 0:21:29 | 0:21:30 | |
Oh, I'm sorry, Mum. Here, sit down. | 0:21:30 | 0:21:32 | |
It must be really hard work laying that table. | 0:21:32 | 0:21:35 | |
Don't you be so cheeky! | 0:21:35 | 0:21:36 | |
Your mother's right, show some respect. | 0:21:36 | 0:21:38 | |
She's exhausted from carrying that cutlery about, look at her. | 0:21:38 | 0:21:41 | |
HE CHUCKLES | 0:21:41 | 0:21:42 | |
Now don't encourage her, Joe. | 0:21:42 | 0:21:44 | |
Gina, you go and get changed, for goodness sake, | 0:21:44 | 0:21:46 | |
Frank'll be here any minute. | 0:21:46 | 0:21:48 | |
DOOR OPENS | 0:21:48 | 0:21:49 | |
I can wait on the doorstep, if you like. | 0:21:49 | 0:21:51 | |
At least someone's got the good manners to be on time. | 0:21:51 | 0:21:53 | |
I'd never be late for your home cooking, Mrs Dee. | 0:21:53 | 0:21:56 | |
Hi. | 0:21:58 | 0:21:59 | |
Ay! Sit down, everybody, your dinner's ready. | 0:21:59 | 0:22:03 | |
It all smells smashing, Mrs Dawson. | 0:22:03 | 0:22:06 | |
WPC Dawson. We're all proud as punch, aren't we? | 0:22:08 | 0:22:13 | |
Hm? Oh, right, yeah. | 0:22:13 | 0:22:15 | |
TV PLAYS | 0:22:18 | 0:22:20 | |
Jack? > | 0:22:27 | 0:22:29 | |
-You just missed Daddy. -Why aren't the girls in bed? | 0:22:29 | 0:22:32 | |
He wanted to see them. Look what he gave us! Isn't it divine? | 0:22:32 | 0:22:35 | |
-Deborah. -It's the best on the market. It does absolutely everything. | 0:22:35 | 0:22:38 | |
-We have to give it back. -What? Don't be silly. | 0:22:38 | 0:22:40 | |
I mean it. We can't keep accepting gifts. | 0:22:40 | 0:22:42 | |
-Why not? Daddy can afford it. -That's not the point. | 0:22:42 | 0:22:46 | |
There's nothing wrong with having nice things, Jack. | 0:22:46 | 0:22:49 | |
Besides, we have to keep it. | 0:22:50 | 0:22:53 | |
-I need it for your party on Saturday. -What party? | 0:22:53 | 0:22:56 | |
It's your birthday. | 0:22:56 | 0:22:57 | |
I want you to invite your friends from work. | 0:22:57 | 0:23:00 | |
No, absolutely not. | 0:23:00 | 0:23:01 | |
You never let me meet them. | 0:23:01 | 0:23:02 | |
They're not my friends, Deborah, I just work with them. | 0:23:02 | 0:23:05 | |
Well, then a party's exactly what you need. | 0:23:05 | 0:23:07 | |
Come on, please, it'll be fun! | 0:23:10 | 0:23:13 | |
Please? | 0:23:15 | 0:23:17 | |
I know just what to make. | 0:23:24 | 0:23:26 | |
A WOMAN SCREAMS | 0:23:28 | 0:23:30 | |
Hey! | 0:23:30 | 0:23:31 | |
Oi! | 0:23:43 | 0:23:45 | |
I swear to you. I never touched that girl. | 0:24:01 | 0:24:04 | |
-I only try to help her. -Here's what I think. | 0:24:04 | 0:24:07 | |
I think you tried to force yourself on her. | 0:24:07 | 0:24:09 | |
An innocent girl crossing the park. | 0:24:09 | 0:24:10 | |
She put up a fight and you bludgeoned her, | 0:24:10 | 0:24:12 | |
isn't that right, Mr Palmer? | 0:24:12 | 0:24:14 | |
That's not what happened. | 0:24:14 | 0:24:15 | |
I hear her scream and come running. A white man was standing over her. | 0:24:15 | 0:24:19 | |
-Oh, a white man? -He had a knife. | 0:24:19 | 0:24:21 | |
FENTON LAUGHS | 0:24:21 | 0:24:22 | |
So you saw a man. The girl's unconscious, he has a knife. | 0:24:22 | 0:24:25 | |
What did you do? | 0:24:25 | 0:24:26 | |
-I shout at him and he run off. -You let him get away? | 0:24:26 | 0:24:29 | |
I stay to help the girl. I scared she dead. | 0:24:29 | 0:24:33 | |
That's how I get the blood on me. | 0:24:33 | 0:24:35 | |
Why run from the scene? | 0:24:35 | 0:24:37 | |
I wasn't born yesterday. | 0:24:37 | 0:24:38 | |
People see a black man with a white girl's blood on him, | 0:24:38 | 0:24:41 | |
they think what you thinking right now. | 0:24:41 | 0:24:43 | |
It looks like we've made a big mistake. | 0:24:43 | 0:24:45 | |
Looks like we've got a hero in our midst. | 0:24:45 | 0:24:47 | |
What do you say, should we give him a medal? | 0:24:47 | 0:24:49 | |
What were you doing in the park? | 0:24:49 | 0:24:52 | |
Is it on your way home? | 0:24:52 | 0:24:53 | |
Me finished work. | 0:24:53 | 0:24:55 | |
That's not what I asked. | 0:24:55 | 0:24:56 | |
Me feel like a walk. | 0:24:56 | 0:24:58 | |
At night? On your own? | 0:24:58 | 0:24:59 | |
It's not a crime to go for a walk. | 0:24:59 | 0:25:01 | |
I never touched that girl. | 0:25:03 | 0:25:04 | |
So you keep saying. | 0:25:04 | 0:25:06 | |
Sergeant Fenton, take Mr Palmer down to the cells. | 0:25:07 | 0:25:10 | |
Sir, the coloured prisoner. I've met him before, on the bus. | 0:25:31 | 0:25:35 | |
And? | 0:25:35 | 0:25:36 | |
Well, he just didn't seem the type to hurt someone. | 0:25:36 | 0:25:39 | |
You can't always tell, Dawson. | 0:25:39 | 0:25:41 | |
PHONE RINGS | 0:25:43 | 0:25:45 | |
Has he admitted it? | 0:25:45 | 0:25:46 | |
Not yet. DI Burns. | 0:25:46 | 0:25:48 | |
Yes. Just a second. You couldn't get me a cup of tea, could you? | 0:25:50 | 0:25:54 | |
Yes, sir. | 0:25:55 | 0:25:57 | |
Thank you. Two sugars. | 0:25:57 | 0:25:59 | |
Is everything all right? | 0:25:59 | 0:26:00 | |
No, I haven't had a chance yet. | 0:26:00 | 0:26:04 | |
Because I've been working, Deborah. | 0:26:04 | 0:26:06 | |
I said I'd invite them, and I will. | 0:26:06 | 0:26:08 | |
A decent girl's not safe walking the streets any more. | 0:26:08 | 0:26:11 | |
Not with foreigners pouring in every day. | 0:26:11 | 0:26:14 | |
Don't worry, Cathy. I'll protect you. | 0:26:14 | 0:26:17 | |
SHE GIGGLES | 0:26:17 | 0:26:19 | |
Not very nice, is it? | 0:26:20 | 0:26:22 | |
Beating a helpless girl unconscious. | 0:26:22 | 0:26:24 | |
Well, I've got news for you, boy, you better hope she pulls through. | 0:26:26 | 0:26:29 | |
Or you're going to swing for murder. | 0:26:29 | 0:26:31 | |
You not the only one who care about my Sylvia! | 0:26:31 | 0:26:33 | |
You're on first-name terms, are you? | 0:26:33 | 0:26:35 | |
-I don't want to get her in trouble. -You're beginning to try my patience. | 0:26:36 | 0:26:41 | |
She take the bus home every night. She work in the hotel. | 0:26:41 | 0:26:44 | |
We talk all the time. | 0:26:44 | 0:26:47 | |
Last night she ask me to walk her home. | 0:26:47 | 0:26:48 | |
-Why would she do that? -You never take a walk with a girl before? | 0:26:48 | 0:26:52 | |
-The park is quiet at night. -So you two...? | 0:26:52 | 0:26:55 | |
-Just a kiss. But then she get scared. -I bet she did. | 0:26:55 | 0:26:58 | |
Not of me, man. She scared somebody see us. | 0:26:58 | 0:27:00 | |
So she asked to walk the rest of the way alone. | 0:27:00 | 0:27:02 | |
After I leave her, I hear her screaming and I come running back. | 0:27:02 | 0:27:05 | |
-You expect me to believe that? -Yes, because it's the truth! | 0:27:05 | 0:27:08 | |
-The truth is that she let you flirt with her. -No, man. | 0:27:08 | 0:27:12 | |
-And you pushed too far. -No, man. | 0:27:12 | 0:27:15 | |
Come on. You're in the park. There's nobody about. | 0:27:15 | 0:27:19 | |
Who's to stop you? | 0:27:21 | 0:27:22 | |
That's not me, man. It wasn't me, man. | 0:27:22 | 0:27:24 | |
Shh, shh, shh. | 0:27:24 | 0:27:26 | |
We've all been there. | 0:27:26 | 0:27:28 | |
Some girl leads you on, hmm. | 0:27:28 | 0:27:31 | |
Makes out like she wants it. | 0:27:31 | 0:27:33 | |
And when she changes her mind, it makes you angry, right? | 0:27:33 | 0:27:37 | |
Make it easier on yourself. | 0:27:39 | 0:27:42 | |
Plead guilty, hey. | 0:27:42 | 0:27:45 | |
Cos either way, we've got you. | 0:27:47 | 0:27:51 | |
HE SOBS | 0:27:57 | 0:27:59 | |
You're sure? | 0:27:59 | 0:28:01 | |
Could you send over a copy of that, please? | 0:28:01 | 0:28:03 | |
As soon as possible. Thanks. | 0:28:03 | 0:28:05 | |
That was the pathologist. | 0:28:05 | 0:28:07 | |
Seems the boy did die from a blow to the back of the head. | 0:28:07 | 0:28:10 | |
-Only thing is, no other bones were fractured. -Meaning? | 0:28:10 | 0:28:12 | |
Meaning, if he'd fallen hard enough to kill him, | 0:28:12 | 0:28:15 | |
he'd have other injuries. | 0:28:15 | 0:28:17 | |
-So it's a murder investigation? -Looks like it. | 0:28:17 | 0:28:20 | |
Then I'll see to it the men assist you in any way they can. | 0:28:20 | 0:28:23 | |
Thank you, sir. | 0:28:23 | 0:28:25 | |
Mr Palmer. | 0:28:36 | 0:28:38 | |
We've met before, remember? I ran for the bus. | 0:28:41 | 0:28:46 | |
Your first day. | 0:28:48 | 0:28:50 | |
They say I hurt my Sylvia. | 0:28:52 | 0:28:54 | |
I know. | 0:28:55 | 0:28:57 | |
It's not true, I swear. Why would I hurt her? I love her. | 0:28:57 | 0:29:02 | |
Will you help me? Please. | 0:29:08 | 0:29:11 | |
Sergeant Fenton. | 0:29:20 | 0:29:22 | |
I've just seen Donald Palmer. He's been beaten up. | 0:29:22 | 0:29:26 | |
You'd best stay out of things that don't concern you. | 0:29:26 | 0:29:29 | |
Sorry, Sergeant, it's just that I'm new here | 0:29:29 | 0:29:33 | |
and I'm not sure how it all works. | 0:29:33 | 0:29:36 | |
Do we beat all the prisoners, or just the coloured ones? | 0:29:36 | 0:29:39 | |
Watch yourself, girl. | 0:29:39 | 0:29:40 | |
What's this, Dawson? | 0:29:40 | 0:29:43 | |
If there's a problem, I expect you to speak up. | 0:29:43 | 0:29:46 | |
I was concerned about the coloured prisoner, sir. | 0:29:46 | 0:29:49 | |
Sir, it's nothing to worry about, when we brought him in... | 0:29:49 | 0:29:51 | |
When I want to hear from you, Sergeant Fenton, I'll ask. | 0:29:51 | 0:29:54 | |
DI Burns. A word, please. | 0:29:54 | 0:29:56 | |
Yes, sir? | 0:29:56 | 0:29:58 | |
You and Fenton interviewed Mr Palmer together. | 0:29:58 | 0:30:00 | |
Can you explain how he came to be injured? | 0:30:00 | 0:30:02 | |
He was apprehended last night by a civilian, sir. | 0:30:03 | 0:30:06 | |
I believe he got a little roughed up in the process. | 0:30:06 | 0:30:10 | |
Satisfied? | 0:30:10 | 0:30:11 | |
Yes, sir. | 0:30:11 | 0:30:13 | |
-DI Burns, you've got a phone call. -Thank you. | 0:30:20 | 0:30:23 | |
SHE SIGHS | 0:30:31 | 0:30:32 | |
Fenton. She's awake. | 0:30:35 | 0:30:37 | |
She remember anything? | 0:30:37 | 0:30:38 | |
-What? -The girl. Is she fit to make a statement? | 0:30:39 | 0:30:43 | |
We'll find out. | 0:30:43 | 0:30:44 | |
Sergeant Fenton. | 0:30:44 | 0:30:45 | |
I'd like you to follow up on the pawn shop burglary. | 0:30:45 | 0:30:48 | |
Sir, that case has stalled. I'm in the middle of... | 0:30:48 | 0:30:50 | |
It's your job to look for leads, isn't it? Dawson. | 0:30:50 | 0:30:53 | |
-Yes, sir? -You're to accompany DI Burns to the hospital. | 0:30:53 | 0:30:55 | |
What?! | 0:30:55 | 0:30:57 | |
A young girl has been seriously assaulted. | 0:30:57 | 0:30:59 | |
I expect she'll feel more at ease with a female officer present. | 0:30:59 | 0:31:01 | |
-Any objections? -No, sir. -Good. | 0:31:01 | 0:31:05 | |
If you'd like to go through the door, she's in the bed on the right. | 0:31:13 | 0:31:16 | |
Thank you, Matron. | 0:31:16 | 0:31:18 | |
Leave the questioning to me. | 0:31:18 | 0:31:20 | |
-You're just here as a friendly face, understood? -Yes, sir. | 0:31:20 | 0:31:22 | |
I'll keep my mouth shut and my notebook open. | 0:31:22 | 0:31:25 | |
DI Burns. | 0:31:26 | 0:31:28 | |
I didn't mean to get Sergeant Fenton into trouble, honest. | 0:31:28 | 0:31:30 | |
Chief Inspector Nelson just came out of nowhere. | 0:31:30 | 0:31:33 | |
He does have a habit of doing that. | 0:31:33 | 0:31:35 | |
Word of advice - steer clear of Fenton from now on. | 0:31:35 | 0:31:38 | |
Yes, sir. | 0:31:38 | 0:31:40 | |
Mr and Mrs Stewart? Miss Stewart. | 0:31:42 | 0:31:45 | |
I'm glad to see you're feeling better. | 0:31:45 | 0:31:48 | |
I'm DI Burns and this is WPC Dawson. | 0:31:48 | 0:31:51 | |
We'd like to ask you a few questions, if we may? | 0:31:51 | 0:31:54 | |
Is it all right if I call you Sylvia? | 0:31:56 | 0:31:58 | |
Yes, officer, sir. | 0:31:58 | 0:32:00 | |
Sylvia, can you tell me exactly what happened last night? | 0:32:00 | 0:32:04 | |
I'll try. It all happened so fast. | 0:32:04 | 0:32:08 | |
I was on my way home from work. | 0:32:08 | 0:32:10 | |
And I decided to take a short cut through Victoria Park. | 0:32:10 | 0:32:14 | |
What have I told you about crossing that park at night? | 0:32:14 | 0:32:16 | |
Mr Stewart, please, | 0:32:16 | 0:32:18 | |
it's important your daughter speaks freely. | 0:32:18 | 0:32:21 | |
There's this little pathway that runs through some trees. | 0:32:21 | 0:32:25 | |
There's not much light down there. | 0:32:25 | 0:32:28 | |
All of a sudden I heard these footsteps, coming up behind me. | 0:32:29 | 0:32:32 | |
Before I could turn around he'd grabbed me. | 0:32:34 | 0:32:38 | |
Sorry. | 0:32:38 | 0:32:39 | |
You're safe now, Sylvia. | 0:32:44 | 0:32:46 | |
The person who did this can't hurt you again. | 0:32:46 | 0:32:50 | |
Right now I bet he's scared of you. | 0:32:51 | 0:32:53 | |
I tried to get away. I was screaming. | 0:32:58 | 0:33:02 | |
He put his hand over my mouth, so I bit him. | 0:33:02 | 0:33:05 | |
Then he started hitting me. That's the last thing I remember. | 0:33:06 | 0:33:10 | |
Did you see what he looked like? Any details at all? | 0:33:10 | 0:33:13 | |
It was too dark. | 0:33:14 | 0:33:16 | |
Like I said, he came at me from behind. | 0:33:16 | 0:33:19 | |
Do you recognise this man? | 0:33:22 | 0:33:24 | |
He was caught running away. He had your blood on him. | 0:33:24 | 0:33:27 | |
So this is him, is it? Filthy animal. | 0:33:27 | 0:33:31 | |
He denies the attack. | 0:33:31 | 0:33:33 | |
He's a bus conductor on the route Sylvia takes from work. | 0:33:33 | 0:33:37 | |
He says you'd become friends. | 0:33:37 | 0:33:39 | |
He's lying. I don't know any coloured men. | 0:33:39 | 0:33:42 | |
Look at the picture again. | 0:33:42 | 0:33:44 | |
You've never spoken to him? | 0:33:44 | 0:33:46 | |
Why would I? Apart from paying the fare. | 0:33:48 | 0:33:52 | |
He must've followed me off the bus. | 0:33:52 | 0:33:54 | |
So you think this man attacked you? | 0:33:54 | 0:33:56 | |
Well, tell him, Sylvie. It was him, wasn't it? | 0:33:56 | 0:34:00 | |
Yes. | 0:34:01 | 0:34:02 | |
You're sure? | 0:34:02 | 0:34:04 | |
I'm sure. | 0:34:07 | 0:34:08 | |
Sir, I think Donald was telling the truth. They were sweethearts. | 0:34:20 | 0:34:25 | |
And what are you basing this on? Woman's intuition? | 0:34:25 | 0:34:28 | |
No, sir. Well, maybe a bit. | 0:34:28 | 0:34:33 | |
But look at how she reacted when she saw his picture. | 0:34:33 | 0:34:37 | |
I'd be pretty shaken up too if I was seeing my attacker. | 0:34:37 | 0:34:40 | |
But she didn't see him, sir, not properly. | 0:34:40 | 0:34:43 | |
I think she's scared of how her father might react | 0:34:43 | 0:34:46 | |
so she lied to protect herself. | 0:34:46 | 0:34:48 | |
You think she'd accuse the wrong man? | 0:34:48 | 0:34:51 | |
Maybe. | 0:34:51 | 0:34:52 | |
Poor girl's been beaten half to death and you call her a liar. | 0:34:52 | 0:34:55 | |
And let's say she did flirt with him. So what? | 0:34:55 | 0:34:58 | |
If she admitted it, she'd look like she was asking for trouble. | 0:34:58 | 0:35:00 | |
Eddie, got any cigarettes? | 0:35:00 | 0:35:02 | |
-Thanks. -She says she bit him. You saw Donald's hands. | 0:35:05 | 0:35:09 | |
Was there a bite mark? | 0:35:09 | 0:35:11 | |
It's pretty hard to break the skin. | 0:35:12 | 0:35:14 | |
Look, I know you'd like to think he's innocent, | 0:35:14 | 0:35:17 | |
but all the evidence points to Donald Palmer. | 0:35:17 | 0:35:19 | |
-But shouldn't we...? -We? | 0:35:19 | 0:35:21 | |
HE SNORTS | 0:35:21 | 0:35:22 | |
You did well at the hospital, Dawson, but let's not get carried away. | 0:35:22 | 0:35:25 | |
Just type up the statement and leave the casework to us. | 0:35:25 | 0:35:28 | |
Yes, sir. | 0:35:28 | 0:35:30 | |
Hold on. | 0:35:35 | 0:35:36 | |
There is something else you can do when you're done with that. | 0:35:36 | 0:35:40 | |
There's a newspaper archive at Brinford Library. | 0:35:40 | 0:35:42 | |
See if you can find anything about a missing boy from the area. | 0:35:42 | 0:35:45 | |
The one from the mine, sir? | 0:35:45 | 0:35:47 | |
Yeah, anything from 1923 on. | 0:35:47 | 0:35:49 | |
-Deborah. -Sorry to interrupt, gentlemen. | 0:35:52 | 0:35:56 | |
THE MEN CHEER | 0:35:56 | 0:35:58 | |
What are you doing here? | 0:35:58 | 0:35:59 | |
I knew you'd never get around to announcing your own birthday, | 0:35:59 | 0:36:02 | |
so I decided to do it for you. | 0:36:02 | 0:36:03 | |
-Is it your birthday, sir? -Kept that one quiet, Burns. | 0:36:03 | 0:36:06 | |
It's on Saturday, and you're all invited | 0:36:06 | 0:36:08 | |
to come and celebrate it with us. | 0:36:08 | 0:36:10 | |
And bring your wives too. Please, everyone's more than welcome. | 0:36:10 | 0:36:14 | |
And to give you all a taster of things to come... | 0:36:14 | 0:36:16 | |
Thank you very much! | 0:36:19 | 0:36:20 | |
Don't mind if I do, Mrs Burns. | 0:36:20 | 0:36:22 | |
Oh, smashing. | 0:36:22 | 0:36:24 | |
Two boys? | 0:36:52 | 0:36:54 | |
Yes, sir. William Parker and Stanley Collins. | 0:36:54 | 0:36:57 | |
They went missing from Crossmere Woods in 1926. | 0:36:57 | 0:37:00 | |
They were at least six years old, poor little tykes. | 0:37:00 | 0:37:03 | |
Did you note it down? | 0:37:03 | 0:37:05 | |
-Yes, sir, I left it on your desk. -Thank you. | 0:37:05 | 0:37:08 | |
HE SIGHS | 0:37:09 | 0:37:10 | |
What is it, sir? | 0:37:10 | 0:37:12 | |
If it's the same case there could be a second body out there. | 0:37:12 | 0:37:15 | |
I need a woman. | 0:37:15 | 0:37:17 | |
Pardon me? | 0:37:17 | 0:37:18 | |
Not like that. There's been a call. Come on. | 0:37:18 | 0:37:20 | |
CHILDREN CHATTER | 0:37:28 | 0:37:29 | |
-Thank goodness. -Are you Gladys Campbell? | 0:37:34 | 0:37:36 | |
I live downstairs. I didn't know what else to do. | 0:37:36 | 0:37:38 | |
She's got a couple of little ones alone in there. | 0:37:38 | 0:37:41 | |
The baby's quiet now, but he's been screaming for hours. | 0:37:41 | 0:37:44 | |
-It's enough to break your heart. -Do you know who their mother is? | 0:37:44 | 0:37:48 | |
Irene Miller's her name. We're no longer on speaking terms. | 0:37:48 | 0:37:51 | |
-Why's that? -I tried to help her where I could. | 0:37:51 | 0:37:53 | |
It's not right, a young mother struggling on her own. | 0:37:53 | 0:37:56 | |
But it got to be like she expected it. | 0:37:56 | 0:37:59 | |
When I said I got my own children to think about, well, | 0:37:59 | 0:38:01 | |
you should've heard the language. | 0:38:01 | 0:38:03 | |
Now don't be afraid of Auntie Gladys. | 0:38:04 | 0:38:08 | |
That is for being such a good boy. | 0:38:08 | 0:38:11 | |
He's always so hungry, God bless him. | 0:38:11 | 0:38:13 | |
Do you know where we might find Irene? | 0:38:13 | 0:38:16 | |
Where she always is. Down the pub with God knows who. | 0:38:16 | 0:38:20 | |
BABY CRIES | 0:38:20 | 0:38:21 | |
We're going to have to break in. | 0:38:21 | 0:38:23 | |
We don't have a warrant for that. | 0:38:23 | 0:38:25 | |
But it's an emergency, isn't it? | 0:38:25 | 0:38:27 | |
Can you smell gas? | 0:38:29 | 0:38:31 | |
Gas? I don't smell anything. | 0:38:31 | 0:38:33 | |
Oh, yeah, yeah, it's definitely gas. Guess I'll have to break in. | 0:38:35 | 0:38:41 | |
All right, stand back. | 0:38:41 | 0:38:43 | |
Move out the way, lad. | 0:38:45 | 0:38:47 | |
BABY CRIES | 0:38:50 | 0:38:53 | |
Officer Dawson. | 0:38:56 | 0:38:58 | |
Give him here. | 0:39:07 | 0:39:08 | |
He's just a bag of bones, God love him. | 0:39:10 | 0:39:14 | |
-Would you see if there's any milk? -Yeah. | 0:39:14 | 0:39:17 | |
Where's your mummy gone to? Come on, stand up. | 0:39:20 | 0:39:24 | |
Nothing. | 0:39:24 | 0:39:25 | |
Poor little mite. | 0:39:25 | 0:39:27 | |
-Are you coming up, then? -Eh? | 0:39:37 | 0:39:38 | |
Are you coming up?! | 0:39:38 | 0:39:40 | |
Nah, I can't. | 0:39:40 | 0:39:42 | |
Aw, come on! | 0:39:42 | 0:39:44 | |
Suit yourself! | 0:39:46 | 0:39:47 | |
What are we supposed to do with them? | 0:39:47 | 0:39:49 | |
Take them somewhere safe. | 0:39:49 | 0:39:51 | |
I saw him on the street yesterday. Knew something wasn't right. | 0:39:51 | 0:39:56 | |
I should've done something. | 0:39:56 | 0:39:58 | |
You couldn't have known you'd find this. | 0:39:58 | 0:40:00 | |
Hey! What are you doing in my house? | 0:40:00 | 0:40:02 | |
We were concerned about your children. | 0:40:02 | 0:40:04 | |
What business is it of yours? Get your hands off my baby! | 0:40:04 | 0:40:07 | |
-Stay where you are. -We're taking your children to the hospital. | 0:40:07 | 0:40:10 | |
You're not taking them anywhere. | 0:40:10 | 0:40:12 | |
You're in no fit state to look after them, you're drunk. | 0:40:12 | 0:40:15 | |
-I am not! -I can smell it from here. | 0:40:15 | 0:40:16 | |
-Get out, all of you! Just get out! -Take the baby outside, please. | 0:40:16 | 0:40:20 | |
No! | 0:40:20 | 0:40:21 | |
We're going for a ride in a police car. Would you like that? | 0:40:21 | 0:40:24 | |
I said you're not taking him! Come here. | 0:40:24 | 0:40:26 | |
Mrs Miller. | 0:40:26 | 0:40:27 | |
Irene, please, let him go. | 0:40:27 | 0:40:29 | |
Please don't do this. | 0:40:29 | 0:40:31 | |
If I'm in jail, they'll put them in care. | 0:40:31 | 0:40:33 | |
I'm sorry. Let go. | 0:40:33 | 0:40:35 | |
SHE SPITS | 0:40:37 | 0:40:39 | |
Right, that's it. | 0:40:39 | 0:40:40 | |
You bitch! You bitch! You've got no right! Let go. | 0:40:40 | 0:40:44 | |
Stay there! | 0:40:44 | 0:40:46 | |
I hear you saved a couple of kids today. | 0:40:53 | 0:40:55 | |
I suppose I did, sir. So how come I feel so guilty? | 0:40:55 | 0:40:59 | |
Cos there's only so much we can do. | 0:40:59 | 0:41:02 | |
Thanks again, Miss Stewart. I'll see you out. | 0:41:02 | 0:41:05 | |
She just signed a formal statement against Donald Palmer. | 0:41:14 | 0:41:17 | |
Goodnight, Dawson. | 0:41:19 | 0:41:21 | |
MUSIC: "Earth Angel" by The Crew Cuts | 0:41:21 | 0:41:24 | |
Next time you're late, you'll have to go without. | 0:41:31 | 0:41:34 | |
It'll be tough as old boots by now, but I'll hear no complaints. | 0:41:34 | 0:41:38 | |
You'll never guess who I saw down in the shops. | 0:41:40 | 0:41:43 | |
Your friend Jane, from school. | 0:41:43 | 0:41:45 | |
Seven months gone, can you believe it? | 0:41:45 | 0:41:49 | |
Happily married and loving every minute. | 0:41:49 | 0:41:53 | |
# My darling dear Love you all the time | 0:41:53 | 0:41:58 | |
# I'm just a fool A fool in love with you | 0:41:58 | 0:42:05 | |
# Earth angel, Earth angel | 0:42:09 | 0:42:13 | |
# The one I adore | 0:42:13 | 0:42:17 | |
# Love you for ever and ever more | 0:42:17 | 0:42:21 | |
# I'm just a fool A fool in love with you... # | 0:42:22 | 0:42:30 | |
SHE SCREAMS | 0:42:37 | 0:42:39 | |
Sylvia Stewart made a statement. | 0:42:44 | 0:42:46 | |
Palmer attacked her and he'll answer for it in court, Wednesday. | 0:42:46 | 0:42:50 | |
Case closed. | 0:42:50 | 0:42:51 | |
HE YELLS | 0:42:51 | 0:42:53 | |
-Get up and see to your children! -Stop it! | 0:42:53 | 0:42:56 | |
Today we lay William Parker to rest. | 0:42:56 | 0:43:00 | |
SHOUTING AND SCREAMING | 0:43:00 | 0:43:02 | |
I've had too much to drink. | 0:43:04 | 0:43:05 | |
I think you've had just the right amount. | 0:43:05 | 0:43:07 | |
Put your hands in the air. Put your hands where I can see them. | 0:43:07 | 0:43:10 | |
-Sorry, sir. -Sorry doesn't even cover it, Fenton! | 0:43:10 | 0:43:12 | |
You've made a complete laughing stock of us! | 0:43:12 | 0:43:15 | |
You ought to make up your mind what you want. | 0:43:15 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:27 | 0:43:30 |