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-WPC Dawson. -Good to meet you, sir. -Likewise. | 0:00:02 | 0:00:04 | |
You forced yourself on her. She put up a fight and you bludgeoned her. | 0:00:04 | 0:00:07 | |
I never touched that girl! | 0:00:07 | 0:00:09 | |
It was him, wasn't it? | 0:00:09 | 0:00:10 | |
Yes. | 0:00:10 | 0:00:12 | |
Not very nice, is it? | 0:00:12 | 0:00:14 | |
Beating a helpless girl unconscious? | 0:00:14 | 0:00:16 | |
Can you tell if it was a boy or a girl? | 0:00:16 | 0:00:18 | |
See if you can find anything about a missing boy from the area. | 0:00:18 | 0:00:21 | |
-Two boys. -William Parker and Stanley Collins. | 0:00:21 | 0:00:24 | |
If it's the same case, there could be a second body out there. | 0:00:24 | 0:00:27 | |
CHILDREN SCREAM | 0:00:46 | 0:00:49 | |
Just you wait. | 0:00:50 | 0:00:51 | |
People will be stopping you in the street, | 0:00:51 | 0:00:53 | |
asking "Aren't you Grace Kelly?" | 0:00:53 | 0:00:56 | |
What's up with your Florrie? | 0:00:56 | 0:00:58 | |
She putting on weight or has she fallen again? | 0:00:58 | 0:01:01 | |
Yeah. | 0:01:01 | 0:01:03 | |
What's that? Number five? | 0:01:03 | 0:01:04 | |
She needs to get better at having headaches | 0:01:05 | 0:01:08 | |
-or start putting summat in his tea. -Yeah. | 0:01:08 | 0:01:11 | |
Oh, don't mind him. His mum's a right mardy piece. | 0:01:11 | 0:01:15 | |
Can't blame her, mind. | 0:01:15 | 0:01:17 | |
She's no idea who his dad is. | 0:01:17 | 0:01:19 | |
Go on. Off you go! | 0:01:22 | 0:01:24 | |
Yes, soon turn you into Brinford's very own blonde bombshell. | 0:01:30 | 0:01:34 | |
SHOP BELL RINGS | 0:01:34 | 0:01:36 | |
Mrs Parker? | 0:01:40 | 0:01:41 | |
Mrs Valerie Parker? | 0:01:42 | 0:01:44 | |
I'll get my coat. | 0:01:45 | 0:01:47 | |
Is this it? Have you found him? | 0:01:57 | 0:02:00 | |
A few days ago, we discovered some remains. | 0:02:00 | 0:02:03 | |
Remains? | 0:02:03 | 0:02:05 | |
A young boy. | 0:02:07 | 0:02:09 | |
We've recovered certain items. We'd like you to look at them. | 0:02:09 | 0:02:12 | |
See if there's anything you recognise. | 0:02:12 | 0:02:14 | |
I don't know if I can do that. | 0:02:14 | 0:02:16 | |
I understand. I have two girls. | 0:02:16 | 0:02:19 | |
"Understand"? | 0:02:19 | 0:02:21 | |
You've still got your children. | 0:02:22 | 0:02:23 | |
It might not be William. | 0:02:25 | 0:02:26 | |
Don't you need to know, one way or the other? | 0:02:27 | 0:02:30 | |
When you're ready, Mrs Parker. | 0:02:43 | 0:02:44 | |
Is there anything you recognise? | 0:02:51 | 0:02:53 | |
Did that belong to William? | 0:03:06 | 0:03:08 | |
I'm sorry, but I need to hear you say it. | 0:03:12 | 0:03:16 | |
I was forever darning the holes. | 0:03:16 | 0:03:20 | |
His dad made it in the trenches. | 0:03:22 | 0:03:23 | |
William never went anywhere without it. | 0:03:26 | 0:03:28 | |
It kept wearing through his pockets. | 0:03:31 | 0:03:34 | |
Thank you. | 0:03:41 | 0:03:42 | |
My boy! | 0:03:44 | 0:03:46 | |
My lovely, lovely boy. | 0:03:49 | 0:03:51 | |
Who hurt my boy, Inspector? | 0:03:54 | 0:03:57 | |
We don't know yet. | 0:03:57 | 0:04:00 | |
We'll find out who's responsible. I promise. | 0:04:00 | 0:04:03 | |
I'll organise a car to take you home. | 0:04:09 | 0:04:11 | |
What do you think you're doing? You can't make promises like that. | 0:04:20 | 0:04:23 | |
She needed some hope. | 0:04:23 | 0:04:25 | |
And if we don't find her son's killer? | 0:04:25 | 0:04:27 | |
Next time, think before you open your mouth. | 0:04:27 | 0:04:30 | |
Got you with the old teacup trick, eh? | 0:04:42 | 0:04:45 | |
Don't take it personal. All new recruits get the same treatment. | 0:04:45 | 0:04:48 | |
Here. You look like you need this more than me. | 0:04:50 | 0:04:53 | |
Don't suppose you have a mirror? | 0:05:01 | 0:05:03 | |
Don't want to give them any reason to say I'm not up to the job. | 0:05:08 | 0:05:12 | |
They're men. They ain't going to notice. | 0:05:12 | 0:05:14 | |
Better get that under the tap. | 0:05:16 | 0:05:18 | |
Courtyard. Quick. | 0:05:18 | 0:05:20 | |
I hope you've got your best knickers on. | 0:05:27 | 0:05:30 | |
-What's that? -As if you didn't know. | 0:05:34 | 0:05:37 | |
If you can't take a joke, you're in the wrong job. | 0:05:37 | 0:05:40 | |
Someone's for the high jump. | 0:05:40 | 0:05:41 | |
Wonder who that could be? | 0:05:41 | 0:05:43 | |
Parade, attention! | 0:05:45 | 0:05:47 | |
Produce appointments. | 0:05:47 | 0:05:49 | |
Ready for inspection, sir. | 0:05:55 | 0:05:57 | |
Run out of Brasso, constable? | 0:06:06 | 0:06:08 | |
Sorry, sir. | 0:06:08 | 0:06:10 | |
This will be about you defending Donald Palmer. | 0:06:10 | 0:06:12 | |
He hates coppers who don't know which side they're on. | 0:06:12 | 0:06:15 | |
Is that mud on your boots, PC 352? | 0:06:16 | 0:06:19 | |
Yes, sir. Sorry, sir. | 0:06:19 | 0:06:21 | |
And your collar...filthy. | 0:06:21 | 0:06:24 | |
Pocketbook. | 0:06:24 | 0:06:25 | |
Call those notes? Your handwriting is atrocious. | 0:06:29 | 0:06:33 | |
You need to buck your ideas up, Constable. | 0:06:34 | 0:06:37 | |
Yes, sir. | 0:06:37 | 0:06:38 | |
Dawson, isn't it? | 0:06:41 | 0:06:43 | |
Yes, sir. | 0:06:43 | 0:06:44 | |
Hope you've been made to feel welcome. | 0:06:44 | 0:06:47 | |
Yes, sir. Very welcome, sir. | 0:06:47 | 0:06:49 | |
Thank you, sir. | 0:06:49 | 0:06:51 | |
Glad to hear it. Not everyone approves of female officers. | 0:06:51 | 0:06:55 | |
A lot of people are watching you, Dawson. Don't let me down. | 0:06:55 | 0:07:00 | |
No, sir. | 0:07:00 | 0:07:02 | |
Parade dismissed. | 0:07:08 | 0:07:09 | |
Hey, don't give him the satisfaction. Take your break. | 0:07:14 | 0:07:18 | |
Cool down. | 0:07:18 | 0:07:20 | |
Every flipping chance he gets! | 0:07:20 | 0:07:21 | |
Is he all right? | 0:07:26 | 0:07:27 | |
Getting chewed up by the Chief Super's bad enough. | 0:07:27 | 0:07:30 | |
But when it's your own father... | 0:07:30 | 0:07:32 | |
Get in. | 0:07:36 | 0:07:37 | |
You wanted to see me, sir? | 0:07:43 | 0:07:45 | |
I understand that you've positively identified | 0:07:45 | 0:07:47 | |
the remains of William Parker. | 0:07:47 | 0:07:49 | |
Er...yes, sir. But it's a 30-year-old case. | 0:07:49 | 0:07:53 | |
I didn't think there'd be any interest at Divisional. | 0:07:53 | 0:07:55 | |
I like to keep my finger on the pulse. | 0:07:55 | 0:07:58 | |
Besides, I've got some good news. I already know the killer's identity. | 0:07:58 | 0:08:02 | |
-Sir? -John Evans. Local vagabond. | 0:08:02 | 0:08:05 | |
Lived in a shack in the woods | 0:08:05 | 0:08:07 | |
not far from where you found the Parker boy's remains. | 0:08:07 | 0:08:09 | |
But he was never charged with abducting the boys? | 0:08:09 | 0:08:12 | |
Evans wouldn't confess. | 0:08:12 | 0:08:14 | |
Where is he now? I'll need to interview him. | 0:08:14 | 0:08:16 | |
Good luck with that. John Evans is dead. | 0:08:16 | 0:08:19 | |
KNOCK ON DOOR | 0:08:19 | 0:08:20 | |
Excuse me, sir. Some press boys out front. | 0:08:20 | 0:08:22 | |
Do you want me to send them away with a flea in their ears? | 0:08:22 | 0:08:25 | |
That won't be necessary, Sergeant. They're here at my request. | 0:08:25 | 0:08:29 | |
All right, gentleman. Nice and orderly, thank you. | 0:08:32 | 0:08:36 | |
I've called you all here to announce that we have identified the remains | 0:08:36 | 0:08:40 | |
of William Parker, who went missing from Crossmere Woods in 1926. | 0:08:40 | 0:08:45 | |
What about the second boy? | 0:08:45 | 0:08:46 | |
Parker was not alone when he disappeared. | 0:08:46 | 0:08:49 | |
I have therefore authorised | 0:08:49 | 0:08:51 | |
a comprehensive search for Stanley Collins. | 0:08:51 | 0:08:54 | |
Why's it taken you so long to find them? | 0:08:54 | 0:08:56 | |
Our priority now is to give both lads the peace of a Christian burial. | 0:08:56 | 0:09:01 | |
Thank you. No further questions. | 0:09:01 | 0:09:03 | |
Have you any suspects? | 0:09:03 | 0:09:05 | |
You heard him. No more questions, gentlemen. Thank you very much. | 0:09:05 | 0:09:08 | |
So it's Coulson who's organised the search? | 0:09:08 | 0:09:10 | |
It's a team effort, Jack. | 0:09:10 | 0:09:11 | |
Typical brass, eh? | 0:09:15 | 0:09:18 | |
Then again, | 0:09:18 | 0:09:19 | |
you can't blame Coulson for wanting to get his name on the front pages. | 0:09:19 | 0:09:23 | |
-Why's that? -Haven't you heard? He's up for promotion. | 0:09:23 | 0:09:27 | |
Couldn't be a better time to remind everybody | 0:09:27 | 0:09:29 | |
about the case that made his name. | 0:09:29 | 0:09:32 | |
Oh yes, it was SERGEANT Coulson who arrested John Evans. | 0:09:32 | 0:09:36 | |
Hasn't looked back since. | 0:09:36 | 0:09:38 | |
How about the royal blue? | 0:09:44 | 0:09:46 | |
It is lovely. | 0:09:46 | 0:09:48 | |
It would really suit your figure. | 0:09:48 | 0:09:50 | |
But not my purse. | 0:09:50 | 0:09:51 | |
I'd have to save for a year just to buy the underskirt. | 0:09:51 | 0:09:54 | |
Hands up and don't get smart or you'll get it! | 0:09:54 | 0:09:56 | |
Just do what he says. | 0:09:56 | 0:09:57 | |
Sorry, Gina. Couldn't resist. | 0:09:59 | 0:10:02 | |
-Idiot! -I did try to stop him. -I nearly had kittens. | 0:10:02 | 0:10:04 | |
If you really want to impress a girl, you need a bigger banana. | 0:10:04 | 0:10:07 | |
Who's the pip? | 0:10:07 | 0:10:08 | |
Cathy Sinclair, Bill Pearson. | 0:10:08 | 0:10:10 | |
I've seen you somewhere... Oh, yeah, it was in a dream I had last night. | 0:10:13 | 0:10:17 | |
Is that the best you can do? | 0:10:17 | 0:10:19 | |
Give me time, give me time. | 0:10:19 | 0:10:21 | |
Cathy, this is my boyfriend. | 0:10:21 | 0:10:23 | |
Frank. Are you a police officer as well? | 0:10:23 | 0:10:25 | |
Me! No. I wouldn't know one end of a truncheon from another. | 0:10:25 | 0:10:29 | |
You can arrest me any day. | 0:10:29 | 0:10:30 | |
Right, see you later. | 0:10:30 | 0:10:32 | |
Pick you up at seven. | 0:10:32 | 0:10:34 | |
So where are you lovebirds going? | 0:10:39 | 0:10:42 | |
Friday night? | 0:10:42 | 0:10:43 | |
It'll be the coffee bar, and home in time for "Take Your Pick". | 0:10:43 | 0:10:46 | |
How about I come along? You could always invite Bill. | 0:10:46 | 0:10:49 | |
Just to make up the numbers. Not that he's my type. | 0:10:51 | 0:10:54 | |
I bet he's a Taurus. Has he got a car? | 0:10:54 | 0:10:57 | |
MUSIC: "Mambo Italiano" by Rosemary Clooney | 0:10:58 | 0:11:03 | |
To not know what happened to your only child... | 0:11:09 | 0:11:12 | |
I didn't know what to say. | 0:11:13 | 0:11:15 | |
Well, I had a good day. Boss called me in. | 0:11:17 | 0:11:19 | |
Production's up 20%. | 0:11:19 | 0:11:21 | |
I won't be hanging around this dead-end town for long. | 0:11:21 | 0:11:24 | |
No, the States is where the action is. | 0:11:24 | 0:11:27 | |
Course, the girls aren't as pretty as here. | 0:11:27 | 0:11:29 | |
The canteen's got a new cook. | 0:11:29 | 0:11:31 | |
We've seen the last of those dry rissoles. | 0:11:31 | 0:11:34 | |
You even listening? | 0:11:36 | 0:11:37 | |
Yeah. Production's up. Rissoles are out. | 0:11:39 | 0:11:42 | |
Give me thruppence. | 0:11:43 | 0:11:45 | |
We should get an early night. Work day tomorrow. | 0:11:47 | 0:11:50 | |
You've got to be joking. | 0:11:50 | 0:11:51 | |
JUKEBOX PLAYS: "Be-Bop-A-Lula" by Gene Vincent | 0:11:53 | 0:11:56 | |
Right, I'll walk you home. | 0:11:58 | 0:12:00 | |
So, tomorrow. John Wayne at the Regency | 0:12:02 | 0:12:05 | |
or Victor Mature at the Royal? | 0:12:05 | 0:12:08 | |
Works party. Remember? | 0:12:09 | 0:12:11 | |
Oh, yeah. Do we need to bring anything? | 0:12:12 | 0:12:15 | |
Partners aren't invited. I did say. | 0:12:15 | 0:12:17 | |
-Cheerio. -Cheers, Frank. | 0:12:21 | 0:12:23 | |
-Goodnight. -Night, Gina. | 0:12:27 | 0:12:29 | |
He's handsome, generous and a great kisser. | 0:12:36 | 0:12:42 | |
He wants to take me to Weston-Super-Mare next time we're both off. | 0:12:42 | 0:12:45 | |
Oh, Gina! I really think Bill could be the one. | 0:12:45 | 0:12:49 | |
Who's this Bill, then? | 0:12:53 | 0:12:55 | |
Don't worry, they've only been on one date. | 0:12:55 | 0:12:57 | |
Well, he's not going to Weston for the ice cream, is he? | 0:12:57 | 0:13:00 | |
Can I help? | 0:13:04 | 0:13:06 | |
I need to report a crime. | 0:13:06 | 0:13:08 | |
-Can I ask what...? -I was attacked. | 0:13:08 | 0:13:10 | |
I see. | 0:13:10 | 0:13:12 | |
Eddie, can you take over the front desk, please? | 0:13:12 | 0:13:15 | |
What? Oh, yeah, sure. | 0:13:15 | 0:13:18 | |
As you were, PC 352. | 0:13:19 | 0:13:22 | |
You know the way to the interview room, Miss Pearce. | 0:13:23 | 0:13:27 | |
If you want to be useful, love... my usual. | 0:13:27 | 0:13:30 | |
Tea. Three sugars. | 0:13:30 | 0:13:31 | |
And Miss Pearce? | 0:13:31 | 0:13:33 | |
She's not worth warming a teapot for. | 0:13:33 | 0:13:35 | |
And where did this alleged attack occur? | 0:13:38 | 0:13:41 | |
Vicky Park. Tuesday night, and there ain't nothing "alleged" about it. | 0:13:41 | 0:13:45 | |
-Was he one of your regulars? -If I knew his name, I'd tell you, wouldn't I? I never saw his face. | 0:13:45 | 0:13:50 | |
He grabbed me from behind. Forced himself on me. | 0:13:50 | 0:13:54 | |
Forced? You? | 0:13:54 | 0:13:56 | |
-Do you want to see my other bruises? -So a punter cuts up a bit rough. That's an occupational hazard. | 0:13:56 | 0:14:00 | |
-This was different. -Oh, why, because he didn't pay you? | 0:14:00 | 0:14:03 | |
You think I'd come here, go through all this for the sake of a couple of quid? | 0:14:03 | 0:14:07 | |
-KNOCK ON DOOR -What? | 0:14:07 | 0:14:09 | |
Your tea, Sergeant. | 0:14:16 | 0:14:17 | |
OK. You can get back and do whatever it is you do all day. | 0:14:20 | 0:14:24 | |
Hey, where are you going? | 0:14:24 | 0:14:27 | |
Back to work. | 0:14:27 | 0:14:28 | |
At least I get paid for being treated like dirt. | 0:14:28 | 0:14:31 | |
Are you just going to let her go? | 0:14:31 | 0:14:33 | |
That's salt, not sugar! You stupid mare! | 0:14:35 | 0:14:38 | |
If you can't take a joke... | 0:14:38 | 0:14:39 | |
Please wait. | 0:14:39 | 0:14:40 | |
Bloody coppers. Should have known better. | 0:14:40 | 0:14:43 | |
I'm sure Sergeant Fenton didn't mean to upset you. | 0:14:43 | 0:14:46 | |
Now I have heard everything! A tart complaining about sex. | 0:14:46 | 0:14:49 | |
Did you see her? | 0:14:55 | 0:14:56 | |
Talk about mutton dressed as mutton. | 0:14:56 | 0:15:00 | |
Come in. | 0:15:06 | 0:15:07 | |
Inspector. Anything to report? | 0:15:11 | 0:15:15 | |
No, sir. We cleared the main tunnel | 0:15:15 | 0:15:17 | |
but there are still some side tunnels left to search. | 0:15:17 | 0:15:19 | |
You'll keep me informed. | 0:15:19 | 0:15:21 | |
Just out of interest, sir, | 0:15:23 | 0:15:25 | |
why wasn't the mine searched when the boys first went missing? | 0:15:25 | 0:15:28 | |
-It was. -Clearly not well enough. | 0:15:28 | 0:15:31 | |
My focus was on the woods. 50 acres, mainly overgrown. | 0:15:31 | 0:15:35 | |
Enough room to hide 100 graves. | 0:15:35 | 0:15:37 | |
But when you found nothing there? | 0:15:37 | 0:15:39 | |
I already had John Evans in custody. | 0:15:39 | 0:15:42 | |
And there were no other leads? No other suspects? | 0:15:42 | 0:15:45 | |
-You questioning my professionalism? -I just want to be thorough. | 0:15:45 | 0:15:49 | |
And I wasn't, is that what you're suggesting? | 0:15:49 | 0:15:51 | |
No, sir, I just thought, with hindsight... | 0:15:51 | 0:15:55 | |
You were still soiling your nappies when those boys went missing. | 0:15:55 | 0:15:58 | |
John Evans murdered them. | 0:15:58 | 0:16:00 | |
I made sure he could never harm another innocent child. | 0:16:00 | 0:16:04 | |
I did my duty. Now yours is to find Stanley Collins. | 0:16:04 | 0:16:10 | |
I suggest that you concentrate on that and leave the past well alone. | 0:16:10 | 0:16:15 | |
Hello, Anna. | 0:16:33 | 0:16:34 | |
Get lost. | 0:16:34 | 0:16:36 | |
I want to catch the man who hurt you, don't you? | 0:16:36 | 0:16:39 | |
Hurt me? Didn't you hear your pig of a sergeant? | 0:16:39 | 0:16:43 | |
It's an occupational hazard. | 0:16:43 | 0:16:44 | |
I know what it must have taken for you to come to the station. | 0:16:44 | 0:16:48 | |
I'm not Sergeant Fenton. | 0:16:48 | 0:16:50 | |
I'm here to listen, if that's not want you want... | 0:16:50 | 0:16:54 | |
Drink? | 0:17:04 | 0:17:06 | |
Thanks. | 0:17:06 | 0:17:08 | |
And before you get any ideas, I ain't changed my mind. | 0:17:10 | 0:17:15 | |
I won't go to court. | 0:17:15 | 0:17:18 | |
Already had a taste of how that would go. | 0:17:18 | 0:17:20 | |
I don't expect you to make a statement. | 0:17:22 | 0:17:24 | |
Then why you here? | 0:17:24 | 0:17:26 | |
A woman was attacked in the park, the night before you. | 0:17:28 | 0:17:33 | |
If it was the same man, if you can tell me anything... | 0:17:33 | 0:17:37 | |
It was quiet. | 0:17:42 | 0:17:44 | |
Too cold for punters. | 0:17:45 | 0:17:47 | |
I was thinking of calling it a day. | 0:17:48 | 0:17:51 | |
Then I felt his hand around my mouth. | 0:17:51 | 0:17:53 | |
Did he say anything? | 0:17:53 | 0:17:55 | |
Didn't need to once he'd shown me the knife. | 0:17:55 | 0:17:57 | |
Can you describe it? | 0:17:57 | 0:17:59 | |
Long. Sharp. Like something you'd use to gut fish. | 0:17:59 | 0:18:04 | |
I thought he was going to cut me. | 0:18:05 | 0:18:09 | |
I did everything he said... then I felt this tug. | 0:18:09 | 0:18:15 | |
He was cutting my hair. | 0:18:15 | 0:18:17 | |
Why'd he do that? | 0:18:17 | 0:18:19 | |
-I've got to get ready. -You're going back to the park? | 0:18:29 | 0:18:32 | |
You going to pay my rent, are you? | 0:18:32 | 0:18:34 | |
-You're not to worry. I'll... -You'll what? Catch him? | 0:18:35 | 0:18:39 | |
Get back to cloud cuckoo land, love. | 0:18:42 | 0:18:45 | |
Well? | 0:18:53 | 0:18:55 | |
Deborah, you look beautiful. Should be on the cover of Vogue. | 0:18:55 | 0:18:59 | |
And you, Jack Burns, good enough to eat. | 0:18:59 | 0:19:02 | |
I'm still not sure about cocktails. | 0:19:05 | 0:19:06 | |
Darling, they're the in thing. | 0:19:06 | 0:19:09 | |
Couldn't we get a barrel as well? | 0:19:09 | 0:19:11 | |
I want tonight to be sophisticated, | 0:19:11 | 0:19:13 | |
not Saturday night in a working men's club. | 0:19:13 | 0:19:16 | |
It is supposed to be my birthday. | 0:19:18 | 0:19:19 | |
Something's missing. What's missing? | 0:19:19 | 0:19:22 | |
Music! | 0:19:22 | 0:19:24 | |
DOORBELL RINGS | 0:19:24 | 0:19:25 | |
Oh, could you? I need to check the oven. And put a record on! | 0:19:25 | 0:19:28 | |
-Sir. Welcome. -I think Roger will suffice, for this evening. | 0:19:35 | 0:19:38 | |
-Happy birthday, Jack. -Thank you, Roger. | 0:19:38 | 0:19:41 | |
You remember my wife, Julie. | 0:19:41 | 0:19:42 | |
Yes, of course. Lovely to see you again. | 0:19:42 | 0:19:45 | |
I keep telling Roger we don't socialise enough. | 0:19:45 | 0:19:48 | |
I'm looking forward to an evening of sparkling conversation | 0:19:48 | 0:19:52 | |
and good company. | 0:19:52 | 0:19:54 | |
Coo-ey! Happy birthday. | 0:19:54 | 0:19:57 | |
Come on, Sidney! | 0:19:57 | 0:19:58 | |
Burnsy. | 0:20:07 | 0:20:08 | |
GLASS SMASHES | 0:20:13 | 0:20:15 | |
Who's there? | 0:20:25 | 0:20:27 | |
Is there somebody there? | 0:20:31 | 0:20:33 | |
Of course, Sidney could have gone for promotion years ago, but he | 0:21:01 | 0:21:05 | |
likes proper police work, you know, not sitting behind a desk all day. | 0:21:05 | 0:21:09 | |
There's more to Roger's job than pushing papers around, you know. | 0:21:09 | 0:21:11 | |
Oh yeah, there's high tea with the mayor, | 0:21:11 | 0:21:14 | |
and all those golf matches must get boring after a while. | 0:21:14 | 0:21:17 | |
Still, it has its compensations, doesn't it? | 0:21:17 | 0:21:20 | |
What does a Chief Inspector take home these days? | 0:21:20 | 0:21:22 | |
I find it far too vulgar to talk about money. | 0:21:22 | 0:21:26 | |
People who say that normally have too much. | 0:21:26 | 0:21:28 | |
Tongue pinwheel, ladies? | 0:21:28 | 0:21:30 | |
Don't mind if I do. | 0:21:30 | 0:21:31 | |
-Beautifully presented. -Mmm. You can't beat a bit of tongue. | 0:21:31 | 0:21:34 | |
SHE CHOKES | 0:21:34 | 0:21:36 | |
Better up than down. | 0:21:36 | 0:21:38 | |
Anybody know how the Villa got on? | 0:21:38 | 0:21:41 | |
I had them down for one-nil. | 0:21:41 | 0:21:43 | |
I'm more of a cricket man myself. | 0:21:43 | 0:21:44 | |
Play for five days and still get a draw? | 0:21:46 | 0:21:49 | |
What's all that about? | 0:21:49 | 0:21:51 | |
HE BURPS | 0:21:51 | 0:21:52 | |
What am I supposed to do with this? | 0:21:52 | 0:21:54 | |
How do you think it's going? | 0:21:54 | 0:21:56 | |
Fine. Don't worry. Everyone's having a ball. | 0:21:56 | 0:22:00 | |
HE WHISTLES | 0:22:03 | 0:22:05 | |
PC 352 Coulson. | 0:22:16 | 0:22:19 | |
Eddie. There's been a burglary. | 0:22:19 | 0:22:20 | |
Dennison's Jewellers, Jubilee Terrace. | 0:22:20 | 0:22:22 | |
-Any description? -Sounds like a ted. Drape coat. Bootlace tie. | 0:22:22 | 0:22:27 | |
He slashed an old boy's face with a cutthroat. | 0:22:27 | 0:22:30 | |
OK, I'm two minutes away. | 0:22:30 | 0:22:31 | |
I don't want you going in there on your own. | 0:22:31 | 0:22:34 | |
-I'm dispatching a car to you now. -He'll be long gone by then. | 0:22:34 | 0:22:36 | |
Stay put! | 0:22:36 | 0:22:38 | |
PC Coulson? | 0:22:41 | 0:22:43 | |
Eddie? | 0:22:43 | 0:22:45 | |
It's not too late to go to the coffee bar. | 0:22:45 | 0:22:47 | |
It's going to be fun. | 0:22:47 | 0:22:49 | |
Fun? I've seen Sergeant Fenton when he's had a few. | 0:22:49 | 0:22:53 | |
He's like an octopus, only with more arms. | 0:22:53 | 0:22:56 | |
It'll be OK if we stick together. | 0:22:56 | 0:22:58 | |
If Fenton tries anything, I'll stick a truncheon up his... | 0:22:58 | 0:23:01 | |
-Ah, so you've made it! -Sorry we're late, Mr Burns. | 0:23:01 | 0:23:05 | |
You're here now. That's all that matters. Come in. | 0:23:05 | 0:23:07 | |
I couldn't let Gina out of the house until I'd got her hair | 0:23:08 | 0:23:11 | |
just right, then I had a panic over which frock to wear. | 0:23:11 | 0:23:14 | |
Well, you look absolutely delightful. | 0:23:14 | 0:23:17 | |
Darling. Cathy you already know. | 0:23:17 | 0:23:19 | |
-Hello, Mrs Burns. Lovely house. -Thank you. | 0:23:19 | 0:23:22 | |
And this is our new WPC, Gina Dawson. | 0:23:22 | 0:23:25 | |
-Pleased to meet you. -Let me take your coat. | 0:23:25 | 0:23:28 | |
Cathy dear, could you give me a hand with my Vienna sausages? | 0:23:28 | 0:23:31 | |
Love to. | 0:23:31 | 0:23:33 | |
HE WOLF WHISTLES | 0:23:35 | 0:23:37 | |
Scrubs up all right, don't she? | 0:23:37 | 0:23:39 | |
Yes. Yes, she does. | 0:23:39 | 0:23:42 | |
Right. Now the party can really begin. | 0:23:42 | 0:23:45 | |
Let's get you a drink. | 0:23:46 | 0:23:48 | |
-Watch it! Idiot. -Why you in such a rush? | 0:23:56 | 0:23:59 | |
-What's it to you? -Where have you just come from? -Nowhere. | 0:23:59 | 0:24:01 | |
Cut the lip and keep your hands out of your pockets. | 0:24:01 | 0:24:03 | |
Find someone else to pick on. | 0:24:03 | 0:24:05 | |
-You can talk here or down at the station. -Get off. | 0:24:05 | 0:24:07 | |
I am arresting you on suspicion of burglary and wounding. | 0:24:07 | 0:24:10 | |
What? I didn't do nothing. | 0:24:10 | 0:24:11 | |
You are not obliged to say anything unless you wish to do so, | 0:24:11 | 0:24:14 | |
-but anything you do say may be given in evidence. -I've done nothing! | 0:24:14 | 0:24:17 | |
Woolworths? | 0:24:17 | 0:24:19 | |
I was on toiletries | 0:24:19 | 0:24:21 | |
and I spotted this chap filling his pockets with Brylcreem. | 0:24:21 | 0:24:25 | |
Sidney came to make the arrest. | 0:24:25 | 0:24:27 | |
My knight in shining armour, he was. | 0:24:27 | 0:24:30 | |
So commanding and manly. | 0:24:30 | 0:24:32 | |
So how did you and Roger meet? | 0:24:35 | 0:24:36 | |
I don't recall. Some social event. | 0:24:38 | 0:24:43 | |
That's funny. I heard you was his secretary. | 0:24:43 | 0:24:46 | |
But I can see how that might have slipped your mind. | 0:24:46 | 0:24:49 | |
Bill wants me to go blonde. Like Marilyn Monroe. | 0:24:53 | 0:24:56 | |
Do you think it would suit me? | 0:24:56 | 0:24:58 | |
Don't you think you're rushing into things? | 0:25:03 | 0:25:05 | |
It's all right for you. You're halfway down the aisle already. | 0:25:05 | 0:25:08 | |
Yeah, but I've only just started this job. | 0:25:08 | 0:25:11 | |
I don't know if I want to give it up just yet. | 0:25:11 | 0:25:13 | |
Then what are you going to do when Frank pops the question? | 0:25:13 | 0:25:16 | |
Fancy some hard stuff? | 0:25:18 | 0:25:20 | |
Lay one tentacle on me and I'll scream. | 0:25:20 | 0:25:24 | |
Can I help you with that, Mrs Burns? | 0:25:24 | 0:25:25 | |
Thank you, Cathy. Time for something sweet? | 0:25:25 | 0:25:29 | |
HE LAUGHS | 0:25:29 | 0:25:31 | |
Look at that. Saturday night in Soho. Wey-hey! | 0:25:31 | 0:25:36 | |
Look at them go. | 0:25:36 | 0:25:38 | |
SMATTERING OF LAUGHTER | 0:25:38 | 0:25:40 | |
Communists? Next door? | 0:25:46 | 0:25:48 | |
And what makes you think they're building an atom bomb? | 0:25:50 | 0:25:54 | |
Strange smells? | 0:25:55 | 0:25:57 | |
OK, Mrs Kelly, I'll get an officer to call in when he's passing. | 0:25:57 | 0:26:02 | |
What do you think you're doing, running off on your own like that? | 0:26:04 | 0:26:08 | |
Well, I got him, Sarge. Charge is suspected burglary and wounding. | 0:26:08 | 0:26:12 | |
Haven't got a name out of him yet, though. | 0:26:12 | 0:26:15 | |
It's Sam. Samuel Michael Pratt. | 0:26:15 | 0:26:19 | |
Hello, Dad. | 0:26:19 | 0:26:21 | |
MUSIC: "Shake, Rattle and Roll" by Joe Turner | 0:26:23 | 0:26:26 | |
# Get out of that bed Wash your face and hands | 0:26:26 | 0:26:31 | |
# Get in that kitchen, make some noise with those pots and pans... # | 0:26:31 | 0:26:36 | |
Just ignore him. Come on. | 0:26:38 | 0:26:41 | |
I thought charades, maybe a game of bridge, not this jungle music. | 0:26:41 | 0:26:46 | |
We can't go now, dear. It would be bad form. | 0:26:46 | 0:26:49 | |
# I can't believe my eyes... # | 0:26:49 | 0:26:52 | |
THE VOLUME INCREASES | 0:26:52 | 0:26:54 | |
-Deborah. The girls. -Dance with me. | 0:26:56 | 0:26:59 | |
Deborah. Please. | 0:26:59 | 0:27:00 | |
Oh come on. Just this once. Loosen up. | 0:27:00 | 0:27:03 | |
Well, someone must want to dance with me? Roger. | 0:27:05 | 0:27:09 | |
Go on, sir. Show us how it's done. | 0:27:09 | 0:27:12 | |
SHE WHOOPS | 0:27:13 | 0:27:15 | |
Now what? | 0:27:29 | 0:27:31 | |
You'll stay in a cell until you can go before the magistrate. | 0:27:31 | 0:27:34 | |
For what? | 0:27:34 | 0:27:35 | |
I was minding my own business until this idiot grabbed me. | 0:27:35 | 0:27:37 | |
It's not like this is the first time you've been in trouble, is it? | 0:27:37 | 0:27:40 | |
That was years ago. I've kept my nose clean since, as you'd know | 0:27:40 | 0:27:44 | |
if you'd been any sort of father. | 0:27:44 | 0:27:46 | |
I was too soft on you because of your mother. | 0:27:46 | 0:27:49 | |
Soft on me? You were never there. | 0:27:49 | 0:27:51 | |
If I'd spoken to my father like that... | 0:27:51 | 0:27:54 | |
At least he was around. | 0:27:54 | 0:27:55 | |
Go on, then! | 0:27:56 | 0:27:58 | |
No. You'll do nothing. | 0:27:58 | 0:28:00 | |
Just like you sat there and let Mum die. | 0:28:00 | 0:28:02 | |
Take him below. | 0:28:07 | 0:28:09 | |
Get him out of my sight! | 0:28:09 | 0:28:10 | |
I just needed some water. | 0:28:20 | 0:28:22 | |
-There you go. -Thanks. | 0:28:31 | 0:28:33 | |
HE SIGHS | 0:28:35 | 0:28:38 | |
You haven't opened your presents. | 0:28:38 | 0:28:40 | |
I didn't know what to get you. | 0:28:44 | 0:28:46 | |
I can take it back if you don't like it. | 0:28:46 | 0:28:49 | |
I erm...wasn't sure about the colour. | 0:28:54 | 0:28:57 | |
It's perfect. | 0:29:00 | 0:29:02 | |
I nearly didn't recognise you. | 0:29:05 | 0:29:07 | |
Well, police uniform doesn't do a lot for a girl. | 0:29:07 | 0:29:10 | |
That's the trouble with uniforms. | 0:29:12 | 0:29:14 | |
You don't see the real person beneath. | 0:29:14 | 0:29:16 | |
I should...get back to Cathy. | 0:29:20 | 0:29:23 | |
That dull, am I? | 0:29:23 | 0:29:25 | |
No. In fact, you're... | 0:29:25 | 0:29:29 | |
Go on. | 0:29:32 | 0:29:34 | |
I've had too much to drink. | 0:29:35 | 0:29:37 | |
I think you've had just the right amount. | 0:29:37 | 0:29:40 | |
MUSIC VOLUME INCREASES | 0:29:42 | 0:29:44 | |
-What are you doing? -Think of the girls. | 0:29:54 | 0:29:56 | |
We were just getting into the swing. | 0:29:56 | 0:29:58 | |
Deborah! | 0:30:01 | 0:30:02 | |
-Stop it. -There. Happy? | 0:30:06 | 0:30:09 | |
Calm down. | 0:30:09 | 0:30:10 | |
-One night. Was that too much to ask? -Not now. | 0:30:10 | 0:30:13 | |
Why won't you ever let me have any fun? | 0:30:13 | 0:30:16 | |
FENTON LAUGHS | 0:30:16 | 0:30:18 | |
Come on, Sidney. It's time to go. | 0:30:26 | 0:30:29 | |
What? And miss round two? | 0:30:29 | 0:30:31 | |
She's just tired. It's been a long day. | 0:30:31 | 0:30:34 | |
Thank you for a lovely evening. | 0:30:34 | 0:30:36 | |
Thanks for coming. | 0:30:36 | 0:30:38 | |
Goodnight, Burnsy. | 0:30:38 | 0:30:40 | |
And I thought this was going to be dull. | 0:30:42 | 0:30:44 | |
Here's your change, love. | 0:30:52 | 0:30:53 | |
Thanks. | 0:30:53 | 0:30:55 | |
Drowning my sorrows seems to be taking a hell of a lot of beer. | 0:31:02 | 0:31:05 | |
Yes. Sorry to hear about your lad. | 0:31:09 | 0:31:11 | |
Ta. | 0:31:11 | 0:31:13 | |
So, is it true? | 0:31:16 | 0:31:19 | |
You've called off the search for the Collins boy? | 0:31:19 | 0:31:21 | |
We've been over every inch of the mine. | 0:31:24 | 0:31:27 | |
Nothing. | 0:31:27 | 0:31:29 | |
You were there, the original search. | 0:31:29 | 0:31:31 | |
-Is there anything I've missed? -Doubt it. | 0:31:31 | 0:31:33 | |
Sounds like you've been a lot more thorough than Coulson was. | 0:31:33 | 0:31:38 | |
He believed the boys were buried in Crossmere Woods. | 0:31:38 | 0:31:41 | |
For a week we searched every thicket. | 0:31:41 | 0:31:43 | |
And then one day the search was called off. | 0:31:43 | 0:31:46 | |
Coulson had his man. | 0:31:46 | 0:31:47 | |
John Evans? | 0:31:47 | 0:31:49 | |
Some people found him creepy. I thought he was harmless enough. | 0:31:49 | 0:31:53 | |
Just a bit simple. | 0:31:53 | 0:31:55 | |
Did he know Collins and Parker? | 0:31:55 | 0:31:56 | |
Several witnesses said they saw them with him. | 0:31:56 | 0:31:59 | |
On the day the boys disappeared? | 0:31:59 | 0:32:00 | |
No. Evans swore he never left home all day. | 0:32:00 | 0:32:03 | |
Did Coulson find evidence that the boys had been in Evans' shack? | 0:32:03 | 0:32:06 | |
-Not a hair. -So why was he arrested? | 0:32:06 | 0:32:08 | |
Coulson thought he could get him to confess, | 0:32:08 | 0:32:11 | |
but Evans wouldn't play ball. | 0:32:11 | 0:32:13 | |
And then, sometime during the interviews, something snapped. | 0:32:14 | 0:32:20 | |
By the end, Evans was just sitting there, rocking in his chair, | 0:32:20 | 0:32:24 | |
singing a nursery rhyme. | 0:32:24 | 0:32:26 | |
The one about the Gingerbread Man. | 0:32:26 | 0:32:28 | |
Run, run as fast as you can. | 0:32:28 | 0:32:30 | |
But if Evans never confessed...? | 0:32:30 | 0:32:31 | |
Coulson wasn't going to just leave it there. | 0:32:31 | 0:32:34 | |
If he couldn't pin the murders on Evans, he'd do the next best thing. | 0:32:34 | 0:32:38 | |
He had him committed to the loony bin. | 0:32:40 | 0:32:42 | |
Six months later, Evans was found in his room. He'd topped himself. | 0:32:42 | 0:32:46 | |
Of course, Coulson took that as a sign of a guilty conscience. | 0:32:48 | 0:32:52 | |
You weren't so sure? | 0:32:52 | 0:32:54 | |
The stakes were so high. | 0:32:55 | 0:32:57 | |
I mean, if Coulson got it wrong, if Evans didn't murder those boys... | 0:32:57 | 0:33:02 | |
Who did? | 0:33:02 | 0:33:03 | |
You've got to watch for Coulson. | 0:33:05 | 0:33:07 | |
He don't mind who he climbs over till he's at the top. | 0:33:07 | 0:33:11 | |
Jack! | 0:33:11 | 0:33:12 | |
Deborah! | 0:33:12 | 0:33:14 | |
As you won't come home for your dinner, | 0:33:14 | 0:33:16 | |
I've brought your dinner to you. | 0:33:16 | 0:33:18 | |
I won't have people saying I'm a bad wife for making you go hungry. | 0:33:18 | 0:33:23 | |
Are you going to eat that, or what? | 0:33:34 | 0:33:36 | |
Tea. Bacon cob. Brown sauce. | 0:34:00 | 0:34:02 | |
What are you waiting for? | 0:34:05 | 0:34:08 | |
I thought you might like to tell me what happened? | 0:34:08 | 0:34:10 | |
Why? Guilty as charged, aren't I? | 0:34:10 | 0:34:13 | |
You're all the same. | 0:34:13 | 0:34:15 | |
What, like teddy boys? | 0:34:15 | 0:34:17 | |
Mr Dennison identified you. | 0:34:26 | 0:34:29 | |
No, he didn't. | 0:34:29 | 0:34:30 | |
I was just the first ted that copper came across. | 0:34:30 | 0:34:33 | |
-You resisted arrest. -I was going to miss my bus | 0:34:33 | 0:34:35 | |
and for that, I'm going to get banged up for years! | 0:34:35 | 0:34:38 | |
Maybe someone else could vouch for you? | 0:34:38 | 0:34:40 | |
Like who? My old man? | 0:34:40 | 0:34:42 | |
Poor Sergeant Pratt. His own son a hooligan. | 0:34:58 | 0:35:02 | |
How's he going to live that down? | 0:35:02 | 0:35:04 | |
How's the case going? | 0:35:04 | 0:35:06 | |
Frustrating. I've just got back from Edmund Hall. | 0:35:06 | 0:35:09 | |
What were you doing at the nut house? | 0:35:09 | 0:35:11 | |
Our only suspect, John Evans, ended up there. | 0:35:11 | 0:35:14 | |
I had hoped that he might have confessed to the staff | 0:35:14 | 0:35:16 | |
but he maintained his innocence to the end. | 0:35:16 | 0:35:19 | |
What are you going to do now? | 0:35:19 | 0:35:21 | |
Thank you. | 0:35:21 | 0:35:23 | |
Wearing your tie, I see. | 0:35:27 | 0:35:28 | |
Was he? Didn't notice. | 0:35:28 | 0:35:30 | |
Sergeant. I thought you were on leave? | 0:35:32 | 0:35:35 | |
My best briar. I must have left it in here somewhere. | 0:35:35 | 0:35:38 | |
I haven't seen it. | 0:35:38 | 0:35:40 | |
I've just been down to see Sam. | 0:35:45 | 0:35:46 | |
-He OK? -Bearing up. | 0:35:46 | 0:35:49 | |
It's there. In your pocket. | 0:35:50 | 0:35:52 | |
What? | 0:35:52 | 0:35:54 | |
Oh, yes. | 0:35:54 | 0:35:56 | |
You'll be forgetting your head next. | 0:35:56 | 0:35:59 | |
How is he, really? | 0:36:02 | 0:36:04 | |
Beneath it all, scared. | 0:36:04 | 0:36:07 | |
If he thinks this is bad, wait till he gets to jail. | 0:36:07 | 0:36:09 | |
He swears he's innocent. | 0:36:09 | 0:36:11 | |
The saddest thing...I don't know. | 0:36:11 | 0:36:14 | |
My own son, and I can't tell if he's telling the truth. | 0:36:14 | 0:36:18 | |
Come on. Just put one foot in front of the other. | 0:36:18 | 0:36:21 | |
Sorry. I need to see Sergeant Fenton. | 0:36:21 | 0:36:24 | |
Charge is drunk and disorderly and criminal damage. | 0:36:25 | 0:36:28 | |
The librarian will make a statement | 0:36:28 | 0:36:29 | |
as soon as the smelling salts have done their job. | 0:36:29 | 0:36:31 | |
Did I say sit? | 0:36:31 | 0:36:33 | |
-Sergeant Fenton. -Now what? | 0:36:33 | 0:36:35 | |
Anna Pearce. | 0:36:35 | 0:36:36 | |
When are you going to change that record? | 0:36:36 | 0:36:39 | |
Her attacker cut off some of her hair with a knife. | 0:36:39 | 0:36:41 | |
She never said anything about a knife. How did you find that out? | 0:36:41 | 0:36:45 | |
Chief Inspector Nelson gave me permission to talk to her. | 0:36:45 | 0:36:48 | |
You went behind my back? | 0:36:48 | 0:36:50 | |
Someone had to listen to Anna's story. | 0:36:50 | 0:36:52 | |
And now you're criticising a senior officer. Again. | 0:36:52 | 0:36:56 | |
But, Sergeant, what if Donald Palmer is telling the truth? | 0:36:56 | 0:37:00 | |
He said the man he saw in the park had a knife. | 0:37:00 | 0:37:02 | |
Sylvia Stewart made a statement. Palmer attacked her. | 0:37:02 | 0:37:06 | |
He'll answer for it in court, Wednesday. Case closed. | 0:37:06 | 0:37:10 | |
Let's bung him in the cell | 0:37:11 | 0:37:12 | |
till he's sober enough to remember his own name. | 0:37:12 | 0:37:14 | |
Haven't you heard of soap? | 0:37:14 | 0:37:16 | |
Caught him trying to flog this lot in a pawn shop. | 0:37:18 | 0:37:21 | |
Hang on a minute. | 0:37:23 | 0:37:25 | |
Doesn't it match the list the jeweller gave us? | 0:37:30 | 0:37:33 | |
Here's the clincher. | 0:37:33 | 0:37:35 | |
Thanks. | 0:37:49 | 0:37:50 | |
Won't you give him a chance? | 0:37:50 | 0:37:52 | |
How about going for a pint? | 0:37:52 | 0:37:54 | |
If you're not too embarrassed to be seen with your old dad? | 0:37:54 | 0:37:58 | |
Come on, Sammy boy. | 0:37:58 | 0:37:59 | |
There he is! Birmingham's number one crim. | 0:38:04 | 0:38:07 | |
-Thank you. -You're welcome. | 0:38:20 | 0:38:22 | |
Gina! | 0:38:26 | 0:38:27 | |
I thought we were meeting at the cinema? | 0:38:29 | 0:38:32 | |
Yeah. 7.30. Bill's going to pick me up. | 0:38:32 | 0:38:35 | |
-But we've got time for a coffee. -I can't. I'm working. | 0:38:35 | 0:38:38 | |
-On your own? -Yeah. | 0:38:38 | 0:38:40 | |
Not in uniform? Does Sergeant Fenton know about this? | 0:38:40 | 0:38:44 | |
No. Look, Cathy... | 0:38:44 | 0:38:47 | |
What are you up to? | 0:38:47 | 0:38:49 | |
I'm just trying to put something right. But you can't tell anyone. | 0:38:49 | 0:38:52 | |
MUSIC: "Fed-A-Ray" by Lord Beginner | 0:38:53 | 0:38:57 | |
Maybe this wasn't such a good idea. | 0:39:09 | 0:39:12 | |
You wanted to come. | 0:39:12 | 0:39:14 | |
Two of whatever he's having, please. | 0:39:19 | 0:39:22 | |
Do you know Donald Palmer? | 0:39:23 | 0:39:25 | |
Donald Palmer, you say? | 0:39:25 | 0:39:28 | |
Stay here. | 0:39:28 | 0:39:30 | |
I'm not moving an inch. | 0:39:30 | 0:39:33 | |
How do you know Donald? | 0:39:39 | 0:39:41 | |
We've been best pals since we were kids, | 0:39:41 | 0:39:44 | |
running around on the beach in Kingston. | 0:39:44 | 0:39:48 | |
So what you want with Donald? No-one's seen him for days. | 0:39:52 | 0:39:56 | |
Is there somewhere quieter? | 0:39:56 | 0:39:59 | |
Nice place. Bit dark. | 0:40:06 | 0:40:10 | |
I mean, gloomy, hard to see. | 0:40:10 | 0:40:13 | |
I like the music. | 0:40:15 | 0:40:18 | |
Gina? | 0:40:28 | 0:40:30 | |
Gina?! | 0:40:33 | 0:40:35 | |
Ooh-ee! | 0:40:38 | 0:40:41 | |
Lord, that Donald is a sly one. | 0:40:41 | 0:40:45 | |
You know he already got a lady? | 0:40:45 | 0:40:48 | |
But I'm free. Well, there are one or two other girls | 0:40:48 | 0:40:53 | |
but I would gladly drop them for a sweetie like you. | 0:40:53 | 0:40:57 | |
Rufus. I'm a police officer. | 0:40:57 | 0:41:00 | |
Donald's in jail. | 0:41:00 | 0:41:02 | |
For what? | 0:41:02 | 0:41:03 | |
He's been charged with attacking a girl called Sylvia. | 0:41:03 | 0:41:06 | |
Sylvia. No. Never. You see that girl, he love her. | 0:41:06 | 0:41:11 | |
But she's denied knowing him. | 0:41:11 | 0:41:14 | |
I told him that girl was trouble. | 0:41:14 | 0:41:16 | |
-If you could make a statement... -Saying what? | 0:41:16 | 0:41:18 | |
That they're in a relationship. | 0:41:18 | 0:41:20 | |
Now I know you're crazy. Why would anyone believe me? | 0:41:20 | 0:41:25 | |
Won't you try? | 0:41:25 | 0:41:26 | |
PHONE RINGS | 0:41:28 | 0:41:30 | |
Brinford Police Station. | 0:41:35 | 0:41:37 | |
Cathy? Cathy! | 0:41:37 | 0:41:40 | |
RECORD SCRATCHES | 0:41:46 | 0:41:47 | |
That's it. Party's over. Get back to your hovels. | 0:41:47 | 0:41:50 | |
-Are you all right? -Of course. -Has he hurt you? | 0:41:51 | 0:41:54 | |
-I hurt no-one. -Was I talking to you?! | 0:41:54 | 0:41:56 | |
Sergeant... | 0:41:56 | 0:41:58 | |
Hey, look. Come on, man. You've got no reason to harass us. | 0:41:59 | 0:42:03 | |
Less of the back chat or I'll get the wagon down here | 0:42:03 | 0:42:06 | |
and cart the whole lot of you off. | 0:42:06 | 0:42:08 | |
You can't do that. | 0:42:08 | 0:42:09 | |
You got a licence? | 0:42:09 | 0:42:11 | |
Hmm? | 0:42:11 | 0:42:13 | |
I didn't think so. | 0:42:14 | 0:42:15 | |
This used to be a decent neighbourhood. | 0:42:18 | 0:42:20 | |
Still is. | 0:42:20 | 0:42:22 | |
This dive wants shutting down. | 0:42:26 | 0:42:28 | |
We're not hurting anyone. | 0:42:28 | 0:42:31 | |
We mind our own business. | 0:42:31 | 0:42:34 | |
One word, that's all it would take. | 0:42:34 | 0:42:37 | |
We were talking. That's all. | 0:42:37 | 0:42:39 | |
I'll be keeping an eye on this place. | 0:42:39 | 0:42:42 | |
First sign of trouble... | 0:42:44 | 0:42:46 | |
You. Outside. | 0:42:49 | 0:42:52 | |
-I am sorry, Sergeant. -Save your breath. | 0:43:09 | 0:43:12 | |
But I can prove that Sylvia lied about her relationship with Donald Palmer. | 0:43:12 | 0:43:16 | |
You've got someone who'll stand up in court, give evidence? | 0:43:16 | 0:43:21 | |
Stupid girl. | 0:43:21 | 0:43:22 | |
I'm just trying to help. | 0:43:22 | 0:43:24 | |
By undermining an official investigation? | 0:43:24 | 0:43:28 | |
You might think you're God's gift to policing, but you're just | 0:43:28 | 0:43:31 | |
a silly tart who's got no business even being in the force. | 0:43:31 | 0:43:36 | |
You're a disgrace to the uniform. | 0:43:36 | 0:43:38 | |
When Nelson hears about this, you won't be my problem any more. | 0:43:40 | 0:43:45 | |
And good riddance. | 0:43:45 | 0:43:46 | |
Subtitles by Red Bee Media Ltd | 0:44:16 | 0:44:19 |