Browse content similar to Eye of the Storm. Check below for episodes and series from the same categories and more!
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-I-I... -I can tell you're a man who appreciates a woman of experience. | 0:00:02 | 0:00:05 | |
It wasn't suicide, it was murder. | 0:00:05 | 0:00:08 | |
-Get off me! -You stupid mare! | 0:00:08 | 0:00:11 | |
Who is this Lenny Powell? | 0:00:11 | 0:00:13 | |
Someone to steer clear of. | 0:00:13 | 0:00:15 | |
Now, Mike "The Mallet" Maddock! | 0:00:15 | 0:00:18 | |
I managed to get these at the club. That's Rebecca Jones. | 0:00:18 | 0:00:21 | |
I need you - now. | 0:00:21 | 0:00:24 | |
Maddock! | 0:00:24 | 0:00:25 | |
Maddock! | 0:00:25 | 0:00:26 | |
You'll give it up soon enough. | 0:00:26 | 0:00:28 | |
Promise you'll find the person who hurt my daddy. | 0:00:28 | 0:00:31 | |
# I-I-I'm mad | 0:00:49 | 0:00:52 | |
# About the boy | 0:00:52 | 0:00:54 | |
# And I know it's stupid | 0:00:55 | 0:00:57 | |
# To be mad | 0:00:57 | 0:00:59 | |
# About the boy | 0:00:59 | 0:01:02 | |
# I'm so ashamed of it | 0:01:02 | 0:01:05 | |
# But must admit the sleepless nights I've had | 0:01:05 | 0:01:11 | |
# About the boy... # | 0:01:11 | 0:01:13 | |
PUNTERS CHATTER | 0:01:14 | 0:01:16 | |
Pint, ta. | 0:01:24 | 0:01:25 | |
I thought you might be lost. | 0:01:58 | 0:02:00 | |
Hmm. | 0:02:00 | 0:02:01 | |
How do you know I'm not? | 0:02:01 | 0:02:03 | |
Oh...I think you belong here. | 0:02:03 | 0:02:06 | |
What's your name? | 0:02:06 | 0:02:09 | |
Sid. | 0:02:09 | 0:02:10 | |
Tobias. | 0:02:11 | 0:02:12 | |
How come I haven't seen you here before? | 0:02:18 | 0:02:20 | |
You can't be too careful. | 0:02:21 | 0:02:23 | |
I steer clear of places like this. | 0:02:24 | 0:02:26 | |
But...not tonight. | 0:02:27 | 0:02:29 | |
No, not tonight. | 0:02:31 | 0:02:33 | |
Crap week. | 0:02:34 | 0:02:35 | |
Do you want to, uh...talk about it? | 0:02:35 | 0:02:38 | |
I've got a wife for that. | 0:02:39 | 0:02:41 | |
Good. | 0:02:43 | 0:02:45 | |
I thought it was going to be a long night. | 0:02:45 | 0:02:47 | |
I prefer to, uh... | 0:02:50 | 0:02:51 | |
cut to the chase. | 0:02:53 | 0:02:55 | |
So do I. | 0:03:03 | 0:03:05 | |
HANDCUFFS RATTLE | 0:03:10 | 0:03:12 | |
You're under arrest. | 0:03:12 | 0:03:13 | |
Everybody, this is a raid, don't move anywhere! | 0:03:13 | 0:03:16 | |
WHISTLE BLOWS | 0:03:16 | 0:03:18 | |
It looks like it's going to be a long night after all, sweetheart. | 0:03:18 | 0:03:22 | |
What do you think of the chicken? | 0:03:23 | 0:03:25 | |
Hmm? | 0:03:25 | 0:03:26 | |
It's curried. | 0:03:26 | 0:03:28 | |
Ah! Very nice. | 0:03:28 | 0:03:30 | |
Good. | 0:03:30 | 0:03:31 | |
Walter, I've been thinking about the money Daddy left me | 0:03:35 | 0:03:39 | |
and...I'd like a new kitchen. | 0:03:39 | 0:03:41 | |
All right. | 0:03:41 | 0:03:43 | |
-Whatever you think. -Good. | 0:03:43 | 0:03:45 | |
We moved back to Brinford so you wouldn't have to work so hard, | 0:03:47 | 0:03:51 | |
-and I'd like to make a change too. -Of course. | 0:03:51 | 0:03:54 | |
It would be good for us to spend some more time together. | 0:03:54 | 0:03:57 | |
Yes, it would. | 0:03:57 | 0:03:59 | |
Maybe...we could try again for a baby. | 0:04:01 | 0:04:05 | |
-Charlotte... -No, it's all right, I won't get my hopes up this time. | 0:04:05 | 0:04:09 | |
I'm just... | 0:04:09 | 0:04:11 | |
..not ready to give up. | 0:04:12 | 0:04:13 | |
Not just yet. | 0:04:14 | 0:04:16 | |
So... | 0:04:21 | 0:04:22 | |
..a new kitchen. | 0:04:23 | 0:04:25 | |
Sorry about that, sir. It won't happen again. | 0:04:31 | 0:04:34 | |
-I won't be coming back here again. -Is everything all right? | 0:04:34 | 0:04:37 | |
He didn't fancy paying for a tart | 0:04:37 | 0:04:39 | |
who starts crying in the middle of it. | 0:04:39 | 0:04:42 | |
Some people are picky like that. | 0:04:42 | 0:04:43 | |
That girl better start earning her keep, | 0:04:43 | 0:04:46 | |
or there's going to be a problem. | 0:04:46 | 0:04:47 | |
All right, I'll handle it. | 0:04:47 | 0:04:49 | |
And no need to tell Mr Powell. | 0:04:49 | 0:04:51 | |
Watch out, lads, they might start enjoying it! | 0:04:58 | 0:05:01 | |
What's this? | 0:05:04 | 0:05:06 | |
Eh? | 0:05:06 | 0:05:08 | |
Poor cow, sitting at home. | 0:05:08 | 0:05:10 | |
If she knew what you'd been up to. | 0:05:10 | 0:05:12 | |
This one's married too, Sarge. | 0:05:12 | 0:05:13 | |
You're a disgrace! | 0:05:13 | 0:05:16 | |
The lot of you! | 0:05:16 | 0:05:17 | |
-Why don't you just leave us alone? -Maybe we would. | 0:05:17 | 0:05:19 | |
If you left each other alone. | 0:05:19 | 0:05:22 | |
Come on, get 'em out to the vans! | 0:05:22 | 0:05:24 | |
What, all of them, Sarge? | 0:05:24 | 0:05:26 | |
Yes, all of them! | 0:05:26 | 0:05:28 | |
Move! | 0:05:30 | 0:05:31 | |
Don't make me do this any more. Please, Rosie, I can't bear it. | 0:05:41 | 0:05:45 | |
Just let me go. | 0:05:45 | 0:05:46 | |
I won't tell anyone what I've seen, not ever. | 0:05:46 | 0:05:48 | |
You know I can't do that. | 0:05:48 | 0:05:49 | |
-Why not? -You owe Mr Powell a lot of money. | 0:05:49 | 0:05:52 | |
This is how he wants you to repay it. | 0:05:52 | 0:05:54 | |
But it's not even my debt. | 0:05:54 | 0:05:56 | |
Daniel bought you nice things, didn't he? | 0:05:56 | 0:05:58 | |
-Where do you think all that came from? -That's not fair. | 0:05:58 | 0:06:00 | |
I didn't do anything wrong, and you know it. | 0:06:00 | 0:06:03 | |
If you don't let me go, I'll kill myself, I swear. | 0:06:03 | 0:06:06 | |
-No, you won't. -I will. -Come on. | 0:06:06 | 0:06:08 | |
You used to sweet-talk the men at the club, didn't you? | 0:06:08 | 0:06:11 | |
Well, this is just like that. It's all an act. | 0:06:11 | 0:06:14 | |
It wasn't with Daniel. | 0:06:15 | 0:06:17 | |
Now you listen to me - forget about Daniel. | 0:06:17 | 0:06:20 | |
If you don't get your head straight, you'll end up just like he did. | 0:06:20 | 0:06:23 | |
Is that what you want? | 0:06:23 | 0:06:25 | |
No. | 0:06:27 | 0:06:28 | |
Good. | 0:06:29 | 0:06:31 | |
Take the rest of the night off. | 0:06:33 | 0:06:35 | |
But tomorrow you get back to work, understood? | 0:06:35 | 0:06:37 | |
This is police persecution - eight men to a cell all night? | 0:06:58 | 0:07:02 | |
I'm sure you boys made the most of it. | 0:07:02 | 0:07:05 | |
Sit! | 0:07:05 | 0:07:06 | |
You do realise you're facing quite a serious charge? | 0:07:06 | 0:07:10 | |
Since when is it a crime to have a drink? | 0:07:10 | 0:07:12 | |
There's a lot of pubs in Brinford, Mr Saunders. | 0:07:12 | 0:07:14 | |
You just...happened to visit one full of homosexuals? | 0:07:14 | 0:07:17 | |
I didn't know it was that kind of place. | 0:07:17 | 0:07:19 | |
Look, I'm serious. | 0:07:19 | 0:07:20 | |
Lizzy Maddock, 13 years old. | 0:07:20 | 0:07:24 | |
Lives on Ackerman Street? | 0:07:24 | 0:07:27 | |
She was taken into care yesterday with two of her sisters. | 0:07:27 | 0:07:30 | |
Right. | 0:07:30 | 0:07:31 | |
OK. | 0:07:33 | 0:07:34 | |
Thank you. | 0:07:37 | 0:07:39 | |
So...you're a school teacher. | 0:07:39 | 0:07:43 | |
-That's right. -Not any more, you ain't. | 0:07:43 | 0:07:45 | |
Sergeant Fenton. A word, please, my office. | 0:07:45 | 0:07:49 | |
Sir! | 0:07:49 | 0:07:50 | |
Don't go anywhere. | 0:07:54 | 0:07:56 | |
Sir. | 0:08:01 | 0:08:02 | |
Close the door. | 0:08:02 | 0:08:04 | |
Tell me, | 0:08:09 | 0:08:10 | |
what was the purpose of keeping those men in the cells overnight? | 0:08:10 | 0:08:14 | |
They're queers, sir. | 0:08:14 | 0:08:15 | |
I am aware of that, Sergeant - who do you think authorised the raid? | 0:08:15 | 0:08:18 | |
But I didn't expect you to arrest everyone in the place. | 0:08:18 | 0:08:21 | |
Maybe when they have to explain to their wives | 0:08:21 | 0:08:23 | |
where they've been all night, they may think twice. | 0:08:23 | 0:08:26 | |
Ah, so this is a moral crusade, is it? | 0:08:26 | 0:08:29 | |
We can't have them carrying on under our noses, sir. | 0:08:32 | 0:08:34 | |
And I'm sure they got that message loud and clear. | 0:08:34 | 0:08:36 | |
Now release them all with a caution and place your attentions elsewhere. | 0:08:36 | 0:08:40 | |
We've got enough to charge Tobias Hunt with importuning. | 0:08:40 | 0:08:43 | |
He's a pervert, sir, he had his hands on me. | 0:08:43 | 0:08:47 | |
All right. | 0:08:47 | 0:08:49 | |
But let the others go, it's like... Piccadilly Circus out there. | 0:08:49 | 0:08:52 | |
Yes, sir. | 0:08:52 | 0:08:54 | |
Right...ladies! | 0:09:01 | 0:09:04 | |
This is your lucky day. | 0:09:04 | 0:09:06 | |
You are free to go. | 0:09:07 | 0:09:09 | |
Not so fast. | 0:09:18 | 0:09:20 | |
Take this one back to the cells. | 0:09:20 | 0:09:22 | |
What? | 0:09:22 | 0:09:24 | |
Well, how come they all get to leave? | 0:09:24 | 0:09:26 | |
Because they weren't stupid enough to touch up a copper, were they? | 0:09:26 | 0:09:30 | |
And next time, you lot won't get off so easy! | 0:09:32 | 0:09:35 | |
You can stay too if you like. | 0:09:36 | 0:09:37 | |
I'm still missing your paperwork from yesterday. | 0:09:43 | 0:09:46 | |
-I'll get on it n-n-n-now, Sarge. -What's all this? | 0:09:46 | 0:09:49 | |
-Those are from before. -Some of these are a week old! | 0:09:49 | 0:09:53 | |
Tommy, son, you're not weaving a tapestry. | 0:09:53 | 0:09:55 | |
Get a wiggle on! | 0:09:55 | 0:09:57 | |
I want these on my desk by the end of the day, right? | 0:09:57 | 0:09:59 | |
Yes, Sarge, sorry. | 0:09:59 | 0:10:01 | |
B-B-Back to work! | 0:10:01 | 0:10:03 | |
Sergeant Fenton, can I pick your brains for a sec? | 0:10:13 | 0:10:15 | |
There's a name that keeps popping up everywhere I look - Lenny Powell. | 0:10:15 | 0:10:19 | |
What about him? | 0:10:20 | 0:10:21 | |
Councillor Pembrook was in debt to him, | 0:10:21 | 0:10:23 | |
and it turns out he sponsors boxers too, | 0:10:23 | 0:10:25 | |
including our unfortunate friend, Mike Maddock. | 0:10:25 | 0:10:28 | |
So I've been doing some digging. | 0:10:28 | 0:10:30 | |
He's got quite a record - trading on the black market in the war, | 0:10:30 | 0:10:33 | |
-armed robbery, assault. -Everyone knows that. | 0:10:33 | 0:10:36 | |
All right. But I'm guessing you know more than most. | 0:10:36 | 0:10:39 | |
-Why would I? -Because you're good at your job. | 0:10:39 | 0:10:41 | |
Nobody's been able to touch him since the old days. | 0:10:43 | 0:10:46 | |
As far as anyone can see, he's a respectable businessman. | 0:10:46 | 0:10:49 | |
He makes a big show out of being reformed, | 0:10:49 | 0:10:53 | |
donates to charity, | 0:10:53 | 0:10:55 | |
cuts ribbons for the mayor. | 0:10:55 | 0:10:57 | |
The best place to hide is in plain sight. | 0:10:57 | 0:11:00 | |
What do you say we go pay him a visit? | 0:11:00 | 0:11:03 | |
Nothing like seeing the boys in blue to rattle a legitimate businessman. | 0:11:03 | 0:11:07 | |
Miss Nightingale, have you seen...my notes? | 0:11:11 | 0:11:14 | |
So you chased the bag thief all the way down the high street | 0:11:14 | 0:11:18 | |
through the covered market? | 0:11:18 | 0:11:20 | |
You're so brave. | 0:11:20 | 0:11:23 | |
He was 12. | 0:11:23 | 0:11:25 | |
Oh. | 0:11:25 | 0:11:26 | |
Still, you caught him. | 0:11:26 | 0:11:29 | |
That takes some doing. | 0:11:29 | 0:11:31 | |
I suppose. | 0:11:32 | 0:11:34 | |
-Can I have them back, please? I have to type it all up. -Ah! | 0:11:34 | 0:11:37 | |
Leave it with me, I'll have them done in half the time. | 0:11:37 | 0:11:40 | |
I don't know... | 0:11:40 | 0:11:43 | |
Sergeant Swift wouldn't like it. | 0:11:43 | 0:11:45 | |
Who's going to tell him? | 0:11:45 | 0:11:47 | |
Ever get the feeling we're in the wrong job? | 0:12:07 | 0:12:09 | |
I'm going to shoot you, I'm going to shoot you! | 0:12:17 | 0:12:19 | |
Morning, officers! Come here, come on. | 0:12:19 | 0:12:22 | |
Hey, listen... You see these two men? | 0:12:22 | 0:12:26 | |
They're real-life sheriffs, hmm? | 0:12:26 | 0:12:28 | |
So you better behave yourselves. | 0:12:28 | 0:12:31 | |
Sergeant...? | 0:12:31 | 0:12:33 | |
-Fenton. -And I don't think we've had the pleasure. | 0:12:33 | 0:12:36 | |
DI Harper. | 0:12:36 | 0:12:37 | |
-This is my wife, Laura. -Hello. -Mrs Powell. | 0:12:37 | 0:12:40 | |
Sweetheart, get 'em a Scotch on ice, would you? | 0:12:40 | 0:12:42 | |
Not for us, thank you. We're on duty. | 0:12:42 | 0:12:44 | |
Come on, boys, let's leave Daddy to talk. | 0:12:44 | 0:12:47 | |
-You have a beautiful family. -Oh, thank you. | 0:12:51 | 0:12:53 | |
We won't take up much of your time. | 0:12:53 | 0:12:55 | |
We just have a few questions. | 0:12:55 | 0:12:57 | |
Fire away. | 0:12:57 | 0:12:58 | |
We believe you were acquainted with the boxer Mike Maddock. | 0:12:58 | 0:13:01 | |
It's no secret I sponsored him, he was a hell of a fighter. | 0:13:01 | 0:13:04 | |
So you've heard what happened to him. | 0:13:04 | 0:13:06 | |
I read the papers, Detective. It's a tragedy. | 0:13:06 | 0:13:08 | |
When was the last time you saw him? | 0:13:08 | 0:13:10 | |
Just after the fight. | 0:13:10 | 0:13:12 | |
I invited him out to celebrate his victory, | 0:13:12 | 0:13:14 | |
but he was anxious to return to his children. | 0:13:14 | 0:13:16 | |
How are they, by the way? | 0:13:16 | 0:13:18 | |
As you might expect... under the circumstances. | 0:13:18 | 0:13:21 | |
Well, I hope you find whoever's responsible. | 0:13:23 | 0:13:25 | |
Oh, don't worry. | 0:13:25 | 0:13:27 | |
We will. | 0:13:27 | 0:13:28 | |
So you're a copper. You kept that one quiet. | 0:13:33 | 0:13:36 | |
I'm sorry, do I know you? | 0:13:36 | 0:13:38 | |
Oh, you know me, all right. Rather intimately, if I recall. | 0:13:38 | 0:13:43 | |
Keep your voice down. | 0:13:43 | 0:13:44 | |
The Crown. Take a different route. | 0:13:46 | 0:13:48 | |
It must be unnerving to have | 0:13:54 | 0:13:56 | |
so many of your friends meet with misfortune. | 0:13:56 | 0:13:59 | |
We understand you also knew Daniel Pembrook. | 0:13:59 | 0:14:01 | |
The councillor? Where did you hear that? | 0:14:01 | 0:14:04 | |
Your weekly poker games are an open secret, Mr Powell. | 0:14:04 | 0:14:07 | |
We play for matchsticks, of course. | 0:14:07 | 0:14:09 | |
Of course. | 0:14:09 | 0:14:10 | |
And I assure you Councillor Pembrook never attended. | 0:14:10 | 0:14:13 | |
I've never even met the man. | 0:14:13 | 0:14:14 | |
Really? | 0:14:14 | 0:14:16 | |
We were under the impression he'd racked up quite a poker debt to you. | 0:14:16 | 0:14:20 | |
I imagine it makes you angry when people don't pay what they owe. | 0:14:20 | 0:14:23 | |
I think I can afford to be lenient, don't you? | 0:14:23 | 0:14:26 | |
I'm sure Mike Maddock would disagree. | 0:14:26 | 0:14:29 | |
Are you implying he owed me money? | 0:14:29 | 0:14:31 | |
No, but I'm guessing money had something to do with it. | 0:14:31 | 0:14:35 | |
I doubt you'd dispose of someone who was...still of use to you. | 0:14:35 | 0:14:38 | |
You're right, I wouldn't. | 0:14:38 | 0:14:40 | |
And since Maddock won his last fight, you'll know he was a valuable asset. | 0:14:40 | 0:14:44 | |
Was? He's not dead yet, Mr Powell. | 0:14:44 | 0:14:48 | |
I guess some people just refuse to stay down. | 0:14:49 | 0:14:52 | |
You have a good day. | 0:14:54 | 0:14:56 | |
Thanks for stopping by. Always a pleasure. | 0:14:56 | 0:14:58 | |
Are you going to buy me a drink? | 0:15:13 | 0:15:15 | |
It's a bit of a fleapit. | 0:15:17 | 0:15:18 | |
What do you want, Carl? | 0:15:18 | 0:15:21 | |
You should be a bit nicer to me. | 0:15:21 | 0:15:22 | |
Unless you want to read about our last encounter | 0:15:23 | 0:15:25 | |
in the morning papers. | 0:15:25 | 0:15:26 | |
I reckon we could even make the headlines. | 0:15:26 | 0:15:29 | |
I could arrest you right now, for blackmailing a police officer. | 0:15:29 | 0:15:32 | |
Go ahead. | 0:15:32 | 0:15:34 | |
What would it be like, I wonder? | 0:15:35 | 0:15:38 | |
For a police officer in prison? | 0:15:38 | 0:15:40 | |
I'll ask you again, what do you want? | 0:15:42 | 0:15:45 | |
£100. | 0:15:45 | 0:15:47 | |
I don't have it. | 0:15:52 | 0:15:53 | |
You've got a problem then, haven't you? | 0:15:53 | 0:15:55 | |
Why are you doing this? | 0:15:55 | 0:15:58 | |
You were released today without charge. | 0:15:58 | 0:16:00 | |
I stuck my neck out for you. | 0:16:00 | 0:16:02 | |
You didn't do it for me. You were scared I'd talk, that's all. | 0:16:02 | 0:16:06 | |
That's not true. | 0:16:06 | 0:16:07 | |
I do what I can for...people like us. | 0:16:07 | 0:16:09 | |
Don't you dare sit there and pretend like we're on the same side. | 0:16:09 | 0:16:14 | |
Your lot make our lives a misery. Well, you know what? | 0:16:15 | 0:16:19 | |
Now it's your turn. | 0:16:19 | 0:16:22 | |
Have the money by tomorrow. | 0:16:22 | 0:16:25 | |
What? That's absurd - how am I supposed to get it? | 0:16:25 | 0:16:28 | |
You'll figure something out. | 0:16:30 | 0:16:32 | |
-Yeah, Sarge. -OK? | 0:16:41 | 0:16:44 | |
Sir. | 0:16:44 | 0:16:45 | |
WPC Dawson. | 0:16:54 | 0:16:57 | |
Sir? | 0:16:58 | 0:17:00 | |
How's the undercover work coming along? | 0:17:01 | 0:17:04 | |
Very well, thank you. | 0:17:04 | 0:17:06 | |
Any closer to finding that girl you're after? | 0:17:06 | 0:17:09 | |
I hope so. We have a photograph now, at least. | 0:17:10 | 0:17:14 | |
Yes, I heard about that. Good work, Dawson. | 0:17:14 | 0:17:17 | |
It's just this sort of thing that gets you noticed at Divisional. | 0:17:17 | 0:17:20 | |
Was there something else you wanted, sir? | 0:17:25 | 0:17:27 | |
I came to see Chief Inspector Briggs, but he's gone out to lunch. | 0:17:27 | 0:17:31 | |
Since I have an hour to kill, | 0:17:31 | 0:17:32 | |
I thought perhaps I could take you out for a bite? | 0:17:32 | 0:17:35 | |
There's an excellent restaurant not too far from here. | 0:17:36 | 0:17:40 | |
Thank you, sir, but I've already eaten. | 0:17:40 | 0:17:42 | |
In fact, I was about to go out on the beat. | 0:17:44 | 0:17:46 | |
Another time, then. | 0:17:50 | 0:17:51 | |
Where's that new piece of tail got to? Ned's favourite. | 0:18:05 | 0:18:08 | |
Ruby? She'll be in later. | 0:18:08 | 0:18:10 | |
Good. I'll make sure she makes it up to you. | 0:18:10 | 0:18:13 | |
It's probably best she steers clear from now on. | 0:18:13 | 0:18:16 | |
How about you keep your nose out? | 0:18:16 | 0:18:17 | |
Hold on. | 0:18:17 | 0:18:19 | |
Maybe someone wants her for himself? | 0:18:19 | 0:18:20 | |
THEY LAUGH | 0:18:20 | 0:18:23 | |
Well, well. You've got quite a poker face on you, Fenton. | 0:18:23 | 0:18:26 | |
Remind me never to play you. Get him a drink. Anything he wants. | 0:18:26 | 0:18:30 | |
Don't bother. | 0:18:30 | 0:18:31 | |
That's the second refusal today. I'm starting to get a complex. | 0:18:31 | 0:18:35 | |
So you lost money on the fight. | 0:18:39 | 0:18:41 | |
No need to get bent out of shape. | 0:18:41 | 0:18:42 | |
All better? | 0:18:48 | 0:18:49 | |
Give it to Maddock's kids. | 0:18:49 | 0:18:51 | |
Hey, I feel bad about it too. | 0:18:51 | 0:18:53 | |
They would've been well provided for if their father hadn't been so dumb. | 0:18:53 | 0:18:57 | |
Too many blows to the head, I reckon. | 0:18:57 | 0:18:59 | |
If they come for you I ain't protecting you, Lenny. | 0:18:59 | 0:19:03 | |
Not this time. | 0:19:03 | 0:19:04 | |
Who do you think you're talking to? | 0:19:05 | 0:19:07 | |
It's all right, let him make his little speech. | 0:19:08 | 0:19:11 | |
Go ahead, we're all ears. | 0:19:11 | 0:19:13 | |
No speech, I'm just letting you know how it is. | 0:19:13 | 0:19:17 | |
You. Since you're still here. | 0:19:26 | 0:19:28 | |
Keep the booze and the girls coming. That includes Ruby. | 0:19:32 | 0:19:36 | |
Here you go, Sarge. | 0:19:45 | 0:19:46 | |
-Are these your incident reports? -Yes, Sarge. | 0:19:46 | 0:19:49 | |
There's a lot of it. | 0:19:49 | 0:19:50 | |
That's not just the backlog, sir. That's from today's beat. | 0:19:50 | 0:19:54 | |
A pickpocket, couple of vandals, and a drunk and disorderly. | 0:19:54 | 0:19:57 | |
So when did you have time to do all this? | 0:19:57 | 0:20:00 | |
I just...skipped lunch, Sarge. | 0:20:00 | 0:20:02 | |
Well, keep up the good work. | 0:20:02 | 0:20:05 | |
But try to keep on top of it from now on. | 0:20:05 | 0:20:08 | |
Yes, Sarge. Thank you, Sarge. | 0:20:08 | 0:20:10 | |
Sir, may I speak with you for a moment? | 0:20:46 | 0:20:49 | |
This is not a good time, Dawson. | 0:20:49 | 0:20:50 | |
It can't wait. | 0:20:50 | 0:20:52 | |
What is it? | 0:20:52 | 0:20:54 | |
It's, erm... | 0:20:54 | 0:20:56 | |
It's delicate. | 0:20:56 | 0:20:58 | |
Well? | 0:21:08 | 0:21:09 | |
Chief Coulson, sir. | 0:21:12 | 0:21:15 | |
He's been...propositioning me. | 0:21:15 | 0:21:19 | |
Inappropriately. | 0:21:21 | 0:21:22 | |
HE SIGHS | 0:21:22 | 0:21:24 | |
I'm sure it's just a harmless flirtation. | 0:21:24 | 0:21:27 | |
It's more than that. | 0:21:27 | 0:21:29 | |
Then perhaps you need to grow a thicker skin. | 0:21:29 | 0:21:31 | |
Now, if you don't mind... | 0:21:31 | 0:21:33 | |
Sir, I don't wish to lodge a complaint. | 0:21:33 | 0:21:35 | |
I should think not, Constable Dawson, because we wouldn't want | 0:21:35 | 0:21:38 | |
your own conduct to be examined too closely, now, would we? | 0:21:38 | 0:21:41 | |
Sir? | 0:21:41 | 0:21:43 | |
Don't think I haven't heard what went on between you | 0:21:43 | 0:21:45 | |
and Detective Burns. | 0:21:45 | 0:21:46 | |
Perhaps if you don't like the attentions of the other men, | 0:21:46 | 0:21:48 | |
you should have considered your reputation. Good night. | 0:21:48 | 0:21:51 | |
I have some news. | 0:22:05 | 0:22:07 | |
I found a place for sale. On the coast. | 0:22:07 | 0:22:09 | |
I put down a deposit. | 0:22:09 | 0:22:12 | |
Congratulations. | 0:22:15 | 0:22:16 | |
To new beginnings. | 0:22:18 | 0:22:20 | |
I thought you'd be upset. | 0:22:25 | 0:22:26 | |
You're best out of all this. | 0:22:29 | 0:22:31 | |
You could always come with me. | 0:22:34 | 0:22:36 | |
What's this? | 0:22:50 | 0:22:52 | |
What do you think it is? A birthday present. | 0:22:52 | 0:22:56 | |
When have you ever remembered a birthday? | 0:22:56 | 0:22:58 | |
40. It's a big 'un. | 0:22:58 | 0:23:00 | |
Don't remind me. | 0:23:00 | 0:23:01 | |
It's all downhill from here. | 0:23:01 | 0:23:03 | |
Open it. | 0:23:05 | 0:23:07 | |
Sid. | 0:23:14 | 0:23:15 | |
DOOR OPENS | 0:23:41 | 0:23:43 | |
Where have you been? | 0:23:52 | 0:23:53 | |
I called the station, and they said you left hours ago. | 0:23:55 | 0:23:57 | |
I'm sorry, I didn't mean for you to worry. | 0:23:57 | 0:23:59 | |
You're drunk. | 0:24:04 | 0:24:06 | |
I'm not. | 0:24:06 | 0:24:07 | |
Yes, you are, you're drunk. | 0:24:07 | 0:24:09 | |
I had a couple of drinks - so what? | 0:24:09 | 0:24:11 | |
Well, if you're expecting dinner, you're too late, it's ruined. | 0:24:12 | 0:24:15 | |
I'm not hungry. | 0:24:15 | 0:24:17 | |
I wish I'd known. I wouldn't have bothered. | 0:24:17 | 0:24:18 | |
For God's sake, I said I was sorry! | 0:24:18 | 0:24:20 | |
Now get off my back! | 0:24:20 | 0:24:21 | |
Charlotte. | 0:24:25 | 0:24:26 | |
# Good night, sweetheart | 0:24:29 | 0:24:36 | |
# Till we meet tomorrow... # | 0:24:36 | 0:24:41 | |
Mr Hutton said you wanted to see me. | 0:24:43 | 0:24:45 | |
Yeah, we were hoping you'd do us the honour of joining our table. | 0:24:45 | 0:24:48 | |
As you can see, Ned's all on his lonesome tonight. | 0:24:50 | 0:24:52 | |
I'm not really a hostess. | 0:24:54 | 0:24:55 | |
It's all right, it's all squared with the boss. Go on. | 0:24:55 | 0:24:58 | |
That's a pretty name, Ruby. | 0:25:08 | 0:25:10 | |
Thank you. | 0:25:10 | 0:25:12 | |
A pretty name for a pretty girl. | 0:25:12 | 0:25:13 | |
Isn't she? | 0:25:13 | 0:25:15 | |
Ned? | 0:25:15 | 0:25:16 | |
Yes. | 0:25:16 | 0:25:18 | |
THEY LAUGH | 0:25:18 | 0:25:21 | |
Ned's not much of a talker, I'm afraid. | 0:25:21 | 0:25:23 | |
I only talk when I've got something to say. | 0:25:23 | 0:25:25 | |
Just my type, then. Like Gary Cooper. | 0:25:26 | 0:25:29 | |
You're going to freeze to death. | 0:25:50 | 0:25:52 | |
I'm OK. It's hot in there. | 0:25:52 | 0:25:55 | |
Won't you be cold? | 0:25:59 | 0:26:00 | |
I don't care. | 0:26:00 | 0:26:02 | |
Are you all right? You seemed upset before. | 0:26:06 | 0:26:09 | |
You're not the only one who has to pretend in this place, you know. | 0:26:11 | 0:26:15 | |
Yeah, sometimes you want to tell them all to go to hell. | 0:26:15 | 0:26:17 | |
Something like that. | 0:26:17 | 0:26:19 | |
You probably shouldn't be here, though. | 0:26:21 | 0:26:23 | |
Mr Powell wants you to sit with him. | 0:26:23 | 0:26:27 | |
I got the feeling you didn't like it. | 0:26:27 | 0:26:29 | |
I don't. Does that bother you? | 0:26:30 | 0:26:33 | |
No. | 0:26:36 | 0:26:37 | |
You'd best get back. | 0:26:40 | 0:26:41 | |
See you later, Mr Hutton. | 0:26:45 | 0:26:46 | |
Call me Chris. | 0:26:49 | 0:26:51 | |
All right, then, I'll give him your message. Nice talking to you. | 0:27:02 | 0:27:07 | |
Bye-bye. | 0:27:07 | 0:27:08 | |
Oh, Inspector Briggs, you just missed your brother. | 0:27:10 | 0:27:12 | |
What? | 0:27:12 | 0:27:14 | |
Your brother, Carl. That was him on the phone. | 0:27:14 | 0:27:16 | |
He's an absolute tonic! | 0:27:16 | 0:27:18 | |
He was telling me about the two of you when you were kids. | 0:27:18 | 0:27:22 | |
What did he want? | 0:27:22 | 0:27:23 | |
He said he's in town for the day and he wants to see you. | 0:27:23 | 0:27:26 | |
He's staying at this address. | 0:27:26 | 0:27:28 | |
Thank you. | 0:27:28 | 0:27:29 | |
Ow! | 0:27:29 | 0:27:30 | |
Please, Ned! No! | 0:27:41 | 0:27:43 | |
I'm busy. | 0:27:44 | 0:27:45 | |
SHE SCREAMS | 0:27:45 | 0:27:47 | |
Mr Powell just called. He wants to see you. | 0:27:49 | 0:27:52 | |
What? Where is he? | 0:27:52 | 0:27:54 | |
At home. He said right away. | 0:27:54 | 0:27:56 | |
We don't have much time. | 0:28:07 | 0:28:08 | |
What? | 0:28:08 | 0:28:10 | |
There's no time to talk - just get dressed. | 0:28:10 | 0:28:12 | |
Take the back way out. Through the kitchen. Here take this. | 0:28:23 | 0:28:29 | |
Get out of town and don't ever come back. | 0:28:30 | 0:28:32 | |
What'll you tell Ned? | 0:28:33 | 0:28:35 | |
Let me worry about that. | 0:28:36 | 0:28:38 | |
Thank you. | 0:28:38 | 0:28:39 | |
Go. | 0:28:46 | 0:28:47 | |
Hey, there he is! Congratulations, son. | 0:28:50 | 0:28:53 | |
For what, Sarge? | 0:28:53 | 0:28:54 | |
For doing such a thorough job with these reports. | 0:28:54 | 0:28:57 | |
I must say, in all my years, I've never read notes | 0:28:57 | 0:29:00 | |
quite as detailed before. | 0:29:00 | 0:29:01 | |
I like to cover all b-b-bases. | 0:29:01 | 0:29:04 | |
Well, that you do. It's been a real eye-opener. | 0:29:04 | 0:29:07 | |
I had no idea you were so heroic in the field. | 0:29:07 | 0:29:11 | |
I particularly like your account of the apprehension | 0:29:11 | 0:29:14 | |
and questioning of the phone box vandal. Where is it? | 0:29:14 | 0:29:19 | |
Ah, yes. "He was no better than a two-bit bum, the kind of guy | 0:29:19 | 0:29:22 | |
"who'd sell his own mother for nothing and still ask for change." | 0:29:22 | 0:29:26 | |
What does that even mean? | 0:29:26 | 0:29:28 | |
-Erm... -And this bit. | 0:29:28 | 0:29:30 | |
"He was pure evil. | 0:29:30 | 0:29:32 | |
"If I hadn't taken him off the streets, we'd all be a little | 0:29:32 | 0:29:35 | |
"less safe in our beds tonight." | 0:29:35 | 0:29:37 | |
I didn't realise Mr Bailey posed such a threat. | 0:29:38 | 0:29:41 | |
You see... | 0:29:41 | 0:29:42 | |
No, no, there's more, you see. | 0:29:42 | 0:29:44 | |
This is my favourite, about the drunk you arrested yesterday... | 0:29:44 | 0:29:47 | |
"He had eyes like a snake, cold and dead. | 0:29:47 | 0:29:52 | |
"I knew he'd try to strike the first chance he got, | 0:29:52 | 0:29:54 | |
"and that's why I had to show him who was boss. | 0:29:54 | 0:29:56 | |
" 'Sorry, friend, but you crossed the line. | 0:29:56 | 0:29:59 | |
" 'Time for a date with Lady Law.' " | 0:29:59 | 0:30:01 | |
I didn't write any of that! | 0:30:01 | 0:30:03 | |
Excuse me? | 0:30:03 | 0:30:05 | |
Miss Nightingale was only supposed to copy my notes. | 0:30:07 | 0:30:10 | |
Miss Nightingale? | 0:30:10 | 0:30:11 | |
Are you saying you didn't type these notes up yourself? | 0:30:11 | 0:30:15 | |
Sorry, Sarge. | 0:30:15 | 0:30:16 | |
That is a disappointment. To be lied to like that. | 0:30:16 | 0:30:20 | |
I'm going to have to try and think of a way | 0:30:20 | 0:30:22 | |
for you to make it up to me. | 0:30:22 | 0:30:23 | |
HE LAUGHS | 0:30:23 | 0:30:25 | |
Hold on a second. Now, where did I put them? | 0:30:25 | 0:30:28 | |
Mr Snake-Eyes made a right mess of the cell last night. | 0:30:31 | 0:30:35 | |
Upset stomach, amongst other things. | 0:30:35 | 0:30:37 | |
Thank you. | 0:30:41 | 0:30:43 | |
Thank you. | 0:30:45 | 0:30:47 | |
Ticket to London, please. | 0:30:47 | 0:30:49 | |
Thank you. | 0:30:49 | 0:30:51 | |
Thank you. | 0:30:58 | 0:31:00 | |
Going somewhere? | 0:31:13 | 0:31:16 | |
It's good to see you, Mr Powell. | 0:31:16 | 0:31:17 | |
Can I get you a drink? | 0:31:17 | 0:31:19 | |
You can answer me question. | 0:31:20 | 0:31:22 | |
It's just a weekend away. | 0:31:22 | 0:31:23 | |
I didn't think it was worth mentioning. | 0:31:23 | 0:31:26 | |
So this has got nothing to do with you sending Ned | 0:31:26 | 0:31:28 | |
on a false errand earlier? | 0:31:28 | 0:31:29 | |
What do you mean? One of the girls said you'd called. | 0:31:29 | 0:31:32 | |
I just passed on the message. | 0:31:32 | 0:31:34 | |
We go back 20 years, Rosie. Haven't I treated you right? | 0:31:34 | 0:31:39 | |
Of course you have, Mr Powell. | 0:31:39 | 0:31:42 | |
Then where's the loyalty? Hmm? | 0:31:42 | 0:31:44 | |
Why bite the hand that feeds? | 0:31:44 | 0:31:46 | |
You know what I'm talking about. | 0:31:47 | 0:31:49 | |
What happened to the girl? | 0:31:50 | 0:31:52 | |
Answer me. | 0:31:53 | 0:31:55 | |
It wasn't right keeping her prisoner. | 0:31:56 | 0:31:59 | |
Who are you to say what's right? | 0:31:59 | 0:32:01 | |
I won't be party to it. | 0:32:01 | 0:32:02 | |
Where is she? | 0:32:02 | 0:32:04 | |
Where is she?! | 0:32:06 | 0:32:08 | |
Somewhere I hope you'll never find her! | 0:32:08 | 0:32:10 | |
SHE SCREAMS | 0:32:12 | 0:32:13 | |
TANNOY ANNOUNCEMENT | 0:32:13 | 0:32:16 | |
Rebecca Jones? | 0:32:24 | 0:32:25 | |
No. | 0:32:25 | 0:32:27 | |
We'd like to ask you some questions about Councillor Daniel Pembrook. | 0:32:27 | 0:32:31 | |
Leave me alone, I don't know anything. | 0:32:31 | 0:32:33 | |
Would you come with us, please? | 0:32:33 | 0:32:35 | |
No. No...no! | 0:32:35 | 0:32:37 | |
I need to get out of here! | 0:32:37 | 0:32:40 | |
-Come on now, miss. -You don't understand! Please, let me go! | 0:32:40 | 0:32:43 | |
KNOCK AT DOOR | 0:32:43 | 0:32:44 | |
How dare you call my secretary? | 0:32:52 | 0:32:53 | |
Oh, I'm sorry, should I have called your wife instead? | 0:32:53 | 0:32:55 | |
Just keep away from where I work, is that clear? | 0:32:55 | 0:32:59 | |
All right, cool it, I'm sure nobody followed you here. | 0:32:59 | 0:33:01 | |
Have you got it? | 0:33:03 | 0:33:04 | |
Is it all there? | 0:33:14 | 0:33:15 | |
Count it if you want. | 0:33:15 | 0:33:17 | |
-Where did you get it? -That is none of your damn business. | 0:33:17 | 0:33:20 | |
And if I ever see you again, I'm arresting you. | 0:33:21 | 0:33:25 | |
I don't care what stories you tell. | 0:33:25 | 0:33:27 | |
Stay for a drink. | 0:33:27 | 0:33:28 | |
There's no reason we can't be friendly, is there? | 0:33:33 | 0:33:36 | |
This is my life. My life! | 0:33:38 | 0:33:40 | |
I should kill you. | 0:33:41 | 0:33:43 | |
Go ahead! What have I got, eh? | 0:33:43 | 0:33:47 | |
What's wrong? | 0:33:56 | 0:33:57 | |
Are you OK? | 0:33:57 | 0:34:00 | |
I'm sorry. | 0:34:00 | 0:34:02 | |
Here, take it back. | 0:34:05 | 0:34:07 | |
Keep it. | 0:34:09 | 0:34:11 | |
Oh, Inspector Briggs... | 0:34:17 | 0:34:19 | |
Charlotte. | 0:34:21 | 0:34:22 | |
What are you doing here? | 0:34:25 | 0:34:27 | |
I've just been to the bank. | 0:34:27 | 0:34:28 | |
I was going to tell you. | 0:34:34 | 0:34:35 | |
Really? When? | 0:34:35 | 0:34:37 | |
While I was writing a cheque to the builders? | 0:34:37 | 0:34:39 | |
Don't be ridiculous. | 0:34:39 | 0:34:40 | |
You had no right. | 0:34:40 | 0:34:42 | |
It's our money, isn't it? | 0:34:42 | 0:34:43 | |
Daddy left it to me. | 0:34:43 | 0:34:45 | |
Would you rather we'd lost the house? | 0:34:45 | 0:34:47 | |
We've been...falling behind with the payments. | 0:34:49 | 0:34:53 | |
I didn't want to worry you with it, but now you know. | 0:34:53 | 0:34:57 | |
And I'm sorry about the kitchen. | 0:34:59 | 0:35:02 | |
I know how much you wanted it. | 0:35:02 | 0:35:04 | |
But sometimes a man has to prioritise. | 0:35:06 | 0:35:08 | |
Is that what you are, Walter? A man? | 0:35:08 | 0:35:11 | |
# There is nothing I couldn't do | 0:35:14 | 0:35:17 | |
# Lord, if I had you | 0:35:18 | 0:35:22 | |
# Mm-hmm-mm... # | 0:35:22 | 0:35:26 | |
Is that supposed to be your tip? | 0:35:32 | 0:35:35 | |
Last of the big spenders. | 0:35:35 | 0:35:38 | |
You should ask to be a hostess. Make some real money. | 0:35:38 | 0:35:41 | |
I'm fine doing this. | 0:35:41 | 0:35:43 | |
If you say so. | 0:35:43 | 0:35:45 | |
Get me a Scotch. | 0:35:47 | 0:35:48 | |
Well, hello. | 0:35:48 | 0:35:50 | |
What's a handsome fellow like you doing in a place like this? | 0:35:50 | 0:35:53 | |
What? | 0:35:53 | 0:35:55 | |
Buy a girl a drink? | 0:35:55 | 0:35:56 | |
Haven't you got work to do? | 0:35:58 | 0:36:00 | |
Sorry. | 0:36:02 | 0:36:03 | |
Are you all right? | 0:36:05 | 0:36:06 | |
-Chris? -It's Mr Hutton. | 0:36:09 | 0:36:11 | |
Miss Jones, we found the body of Councillor Pembrook in your flat. | 0:36:19 | 0:36:22 | |
We know you had a relationship with him. | 0:36:22 | 0:36:25 | |
Why didn't you come forward? | 0:36:25 | 0:36:26 | |
Were you in the flat the night he was murdered? | 0:36:29 | 0:36:31 | |
You're not in any trouble yet, Miss Jones. | 0:36:31 | 0:36:34 | |
Just tell us what you know. | 0:36:34 | 0:36:35 | |
Did you see who murdered him? | 0:36:37 | 0:36:38 | |
If you don't start cooperating, we'll arrest you for obstructing | 0:36:38 | 0:36:42 | |
a police investigation - is that what you want? | 0:36:42 | 0:36:44 | |
Clearly it is. Perkins. | 0:36:49 | 0:36:52 | |
What do you want to do, sir? | 0:37:01 | 0:37:03 | |
I'm thinking we gag her and go to work with some pliers. | 0:37:03 | 0:37:06 | |
You in? | 0:37:06 | 0:37:07 | |
It's a joke. Where's Dawson? | 0:37:10 | 0:37:14 | |
She's met her before, | 0:37:14 | 0:37:15 | |
maybe she'll have better luck getting her to talk. | 0:37:15 | 0:37:16 | |
She's at the Sapphire Club, sir, won't be back till morning. | 0:37:16 | 0:37:20 | |
GIGGLING | 0:37:20 | 0:37:22 | |
Night, Ruby. | 0:37:25 | 0:37:27 | |
Night. | 0:37:27 | 0:37:29 | |
I'm sorry about earlier. | 0:37:45 | 0:37:46 | |
You seemed upset. | 0:37:46 | 0:37:48 | |
I just should've made it clear, it's best the others don't know. | 0:37:48 | 0:37:52 | |
Don't know what? | 0:37:52 | 0:37:54 | |
That I like you. | 0:37:54 | 0:37:56 | |
Did you drink all that by yourself? | 0:37:58 | 0:38:01 | |
I did. | 0:38:01 | 0:38:02 | |
Looks like you're going to have to save me from myself. | 0:38:04 | 0:38:07 | |
It's late. I should go. | 0:38:07 | 0:38:08 | |
Just one glass. | 0:38:08 | 0:38:10 | |
Please don't let me sit here all alone. | 0:38:10 | 0:38:13 | |
Knock-knock! Rosie? It's me. You ready? | 0:38:16 | 0:38:19 | |
Your chariot awaits. | 0:38:21 | 0:38:23 | |
Rosie? | 0:38:24 | 0:38:26 | |
Oh, God! | 0:38:35 | 0:38:37 | |
Oh, baby. | 0:38:39 | 0:38:41 | |
Rosie. | 0:38:44 | 0:38:45 | |
Rosie. | 0:38:49 | 0:38:51 | |
No brothers and sisters, just my mum and dad. | 0:39:05 | 0:39:08 | |
So pretty ordinary, really. What about you? | 0:39:08 | 0:39:13 | |
My mother died a few years ago, so it's just me now. | 0:39:15 | 0:39:20 | |
I'm sorry. What about your father? | 0:39:22 | 0:39:26 | |
He ran out before I was born. | 0:39:28 | 0:39:30 | |
It's his loss. | 0:39:33 | 0:39:35 | |
If only he could see you now. | 0:39:37 | 0:39:38 | |
Sitting here, drinking champagne. | 0:39:38 | 0:39:40 | |
With a girl like you. | 0:39:41 | 0:39:43 | |
You're something else, Ruby, you know that? | 0:39:45 | 0:39:48 | |
I should go. | 0:40:03 | 0:40:05 | |
Don't. | 0:40:05 | 0:40:06 | |
-I really have to go. -OK. | 0:40:23 | 0:40:26 | |
KNOCK AT DOOR | 0:41:57 | 0:42:00 | |
Sidney? Sidney, is that you? | 0:42:29 | 0:42:33 | |
You're in late. | 0:42:33 | 0:42:35 | |
You'd better not stink of beer, Sidney, or you can sleep | 0:42:35 | 0:42:38 | |
on the settee. | 0:42:38 | 0:42:39 | |
I've got your dinner on the stove - do you want me to warm it up? | 0:42:39 | 0:42:42 | |
-No. -Suit yourself. | 0:42:42 | 0:42:44 | |
Er, you'll never guess what | 0:42:44 | 0:42:46 | |
some cheeky so-and-so said to me at work today. | 0:42:46 | 0:42:48 | |
Honestly, I could've swung for him. | 0:42:48 | 0:42:50 | |
I was at the make-up counter, right, and this bloke comes up | 0:42:50 | 0:42:53 | |
and he says he wants to buy something nice for his wife. | 0:42:53 | 0:42:56 | |
So I said, "Certainly, sir, what sort of thing are you after?" | 0:42:56 | 0:42:58 | |
And he goes, "Well, I don't really know." | 0:42:58 | 0:43:00 | |
I says, "What sort of colours does she like to wear? | 0:43:00 | 0:43:03 | |
"You could get her some eye shadow or lipstick or something | 0:43:03 | 0:43:06 | |
"to complement her wardrobe." | 0:43:06 | 0:43:07 | |
And he goes, "Well, I don't really know." | 0:43:07 | 0:43:09 | |
I says, "Well, pick something you like, then. | 0:43:09 | 0:43:12 | |
"What about this cherry lipstick? It's very popular at the moment. | 0:43:12 | 0:43:16 | |
"In fact, it's what I'm wearing right now." | 0:43:16 | 0:43:19 | |
And he goes, listen to this, he goes, "No, thank you, | 0:43:19 | 0:43:22 | |
"I want her to look nice." | 0:43:22 | 0:43:24 | |
Can you believe that? | 0:43:24 | 0:43:26 | |
Sidney? I said, can you believe that? | 0:43:26 | 0:43:30 | |
No. | 0:43:30 | 0:43:31 | |
No, neither could I. | 0:43:31 | 0:43:33 | |
Like I said, I could've swung for him. | 0:43:33 | 0:43:37 | |
SHE SQUEALS | 0:43:37 | 0:43:38 | |
What's this? | 0:43:38 | 0:43:40 | |
Sidney! | 0:43:41 | 0:43:43 | |
This is so romantic! | 0:43:43 | 0:43:46 | |
SHE GASPS | 0:43:46 | 0:43:48 | |
Oh, this is...lovely. | 0:43:48 | 0:43:52 | |
Sidney, it's gorgeous! | 0:43:52 | 0:43:54 | |
I can't wait to go out now so I can show it off. | 0:43:56 | 0:43:58 | |
Oh, I just love it, Sidney! | 0:44:01 | 0:44:03 | |
I can't wait to tell the girls at work. | 0:44:03 | 0:44:06 |