Browse content similar to That Old Devil Called Love. Check below for episodes and series from the same categories and more!
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A name keeps popping up - Lenny Powell. | 0:00:02 | 0:00:03 | |
-Mr Powell just called, he wants to see you. -What? | 0:00:03 | 0:00:06 | |
-Now? -He said right away. | 0:00:06 | 0:00:07 | |
Chief Coulson, Sir, | 0:00:07 | 0:00:09 | |
he's been propositioning me. | 0:00:09 | 0:00:12 | |
If they've come for you, I ain't protecting you, Lenny. | 0:00:12 | 0:00:15 | |
Not this time. | 0:00:15 | 0:00:16 | |
What happened to the girl? | 0:00:16 | 0:00:18 | |
-WHERE IS SHE?! -Somewhere I hope you'll never find her. | 0:00:18 | 0:00:21 | |
SHE SCREAMS Oh, baby! | 0:00:21 | 0:00:23 | |
Oh, God. | 0:00:23 | 0:00:24 | |
BELL RINGS | 0:00:51 | 0:00:53 | |
FAINT SCREAMING | 0:01:03 | 0:01:05 | |
Hello? | 0:01:07 | 0:01:08 | |
Police. Anyone here? | 0:01:08 | 0:01:10 | |
OK, you two, Adams, with me upstairs. Go. | 0:01:13 | 0:01:16 | |
You two, down here. | 0:01:19 | 0:01:20 | |
I'll do this room. | 0:01:22 | 0:01:24 | |
You see what you can find. | 0:01:24 | 0:01:25 | |
Careful what you touch. | 0:01:27 | 0:01:29 | |
Sarge. | 0:01:39 | 0:01:40 | |
Sarge! | 0:01:43 | 0:01:44 | |
Did you know about this place? | 0:01:58 | 0:02:00 | |
Fenton! | 0:02:03 | 0:02:04 | |
-Fenton. -What? | 0:02:08 | 0:02:11 | |
Was this address known to us? | 0:02:11 | 0:02:12 | |
No. | 0:02:13 | 0:02:15 | |
These places spring up all the time. | 0:02:16 | 0:02:19 | |
Sir? | 0:02:23 | 0:02:24 | |
Is...is that her? | 0:02:26 | 0:02:29 | |
He will have made a mistake... | 0:02:35 | 0:02:37 | |
..left a hair, a fingerprint, something. | 0:02:38 | 0:02:42 | |
Find it. | 0:02:42 | 0:02:44 | |
Get your Brinford Times here! | 0:02:47 | 0:02:48 | |
Thank you, sir. | 0:02:48 | 0:02:50 | |
Has she got a name? | 0:02:50 | 0:02:52 | |
Rosie Turner. | 0:02:52 | 0:02:54 | |
She's got £200 in the Post Office | 0:02:54 | 0:02:57 | |
but that's about all we know. | 0:02:57 | 0:02:59 | |
Two bodies, an attempted murder - | 0:02:59 | 0:03:01 | |
I can call in help from Divisional. | 0:03:01 | 0:03:03 | |
Thank you, sir, but there's no need. I've left men searching the brothel. | 0:03:03 | 0:03:06 | |
Sergeant Fenton's interviewing the neighbours. | 0:03:06 | 0:03:09 | |
And the Pembrook case? | 0:03:09 | 0:03:10 | |
Excuse me, sir. Interview Room? | 0:03:10 | 0:03:13 | |
We've got our witness. | 0:03:15 | 0:03:16 | |
Get her to start talking or we'll have to let her go. | 0:03:16 | 0:03:19 | |
And you've never been married? | 0:03:24 | 0:03:27 | |
I got as far as the altar once. | 0:03:27 | 0:03:29 | |
Trouble is, the groom was already halfway to Gretna Green | 0:03:29 | 0:03:31 | |
with my best friend. | 0:03:31 | 0:03:33 | |
Do you work, Miss Nightingale? | 0:03:33 | 0:03:35 | |
I'm a secretary. | 0:03:35 | 0:03:36 | |
I just started a new position at Brinford Police Station. | 0:03:36 | 0:03:40 | |
I think that's enough details for now. | 0:03:40 | 0:03:42 | |
Can you put I'm available any evening...weekends. | 0:03:42 | 0:03:46 | |
I don't want to get your hopes up. | 0:03:46 | 0:03:48 | |
Most of our members are looking for someone... | 0:03:48 | 0:03:51 | |
younger. | 0:03:51 | 0:03:52 | |
I see. | 0:03:52 | 0:03:53 | |
But if any matches do come up, I'll be in touch. | 0:03:53 | 0:03:56 | |
Don't tell me you need a marriage bureau. | 0:04:08 | 0:04:10 | |
I'm fed up with kissing princes who turn into frogs. | 0:04:10 | 0:04:13 | |
I hope you have better luck than me. | 0:04:16 | 0:04:18 | |
You'd be wasting your time there, I'm afraid. | 0:04:22 | 0:04:25 | |
Miss Nightingale doesn't match your requirements. | 0:04:25 | 0:04:28 | |
Miss Baxter, if you'd like to come through. | 0:04:28 | 0:04:30 | |
Excuse me! | 0:04:36 | 0:04:37 | |
You dropped this. | 0:04:37 | 0:04:39 | |
Oh! | 0:04:39 | 0:04:41 | |
Thank you. | 0:04:41 | 0:04:43 | |
Am I that awful? | 0:04:43 | 0:04:45 | |
That you have to rush off so quickly? | 0:04:45 | 0:04:47 | |
I'm on my lunch break. | 0:04:47 | 0:04:49 | |
Sorry, where are my manners? | 0:04:49 | 0:04:51 | |
Alan, Alan Reynolds. | 0:04:51 | 0:04:53 | |
Rebecca, | 0:04:55 | 0:04:57 | |
whatever you've been through, | 0:04:57 | 0:05:00 | |
it's over. | 0:05:00 | 0:05:01 | |
Where have you been? | 0:05:02 | 0:05:04 | |
A room. | 0:05:08 | 0:05:10 | |
Men came to the house and... | 0:05:16 | 0:05:18 | |
..and they made me... | 0:05:21 | 0:05:23 | |
You've been kept in a brothel? | 0:05:23 | 0:05:25 | |
How did you get away? | 0:05:29 | 0:05:30 | |
She helped me.... | 0:05:32 | 0:05:34 | |
Who? | 0:05:34 | 0:05:35 | |
Rosie. | 0:05:35 | 0:05:37 | |
If it hadn't been for her... | 0:05:37 | 0:05:38 | |
Is this her? | 0:05:57 | 0:05:58 | |
Is this Rosie? | 0:05:59 | 0:06:00 | |
Rebecca, Rosie Turner was found dead this morning. | 0:06:02 | 0:06:05 | |
She'd been stabbed. | 0:06:07 | 0:06:08 | |
It's my fault. | 0:06:12 | 0:06:14 | |
What do you mean? | 0:06:14 | 0:06:15 | |
If she hadn't let me go... | 0:06:17 | 0:06:19 | |
..she'd still be alive. | 0:06:20 | 0:06:22 | |
Who was in charge of the brothel? | 0:06:24 | 0:06:27 | |
-Do you know who killed her? -Sir, please. | 0:06:27 | 0:06:30 | |
Five minutes. | 0:06:36 | 0:06:37 | |
Well? | 0:06:45 | 0:06:46 | |
Usual, the three wise monkeys routine. | 0:06:47 | 0:06:50 | |
They must have known something was going on. | 0:06:50 | 0:06:52 | |
They keep their curtains closed and their mouths shut. | 0:06:52 | 0:06:55 | |
At least we've had one break - | 0:06:55 | 0:06:57 | |
Rebecca Jones. | 0:06:57 | 0:06:59 | |
-What about her? -Turns out they were being held in the same brothel. | 0:06:59 | 0:07:02 | |
I can't stay here. | 0:07:02 | 0:07:05 | |
-Please. -SHE HYPERVENTILATES | 0:07:05 | 0:07:07 | |
You've got to get me out of here. | 0:07:07 | 0:07:09 | |
Rebecca, please. Calm down. | 0:07:09 | 0:07:10 | |
-What's going on? -Anywhere. Just not here! | 0:07:10 | 0:07:13 | |
Don't you owe it to Rosie? | 0:07:13 | 0:07:15 | |
You said I was safe. | 0:07:15 | 0:07:17 | |
-You said I was safe! -Rebecca...? | 0:07:17 | 0:07:18 | |
You promised me. | 0:07:18 | 0:07:20 | |
You said I was safe. | 0:07:20 | 0:07:21 | |
I have no doubt that the Rosie Turner and Daniel Pembrook murders are connected. | 0:07:23 | 0:07:26 | |
But Rebecca's not going to say any more | 0:07:26 | 0:07:28 | |
unless we can reassure her that she's safe. | 0:07:28 | 0:07:31 | |
So we put her in a safe house | 0:07:31 | 0:07:33 | |
and organise a rota of officers to watch over her. | 0:07:33 | 0:07:35 | |
Dawson, do you want to take the first shift? | 0:07:35 | 0:07:37 | |
She seems to trust you. | 0:07:37 | 0:07:39 | |
I'm working at the Sapphire Club tonight. | 0:07:39 | 0:07:41 | |
Well, now that we have Rebecca, | 0:07:41 | 0:07:42 | |
there's no need for you to go back there. | 0:07:42 | 0:07:44 | |
Of course. | 0:07:44 | 0:07:45 | |
All right, Inspector, set it up. | 0:07:45 | 0:07:47 | |
-But the fewer the people who know, the better. -Will do, sir. | 0:07:47 | 0:07:49 | |
Goodnight, dear. | 0:07:51 | 0:07:53 | |
Goodnight, Glenda. | 0:07:53 | 0:07:54 | |
Night, Glenda. | 0:07:57 | 0:07:58 | |
Are you going somewhere nice? | 0:08:03 | 0:08:05 | |
-Luigi's - that new Italian on the -High Street. Oh. | 0:08:05 | 0:08:09 | |
With a girlfriend? | 0:08:10 | 0:08:12 | |
A friend. | 0:08:12 | 0:08:14 | |
An old friend? | 0:08:15 | 0:08:17 | |
No, someone I've just met. | 0:08:17 | 0:08:20 | |
Have a nice time. | 0:08:24 | 0:08:27 | |
I'm sure we will. | 0:08:27 | 0:08:28 | |
# Oh, what a dream | 0:08:38 | 0:08:40 | |
# What a dream... # | 0:08:41 | 0:08:43 | |
Hello. | 0:08:43 | 0:08:45 | |
You're a bit early, aren't you? | 0:08:45 | 0:08:47 | |
What is it? | 0:08:49 | 0:08:51 | |
Chris, | 0:08:51 | 0:08:52 | |
I can't work here any more. | 0:08:52 | 0:08:54 | |
Is this about last night? | 0:08:59 | 0:09:01 | |
-No. -If I came on too strong, then I'm sorry. | 0:09:01 | 0:09:04 | |
It's not that. | 0:09:04 | 0:09:05 | |
Well, then what? | 0:09:08 | 0:09:09 | |
It's complicated. | 0:09:09 | 0:09:10 | |
Is there someone else? | 0:09:12 | 0:09:13 | |
No! | 0:09:13 | 0:09:15 | |
I'm sorry, I shouldn't have come. | 0:09:17 | 0:09:18 | |
I can't just let you walk away and never see you again. | 0:09:18 | 0:09:22 | |
It'll never work. | 0:09:22 | 0:09:23 | |
Well, we'll make it work. | 0:09:23 | 0:09:25 | |
Have the girls been talking? | 0:09:26 | 0:09:28 | |
Look, I won't lie to you, there have been others, | 0:09:29 | 0:09:32 | |
but none of them mean anything to me. | 0:09:32 | 0:09:34 | |
I don't care about your past. | 0:09:34 | 0:09:36 | |
Then prove it. | 0:09:36 | 0:09:38 | |
Meet me tomorrow. | 0:09:40 | 0:09:42 | |
Please, Ruby. | 0:09:43 | 0:09:44 | |
Give me a chance, yeah? | 0:09:47 | 0:09:48 | |
Well, this is nice, isn't it? | 0:09:54 | 0:09:55 | |
I can't remember the last time we sat down and had a meal together, | 0:09:55 | 0:09:58 | |
just the two of us. | 0:09:58 | 0:09:59 | |
We should send Peggy to her friend's house more often! | 0:09:59 | 0:10:01 | |
I need you to go away... | 0:10:03 | 0:10:04 | |
..you and Peggy. | 0:10:06 | 0:10:07 | |
What? | 0:10:08 | 0:10:09 | |
Go where? | 0:10:09 | 0:10:11 | |
Anywhere. | 0:10:11 | 0:10:12 | |
Go to your sister's. | 0:10:12 | 0:10:13 | |
Pack tonight and I'll take you to the station first thing. | 0:10:14 | 0:10:17 | |
Don't be daft. | 0:10:17 | 0:10:19 | |
I can't just turn up on Wendy's doorstep with no warning. | 0:10:19 | 0:10:22 | |
-It'll only be for a few days. -And what about work? | 0:10:22 | 0:10:24 | |
I can't just swan off without so much as a by-your-leave. | 0:10:24 | 0:10:27 | |
And Peggy's got a domestic science report tomorrow. | 0:10:27 | 0:10:29 | |
-She's doing toad-in-the-hole. -For once in your life, woman, | 0:10:29 | 0:10:32 | |
will you just do as you're told?! | 0:10:32 | 0:10:33 | |
I don't know what's got into you lately, Sidney. | 0:10:37 | 0:10:39 | |
You've not been right for days, | 0:10:39 | 0:10:41 | |
but there's no need to take it out on me. | 0:10:41 | 0:10:43 | |
Sorry. | 0:10:45 | 0:10:46 | |
You never tell me half of what's happening at work and I know better than to ask. | 0:10:50 | 0:10:53 | |
But I'm asking you now, what's going on? | 0:10:53 | 0:10:55 | |
Nothing I can't handle, | 0:10:59 | 0:11:01 | |
as long as I know you and Peggy are safe. | 0:11:01 | 0:11:03 | |
Well, if you get the suitcases down from the loft, | 0:11:08 | 0:11:10 | |
I'll start packing. | 0:11:10 | 0:11:12 | |
# I want some shoes | 0:11:23 | 0:11:25 | |
# To set my feet a-dancing, dancing | 0:11:25 | 0:11:28 | |
# Dancing, dancing all day | 0:11:28 | 0:11:30 | |
# Shoes to set my feet a-dancing, dancing | 0:11:32 | 0:11:36 | |
# Dancing all my cares away. # | 0:11:36 | 0:11:38 | |
Your duty rosters, Sergeant. | 0:11:38 | 0:11:40 | |
Ta very much. | 0:11:40 | 0:11:41 | |
It's nice to hear someone's happy. | 0:11:41 | 0:11:44 | |
I'll take it you had a nice time, last night. | 0:11:44 | 0:11:46 | |
Dreamy! | 0:11:46 | 0:11:47 | |
Where did you meet him, then? | 0:11:49 | 0:11:51 | |
Who says it was a fella? | 0:11:51 | 0:11:52 | |
That smile on your face. | 0:11:55 | 0:11:56 | |
Well, if you must know, | 0:12:01 | 0:12:04 | |
I met him through the new marriage bureau in town. | 0:12:04 | 0:12:08 | |
I know it's not everyone's cup of tea | 0:12:08 | 0:12:10 | |
but if it leads to you meeting your Mr Right, | 0:12:10 | 0:12:14 | |
how can it be wrong? | 0:12:14 | 0:12:16 | |
PAPER RUSTLING | 0:12:16 | 0:12:18 | |
I know you said I shouldn't call on you at work | 0:12:27 | 0:12:30 | |
but I saw these and I thought of you. | 0:12:30 | 0:12:31 | |
Oh, Alan... | 0:12:33 | 0:12:35 | |
..they're lovely! | 0:12:36 | 0:12:37 | |
Roses for a rose. | 0:12:37 | 0:12:39 | |
SERGEANT SWIFT CLEARS HIS THROAT | 0:12:41 | 0:12:43 | |
Captain Alan Reynolds, | 0:12:43 | 0:12:46 | |
Sergeant Swift. | 0:12:46 | 0:12:48 | |
Pleased to meet you. | 0:12:48 | 0:12:49 | |
Oh, I see you were in the Grenadier Guards. | 0:12:50 | 0:12:53 | |
Yes, I did my bit for Queen and country. | 0:12:53 | 0:12:56 | |
Anyway, I mustn't keep you from your work. | 0:12:56 | 0:12:59 | |
I'll see you tonight. | 0:12:59 | 0:13:01 | |
Can't wait. | 0:13:01 | 0:13:02 | |
MUFFLED: I thought this was going to be straightforward. | 0:13:07 | 0:13:09 | |
Only it turns out our victim wasn't a working girl | 0:13:09 | 0:13:12 | |
and the room's been wiped clean. | 0:13:12 | 0:13:14 | |
You all right? | 0:13:17 | 0:13:18 | |
It looks like you've slept under a hedge. | 0:13:18 | 0:13:21 | |
Rough night. | 0:13:21 | 0:13:22 | |
'Sid, you could always come with me.' | 0:13:24 | 0:13:26 | |
Go get yourself a cup of tea, you're no good to me half dead. | 0:13:29 | 0:13:31 | |
Tell me Rebecca Jones is ready to talk. | 0:13:37 | 0:13:40 | |
She spent all night tossing and turning, | 0:13:40 | 0:13:42 | |
finally went to sleep just as I was handing over. | 0:13:42 | 0:13:45 | |
Looked like she needed it. | 0:13:45 | 0:13:47 | |
With everything she's been through, | 0:13:47 | 0:13:49 | |
-you have to give her time. -I know she's a victim | 0:13:49 | 0:13:51 | |
but if she doesn't talk... | 0:13:51 | 0:13:53 | |
We have nothing. | 0:13:53 | 0:13:54 | |
Yes, sir. | 0:13:56 | 0:13:57 | |
Nothing at all? | 0:13:58 | 0:14:00 | |
Are you sure you're spelling it right? | 0:14:00 | 0:14:03 | |
It's R-E-Y-N... | 0:14:03 | 0:14:05 | |
Reynolds. | 0:14:05 | 0:14:07 | |
No? | 0:14:07 | 0:14:08 | |
OK. Ta very much, Sergeant. | 0:14:08 | 0:14:11 | |
You're playing with fire. | 0:14:11 | 0:14:13 | |
If Miss Nightingale catches you checking up on her gentleman friend. | 0:14:13 | 0:14:16 | |
There is something about that smarmy so-and-so | 0:14:16 | 0:14:19 | |
that's got my nose twitching. | 0:14:19 | 0:14:20 | |
And my conk is very rarely wrong. | 0:14:20 | 0:14:23 | |
So he might not have a criminal record | 0:14:24 | 0:14:27 | |
but let's see what my contact at the MoD can come up with. | 0:14:27 | 0:14:29 | |
-Sir... -Look, | 0:14:29 | 0:14:31 | |
I don't want Miss Nightingale getting hurt. | 0:14:31 | 0:14:34 | |
Anyone would think you were jealous of them. | 0:14:34 | 0:14:36 | |
PHONE RINGS | 0:14:44 | 0:14:46 | |
What have you got? | 0:14:54 | 0:14:55 | |
Eh...Rosie Turner's... post mortem report. | 0:14:57 | 0:15:01 | |
Well, what does it say? | 0:15:03 | 0:15:05 | |
Bruising to the face...and arms. | 0:15:10 | 0:15:14 | |
Three broken ribs. | 0:15:16 | 0:15:19 | |
She must have put up a fight. | 0:15:19 | 0:15:20 | |
A single stab wound... | 0:15:20 | 0:15:22 | |
..to the heart. | 0:15:23 | 0:15:25 | |
Anything else? | 0:15:27 | 0:15:28 | |
Fenton? | 0:15:30 | 0:15:31 | |
She was pregnant. | 0:15:34 | 0:15:36 | |
Couple of months. | 0:15:37 | 0:15:39 | |
Wonder if she knew? | 0:15:40 | 0:15:42 | |
Did you enjoy the picture? | 0:16:33 | 0:16:36 | |
Was there a film on? | 0:16:36 | 0:16:37 | |
I know it's early days, but... | 0:16:41 | 0:16:43 | |
It's like we've known each other for ever. | 0:16:43 | 0:16:47 | |
What time do you call this? | 0:17:22 | 0:17:23 | |
Sorry! I'm not much of a cook, am I? | 0:17:35 | 0:17:39 | |
I can't complain. Rock cakes are about my limit. | 0:17:39 | 0:17:43 | |
You know, my mum, she doesn't let me near her kitchen. | 0:17:46 | 0:17:49 | |
She says that when I boil an egg I burn the water. | 0:17:49 | 0:17:53 | |
Rebecca. At the station, | 0:17:55 | 0:17:58 | |
why didn't you feel safe? | 0:17:58 | 0:18:00 | |
I saw someone. | 0:18:02 | 0:18:04 | |
Someone you recognised? | 0:18:04 | 0:18:05 | |
From the Sapphire Club? | 0:18:07 | 0:18:09 | |
From...the brothel. | 0:18:12 | 0:18:15 | |
Someone we had in custody? | 0:18:15 | 0:18:17 | |
Then, I don't understand. | 0:18:21 | 0:18:25 | |
One of our officers? | 0:18:25 | 0:18:27 | |
I never knew he was a copper. | 0:18:27 | 0:18:29 | |
He visited her a lot and he used to let himself into her private room. | 0:18:29 | 0:18:34 | |
Can you describe him? | 0:18:34 | 0:18:36 | |
He's tall. Fair. | 0:18:37 | 0:18:41 | |
I think I heard Rosie call him... | 0:18:42 | 0:18:45 | |
Sid. | 0:18:45 | 0:18:46 | |
He's clearly using this marriage bureau to find lonely women, when he's already married. | 0:18:55 | 0:18:59 | |
You don't know that this woman was his wife. | 0:18:59 | 0:19:01 | |
Well, it wasn't his mother, that's for sure. | 0:19:01 | 0:19:03 | |
Who knows how many more he's got on the go? | 0:19:03 | 0:19:07 | |
I've got to warn this marriage bureau | 0:19:07 | 0:19:08 | |
that they've got a gigolo on their books. | 0:19:08 | 0:19:10 | |
Sarge. Please. If you could hear yourself. | 0:19:10 | 0:19:13 | |
Whatever Alan Reynolds is up to, you can't | 0:19:13 | 0:19:15 | |
go following Susie around town. | 0:19:15 | 0:19:17 | |
This isn't a case. | 0:19:17 | 0:19:20 | |
It's her private life. | 0:19:20 | 0:19:22 | |
Sergeant Fenton. Chief Inspector's looking for you. | 0:19:23 | 0:19:28 | |
KNOCKS AT DOOR | 0:19:36 | 0:19:37 | |
Yes? | 0:19:37 | 0:19:38 | |
You wanted to see me, sir? | 0:19:46 | 0:19:48 | |
Why didn't you tell us that you knew Rosie Turner? | 0:19:50 | 0:19:53 | |
She's been active in Brinford for some years. | 0:19:55 | 0:19:58 | |
Naturally, our paths have crossed in the course of my duties. | 0:20:00 | 0:20:04 | |
We have a witness who says you were a regular visitor. | 0:20:04 | 0:20:07 | |
We became friends. | 0:20:07 | 0:20:08 | |
You were having an affair? | 0:20:08 | 0:20:10 | |
When we searched the brothel, did you already know she was dead? | 0:20:12 | 0:20:16 | |
I was helping her get away. | 0:20:19 | 0:20:20 | |
I went to give her a lift and found the body. | 0:20:20 | 0:20:24 | |
Why didn't you report it? | 0:20:25 | 0:20:27 | |
I was in shock. I didn't know what I was doing. | 0:20:29 | 0:20:32 | |
Was it you who wiped the room clean? | 0:20:32 | 0:20:34 | |
Answer the question, man! | 0:20:34 | 0:20:36 | |
I knew that if you found my prints, | 0:20:38 | 0:20:40 | |
you'd be thinking exactly what you're thinking now. | 0:20:40 | 0:20:44 | |
Did you kill her, Sergeant Fenton? | 0:20:44 | 0:20:46 | |
No. | 0:20:48 | 0:20:49 | |
No. I loved her. | 0:20:53 | 0:20:54 | |
If you want to hang me for that... | 0:20:56 | 0:20:58 | |
What was her place in the brothel? | 0:20:58 | 0:21:00 | |
She, er... | 0:21:02 | 0:21:04 | |
took care of the day-to-day business. | 0:21:04 | 0:21:07 | |
-Kept the girls safe. Took the money. -And passed it on to who? | 0:21:09 | 0:21:12 | |
Let me make this crystal clear for you, Fenton. | 0:21:15 | 0:21:18 | |
You co-operate fully or I will have you cuffed | 0:21:18 | 0:21:21 | |
and taken to the cells immediately. | 0:21:21 | 0:21:23 | |
Do you understand me? | 0:21:23 | 0:21:25 | |
Lenny Powell. He's the owner. | 0:21:27 | 0:21:30 | |
And you know that, how? | 0:21:32 | 0:21:33 | |
Rosie told me. | 0:21:33 | 0:21:35 | |
Did Lenny kill her? | 0:21:36 | 0:21:37 | |
He's capable of anything. | 0:21:39 | 0:21:40 | |
All right. Hand over your warrant card. | 0:21:41 | 0:21:44 | |
No, sir. Please. | 0:21:44 | 0:21:45 | |
As of this moment, you are suspended, | 0:21:45 | 0:21:48 | |
pending an internal investigation. | 0:21:48 | 0:21:50 | |
You have to let me help you catch Rosie's killer. | 0:21:50 | 0:21:52 | |
I think you've done enough already. | 0:21:52 | 0:21:54 | |
You might have compromised the whole case, Fenton. | 0:21:54 | 0:21:57 | |
Give your statement to Inspector Harper then go home to your family. | 0:22:07 | 0:22:10 | |
There's no need for this to become public knowledge. | 0:22:19 | 0:22:22 | |
No, sir. | 0:22:22 | 0:22:23 | |
What a bloody mess. | 0:22:25 | 0:22:27 | |
KNOCKING | 0:22:28 | 0:22:30 | |
Come in. | 0:22:30 | 0:22:32 | |
Have a seat, I'll be right with you. | 0:22:32 | 0:22:34 | |
What can I do for you, officer? | 0:22:40 | 0:22:42 | |
I...am looking for love. | 0:22:43 | 0:22:46 | |
You'd better have a watertight case. | 0:22:48 | 0:22:50 | |
Powell's got some of the country's top solicitors on his payroll. | 0:22:50 | 0:22:53 | |
We've got a witness who can link him to at least one murder. | 0:22:53 | 0:22:55 | |
The last time we came up against Lenny Powell, the witness conveniently disappeared. | 0:22:55 | 0:22:59 | |
He may think he's untouchable. But he's making mistakes. | 0:22:59 | 0:23:02 | |
He killed Daniel Pembrook but left a witness. | 0:23:02 | 0:23:04 | |
He beat Mike Maddock but didn't finish the job. | 0:23:04 | 0:23:06 | |
He killed Rosie Turner to try and cover his tracks. | 0:23:06 | 0:23:08 | |
Well, it's time he had his wings clipped. Go get your man, Inspector. | 0:23:08 | 0:23:12 | |
Yes, sir. | 0:23:12 | 0:23:13 | |
Anything else? | 0:23:17 | 0:23:18 | |
Well, someone who'll understand that a copper's life | 0:23:18 | 0:23:23 | |
is not always an easy one. | 0:23:23 | 0:23:25 | |
Oh, you are ready for love, aren't you, John? | 0:23:25 | 0:23:28 | |
-DOORBELL CHIMES -Excuse me. | 0:23:30 | 0:23:31 | |
-FROM HALLWAY: -Good morning, Mr Parker. | 0:23:39 | 0:23:41 | |
I'm very sorry but I have someone here. | 0:23:41 | 0:23:43 | |
You're a little bit early. If you could possibly come back in half-an-hour? | 0:23:43 | 0:23:47 | |
-Very good. -Actually, maybe even tomorrow. -Tomorrow? | 0:23:47 | 0:23:49 | |
-At any particular time? -I was thinking in the morning. | 0:23:49 | 0:23:53 | |
-Possibly ten o'clock-ish. -Very good. | 0:23:53 | 0:23:56 | |
(Delamere, Jane Delamere.) | 0:23:56 | 0:23:58 | |
Miss Delamere, how long have you known Alan Reynolds? | 0:24:01 | 0:24:05 | |
Captain Reynolds? About six months. | 0:24:05 | 0:24:08 | |
And how did you meet? | 0:24:08 | 0:24:10 | |
Was it through the Bliss Marriage Bureau? | 0:24:12 | 0:24:14 | |
It was as if we'd always meant to be together. | 0:24:16 | 0:24:19 | |
We had a wonderful couple of months. | 0:24:19 | 0:24:22 | |
Then his health took a turn for the worse. | 0:24:22 | 0:24:25 | |
What's wrong with him? | 0:24:25 | 0:24:27 | |
A tumour on his lungs. But we've had a ray of hope. | 0:24:27 | 0:24:31 | |
Alan had found a specialist in Paris. | 0:24:31 | 0:24:34 | |
He's developed a new treatment. | 0:24:34 | 0:24:36 | |
Sounds expensive. | 0:24:36 | 0:24:38 | |
Miss Delamere, I'm afraid that "Captain" Reynolds | 0:24:38 | 0:24:42 | |
might not be all he's said he is. | 0:24:42 | 0:24:44 | |
What do you mean? | 0:24:44 | 0:24:46 | |
According to his military records, he never rose higher | 0:24:46 | 0:24:50 | |
than Lance Corporal. | 0:24:50 | 0:24:51 | |
And he certainly wasn't at death's door when I saw him | 0:24:51 | 0:24:54 | |
coming out of the Regal last night... | 0:24:54 | 0:24:56 | |
with another woman. | 0:24:56 | 0:24:58 | |
Dawson, a word. | 0:25:03 | 0:25:04 | |
I hear you've done a good job at the Sapphire Club. | 0:25:07 | 0:25:10 | |
Thank you, sir. | 0:25:13 | 0:25:14 | |
I bet the sight of you in a tight dress got a few pulses racing? | 0:25:14 | 0:25:17 | |
I'd like to have seen that. | 0:25:17 | 0:25:19 | |
This isn't appropriate, sir. | 0:25:20 | 0:25:22 | |
SHE SCREAMS | 0:25:23 | 0:25:26 | |
You gave some to DI Burns. Why are you being so shy now? | 0:25:29 | 0:25:32 | |
SHE SCREAMS AND CRIES | 0:25:32 | 0:25:34 | |
Sir? | 0:25:34 | 0:25:36 | |
What do you think you just saw, Constable? | 0:25:40 | 0:25:42 | |
I don't know. Sir. | 0:25:45 | 0:25:47 | |
Nothing. You saw nothing. | 0:25:47 | 0:25:49 | |
Yes, sir. | 0:25:51 | 0:25:52 | |
If I hear one word about this getting out, | 0:25:52 | 0:25:54 | |
your life won't be worth living. | 0:25:54 | 0:25:57 | |
These need to be in the last post. | 0:26:10 | 0:26:12 | |
Serious, is it? | 0:26:12 | 0:26:13 | |
You and your new "friend"? | 0:26:15 | 0:26:17 | |
What's it to you if it is? | 0:26:17 | 0:26:18 | |
Nothing. I just... Well, | 0:26:18 | 0:26:22 | |
don't you think he's a bit too good to be true? | 0:26:22 | 0:26:25 | |
Because he's handsome, charming. A proper gentleman? | 0:26:25 | 0:26:28 | |
Please don't be upset. I was only thinking of your best interests. | 0:26:30 | 0:26:35 | |
What have you done? | 0:26:38 | 0:26:39 | |
I made some enquiries, | 0:26:39 | 0:26:41 | |
and I'm sorry, but Alan Reynolds is a liar | 0:26:41 | 0:26:45 | |
and a cheat. | 0:26:45 | 0:26:46 | |
How dare you stick your nose in my business! | 0:26:49 | 0:26:53 | |
You clearly can't bear to see anyone happy, | 0:26:54 | 0:26:57 | |
so why should I believe a word you say? | 0:26:57 | 0:26:59 | |
Gina? | 0:27:02 | 0:27:03 | |
What is it? | 0:27:09 | 0:27:10 | |
Here, sit down. | 0:27:12 | 0:27:13 | |
Do you want to tell me about it? | 0:27:23 | 0:27:25 | |
What would you do, if you knew something was wrong... | 0:27:26 | 0:27:30 | |
..but if you spoke out, it would cost you everything? | 0:27:33 | 0:27:37 | |
Sometimes it's not a case of what will happen if you do do something. | 0:27:42 | 0:27:48 | |
It's can you look at yourself in the mirror if you don't? | 0:27:50 | 0:27:55 | |
SHE SNIFFLES | 0:27:59 | 0:28:00 | |
Mike Maddock. | 0:28:13 | 0:28:14 | |
A sad case. | 0:28:15 | 0:28:16 | |
I've asked around. | 0:28:17 | 0:28:19 | |
There were unusual betting patterns before the fight. | 0:28:19 | 0:28:22 | |
He was the favourite, yet there was big money on him to lose. | 0:28:22 | 0:28:25 | |
Ah, the fickleness of the sports fan. | 0:28:25 | 0:28:27 | |
How much money did you lose that night, Mr Powell? | 0:28:27 | 0:28:30 | |
Me? Betting's illegal, Inspector. | 0:28:30 | 0:28:33 | |
-There's a chance Maddock will regain consciousness. -God willing. | 0:28:35 | 0:28:38 | |
And if he tells us that you ordered him to throw the fight? | 0:28:38 | 0:28:41 | |
Well, when he does recover, I certainly hope all those blows | 0:28:42 | 0:28:45 | |
to the head haven't affected his memory. | 0:28:45 | 0:28:47 | |
Daniel Pembrook. | 0:28:51 | 0:28:53 | |
Tragic. | 0:28:54 | 0:28:55 | |
You told me you hardly knew him? | 0:28:55 | 0:28:56 | |
Come now, Inspector, we've had this dance before. | 0:28:56 | 0:28:59 | |
Yes, but now we've located a witness - | 0:28:59 | 0:29:02 | |
someone who was only feet away when Councillor Pembrook was murdered. | 0:29:02 | 0:29:06 | |
And they say they saw me? | 0:29:06 | 0:29:08 | |
Are you admitting that you were present | 0:29:08 | 0:29:09 | |
when Daniel Pembrook was killed? | 0:29:09 | 0:29:11 | |
If you've got a witness, you'll know... | 0:29:11 | 0:29:13 | |
..unless they haven't given you a name yet. | 0:29:16 | 0:29:18 | |
HE CHUCKLES | 0:29:18 | 0:29:20 | |
Nice try, Inspector, | 0:29:20 | 0:29:22 | |
but if you really had anything on me, | 0:29:22 | 0:29:23 | |
I'd be halfway to Winson Green by now. | 0:29:23 | 0:29:25 | |
If we're finished here... | 0:29:25 | 0:29:28 | |
"Finished"? | 0:29:28 | 0:29:29 | |
I haven't even started. | 0:29:30 | 0:29:32 | |
Fingers crossed, it won't be long before wedding bells are ringing. | 0:29:35 | 0:29:38 | |
Thank you very much. Bye-bye. | 0:29:38 | 0:29:40 | |
Who is it this time? | 0:29:43 | 0:29:45 | |
-She's not like any woman I've ever met. -Who? | 0:29:45 | 0:29:48 | |
She's kind, funny, no pretensions - | 0:29:48 | 0:29:51 | |
a real breath of fresh air. | 0:29:51 | 0:29:52 | |
Not that secretary! | 0:29:52 | 0:29:54 | |
-You fool! What have you told her about us? -Nothing. | 0:29:54 | 0:29:57 | |
-Then how come a copper's been nosing around? -A what? | 0:29:57 | 0:30:00 | |
He spun me some story about wanting to sign up, I didn't buy it. | 0:30:00 | 0:30:04 | |
But I haven't said anything. Why would I? | 0:30:04 | 0:30:05 | |
OK, so we're done here - we move on, another town. | 0:30:05 | 0:30:09 | |
We set up again. | 0:30:09 | 0:30:11 | |
I can't do this any more. I'm staying here with Susie. | 0:30:11 | 0:30:15 | |
She hasn't got any money! | 0:30:15 | 0:30:16 | |
I don't care about her money. | 0:30:16 | 0:30:18 | |
Then what - love? Oh, don't be so naive! | 0:30:18 | 0:30:21 | |
You won't talk me out of it. | 0:30:21 | 0:30:24 | |
Fine. I give it two weeks of bread and dripping with your typist | 0:30:24 | 0:30:29 | |
before you come running back to me. | 0:30:29 | 0:30:31 | |
You've got money to collect. | 0:30:34 | 0:30:35 | |
Let's talk about number 6 Amberley Street. | 0:30:38 | 0:30:41 | |
Is that supposed to mean something to me? | 0:30:43 | 0:30:45 | |
-I would hope so, considering you own it. -I do? | 0:30:45 | 0:30:48 | |
Oh, you've tried to hide the fact - | 0:30:48 | 0:30:50 | |
registering the deeds in your wife's maiden name, | 0:30:50 | 0:30:52 | |
or is she involved in this as well? | 0:30:52 | 0:30:54 | |
I own dozens of properties. | 0:30:54 | 0:30:55 | |
Did you know that this property, which you admit to owning, | 0:30:55 | 0:30:59 | |
was being used as a brothel? | 0:30:59 | 0:31:01 | |
I would have rented it out in good faith. | 0:31:03 | 0:31:06 | |
If the tenant used it for illegal purposes, that's hardly my fault. | 0:31:06 | 0:31:09 | |
Rosie Turner. | 0:31:09 | 0:31:11 | |
Never heard of her. | 0:31:15 | 0:31:16 | |
We found her body at number 6 Amberley Street. | 0:31:17 | 0:31:20 | |
I know nothing about that. | 0:31:20 | 0:31:22 | |
Two murders, one attempted murder - | 0:31:22 | 0:31:25 | |
all three victims connected to you. | 0:31:25 | 0:31:28 | |
By rumour and innuendo. Where's your proof, Inspector? | 0:31:28 | 0:31:32 | |
Well, if that's all you've got, | 0:31:34 | 0:31:37 | |
I promised Mrs Powell I'd take her shopping. | 0:31:37 | 0:31:39 | |
Well, thank you for a most entertaining afternoon, Inspector. | 0:31:41 | 0:31:45 | |
Your ring. | 0:31:52 | 0:31:54 | |
Yeah, what about it? | 0:31:55 | 0:31:56 | |
Hit someone wearing that - you could do some damage. | 0:31:57 | 0:32:00 | |
In fact, I think this proves that you already have. | 0:32:00 | 0:32:05 | |
Your building, your ring... | 0:32:05 | 0:32:08 | |
..my proof. | 0:32:10 | 0:32:11 | |
Leonard Gordon Powell, | 0:32:12 | 0:32:13 | |
I am arresting you for the murders of Daniel Pembrook | 0:32:13 | 0:32:16 | |
and Rosie Turner, and for the attempted murder of Michael Maddock. | 0:32:16 | 0:32:20 | |
You're not obliged to say anything unless you wish to do so, | 0:32:20 | 0:32:22 | |
but anything you do say will be taken down in writing | 0:32:22 | 0:32:25 | |
and given in evidence. | 0:32:25 | 0:32:26 | |
I'll have that phone call now. | 0:32:31 | 0:32:32 | |
And I'll have that ring - it's evidence. | 0:32:32 | 0:32:35 | |
After you've seen your brief, you'll be transported to jail, | 0:32:38 | 0:32:42 | |
pending your appearance before a judge first thing tomorrow morning. | 0:32:42 | 0:32:46 | |
Lenny Powell, eh? | 0:32:56 | 0:32:57 | |
That's a real feather in your cap, Inspector. | 0:32:57 | 0:33:00 | |
Thank you, sir, but it wouldn't have been possible | 0:33:00 | 0:33:03 | |
without Dawson's hard work. | 0:33:03 | 0:33:04 | |
Well, Constable, step forward. | 0:33:04 | 0:33:06 | |
As you all know, we have the Divisional Awards Ceremony | 0:33:07 | 0:33:11 | |
tomorrow night, and due to her work on the George Stern case, | 0:33:11 | 0:33:15 | |
Dawson was nominated by me for a bravery award. | 0:33:15 | 0:33:19 | |
Yes. Well done, Dawson. | 0:33:19 | 0:33:21 | |
Hear, hear! | 0:33:21 | 0:33:22 | |
Unfortunately, I am the bearer of bad news. | 0:33:22 | 0:33:25 | |
Sir? | 0:33:25 | 0:33:26 | |
There are only a limited number of awards and at the eleventh hour, | 0:33:26 | 0:33:30 | |
a more deserving candidate has come to the fore - | 0:33:30 | 0:33:33 | |
a young constable at Sparkbrook saved a toddler from drowning. | 0:33:33 | 0:33:37 | |
But I'm sure that you understand, don't you, Dawson? | 0:33:39 | 0:33:43 | |
-Oh, yes, sir, I understand. -Good. | 0:33:43 | 0:33:46 | |
That's all. | 0:33:48 | 0:33:49 | |
This is a nice surprise. | 0:33:59 | 0:34:00 | |
Seeing you gives me so much strength. | 0:34:02 | 0:34:05 | |
Sit down, before you fall down. | 0:34:05 | 0:34:07 | |
Can't stop. Got to get to the airport. | 0:34:07 | 0:34:10 | |
Doctor Pascal's very hopeful this time. | 0:34:10 | 0:34:13 | |
You did say you'd get to the bank. | 0:34:16 | 0:34:19 | |
Of course. I'll get my purse. | 0:34:19 | 0:34:22 | |
Hello, Alan. | 0:34:35 | 0:34:37 | |
I was just saying how well you are. | 0:34:39 | 0:34:42 | |
Which is funny, as I was just saying you were at death's door. | 0:34:42 | 0:34:46 | |
Was it all lies? | 0:34:49 | 0:34:50 | |
Not all, no. | 0:34:52 | 0:34:54 | |
How many more of us are there? | 0:34:54 | 0:34:56 | |
How many women are waiting for you to brighten up | 0:34:56 | 0:34:59 | |
their sad little lives? | 0:34:59 | 0:35:00 | |
None, I swear. | 0:35:00 | 0:35:02 | |
Even now, you can't tell the truth. | 0:35:02 | 0:35:04 | |
OK, OK, three. | 0:35:04 | 0:35:07 | |
-But none of this was my idea. -Out! -Jane! | 0:35:07 | 0:35:10 | |
Get out of my house! | 0:35:10 | 0:35:12 | |
Won't you let me explain? | 0:35:12 | 0:35:14 | |
Tell more lies, you mean? | 0:35:14 | 0:35:15 | |
SHE SOBS | 0:35:26 | 0:35:28 | |
Are you going to be all right? | 0:35:33 | 0:35:35 | |
Will you tell the police? | 0:35:40 | 0:35:41 | |
I... I know I should... | 0:35:43 | 0:35:45 | |
..but I could... I could never stand up in a courtroom. | 0:35:47 | 0:35:51 | |
The humiliation. | 0:35:53 | 0:35:55 | |
I couldn't. | 0:35:57 | 0:35:58 | |
Tommy. | 0:36:06 | 0:36:07 | |
I'm w-w-wanted downstairs. | 0:36:07 | 0:36:09 | |
Unless you back me up, Briggs won't believe me. | 0:36:11 | 0:36:14 | |
But... | 0:36:14 | 0:36:15 | |
..but I didn't see anything. | 0:36:16 | 0:36:18 | |
You must have. | 0:36:19 | 0:36:21 | |
Just a senior officer giving a junior officer some advice. | 0:36:21 | 0:36:26 | |
Tommy, if you hadn't interrupted, you know what would have happened. | 0:36:27 | 0:36:32 | |
Yes, but I did... | 0:36:32 | 0:36:33 | |
..so there's n-n-no harm done, hmm? | 0:36:34 | 0:36:38 | |
Cell number two. | 0:36:44 | 0:36:45 | |
-What about Alan? -The alert's gone out. | 0:36:59 | 0:37:00 | |
It won't be long before we pick him up. | 0:37:00 | 0:37:02 | |
You must think I'm a fool. | 0:37:05 | 0:37:07 | |
We all do stupid things for love. | 0:37:09 | 0:37:11 | |
Susie... | 0:37:16 | 0:37:17 | |
..one day you'll find him... your Mr Right. | 0:37:19 | 0:37:24 | |
That's just for princesses in fairy tales. | 0:37:27 | 0:37:29 | |
Again. | 0:37:46 | 0:37:47 | |
Ruby. | 0:37:49 | 0:37:51 | |
Sorry, I... | 0:37:51 | 0:37:52 | |
..I didn't know where else to go. | 0:37:54 | 0:37:56 | |
Something's happened? | 0:37:56 | 0:37:57 | |
Let's get you home. | 0:37:57 | 0:38:00 | |
I don't want to go home. | 0:38:00 | 0:38:01 | |
I want another drink. | 0:38:03 | 0:38:04 | |
Leave me alone. | 0:38:08 | 0:38:10 | |
What do you care? | 0:38:13 | 0:38:14 | |
What does anybody care? | 0:38:15 | 0:38:17 | |
Come on. Come on. | 0:38:18 | 0:38:20 | |
You OK? OK, come on. | 0:38:23 | 0:38:25 | |
Now, you can stay as long as you need, all right? | 0:38:45 | 0:38:48 | |
Is there anything that you want? | 0:38:50 | 0:38:53 | |
Just... | 0:38:57 | 0:38:58 | |
..just hold me. | 0:39:00 | 0:39:01 | |
HORN BEEPS | 0:39:33 | 0:39:34 | |
Turn off the engine! | 0:39:39 | 0:39:41 | |
Open the door! | 0:39:41 | 0:39:43 | |
Get out of the car! | 0:39:43 | 0:39:44 | |
Open the door! | 0:39:44 | 0:39:45 | |
He's coming out now! Out the door! | 0:39:45 | 0:39:48 | |
On the ground, on the ground! | 0:39:48 | 0:39:49 | |
Unlock him now, unlock him now! | 0:39:49 | 0:39:51 | |
Do as he says. | 0:39:51 | 0:39:53 | |
Now! Quick! Now! | 0:39:53 | 0:39:55 | |
Unlock him! | 0:39:57 | 0:39:58 | |
Quick! | 0:39:58 | 0:40:00 | |
Come on! | 0:40:00 | 0:40:02 | |
Move to the back! Get to the back! | 0:40:02 | 0:40:05 | |
Get back! Get back! | 0:40:05 | 0:40:06 | |
Get on the ground! On your knees! | 0:40:07 | 0:40:10 | |
On your knees! | 0:40:10 | 0:40:12 | |
Say your prayers! | 0:40:12 | 0:40:13 | |
HE WHIMPERS | 0:40:19 | 0:40:20 | |
CAR DRIVES OFF | 0:40:20 | 0:40:21 | |
Yes, all ports, airports, train stations. | 0:40:25 | 0:40:28 | |
If anyone spots him, wait for armed reinforcements. | 0:40:28 | 0:40:31 | |
He's to be considered armed and dangerous. | 0:40:31 | 0:40:33 | |
I want every available car patrolling the main roads | 0:40:33 | 0:40:36 | |
out of town. | 0:40:36 | 0:40:38 | |
Nothing gets out of this cordon without being searched. Go! | 0:40:38 | 0:40:41 | |
S-s-sorry, Sarge. | 0:40:45 | 0:40:46 | |
Hey, don't you fret, lad. | 0:40:46 | 0:40:48 | |
Having a shooter stuck in your face would rattle any of us. | 0:40:48 | 0:40:51 | |
How the hell did this happen?! | 0:40:51 | 0:40:53 | |
He must have used his brief to get a message out. | 0:40:53 | 0:40:55 | |
I don't care how you do it, find Lenny Powell. | 0:40:55 | 0:40:58 | |
Leave it off! | 0:41:03 | 0:41:04 | |
Cops came for me and I need to vanish. | 0:41:07 | 0:41:09 | |
I need a new passport, enough cash to keep me going for a bit. | 0:41:11 | 0:41:15 | |
I'll get on it. | 0:41:16 | 0:41:17 | |
I let you off with Daniel Pembrook, but Rosie?! | 0:41:19 | 0:41:21 | |
Rosie crossed the line. | 0:41:23 | 0:41:25 | |
If anyone else had betrayed you, | 0:41:26 | 0:41:28 | |
they'd have got more than a slap in the face. | 0:41:28 | 0:41:30 | |
The stupid cow thought she'd got away with it. | 0:41:30 | 0:41:33 | |
She had to be taught a proper lesson... | 0:41:33 | 0:41:35 | |
..only... only things got out of hand. | 0:41:36 | 0:41:39 | |
"Out of hand?" | 0:41:40 | 0:41:42 | |
She became a liability. | 0:41:42 | 0:41:43 | |
So you killed a woman who can be linked directly to me, | 0:41:43 | 0:41:46 | |
-and just left her body to be found. -That was stupid, I know. | 0:41:46 | 0:41:49 | |
I'm sorry. | 0:41:49 | 0:41:50 | |
"Sorry"?! I'm on the run because of you. | 0:41:50 | 0:41:54 | |
I couldn't even say goodbye to my family. | 0:41:54 | 0:41:56 | |
God knows when I'll be able to come back. | 0:41:56 | 0:41:58 | |
But I did it for you. | 0:41:59 | 0:42:01 | |
You what? | 0:42:01 | 0:42:02 | |
Rosie let Rebecca go and she was seeing a cop. | 0:42:02 | 0:42:05 | |
I had him under control. | 0:42:06 | 0:42:07 | |
No, you didn't. | 0:42:07 | 0:42:09 | |
Did you think it was just a coincidence? | 0:42:09 | 0:42:12 | |
Sergeant Fenton's no longer in your pocket, then Rosie turns on you as well. | 0:42:12 | 0:42:16 | |
What, you think that puts an end to our problems, do you? | 0:42:17 | 0:42:20 | |
Rosie wasn't the only one who's been sleeping with the enemy. | 0:42:21 | 0:42:24 | |
Your new favourite at the club. | 0:42:25 | 0:42:28 | |
Ruby? | 0:42:28 | 0:42:30 | |
What about her? | 0:42:31 | 0:42:32 | |
She's your copper. | 0:42:33 | 0:42:34 | |
Not only that, the police are protecting Rebecca. | 0:42:37 | 0:42:39 | |
It's only a matter of time before she tells them | 0:42:39 | 0:42:42 | |
who killed Pembrook and then we're both sunk. | 0:42:42 | 0:42:44 | |
This is your mess, Chris. | 0:42:46 | 0:42:47 | |
Deal with it. | 0:42:49 | 0:42:50 |