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-How are you feeling? -Like a bullet went through me. | 0:00:02 | 0:00:04 | |
There's been a serious allegation made against you. | 0:00:04 | 0:00:07 | |
What are you talking about? | 0:00:07 | 0:00:09 | |
-I saw you. -What did you see, Perkins?! | 0:00:09 | 0:00:12 | |
You forced yourself on her. | 0:00:12 | 0:00:14 | |
Now, you are very close to retirement age. | 0:00:14 | 0:00:17 | |
You can't be serious. | 0:00:17 | 0:00:18 | |
Over a fumble with the station bike? | 0:00:18 | 0:00:21 | |
Be reasonable, sir. This is | 0:00:21 | 0:00:22 | |
the only way for you to leave | 0:00:22 | 0:00:24 | |
with your reputation intact. | 0:00:24 | 0:00:25 | |
I'm doing you a favour. | 0:00:25 | 0:00:26 | |
UPBEAT MUSIC | 0:00:43 | 0:00:46 | |
At number five, we have auburn-haired stunner, | 0:00:48 | 0:00:50 | |
Abigail Hodgson from Small Heath! | 0:00:50 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
At just 19, this shapely seamstress ain't no dummy. | 0:00:54 | 0:00:57 | |
She made that evening gown with her own fair hands. | 0:00:57 | 0:01:00 | |
And let's not forget numbers six and seven, | 0:01:00 | 0:01:03 | |
Brinford beauties, Lucy Hamilton and Helen Reilly! | 0:01:03 | 0:01:08 | |
Both 21, this lovely pair of cinema usherettes like to sing, | 0:01:08 | 0:01:13 | |
dance and show off their talents on the amateur stage. | 0:01:13 | 0:01:17 | |
A big hand for the girls as they go off to prepare for the final round. | 0:01:17 | 0:01:21 | |
APPLAUSE | 0:01:21 | 0:01:23 | |
Well, it ain't often us men get to stare at pretty girls | 0:01:28 | 0:01:31 | |
without getting in trouble with the missus. | 0:01:31 | 0:01:33 | |
But it's all good fun and a worthy cause, ain't it, ladies and gents? | 0:01:33 | 0:01:37 | |
Because the money raised tonight will give a helping hand | 0:01:37 | 0:01:40 | |
to all you brave ex-servicemen. | 0:01:40 | 0:01:42 | |
CHEERING AND APPLAUSE | 0:01:42 | 0:01:44 | |
And judging by the look of you, you need all the help you can get. | 0:01:44 | 0:01:48 | |
LAUGHTER Oh, you've got to laugh, ain't you? | 0:01:48 | 0:01:51 | |
Because when you see the funny side of life, | 0:01:51 | 0:01:52 | |
it means everything's going to be... | 0:01:52 | 0:01:55 | |
-ALL: -Tickety-boo! | 0:01:55 | 0:01:56 | |
LAUGHTER | 0:01:56 | 0:01:58 | |
Well, well, what time do you call this, officers? | 0:01:58 | 0:02:02 | |
I hope you've got a good reason for interrupting my show. | 0:02:02 | 0:02:05 | |
Sorry, we were d-d-d... | 0:02:05 | 0:02:07 | |
D-D-Doing the hokey cokey? | 0:02:07 | 0:02:09 | |
We were dealing with an incident. Drunk and disorderly. | 0:02:09 | 0:02:12 | |
We should've brought him along, really. He'd have fit right in. | 0:02:12 | 0:02:16 | |
LAUGHTER | 0:02:16 | 0:02:18 | |
I think someone's trying to upstage me, ladies and gentlemen. | 0:02:18 | 0:02:21 | |
What's your name, sweetheart? | 0:02:21 | 0:02:22 | |
WPC Annie Taylor. | 0:02:22 | 0:02:24 | |
Well, WPC Annie Taylor, | 0:02:24 | 0:02:26 | |
unless you've got a bathing costume under that uniform, | 0:02:26 | 0:02:29 | |
I suggest you find yourself a seat. | 0:02:29 | 0:02:30 | |
LAUGHTER | 0:02:30 | 0:02:32 | |
Well, you didn't come all this way to watch my ugly mug all night, did you? | 0:02:32 | 0:02:36 | |
-No. -Cheeky! | 0:02:36 | 0:02:38 | |
Well, without further ado, it's time for the final round! | 0:02:38 | 0:02:42 | |
APPLAUSE | 0:02:42 | 0:02:44 | |
APPLAUSE | 0:03:14 | 0:03:15 | |
Cor blimey! | 0:03:19 | 0:03:20 | |
I've toured the beaches of Saint-Tropez, | 0:03:20 | 0:03:23 | |
I've seen the bronzed beauties of California USA, | 0:03:23 | 0:03:27 | |
but nothing compares to the home-grown loveliness | 0:03:27 | 0:03:30 | |
of a Birmingham girl! | 0:03:30 | 0:03:32 | |
WHISTLING AND APPLAUSE | 0:03:32 | 0:03:34 | |
It's a shame they can't all win first prize, ladies and gents. | 0:03:34 | 0:03:39 | |
But only one lucky girl gets to take home | 0:03:39 | 0:03:40 | |
that state-of-the-art vacuum cleaner and £100! | 0:03:40 | 0:03:44 | |
APPLAUSE | 0:03:44 | 0:03:47 | |
Judges, have you made your final decision? | 0:03:47 | 0:03:50 | |
CHEERING AND WHISTLING | 0:03:50 | 0:03:52 | |
And here to present the award, | 0:03:52 | 0:03:55 | |
yes, it's Assistant Chief Constable Arthur Coulson! | 0:03:55 | 0:04:00 | |
APPLAUSE | 0:04:00 | 0:04:02 | |
Thank you. It's a pleasure to be here. | 0:04:05 | 0:04:07 | |
A real pleasure. | 0:04:07 | 0:04:08 | |
The runner-up Miss Birmingham 1956 is Miss Sheila Brown! | 0:04:10 | 0:04:15 | |
APPLAUSE | 0:04:15 | 0:04:17 | |
Congratulations to Sheila on winning a year's supply of washing powder! | 0:04:19 | 0:04:23 | |
I know where to bring me laundry next time I'm in town. | 0:04:23 | 0:04:26 | |
LAUGHTER | 0:04:26 | 0:04:28 | |
And now, the moment we've all been waiting for. | 0:04:28 | 0:04:32 | |
DRUMROLL | 0:04:32 | 0:04:34 | |
The winner is Brinford's very own Miss Lucy Hamilton! | 0:04:34 | 0:04:40 | |
APPLAUSE | 0:04:40 | 0:04:42 | |
Ain't she a real stunner, ladies and gentlemen? | 0:04:48 | 0:04:51 | |
Well, I hope you've enjoyed the show as much as I have. | 0:04:54 | 0:04:57 | |
Nothing like taking in some of the local sights, eh? | 0:04:57 | 0:05:00 | |
If anyone asks me about my trip to Brinford, I shall tell them | 0:05:00 | 0:05:04 | |
that everything was well and truly... | 0:05:04 | 0:05:06 | |
-ALL: -Tickety-boo! | 0:05:06 | 0:05:09 | |
Thank you! | 0:05:09 | 0:05:11 | |
CHEERING AND APPLAUSE | 0:05:11 | 0:05:13 | |
Would you excuse me for a moment? | 0:05:16 | 0:05:18 | |
My money was on you. | 0:05:21 | 0:05:22 | |
Then you should buy me a drink sometime. | 0:05:22 | 0:05:25 | |
I'm DI Sawyer, but you can call me Harry. | 0:05:25 | 0:05:27 | |
I didn't expect to see you here tonight, sir. | 0:05:34 | 0:05:37 | |
One of the perks of the job, wouldn't you say? | 0:05:37 | 0:05:39 | |
You'll be announcing your retirement soon, of course. | 0:05:39 | 0:05:41 | |
And why would I do that? | 0:05:41 | 0:05:43 | |
We had an agreement. | 0:05:43 | 0:05:44 | |
I'm sorry? What agreement? | 0:05:44 | 0:05:46 | |
You know perfectly well. | 0:05:46 | 0:05:48 | |
After what happened with WPC Dawson. | 0:05:48 | 0:05:50 | |
Well, the last I heard, Constable Dawson transferred to The Met. | 0:05:50 | 0:05:54 | |
You really should keep up. | 0:05:55 | 0:05:58 | |
I was disappointed when she was cleared of blame in the shooting, | 0:05:58 | 0:06:01 | |
but I suppose some things even I can't control. | 0:06:01 | 0:06:05 | |
Still, London's far enough away. | 0:06:06 | 0:06:10 | |
How are you enjoying your freedom so far, sir? | 0:06:10 | 0:06:13 | |
I'm still on army time, I think. | 0:06:13 | 0:06:15 | |
Wake up every morning 6am sharp, don't I, dear? | 0:06:15 | 0:06:18 | |
Like clockwork. | 0:06:18 | 0:06:19 | |
I didn't know there were so many hours in the day. | 0:06:19 | 0:06:21 | |
Like me when I hung up my police uniform. | 0:06:21 | 0:06:23 | |
-You have to get yourself a hobby. -You might be right. | 0:06:23 | 0:06:26 | |
There she is, my little firecracker! | 0:06:26 | 0:06:30 | |
How are you, William? | 0:06:31 | 0:06:33 | |
All the better for seeing my favourite girl. | 0:06:33 | 0:06:36 | |
Look at you, all smart in your uniform. | 0:06:37 | 0:06:40 | |
-When did you start? -Just this week. | 0:06:40 | 0:06:42 | |
It feels like only yesterday | 0:06:42 | 0:06:44 | |
I was sneaking you sugar cubes under the table. Ssh! | 0:06:44 | 0:06:47 | |
-Let me buy you a glass of pop to celebrate. -Thank you. | 0:06:49 | 0:06:52 | |
Brigadier. | 0:06:52 | 0:06:54 | |
Brigadier Morris? David Meyer, Birmingham Chronicle. | 0:07:01 | 0:07:04 | |
I'm writing an article on ex-military men, | 0:07:04 | 0:07:06 | |
how they've adjusted to civilian life since the war. | 0:07:06 | 0:07:08 | |
-I'd be grateful if I could just... -No. Sorry. | 0:07:08 | 0:07:10 | |
Please, it'll just take a moment of your time. | 0:07:10 | 0:07:12 | |
Me and my friend Helen, we're usherettes at the Regal. | 0:07:24 | 0:07:27 | |
We hope one day to be on the big screen ourselves. | 0:07:27 | 0:07:30 | |
We've been taking acting lessons, and... | 0:07:30 | 0:07:32 | |
Miss Birmingham! I wondered where you'd got to. | 0:07:32 | 0:07:36 | |
I just wanted to say I thought you were sensational tonight. | 0:07:36 | 0:07:39 | |
Sensational! | 0:07:39 | 0:07:40 | |
Thank you, Mr Starkey. | 0:07:40 | 0:07:42 | |
Call me Clifford. And thank you, darling. It was a pleasure. | 0:07:42 | 0:07:46 | |
And, um...here, have a keepsake. | 0:07:46 | 0:07:48 | |
-Oh! -Tickety-boo! | 0:07:48 | 0:07:50 | |
THEY LAUGH | 0:07:50 | 0:07:52 | |
I cannot believe I got to meet him! | 0:07:52 | 0:07:55 | |
We were in the middle of something. | 0:07:55 | 0:07:57 | |
What do you say we get out of here? | 0:08:03 | 0:08:06 | |
I'll give you a lift home. | 0:08:06 | 0:08:08 | |
OK. But can Helen come, too? | 0:08:08 | 0:08:11 | |
My friend. We room together. | 0:08:11 | 0:08:13 | |
I just don't want her going back on the bus by herself. | 0:08:13 | 0:08:16 | |
Er...right. Sure. | 0:08:16 | 0:08:18 | |
Thanks. I'll be right back. | 0:08:18 | 0:08:20 | |
Darling! What a lovely surprise! | 0:08:25 | 0:08:28 | |
June. | 0:08:28 | 0:08:30 | |
How is it you get more handsome every time I see you? | 0:08:30 | 0:08:33 | |
-What are you doing in Brinford? -I'm with Clifford now. | 0:08:33 | 0:08:36 | |
He has bookings all over the country. | 0:08:36 | 0:08:37 | |
I barely remember what town I'm in from one day to the next. | 0:08:37 | 0:08:40 | |
Well, you remember your mother, though, don't you? | 0:08:40 | 0:08:42 | |
Did you get my letters? You know she's ill. | 0:08:42 | 0:08:45 | |
How is she? | 0:08:45 | 0:08:47 | |
If you want to know that, go and see her. | 0:08:47 | 0:08:49 | |
Well, of course I will. | 0:08:49 | 0:08:51 | |
I'll just check with Clifford's schedule first. | 0:08:51 | 0:08:53 | |
Darling, please don't give me that look. | 0:08:53 | 0:08:56 | |
I will try my best, that's a promise. | 0:08:56 | 0:08:58 | |
It's hard, you know. | 0:09:01 | 0:09:03 | |
Most people haven't seen what I've seen. | 0:09:03 | 0:09:06 | |
They haven't done what I've done. | 0:09:06 | 0:09:10 | |
Everyone wants to forget, but I can't forget. | 0:09:10 | 0:09:14 | |
I can never forget! | 0:09:14 | 0:09:16 | |
-Forget what? -Excuse us. | 0:09:16 | 0:09:18 | |
Go home and sober up before you make a complete fool of yourself. | 0:09:18 | 0:09:23 | |
Yes, sir! Whatever you say, sir! | 0:09:23 | 0:09:26 | |
Always happy to follow orders, aren't I, sir? | 0:09:26 | 0:09:29 | |
I said, "Go home!" | 0:09:29 | 0:09:31 | |
-This way! -Oh! | 0:09:33 | 0:09:35 | |
William, stop it! | 0:09:36 | 0:09:38 | |
Hey-hey-hey! Hey! What's going on here? | 0:09:38 | 0:09:41 | |
Nothing. Sheppard's had too much to drink. | 0:09:41 | 0:09:44 | |
Can somebody take him home? | 0:09:44 | 0:09:46 | |
-Dad? -Yeah, he can come home with us. Come on, William. | 0:09:46 | 0:09:50 | |
I'd never have the nerve to show myself off like those girls did. | 0:09:55 | 0:09:58 | |
-They were quite lovely, don't you think? -Huh! | 0:09:58 | 0:10:01 | |
It's all right, I won't be jealous. | 0:10:03 | 0:10:05 | |
Yes, they were. | 0:10:07 | 0:10:09 | |
Would you? | 0:10:10 | 0:10:12 | |
Do you like this? | 0:10:22 | 0:10:23 | |
Of course. | 0:10:25 | 0:10:27 | |
What's wrong? | 0:10:57 | 0:10:58 | |
Charlotte! | 0:11:05 | 0:11:06 | |
How was this event you went to? | 0:11:10 | 0:11:13 | |
Oh, it was fine. | 0:11:13 | 0:11:16 | |
Something happened. | 0:11:18 | 0:11:20 | |
Happened? What do you mean, happened? | 0:11:20 | 0:11:22 | |
I'm old, I'm not blind. | 0:11:24 | 0:11:26 | |
I know when you're upset. | 0:11:26 | 0:11:27 | |
I'm not upset. | 0:11:27 | 0:11:29 | |
The sooner you tell me, the sooner I can go to bed. | 0:11:31 | 0:11:37 | |
June's in town. | 0:11:42 | 0:11:43 | |
I know. | 0:11:46 | 0:11:47 | |
I saw her coming out of a shop last week. | 0:11:48 | 0:11:51 | |
Well, why didn't you say anything? | 0:11:51 | 0:11:52 | |
Because your mother makes you crazy | 0:11:52 | 0:11:55 | |
and I hoped you wouldn't bump into her. | 0:11:55 | 0:11:58 | |
You're damn right she makes me crazy. | 0:11:58 | 0:11:59 | |
She's been back a week and she hasn't been here to see you? | 0:11:59 | 0:12:03 | |
She knows you've been ill! | 0:12:03 | 0:12:05 | |
Tomorrow, I'll go find her and drag her back here. | 0:12:05 | 0:12:07 | |
Oh-ho! Wonderful(!) | 0:12:07 | 0:12:10 | |
-Then we can all have a bad time. -I don't care. | 0:12:10 | 0:12:14 | |
Oh, yingele! | 0:12:15 | 0:12:17 | |
Don't try to make her into something she's not. | 0:12:17 | 0:12:22 | |
You'll only be disappointed. | 0:12:22 | 0:12:24 | |
-Morning. -Morning, William. | 0:12:31 | 0:12:33 | |
Thanks for letting me stay. | 0:12:33 | 0:12:35 | |
You didn't need to do that. | 0:12:35 | 0:12:37 | |
Oh, don't be silly! We've plenty of room. Sit yourself down. | 0:12:37 | 0:12:40 | |
Oh, marry me, Lydia! | 0:12:44 | 0:12:45 | |
THEY CHUCKLE | 0:12:45 | 0:12:47 | |
Do you hear that, Douglas? | 0:12:47 | 0:12:49 | |
I'm running away with your wife. | 0:12:49 | 0:12:51 | |
Hm? | 0:12:51 | 0:12:53 | |
I said, "How's life?" | 0:12:53 | 0:12:55 | |
Oh. Quiet since the boys left. | 0:12:55 | 0:12:59 | |
-Lydia tells me Michael made sergeant. -He did. | 0:12:59 | 0:13:03 | |
And Stephen's doing very well, too. He's moving up to CID. | 0:13:03 | 0:13:06 | |
-And Tom? -Oh, he's still in university. | 0:13:06 | 0:13:09 | |
-Studying literature, of all things. -But he loves it. | 0:13:09 | 0:13:12 | |
He loves ice cream, perhaps he should study that! | 0:13:12 | 0:13:14 | |
Still, you can't complain, Douglas. | 0:13:14 | 0:13:17 | |
Three out of four taking after you. | 0:13:17 | 0:13:19 | |
Yeah, I suppose. | 0:13:23 | 0:13:25 | |
Hm! I'd better get to work. | 0:13:27 | 0:13:29 | |
-Have a nice day, dear. -Thanks, Mum. | 0:13:29 | 0:13:31 | |
Bye, Dad. | 0:13:33 | 0:13:35 | |
Hm. | 0:13:35 | 0:13:37 | |
Goodbye, William. | 0:13:38 | 0:13:39 | |
Whoops! | 0:13:40 | 0:13:42 | |
WPC Taylor! | 0:13:57 | 0:13:59 | |
Ah, morning, Tommy. Last night was fun, wasn't it? | 0:13:59 | 0:14:02 | |
Yeah! Yeah. | 0:14:02 | 0:14:04 | |
Um...we've all been talking | 0:14:04 | 0:14:06 | |
and, er...we think it's not really fair | 0:14:06 | 0:14:09 | |
you having to work in a broom cupboard any more. | 0:14:09 | 0:14:11 | |
Thank goodness! I felt like Cinderella with all these mops. | 0:14:11 | 0:14:15 | |
Well, exactly. So perhaps you'd be more comfortable sat...over there. | 0:14:15 | 0:14:20 | |
-Doesn't that belong to someone? -No. It's a spare. | 0:14:20 | 0:14:23 | |
So we thought you should have it. | 0:14:23 | 0:14:26 | |
A proper desk! | 0:14:26 | 0:14:27 | |
Thank you so much! | 0:14:27 | 0:14:30 | |
First it was casual clothes, then evening wear, | 0:14:30 | 0:14:32 | |
and then the last round was, um...oh, yes, swimwear, of course. | 0:14:32 | 0:14:37 | |
Oh, it brings back memories. | 0:14:37 | 0:14:39 | |
Believe it or not, I wore that crown myself once. | 0:14:39 | 0:14:43 | |
What? What was that like, to win? | 0:14:43 | 0:14:46 | |
You'd think it would be fun having your picture taken with the mayor, | 0:14:46 | 0:14:49 | |
but I had to stand outside in my bathing suit | 0:14:49 | 0:14:52 | |
in the middle of December. Whoo! | 0:14:52 | 0:14:56 | |
Put it this way, my smile wasn't the only thing that was frozen. | 0:14:56 | 0:15:00 | |
Still, it made the front of the Brinford Times, | 0:15:00 | 0:15:03 | |
which is something, I suppose. | 0:15:03 | 0:15:05 | |
You don't, erm, still have that clipping by any chance? | 0:15:05 | 0:15:09 | |
I'm not sure. I'd have to look for it. | 0:15:09 | 0:15:11 | |
PHONE RINGS | 0:15:11 | 0:15:15 | |
Good morning, Brinford Police, DI Sawyer's line. | 0:15:15 | 0:15:18 | |
Hold on, please, I'll just check for you. | 0:15:18 | 0:15:20 | |
-Is he in? -Yeah, he's on a case. | 0:15:20 | 0:15:22 | |
I'm sorry, DI Sawyer's not here at the moment, can I take a message? | 0:15:24 | 0:15:28 | |
They made me do it, sarge. | 0:15:28 | 0:15:29 | |
Yes, Mrs Epstein, I'll see he gets it. Bye-bye now. | 0:15:31 | 0:15:35 | |
Isn't anybody working around here? | 0:15:35 | 0:15:37 | |
Bunch of slackers, the lot of you. | 0:15:37 | 0:15:39 | |
-Welcome back, sarge. -Did you miss me? -Why, have you been somewhere? | 0:15:39 | 0:15:43 | |
Good to have you back, Sergeant Fenton. How're you feeling? | 0:15:43 | 0:15:46 | |
Never better, sir. Looking forward to getting stuck in. | 0:15:46 | 0:15:48 | |
Whipping this sorry lot into shape. | 0:15:48 | 0:15:51 | |
Glad to hear it. | 0:15:51 | 0:15:52 | |
Who the hell is this? | 0:15:54 | 0:15:56 | |
WPC Annie Taylor. Good to meet you, sergeant. | 0:15:56 | 0:15:59 | |
You remember her father, don't you? Sergeant Dougie Taylor? | 0:15:59 | 0:16:03 | |
We've already got a woman copper, why do we need another one? | 0:16:03 | 0:16:06 | |
WPC Dawson has moved on. | 0:16:06 | 0:16:08 | |
I'll do my best to live up to her good name, sergeant. | 0:16:08 | 0:16:11 | |
Well, that's very touching. I'll tell you what, | 0:16:11 | 0:16:15 | |
why don't you start by moving all of your stuff off of my desk | 0:16:15 | 0:16:18 | |
and putting it back the way you found it? | 0:16:18 | 0:16:20 | |
I'm sorry, sergeant, I didn't realise it was your desk. | 0:16:20 | 0:16:22 | |
That won't happen again. | 0:16:22 | 0:16:25 | |
So, Harper called into the hospital and said adios. | 0:16:25 | 0:16:29 | |
-Who's replaced him? -Sawyer. | 0:16:29 | 0:16:32 | |
-He's a DS. -Not any more. -Is he even shaving yet? | 0:16:32 | 0:16:36 | |
I don't know, I'm gone five minutes and the whole place goes to hell. | 0:16:36 | 0:16:40 | |
And what has happened to all my cases? | 0:16:40 | 0:16:43 | |
Linda. Someone better have something new for me. | 0:16:43 | 0:16:47 | |
A nice, juicy one too. | 0:16:48 | 0:16:49 | |
I was thinking you should stick to desk duties for now. | 0:16:49 | 0:16:52 | |
I've done enough sitting around, sir. | 0:16:53 | 0:16:56 | |
I just want to get back to normal. | 0:16:56 | 0:16:58 | |
-All right, sergeant. -Thank you, sir. | 0:16:58 | 0:17:00 | |
Well, if that's the case, I've got just the job for you. | 0:17:00 | 0:17:03 | |
I'll make you some tea. | 0:17:05 | 0:17:06 | |
I'm fine. | 0:17:08 | 0:17:10 | |
Why don't you come for lunch on Sunday? | 0:17:10 | 0:17:12 | |
What? | 0:17:12 | 0:17:14 | |
Lunch, Sunday. | 0:17:14 | 0:17:18 | |
You're a good friend, Doug, but I don't need charity. | 0:17:18 | 0:17:22 | |
It's not charity. | 0:17:22 | 0:17:23 | |
Lydia still cooks for six - you'd be doing me a favour. | 0:17:23 | 0:17:26 | |
Not to prove your point but there's no milk. | 0:17:28 | 0:17:31 | |
How about a real drink? | 0:17:31 | 0:17:33 | |
No, I have to be going. | 0:17:33 | 0:17:35 | |
Suit yourself. | 0:17:37 | 0:17:39 | |
Perhaps you should go easy on that stuff. | 0:17:40 | 0:17:42 | |
Perhaps you should mind your business. | 0:17:42 | 0:17:45 | |
Look, William, what's going on with you? | 0:17:45 | 0:17:47 | |
What happened last night with Brigadier Morris? | 0:17:47 | 0:17:49 | |
I said I don't remember! | 0:17:49 | 0:17:50 | |
If you don't want to stay for a drink... | 0:17:52 | 0:17:55 | |
don't. | 0:17:55 | 0:17:56 | |
Think about Sunday. | 0:17:58 | 0:18:00 | |
You're always welcome. | 0:18:03 | 0:18:05 | |
I love my job. | 0:18:10 | 0:18:13 | |
-She looks sort of familiar, sarge. -Does she now? | 0:18:13 | 0:18:15 | |
You got a few of these tucked under your mattress, have you, Perkins? | 0:18:15 | 0:18:18 | |
I haven't, I swear! | 0:18:18 | 0:18:19 | |
I just think I've seen her somewhere before, that's all. | 0:18:19 | 0:18:22 | |
-So she could be local. -Let's have a look. | 0:18:22 | 0:18:24 | |
These are not for a woman's eyes, love, trust me. | 0:18:24 | 0:18:26 | |
Do you think I keep my eyes shut when I take a bath? | 0:18:26 | 0:18:29 | |
I think she was one of the girls from the beauty contest. | 0:18:31 | 0:18:33 | |
Well, if you say so. | 0:18:33 | 0:18:34 | |
Nobody was looking at their faces. | 0:18:34 | 0:18:37 | |
DI Sawyer, didn't you give this girl a lift home last night? | 0:18:37 | 0:18:41 | |
Where'd you get this? | 0:18:41 | 0:18:42 | |
Bookshop raid. | 0:18:42 | 0:18:43 | |
Naughty girl. Yeah, that IS her. I don't remember her name, though. | 0:18:45 | 0:18:48 | |
Oh, I can see why you got that promotion. | 0:18:48 | 0:18:50 | |
Well, I'm sorry, I was more interested in Miss Birmingham. | 0:18:50 | 0:18:54 | |
-I know where they live. -What's the address? | 0:18:54 | 0:18:56 | |
I have a prior relationship, makes more sense for me to go. | 0:18:56 | 0:18:59 | |
-You can't even remember her name. -I want WPC Taylor to handle this. | 0:18:59 | 0:19:02 | |
Sir, this is my case. | 0:19:02 | 0:19:04 | |
And it still is. | 0:19:04 | 0:19:05 | |
I just think a female would show a little more sensitivity. | 0:19:05 | 0:19:08 | |
Thank you, sir. | 0:19:10 | 0:19:11 | |
DI Sawyer? | 0:19:11 | 0:19:12 | |
A Mrs Epstein called for you, she said to telephone her right away. | 0:19:12 | 0:19:16 | |
Thank you. | 0:19:16 | 0:19:18 | |
Hello, Mrs Epstein? It's Harry. | 0:19:23 | 0:19:26 | |
When was this? | 0:19:27 | 0:19:29 | |
Thank you. Bye. Thank you. | 0:19:29 | 0:19:30 | |
Shall we sit down? | 0:19:34 | 0:19:36 | |
We found some nude photographs of you. | 0:19:38 | 0:19:42 | |
Oh. | 0:19:42 | 0:19:44 | |
I don't understand. | 0:19:44 | 0:19:46 | |
Where? Where did you...? | 0:19:46 | 0:19:48 | |
They were being illegally sold in a local bookshop. | 0:19:48 | 0:19:51 | |
They were just supposed to be glamour shots. | 0:19:52 | 0:19:55 | |
Modelling and auditions and stuff. | 0:19:55 | 0:19:59 | |
He kept wanting to see more. | 0:19:59 | 0:20:01 | |
Am I in trouble? | 0:20:01 | 0:20:03 | |
No. But the person who sold them broke the law. | 0:20:03 | 0:20:05 | |
So can you tell me who took the pictures? | 0:20:05 | 0:20:07 | |
Or a description maybe? Where we could find them? | 0:20:10 | 0:20:13 | |
My parents would never speak to me again if this came out. | 0:20:13 | 0:20:17 | |
-Miss Reilly... -Please. I just want to forget it ever happened. | 0:20:17 | 0:20:21 | |
Bubbe? | 0:20:30 | 0:20:32 | |
You'll be all right, yingele. | 0:20:59 | 0:21:02 | |
Yeah. | 0:21:07 | 0:21:08 | |
HE SOBS | 0:21:37 | 0:21:39 | |
Sergeant Fenton, I was on my beat going past the schoolyard | 0:21:39 | 0:21:42 | |
and I found something I think you might want to see. | 0:21:42 | 0:21:45 | |
Oh, yeah, what's that? | 0:21:45 | 0:21:46 | |
It's another naked girl, sir. | 0:21:46 | 0:21:48 | |
-THEY LAUGH AND WHISTLE -Where'd you say you got this? | 0:21:48 | 0:21:50 | |
I confiscated it off some school boys, sarge. | 0:21:50 | 0:21:53 | |
Right, that's it, we're raiding Perkins' home. | 0:21:53 | 0:21:55 | |
THEY LAUGH It's true! I swear! | 0:21:55 | 0:21:59 | |
All right, shut up all of you. | 0:21:59 | 0:22:02 | |
This is the same room... | 0:22:02 | 0:22:04 | |
with a different girl. | 0:22:04 | 0:22:06 | |
So there's more than one victim, sarge? | 0:22:06 | 0:22:09 | |
Victim? | 0:22:09 | 0:22:10 | |
They were forced to strip off, were they? | 0:22:10 | 0:22:12 | |
I spoke to the first girl, Helen Reilly. | 0:22:12 | 0:22:14 | |
She wasn't the type to do this sort of thing | 0:22:14 | 0:22:16 | |
and she had no idea the images would be sold. | 0:22:16 | 0:22:18 | |
Well, that's fascinating. Did she tell you who took the pictures? | 0:22:18 | 0:22:22 | |
She wouldn't say, sarge. | 0:22:23 | 0:22:24 | |
No, she wouldn't because that's what happens when a woman copper | 0:22:24 | 0:22:27 | |
does the questioning, all she does is feel sorry for her. | 0:22:27 | 0:22:30 | |
-That's not fair. -Fair? | 0:22:30 | 0:22:32 | |
Listen to me, princess, you're only here | 0:22:33 | 0:22:36 | |
because of who your daddy is | 0:22:36 | 0:22:38 | |
and you impress me even less than he did, | 0:22:38 | 0:22:40 | |
so the next time you muscle in on a case of mine, | 0:22:40 | 0:22:42 | |
you better get results. | 0:22:42 | 0:22:44 | |
Just like you did with the bookshop worker, sarge? | 0:22:44 | 0:22:47 | |
-What did you say? -I heard he wouldn't talk either | 0:22:47 | 0:22:49 | |
and at least I don't beat people up in the cells. | 0:22:49 | 0:22:51 | |
-Who do you think you're talking to, girl? -All right, Fenton, calm down. | 0:22:51 | 0:22:55 | |
Taylor, I think it's best you go home. Start fresh tomorrow. | 0:22:55 | 0:23:00 | |
Yes, sarge. | 0:23:04 | 0:23:06 | |
What do you mean he's cutting our fee? | 0:23:14 | 0:23:16 | |
No, no, no, I'm not having it. Where is he? I'll sort this out. | 0:23:16 | 0:23:19 | |
Darling, I've gone round and round with him already, | 0:23:19 | 0:23:22 | |
he says ticket sales are low and he's not working at a loss. | 0:23:22 | 0:23:26 | |
Look at this place, it's full of nobodies. | 0:23:26 | 0:23:29 | |
Charming(!) | 0:23:29 | 0:23:30 | |
I'm performing for a thousand people next week. | 0:23:32 | 0:23:35 | |
Go and tell him that, tell him he's lucky to have me. | 0:23:35 | 0:23:37 | |
Well, of course he's lucky to have you. | 0:23:37 | 0:23:39 | |
-What is it now? -Manchester's off. | 0:23:41 | 0:23:45 | |
What? It can't be, they've already printed the posters! | 0:23:45 | 0:23:49 | |
Tell me this is a joke. | 0:23:49 | 0:23:50 | |
I'm sorry, darling, Max Miller became available at the last minute. | 0:23:50 | 0:23:54 | |
KNOCKING | 0:23:54 | 0:23:55 | |
I was waiting for the right moment to tell you. | 0:23:55 | 0:23:58 | |
I'm here to see June. | 0:23:58 | 0:24:00 | |
This is my son, Harry. | 0:24:00 | 0:24:03 | |
Well, well, nice to finally meet you. | 0:24:03 | 0:24:07 | |
I need to have a word with you in private. | 0:24:07 | 0:24:10 | |
It's all right, you can say it here. | 0:24:10 | 0:24:12 | |
Fine. | 0:24:12 | 0:24:13 | |
Your mother died this afternoon. Her funeral's tomorrow. | 0:24:13 | 0:24:17 | |
CLOCK TICKS | 0:24:25 | 0:24:27 | |
I've made us an appointment to see Dr Forester. | 0:24:32 | 0:24:35 | |
What? | 0:24:37 | 0:24:38 | |
It's at 11 tomorrow morning. I'd like you to meet me there. | 0:24:38 | 0:24:42 | |
What for? Are you ill? | 0:24:43 | 0:24:45 | |
No, I'm not ill. | 0:24:46 | 0:24:48 | |
Then I don't understand. | 0:24:50 | 0:24:51 | |
I want to find out what's wrong... | 0:24:53 | 0:24:57 | |
with you. | 0:24:57 | 0:24:58 | |
With us. Why we can't... | 0:24:58 | 0:25:00 | |
Absolutely not. | 0:25:00 | 0:25:03 | |
I can't believe you'd even ask me to do such a thing. | 0:25:03 | 0:25:05 | |
I'm not asking you, Walter. | 0:25:05 | 0:25:06 | |
If you want to save this marriage, you'll be there. | 0:25:06 | 0:25:09 | |
LUCY LAUGHS | 0:25:22 | 0:25:24 | |
See you tomorrow, Janet. | 0:25:26 | 0:25:27 | |
-Hi. -I thought you might want a lift home. | 0:25:36 | 0:25:40 | |
I think I really messed up with Sergeant Fenton today. | 0:25:53 | 0:25:56 | |
Don't give it another thought - he's just got a bit of a temper on him. | 0:25:56 | 0:25:59 | |
Best thing to do is act like nothing ever happened. | 0:25:59 | 0:26:04 | |
And bring him cups of tea - makes him feel important. | 0:26:04 | 0:26:08 | |
What can I get you ladies? | 0:26:08 | 0:26:10 | |
I'll have a cappuccino, please. | 0:26:10 | 0:26:12 | |
-I'll have the same, please. -Coming right up. | 0:26:12 | 0:26:14 | |
So, what's it like working for Chief Inspector Briggs? | 0:26:15 | 0:26:18 | |
You wouldn't know it to look at him but he's an absolute darling. | 0:26:18 | 0:26:23 | |
And what about Sergeant Swift? | 0:26:23 | 0:26:26 | |
Oh, he's lovely too. And funny. | 0:26:26 | 0:26:28 | |
Honestly, he makes me laugh all day long. | 0:26:29 | 0:26:32 | |
Well, of course he does, he's madly in love with you. | 0:26:32 | 0:26:35 | |
-He's what? -Oh, come on, it's so obvious. | 0:26:35 | 0:26:37 | |
I've seen the way he looks at you. | 0:26:37 | 0:26:39 | |
And he's always hanging round your desk for no reason. | 0:26:39 | 0:26:42 | |
Well, they all do that. | 0:26:42 | 0:26:44 | |
Do you like him, though? | 0:26:44 | 0:26:45 | |
I've never really thought about it. | 0:26:48 | 0:26:50 | |
Thank you. | 0:26:51 | 0:26:52 | |
I bet he keeps his socks on in bed. | 0:26:55 | 0:26:56 | |
So what about you? Anyone special? | 0:27:00 | 0:27:03 | |
Tell you what, I wouldn't boot DI Sawyer out of bed. | 0:27:03 | 0:27:06 | |
Neither would I. And there wouldn't be a sock in sight. | 0:27:06 | 0:27:09 | |
-It's nice place. -Shh! | 0:27:12 | 0:27:14 | |
If my landlady hears you, I'll get kicked out. | 0:27:14 | 0:27:18 | |
Why'd you bring me back here, then? | 0:27:18 | 0:27:19 | |
Because you asked me to. | 0:27:19 | 0:27:21 | |
You could've said no. | 0:27:22 | 0:27:24 | |
-Do you want a drink? -Sure. | 0:27:32 | 0:27:34 | |
-Sorry, I just need to... -Leave it. | 0:27:54 | 0:27:56 | |
Do you like me? | 0:28:03 | 0:28:04 | |
-What do you think? -No, I mean, do you really like me? | 0:28:06 | 0:28:11 | |
Of course I do. | 0:28:12 | 0:28:14 | |
-So how long have you been married? -15 years. | 0:28:25 | 0:28:29 | |
And you've been trying for a baby all this time? | 0:28:29 | 0:28:32 | |
We've tried. | 0:28:33 | 0:28:35 | |
Well, it could be a fertility issue. | 0:28:35 | 0:28:37 | |
I don't think it's that. | 0:28:37 | 0:28:39 | |
-It's just we hardly ever... -I see. Mrs Briggs, | 0:28:40 | 0:28:43 | |
frigidity is far more common than you might think. | 0:28:43 | 0:28:46 | |
There's nothing to be ashamed of, a woman's sex drive is often | 0:28:46 | 0:28:52 | |
no match for her husband's. | 0:28:52 | 0:28:54 | |
You don't understand, it's not me. | 0:28:54 | 0:28:57 | |
Walter, say something, for goodness' sake. | 0:29:00 | 0:29:03 | |
Mr Briggs, are you unable to, um...? | 0:29:03 | 0:29:07 | |
I do not have to answer these questions. | 0:29:09 | 0:29:12 | |
Walter, please. | 0:29:12 | 0:29:13 | |
Or you lack the desire, is that it? | 0:29:13 | 0:29:16 | |
You wouldn't be the first married couple to experience this problem. | 0:29:16 | 0:29:20 | |
Hello again. Can I help? | 0:29:27 | 0:29:29 | |
Hi. I'm looking for Harry, erm, DI Sawyer. | 0:29:29 | 0:29:34 | |
Am I in the right place? | 0:29:34 | 0:29:35 | |
Yes, but he's out on a case at the moment. | 0:29:35 | 0:29:38 | |
Can I take a message? | 0:29:38 | 0:29:40 | |
No, that's OK, thanks. I'll come back. | 0:29:40 | 0:29:42 | |
-Harry. -Lucy, what are you doing here? | 0:29:45 | 0:29:49 | |
Move it. | 0:29:49 | 0:29:50 | |
Did I do something wrong? | 0:29:52 | 0:29:54 | |
(Come here.) | 0:29:55 | 0:29:57 | |
What are you talking about? | 0:29:58 | 0:30:00 | |
I woke up and you were just gone. | 0:30:00 | 0:30:03 | |
I didn't want to disturb you. | 0:30:04 | 0:30:06 | |
Listen, Lucy, it's good to see you, but I have work to do. | 0:30:06 | 0:30:08 | |
I'll give you a call some time, OK? | 0:30:08 | 0:30:10 | |
I thought last night meant something to you. | 0:30:10 | 0:30:13 | |
What do you want, a proposal? | 0:30:13 | 0:30:15 | |
-Of course not, but... -But what? | 0:30:15 | 0:30:17 | |
It was my first time. | 0:30:20 | 0:30:21 | |
Really? | 0:30:22 | 0:30:24 | |
Don't you think you and your friend | 0:30:24 | 0:30:25 | |
are getting a little old for the innocent act? | 0:30:25 | 0:30:27 | |
THEY WOLF-WHISTLE Shut up. | 0:30:31 | 0:30:33 | |
Sex is like anything else. | 0:30:33 | 0:30:36 | |
When it feels like routine, it loses its appeal. | 0:30:36 | 0:30:40 | |
Don't be afraid to, um, do things differently. | 0:30:40 | 0:30:43 | |
What do you mean? | 0:30:43 | 0:30:44 | |
Well, for instance, there are various positions you could try. | 0:30:44 | 0:30:49 | |
Or perhaps on occasion, Mrs Briggs, | 0:30:49 | 0:30:52 | |
you could wear something new and enticing to bed. | 0:30:52 | 0:30:56 | |
Or you could consider leaving the lights on. | 0:30:56 | 0:30:58 | |
Sometimes all that's missing is a little imagination. | 0:30:58 | 0:31:02 | |
You are a normal, healthy, married couple. | 0:31:02 | 0:31:06 | |
You can enjoy yourselves as much as you like. | 0:31:06 | 0:31:09 | |
And why not, hmm? | 0:31:09 | 0:31:11 | |
It's fun, it's free, and best of all, | 0:31:11 | 0:31:14 | |
it makes you live longer. SHE CHUCKLES | 0:31:14 | 0:31:18 | |
DOOR OPENS DOWNSTAIRS | 0:31:38 | 0:31:40 | |
Harry? | 0:31:42 | 0:31:45 | |
Hello? | 0:31:45 | 0:31:46 | |
What are you doing? | 0:31:56 | 0:31:58 | |
What does it look like? We have to sit Shiva. | 0:32:00 | 0:32:03 | |
Shiva? | 0:32:03 | 0:32:04 | |
Well, we're family. | 0:32:06 | 0:32:08 | |
We have to live under the same roof for seven days. | 0:32:08 | 0:32:10 | |
Thank you, I'm well aware of what it means. | 0:32:10 | 0:32:12 | |
I just think it's interesting you're a traditionalist all of a sudden. | 0:32:12 | 0:32:16 | |
Can't I just mourn my mother in peace | 0:32:16 | 0:32:18 | |
-without inviting ridicule from you? -No. | 0:32:18 | 0:32:20 | |
Because I know why you're really here. | 0:32:21 | 0:32:24 | |
So let's save us both some time. | 0:32:24 | 0:32:27 | |
She left the house and everything in it to me. | 0:32:27 | 0:32:30 | |
What money there is I will send to Aunt Ruth and Uncle Joel, | 0:32:30 | 0:32:32 | |
because they need it, and more importantly, they deserve it. | 0:32:32 | 0:32:36 | |
You can go now. | 0:32:41 | 0:32:43 | |
I'm not going anywhere. | 0:32:43 | 0:32:45 | |
Well, you're not staying in this house. | 0:32:47 | 0:32:50 | |
I mean it, June, I do not want you here! | 0:32:50 | 0:32:53 | |
You need a hand with that, sir? HE GROANS | 0:33:00 | 0:33:02 | |
I blame you for suggesting I take a hobby. | 0:33:02 | 0:33:06 | |
I meant gluing matchsticks together or summat, not breaking your back. | 0:33:06 | 0:33:10 | |
Oh, hello, Douglas. | 0:33:10 | 0:33:12 | |
Mrs Morris. | 0:33:12 | 0:33:13 | |
-Darling, I'm just off to the shops. -OK, dear. | 0:33:13 | 0:33:15 | |
I suppose you want to ask about the other night. | 0:33:18 | 0:33:20 | |
William says he can't remember why you fought. | 0:33:20 | 0:33:23 | |
Well, there you have it. | 0:33:23 | 0:33:24 | |
He was blind drunk, as usual. | 0:33:24 | 0:33:26 | |
Did you say something to him? | 0:33:28 | 0:33:30 | |
He doesn't usually lash out like that. | 0:33:30 | 0:33:32 | |
I'm not one of your suspects, Douglas. | 0:33:32 | 0:33:34 | |
-I'm just trying to understand, sir. -There's nothing to understand. | 0:33:35 | 0:33:39 | |
The man's a lost cause. | 0:33:39 | 0:33:41 | |
Where's your boyfriend tonight? | 0:33:46 | 0:33:48 | |
Shouldn't you be running around after him? | 0:33:48 | 0:33:51 | |
I've told him you're my priority right now. | 0:33:51 | 0:33:53 | |
HE CHUCKLES | 0:33:53 | 0:33:55 | |
Well, there's a first for everything. | 0:33:55 | 0:33:58 | |
I've had just about enough of the barbed comments, Harry. | 0:33:59 | 0:34:02 | |
Well, normally when you've had enough of something, | 0:34:02 | 0:34:04 | |
you just up and leave, | 0:34:04 | 0:34:07 | |
so here's hoping. | 0:34:07 | 0:34:08 | |
-I just buried my mother. -So did I! | 0:34:08 | 0:34:10 | |
It's a pity it was the wrong one. | 0:34:12 | 0:34:14 | |
All right, I know I wasn't the best mother, | 0:34:14 | 0:34:16 | |
but believe me, neither was Lily. | 0:34:16 | 0:34:17 | |
Don't you dare try and pull that trick on me. | 0:34:17 | 0:34:19 | |
I know exactly who Lily was and you don't hold a candle to her. | 0:34:19 | 0:34:22 | |
See, this is what I'm up against. | 0:34:22 | 0:34:24 | |
-She's poisoned you against me. -No, you did that all by yourself. | 0:34:24 | 0:34:27 | |
-You didn't give a damn about me or anybody else. -That's not true. | 0:34:29 | 0:34:32 | |
All you ever cared about was being famous. | 0:34:32 | 0:34:35 | |
Do you think it was easy for me? | 0:34:35 | 0:34:37 | |
Trying to make something of myself in London with no money | 0:34:37 | 0:34:40 | |
-and a little boy to take care of? -Is that what you'd call it? | 0:34:40 | 0:34:43 | |
Locking me in a stranger's car while you went to all-night parties? Hey! | 0:34:43 | 0:34:47 | |
At least I knew where you were, right? | 0:34:47 | 0:34:49 | |
I was too young when I had you, I couldn't cope. | 0:34:51 | 0:34:53 | |
-That's why I left you here. -You abandoned me. | 0:34:53 | 0:34:56 | |
And you never looked back. | 0:34:58 | 0:34:59 | |
And for what? | 0:35:01 | 0:35:03 | |
Men like Clifford Starkey? | 0:35:03 | 0:35:05 | |
HE LAUGHS | 0:35:06 | 0:35:08 | |
I hope it was worth it. | 0:35:11 | 0:35:13 | |
BELL TINGS | 0:35:15 | 0:35:16 | |
Excuse me, I'm looking for my friend. She was supposed to meet me. | 0:35:18 | 0:35:22 | |
Have you seen her? Dark hair, pretty. | 0:35:22 | 0:35:25 | |
-Oh, you mean Miss Birmingham? -Yes, that's her. | 0:35:25 | 0:35:28 | |
Yeah, she was here. | 0:35:28 | 0:35:30 | |
You'll never guess who she left with. | 0:35:30 | 0:35:32 | |
That's better. | 0:35:32 | 0:35:34 | |
I couldn't hear myself think over that piano. | 0:35:34 | 0:35:36 | |
-LIFT BELL PINGS -I liked it. | 0:35:36 | 0:35:37 | |
That's cos young people have got terrible taste in everything. | 0:35:37 | 0:35:40 | |
I like this champagne. | 0:35:40 | 0:35:42 | |
Then there's hope for you yet. | 0:35:42 | 0:35:43 | |
THEY LAUGH | 0:35:43 | 0:35:45 | |
Now I've been around show business all my life, Lucy, | 0:35:48 | 0:35:51 | |
and I know star quality when I see it. | 0:35:51 | 0:35:54 | |
-And I think you've got what it takes to make it all the way. -Oh...! | 0:35:54 | 0:35:59 | |
If I make some calls, | 0:36:00 | 0:36:02 | |
I could get you signed to a top agent in London. | 0:36:02 | 0:36:05 | |
-You'd really do that for me? -I'd be happy to, darlin'. | 0:36:05 | 0:36:08 | |
I just have to take a few photos of you first. | 0:36:08 | 0:36:11 | |
If they like what they see, | 0:36:11 | 0:36:13 | |
well, there'll be no stopping you. | 0:36:13 | 0:36:15 | |
Here's your report, sarge. | 0:36:15 | 0:36:17 | |
Put it on there. | 0:36:17 | 0:36:19 | |
Night, all. | 0:36:21 | 0:36:22 | |
-Good night. -Good night. -Hold on. | 0:36:22 | 0:36:24 | |
I wasn't here for her first shift. | 0:36:24 | 0:36:27 | |
Did anybody give her a Brinford Branding? | 0:36:27 | 0:36:29 | |
No, we, er... Well, we didn't feel it was appropriate any more... | 0:36:29 | 0:36:32 | |
I think it's long overdue, then. | 0:36:32 | 0:36:34 | |
-What do you say, lads? -ALL: Yeah! | 0:36:34 | 0:36:36 | |
- Um, a Brinford Branding is when... - I know what it is. | 0:36:36 | 0:36:39 | |
Right, let's get this over with. | 0:36:43 | 0:36:46 | |
You up first, Fletch? | 0:36:46 | 0:36:48 | |
All right. | 0:36:48 | 0:36:50 | |
ALL: Go on, Fletch! Go on, Fletch! Go on, Fletch! | 0:36:50 | 0:36:52 | |
LAUGHTER | 0:36:53 | 0:36:56 | |
Come on! | 0:36:56 | 0:36:58 | |
Anyone else? | 0:36:58 | 0:37:00 | |
-All right, take it easy. -PHONE RINGS | 0:37:00 | 0:37:02 | |
Hello, Brinford Police? | 0:37:03 | 0:37:05 | |
Helen? What's happened? | 0:37:05 | 0:37:07 | |
Who's with Lucy? | 0:37:09 | 0:37:10 | |
That's it. | 0:37:14 | 0:37:15 | |
Yeah. Hold that smile. | 0:37:16 | 0:37:19 | |
Gorgeous. | 0:37:21 | 0:37:24 | |
What's wrong? | 0:37:26 | 0:37:27 | |
Nothing, darlin', no, no. | 0:37:27 | 0:37:28 | |
These are all great, really great. | 0:37:28 | 0:37:31 | |
But I think we need to show 'em a bit more. | 0:37:31 | 0:37:34 | |
-What do you mean? -Come on, don't be coy, dear, you know what I mean. | 0:37:34 | 0:37:37 | |
If you want to impress casting agents, | 0:37:37 | 0:37:39 | |
you've got to prove you've got what it takes. | 0:37:39 | 0:37:41 | |
I just don't think I can. | 0:37:43 | 0:37:44 | |
I thought you were serious about becoming an actress. | 0:37:50 | 0:37:53 | |
I am. | 0:37:53 | 0:37:55 | |
It's all I've ever wanted to do. | 0:37:55 | 0:37:57 | |
Then prove it. | 0:37:58 | 0:37:59 | |
HE SIGHS | 0:38:04 | 0:38:05 | |
You wouldn't believe the day I've had. | 0:38:06 | 0:38:09 | |
More work piling up than I'll ever be able finish in a lifetime... | 0:38:09 | 0:38:13 | |
..and then a hellish appointment I couldn't get out of. | 0:38:14 | 0:38:18 | |
What appointment? | 0:38:18 | 0:38:19 | |
It doesn't matter. | 0:38:20 | 0:38:21 | |
I'm just glad I'm here. | 0:38:23 | 0:38:24 | |
Although, | 0:38:32 | 0:38:34 | |
I think it's warmer outside. What's going on? | 0:38:34 | 0:38:37 | |
Well, my day was pretty awful too. | 0:38:37 | 0:38:40 | |
Of course, I haven't seen a penny from the last article I wrote, | 0:38:40 | 0:38:44 | |
and then they're chasing me to finish this one, | 0:38:44 | 0:38:46 | |
and then I ran out of change for the gas meter. | 0:38:46 | 0:38:50 | |
Ah. | 0:38:50 | 0:38:51 | |
But at least I feel like a true Red as I work. | 0:38:51 | 0:38:54 | |
It's like Vladivostok in here. | 0:38:54 | 0:38:56 | |
Well, would you accept a shilling from a filthy capitalist? | 0:38:58 | 0:39:04 | |
Oh, absolutely. | 0:39:04 | 0:39:06 | |
What would you do without me? | 0:39:10 | 0:39:11 | |
Good girl. | 0:39:13 | 0:39:15 | |
Lovely. | 0:39:16 | 0:39:19 | |
Let's see a bit more. | 0:39:19 | 0:39:20 | |
You're beautiful, Lucy. | 0:39:22 | 0:39:25 | |
Oh, a real knockout. | 0:39:25 | 0:39:27 | |
Go on, then. | 0:39:29 | 0:39:30 | |
-I'm leaving. -What? | 0:39:36 | 0:39:38 | |
What, you... | 0:39:39 | 0:39:40 | |
You can't just go. | 0:39:40 | 0:39:42 | |
Lucy, sweetheart, come on. | 0:39:42 | 0:39:44 | |
-Hey! We ain't finished. -Let me go! -RAPID KNOCKING | 0:39:44 | 0:39:46 | |
-Open up, it's the police! -What's going on?! | 0:39:46 | 0:39:49 | |
I should ask you the same thing. | 0:39:49 | 0:39:51 | |
-Are you all right? -Hey! | 0:39:51 | 0:39:53 | |
Do you know who I am? | 0:39:53 | 0:39:55 | |
This is a private room - you've got no right to be here. | 0:39:55 | 0:39:57 | |
I guess everything's not so...tickety-boo, then. | 0:40:01 | 0:40:04 | |
I didn't hear you come up last night. | 0:40:11 | 0:40:14 | |
I thought you'd gone. | 0:40:14 | 0:40:16 | |
I didn't sleep. | 0:40:16 | 0:40:18 | |
Those things you said... | 0:40:20 | 0:40:22 | |
Look, I'm sorry, all right? | 0:40:22 | 0:40:25 | |
-I'd had a lot to drink. -No, I deserved it. | 0:40:25 | 0:40:27 | |
I was upset about Bubbe. I shouldn't have taken it out on you. | 0:40:27 | 0:40:31 | |
You were right. | 0:40:32 | 0:40:33 | |
All my life, I've been chasing a dream and look where it's got me. | 0:40:34 | 0:40:38 | |
I should have been here with you. | 0:40:40 | 0:40:42 | |
I'm going to leave Clifford. | 0:40:47 | 0:40:48 | |
And then what? | 0:40:50 | 0:40:51 | |
I don't know. | 0:40:51 | 0:40:52 | |
I'll probably head back to London. | 0:40:54 | 0:40:55 | |
Try and sort some things out. | 0:40:55 | 0:40:57 | |
Well... | 0:41:03 | 0:41:04 | |
..you don't have to go right away. | 0:41:05 | 0:41:07 | |
It's Shiva. | 0:41:09 | 0:41:11 | |
Margaret? | 0:41:15 | 0:41:16 | |
-SHE WHIMPERS -Margaret! | 0:41:19 | 0:41:22 | |
MUFFLED CRIES | 0:41:22 | 0:41:24 | |
PHONE RINGS | 0:41:40 | 0:41:42 | |
I'm looking forward to telling June exactly what kind of man you are. | 0:41:45 | 0:41:49 | |
Wake up, sonny. | 0:41:49 | 0:41:50 | |
You think she didn't know what I was up to? | 0:41:50 | 0:41:53 | |
June don't care where the money comes from, | 0:41:53 | 0:41:55 | |
as long as she gets to spend it. | 0:41:55 | 0:41:57 | |
Who's June? | 0:41:59 | 0:42:00 | |
None of your business. | 0:42:00 | 0:42:02 | |
-Hurry up with those statements. -Yes, sarge. | 0:42:05 | 0:42:07 | |
Perkins, | 0:42:10 | 0:42:12 | |
how come Taylor's at your desk? | 0:42:12 | 0:42:14 | |
She just took it, sarge. | 0:42:14 | 0:42:16 | |
-Then take it back. -You saw what she did to Fletcher. | 0:42:16 | 0:42:19 | |
June? | 0:42:29 | 0:42:31 | |
June? | 0:42:37 | 0:42:38 | |
MUFFLED WHIMPERING AND GASPING | 0:42:58 | 0:43:01 | |
MUFFLED SCREECHING AND SHOUTING | 0:43:13 | 0:43:16 | |
GUNSHOT | 0:43:22 | 0:43:24 |