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Who the hell is this? | 0:00:02 | 0:00:03 | |
WPC Annie Taylor. Good to meet you, Sergeant. | 0:00:03 | 0:00:05 | |
And er...Sergeant Swift? | 0:00:05 | 0:00:07 | |
Honestly, he makes me laugh all day long. | 0:00:07 | 0:00:10 | |
Well of course he does, he's madly in love with you! | 0:00:10 | 0:00:13 | |
He's what? | 0:00:13 | 0:00:14 | |
Perkins, how come Taylor's at your desk? | 0:00:14 | 0:00:18 | |
She just took it, Sarge. | 0:00:18 | 0:00:20 | |
And you'll be announcing your retirement soon, of course. | 0:00:20 | 0:00:22 | |
And why would I do that? | 0:00:22 | 0:00:24 | |
We had an agreement. | 0:00:24 | 0:00:25 | |
I'm sorry what agreement? | 0:00:25 | 0:00:27 | |
You know perfectly well, after what happened with WPC Dawson. | 0:00:27 | 0:00:31 | |
Or perhaps on occasion, Mrs Briggs, | 0:00:31 | 0:00:33 | |
you could wear something new and enticing to bed. | 0:00:33 | 0:00:37 | |
You are a normal, healthy married couple. | 0:00:37 | 0:00:40 | |
You can enjoy yourselves as much as you like. | 0:00:40 | 0:00:43 | |
Taylor. | 0:01:05 | 0:01:06 | |
A neighbour telephoned reported it in. | 0:01:06 | 0:01:08 | |
Said she heard shouting and a man scream. | 0:01:08 | 0:01:10 | |
Did she see anyone go in or out? | 0:01:10 | 0:01:11 | |
-No, sir. -Any idea who lives here? | 0:01:11 | 0:01:13 | |
-It's Brigadier Morris and his wife. -THE Brigadier Morris? | 0:01:13 | 0:01:16 | |
From the fundraiser the other night, yes, sir. | 0:01:16 | 0:01:18 | |
And you haven't been inside? | 0:01:18 | 0:01:19 | |
Sergeant Swift ordered me to wait for a male officer to arrive. | 0:01:19 | 0:01:22 | |
HE CHUCKLES | 0:01:22 | 0:01:23 | |
Shall we? | 0:01:23 | 0:01:24 | |
DOOR CREAKS | 0:01:26 | 0:01:28 | |
Hello? | 0:01:31 | 0:01:33 | |
Police. Anybody here? | 0:01:33 | 0:01:35 | |
WHIMPERING IN DISTANCE | 0:01:35 | 0:01:38 | |
WHIMPERING GETS LOUDER | 0:01:43 | 0:01:45 | |
It's all right. You're safe now. | 0:01:48 | 0:01:51 | |
You're safe now. It's OK. | 0:01:51 | 0:01:52 | |
Can you tell us what happened? | 0:01:55 | 0:01:56 | |
He was...waiting for us. | 0:01:56 | 0:01:58 | |
Is he still here? | 0:01:58 | 0:02:00 | |
I don't know.... | 0:02:00 | 0:02:02 | |
Leave me. | 0:02:02 | 0:02:04 | |
Graham. | 0:02:04 | 0:02:05 | |
Your husband? | 0:02:05 | 0:02:06 | |
Where is he? | 0:02:06 | 0:02:07 | |
-VOICE BREAKING: -The cellar. | 0:02:07 | 0:02:09 | |
SHE SOBS | 0:02:10 | 0:02:12 | |
Hello? | 0:02:21 | 0:02:24 | |
Brinford Police. | 0:02:24 | 0:02:25 | |
Brigadier Morris. | 0:02:45 | 0:02:46 | |
(Brigadier Morris?) | 0:02:50 | 0:02:52 | |
GUN FIRES | 0:03:22 | 0:03:23 | |
SCREAMING | 0:03:29 | 0:03:31 | |
EXHAUST SPLUTTERS | 0:03:33 | 0:03:35 | |
I bet I could blow it all day and not get anything out of it. | 0:03:39 | 0:03:43 | |
It's all in the lips. | 0:03:44 | 0:03:45 | |
Oh, Sergeant, Mrs Fenton rang, says you forgot your...sarnies. | 0:03:47 | 0:03:51 | |
HE PLAYS DANNY BOY | 0:03:57 | 0:03:59 | |
Wow! | 0:04:38 | 0:04:39 | |
What other hidden talents do you have? | 0:04:39 | 0:04:41 | |
HE CHUCKLES | 0:04:41 | 0:04:42 | |
Well, actually quite a few. | 0:04:42 | 0:04:44 | |
Perkins! | 0:04:44 | 0:04:45 | |
All done, Sarge. | 0:04:45 | 0:04:47 | |
Oh, yes. Lovely job you've done there. | 0:04:47 | 0:04:50 | |
What's this? | 0:04:50 | 0:04:51 | |
The sarge is reviving the station band. | 0:04:51 | 0:04:53 | |
And you're going to be the first to sign up. | 0:04:53 | 0:04:56 | |
It's going to be a real boost for morale. | 0:04:56 | 0:04:58 | |
-It's going to be fun. -What are you doing? | 0:04:58 | 0:05:01 | |
"The new Doris Day", | 0:05:01 | 0:05:03 | |
that's what they called me at the Butlins talent show. | 0:05:03 | 0:05:05 | |
Yes. | 0:05:05 | 0:05:07 | |
I'm sure that you were very good. | 0:05:07 | 0:05:08 | |
Very good, but...? | 0:05:08 | 0:05:10 | |
Number one - you're not a serving police officer. | 0:05:10 | 0:05:15 | |
I'm sure you can turn a blind eye... for me. | 0:05:15 | 0:05:18 | |
Course he can. | 0:05:18 | 0:05:19 | |
Number two...you're a woman. | 0:05:19 | 0:05:24 | |
Well, you haven't complained about that before! | 0:05:26 | 0:05:28 | |
Sorry. | 0:05:28 | 0:05:29 | |
It's out of my hands. | 0:05:30 | 0:05:31 | |
Sergeant, I need these checked for fingerprints. It's urgent. | 0:05:31 | 0:05:35 | |
I'll take care of it, Inspector. | 0:05:36 | 0:05:38 | |
A tooth. | 0:05:40 | 0:05:41 | |
Is it a murder then? | 0:05:43 | 0:05:44 | |
Why would you think that? | 0:05:44 | 0:05:46 | |
Pliers, covered in blood. Urgent fingerprint test. | 0:05:46 | 0:05:49 | |
You ever thought about joining CID? | 0:05:49 | 0:05:51 | |
Maybe, one day... | 0:05:51 | 0:05:53 | |
But in the meantime, number three beat is missing its constable. | 0:05:53 | 0:05:55 | |
Yes, Sarge. On my way. | 0:05:55 | 0:05:57 | |
-Perkins. -Sarge? -Not so fast. | 0:05:57 | 0:06:00 | |
I'm coming with you. | 0:06:00 | 0:06:02 | |
Has there been a complaint? | 0:06:03 | 0:06:04 | |
No. Just time you got some proper training. | 0:06:04 | 0:06:07 | |
Susie. | 0:06:14 | 0:06:15 | |
Susie? | 0:06:17 | 0:06:18 | |
So twice daily you want to do the cafes. | 0:06:23 | 0:06:27 | |
See who's hanging about. | 0:06:27 | 0:06:28 | |
These places are like honey pots for all sorts. | 0:06:30 | 0:06:32 | |
What can I get you? | 0:06:32 | 0:06:34 | |
Coffee for me, and he'll have...? | 0:06:34 | 0:06:36 | |
Perkins...what do you fancy? | 0:06:39 | 0:06:42 | |
As if that isn't a stupid question. | 0:06:42 | 0:06:45 | |
A er...tea, a tea. Ta. | 0:06:45 | 0:06:48 | |
Coming up. | 0:06:48 | 0:06:50 | |
Never knew you had such exotic tastes. | 0:06:50 | 0:06:53 | |
-Don't know what you're talking about. -Yeah, right. | 0:06:53 | 0:06:55 | |
Anyway, you want to aim a bit higher. | 0:06:55 | 0:06:57 | |
Once you get your stripes, you'll be beating the ladies off | 0:06:57 | 0:07:00 | |
with your truncheon. | 0:07:00 | 0:07:02 | |
Me? A sergeant. | 0:07:02 | 0:07:03 | |
Why not? | 0:07:03 | 0:07:04 | |
Coffee....and a tea. | 0:07:04 | 0:07:08 | |
Lovely. | 0:07:08 | 0:07:09 | |
Thank you. | 0:07:09 | 0:07:10 | |
How much...? | 0:07:10 | 0:07:12 | |
Oh, dear. You have got a lot to learn. | 0:07:12 | 0:07:15 | |
Tell him, Bab. | 0:07:16 | 0:07:17 | |
On the house. Orders from the boss. | 0:07:17 | 0:07:20 | |
Legit businesses like having a copper around. | 0:07:23 | 0:07:26 | |
Find it reassuring. | 0:07:26 | 0:07:28 | |
If they want to show their appreciation with a free cuppa, | 0:07:28 | 0:07:31 | |
well, it would be impolite to refuse, wouldn't it? | 0:07:31 | 0:07:34 | |
When you put it like that... | 0:07:34 | 0:07:36 | |
Oi, sweetheart. | 0:07:37 | 0:07:38 | |
My name is not Bab, or sweetheart. | 0:07:40 | 0:07:43 | |
It's Gloria. | 0:07:43 | 0:07:45 | |
Well, Gloria... | 0:07:45 | 0:07:48 | |
my pal here's got something he wants to ask you? | 0:07:48 | 0:07:51 | |
And what might that be? | 0:07:51 | 0:07:53 | |
I...er..w..w... | 0:07:54 | 0:07:56 | |
Where are your toilets? | 0:07:56 | 0:07:58 | |
Out the back. First left. | 0:07:58 | 0:08:00 | |
Hey, where's me doughnut? | 0:08:04 | 0:08:07 | |
Appalling. | 0:08:20 | 0:08:22 | |
A man fights for his country, survives the war, | 0:08:22 | 0:08:24 | |
only to be murdered in his own home. | 0:08:24 | 0:08:26 | |
Tortured first. | 0:08:26 | 0:08:28 | |
Looked like he'd been worked on for some time. | 0:08:28 | 0:08:31 | |
Was anything missing from the house? | 0:08:31 | 0:08:33 | |
We'll have to wait for Mrs Morris to make a full statement. | 0:08:33 | 0:08:36 | |
There is the matter of her jewellery, sir. | 0:08:36 | 0:08:38 | |
What's that, Taylor? | 0:08:38 | 0:08:39 | |
Mrs Morris - she was wearing pearl earrings, a diamond ring, | 0:08:39 | 0:08:41 | |
-all untouched. -Which would appear to rule out robbery as a motive. | 0:08:41 | 0:08:45 | |
Can she identify her assailant? | 0:08:45 | 0:08:48 | |
His face was hidden. | 0:08:48 | 0:08:49 | |
-All she can say is that he was strong, determined. -Right. | 0:08:49 | 0:08:53 | |
Well, nothing will bring her husband back. | 0:08:53 | 0:08:56 | |
Catching his killer may give her some peace. | 0:08:56 | 0:08:58 | |
Have you ever seen anything like this before? | 0:09:01 | 0:09:04 | |
Where do you start? | 0:09:05 | 0:09:07 | |
Well, we do have one suspect. | 0:09:08 | 0:09:10 | |
The man who squared up to Brigadier Morris | 0:09:10 | 0:09:12 | |
at the beauty pageant. | 0:09:12 | 0:09:14 | |
William Sheppard? | 0:09:14 | 0:09:15 | |
He clearly has a grudge against him. | 0:09:15 | 0:09:17 | |
But he's not a murderer, he's a friend of my father's. | 0:09:17 | 0:09:19 | |
They served together during the war. Special Operations. | 0:09:19 | 0:09:22 | |
So he's been trained to kill? | 0:09:22 | 0:09:24 | |
The enemy, not his commanding officer. He's a good man. | 0:09:24 | 0:09:28 | |
And yet he drunkenly attacked another man in public. | 0:09:28 | 0:09:31 | |
Well, I've never seen him be violent before. | 0:09:31 | 0:09:34 | |
Well, I still need to eliminate him as a suspect. | 0:09:34 | 0:09:36 | |
You know where he lives? | 0:09:37 | 0:09:40 | |
Then let's go. | 0:09:40 | 0:09:41 | |
Detective Inspector Sawyer, | 0:09:48 | 0:09:49 | |
-can you confirm Brigadier Morris was murdered? -Inspector! | 0:09:49 | 0:09:52 | |
-Do you have any suspects? -Inspector! | 0:09:52 | 0:09:54 | |
How did he die? At least tell us that. | 0:09:57 | 0:09:59 | |
Inspector! | 0:09:59 | 0:10:00 | |
A pint of Best please. And one for him. | 0:10:06 | 0:10:08 | |
What? On duty? | 0:10:08 | 0:10:10 | |
Give him some pop. | 0:10:10 | 0:10:11 | |
Sid. | 0:10:13 | 0:10:14 | |
Wally! Long time. | 0:10:14 | 0:10:16 | |
-Pint? -Aye, thanks. Ta. | 0:10:18 | 0:10:20 | |
I popped in the station. | 0:10:21 | 0:10:23 | |
Said you were on number three, | 0:10:23 | 0:10:24 | |
I hoped I'd find you in your old watering hole. | 0:10:24 | 0:10:26 | |
Wally King. Tommy Perkins. | 0:10:26 | 0:10:28 | |
Look at that fresh face, eh? Eh?! | 0:10:29 | 0:10:32 | |
Eager expression, eh? | 0:10:32 | 0:10:33 | |
Reminds me of someone. | 0:10:33 | 0:10:35 | |
Wally was my sergeant when I joined up. | 0:10:36 | 0:10:38 | |
Move! | 0:10:38 | 0:10:39 | |
Happy days, eh? | 0:10:43 | 0:10:45 | |
Happy days. | 0:10:47 | 0:10:49 | |
Sid... | 0:10:50 | 0:10:52 | |
I'm in a spot of bother. | 0:10:52 | 0:10:54 | |
What kind of bother? | 0:10:54 | 0:10:56 | |
He's OK. | 0:10:56 | 0:10:58 | |
You know I'm a night watchman. Army stores. | 0:10:58 | 0:11:01 | |
Buchanan Lane? | 0:11:01 | 0:11:02 | |
Yeah, these last few weeks, stock's been walking. | 0:11:04 | 0:11:09 | |
Carton of fags, box of tea. | 0:11:09 | 0:11:11 | |
Nothing serious. | 0:11:11 | 0:11:13 | |
Until last night. | 0:11:13 | 0:11:15 | |
Ten whole crates, swiped from right under my nose. | 0:11:15 | 0:11:19 | |
How? | 0:11:19 | 0:11:20 | |
I must have nodded off. | 0:11:20 | 0:11:21 | |
You'd think I'd be used to nights, | 0:11:21 | 0:11:23 | |
but I can't keep my eyes open. | 0:11:23 | 0:11:26 | |
Crates of what? | 0:11:26 | 0:11:27 | |
Tinned salmon. Canadian. It's top quality. | 0:11:27 | 0:11:29 | |
-Worth a pretty penny, then? -A couple of hundred quid. | 0:11:29 | 0:11:32 | |
HE WHISTLES | 0:11:32 | 0:11:33 | |
I haven't told my boss. | 0:11:33 | 0:11:35 | |
He won't know it's gone till the end of the week | 0:11:35 | 0:11:37 | |
when it's being shipped out. | 0:11:37 | 0:11:40 | |
So you need it back by then? | 0:11:40 | 0:11:41 | |
Or I'm out of a job. | 0:11:41 | 0:11:43 | |
And that would be it. | 0:11:43 | 0:11:44 | |
Everything's gone to pot since Gladys... | 0:11:45 | 0:11:48 | |
On her deathbed, I swore I'd look after Pru, | 0:11:49 | 0:11:54 | |
but if I can't earn... | 0:11:54 | 0:11:56 | |
Leave it with me. | 0:11:56 | 0:11:58 | |
Thanks, Sid. Knew I could rely on you. | 0:11:59 | 0:12:02 | |
Perkins. | 0:12:02 | 0:12:03 | |
So, what did they get up to, this Special Operations unit? | 0:12:09 | 0:12:12 | |
My dad never speaks about the war. | 0:12:12 | 0:12:14 | |
He says it's not for a woman's ears. | 0:12:14 | 0:12:16 | |
Do your duty, boys. | 0:12:23 | 0:12:25 | |
Mr Sheppard, it's the police. | 0:12:25 | 0:12:27 | |
For King and country. | 0:12:29 | 0:12:31 | |
Come to the door. | 0:12:31 | 0:12:32 | |
King and country! | 0:12:32 | 0:12:35 | |
Stay here, make sure he doesn't bolt. | 0:12:35 | 0:12:37 | |
Mr Sheppard? | 0:12:48 | 0:12:49 | |
Knew you'd come for me one day. | 0:12:55 | 0:12:57 | |
I'm DI Harry Sawyer. | 0:12:57 | 0:12:58 | |
You can't run forever. | 0:12:58 | 0:13:00 | |
Put the gun down. | 0:13:00 | 0:13:01 | |
Why couldn't you leave me alone? | 0:13:01 | 0:13:04 | |
Haven't I paid enough? | 0:13:04 | 0:13:06 | |
-William. -Taylor, stay where you are. | 0:13:06 | 0:13:08 | |
William, it's me, Annie. | 0:13:08 | 0:13:11 | |
Annie. | 0:13:13 | 0:13:15 | |
What are you...? | 0:13:15 | 0:13:16 | |
Why don't you give me the gun? | 0:13:16 | 0:13:17 | |
That's it. | 0:13:24 | 0:13:26 | |
Thank you. | 0:13:29 | 0:13:30 | |
Yes, sir, no, sir, three bags full, sir. | 0:13:34 | 0:13:37 | |
William Sheppard, I am arresting you | 0:13:37 | 0:13:39 | |
on suspicion of the murder of Brigadier Morris. | 0:13:39 | 0:13:41 | |
You are not obliged to say anything unless you choose to do so, | 0:13:41 | 0:13:44 | |
but what you say will be taken down | 0:13:44 | 0:13:46 | |
and may be used as evidence against you. | 0:13:46 | 0:13:47 | |
Sooner or later... | 0:13:47 | 0:13:50 | |
we all have to pay. | 0:13:50 | 0:13:52 | |
Come on. | 0:13:53 | 0:13:54 | |
All right, Fletcher. Cell number two. | 0:14:04 | 0:14:07 | |
Come on. | 0:14:07 | 0:14:08 | |
Now that's what I like to see - decisive action, a quick arrest. | 0:14:08 | 0:14:11 | |
Has he confessed? | 0:14:11 | 0:14:13 | |
No, not yet, but he'll be more co-operative once he sobers up. | 0:14:13 | 0:14:16 | |
-Good work, Inspector. -Thank you, sir. | 0:14:16 | 0:14:18 | |
Perkins, just the man. | 0:14:20 | 0:14:23 | |
Sir? | 0:14:23 | 0:14:24 | |
My car, filthy state. | 0:14:24 | 0:14:26 | |
Find a bucket and sponge, wash it down for me. | 0:14:26 | 0:14:29 | |
Well, what are you waiting for? | 0:14:31 | 0:14:32 | |
Sir. | 0:14:35 | 0:14:36 | |
All right to take this to the prisoner, Sergeant? | 0:14:39 | 0:14:42 | |
He'll need more than that to clear his head. | 0:14:42 | 0:14:43 | |
Constable Taylor, already making a good impression. | 0:14:43 | 0:14:46 | |
-Sir? -The arrest of that degenerate, Clifford Starkey. | 0:14:46 | 0:14:50 | |
Your father was a fine officer. | 0:14:50 | 0:14:53 | |
I have high hopes for you. | 0:14:53 | 0:14:55 | |
Thank you, sir. | 0:14:55 | 0:14:56 | |
All right, Taylor. Back to your duties. | 0:14:56 | 0:14:59 | |
Don't forget to polish the chrome, Constable. | 0:15:02 | 0:15:05 | |
A quiet word...sir. | 0:15:10 | 0:15:12 | |
I won't let you do this again. | 0:15:29 | 0:15:31 | |
Do what exactly? | 0:15:31 | 0:15:32 | |
I gave you a chance to go quietly. | 0:15:32 | 0:15:34 | |
You could be enjoying your retirement right now. | 0:15:34 | 0:15:37 | |
Slippers and a pipe in front of the fire? | 0:15:37 | 0:15:40 | |
Not my style. | 0:15:40 | 0:15:41 | |
If I get so much as a whiff | 0:15:43 | 0:15:45 | |
that you've been up to your tricks again... | 0:15:45 | 0:15:47 | |
Really, Briggs, you're letting your imagination get the better of you. | 0:15:47 | 0:15:50 | |
Next time, I'll make sure the whole world knows exactly what you are. | 0:15:50 | 0:15:54 | |
Do I make myself clear? | 0:15:56 | 0:15:58 | |
Perfectly. | 0:15:58 | 0:15:59 | |
Good. | 0:16:01 | 0:16:02 | |
An officer who puts his troops before himself. | 0:16:09 | 0:16:13 | |
How admirable. | 0:16:13 | 0:16:14 | |
Decorated war hero... | 0:16:34 | 0:16:37 | |
now he's all over the front page. | 0:16:37 | 0:16:40 | |
Poor Margaret. Terrorised in her own home. | 0:16:40 | 0:16:43 | |
Bravest soldier I ever served with. | 0:16:43 | 0:16:45 | |
Was he William's commanding officer too? | 0:16:47 | 0:16:49 | |
Where were you stationed? | 0:16:52 | 0:16:54 | |
Annie. | 0:16:54 | 0:16:55 | |
Why are you interrogating me? | 0:16:55 | 0:16:57 | |
Thought you'd be better off trying to find who did this. | 0:16:57 | 0:17:00 | |
Who's leading the case? | 0:17:00 | 0:17:01 | |
DI Sawyer. | 0:17:01 | 0:17:03 | |
Have they found a murder weapon? The got any suspects? | 0:17:03 | 0:17:06 | |
SHE CLEARS HER THROAT | 0:17:06 | 0:17:07 | |
I couldn't say. | 0:17:07 | 0:17:08 | |
No, of course. | 0:17:08 | 0:17:10 | |
I'm sorry, you've got your own duties. | 0:17:11 | 0:17:14 | |
All those lost little kiddies are not going to find themselves. | 0:17:14 | 0:17:17 | |
Just as well that you're not involved. | 0:17:17 | 0:17:19 | |
-And why's that? -More tea? | 0:17:19 | 0:17:21 | |
I spent 20 years dealing with the terrible things | 0:17:23 | 0:17:25 | |
that one human being can do to another. | 0:17:25 | 0:17:28 | |
A man can handle it. | 0:17:28 | 0:17:30 | |
It's not for a woman. | 0:17:30 | 0:17:31 | |
-And what about Mum? -Leave me out of this, love. | 0:17:31 | 0:17:33 | |
She worked in munitions. | 0:17:33 | 0:17:35 | |
That was far more dangerous than anything I do. | 0:17:35 | 0:17:37 | |
Those were different, desperate times, | 0:17:37 | 0:17:41 | |
but now they're over. | 0:17:41 | 0:17:42 | |
She's back home where she belongs. | 0:17:42 | 0:17:44 | |
Mum made her choice. | 0:17:47 | 0:17:48 | |
Wearing this uniform was mine. | 0:17:49 | 0:17:52 | |
DOOR OPENS | 0:17:58 | 0:18:00 | |
DOOR SLAMS SHUT | 0:18:00 | 0:18:01 | |
-Dr Jones' syrup of figs. -BELL RINGS | 0:18:06 | 0:18:08 | |
If that don't get him moving, nothing will. | 0:18:08 | 0:18:10 | |
-Thank you very much. -Sergeant Fenton, always a pleasure. | 0:18:10 | 0:18:12 | |
Sorry, missus, early closing. | 0:18:12 | 0:18:14 | |
-Charming! -There's no need for that, Sergeant. | 0:18:14 | 0:18:16 | |
The Frys are my best customers. | 0:18:16 | 0:18:17 | |
Welcome to Aladdin's cave, | 0:18:17 | 0:18:20 | |
where, if you say the magic words, | 0:18:20 | 0:18:21 | |
Mr Clarke with furnish you with anything your heart desires. | 0:18:21 | 0:18:25 | |
As long as it's fallen off the back of a lorry. | 0:18:25 | 0:18:27 | |
Storeroom. | 0:18:27 | 0:18:28 | |
What? Why? | 0:18:28 | 0:18:30 | |
What you looking for? | 0:18:30 | 0:18:31 | |
Tinned salmon. | 0:18:31 | 0:18:32 | |
I've got some lovely pilchards. | 0:18:32 | 0:18:35 | |
Hey! | 0:18:35 | 0:18:36 | |
Stolen army supplies. | 0:18:39 | 0:18:41 | |
Robbing the food from our brave boys' mouths? | 0:18:41 | 0:18:43 | |
You know that's something I'd never be a part of. | 0:18:43 | 0:18:46 | |
Ronnie, you would sell your old ma's glass eye | 0:18:46 | 0:18:49 | |
if you thought you could turn a quick profit. | 0:18:49 | 0:18:52 | |
You know what, Sergeant Fenton? | 0:18:52 | 0:18:53 | |
I won't take offence cos I can see how especially hot and bothered | 0:18:53 | 0:18:56 | |
you are about this filched fish. | 0:18:56 | 0:18:58 | |
-TOMMY: -There's nothing there, Sarge. | 0:18:59 | 0:19:01 | |
Just to prove there are no hard feelings, I'll put the word out. | 0:19:01 | 0:19:04 | |
Soon as I hear anything, I'll be straight on the telephone. | 0:19:04 | 0:19:06 | |
Yeah, course you will. BELL RINGS | 0:19:06 | 0:19:08 | |
Sergeant Swift. | 0:19:21 | 0:19:23 | |
Miss Nightingale. | 0:19:23 | 0:19:25 | |
Have you come to your senses? | 0:19:25 | 0:19:27 | |
I was about to ask you the same. | 0:19:27 | 0:19:29 | |
So what if Constable Taylor wanted to join your precious band? | 0:19:29 | 0:19:32 | |
-Oh... -She is a serving police officer. | 0:19:32 | 0:19:35 | |
-Yes, but the rules... -Are meant to be broken. | 0:19:35 | 0:19:37 | |
Being in a band requires discipline, concentration, no... | 0:19:38 | 0:19:43 | |
No distractions. | 0:19:46 | 0:19:48 | |
Now, I hope that's the final word on the matter. | 0:19:50 | 0:19:54 | |
Where were you at approximately 11 o'clock yesterday morning? | 0:20:03 | 0:20:07 | |
Were you in Moorgate Road? | 0:20:10 | 0:20:12 | |
You know who lives in Moorgate Road, don't you? | 0:20:14 | 0:20:18 | |
Brigadier Morris. | 0:20:18 | 0:20:19 | |
Sheppard, William, Lance Corporal. 5096701. | 0:20:21 | 0:20:26 | |
That's not going to wash here. | 0:20:26 | 0:20:29 | |
The war's long over. | 0:20:29 | 0:20:30 | |
I found your commanding officer lying in a pool of his own blood. | 0:20:32 | 0:20:35 | |
Did you kill him? | 0:20:36 | 0:20:38 | |
Sheppard, William, Lance Corporal! 5096701! | 0:20:40 | 0:20:47 | |
Don't you trust me? | 0:20:53 | 0:20:54 | |
You know I do. | 0:20:54 | 0:20:56 | |
Then what's the problem? | 0:20:56 | 0:20:58 | |
I just thought we'd have enough by now. | 0:20:58 | 0:21:00 | |
You can't buy a new future with a few farthings. | 0:21:00 | 0:21:03 | |
I want to be with you...forever. | 0:21:06 | 0:21:08 | |
But if you're having second thoughts... | 0:21:11 | 0:21:12 | |
No, Marty. Never. | 0:21:12 | 0:21:14 | |
Another dead end. | 0:21:31 | 0:21:32 | |
No salmon, but these chips are lovely. | 0:21:32 | 0:21:34 | |
Everything tastes better when it's free. | 0:21:34 | 0:21:37 | |
Pru? | 0:21:40 | 0:21:41 | |
Where's the fire? | 0:21:43 | 0:21:45 | |
He's got to get back to work. | 0:21:45 | 0:21:47 | |
So your dad knows all about lover boy, then? | 0:21:47 | 0:21:49 | |
Course he does. | 0:21:49 | 0:21:51 | |
Please don't say anything. I'll tell him, | 0:21:53 | 0:21:55 | |
but let me choose my moment. | 0:21:55 | 0:21:58 | |
Please. | 0:21:58 | 0:21:59 | |
Mind you do, though. | 0:22:00 | 0:22:01 | |
You're the best, Uncle Sidney. | 0:22:01 | 0:22:03 | |
Step lively, then. This fish won't find itself. | 0:22:06 | 0:22:09 | |
Whatever you say, Uncle Sidney. | 0:22:09 | 0:22:10 | |
You're meant to be working, not stuffing your face. | 0:22:12 | 0:22:15 | |
At first I put it down to the booze, | 0:22:24 | 0:22:25 | |
I mean he had downed a bottle of single malt, | 0:22:25 | 0:22:29 | |
but this is something else. | 0:22:29 | 0:22:32 | |
Well, I've seen plenty of servicemen whose nerves have been shattered. | 0:22:32 | 0:22:35 | |
But is it his nerves or his guilty conscience? | 0:22:35 | 0:22:38 | |
So...next step? | 0:22:40 | 0:22:41 | |
Give him a couple of hours in the cells, then have another crack. | 0:22:43 | 0:22:45 | |
I'm sorry, sir, but I don't think that's going to help. | 0:22:45 | 0:22:48 | |
Taylor? | 0:22:48 | 0:22:49 | |
The William Sheppard I saw in the interview room | 0:22:49 | 0:22:51 | |
is not the man I've known for 20 years. | 0:22:51 | 0:22:53 | |
The man I know is kind, gentle. | 0:22:53 | 0:22:56 | |
Yeah, he was gentle when he hit me with that Luger. | 0:22:56 | 0:22:59 | |
-He clearly wasn't in his right mind. -Or he knew we were onto him. | 0:22:59 | 0:23:01 | |
I think he needs medical help. | 0:23:01 | 0:23:03 | |
I'm sorry, Constable, I didn't realise you were a trained doctor. | 0:23:03 | 0:23:06 | |
No, no, no, no, Taylor's right. | 0:23:06 | 0:23:08 | |
Any confession you get out of Sheppard in his condition | 0:23:08 | 0:23:10 | |
risks being inadmissible. | 0:23:10 | 0:23:12 | |
No more questioning until you've got professional advice | 0:23:12 | 0:23:15 | |
as to his state of mind. | 0:23:15 | 0:23:17 | |
Sir. | 0:23:17 | 0:23:18 | |
You going to give us a hand, or what? | 0:23:27 | 0:23:29 | |
You never said it was army supplies. | 0:23:29 | 0:23:30 | |
-What difference does that make? -It's too hot. | 0:23:30 | 0:23:32 | |
It's going to fly off your shelves. | 0:23:32 | 0:23:34 | |
I've had a visit from the law already. | 0:23:34 | 0:23:36 | |
What? When? | 0:23:36 | 0:23:38 | |
Get it out of here. | 0:23:38 | 0:23:39 | |
Find some other mug who'll take it off your hands. | 0:23:41 | 0:23:44 | |
We had a deal. | 0:23:48 | 0:23:49 | |
Yes, but I ain't going down for a few tins of salmon. | 0:23:49 | 0:23:53 | |
Your loss. | 0:23:57 | 0:23:59 | |
I've got plenty more buyers lined up. | 0:23:59 | 0:24:02 | |
-Eh, what about my £5 deposit? -You can whistle for it. | 0:24:02 | 0:24:05 | |
What? This isn't the way business is done. | 0:24:05 | 0:24:08 | |
Out the way, Grandad. | 0:24:10 | 0:24:11 | |
Inspector Sawyer? Dr Robert Ellis. | 0:24:25 | 0:24:29 | |
Thank you for agreeing to help. | 0:24:29 | 0:24:30 | |
That's what we're here for at Edmund Hall - | 0:24:30 | 0:24:32 | |
offering peace and calm to the troubled mind. | 0:24:32 | 0:24:34 | |
Listen, all I care about is that he is fit enough to be interviewed. | 0:24:34 | 0:24:37 | |
We'll take good care of him. | 0:24:37 | 0:24:39 | |
Can you tell me your name? | 0:24:40 | 0:24:42 | |
It's William. William Sheppard. | 0:24:44 | 0:24:47 | |
Hello, William. | 0:24:47 | 0:24:48 | |
It's OK. It's all right. | 0:24:49 | 0:24:51 | |
These people are going to look after you. | 0:24:51 | 0:24:54 | |
Nurse! | 0:24:54 | 0:24:55 | |
Nurse Hartley, Thorazine please. | 0:24:56 | 0:24:58 | |
Don't hurt him! | 0:25:00 | 0:25:01 | |
Shhhh, it's all right. | 0:25:01 | 0:25:02 | |
WILLIAM STRUGGLES | 0:25:02 | 0:25:04 | |
-Prepare D wing. -Yes, Doctor. | 0:25:04 | 0:25:06 | |
Observations every ten minutes. | 0:25:08 | 0:25:10 | |
Yes, Doctor. | 0:25:10 | 0:25:11 | |
You've brought him to the right place, Inspector. | 0:25:12 | 0:25:15 | |
It would help if you could tell me the nature of your interest in him. | 0:25:15 | 0:25:17 | |
He's a suspect in a murder case. | 0:25:17 | 0:25:19 | |
-The one that's in today's newspaper? -Just... | 0:25:19 | 0:25:22 | |
-let me know as soon as he's well enough to be questioned. -Of course. | 0:25:22 | 0:25:25 | |
We'll look after him. | 0:25:26 | 0:25:27 | |
About earlier. Sorry. | 0:25:33 | 0:25:35 | |
Course I want your goods. They're top quality. | 0:25:36 | 0:25:38 | |
I was a mug to lose my rag. | 0:25:38 | 0:25:40 | |
If you still want to do business, the money's here. | 0:25:40 | 0:25:43 | |
It's just a case of how soon can you deliver? | 0:25:43 | 0:25:45 | |
Sir...Inspector Sawyer, if I've done something wrong... | 0:25:47 | 0:25:51 | |
I needed to re-interview Sheppard. | 0:25:51 | 0:25:53 | |
Your interference has prevented that. | 0:25:53 | 0:25:55 | |
The chief inspector agreed with me. | 0:25:55 | 0:25:57 | |
Yes, and seeing the state Sheppard's in now, you were clearly right. | 0:25:57 | 0:26:00 | |
-So? -So you should have spoken to me about it in private, | 0:26:00 | 0:26:04 | |
not questioned my judgment in front of Briggs. | 0:26:04 | 0:26:07 | |
Sorry, sir. | 0:26:07 | 0:26:08 | |
-TO HERSELF: -You and your stupid big mouth! | 0:26:11 | 0:26:13 | |
Shouldn't we telephone in? Get more officers here. | 0:26:14 | 0:26:17 | |
I think we can handle this by ourselves, don't you? | 0:26:17 | 0:26:20 | |
Well, what are you waiting for? | 0:26:22 | 0:26:25 | |
Sarge? | 0:26:25 | 0:26:26 | |
Go on, it's your arrest if you want it? | 0:26:26 | 0:26:29 | |
Thanks, Sarge. | 0:26:30 | 0:26:31 | |
Afternoon. | 0:26:35 | 0:26:37 | |
Constable. | 0:26:37 | 0:26:39 | |
What's in the back? | 0:26:39 | 0:26:40 | |
Nothing. A few tools, spare tyre. | 0:26:40 | 0:26:43 | |
So you won't mind if I have a look? | 0:26:43 | 0:26:45 | |
Actually, I need to be somewhere. | 0:26:45 | 0:26:46 | |
Are you refusing to open the doors, sir? | 0:26:46 | 0:26:48 | |
You're going to make me late. | 0:26:48 | 0:26:49 | |
Keys. | 0:26:49 | 0:26:50 | |
Do him. | 0:26:59 | 0:27:00 | |
Keys! | 0:27:13 | 0:27:15 | |
Give me the keys. | 0:27:15 | 0:27:16 | |
TOMMY GROANS | 0:27:16 | 0:27:18 | |
Ain't you going to do something? Your lad's getting a right pasting. | 0:27:18 | 0:27:22 | |
Get off him! | 0:27:26 | 0:27:27 | |
Resist now! | 0:27:31 | 0:27:32 | |
Stay there. | 0:27:34 | 0:27:35 | |
Perkins... Perkins! | 0:27:36 | 0:27:38 | |
Let's have a look at you. | 0:27:41 | 0:27:42 | |
You'll live. | 0:27:43 | 0:27:45 | |
Go and make them arrests. | 0:27:47 | 0:27:48 | |
And don't forget the caution. | 0:27:50 | 0:27:53 | |
DOG BARKS | 0:27:53 | 0:27:54 | |
Ready for your signature, sir. PHONE RINGS | 0:27:56 | 0:27:58 | |
Chief Inspector Briggs' office. | 0:28:00 | 0:28:03 | |
Oh, hello, Mrs Briggs. I'll put you through. | 0:28:03 | 0:28:05 | |
What? Me? | 0:28:07 | 0:28:08 | |
I do have to pop out to the post office later. | 0:28:10 | 0:28:13 | |
Don't suppose that anyone would miss me for an extra ten minutes. | 0:28:13 | 0:28:17 | |
Bye, then. | 0:28:19 | 0:28:20 | |
Salmon's all here, Sarge. | 0:28:24 | 0:28:27 | |
Good. | 0:28:27 | 0:28:28 | |
What about the driver? | 0:28:28 | 0:28:30 | |
I've put the alert out, but if he's got any sense he'll keep on running. | 0:28:31 | 0:28:34 | |
KNOCK AT DOOR | 0:29:26 | 0:29:27 | |
PRU: Marty? | 0:29:27 | 0:29:28 | |
Marty, it's me. | 0:29:28 | 0:29:29 | |
-What you doing here? -We've got to go. Today. Now. | 0:29:37 | 0:29:40 | |
Calm down. What's happened? | 0:29:40 | 0:29:41 | |
Dad's been talking to the police. | 0:29:41 | 0:29:43 | |
What? | 0:29:43 | 0:29:44 | |
It's OK. We just have to move our plans forward. | 0:29:44 | 0:29:48 | |
You've got the money? | 0:29:48 | 0:29:49 | |
Not all of it, no... | 0:29:49 | 0:29:51 | |
This is no good. You need to go back. | 0:29:51 | 0:29:54 | |
It's too late. | 0:29:54 | 0:29:55 | |
Dad'll realise I've gone. DOOR OPENS IN DISTANCE | 0:29:55 | 0:29:57 | |
What do we do? | 0:29:57 | 0:29:58 | |
DOOR OPENS | 0:29:58 | 0:29:59 | |
Well, well, isn't this a pretty picture? | 0:30:01 | 0:30:04 | |
Lost something? | 0:30:04 | 0:30:05 | |
I need advice from someone experienced, | 0:30:08 | 0:30:11 | |
a woman of the world. | 0:30:11 | 0:30:12 | |
OK... | 0:30:14 | 0:30:15 | |
I need to do something with... | 0:30:15 | 0:30:18 | |
myself. My looks. | 0:30:18 | 0:30:21 | |
You want fashion tips? | 0:30:21 | 0:30:23 | |
But you've got loads more style than me. | 0:30:23 | 0:30:25 | |
I need to know what I'm doing wrong. | 0:30:25 | 0:30:28 | |
I have to make myself more... | 0:30:28 | 0:30:30 | |
attractive, more... | 0:30:30 | 0:30:32 | |
..desirable...in the bedroom. | 0:30:33 | 0:30:37 | |
Mrs Briggs, he's my boss. | 0:30:37 | 0:30:41 | |
I take his messages, type his letters. | 0:30:41 | 0:30:43 | |
I shouldn't be talking about his private life. | 0:30:43 | 0:30:45 | |
I've seen the way men look at you. | 0:30:45 | 0:30:47 | |
I want Walter to look at me in the same way. | 0:30:50 | 0:30:52 | |
Please, Susie, you're my only hope. | 0:30:52 | 0:30:55 | |
OK. | 0:30:59 | 0:31:00 | |
Let's talk lingerie. | 0:31:02 | 0:31:03 | |
Hasn't your poor dad been through enough? | 0:31:05 | 0:31:07 | |
He's fishing. He knows nothing. | 0:31:07 | 0:31:08 | |
I know we've got enough to charge you with theft. | 0:31:08 | 0:31:11 | |
Get your hands out of your pockets. | 0:31:11 | 0:31:13 | |
20 quid. | 0:31:17 | 0:31:18 | |
Where'd you get that kind of money? | 0:31:18 | 0:31:20 | |
Bloke in a pub paid me to drive the van. | 0:31:20 | 0:31:22 | |
I didn't know the stuff was swiped. | 0:31:22 | 0:31:23 | |
And it's just a coincidence | 0:31:23 | 0:31:25 | |
that you're courting the night watchman's daughter? | 0:31:25 | 0:31:27 | |
And you can't prove otherwise. | 0:31:27 | 0:31:29 | |
Don't hurt him. | 0:31:29 | 0:31:30 | |
How did you two lovebirds meet? | 0:31:35 | 0:31:37 | |
Rackham's. | 0:31:37 | 0:31:38 | |
I was buying dad some socks for his birthday. | 0:31:38 | 0:31:41 | |
Marty works in the stockroom. | 0:31:41 | 0:31:43 | |
He asked me to go to the pictures. | 0:31:43 | 0:31:44 | |
And was that before or after he knew your dad was guarding | 0:31:44 | 0:31:47 | |
thousands of pounds worth of stock? | 0:31:47 | 0:31:50 | |
Come on, Pru. | 0:31:50 | 0:31:52 | |
Open your eyes. | 0:31:52 | 0:31:53 | |
-He loves me. -He's used you. | 0:31:53 | 0:31:56 | |
He's the best thing that ever happened to me. | 0:31:56 | 0:31:58 | |
Sarge. | 0:31:58 | 0:31:59 | |
Off on your holidays are you? | 0:31:59 | 0:32:01 | |
That against the law now, is it? | 0:32:01 | 0:32:02 | |
You don't understand. If I stay here it's like drowning. | 0:32:02 | 0:32:06 | |
You've got a roof over your head, and you've got food on the table. | 0:32:06 | 0:32:09 | |
What more do you want? | 0:32:09 | 0:32:11 | |
A life of my own. | 0:32:11 | 0:32:12 | |
Liverpool to New York. One way. | 0:32:12 | 0:32:14 | |
That's private property. | 0:32:14 | 0:32:16 | |
SID: So that's the plan is it? | 0:32:16 | 0:32:17 | |
Steal enough to fund your little adventure across the pond. | 0:32:17 | 0:32:21 | |
It doesn't matter that you're leaving your father here to take the blame. | 0:32:22 | 0:32:26 | |
This is only for one... | 0:32:27 | 0:32:29 | |
and I see two suitcases. | 0:32:29 | 0:32:31 | |
Not going to leave her behind, are you, Marty? | 0:32:32 | 0:32:34 | |
Hey? | 0:32:34 | 0:32:36 | |
After everything she's done for you? | 0:32:36 | 0:32:38 | |
It's a mistake. | 0:32:38 | 0:32:40 | |
Marty? | 0:32:40 | 0:32:42 | |
Where's my ticket? | 0:32:42 | 0:32:44 | |
I was going to tell you. | 0:32:44 | 0:32:46 | |
Tell me what? | 0:32:46 | 0:32:47 | |
I thought I'd go over first. Set us up. | 0:32:47 | 0:32:50 | |
Get a nice apartment. | 0:32:50 | 0:32:52 | |
Then I'd send for you. | 0:32:52 | 0:32:54 | |
You know it's all been for us. | 0:32:55 | 0:32:58 | |
Pru, don't. | 0:33:04 | 0:33:06 | |
-What are these? -Baby, I'm sorry. | 0:33:06 | 0:33:08 | |
-Sleeping pills. -I didn't mean it. | 0:33:08 | 0:33:10 | |
I've been putting them in Dad's cocoa. | 0:33:10 | 0:33:12 | |
Shut up, you stupid cow! | 0:33:12 | 0:33:13 | |
I don't know how I'm ever going to thank you. | 0:33:22 | 0:33:25 | |
Pru? | 0:33:26 | 0:33:27 | |
What's going on? | 0:33:29 | 0:33:30 | |
Sid? | 0:33:30 | 0:33:31 | |
She's not been arrested. | 0:33:31 | 0:33:33 | |
Arrested? Why would she be arrested? | 0:33:33 | 0:33:36 | |
The report's going to say that she was led astray, | 0:33:36 | 0:33:39 | |
coerced into helping him. | 0:33:39 | 0:33:41 | |
Hold on. | 0:33:41 | 0:33:42 | |
You don't...you can't... | 0:33:42 | 0:33:44 | |
She's been putting these in your work flask. | 0:33:44 | 0:33:46 | |
Sleeping pills. | 0:33:46 | 0:33:47 | |
That's why you've been nodding off. | 0:33:47 | 0:33:49 | |
It's a good thing your mother can't see you now. | 0:33:49 | 0:33:52 | |
Inside, now. | 0:33:53 | 0:33:54 | |
Are you sure this is going to help? | 0:34:06 | 0:34:08 | |
I grew up in a house full of boys. | 0:34:08 | 0:34:09 | |
Trust me, this will take the swelling down. | 0:34:09 | 0:34:12 | |
And this will prevent your poor mother having a heart attack | 0:34:12 | 0:34:14 | |
when you walk through the door. | 0:34:14 | 0:34:16 | |
So this is what you get after a day on the beat with Sergeant Fenton? | 0:34:16 | 0:34:20 | |
What you all fussing him for? | 0:34:20 | 0:34:22 | |
No wonder the lad needs toughening up. | 0:34:22 | 0:34:24 | |
And where are your bruises? | 0:34:24 | 0:34:25 | |
You written up your arrest report yet? | 0:34:27 | 0:34:29 | |
I was about to... | 0:34:29 | 0:34:30 | |
Well, jump to it, then! | 0:34:30 | 0:34:31 | |
So ballistics confirms that the bullet recovered | 0:34:40 | 0:34:42 | |
from the Brigadier's body was from a British revolver. | 0:34:42 | 0:34:46 | |
Yes, sir. | 0:34:46 | 0:34:47 | |
But Sheppard had a German Luger. | 0:34:47 | 0:34:49 | |
Probably a war souvenir. | 0:34:49 | 0:34:51 | |
The press, the chief constable, everyone's watching. | 0:34:51 | 0:34:55 | |
You can't afford any mistakes. | 0:34:55 | 0:34:57 | |
-Not on this one. -Sir. | 0:34:57 | 0:34:59 | |
-So, William Sheppard's in the clear? -No. | 0:35:01 | 0:35:04 | |
He could have more than one gun - | 0:35:04 | 0:35:05 | |
it just means we haven't found the murder weapon yet. | 0:35:05 | 0:35:08 | |
Cup of tea, Chief Inspector? | 0:35:08 | 0:35:09 | |
Thank you. | 0:35:09 | 0:35:10 | |
I put an extra sugar lump in. To keep your strength up. | 0:35:10 | 0:35:13 | |
Right. | 0:35:14 | 0:35:15 | |
-Keep me informed, will you? -Sir. | 0:35:18 | 0:35:20 | |
If there's anything I can do - | 0:35:21 | 0:35:24 | |
type up reports, knock on doors. | 0:35:24 | 0:35:26 | |
-PHONE RINGS -DI Sawyer. | 0:35:26 | 0:35:27 | |
Dr Ellis. Is Sheppard ready to be interviewed? | 0:35:28 | 0:35:31 | |
What do you mean, "he's escaped"? | 0:35:33 | 0:35:35 | |
How is that even possible? | 0:35:35 | 0:35:37 | |
Well, have you searched the grounds? | 0:35:37 | 0:35:39 | |
You said he was in a secure... | 0:35:39 | 0:35:41 | |
No, of course. | 0:35:41 | 0:35:44 | |
If you would be so kind as to let me know | 0:35:44 | 0:35:46 | |
when there are any developments? | 0:35:46 | 0:35:48 | |
Thank you, Doctor. | 0:35:48 | 0:35:50 | |
William's escaped? | 0:35:52 | 0:35:53 | |
And whose wonderful idea was it | 0:35:53 | 0:35:55 | |
to put him in there in the first place? | 0:35:55 | 0:35:57 | |
Sorry I'm late, Sarge. | 0:35:58 | 0:36:00 | |
I'm glad you could join us. | 0:36:00 | 0:36:01 | |
Where's your instrument? | 0:36:01 | 0:36:03 | |
Who do you think you are, Lonnie, blooming, Donegan? | 0:36:04 | 0:36:07 | |
Skiffle's all the rage, Sarge. | 0:36:07 | 0:36:08 | |
There's no place for it in a traditional police band. | 0:36:08 | 0:36:12 | |
What am I supposed to play? | 0:36:12 | 0:36:13 | |
Go on. | 0:36:15 | 0:36:16 | |
Right, turn to page ten. | 0:36:18 | 0:36:19 | |
I thought we'd start with one of my favourites - Danny Boy. | 0:36:19 | 0:36:23 | |
One, two, three... | 0:36:29 | 0:36:32 | |
THEY PLAY DANNY BOY | 0:36:32 | 0:36:35 | |
# From glen to glen | 0:36:41 | 0:36:44 | |
# And down the mountain side | 0:36:44 | 0:36:48 | |
# The summer's gone | 0:36:50 | 0:36:53 | |
# And all the roses falling | 0:36:53 | 0:36:58 | |
# It's you, it's you must go and I must bide | 0:36:58 | 0:37:05 | |
# Oh, Danny boy | 0:37:06 | 0:37:09 | |
# Oh, Danny boy, I love you so. # | 0:37:09 | 0:37:13 | |
Have you had a bang to the head, woman? | 0:37:16 | 0:37:18 | |
What? | 0:37:18 | 0:37:19 | |
Ten tins of Spam? | 0:37:19 | 0:37:20 | |
They're emergency provisions. | 0:37:20 | 0:37:22 | |
For what? | 0:37:22 | 0:37:24 | |
You'll thank me when the Russians drop their bombs. | 0:37:24 | 0:37:27 | |
Mr Taylor? | 0:37:27 | 0:37:29 | |
Who's asking? | 0:37:29 | 0:37:30 | |
David Meyer, Birmingham Chronicle. | 0:37:30 | 0:37:33 | |
I understand that you served under Brigadier Morris? | 0:37:33 | 0:37:36 | |
Yes. Fine officer. | 0:37:36 | 0:37:37 | |
Respected by all his men. | 0:37:37 | 0:37:39 | |
-Even Lance Corporal Sheppard? -William? | 0:37:39 | 0:37:41 | |
What's he got to do with anything? | 0:37:41 | 0:37:42 | |
-He's been arrested? -For what? | 0:37:42 | 0:37:44 | |
For the murder? | 0:37:45 | 0:37:46 | |
No. You must have got your wires crossed. | 0:37:46 | 0:37:48 | |
Then why was he arguing with Brigadier Morris the other night? | 0:37:48 | 0:37:51 | |
He was letting off steam, that's all. | 0:37:51 | 0:37:53 | |
He's a gentle man. | 0:37:53 | 0:37:55 | |
That your husband had to restrain | 0:37:55 | 0:37:56 | |
from attacking his old commanding officer. | 0:37:56 | 0:37:58 | |
What's your editor's name? | 0:37:58 | 0:38:00 | |
Do you know if Sheppard has a gun? | 0:38:00 | 0:38:01 | |
If you print any of these sordid lies, | 0:38:01 | 0:38:03 | |
I'll do your rag for defamation of character! | 0:38:03 | 0:38:05 | |
What's going on? | 0:38:05 | 0:38:08 | |
You again. | 0:38:08 | 0:38:09 | |
He says that William's been arrested. | 0:38:09 | 0:38:11 | |
Tell him he's got it wrong. | 0:38:11 | 0:38:13 | |
Annie? | 0:38:15 | 0:38:16 | |
Time to leave. | 0:38:16 | 0:38:18 | |
Has Sheppard been charged? | 0:38:18 | 0:38:20 | |
Can you at least confirm there are no other suspects? | 0:38:20 | 0:38:22 | |
Get lost or get arrested. | 0:38:22 | 0:38:24 | |
Your choice. | 0:38:24 | 0:38:26 | |
When were you going to tell me? | 0:38:33 | 0:38:35 | |
I couldn't. | 0:38:35 | 0:38:36 | |
Because you didn't know he'd been arrested? | 0:38:36 | 0:38:38 | |
I was there when it happened. | 0:38:38 | 0:38:40 | |
So you were waiting for me to read about it in the paper? | 0:38:40 | 0:38:43 | |
I wanted to tell you... | 0:38:43 | 0:38:45 | |
It's police business. | 0:38:45 | 0:38:47 | |
I'm your father. | 0:38:47 | 0:38:48 | |
And I can't share police information with a civilian. | 0:38:48 | 0:38:51 | |
Perkins. | 0:39:02 | 0:39:04 | |
What's this? | 0:39:04 | 0:39:06 | |
Little thank you from Wally King. | 0:39:06 | 0:39:08 | |
What am I supposed to do with it? | 0:39:08 | 0:39:10 | |
Enjoy it. | 0:39:10 | 0:39:12 | |
It's not that I'm not grateful, Sarge... | 0:39:12 | 0:39:13 | |
It's no different than a free bag of chips or cup of tea. | 0:39:13 | 0:39:16 | |
SHE HUMS DANNY BOY | 0:39:19 | 0:39:21 | |
I don't care what it takes - | 0:39:24 | 0:39:26 | |
beg, bribe or blackmail - | 0:39:26 | 0:39:28 | |
I'll do everything in my power to obtain special permission | 0:39:28 | 0:39:31 | |
for you to be the first female civilian | 0:39:31 | 0:39:33 | |
to ever, ever join a police band. | 0:39:33 | 0:39:35 | |
Will that make you happy? | 0:39:36 | 0:39:38 | |
Thank you...but no. | 0:39:38 | 0:39:40 | |
What?! | 0:39:40 | 0:39:42 | |
I just wanted to be asked. | 0:39:42 | 0:39:43 | |
You are, by far the most maddening, exasperating, | 0:39:45 | 0:39:49 | |
vexatious woman I have ever met. | 0:39:49 | 0:39:52 | |
And I adore you! | 0:39:52 | 0:39:53 | |
Susie Nightingale... | 0:40:04 | 0:40:05 | |
..will you do me the honour of walking out with me? | 0:40:07 | 0:40:09 | |
SHE SCREAMS | 0:40:26 | 0:40:27 | |
MAN SCREAMS | 0:40:32 | 0:40:33 | |
SHE SCREAMS HYSTERICALLY | 0:40:33 | 0:40:35 | |
Iris? | 0:40:38 | 0:40:39 | |
A man. A man, that way. | 0:40:39 | 0:40:41 | |
Search the building... | 0:40:41 | 0:40:42 | |
and the grounds. | 0:40:42 | 0:40:44 | |
Who was it? | 0:40:44 | 0:40:45 | |
Iris? | 0:40:46 | 0:40:48 | |
The Brigadier must have talked. | 0:40:48 | 0:40:49 | |
PHONE RINGS | 0:40:59 | 0:41:01 | |
Hello? | 0:41:05 | 0:41:06 | |
-SUSIE: -'He's on his way home. Good luck.' | 0:41:06 | 0:41:08 | |
Thank you. | 0:41:08 | 0:41:09 | |
All right? | 0:41:18 | 0:41:20 | |
You deserve a pint after today. | 0:41:21 | 0:41:23 | |
I think I should just head home. | 0:41:24 | 0:41:26 | |
What are you doing? | 0:41:30 | 0:41:31 | |
I don't need your perks to do my job properly. | 0:41:31 | 0:41:34 | |
What job? | 0:41:34 | 0:41:35 | |
You won't last five minutes if you don't play the game. | 0:41:35 | 0:41:38 | |
Well, if it's all the same to you, | 0:41:41 | 0:41:43 | |
I'll stick to doing it my way. | 0:41:43 | 0:41:46 | |
MUSIC: Walk The Line by Johnny Cash | 0:41:46 | 0:41:48 | |
# I keep a close watch on this heart of mine | 0:41:48 | 0:41:52 | |
# I keep my eyes wide open all the time | 0:41:52 | 0:41:56 | |
# I keep the ends out for the tie that binds | 0:41:56 | 0:42:01 | |
# Because you're mine | 0:42:01 | 0:42:03 | |
# I walk the line | 0:42:03 | 0:42:04 | |
# I find it very, very easy to be true | 0:42:14 | 0:42:18 | |
# I find myself alone when each day is through... # | 0:42:18 | 0:42:22 | |
SHE SOBS | 0:42:22 | 0:42:23 | |
# Yes, I'll admit that I'm a fool for you... # | 0:42:23 | 0:42:26 | |
All I'm saying, Carl, is you can't expect the whole world | 0:42:27 | 0:42:30 | |
to change overnight. | 0:42:30 | 0:42:31 | |
Who's talking about overnight? | 0:42:31 | 0:42:34 | |
My lifetime would be good enough. | 0:42:34 | 0:42:36 | |
Same time tomorrow? | 0:42:38 | 0:42:39 | |
I don't know, I... | 0:42:41 | 0:42:43 | |
No, it's OK. | 0:42:43 | 0:42:44 | |
I understand. | 0:42:44 | 0:42:46 | |
Just try if you can. | 0:42:47 | 0:42:49 | |
# And happiness I've known proves that it's right | 0:42:50 | 0:42:55 | |
# Because you're mine | 0:42:55 | 0:42:57 | |
# I walk the line | 0:42:57 | 0:42:59 | |
# You've got a way to keep me on your side | 0:43:10 | 0:43:14 | |
# You give me cause for love that I can't hide | 0:43:14 | 0:43:18 | |
# For you, I know I'd even try to turn the tide | 0:43:18 | 0:43:23 | |
# Because you're mine | 0:43:23 | 0:43:25 | |
# I walk the line. # | 0:43:25 | 0:43:27 |