Browse content similar to From the Shadows. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Brigadier Morris, the man fights for his country, | 0:00:02 | 0:00:04 | |
survives the war, only to be murdered in his own home. | 0:00:04 | 0:00:06 | |
William Sheppard, I'm arresting you on suspicion of the murder | 0:00:06 | 0:00:09 | |
of Brigadier Morris. | 0:00:09 | 0:00:10 | |
Sooner or later, we all have to pay. | 0:00:10 | 0:00:14 | |
The William Sheppard I saw in that interview room | 0:00:14 | 0:00:16 | |
is not the man I've known for 20 years. He needs medical help. | 0:00:16 | 0:00:19 | |
William's escaped? | 0:00:19 | 0:00:21 | |
And whose wonderful idea was it to put him in there in the first place? | 0:00:21 | 0:00:24 | |
I don't need your perks to do my job properly. | 0:00:24 | 0:00:26 | |
You won't last five minutes if you don't play the game. | 0:00:26 | 0:00:29 | |
Well, if it's all the same to you, | 0:00:29 | 0:00:31 | |
I'll stick to doing it my way. | 0:00:31 | 0:00:33 | |
Next time, I'll make sure the whole world knows exactly what you are. | 0:00:35 | 0:00:41 | |
An officer who puts his troops before himself, | 0:00:41 | 0:00:45 | |
how admirable. | 0:00:45 | 0:00:47 | |
I should have come home earlier last night. I'm sorry. | 0:01:11 | 0:01:14 | |
I'll make it up to you. | 0:01:14 | 0:01:16 | |
Where were you? | 0:01:16 | 0:01:18 | |
At work. | 0:01:18 | 0:01:20 | |
You know I've got a lot on. | 0:01:20 | 0:01:22 | |
-It's easier to get things done when the office is quiet. -That's a lie. | 0:01:22 | 0:01:25 | |
-I'm sorry. -You left at six o'clock. | 0:01:25 | 0:01:28 | |
You told Susie you'd be going straight home. | 0:01:28 | 0:01:31 | |
All right. I...should have said. | 0:01:32 | 0:01:34 | |
-I went to the pub. -Who with? | 0:01:37 | 0:01:39 | |
No-one. I was alone. | 0:01:39 | 0:01:40 | |
-Then why lie about it? -Because I didn't want you to worry. | 0:01:40 | 0:01:45 | |
The truth is, I've been drinking more than I should lately, | 0:01:45 | 0:01:48 | |
and I know how you feel about that, with your father and everything. | 0:01:48 | 0:01:52 | |
Don't you dare bring that up so you don't have to admit what's been going on. | 0:01:52 | 0:01:55 | |
-What are you talking about? -You were with another woman, weren't you? | 0:01:55 | 0:01:59 | |
-No... -That's why you don't want to touch me. | 0:01:59 | 0:02:01 | |
Don't say that. Of course I want to touch you. | 0:02:01 | 0:02:06 | |
Charlotte, please, don't talk like this. | 0:02:06 | 0:02:09 | |
You're perfect. You're everything I want. | 0:02:09 | 0:02:12 | |
Why would I even look at another woman? | 0:02:12 | 0:02:15 | |
I know I haven't been much of a husband lately. | 0:02:17 | 0:02:21 | |
I've been so busy at work... | 0:02:21 | 0:02:24 | |
It's not fair on you, | 0:02:24 | 0:02:26 | |
I am so sorry. | 0:02:26 | 0:02:28 | |
We can try again? | 0:02:31 | 0:02:33 | |
Tonight. | 0:02:33 | 0:02:34 | |
This just came for you. Postmark USA. | 0:02:54 | 0:02:57 | |
Thank you, Sergeant Swift. | 0:02:57 | 0:02:59 | |
Have you had a chance to think about what I asked yesterday? | 0:03:05 | 0:03:08 | |
Yesterday? | 0:03:08 | 0:03:09 | |
You know... | 0:03:10 | 0:03:12 | |
Well, I asked if... | 0:03:13 | 0:03:14 | |
Will you go on a date with me? | 0:03:16 | 0:03:18 | |
Oh, that. | 0:03:18 | 0:03:19 | |
-I'd love to. -Really? | 0:03:22 | 0:03:24 | |
HE LAUGHS | 0:03:24 | 0:03:25 | |
Smashing! | 0:03:25 | 0:03:27 | |
Well, that's just... | 0:03:28 | 0:03:31 | |
-Thank you. -Aren't you forgetting something? | 0:03:31 | 0:03:33 | |
When? | 0:03:35 | 0:03:36 | |
Oh! Um. How about tonight? | 0:03:36 | 0:03:39 | |
That doesn't give a girl much time. | 0:03:39 | 0:03:41 | |
No, you're right, I'm sorry. | 0:03:41 | 0:03:43 | |
But I like a man who's decisive. | 0:03:43 | 0:03:45 | |
Oh, you do? | 0:03:45 | 0:03:47 | |
Well, good. | 0:03:47 | 0:03:49 | |
Tonight it is, then. I'll pick you up at seven. | 0:03:49 | 0:03:52 | |
I'll look forward to it. | 0:03:52 | 0:03:54 | |
Any closer to finding him, sir? | 0:04:00 | 0:04:02 | |
No, men like Sheppard know how to disappear. They were trained to. | 0:04:04 | 0:04:08 | |
Nobody really disappears though, do they, sir? | 0:04:08 | 0:04:11 | |
I mean, there's always a trail. | 0:04:11 | 0:04:13 | |
Where would you start looking? | 0:04:13 | 0:04:15 | |
I suppose I'd want to know exactly what he was trained for and why. | 0:04:15 | 0:04:19 | |
It might help us... | 0:04:19 | 0:04:21 | |
I mean, you, predict his next move. | 0:04:21 | 0:04:24 | |
OK. Tell you what, why don't you contact the War Office? | 0:04:24 | 0:04:27 | |
See if you can access his military records. | 0:04:27 | 0:04:30 | |
Me, sir? | 0:04:30 | 0:04:31 | |
It's your lead. | 0:04:31 | 0:04:33 | |
You don't mind if I borrow him for a while, do you, Sergeant? | 0:04:35 | 0:04:37 | |
Keep him for all I care. | 0:04:37 | 0:04:39 | |
Sarge. | 0:04:41 | 0:04:42 | |
Oh, and Perkins, try to get Brigadier Morris' record too. | 0:04:43 | 0:04:46 | |
Yes, sir. | 0:04:46 | 0:04:48 | |
Hello, War Office, Whitehall, please. | 0:04:48 | 0:04:51 | |
DI Sawyer. | 0:04:53 | 0:04:54 | |
When was this? | 0:04:56 | 0:04:57 | |
We'll be there as soon as we can. | 0:04:59 | 0:05:02 | |
-Taylor. -Sir? -There was an assault on a nurse | 0:05:02 | 0:05:04 | |
at Edmund Hall Psychiatric Hospital late last night. | 0:05:04 | 0:05:07 | |
She says it was William Sheppard. | 0:05:07 | 0:05:09 | |
I managed to reach some scissors and I stabbed him. | 0:05:31 | 0:05:37 | |
He let go, so I screamed. | 0:05:37 | 0:05:39 | |
Do you remember where you wounded him? | 0:05:39 | 0:05:41 | |
-On his hand. -Did he say anything to you? | 0:05:41 | 0:05:44 | |
No. | 0:05:44 | 0:05:46 | |
After I screamed, he heard others and he ran. | 0:05:46 | 0:05:49 | |
-But you're certain it was William Sheppard? -Yes. | 0:05:49 | 0:05:52 | |
I saw him clearly. | 0:05:52 | 0:05:54 | |
You said it was dark. | 0:05:54 | 0:05:56 | |
You were frightened. | 0:05:56 | 0:05:59 | |
It was him, without a doubt. | 0:05:59 | 0:06:01 | |
But he had already escaped. | 0:06:01 | 0:06:03 | |
Why risk coming back just to attack you? | 0:06:03 | 0:06:06 | |
If you understood psychosis, you'd know that violence | 0:06:06 | 0:06:08 | |
and irrationality go hand in hand. | 0:06:08 | 0:06:10 | |
We don't doubt that, Doctor. | 0:06:10 | 0:06:11 | |
Find him, Inspector, before he harms anyone else. | 0:06:11 | 0:06:15 | |
TINKLE OF BELL | 0:06:22 | 0:06:24 | |
SHOPKEEPER: Thank you. | 0:06:24 | 0:06:25 | |
SHOPKEEPER: Thank you very much. | 0:06:32 | 0:06:34 | |
Good job in there, Taylor. Always helpful to antagonise the victim. | 0:06:44 | 0:06:48 | |
-Sir, I was just being thorough. -No, you were looking for holes in her statement | 0:06:48 | 0:06:51 | |
because you don't want to believe it's true. | 0:06:51 | 0:06:53 | |
Maybe I don't. Is that so bad? | 0:06:53 | 0:06:56 | |
Look, I just don't believe that he would harm a woman, sir. | 0:06:56 | 0:07:00 | |
This is a man who read me bedtime stories. | 0:07:00 | 0:07:03 | |
He built us a treehouse at the bottom of the garden one summer. | 0:07:03 | 0:07:06 | |
Yes, yes, he was a soldier, so was everyone, so were you. | 0:07:06 | 0:07:10 | |
It doesn't change who you are inside, does it? | 0:07:10 | 0:07:13 | |
And I just... | 0:07:13 | 0:07:14 | |
Sir, are you even listening to me? | 0:07:16 | 0:07:18 | |
Hmm? | 0:07:18 | 0:07:19 | |
Yes, yes, yes, the trees in the summer. | 0:07:19 | 0:07:23 | |
What? | 0:07:23 | 0:07:24 | |
I'm making a serious point here | 0:07:24 | 0:07:26 | |
but obviously you've got other things on your mind. | 0:07:26 | 0:07:29 | |
-Are you a little jealous? -No. | 0:07:29 | 0:07:31 | |
No, I just don't want Sheppard to get blamed for something | 0:07:31 | 0:07:34 | |
-he didn't do. -OK, enough. | 0:07:34 | 0:07:36 | |
I don't care how nice he was to you when you were a child. | 0:07:36 | 0:07:39 | |
People change, they snap. Sometimes they just lose their minds. | 0:07:39 | 0:07:44 | |
You need to keep your personal feelings out of this, Taylor, | 0:07:44 | 0:07:47 | |
or you're no good to me. | 0:07:47 | 0:07:48 | |
TILL BELL | 0:07:52 | 0:07:54 | |
No good? | 0:07:56 | 0:07:57 | |
I'm not sure. | 0:07:57 | 0:07:58 | |
Yeah, it can be a little dry. | 0:07:58 | 0:08:00 | |
-Try the 1910 edition. It's a better translation. -Oh, thanks. | 0:08:00 | 0:08:06 | |
I'm pretty new to all this. | 0:08:06 | 0:08:07 | |
Well, Marx is a good place to start. | 0:08:07 | 0:08:10 | |
Have we met somewhere before? | 0:08:10 | 0:08:12 | |
No, no, I don't think so. | 0:08:13 | 0:08:15 | |
I work for Austin, are you on the assembly line? | 0:08:15 | 0:08:18 | |
No, no. I'm a writer. | 0:08:18 | 0:08:19 | |
Really? What do you write? | 0:08:19 | 0:08:21 | |
Articles mostly, for the Daily Worker. | 0:08:21 | 0:08:24 | |
Well, that and some very bad poems. | 0:08:24 | 0:08:26 | |
Maybe I could interview you some time. | 0:08:27 | 0:08:30 | |
What are conditions like on the factory floor? | 0:08:30 | 0:08:32 | |
Well, I'm reading this, aren't I? | 0:08:32 | 0:08:35 | |
If you're interested, there's a meeting coming up. | 0:08:35 | 0:08:38 | |
Eight o'clock, Radleigh Community Centre, last Friday of every month. | 0:08:38 | 0:08:42 | |
Maybe I'll see you there. | 0:08:42 | 0:08:43 | |
Maybe you will. Nice meeting you. | 0:08:43 | 0:08:45 | |
What's your name, by the way? | 0:08:48 | 0:08:51 | |
I'll look out for your articles. | 0:08:51 | 0:08:53 | |
It's Carl Saunders. | 0:08:53 | 0:08:55 | |
-Thank you. -Thank you. | 0:08:55 | 0:08:57 | |
Has Sheppard confessed to the murders? | 0:08:57 | 0:08:59 | |
Have you charged him yet? At least tell me that, please? | 0:08:59 | 0:09:03 | |
What's your name again? | 0:09:03 | 0:09:05 | |
David Meyer. Birmingham Chronicle. | 0:09:05 | 0:09:07 | |
OK, David Meyer. Have you got your little notepad? | 0:09:07 | 0:09:10 | |
Excellent. | 0:09:10 | 0:09:11 | |
Brinford Police don't comment on any ongoing investigation. | 0:09:11 | 0:09:14 | |
If the Birmingham Chronicle want to keep abreast of changes, | 0:09:14 | 0:09:17 | |
they can damn well wait until we're ready to release a statement. | 0:09:17 | 0:09:20 | |
Now, go away. | 0:09:20 | 0:09:21 | |
Thank you. | 0:09:24 | 0:09:25 | |
Oh! Rumour has it a certain sergeant finally asked you out. | 0:09:25 | 0:09:29 | |
He did! I'm off to get my nails done, | 0:09:29 | 0:09:32 | |
then straight home to get ready. | 0:09:32 | 0:09:33 | |
Have a nice time | 0:09:33 | 0:09:35 | |
-and I want all the details tomorrow. -SHE GIGGLES | 0:09:35 | 0:09:38 | |
As you all know, William Sheppard absconded | 0:09:40 | 0:09:43 | |
from Edmund Hall Psychiatric Hospital yesterday evening. | 0:09:43 | 0:09:46 | |
He's since been identified in the assault of a nurse on the premises. | 0:09:46 | 0:09:50 | |
They failed to apprehend him and he's still at large. | 0:09:50 | 0:09:52 | |
If you see this man, call for backup - | 0:09:52 | 0:09:55 | |
he may be armed and is to be considered extremely dangerous. | 0:09:55 | 0:09:57 | |
-PHONE RINGS -Thank you, Detective. | 0:09:57 | 0:10:01 | |
Fenton. | 0:10:01 | 0:10:02 | |
Yes, sir. | 0:10:04 | 0:10:06 | |
Of course. | 0:10:08 | 0:10:10 | |
I'll see you there. | 0:10:11 | 0:10:13 | |
-All right, there you go. -How'd you get on? | 0:10:14 | 0:10:16 | |
I didn't, sir. Sheppard and Morris' service records are sealed. | 0:10:16 | 0:10:21 | |
I told them what it was for but they still refused. | 0:10:21 | 0:10:24 | |
Sorry, sir. | 0:10:24 | 0:10:25 | |
Don't be. If a door's locked, we'll find another way in. | 0:10:25 | 0:10:29 | |
It's a pity the army couldn't protect Brigadier Morris the same way | 0:10:29 | 0:10:32 | |
they do their service records. | 0:10:32 | 0:10:34 | |
You're back early. Not at work today? | 0:10:44 | 0:10:46 | |
No, Mrs Logan. Things to do. | 0:10:46 | 0:10:49 | |
Been to the Post Office, I see. | 0:10:49 | 0:10:51 | |
Yes. Ta-ra then. | 0:10:51 | 0:10:53 | |
You haven't seen Patches anywhere, have you? | 0:10:53 | 0:10:56 | |
No, Mrs Logan, but if I do I'll let you know. | 0:10:56 | 0:10:58 | |
Something's not right. | 0:10:58 | 0:11:00 | |
Mrs Goodwin in number 27 | 0:11:00 | 0:11:02 | |
said her cat's been missing for over a week. | 0:11:02 | 0:11:05 | |
And it's no coincidence that Chinese restaurant's just opened up | 0:11:05 | 0:11:08 | |
-down the street. -What do you mean? -What do you think I mean? | 0:11:08 | 0:11:12 | |
They eat them, you know. | 0:11:12 | 0:11:13 | |
They do not. | 0:11:13 | 0:11:15 | |
You shouldn't say such things. | 0:11:15 | 0:11:16 | |
Have you seen their menu in the window? | 0:11:16 | 0:11:19 | |
All full of nasty foreign letters. | 0:11:19 | 0:11:21 | |
"Meat Dishes," it says. | 0:11:21 | 0:11:24 | |
Not chicken, not beef - | 0:11:24 | 0:11:26 | |
just, "meat". It's enough to turn your stomach. | 0:11:26 | 0:11:30 | |
You may laugh, but there's been nothing but trouble | 0:11:30 | 0:11:32 | |
since all these foreigners been coming here. | 0:11:32 | 0:11:35 | |
Burglaries right on this street! | 0:11:35 | 0:11:37 | |
MUSIC: Londonderry Air (Traditional) | 0:11:39 | 0:11:41 | |
Right, once more from the top, eh? | 0:11:47 | 0:11:50 | |
One, two, three... | 0:11:50 | 0:11:53 | |
MUSIC CONTINUES | 0:11:53 | 0:11:55 | |
And then the chorus comes in again and... Well, you get the idea. | 0:12:05 | 0:12:08 | |
Excellent! Well done, everybody. Same time tomorrow, yes? | 0:12:08 | 0:12:12 | |
Sarge, wait a minute. | 0:12:12 | 0:12:14 | |
-There'll be cymbals in the next one, Tommy, I promise. -No, I just wanted to say, good luck for tonight. | 0:12:14 | 0:12:19 | |
I just thought I'd get home, you know - spruce myself up. | 0:12:19 | 0:12:21 | |
-Bit of aftershave. -Present her with some posies | 0:12:21 | 0:12:23 | |
-and then it's off to Ming Woo's. -Ming what's? | 0:12:23 | 0:12:25 | |
Ming Woo's - a Chinese restaurant. | 0:12:25 | 0:12:27 | |
Where better to woo a woman than Ming Woo's? Eh? | 0:12:27 | 0:12:31 | |
Take it up with your mother, it was her idea. | 0:12:40 | 0:12:43 | |
So, if a bomb were to drop, we'd all be stuck down here together? | 0:12:43 | 0:12:48 | |
I think I'll take my chances outside. | 0:12:50 | 0:12:52 | |
Is there a reason for this visit, | 0:12:52 | 0:12:54 | |
or are shifts getting shorter these days? | 0:12:54 | 0:12:58 | |
-I wanted to talk to you. -We talk at dinner. | 0:12:58 | 0:13:01 | |
Just you and me - and we don't talk at dinner. You talk, | 0:13:01 | 0:13:05 | |
-me and Mum just... -Annie, get to the point. | 0:13:05 | 0:13:08 | |
I know you're upset with me. | 0:13:10 | 0:13:13 | |
-What I said about you being a civilian... -Oh. | 0:13:13 | 0:13:16 | |
You were right. | 0:13:16 | 0:13:18 | |
It's over. | 0:13:18 | 0:13:20 | |
Time to move on. | 0:13:20 | 0:13:22 | |
That doesn't mean that I don't still need you. | 0:13:22 | 0:13:24 | |
Dad, I'm in the middle of this case, but... | 0:13:24 | 0:13:28 | |
it feels like I'm on the outside. | 0:13:28 | 0:13:31 | |
If I just knew what you knew... | 0:13:31 | 0:13:33 | |
Then what? You'd be better at your job? | 0:13:33 | 0:13:36 | |
It doesn't work like that. | 0:13:36 | 0:13:38 | |
Right now, I'm the only one who believes William's innocent | 0:13:40 | 0:13:44 | |
but I need more to go on than just my gut. | 0:13:44 | 0:13:46 | |
If you won't do it for me, at least do it for him. | 0:13:50 | 0:13:53 | |
Do what? | 0:13:53 | 0:13:54 | |
Something happened in the war, didn't it? | 0:13:57 | 0:13:59 | |
Please, Dad, I need to know. | 0:14:02 | 0:14:04 | |
Oh. | 0:14:13 | 0:14:15 | |
Oh, yeah. | 0:14:18 | 0:14:19 | |
Eee! | 0:14:21 | 0:14:23 | |
MUSIC: Ooby Dooby by Roy Orbison | 0:14:23 | 0:14:25 | |
# Hey baby, jump over here | 0:14:25 | 0:14:26 | |
# When you do the ooby dooby, I just gotta be near | 0:14:26 | 0:14:28 | |
# Ooby dooby, ooby dooby, ooby dooby, ooby dooby | 0:14:28 | 0:14:34 | |
# Ooby dooby, dooby, dooby, dooby, dooby | 0:14:34 | 0:14:36 | |
# Dooby do-wah, do-wah, do-wah | 0:14:36 | 0:14:39 | |
# Well, you wriggle to the left, you wriggle to the right | 0:14:39 | 0:14:42 | |
# You do the ooby dooby with all of your might | 0:14:42 | 0:14:44 | |
# Ooby dooby, ooby dooby, ooby dooby, ooby dooby | 0:14:44 | 0:14:50 | |
# Ooby dooby, dooby, dooby, dooby, dooby | 0:14:50 | 0:14:52 | |
# Dooby do-wah, do-wah, do-wah... # | 0:14:52 | 0:14:55 | |
MUSIC CONTINUES | 0:14:55 | 0:14:57 | |
PATCHES MEOWS | 0:15:11 | 0:15:13 | |
Oh. | 0:15:17 | 0:15:18 | |
How long have you been sitting there, Patches? | 0:15:23 | 0:15:27 | |
Come on, come on. | 0:15:27 | 0:15:29 | |
Let's get you home, prove you're not in a chop suey. | 0:15:29 | 0:15:31 | |
DOOR SLAMS No. | 0:15:31 | 0:15:33 | |
No! | 0:15:33 | 0:15:34 | |
No, no, no, no, no! | 0:15:34 | 0:15:37 | |
Oh, no! | 0:15:38 | 0:15:40 | |
No names, no specifics. | 0:15:47 | 0:15:50 | |
Agreed? | 0:15:50 | 0:15:51 | |
We were trained to go behind enemy lines. | 0:16:04 | 0:16:06 | |
Sabotage mostly, cutting lines of communication. | 0:16:08 | 0:16:13 | |
Our German was passable | 0:16:15 | 0:16:18 | |
but it would have fooled no-one if we'd been captured, | 0:16:18 | 0:16:22 | |
so Brigadier Morris, he taught us to become invisible more or less. | 0:16:22 | 0:16:26 | |
It kept us alive. | 0:16:28 | 0:16:29 | |
There was a lot of blood on our hands. | 0:16:32 | 0:16:36 | |
I don't mean combat, somehow it's... | 0:16:36 | 0:16:40 | |
It's easier there. | 0:16:40 | 0:16:42 | |
I'm talking about witnesses who'd turn us in, destroy the mission. | 0:16:42 | 0:16:48 | |
Civilians who got caught up in... | 0:16:48 | 0:16:50 | |
It was a brutal time, Annie, | 0:16:54 | 0:16:57 | |
but it was the only way to win and we had to win. | 0:16:57 | 0:17:01 | |
We were there, you know, when they liberated the death camps. | 0:17:04 | 0:17:07 | |
I never knew men could do such things. | 0:17:11 | 0:17:13 | |
It helped - at least, after - | 0:17:17 | 0:17:19 | |
to know that we were on the right side... | 0:17:19 | 0:17:23 | |
but William, | 0:17:23 | 0:17:25 | |
he never learnt to live again. | 0:17:25 | 0:17:27 | |
He started drinking. | 0:17:29 | 0:17:31 | |
His fiancee broke it off. | 0:17:31 | 0:17:33 | |
He could have been happy. | 0:17:34 | 0:17:36 | |
But he let it all fall away... | 0:17:37 | 0:17:39 | |
..including his friends. | 0:17:41 | 0:17:43 | |
Apart from me, of course. | 0:17:43 | 0:17:45 | |
And the Brigadier? | 0:17:45 | 0:17:47 | |
Well, they were never exactly friends | 0:17:48 | 0:17:50 | |
but there was respect, you know. | 0:17:50 | 0:17:52 | |
Until one day, they fell out about something. I never knew what. | 0:17:52 | 0:17:58 | |
-Can you guess? -Something to do with a mission they'd stayed behind for, | 0:17:58 | 0:18:02 | |
just the two of them. | 0:18:02 | 0:18:03 | |
I knew better than to ask what it was. | 0:18:03 | 0:18:06 | |
They were the sort of men that would take their secrets to the grave. | 0:18:06 | 0:18:09 | |
Morris certainly did. | 0:18:11 | 0:18:13 | |
As far as we know.... | 0:18:14 | 0:18:15 | |
..he was...tortured before he died. | 0:18:17 | 0:18:20 | |
We think the killer may have needed information. | 0:18:22 | 0:18:25 | |
Do you have any idea what it could have been? | 0:18:27 | 0:18:30 | |
No, I don't. | 0:18:31 | 0:18:33 | |
I've told you everything I know. | 0:18:34 | 0:18:36 | |
Thank you, Dad. | 0:18:44 | 0:18:45 | |
JAUNTY MUSIC PLAYS | 0:18:52 | 0:18:54 | |
PATCHES MEOWS | 0:19:00 | 0:19:02 | |
HE WHISTLES AND HUMS | 0:19:02 | 0:19:05 | |
PATCHES MEOWS | 0:19:06 | 0:19:08 | |
PATCHES MEOWS | 0:19:20 | 0:19:21 | |
PATCHES PURRS AND MEOWS | 0:19:35 | 0:19:38 | |
Susie? | 0:19:46 | 0:19:47 | |
Susie! | 0:19:51 | 0:19:52 | |
Thank you, sir. Goodbye. | 0:20:25 | 0:20:26 | |
That's for you. | 0:20:45 | 0:20:48 | |
-Ta. -Shall we? | 0:20:48 | 0:20:49 | |
Usual, please. | 0:20:56 | 0:20:57 | |
I spoke to my father today. | 0:21:05 | 0:21:07 | |
And? | 0:21:07 | 0:21:09 | |
It's as I thought, sir, he doesn't know anything | 0:21:09 | 0:21:12 | |
but I'm more certain than ever that the answers are buried in the past. | 0:21:12 | 0:21:16 | |
Something Morris and Sheppard did that only they knew about. | 0:21:16 | 0:21:19 | |
Like what? | 0:21:19 | 0:21:21 | |
A secret mission. | 0:21:21 | 0:21:23 | |
Whatever it was, Sheppard couldn't live with it. | 0:21:24 | 0:21:28 | |
It destroyed his life, drove him to drink. | 0:21:28 | 0:21:30 | |
And got Morris killed. | 0:21:32 | 0:21:34 | |
What was it Sheppard said? | 0:21:36 | 0:21:39 | |
Sooner or later, everyone's got to pay. | 0:21:39 | 0:21:41 | |
So we're back at square one. | 0:21:44 | 0:21:47 | |
Everything hinges on finding Sheppard. | 0:21:47 | 0:21:50 | |
Sorry to interrupt, sir. We just got a call from a lady - | 0:21:50 | 0:21:53 | |
a burglar's breaking into the house next door. | 0:21:53 | 0:21:55 | |
-Can you deal with her while I check it out? -Yeah. | 0:21:55 | 0:21:57 | |
POLICE SIREN | 0:22:33 | 0:22:36 | |
Help, somebody! | 0:22:36 | 0:22:38 | |
About time, he could have murdered her by now! | 0:22:38 | 0:22:41 | |
-So is this your neighbour's house? -Yes, she lives alone. | 0:22:41 | 0:22:44 | |
I heard her shouting for help and when I went out the back | 0:22:44 | 0:22:47 | |
I saw someone climbing in through the kitchen window. | 0:22:47 | 0:22:49 | |
< Help! Somebody! | 0:22:49 | 0:22:51 | |
-See? -OK, everybody... -Oh! | 0:22:51 | 0:22:53 | |
Oscar, stop that! | 0:22:53 | 0:22:55 | |
He wants to be a reporter. | 0:22:55 | 0:22:57 | |
-Everybody stay here and I'll check round the back. -OK. | 0:22:57 | 0:23:01 | |
-Oscar, Oscar! -I'll get him. | 0:23:01 | 0:23:03 | |
Looks like he's stuck. | 0:23:14 | 0:23:16 | |
What's he wearing? | 0:23:16 | 0:23:17 | |
Some sort of disguise? | 0:23:18 | 0:23:20 | |
What does it matter? Do something. | 0:23:20 | 0:23:23 | |
OK. Everyone stay here. | 0:23:23 | 0:23:26 | |
Right, you, the game's up. | 0:23:26 | 0:23:29 | |
I'm a policeman. | 0:23:29 | 0:23:31 | |
Tommy? | 0:23:31 | 0:23:32 | |
-Miss Nightingale? -Yes! | 0:23:33 | 0:23:35 | |
Please help me. I'm wedged in. | 0:23:35 | 0:23:38 | |
What on earth are you doing climbing through your own window? | 0:23:38 | 0:23:41 | |
If you must know, I got locked out trying to catch your stupid cat. | 0:23:41 | 0:23:45 | |
-Patches is alive? -All right, everyone... | 0:23:45 | 0:23:49 | |
Oh! Do you mind? | 0:23:49 | 0:23:51 | |
As you can see, it's all just been a big misunderstanding, | 0:23:51 | 0:23:54 | |
so you can all move along now. | 0:23:54 | 0:23:55 | |
Taylor... | 0:23:55 | 0:23:58 | |
help me pull her out. | 0:23:58 | 0:23:59 | |
Surely we should push her in? I mean, she still needs to get inside. | 0:24:01 | 0:24:04 | |
-I could kick the door down. -Don't you dare! | 0:24:04 | 0:24:07 | |
OK, well, then we're going to have to push. | 0:24:07 | 0:24:09 | |
You ready? | 0:24:09 | 0:24:11 | |
Oh! | 0:24:12 | 0:24:14 | |
Oh. | 0:24:16 | 0:24:17 | |
All right, fun's over, everyone. Back to your homes now. | 0:24:23 | 0:24:26 | |
Go on. | 0:24:26 | 0:24:28 | |
How's the new WPC coming along? | 0:24:30 | 0:24:32 | |
Chip off the old block? | 0:24:32 | 0:24:34 | |
Hard to say. | 0:24:34 | 0:24:36 | |
Sergeant Taylor was born with a stick up his backside. | 0:24:36 | 0:24:39 | |
She's not as uptight, | 0:24:39 | 0:24:41 | |
but she acts as if she can wear his stripes without earning them. | 0:24:41 | 0:24:45 | |
-Same again? -Mmm. | 0:24:45 | 0:24:47 | |
I should be going. | 0:24:47 | 0:24:49 | |
My wife, | 0:24:50 | 0:24:53 | |
she worries, since the shooting. | 0:24:53 | 0:24:55 | |
Understandable. Nasty business. | 0:24:55 | 0:24:58 | |
Yes, sir. | 0:24:58 | 0:25:00 | |
Is there something you wanted? | 0:25:02 | 0:25:04 | |
I'm careful about who I ask for favours. | 0:25:04 | 0:25:08 | |
Of course. | 0:25:08 | 0:25:09 | |
I need you to check a name for me. | 0:25:09 | 0:25:11 | |
Off the record, it's for personal reasons. | 0:25:11 | 0:25:14 | |
No need to involve anybody else. | 0:25:14 | 0:25:16 | |
Carl Saunders. | 0:25:19 | 0:25:20 | |
Who is he? | 0:25:22 | 0:25:23 | |
Communist sympathiser. | 0:25:23 | 0:25:25 | |
Let's just say he's consorting with people he shouldn't. | 0:25:25 | 0:25:29 | |
If there's dirt on him, find it. | 0:25:29 | 0:25:33 | |
I'll make it worth your while. | 0:25:33 | 0:25:35 | |
What is that - a rain coat? | 0:25:45 | 0:25:49 | |
A slim suit. | 0:25:49 | 0:25:50 | |
I was trying to look perfect for my date. | 0:25:52 | 0:25:55 | |
Where's Sergeant Swift? | 0:25:55 | 0:25:57 | |
I hid from him and he left. | 0:25:57 | 0:25:59 | |
Now he thinks I stood him up and everything's ruined. | 0:25:59 | 0:26:02 | |
Where do you think he might be? | 0:26:02 | 0:26:04 | |
Er, he was going to take her to Ming Woo's, | 0:26:04 | 0:26:06 | |
but I doubt he's there now. He could be in the Tavern. | 0:26:06 | 0:26:09 | |
Good, good, we can still salvage this. | 0:26:09 | 0:26:11 | |
Right, you find Sergeant Swift and get him in that restaurant. | 0:26:11 | 0:26:14 | |
-But... -Go! | 0:26:14 | 0:26:15 | |
Does my hair look all right? | 0:26:18 | 0:26:20 | |
JAUNTY MUSIC | 0:26:23 | 0:26:24 | |
You all right, Sarge? | 0:26:41 | 0:26:43 | |
I didn't expect to see you here. | 0:26:43 | 0:26:46 | |
Well... | 0:26:46 | 0:26:49 | |
that makes two of us. | 0:26:49 | 0:26:51 | |
What happened to your date with Miss Nightingale? | 0:26:51 | 0:26:54 | |
There was no date. | 0:26:55 | 0:26:56 | |
Why would there be? | 0:26:59 | 0:27:00 | |
Why would a woman like Susie want me? | 0:27:01 | 0:27:05 | |
She liked you enough to say yes, didn't she? | 0:27:05 | 0:27:07 | |
I'm sure she wouldn't just stand you up. | 0:27:07 | 0:27:10 | |
I said I'd pick her up at seven. | 0:27:10 | 0:27:13 | |
She wasn't there. | 0:27:13 | 0:27:14 | |
I'd say that's pretty clear. | 0:27:15 | 0:27:17 | |
Wait a minute, you went to her house? | 0:27:17 | 0:27:19 | |
That's normally how it works, son. | 0:27:19 | 0:27:20 | |
But I heard her say she was going straight to the restaurant. | 0:27:20 | 0:27:23 | |
Well, you couldn't have done, I never said where I was taking her. | 0:27:23 | 0:27:27 | |
Yes, but you told me | 0:27:27 | 0:27:29 | |
and I mentioned it to WPC Taylor, | 0:27:29 | 0:27:32 | |
who must have told Miss Nightingale, which is why she got it in her head | 0:27:32 | 0:27:35 | |
that she was meeting you there. | 0:27:35 | 0:27:36 | |
-But why would she... -It doesn't matter why, Sarge! | 0:27:36 | 0:27:39 | |
The point is, she's probably sitting in Ming Woo's right now | 0:27:39 | 0:27:42 | |
-wondering where you are. -What time is it? | 0:27:42 | 0:27:44 | |
Well, it's ten to eight. | 0:27:44 | 0:27:45 | |
Oh, damn! | 0:27:52 | 0:27:54 | |
Oh! | 0:27:54 | 0:27:55 | |
Hold on, hold on! | 0:28:00 | 0:28:01 | |
There. | 0:28:01 | 0:28:03 | |
Look, wait - I could give you a lift. | 0:28:04 | 0:28:07 | |
Go get her, Sarge. | 0:28:10 | 0:28:12 | |
It would have been booked under the name Swift. | 0:28:12 | 0:28:14 | |
-Do you still have the table? -I'll have a look. -Thank you. | 0:28:14 | 0:28:17 | |
How do I look? | 0:28:17 | 0:28:19 | |
Just lovely. | 0:28:19 | 0:28:21 | |
-Now, breathe. -SHE LAUGHS | 0:28:21 | 0:28:23 | |
If you'd like to follow me. | 0:28:23 | 0:28:25 | |
Thank you. | 0:28:28 | 0:28:29 | |
Thank you. | 0:28:32 | 0:28:33 | |
Oh. | 0:28:36 | 0:28:38 | |
Susie, I'm so sorry I'm late. | 0:28:38 | 0:28:41 | |
-I thought we were supposed to... -It doesn't natter - matter. | 0:28:41 | 0:28:45 | |
-I'm just glad you're here. -Oh. | 0:28:46 | 0:28:48 | |
Erm, here. | 0:28:52 | 0:28:53 | |
Ooh - crackers. | 0:29:00 | 0:29:01 | |
Thank you. | 0:29:05 | 0:29:07 | |
Thank you. | 0:29:07 | 0:29:08 | |
MAN COUGHS | 0:29:28 | 0:29:31 | |
Hello again. | 0:29:35 | 0:29:37 | |
If you're here to see Dr Ellis, I'm afraid he's out today. | 0:29:37 | 0:29:39 | |
Actually, I came here to see you. | 0:29:39 | 0:29:41 | |
Me? How can I help? | 0:29:41 | 0:29:44 | |
I was wondering if you'd let me take a look | 0:29:44 | 0:29:47 | |
at William Sheppard's psychiatric records. | 0:29:47 | 0:29:49 | |
-The patients' files are confidential. -The thing is, | 0:29:49 | 0:29:52 | |
I really need to know if he has a history of violence. | 0:29:52 | 0:29:55 | |
It would really help our investigation | 0:29:55 | 0:29:57 | |
if I knew anything more about him. | 0:29:57 | 0:29:59 | |
MAN SCREAMS IN DISTANCE | 0:29:59 | 0:30:00 | |
-I'm sorry, I really can't. -Come on. | 0:30:00 | 0:30:03 | |
Just a quick peek. | 0:30:03 | 0:30:04 | |
I won't tell anyone if you don't. | 0:30:06 | 0:30:08 | |
What did William Sheppard seem like to you when he was here? | 0:30:33 | 0:30:36 | |
It's hard to tell, he was sedated most of the time. | 0:30:36 | 0:30:39 | |
-To be honest... -Shh. | 0:30:40 | 0:30:42 | |
Sorry. What were you saying? | 0:30:48 | 0:30:50 | |
I was saying, I was surprised he was able to break out of here - | 0:30:50 | 0:30:54 | |
he couldn't lift his own head up most of the time. | 0:30:54 | 0:30:57 | |
Maybe he was faking. | 0:30:57 | 0:30:59 | |
I mean, he had it in him to attack Nurse Hartley. | 0:30:59 | 0:31:02 | |
I saw the man who attacked her. | 0:31:02 | 0:31:04 | |
-What? -I was right next door. | 0:31:06 | 0:31:08 | |
After I heard her scream, I saw him running down the corridor | 0:31:08 | 0:31:10 | |
and if you ask me, he looked nothing like Sheppard. | 0:31:10 | 0:31:13 | |
-Why didn't you say anything? -Because she's my boss. | 0:31:13 | 0:31:17 | |
And you're sure it was somebody different? | 0:31:17 | 0:31:19 | |
-Pretty sure. -Can you describe him? | 0:31:19 | 0:31:22 | |
Medium build, dark hair and much younger - | 0:31:22 | 0:31:25 | |
I'd say early twenties. | 0:31:25 | 0:31:27 | |
-What's going on? -Look at this. | 0:31:34 | 0:31:36 | |
Has Sergeant Swift seen it yet? | 0:31:36 | 0:31:38 | |
He certainly has. | 0:31:38 | 0:31:40 | |
It's always nice to discover you've been lied to. | 0:31:42 | 0:31:45 | |
Actually, Sarge, if you think about it, it's quite flattering. | 0:31:45 | 0:31:48 | |
Well, Susie only hid from you because she wasn't looking her best. | 0:31:48 | 0:31:51 | |
That worked out well for her, didn't it? | 0:31:51 | 0:31:54 | |
Well, she can't find out about this, it'll kill her. | 0:31:54 | 0:31:57 | |
Not a word to Miss Nightingale, understood? | 0:31:57 | 0:32:01 | |
No jokes, no funny looks. If she gets wind of this, | 0:32:01 | 0:32:04 | |
you've got me to answer to, right? | 0:32:04 | 0:32:06 | |
But what if she sees it in the paper, Sarge? | 0:32:06 | 0:32:08 | |
There's not much here. | 0:32:17 | 0:32:19 | |
Sorry, that's all we have. | 0:32:19 | 0:32:21 | |
"Recommended for the Petra Project," what is that? | 0:32:24 | 0:32:28 | |
If they knew I were talking to you, I'd lose my job. | 0:32:28 | 0:32:31 | |
I won't tell them how I found out. Please, this could really help. | 0:32:31 | 0:32:35 | |
All I know is patients selected for the Petra Project disappear, | 0:32:36 | 0:32:40 | |
sometimes for weeks at a time. | 0:32:40 | 0:32:42 | |
No-one knows where they're taken, but when they come back, | 0:32:42 | 0:32:45 | |
-they're different. -Different - how? | 0:32:45 | 0:32:48 | |
I mean, worse than before. | 0:32:48 | 0:32:49 | |
Sometimes they just scream and scream. | 0:32:49 | 0:32:53 | |
Everybody knows Dr Ellis is a brilliant man. It's not my place to question him. | 0:32:53 | 0:32:56 | |
Petra Project. | 0:32:58 | 0:32:59 | |
Thank you. | 0:33:02 | 0:33:03 | |
You have something for me? | 0:33:11 | 0:33:13 | |
Carl Saunders - I knew I'd heard the name before. | 0:33:13 | 0:33:17 | |
Couple of weeks back, we picked him up on a raid in a queer pub. | 0:33:17 | 0:33:21 | |
I wanted to charge the whole lot of 'em but Briggs said to let them walk. | 0:33:21 | 0:33:25 | |
-I see. -That's his only arrest. | 0:33:25 | 0:33:27 | |
I could do some digging, look into his past. | 0:33:27 | 0:33:31 | |
Thank you, Sergeant, that won't be necessary. | 0:33:31 | 0:33:34 | |
I have what I need. | 0:33:34 | 0:33:35 | |
Thank you, Vicky. | 0:33:42 | 0:33:44 | |
Could you do me one last, tiny favour? Would you call me | 0:33:44 | 0:33:48 | |
-when Dr Ellis comes back? -Sure. | 0:33:48 | 0:33:50 | |
May I? | 0:33:50 | 0:33:52 | |
This is my...direct number. | 0:33:52 | 0:33:55 | |
Call me any time if I don't call you first. | 0:33:57 | 0:34:00 | |
-Oh, my God, that's him. -Who? | 0:34:02 | 0:34:05 | |
The man who attacked Nurse Hartley. | 0:34:05 | 0:34:07 | |
David Meyer - stop! | 0:34:07 | 0:34:09 | |
Stop, police! | 0:34:09 | 0:34:11 | |
CAR HORNS | 0:34:21 | 0:34:22 | |
Stop, stop! | 0:34:33 | 0:34:35 | |
Stop, police! | 0:35:00 | 0:35:01 | |
Oi! | 0:35:01 | 0:35:02 | |
Oi, what are you doing? Get off me. | 0:35:02 | 0:35:04 | |
Come back, he's stolen my bike! | 0:35:04 | 0:35:05 | |
David! | 0:35:05 | 0:35:07 | |
DOG BARKS | 0:35:09 | 0:35:10 | |
MAN SIGHS | 0:35:10 | 0:35:12 | |
I think I've got them all, Sarge. | 0:35:13 | 0:35:15 | |
Good. Chuck them in the incinerator or something. Go. | 0:35:15 | 0:35:18 | |
Thanks - again - for dinner last night. | 0:35:20 | 0:35:24 | |
I had such a lovely time. | 0:35:24 | 0:35:26 | |
So did I. | 0:35:26 | 0:35:28 | |
Wasn't that restaurant magical? | 0:35:28 | 0:35:30 | |
All those lanterns. | 0:35:30 | 0:35:31 | |
Yes - lanterns. | 0:35:31 | 0:35:33 | |
Hey, I fancy a cup of tea. Shall we? | 0:35:33 | 0:35:37 | |
It was the perfect setting... | 0:35:37 | 0:35:41 | |
for a perfect evening. | 0:35:41 | 0:35:44 | |
Well... SHE LAUGHS | 0:35:44 | 0:35:46 | |
..apart from the flying spring roll. | 0:35:46 | 0:35:48 | |
THEY LAUGH | 0:35:48 | 0:35:50 | |
Those chopsticks certainly take some getting used to. | 0:35:52 | 0:35:55 | |
Shall we? How about that tea? | 0:35:55 | 0:35:57 | |
Susie, Susie! | 0:35:57 | 0:35:59 | |
-Well, well, well. -HE LAUGHS | 0:35:59 | 0:36:02 | |
You never told me there was a full moon out last night, girl. | 0:36:02 | 0:36:06 | |
Excuse me? | 0:36:06 | 0:36:08 | |
What's that thing you're wearing, eh? | 0:36:08 | 0:36:11 | |
Looks like a space suit! | 0:36:11 | 0:36:14 | |
HE LAUGHS | 0:36:14 | 0:36:16 | |
Susie... | 0:36:18 | 0:36:19 | |
One of these days, I'm going to knock that smile off your face. | 0:36:23 | 0:36:26 | |
Susie? | 0:36:33 | 0:36:34 | |
Susie? | 0:36:36 | 0:36:37 | |
She won't come out, Sarge. | 0:36:39 | 0:36:41 | |
Susie? It's John. | 0:36:50 | 0:36:53 | |
Please go away. | 0:36:53 | 0:36:54 | |
It's not so bad, really. | 0:36:57 | 0:36:59 | |
You can't even see your face in the picture. | 0:36:59 | 0:37:02 | |
Anyway, | 0:37:05 | 0:37:07 | |
it'll be chip wrapping by tomorrow. | 0:37:07 | 0:37:09 | |
At least the story had a happy ending - | 0:37:10 | 0:37:13 | |
Mrs Logan got reunited with her cat. | 0:37:13 | 0:37:15 | |
I hate Mrs Logan. | 0:37:17 | 0:37:19 | |
She told the paper that I looked like a fat burglar | 0:37:19 | 0:37:22 | |
and all because I bought that stupid slim suit that doesn't even work - | 0:37:22 | 0:37:26 | |
I'm not one bit thinner. | 0:37:26 | 0:37:28 | |
I don't want you to be thinner. | 0:37:28 | 0:37:30 | |
Susie... | 0:37:33 | 0:37:34 | |
..you're perfect the way you are. | 0:37:35 | 0:37:37 | |
When I saw you in that restaurant last night, | 0:37:39 | 0:37:42 | |
I couldn't believe it was me you were waiting for. | 0:37:42 | 0:37:45 | |
I fell for you | 0:37:49 | 0:37:52 | |
the very first moment I laid eyes on you. | 0:37:52 | 0:37:55 | |
You're the most beautiful woman in the world | 0:37:55 | 0:38:00 | |
and I know I don't have much to offer you, Susie... | 0:38:00 | 0:38:03 | |
You're early. | 0:38:19 | 0:38:20 | |
I can't stay long. | 0:38:23 | 0:38:26 | |
What's happened? | 0:38:26 | 0:38:27 | |
It's Charlotte, she... | 0:38:29 | 0:38:31 | |
suspects something. | 0:38:31 | 0:38:32 | |
I had to lie to her face this morning. | 0:38:34 | 0:38:37 | |
Did she believe you? | 0:38:37 | 0:38:39 | |
I don't know... | 0:38:39 | 0:38:41 | |
But this can't go on. | 0:38:43 | 0:38:45 | |
It's getting too dangerous. | 0:38:45 | 0:38:47 | |
-Do you want to cool it for a while? -No, Carl, | 0:38:50 | 0:38:54 | |
didn't you hear me? | 0:38:54 | 0:38:56 | |
We have to end this now. | 0:38:56 | 0:38:58 | |
No, don't say that. | 0:38:58 | 0:39:01 | |
It's all the sneaking around, I can't stand it. | 0:39:01 | 0:39:05 | |
-Walt, I... -No, please don't, just... | 0:39:06 | 0:39:09 | |
She deserves better. | 0:39:11 | 0:39:13 | |
I have to at least try to make things work. | 0:39:13 | 0:39:16 | |
We work - you and me. | 0:39:16 | 0:39:19 | |
You're going to throw that away over some sham marriage? | 0:39:19 | 0:39:22 | |
It's not a sham. | 0:39:22 | 0:39:23 | |
I do love her. | 0:39:31 | 0:39:33 | |
Not like you love me. | 0:39:33 | 0:39:34 | |
I'm so sorry. | 0:39:41 | 0:39:42 | |
Just wait, please... | 0:39:42 | 0:39:45 | |
I'll stay away. | 0:39:51 | 0:39:52 | |
I'll do whatever you want but... | 0:39:54 | 0:39:56 | |
..don't go yet. | 0:39:58 | 0:39:59 | |
Not yet. | 0:40:01 | 0:40:03 | |
I just spoke to our friends at the Birmingham Chronicle. | 0:40:27 | 0:40:30 | |
-And did you find David Meyer? -He never worked there. | 0:40:30 | 0:40:33 | |
-What? -They've never heard of him. | 0:40:33 | 0:40:37 | |
Well, who do you think he is then? | 0:40:37 | 0:40:39 | |
I think he's our new main suspect. | 0:40:39 | 0:40:41 | |
PHONE RINGS | 0:40:41 | 0:40:42 | |
Fenton. | 0:40:43 | 0:40:44 | |
How would you like to get that arrest after all, Sergeant? | 0:40:44 | 0:40:47 | |
On a charge that'll stick this time. | 0:40:47 | 0:40:49 | |
I'm listening. | 0:40:49 | 0:40:50 | |
Brewer Street, above Preedy & Sons. | 0:40:50 | 0:40:52 | |
Soon as you can. | 0:40:52 | 0:40:54 | |
Thank you, sir. | 0:40:54 | 0:40:55 | |
Perkins, get Fletch and come with me. | 0:40:59 | 0:41:02 | |
Move it! | 0:41:02 | 0:41:03 | |
FOOTSTEPS NEARBY | 0:41:14 | 0:41:16 | |
Who's there? | 0:41:17 | 0:41:19 | |
I said show yourself. | 0:41:20 | 0:41:22 | |
Gabriel? | 0:41:27 | 0:41:28 | |
David. | 0:41:28 | 0:41:30 | |
What are you doing here? | 0:41:32 | 0:41:34 | |
How did you find me? | 0:41:34 | 0:41:36 | |
I've been following your movements for some time. | 0:41:36 | 0:41:39 | |
-Why? -To make sure the job gets done right. | 0:41:39 | 0:41:41 | |
Tell me you... | 0:41:45 | 0:41:46 | |
You killed Brigadier Morris? | 0:41:47 | 0:41:49 | |
He got what he deserved. | 0:41:52 | 0:41:53 | |
That wasn't for you to decide. | 0:41:53 | 0:41:55 | |
Do you have any idea what you've done? | 0:41:55 | 0:41:57 | |
Something you didn't have the guts to do yourself. | 0:41:57 | 0:42:00 | |
FOOTSTEPS APPROACH | 0:42:10 | 0:42:13 | |
Police, stay where you are! | 0:42:13 | 0:42:14 | |
Get dressed. | 0:42:20 | 0:42:21 | |
Time's up. | 0:42:33 | 0:42:35 | |
I am arresting you for committing an act of gross indecency | 0:42:39 | 0:42:43 | |
with another male person. | 0:42:43 | 0:42:44 | |
You are not obliged to say anything unless you wish to do so | 0:42:46 | 0:42:50 | |
but what you say will be taken down and may be given in evidence. | 0:42:50 | 0:42:54 | |
Sir. | 0:42:57 | 0:42:59 | |
POLICE SIREN | 0:43:35 | 0:43:37 |