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William Sheppard, I'm arresting you on suspicion of the murder | 0:00:02 | 0:00:04 | |
-of Brigadier Morris. -William's escaped? | 0:00:04 | 0:00:06 | |
Whose wonderful idea was it to put him in there in the first place? | 0:00:06 | 0:00:09 | |
Patients selected for the Petra Project disappear, | 0:00:09 | 0:00:11 | |
but when they come back, they're different. | 0:00:11 | 0:00:13 | |
I just spoke to our friends at the Birmingham Chronicle. | 0:00:13 | 0:00:16 | |
And did you find David Meyer? | 0:00:16 | 0:00:18 | |
-They'd never heard of him. -Who do you think he is, then? | 0:00:18 | 0:00:20 | |
I think he's our new main suspect. | 0:00:20 | 0:00:22 | |
Gabriel! | 0:00:22 | 0:00:24 | |
David. | 0:00:24 | 0:00:25 | |
What are you doing here? | 0:00:25 | 0:00:27 | |
I am arresting you for committing an act of gross indecency with | 0:00:27 | 0:00:31 | |
another male person. | 0:00:31 | 0:00:32 | |
You are not obliged to say anything, unless you wish to do so. | 0:00:32 | 0:00:36 | |
CAMERA CLICKS | 0:00:53 | 0:00:55 | |
CAMERA CLICKS | 0:01:09 | 0:01:11 | |
CAMERA CLICKS | 0:01:19 | 0:01:20 | |
You never said how you did this. | 0:01:24 | 0:01:26 | |
How long since you last had a decent meal? | 0:01:30 | 0:01:33 | |
Just fix me up, then I'll be out of here. | 0:01:33 | 0:01:36 | |
-It looks infected. -It's nothing. | 0:01:36 | 0:01:38 | |
I think you should stay. You know, build up your strength. | 0:01:39 | 0:01:44 | |
Come on, we've waited this long. What's one more day? | 0:01:44 | 0:01:46 | |
BANGS ON DOOR | 0:01:51 | 0:01:53 | |
Rise and shine, ladies. | 0:01:53 | 0:01:55 | |
LOCK CLICKS | 0:02:04 | 0:02:06 | |
On your feet. | 0:02:11 | 0:02:12 | |
You know the way. | 0:02:21 | 0:02:22 | |
Walter. | 0:02:30 | 0:02:32 | |
I'm sorry. | 0:02:32 | 0:02:34 | |
I'm not. | 0:02:34 | 0:02:35 | |
Enough of that. | 0:02:35 | 0:02:37 | |
What do we do? | 0:02:42 | 0:02:43 | |
Our job. Same as always. | 0:02:43 | 0:02:46 | |
Please tell me this is someone's idea of a joke. | 0:02:46 | 0:02:49 | |
Do you see anyone laughing? | 0:02:49 | 0:02:50 | |
But he's married. I've met his wife. | 0:02:50 | 0:02:52 | |
I still don't believe it, and I saw it with my own eyes. | 0:02:52 | 0:02:56 | |
Your attention, please. | 0:02:56 | 0:02:58 | |
David Meyer. I need to talk to speak with him urgently. | 0:02:58 | 0:03:00 | |
So keep your eyes peeled. Show this around on your beats. | 0:03:00 | 0:03:03 | |
First suggestion of a sighting, let me know. | 0:03:03 | 0:03:06 | |
-One to each officer, please, Sergeant. -Yes, sir. | 0:03:06 | 0:03:08 | |
Sir. William Sheppard. Any news? | 0:03:09 | 0:03:12 | |
Sorry, Taylor. No overnight developments. | 0:03:12 | 0:03:15 | |
Hitting the beat, Sarge. | 0:03:22 | 0:03:24 | |
Wait there. | 0:03:24 | 0:03:25 | |
Is there any one you want me to contact, sir? | 0:03:27 | 0:03:29 | |
No. Thank you, Sergeant. | 0:03:29 | 0:03:32 | |
Just how you like it, sir. | 0:03:35 | 0:03:38 | |
No special treatment. | 0:03:38 | 0:03:40 | |
Take it...while it's hot. | 0:03:40 | 0:03:42 | |
Good morning, everybody. | 0:03:48 | 0:03:49 | |
Let me reassure you there will be no disruption to your normal routines. | 0:03:49 | 0:03:53 | |
And as of this moment, I am in operational control of this station. | 0:03:53 | 0:03:58 | |
Yes, sir. | 0:03:58 | 0:04:00 | |
Sergeant Fenton, put the prisoner in the interview room. | 0:04:00 | 0:04:03 | |
Sir. | 0:04:03 | 0:04:05 | |
Milk. Two sugars. | 0:04:08 | 0:04:10 | |
-What have you got there? -Ah! | 0:04:28 | 0:04:30 | |
I know that smile. What are you up to? | 0:04:30 | 0:04:32 | |
You'll have to wait and see. | 0:04:32 | 0:04:34 | |
Coffee and a bacon cob for table six. | 0:04:35 | 0:04:38 | |
Coming up. | 0:04:38 | 0:04:39 | |
I see that lover boy's here again. | 0:04:44 | 0:04:47 | |
Can't you serve him? | 0:04:48 | 0:04:49 | |
Gloria. He's not here for the doughnuts. | 0:04:49 | 0:04:52 | |
Morning, Constable. | 0:04:56 | 0:04:58 | |
Sorry. We're all out of doughnuts. Is there anything else you fancy? | 0:04:58 | 0:05:01 | |
I'm just on my break. Can't you call me Tommy? | 0:05:04 | 0:05:07 | |
Hello, all. Sorry to interrupt. I'll make this short and sweet. | 0:05:09 | 0:05:13 | |
Tomorrow night is our wedding anniversary. | 0:05:13 | 0:05:16 | |
It'll be three years to the day | 0:05:16 | 0:05:17 | |
since this beautiful woman made me the happiest man in Brinford. | 0:05:17 | 0:05:21 | |
Aw! | 0:05:21 | 0:05:22 | |
To mark the occasion, we're having a party, and you're all invited. | 0:05:22 | 0:05:25 | |
That's great! | 0:05:25 | 0:05:27 | |
There's going to be music, American hamburgers | 0:05:27 | 0:05:29 | |
and dancing till you drop. | 0:05:29 | 0:05:31 | |
Oh, Les! | 0:05:31 | 0:05:32 | |
Bring your friends, your family. | 0:05:32 | 0:05:34 | |
-the more the merrier. -Great! | 0:05:34 | 0:05:36 | |
There you go, Constable. Hope you're not going to be on duty. | 0:05:38 | 0:05:42 | |
If you're not busy...would you...? | 0:05:42 | 0:05:45 | |
I'm going to be working, aren't I? | 0:05:45 | 0:05:49 | |
But you'll...you'll save me a dance? | 0:05:49 | 0:05:52 | |
We'll see. | 0:05:52 | 0:05:54 | |
Sorry for all the secrecy, but I wanted it to be a surprise. | 0:05:57 | 0:06:00 | |
And it was. A wonderful surprise. | 0:06:00 | 0:06:02 | |
So what's wrong, love? | 0:06:03 | 0:06:06 | |
I hoped it was a mistake, but I've checked and double checked | 0:06:06 | 0:06:10 | |
and it comes out the same every time. | 0:06:10 | 0:06:12 | |
I don't understand. | 0:06:12 | 0:06:13 | |
Someone's been dipping into the till. | 0:06:13 | 0:06:15 | |
What? | 0:06:15 | 0:06:17 | |
I noticed the other week, but it was only a few shillings. | 0:06:17 | 0:06:21 | |
But it's been getting worse. | 0:06:21 | 0:06:23 | |
We're already down five pounds this week. | 0:06:23 | 0:06:26 | |
Hm. But you don't think... | 0:06:26 | 0:06:28 | |
Not one of the girls? | 0:06:28 | 0:06:30 | |
There's one way to find out. | 0:06:31 | 0:06:32 | |
Me? A thief? | 0:06:35 | 0:06:37 | |
If it wasn't you, who was it? | 0:06:37 | 0:06:39 | |
I know what they say about...coloureds. | 0:06:41 | 0:06:44 | |
How you can't trust them and that. But not Gloria. | 0:06:46 | 0:06:49 | |
Gloria wouldn't steal. | 0:06:49 | 0:06:51 | |
If you know anything... | 0:06:51 | 0:06:53 | |
She told me in confidence. | 0:06:55 | 0:06:57 | |
Miss Plummer, this is a very serious matter. | 0:06:58 | 0:07:01 | |
SHE SIGHS | 0:07:03 | 0:07:05 | |
Has anybody seen me take any money? | 0:07:05 | 0:07:07 | |
-No. -So why the interrogation? | 0:07:08 | 0:07:11 | |
You're not the only person I'm interviewing. | 0:07:11 | 0:07:13 | |
Mr and Mrs Sallis have been good to me. | 0:07:13 | 0:07:16 | |
I would never abuse their trust. | 0:07:16 | 0:07:18 | |
Tell me about your family. | 0:07:20 | 0:07:22 | |
What about them? | 0:07:22 | 0:07:23 | |
I understand that you give them money? | 0:07:23 | 0:07:25 | |
Or I can only conclude that you have something to hide. | 0:07:27 | 0:07:31 | |
My father lost his job. It's my duty to help them. | 0:07:31 | 0:07:35 | |
-And how far would you go? -I would never break the law. | 0:07:35 | 0:07:37 | |
-Not even if your family were desperate? -Never! | 0:07:37 | 0:07:40 | |
But you're not going to take my word for it, are you? | 0:07:42 | 0:07:45 | |
I'm only interested in the evidence. | 0:07:45 | 0:07:47 | |
Shall I tell you how I see it? | 0:07:47 | 0:07:49 | |
Money has gone missing | 0:07:49 | 0:07:51 | |
and my face doesn't exactly fit in around here, | 0:07:51 | 0:07:54 | |
so the thief must be me. | 0:07:54 | 0:07:56 | |
That's what you're all thinking, isn't it? | 0:07:56 | 0:07:58 | |
Are we done here? | 0:08:00 | 0:08:01 | |
You put that uniform on every single day. | 0:08:07 | 0:08:11 | |
Knowing what you are. | 0:08:13 | 0:08:14 | |
You're a disgrace. | 0:08:18 | 0:08:19 | |
DOOR OPENS | 0:08:21 | 0:08:23 | |
He's been cautioned? | 0:08:27 | 0:08:29 | |
Yes, sir. | 0:08:29 | 0:08:30 | |
How the mighty fall. | 0:08:36 | 0:08:38 | |
You need to know... | 0:08:40 | 0:08:42 | |
I want it made clear... It was me. | 0:08:42 | 0:08:45 | |
I...started this. | 0:08:45 | 0:08:47 | |
Carl is the innocent party. | 0:08:48 | 0:08:50 | |
-Innocent! -I led him astray. | 0:08:50 | 0:08:53 | |
Very noble, but it's a bit late to play the hero now, isn't it? | 0:08:53 | 0:08:58 | |
Two men caught committing an act of gross indecency. | 0:08:58 | 0:09:02 | |
Guilty as charged. | 0:09:02 | 0:09:04 | |
What do you think, Sergeant? 12 months at Her Majesty's pleasure? | 0:09:05 | 0:09:09 | |
At least. | 0:09:11 | 0:09:13 | |
You risked everything. | 0:09:13 | 0:09:15 | |
Your career. Your marriage. | 0:09:15 | 0:09:19 | |
Your liberty. | 0:09:19 | 0:09:20 | |
Was it worth it? | 0:09:22 | 0:09:24 | |
So, how long have you and Carl Saunders been intimately acquainted? | 0:09:27 | 0:09:32 | |
What difference does that make? | 0:09:34 | 0:09:36 | |
It must have been a shock when Sergeant Fenton arrested him, | 0:09:36 | 0:09:38 | |
brought him into your station. | 0:09:38 | 0:09:40 | |
I didn't know Carl then. | 0:09:40 | 0:09:41 | |
Then why did you order me to let him off with just a caution? | 0:09:41 | 0:09:44 | |
I ordered you to release all of the men that you'd rounded up. | 0:09:44 | 0:09:47 | |
Exactly. | 0:09:47 | 0:09:48 | |
You let a dozen men get away with their crimes just to cover | 0:09:48 | 0:09:51 | |
your own filthy little secret. | 0:09:51 | 0:09:54 | |
The sooner the Force gets shot of you, the better. | 0:09:54 | 0:09:57 | |
Sorry. Neither has admitted to stealing the money | 0:10:04 | 0:10:07 | |
and there's not enough evidence to prove who the thief is. | 0:10:07 | 0:10:10 | |
You did your best. | 0:10:10 | 0:10:11 | |
Thank you, Constable. We've taken up enough of your time. | 0:10:11 | 0:10:15 | |
What if we wanted to take this further? | 0:10:15 | 0:10:17 | |
You'd have to come to the station. Make an official complaint. | 0:10:17 | 0:10:20 | |
We close at five. We'll come down then. | 0:10:20 | 0:10:22 | |
But you heard what he said, love. There's no evidence. | 0:10:22 | 0:10:24 | |
Both those girls know how much this place means to us. | 0:10:24 | 0:10:27 | |
How hard we have to work. | 0:10:27 | 0:10:29 | |
How can we trust either of them again? | 0:10:29 | 0:10:31 | |
OK. Let's get the party over with. | 0:10:31 | 0:10:34 | |
Then we'll decide what we're going to do. | 0:10:34 | 0:10:36 | |
I am so sorry. | 0:10:37 | 0:10:39 | |
I thought I could trust you. | 0:10:39 | 0:10:41 | |
I didn't mean to. | 0:10:41 | 0:10:42 | |
It's just that he knew I was hiding something | 0:10:42 | 0:10:44 | |
-and he just kept on and on and... -It's fine. | 0:10:44 | 0:10:47 | |
You're not just saying that? | 0:10:47 | 0:10:48 | |
You're the best. | 0:10:50 | 0:10:52 | |
Goodbye, Norma. | 0:10:59 | 0:11:01 | |
What? | 0:11:01 | 0:11:03 | |
Where are you going? | 0:11:03 | 0:11:05 | |
To get my coat. | 0:11:05 | 0:11:06 | |
I have been sacked, haven't I? | 0:11:07 | 0:11:10 | |
Nobody's been sacked...and table three are waiting to order. | 0:11:10 | 0:11:14 | |
I didn't think they were ever going to let you out. | 0:11:38 | 0:11:41 | |
-You shouldn't be here. -I was worried about you. | 0:11:41 | 0:11:44 | |
Walter...please. | 0:11:44 | 0:11:45 | |
We can't see each other again. | 0:11:46 | 0:11:49 | |
You don't mean that. | 0:11:49 | 0:11:50 | |
Just stay away from me, Carl. | 0:11:52 | 0:11:54 | |
-Mum? -Here, love. | 0:12:02 | 0:12:05 | |
Just checking supplies. | 0:12:05 | 0:12:08 | |
Mum, you've got half of Barrow's Stores in here. | 0:12:08 | 0:12:10 | |
Well, who knows how long we'll have to stay. It could be weeks. | 0:12:10 | 0:12:14 | |
What's this about? | 0:12:15 | 0:12:17 | |
What, love? | 0:12:18 | 0:12:20 | |
They're just scare stories. | 0:12:20 | 0:12:22 | |
The Russians will never dare use their H-bombs. | 0:12:22 | 0:12:25 | |
You can think that, I'm your mother. I can't take that chance. | 0:12:25 | 0:12:28 | |
-Are you hungry? -Starving. | 0:12:30 | 0:12:33 | |
What do you fancy? | 0:12:33 | 0:12:34 | |
Perfect timing. | 0:12:59 | 0:13:00 | |
Sit. | 0:13:02 | 0:13:03 | |
-Charlotte, we need... -I hope you like it. | 0:13:08 | 0:13:10 | |
It smells wonderful. | 0:13:14 | 0:13:16 | |
Assistant Chief Constable Coulson telephoned. | 0:14:13 | 0:14:17 | |
Told me about your arrest. | 0:14:17 | 0:14:19 | |
The circumstances. | 0:14:21 | 0:14:22 | |
All the details. | 0:14:23 | 0:14:25 | |
-I wanted to tell you myself. -You've had 15 years. | 0:14:27 | 0:14:30 | |
It's like something you read in the Sunday newspapers. | 0:14:34 | 0:14:37 | |
The police raid. | 0:14:37 | 0:14:39 | |
Caught in bed with another man! | 0:14:40 | 0:14:42 | |
I didn't want to believe it, but... | 0:14:47 | 0:14:50 | |
It all fits, doesn't it? | 0:14:50 | 0:14:52 | |
Charlotte, if I could turn the clocks back, then I would. | 0:14:52 | 0:14:56 | |
You've suffered for so long. | 0:14:57 | 0:14:59 | |
What? | 0:14:59 | 0:15:01 | |
-Having to share a bed with me. I must have repulsed you. -No. | 0:15:01 | 0:15:05 | |
Every time I wanted you to make love to me. | 0:15:05 | 0:15:07 | |
I have wanted to be a good husband. | 0:15:07 | 0:15:10 | |
I've tried to fight it. | 0:15:10 | 0:15:13 | |
All this time, I thought... | 0:15:13 | 0:15:16 | |
..you let me think that I was the problem. | 0:15:18 | 0:15:21 | |
That was unforgivable. | 0:15:22 | 0:15:25 | |
Why did you marry me? | 0:15:25 | 0:15:26 | |
-Did you hate me that much? -No, Charlotte, I love you. | 0:15:28 | 0:15:31 | |
Don't you dare! | 0:15:31 | 0:15:32 | |
What do you want to do? | 0:15:38 | 0:15:39 | |
-If you want a divorce... -Out of the question. | 0:15:41 | 0:15:43 | |
I made a vow, | 0:15:45 | 0:15:47 | |
"Till death us do part." | 0:15:47 | 0:15:49 | |
Thank you. | 0:15:52 | 0:15:53 | |
Your food's getting cold. | 0:15:56 | 0:15:57 | |
It's like the war. Your dad away in France. | 0:16:07 | 0:16:10 | |
You, me and the boys, cuddled up in the Anderson shelter. | 0:16:10 | 0:16:15 | |
I remember the darkness, the bombs. | 0:16:15 | 0:16:18 | |
But you always made us feel safe. | 0:16:20 | 0:16:22 | |
I know. | 0:16:22 | 0:16:23 | |
What? | 0:16:26 | 0:16:27 | |
I know that the men were struggling, fighting hard for all of us, but... | 0:16:30 | 0:16:34 | |
..the truth is, I was having the time of my life. | 0:16:35 | 0:16:38 | |
I loved the munitions work. | 0:16:40 | 0:16:42 | |
It was dangerous but exciting, and I made lots of new friends. | 0:16:42 | 0:16:47 | |
I'd never had so much money in my purse. | 0:16:47 | 0:16:51 | |
I knew I was doing something important. I felt... | 0:16:51 | 0:16:53 | |
..needed. | 0:16:55 | 0:16:56 | |
But then the war ended. | 0:16:59 | 0:17:01 | |
Of course it was wonderful seeing your dad walk up the road | 0:17:01 | 0:17:04 | |
in his demob suit... | 0:17:04 | 0:17:06 | |
But he wanted things to go back to how they were. | 0:17:09 | 0:17:11 | |
It wasn't so bad when the house was full. | 0:17:13 | 0:17:15 | |
But now your brothers have left. | 0:17:18 | 0:17:20 | |
You've got your own life. | 0:17:23 | 0:17:25 | |
You wouldn't let anyone put you off. | 0:17:26 | 0:17:28 | |
You followed your own path, and I am so proud of you. | 0:17:28 | 0:17:32 | |
FOOTSTEPS | 0:17:35 | 0:17:37 | |
There you are. I've been looking all over. | 0:17:37 | 0:17:40 | |
-There's no dinner on. -That's because we've already had ours. | 0:17:42 | 0:17:44 | |
What? | 0:17:44 | 0:17:46 | |
There you go. | 0:17:48 | 0:17:50 | |
I, erm, recommend the peaches. | 0:17:53 | 0:17:55 | |
You've hardly said two words to me all day. | 0:18:02 | 0:18:06 | |
Anyone would think you were avoiding me. | 0:18:06 | 0:18:09 | |
-WHISPERS: -What are you doing? -We had an agreement. | 0:18:09 | 0:18:12 | |
And I'm holding up my end. | 0:18:12 | 0:18:14 | |
Yeah, then how come you let that copper interrogate me? | 0:18:14 | 0:18:16 | |
It was out of my hands! | 0:18:16 | 0:18:17 | |
Or maybe you're having second thoughts? | 0:18:17 | 0:18:20 | |
No. | 0:18:20 | 0:18:21 | |
Why don't we see? | 0:18:22 | 0:18:24 | |
Don't! | 0:18:24 | 0:18:25 | |
Or you'll do what? | 0:18:25 | 0:18:27 | |
I'm sorry. | 0:18:29 | 0:18:30 | |
This morning was a mistake. It won't happen again. | 0:18:31 | 0:18:35 | |
Yeah. Well, you know what'll happen if it does. | 0:18:35 | 0:18:38 | |
What's this? | 0:18:56 | 0:18:57 | |
Should be enough to get you out of the country. | 0:18:57 | 0:18:59 | |
I'm not going anywhere. | 0:19:01 | 0:19:03 | |
The police won't give up. I can't protect you. | 0:19:03 | 0:19:06 | |
Since when have I needed your protection? | 0:19:08 | 0:19:10 | |
Killing the brigadier was a mistake. | 0:19:13 | 0:19:15 | |
You know what he did. | 0:19:21 | 0:19:22 | |
How was I supposed to let him live? | 0:19:22 | 0:19:24 | |
Besides... | 0:19:24 | 0:19:26 | |
I got what I needed. | 0:19:28 | 0:19:29 | |
You've found...him? | 0:19:29 | 0:19:31 | |
Where? | 0:19:32 | 0:19:34 | |
You don't need to know. | 0:19:34 | 0:19:35 | |
Yes, I do. You wouldn't have tracked him here without my research. | 0:19:35 | 0:19:39 | |
You've played your part. Now it's my turn. | 0:19:39 | 0:19:41 | |
He'll know that you're coming for him next. | 0:19:41 | 0:19:43 | |
What if he disappears again? We have to bring him to justice now. | 0:19:43 | 0:19:46 | |
I haven't just found him. | 0:19:46 | 0:19:48 | |
She is still by his side. | 0:19:48 | 0:19:51 | |
The ever-faithful assistant. | 0:19:51 | 0:19:53 | |
All right, tell me where they are. We can end this. | 0:19:53 | 0:19:56 | |
Gabriel, please. There's still time. | 0:19:56 | 0:19:59 | |
Fill this first. | 0:20:02 | 0:20:03 | |
Thank you. You are doing the right thing. | 0:20:06 | 0:20:09 | |
Now we can finish this together. | 0:20:10 | 0:20:12 | |
-DOOR OPENS -Gabriel? Damn! | 0:20:12 | 0:20:15 | |
FOOTSTEPS DOWN STAIRS | 0:20:15 | 0:20:17 | |
Hi, Tommy, what have you got there? | 0:20:20 | 0:20:23 | |
Uh... Nothing. | 0:20:23 | 0:20:25 | |
Let me see. | 0:20:25 | 0:20:27 | |
A party at the Lucky 7. | 0:20:27 | 0:20:30 | |
I was thinking of going. | 0:20:30 | 0:20:31 | |
And you were going to ask me? | 0:20:33 | 0:20:36 | |
Well...yes. | 0:20:36 | 0:20:37 | |
Tommy, I really like you. | 0:20:40 | 0:20:42 | |
Same here. | 0:20:42 | 0:20:43 | |
But like a brother. | 0:20:45 | 0:20:47 | |
What? | 0:20:47 | 0:20:49 | |
I'm really flattered, but... | 0:20:49 | 0:20:52 | |
Oh! N...n...no. This isn't a date. | 0:20:52 | 0:20:56 | |
You're always saying how you like a dance, and I thought, well, | 0:20:56 | 0:21:03 | |
we could all do with a bit of cheering up. | 0:21:03 | 0:21:04 | |
Well, in that case, I'd love to go. | 0:21:06 | 0:21:09 | |
Don't forget to bring your dancing shoes. | 0:21:11 | 0:21:13 | |
This isn't the way. | 0:21:38 | 0:21:39 | |
I have to look him in the eyes. | 0:21:39 | 0:21:41 | |
He needs to know why he's about to die. | 0:21:41 | 0:21:43 | |
But this isn't just about us. What about all the others? | 0:21:43 | 0:21:47 | |
You don't understand. You'll never understand. | 0:21:47 | 0:21:49 | |
Gabriel, don't. | 0:21:49 | 0:21:51 | |
Every morning, I woke up feeling sick at the thought of what | 0:21:51 | 0:21:55 | |
they were going to do. | 0:21:55 | 0:21:56 | |
Every night, I prayed that they would take me instead. | 0:21:56 | 0:21:59 | |
But they never did. If I could have swapped places... | 0:21:59 | 0:22:02 | |
You're only alive because I took the pain. I survived. | 0:22:02 | 0:22:05 | |
13 years I've waited, so I will finish this. | 0:22:06 | 0:22:10 | |
Gabriel, please... HE GRUNTS | 0:22:10 | 0:22:13 | |
You weren't strong enough to help me, then. | 0:22:15 | 0:22:17 | |
You're not strong enough to stop me now. | 0:22:17 | 0:22:19 | |
Slow down a bit. | 0:22:29 | 0:22:30 | |
It's a wild goose chase. | 0:22:37 | 0:22:39 | |
Let's see what we've got here. | 0:22:46 | 0:22:48 | |
David Meyer? | 0:22:51 | 0:22:53 | |
-What do you want? -You need to come with me. | 0:22:53 | 0:22:55 | |
Why? | 0:22:55 | 0:22:56 | |
Because I said so. | 0:22:56 | 0:22:58 | |
Not now. | 0:22:58 | 0:22:59 | |
Hey, hey! Get in the car. | 0:22:59 | 0:23:01 | |
-You're making a mistake. -Get in. | 0:23:01 | 0:23:04 | |
Go on, Fletch. | 0:23:06 | 0:23:08 | |
There's no getting away from it. | 0:23:08 | 0:23:10 | |
It's bound to reflect badly on the whole station. | 0:23:10 | 0:23:12 | |
Come on. Shift yourself. | 0:23:12 | 0:23:13 | |
David Meyer. Signed, sealed and delivered. | 0:23:14 | 0:23:17 | |
When you want a job done properly... | 0:23:17 | 0:23:20 | |
-Interview room, please, Sergeant. -Fletch. | 0:23:21 | 0:23:23 | |
You want to find a bin for that. | 0:23:26 | 0:23:28 | |
Mind you, he can always just put it on his cell door. | 0:23:28 | 0:23:31 | |
Do you think it'll come to that? Prison? | 0:23:31 | 0:23:33 | |
Why should he get any special treatment? | 0:23:33 | 0:23:36 | |
Anyway, how's locking one of his kind up with 200 men a punishment? | 0:23:36 | 0:23:41 | |
THEY LAUGH | 0:23:41 | 0:23:42 | |
Whatever the Chief Inspector's done, he doesn't deserve to be laughed at. | 0:23:42 | 0:23:45 | |
I thought you were different. | 0:23:49 | 0:23:50 | |
There's nothing worse than a copper who breaks the law. | 0:23:50 | 0:23:53 | |
So we just turn our backs on someone who we know is a decent man? | 0:23:53 | 0:23:56 | |
You're a civilian. You wouldn't understand. | 0:23:56 | 0:23:59 | |
You're right. | 0:24:02 | 0:24:04 | |
I don't. | 0:24:06 | 0:24:08 | |
I can't wait for tonight. | 0:24:33 | 0:24:35 | |
We're going to show them how it's done, yeah? | 0:24:35 | 0:24:37 | |
Oh, sweetheart. | 0:24:39 | 0:24:41 | |
I'm sorry. | 0:24:43 | 0:24:45 | |
I know how much effort you've put in tonight. | 0:24:45 | 0:24:47 | |
Sh. It's OK. | 0:24:47 | 0:24:49 | |
It's the not knowing. | 0:24:49 | 0:24:51 | |
Having to watch their every move. I can't stand it. | 0:24:52 | 0:24:55 | |
I know. | 0:24:55 | 0:24:56 | |
If we don't know which one is stealing from us, | 0:24:56 | 0:24:59 | |
maybe we should sack them both. | 0:24:59 | 0:25:00 | |
Hey... | 0:25:02 | 0:25:04 | |
I'll make this right, OK? | 0:25:04 | 0:25:05 | |
You're something of a puzzle, Mr Meyer. | 0:25:22 | 0:25:24 | |
Everywhere I go, there you are with your notepad and your questions. | 0:25:24 | 0:25:29 | |
It's my job. | 0:25:29 | 0:25:30 | |
Who do you work for? | 0:25:30 | 0:25:32 | |
The Birmingham Chronicle. | 0:25:32 | 0:25:34 | |
So how come they've never heard of you? | 0:25:34 | 0:25:35 | |
Who are you? | 0:25:37 | 0:25:38 | |
And why are you posing as a journalist? | 0:25:38 | 0:25:41 | |
Why attack the nurse? | 0:25:44 | 0:25:45 | |
-What nurse? -At Edmund Hall. | 0:25:47 | 0:25:49 | |
Never heard of it. | 0:25:50 | 0:25:51 | |
We have a witness saw you fleeing the scene. | 0:25:51 | 0:25:53 | |
They were mistaken. | 0:25:53 | 0:25:55 | |
Four days ago. 5.30 in the evening. | 0:25:55 | 0:25:57 | |
If you weren't attacking Nurse Hartley, where were you? | 0:25:57 | 0:25:59 | |
I don't know. | 0:25:59 | 0:26:01 | |
Not good enough. | 0:26:01 | 0:26:02 | |
Well, I can't help it if I can't remember. | 0:26:02 | 0:26:04 | |
I can. | 0:26:04 | 0:26:06 | |
Taylor? | 0:26:06 | 0:26:07 | |
At 5.30 he was at my house trying to question my father. | 0:26:07 | 0:26:11 | |
Yes. That's right. | 0:26:11 | 0:26:14 | |
Are you sure? | 0:26:16 | 0:26:17 | |
Yes, I had to tell him to leave. | 0:26:17 | 0:26:19 | |
Sir, the scissors. | 0:26:21 | 0:26:22 | |
Nurse Hartley was sure that she drew blood. | 0:26:24 | 0:26:27 | |
Your right hand. Show me. | 0:26:27 | 0:26:29 | |
-So can I go now? -I haven't finished. | 0:26:40 | 0:26:42 | |
-You say you've never heard of Edmund Hall? -Correct. | 0:26:45 | 0:26:47 | |
-But you were there yesterday. -No. | 0:26:47 | 0:26:49 | |
I saw you with my own eyes. | 0:26:49 | 0:26:51 | |
Why did you run? | 0:26:51 | 0:26:53 | |
What are you hiding? | 0:26:53 | 0:26:54 | |
KNOCK ON DOOR | 0:26:58 | 0:27:00 | |
Tell them to go away. | 0:27:04 | 0:27:06 | |
Hello, Mrs Briggs. Good to see that you're holding up so well. | 0:27:14 | 0:27:17 | |
-Please, come in. -Thank you. | 0:27:19 | 0:27:22 | |
Who was it? | 0:27:27 | 0:27:29 | |
Charlotte? | 0:27:32 | 0:27:34 | |
Nice place you've got here. | 0:27:34 | 0:27:36 | |
Pity you're going to lose it. | 0:27:36 | 0:27:38 | |
How dare you come here. | 0:27:38 | 0:27:39 | |
What's the matter? | 0:27:41 | 0:27:42 | |
Not satisfied with your pound of flesh? | 0:27:42 | 0:27:44 | |
All this bitterness, when I was only doing my duty. | 0:27:44 | 0:27:47 | |
Don't pretend you're not enjoying every minute. | 0:27:47 | 0:27:49 | |
Oh, I think I've earned the right, don't you? | 0:27:49 | 0:27:51 | |
You tried to push me out of the Force. | 0:27:51 | 0:27:53 | |
You assaulted another police officer. | 0:27:53 | 0:27:56 | |
But it's you who's going to have every disgusting | 0:27:56 | 0:27:58 | |
detail of your life picked over in public. | 0:27:58 | 0:28:01 | |
And what about your poor wife? The lovely Charlotte. | 0:28:01 | 0:28:05 | |
How's she going to live with the shame, the humiliation? | 0:28:05 | 0:28:08 | |
Don't worry, when you're banged up in Winson Green, I'll pop round. | 0:28:09 | 0:28:13 | |
See if there's anything she needs. | 0:28:13 | 0:28:16 | |
You really are pathetic! | 0:28:16 | 0:28:18 | |
Get out of here! | 0:28:18 | 0:28:20 | |
Walter! | 0:28:20 | 0:28:21 | |
I tried to help. This is the thanks I get. | 0:28:21 | 0:28:23 | |
I'll show myself out. | 0:28:26 | 0:28:28 | |
It's gone. Everything. | 0:28:31 | 0:28:35 | |
I've got nothing left. | 0:28:37 | 0:28:39 | |
You've got me. | 0:28:39 | 0:28:41 | |
But I'm not enough, am I? | 0:28:42 | 0:28:45 | |
Charlotte, please... | 0:28:45 | 0:28:46 | |
-I want you to leave. -But I thought... -Tonight. | 0:28:48 | 0:28:50 | |
He's clearly moved around a lot - | 0:28:57 | 0:28:59 | |
Liverpool, Exeter, East Kent, Manchester... | 0:28:59 | 0:29:03 | |
No bank details. No personal papers. | 0:29:03 | 0:29:06 | |
We can't even be sure that David Meyer is his real name. | 0:29:06 | 0:29:08 | |
Well, maybe we can't find anything because there's nothing to find. | 0:29:08 | 0:29:11 | |
You think he's innocent? | 0:29:11 | 0:29:12 | |
Nurse Hartley swore that it was William Sheppard who attacked her. | 0:29:12 | 0:29:15 | |
Meyer has no stab wound. Maybe your witness was mistaken? | 0:29:15 | 0:29:18 | |
Well, that doesn't change the fact that I saw him | 0:29:18 | 0:29:20 | |
at the hospital yesterday, yet he denies being there. | 0:29:20 | 0:29:22 | |
There must be something here. | 0:29:22 | 0:29:24 | |
Sir. | 0:29:36 | 0:29:37 | |
Let's see what he's been hiding, shall we? | 0:29:41 | 0:29:43 | |
You're not going to deny that this is yours? | 0:29:45 | 0:29:47 | |
Surveillance photos of Brigadier Morris. | 0:29:52 | 0:29:56 | |
You've been tracking him for weeks. | 0:29:56 | 0:29:59 | |
For what purpose? | 0:29:59 | 0:30:01 | |
To murder him? | 0:30:01 | 0:30:02 | |
I didn't kill him. | 0:30:02 | 0:30:04 | |
Then why have you made detailed notes of his movements? | 0:30:04 | 0:30:06 | |
William Sheppard. Now missing. | 0:30:08 | 0:30:12 | |
Is he another of your victims? | 0:30:12 | 0:30:14 | |
How are these men connected to this? | 0:30:14 | 0:30:17 | |
German death camps. What am I not seeing? | 0:30:17 | 0:30:20 | |
Come on, David! This has taken planning. | 0:30:22 | 0:30:25 | |
Research. You've dedicated years to this. Why? | 0:30:25 | 0:30:28 | |
Help me understand what this is all about. | 0:30:30 | 0:30:32 | |
I've done nothing wrong. | 0:30:32 | 0:30:33 | |
You know, this is the easiest case I've ever had. | 0:30:37 | 0:30:41 | |
You've done everything for me. | 0:30:41 | 0:30:43 | |
There's enough here to put your neck firmly into the hangman's noose. | 0:30:43 | 0:30:46 | |
What I don't understand is why. | 0:30:46 | 0:30:50 | |
What have these men done to you? | 0:30:50 | 0:30:52 | |
The camp wasn't just a place for extermination. | 0:31:02 | 0:31:07 | |
Some prisoners were spared. | 0:31:07 | 0:31:08 | |
They thought they were lucky. | 0:31:11 | 0:31:13 | |
They weren't. | 0:31:15 | 0:31:16 | |
What happened to them? | 0:31:17 | 0:31:19 | |
They were selected for medical experiments. | 0:31:20 | 0:31:23 | |
When they knew the Russians were coming, the medical staff fled. | 0:31:26 | 0:31:29 | |
Two of them nearly made it back to Germany | 0:31:29 | 0:31:32 | |
before they were captured by the Allies. | 0:31:32 | 0:31:35 | |
They were supposed to be put on trial, | 0:31:35 | 0:31:37 | |
but before they could ever face justice, they vanished. | 0:31:37 | 0:31:40 | |
You... | 0:31:43 | 0:31:44 | |
You said that a nurse had been attacked? | 0:31:46 | 0:31:48 | |
Could this be her? | 0:31:49 | 0:31:51 | |
It could be. | 0:31:53 | 0:31:55 | |
And she's working closely with a doctor? | 0:31:55 | 0:31:58 | |
He'd be in his early 60s now. | 0:31:58 | 0:32:00 | |
Please. I need to know. | 0:32:02 | 0:32:04 | |
Why? | 0:32:06 | 0:32:07 | |
The doctor's name was Dieter Fischer. | 0:32:48 | 0:32:50 | |
He was considered to be a brilliant geneticist. | 0:32:50 | 0:32:53 | |
He had a special interest in twins. | 0:32:53 | 0:32:55 | |
One would be experimented on while the other remained untouched. | 0:32:56 | 0:33:00 | |
It was the perfect control subject. | 0:33:00 | 0:33:02 | |
Thousands were tortured or killed for the sake of his research. | 0:33:02 | 0:33:07 | |
And...who are these children? | 0:33:07 | 0:33:10 | |
They were my brothers. | 0:33:16 | 0:33:17 | |
I am the only one of my family who survived. | 0:33:19 | 0:33:22 | |
So you've been hunting Fischer and this nurse? | 0:33:23 | 0:33:26 | |
All across Europe. | 0:33:28 | 0:33:29 | |
But where do Brigadier Morris and William Sheppard fit into this? | 0:33:29 | 0:33:33 | |
I suspect the British Government or its agents | 0:33:33 | 0:33:35 | |
had a hand in helping them disappear. | 0:33:35 | 0:33:37 | |
-Why would they do that? -Fischer's work. | 0:33:37 | 0:33:39 | |
He was too valuable to execute. | 0:33:40 | 0:33:42 | |
I believe that Morris was the man in charge of bringing him to England | 0:33:42 | 0:33:46 | |
and setting him up with a new identity. | 0:33:46 | 0:33:49 | |
And Sheppard? | 0:33:49 | 0:33:50 | |
The lance corporal was part of Morris' team. | 0:33:50 | 0:33:52 | |
So you have an understandable motive for wanting to punish | 0:33:54 | 0:33:59 | |
all three men? | 0:33:59 | 0:34:01 | |
Yes, absolutely. But not by taking the law into my own hands. | 0:34:01 | 0:34:05 | |
By forcing them to face the evidence against them in court. | 0:34:05 | 0:34:08 | |
You still haven't explained why you ran | 0:34:08 | 0:34:10 | |
when I saw you at Edmund Hall yesterday. | 0:34:10 | 0:34:12 | |
You're wasting time! What more do you need? | 0:34:12 | 0:34:15 | |
I've told you about Fischer. I've told you about Petra Schulz. | 0:34:15 | 0:34:18 | |
Petra? | 0:34:18 | 0:34:20 | |
That name means something to you? | 0:34:20 | 0:34:23 | |
-Constable. -Sir? | 0:34:23 | 0:34:25 | |
-Wait, no. -Back in the cell, please. -Yes, sir. | 0:34:25 | 0:34:28 | |
Wait! I've cooperated. | 0:34:28 | 0:34:30 | |
You've got to let me go detective. Please! Detective! | 0:34:30 | 0:34:33 | |
What are you looking for? | 0:34:36 | 0:34:38 | |
Something I found in the records at Edmund Hall. | 0:34:38 | 0:34:41 | |
It's written on William Sheppard's medical file. There. | 0:34:41 | 0:34:44 | |
"Recommended for Petra Project." | 0:34:44 | 0:34:46 | |
MUSIC: Tutti Frutti by Little Richard | 0:34:50 | 0:34:54 | |
Um, what can I get you? | 0:35:18 | 0:35:20 | |
-Drink? -Yes, thanks. | 0:35:20 | 0:35:22 | |
Hi, Gloria. | 0:35:28 | 0:35:30 | |
You look fantastic. | 0:35:30 | 0:35:31 | |
Nearly didn't recognise you without your funny helmet. | 0:35:32 | 0:35:36 | |
And one for my friend, please. | 0:35:36 | 0:35:38 | |
Thank you. | 0:35:40 | 0:35:41 | |
Well, she seems nice. | 0:35:44 | 0:35:47 | |
It's OK, Annie. I know what I'm doing. | 0:35:47 | 0:35:50 | |
Well, have you asked her out? | 0:35:50 | 0:35:51 | |
I've tried, but my tongue gets in a tangle. | 0:35:53 | 0:35:56 | |
It's costing me a fortune to come here twice a day. | 0:35:56 | 0:35:58 | |
And I've had so many doughnuts, my mum had to let my trousers out. | 0:35:58 | 0:36:02 | |
Come on. | 0:36:04 | 0:36:05 | |
Let's show her your moves. | 0:36:07 | 0:36:09 | |
Too much pop. I won't be long. | 0:36:23 | 0:36:25 | |
Constable. Just the man. | 0:36:39 | 0:36:41 | |
-Mr Sallis? -I've cracked it. -Cracked what? | 0:36:41 | 0:36:44 | |
Come up with a foolproof way to catch our thief. | 0:36:44 | 0:36:46 | |
That's great, but I'm off duty. | 0:36:46 | 0:36:48 | |
If she can't find out which one it is, | 0:36:48 | 0:36:50 | |
Pauline's going to sack both girls. | 0:36:50 | 0:36:52 | |
Do we really have to do this now? | 0:37:38 | 0:37:40 | |
Sorry, sweetheart. But I left a ten shilling note just here. | 0:37:40 | 0:37:44 | |
A note I'd marked. | 0:37:44 | 0:37:45 | |
And of course you'd pick me first. | 0:37:48 | 0:37:50 | |
Thank you. There's nothing here. | 0:38:04 | 0:38:06 | |
-Are you sure? -Positive. | 0:38:08 | 0:38:09 | |
Now yours. | 0:38:09 | 0:38:11 | |
All you'll find in there is lint and lipstick. | 0:38:12 | 0:38:14 | |
That's not quite all. | 0:38:21 | 0:38:22 | |
-But that's... -After everything we've done for you! | 0:38:24 | 0:38:27 | |
-But I never put that there. -This is your mark? | 0:38:27 | 0:38:29 | |
Yeah, but... | 0:38:29 | 0:38:30 | |
This isn't right. | 0:38:30 | 0:38:31 | |
You set the trap. You caught your thief. | 0:38:31 | 0:38:33 | |
Congratulations, Mr Sallis. | 0:38:33 | 0:38:35 | |
What do you think you're doing? | 0:38:35 | 0:38:36 | |
You'll have to come to the station to be formally charged. | 0:38:36 | 0:38:39 | |
Don't just stand there. | 0:38:39 | 0:38:41 | |
-It was you. -What? | 0:38:41 | 0:38:42 | |
-You switched the money to Norma's bag. -No! | 0:38:42 | 0:38:45 | |
Why would you think that the note was in Gloria's bag? | 0:38:45 | 0:38:48 | |
-I don't know. -Unless you put it there. | 0:38:48 | 0:38:50 | |
You set me up?! Why? | 0:38:50 | 0:38:53 | |
I'm sorry. | 0:38:55 | 0:38:57 | |
Why don't we step outside? | 0:38:58 | 0:39:00 | |
What's going on? Les? | 0:39:00 | 0:39:03 | |
Yes, I understand, yes. Could you hold on, please? | 0:39:05 | 0:39:09 | |
Sergeant Fenton. Heaton Road. | 0:39:09 | 0:39:11 | |
That's on your way home, isn't it? | 0:39:11 | 0:39:14 | |
Can be. | 0:39:14 | 0:39:16 | |
Mrs Morgan's guest house. | 0:39:16 | 0:39:17 | |
She's worried about one of her tenants. They won't answer the door. | 0:39:17 | 0:39:21 | |
Couldn't pop in, could you? Or she'll be ringing every five minutes. | 0:39:21 | 0:39:24 | |
You owe me one. | 0:39:24 | 0:39:25 | |
Mrs Morgan, good news. | 0:39:25 | 0:39:27 | |
We are sending one of our finest officers. | 0:39:27 | 0:39:30 | |
CHUCKLING: You're very welcome. | 0:39:32 | 0:39:33 | |
You had the flu. Norma said she'd help me clear up. | 0:39:35 | 0:39:38 | |
And how long had you been waiting to get her alone? | 0:39:38 | 0:39:40 | |
It was just a kiss. It didn't mean anything. | 0:39:40 | 0:39:44 | |
Three years, Les! | 0:39:44 | 0:39:46 | |
And you'd throw that away over a fumble with a waitress. | 0:39:46 | 0:39:49 | |
Tell me what I can say, what can I do to make it right? | 0:39:49 | 0:39:54 | |
And the missing money? | 0:39:54 | 0:39:56 | |
I've had to pay her off. | 0:39:56 | 0:39:57 | |
If I didn't, she was going to tell you we were having an affair. | 0:39:57 | 0:40:00 | |
So you steal and cover it up with more lies? | 0:40:00 | 0:40:03 | |
And to top it all, you tried to blame Gloria. | 0:40:03 | 0:40:06 | |
Do you want to press charges? | 0:40:08 | 0:40:09 | |
Against me? He's the thief. | 0:40:09 | 0:40:11 | |
I'm not sure stealing your own money is strictly an offence. | 0:40:11 | 0:40:15 | |
Whereas, blackmail... | 0:40:15 | 0:40:16 | |
You wouldn't dare. | 0:40:17 | 0:40:19 | |
Put me in a courtroom and I'll tear your reputation to shreds. | 0:40:19 | 0:40:22 | |
We all know mud sticks. | 0:40:22 | 0:40:24 | |
This place will be out of business within six months. | 0:40:24 | 0:40:27 | |
Get your things and get out! | 0:40:27 | 0:40:29 | |
Thank you, Constable, but we won't be taking this any further. | 0:40:35 | 0:40:39 | |
I just want to forget this thing ever happened. | 0:40:39 | 0:40:42 | |
What about us? | 0:40:44 | 0:40:45 | |
The party's over. | 0:40:46 | 0:40:47 | |
I want to say thank you. | 0:41:20 | 0:41:23 | |
I didn't do anything. | 0:41:23 | 0:41:25 | |
That's not what Annie told me. | 0:41:25 | 0:41:27 | |
Tampering with evidence! | 0:41:28 | 0:41:29 | |
-You won't tell my boss? -Of course not. | 0:41:29 | 0:41:32 | |
I just can't believe you did that for me. | 0:41:32 | 0:41:35 | |
I knew you were innocent. | 0:41:36 | 0:41:38 | |
You believed in me...more than I believed in you. | 0:41:39 | 0:41:43 | |
The new Alfred Hitchcock is playing at the Regal. | 0:41:45 | 0:41:48 | |
And I thought... | 0:41:48 | 0:41:51 | |
-Yes? -But you probably don't like the pictures. | 0:41:51 | 0:41:54 | |
I love the pictures. | 0:41:54 | 0:41:55 | |
But if you're busy, or you need to wash your hair or something. | 0:41:55 | 0:41:58 | |
Not that it needs washing... | 0:41:58 | 0:42:00 | |
Are you asking me out or not? | 0:42:00 | 0:42:02 | |
Yes. Definitely. 100%. | 0:42:02 | 0:42:06 | |
That's what I'm doing. | 0:42:06 | 0:42:07 | |
I'll think about it. | 0:42:08 | 0:42:11 | |
Tommy. | 0:42:11 | 0:42:12 | |
WHITE NOISE AND REPETITIVE THUDDING | 0:42:28 | 0:42:33 | |
Police. Stop mucking about and open this door. | 0:42:50 | 0:42:52 | |
Briggs! | 0:43:08 | 0:43:10 | |
Briggs... | 0:43:13 | 0:43:14 |