Browse content similar to Requiem. Check below for episodes and series from the same categories and more!
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On your feet... | 0:00:02 | 0:00:03 | |
SGT. FENTON: You put that uniform on every single day, | 0:00:03 | 0:00:05 | |
knowing what you are. | 0:00:05 | 0:00:07 | |
Just stay away from me, Carl. | 0:00:07 | 0:00:08 | |
It's you who's going to have every disgusting detail of your life | 0:00:08 | 0:00:11 | |
picked over in public. | 0:00:11 | 0:00:13 | |
Who are these children? | 0:00:13 | 0:00:14 | |
They were my brothers. | 0:00:14 | 0:00:16 | |
They were selected for medical experiments. | 0:00:16 | 0:00:19 | |
You're a disgrace. | 0:00:19 | 0:00:20 | |
Briggs! | 0:00:23 | 0:00:24 | |
It was suicide... | 0:00:47 | 0:00:49 | |
It's unheard of. | 0:00:49 | 0:00:51 | |
TOMMY: How are you, Sarge? | 0:00:53 | 0:00:55 | |
I'm fine. Why wouldn't I be? | 0:00:55 | 0:00:57 | |
What does the post mortem say? | 0:00:57 | 0:00:59 | |
Briggs killed himself. | 0:00:59 | 0:01:01 | |
What more is there to say? | 0:01:01 | 0:01:02 | |
Well, we heard he left a note. | 0:01:02 | 0:01:03 | |
It was addressed to his wife. I didn't read it. | 0:01:03 | 0:01:06 | |
Morning, sir. | 0:01:09 | 0:01:10 | |
Can I get anyone a cuppa? | 0:01:12 | 0:01:13 | |
What's happened? | 0:01:15 | 0:01:16 | |
It's Inspector Briggs. | 0:01:19 | 0:01:20 | |
He was found dead last night. | 0:01:22 | 0:01:23 | |
He'd took his own life. | 0:01:23 | 0:01:25 | |
Leave her. | 0:01:27 | 0:01:28 | |
What's done is done. | 0:01:28 | 0:01:30 | |
Briggs took the coward's way out. | 0:01:31 | 0:01:33 | |
Now you all need to get back to work. | 0:01:33 | 0:01:35 | |
Look who's awake. | 0:01:57 | 0:01:59 | |
SHE SOBS | 0:02:03 | 0:02:04 | |
Susie... | 0:02:11 | 0:02:13 | |
I suppose you think he got what he deserved. | 0:02:17 | 0:02:19 | |
-That's not fair. -Isn't it? | 0:02:19 | 0:02:22 | |
Where were you when he needed you to stick up for him? | 0:02:22 | 0:02:24 | |
Where were any of you? | 0:02:24 | 0:02:26 | |
No-one could've predicted this. | 0:02:26 | 0:02:27 | |
No, no! | 0:02:27 | 0:02:30 | |
That's not good enough. | 0:02:30 | 0:02:31 | |
I can't... | 0:02:34 | 0:02:36 | |
What? | 0:02:36 | 0:02:37 | |
What do you mean? | 0:02:37 | 0:02:38 | |
You and me. | 0:02:40 | 0:02:42 | |
Because I laughed at a bad joke? | 0:02:42 | 0:02:44 | |
No! | 0:02:44 | 0:02:45 | |
You're just not the man I thought you were. | 0:02:47 | 0:02:49 | |
-Susie... -I'm sorry. -Please. | 0:02:49 | 0:02:51 | |
Susie. Susie, please. | 0:02:51 | 0:02:53 | |
No, no...don't. | 0:02:53 | 0:02:56 | |
Susie... | 0:02:58 | 0:02:59 | |
Listen, you are wasting time. | 0:03:03 | 0:03:05 | |
I have given you everything you need | 0:03:05 | 0:03:07 | |
to go after Fischer and Petra Schulz. | 0:03:07 | 0:03:10 | |
You need to arrest them, now. | 0:03:10 | 0:03:12 | |
What's the hurry? | 0:03:12 | 0:03:13 | |
Just arrest them. | 0:03:13 | 0:03:14 | |
They're the real criminals. | 0:03:14 | 0:03:16 | |
-SHE CLEARS HER THROAT -Sir, may I have a word? | 0:03:16 | 0:03:18 | |
He's giving us the run around. | 0:03:27 | 0:03:29 | |
Do you think he's lying about what Dr Ellis did in the war? | 0:03:29 | 0:03:32 | |
No, that much I believe. | 0:03:32 | 0:03:34 | |
Right, then maybe he's right. | 0:03:34 | 0:03:36 | |
We should bring them in. | 0:03:36 | 0:03:37 | |
We're not investigating war crimes, it's a murder case. | 0:03:37 | 0:03:40 | |
Yes, but, sir, the name Petra. | 0:03:40 | 0:03:42 | |
It can't just be a coincidence. | 0:03:42 | 0:03:45 | |
What if this project is Ellis' way of carrying on with his experiments? | 0:03:45 | 0:03:48 | |
I think you're getting ahead of yourself, Taylor. | 0:03:48 | 0:03:51 | |
If William knows their real identity, | 0:03:51 | 0:03:52 | |
they will consider him a threat, | 0:03:52 | 0:03:54 | |
and we handed him over to them. | 0:03:54 | 0:03:55 | |
All right. He could be in danger. | 0:03:55 | 0:03:58 | |
In which case, it's a mistake to move until we're sure. | 0:03:58 | 0:04:00 | |
All we have is the word of a murder suspect, | 0:04:00 | 0:04:02 | |
and a...slippery one at that. | 0:04:02 | 0:04:04 | |
What is it, sir? | 0:04:06 | 0:04:07 | |
Too much just doesn't add up. | 0:04:08 | 0:04:10 | |
If David didn't attack Nurse Hartley, why did Vicky identify him? | 0:04:11 | 0:04:14 | |
It's not like he could be in two places at... | 0:04:14 | 0:04:16 | |
..at the same time... | 0:04:18 | 0:04:19 | |
Or maybe he could... | 0:04:20 | 0:04:22 | |
It's unacceptable. | 0:04:25 | 0:04:27 | |
I'm doing valuable work for you here | 0:04:27 | 0:04:29 | |
and I deserve to be protected. | 0:04:29 | 0:04:31 | |
I'm not waiting any longer, it may already be too late. | 0:04:31 | 0:04:34 | |
Yes, I'll take care of that, don't I always? | 0:04:35 | 0:04:39 | |
Who's our new point of contact? | 0:04:40 | 0:04:41 | |
Fine. | 0:04:43 | 0:04:44 | |
I'll be in touch when I know it's safe. | 0:04:44 | 0:04:47 | |
It's time. | 0:04:48 | 0:04:49 | |
This is you, right? | 0:04:55 | 0:04:56 | |
No. | 0:04:59 | 0:05:00 | |
There's a resemblance. | 0:05:00 | 0:05:02 | |
Of course there's a resemblance, they're my brothers. | 0:05:02 | 0:05:04 | |
Older? | 0:05:04 | 0:05:05 | |
Younger? You...never said. | 0:05:05 | 0:05:08 | |
Younger. | 0:05:10 | 0:05:11 | |
The date on the back of the photograph says 1942. | 0:05:14 | 0:05:18 | |
You would have been...what? | 0:05:18 | 0:05:19 | |
Ten? | 0:05:20 | 0:05:21 | |
Same age as these two. | 0:05:23 | 0:05:24 | |
I told you, that's not me. | 0:05:26 | 0:05:28 | |
Look at the photo again. | 0:05:31 | 0:05:32 | |
I don't want to. | 0:05:32 | 0:05:34 | |
Just look at it. | 0:05:34 | 0:05:35 | |
You said this doctor did experiments on twins. | 0:05:40 | 0:05:43 | |
Amongst others. | 0:05:44 | 0:05:45 | |
You were selected, weren't you? | 0:05:45 | 0:05:47 | |
You and your twin brother. | 0:05:48 | 0:05:49 | |
Like I said, they both died in the camp. | 0:05:49 | 0:05:51 | |
So whatever you think you know, you're wrong. | 0:05:51 | 0:05:53 | |
I think you're lying to protect someone. | 0:05:53 | 0:05:56 | |
You didn't kill Brigadier Morris and you didn't attack Petra Schulz, | 0:05:56 | 0:05:59 | |
your brother did. | 0:05:59 | 0:06:00 | |
Are you working together? | 0:06:00 | 0:06:02 | |
You're facing a murder charge, David. | 0:06:04 | 0:06:07 | |
Are you willing to hang for him? | 0:06:07 | 0:06:09 | |
Fine. | 0:06:12 | 0:06:13 | |
You think about it. | 0:06:13 | 0:06:14 | |
We have all the time in the world. | 0:06:15 | 0:06:17 | |
Taylor. | 0:06:17 | 0:06:18 | |
He's got a gun. | 0:06:23 | 0:06:24 | |
If I don't stop him, he'll kill them. | 0:06:25 | 0:06:27 | |
Please, I've worked too hard to lose them now. | 0:06:27 | 0:06:30 | |
They have to face trial. | 0:06:30 | 0:06:31 | |
The world needs to know what they've done. | 0:06:31 | 0:06:34 | |
That's bigger than me and Gabriel. | 0:06:34 | 0:06:36 | |
I think it's time we paid Dr Ellis a visit. | 0:06:38 | 0:06:41 | |
-Is that everything? -Yeah. | 0:06:45 | 0:06:46 | |
He's still there. | 0:06:55 | 0:06:57 | |
Should we try and lose him? | 0:06:57 | 0:06:58 | |
Why would we want to do that? | 0:07:00 | 0:07:01 | |
KNOCK ON DOOR Come. | 0:07:07 | 0:07:09 | |
Mrs Briggs, please, come in. | 0:07:12 | 0:07:15 | |
Sit down. | 0:07:15 | 0:07:16 | |
Can we get you some tea? | 0:07:20 | 0:07:21 | |
No, thank you. | 0:07:22 | 0:07:24 | |
Make some anyway. | 0:07:24 | 0:07:25 | |
I'm so sorry for your loss, Mrs Briggs. | 0:07:29 | 0:07:31 | |
I didn't expect to see you here at this time. | 0:07:32 | 0:07:35 | |
You should be with family and friends. | 0:07:35 | 0:07:37 | |
I thought you might have paid me a visit yourself. | 0:07:37 | 0:07:39 | |
I've had no word since | 0:07:40 | 0:07:41 | |
Sergeant Fenton brought the news last night. | 0:07:41 | 0:07:43 | |
He wouldn't even step over the threshold. | 0:07:45 | 0:07:47 | |
I apologise for my officer's insensitivity. | 0:07:48 | 0:07:51 | |
And for failing to pay my respects in person. | 0:07:51 | 0:07:54 | |
I've had my hands rather full, | 0:07:55 | 0:07:57 | |
trying to keep the press at bay. | 0:07:57 | 0:07:59 | |
As you can imagine, | 0:08:00 | 0:08:02 | |
the unexpected death of a policeman gives rise to speculation. | 0:08:02 | 0:08:06 | |
Thankfully, your husband left no doubt as to the cause. | 0:08:08 | 0:08:13 | |
You've opened it? | 0:08:14 | 0:08:16 | |
It was evidence, Mrs Briggs. | 0:08:16 | 0:08:18 | |
I'll release a small statement when the time is right, | 0:08:18 | 0:08:21 | |
saying it was suicide. | 0:08:21 | 0:08:22 | |
But there's no reason why details of his arrest | 0:08:23 | 0:08:27 | |
should ever come to light. | 0:08:27 | 0:08:30 | |
The police have a reputation to uphold after all. | 0:08:30 | 0:08:33 | |
Thank you. | 0:08:35 | 0:08:36 | |
The funeral's tomorrow. | 0:08:39 | 0:08:40 | |
I thought a small ceremony would be best, | 0:08:43 | 0:08:45 | |
under the circumstances. | 0:08:45 | 0:08:47 | |
As you can imagine, the... | 0:08:48 | 0:08:50 | |
the costs are substantial. | 0:08:50 | 0:08:52 | |
Mrs Briggs... | 0:08:52 | 0:08:53 | |
you must know that money from the police fund | 0:08:53 | 0:08:56 | |
is out of the question. | 0:08:56 | 0:08:58 | |
But why? | 0:08:58 | 0:09:00 | |
If his... | 0:09:00 | 0:09:01 | |
..difficulties remained secret... | 0:09:02 | 0:09:04 | |
It's not a secret to my officers. | 0:09:04 | 0:09:07 | |
What signal would it send | 0:09:07 | 0:09:08 | |
if we paid the same contribution to your husband | 0:09:08 | 0:09:11 | |
as we do to brave, law-abiding men. | 0:09:11 | 0:09:13 | |
Walter did serve bravely, he gave his life to the police! | 0:09:13 | 0:09:17 | |
Mrs Briggs, I wish we could offer assistance... | 0:09:17 | 0:09:20 | |
..but there's nothing we can do. | 0:09:22 | 0:09:23 | |
I'm sorry. | 0:09:25 | 0:09:26 | |
I don't believe you are sorry. | 0:09:27 | 0:09:29 | |
I thought you might show some compassion for a widow. | 0:09:31 | 0:09:34 | |
It seems it was my mistake to expect it. | 0:09:34 | 0:09:37 | |
Ah, Mrs Briggs. | 0:09:41 | 0:09:42 | |
Oh, don't rush off like this. Have your tea at least. | 0:09:42 | 0:09:45 | |
I won't stay in this building for another minute. | 0:09:45 | 0:09:48 | |
Put that on my desk and get back to work. | 0:09:49 | 0:09:51 | |
Put it on your own desk...! | 0:09:51 | 0:09:53 | |
..sir. | 0:09:54 | 0:09:55 | |
Hi. | 0:09:59 | 0:10:00 | |
What can I do for you, officers? | 0:10:00 | 0:10:02 | |
We're here to see Dr Ellis and Nurse Hartley. | 0:10:02 | 0:10:04 | |
You're too late, they left half an hour ago. | 0:10:04 | 0:10:07 | |
Do you have any idea where they went? | 0:10:07 | 0:10:08 | |
-Sorry. -Why didn't you call me? | 0:10:08 | 0:10:11 | |
Annoying, isn't it? | 0:10:11 | 0:10:12 | |
When people say they'll call and don't. | 0:10:12 | 0:10:14 | |
Do you have a home address for either of them? | 0:10:14 | 0:10:17 | |
I'm not allowed to give out staff's personal details. | 0:10:17 | 0:10:20 | |
We could get a warrant. | 0:10:21 | 0:10:23 | |
Fine. | 0:10:23 | 0:10:24 | |
-You do that. -Vicky, come on. | 0:10:24 | 0:10:26 | |
It's Nurse Hall, actually. | 0:10:26 | 0:10:27 | |
Now, if you don't mind, I've got rounds to do. | 0:10:27 | 0:10:29 | |
I lost her number. | 0:10:33 | 0:10:34 | |
Nurse Hall... | 0:10:34 | 0:10:35 | |
Nurse Hall, please, wait. | 0:10:35 | 0:10:38 | |
Look, I know exactly how you feel. | 0:10:38 | 0:10:41 | |
DI Sawyer can be rude and inconsiderate, | 0:10:41 | 0:10:45 | |
and, and arrogant... | 0:10:45 | 0:10:47 | |
You know I can hear you, right? | 0:10:47 | 0:10:49 | |
But please don't let that stop you from doing the right thing. | 0:10:49 | 0:10:51 | |
Look, we really need that address. | 0:10:51 | 0:10:53 | |
People's lives could be at risk. | 0:10:53 | 0:10:55 | |
Susie... | 0:10:58 | 0:10:59 | |
Excuse me, gentlemen. | 0:10:59 | 0:11:00 | |
I just wanted you all to know... | 0:11:03 | 0:11:05 | |
..Chief Inspector Briggs'... | 0:11:07 | 0:11:08 | |
..funeral service... | 0:11:10 | 0:11:11 | |
..is being held at St John's Cemetery | 0:11:13 | 0:11:16 | |
tomorrow morning at 11. | 0:11:16 | 0:11:17 | |
You're all free to attend, of course, | 0:11:17 | 0:11:20 | |
but your wages will be docked accordingly. | 0:11:20 | 0:11:23 | |
Your duty is here, upholding the law. | 0:11:24 | 0:11:28 | |
Fine by me. | 0:11:28 | 0:11:30 | |
I only pay my respects to the respectable. | 0:11:30 | 0:11:33 | |
Chief Inspector Briggs was decent to the core, | 0:11:33 | 0:11:37 | |
which is more than can be said for some around here. | 0:11:37 | 0:11:40 | |
Miss Nightingale! | 0:11:40 | 0:11:42 | |
If you can't control your emotions, | 0:11:42 | 0:11:43 | |
then perhaps you should seek employment elsewhere. | 0:11:43 | 0:11:47 | |
Perhaps I should. | 0:11:47 | 0:11:48 | |
DRAMATIC MUSIC PLAYS | 0:11:52 | 0:11:55 | |
Fetch the rope. | 0:12:28 | 0:12:29 | |
Great, this is just great(!) | 0:12:33 | 0:12:36 | |
Check the desk drawers down there. | 0:12:37 | 0:12:39 | |
-I did. -Well, then check them again. | 0:12:39 | 0:12:41 | |
Well, it would help if I knew what we were looking for. | 0:12:41 | 0:12:44 | |
I don't know, travel receipts, cheque book stubs, anything. | 0:12:44 | 0:12:46 | |
It's called detective work, Taylor. | 0:12:46 | 0:12:48 | |
Yes, well, I'm not a detective, am I, sir? | 0:12:48 | 0:12:50 | |
And it's not my fault they've gone! | 0:12:50 | 0:12:52 | |
SHE SLAMS DRAWER | 0:12:52 | 0:12:53 | |
You're right. | 0:12:53 | 0:12:55 | |
I should have arrested them sooner. | 0:12:55 | 0:12:57 | |
Um, sir? | 0:12:57 | 0:12:59 | |
Next time, I'll listen to you. | 0:12:59 | 0:13:01 | |
Sir! | 0:13:01 | 0:13:02 | |
It won't close. | 0:13:06 | 0:13:07 | |
There's something down the back... | 0:13:17 | 0:13:20 | |
I can feel it, it's jammed in... | 0:13:20 | 0:13:22 | |
What are you doing? | 0:13:23 | 0:13:24 | |
Film reel. | 0:13:26 | 0:13:28 | |
What do you think's on it? | 0:13:28 | 0:13:30 | |
Knowing our luck, it's their holidays in Blackpool. | 0:13:30 | 0:13:33 | |
Please tell me that's Dr Ellis' address. | 0:13:33 | 0:13:37 | |
Personnel took some convincing. | 0:13:37 | 0:13:38 | |
Ha, you're an angel. | 0:13:38 | 0:13:40 | |
That's nearby. Taylor. | 0:13:41 | 0:13:43 | |
Thank you. | 0:13:49 | 0:13:50 | |
# Only you | 0:13:56 | 0:14:01 | |
# Can do make all this world seem right | 0:14:01 | 0:14:07 | |
# Only you... # | 0:14:08 | 0:14:10 | |
-I'm taking my break. -OK, no problem. | 0:14:10 | 0:14:13 | |
Can I get you anything? | 0:14:17 | 0:14:18 | |
No, thanks, I can't stay. | 0:14:18 | 0:14:22 | |
I just wanted to say hi. | 0:14:22 | 0:14:23 | |
Hi. | 0:14:24 | 0:14:25 | |
Is everything all right? | 0:14:28 | 0:14:29 | |
It's just been a bad day. | 0:14:32 | 0:14:33 | |
How's yours been? | 0:14:34 | 0:14:36 | |
Well, I woke up at five this morning | 0:14:36 | 0:14:38 | |
to my neighbours screaming blue murder at each other. | 0:14:38 | 0:14:41 | |
Then when it was time to leave for work, | 0:14:41 | 0:14:43 | |
I put on a brand-new pair of nylons | 0:14:43 | 0:14:45 | |
and my foot went straight through it. | 0:14:45 | 0:14:47 | |
It's not funny. | 0:14:47 | 0:14:49 | |
I then had to wait for 20 minutes | 0:14:49 | 0:14:51 | |
in the freezing rain for a bus, | 0:14:51 | 0:14:53 | |
and when it arrived, | 0:14:53 | 0:14:54 | |
it drove through a puddle and covered me with mud. | 0:14:54 | 0:14:58 | |
Glad you're so amused(!) | 0:14:58 | 0:15:00 | |
DRAMATIC MUSIC PLAYS | 0:15:07 | 0:15:10 | |
Taylor, make a note of that number plate. | 0:15:25 | 0:15:28 | |
Hello? | 0:15:47 | 0:15:49 | |
Police. | 0:15:50 | 0:15:51 | |
Search down here. | 0:16:04 | 0:16:05 | |
Nothing, sir. | 0:16:23 | 0:16:24 | |
They clearly packed up in a hurry. | 0:16:25 | 0:16:27 | |
So, they got away? | 0:16:27 | 0:16:28 | |
Unless Gabriel got to them first. | 0:16:28 | 0:16:30 | |
So, is that their blood or his? | 0:16:31 | 0:16:33 | |
Miss Nightingale. | 0:16:39 | 0:16:41 | |
You're not really going to quit, are you? | 0:16:42 | 0:16:45 | |
As soon as I find another position. | 0:16:45 | 0:16:47 | |
Are you coming to the funeral tomorrow? | 0:16:49 | 0:16:51 | |
I... | 0:16:51 | 0:16:53 | |
-Well, we're not really sure yet. -You'll be there, won't you, Annie? | 0:16:53 | 0:16:56 | |
Of course I will. | 0:16:56 | 0:16:58 | |
Looks like it's just the women with any backbone then. | 0:16:58 | 0:17:00 | |
Did you get that reel of film to the lab? | 0:17:05 | 0:17:08 | |
Yes, but it won't be ready till tomorrow, sir. | 0:17:08 | 0:17:10 | |
Thank you, Sergeant. | 0:17:10 | 0:17:11 | |
Oh, but I checked that licence plate | 0:17:11 | 0:17:13 | |
-for the car you were asking about. -And? | 0:17:13 | 0:17:15 | |
It was reported stolen yesterday, sir. | 0:17:15 | 0:17:17 | |
-Where's the car now? -It's been impounded, sir. | 0:17:17 | 0:17:19 | |
OK, good. | 0:17:19 | 0:17:20 | |
There's a rucksack and some clothes left inside it. | 0:17:20 | 0:17:24 | |
Would you check if they belong to the owner? | 0:17:24 | 0:17:26 | |
Yes, sir. | 0:17:26 | 0:17:27 | |
Do you think it might be Gabriel's, sir? | 0:17:30 | 0:17:32 | |
If it is, it would suggest he was at the house. | 0:17:32 | 0:17:34 | |
The question is, where is he now? | 0:17:34 | 0:17:37 | |
Where are any of them? | 0:17:37 | 0:17:38 | |
Carry on. | 0:17:38 | 0:17:39 | |
DRAMATIC MUSIC PLAYS | 0:17:39 | 0:17:42 | |
They'll be sedated until they reach Edmund Hall. | 0:17:48 | 0:17:51 | |
CHURCH BELL RINGS | 0:18:03 | 0:18:08 | |
-PRIEST: -Our Father, which art in heaven, | 0:18:08 | 0:18:10 | |
hallow'd be thy name. | 0:18:10 | 0:18:12 | |
Thy kingdom come, | 0:18:12 | 0:18:14 | |
Thy will be done, in earth as it is in heaven. | 0:18:14 | 0:18:16 | |
Give us this day our daily bread, | 0:18:18 | 0:18:21 | |
and forgive us our debts, | 0:18:21 | 0:18:23 | |
as we forgive our debtors. | 0:18:23 | 0:18:25 | |
And lead us not into temptation, | 0:18:25 | 0:18:28 | |
but deliver us from evil. | 0:18:28 | 0:18:30 | |
For thine is the kingdom, | 0:18:30 | 0:18:32 | |
and the power, and the glory, for ever. | 0:18:32 | 0:18:35 | |
Amen. | 0:18:35 | 0:18:37 | |
CROWS CALL | 0:18:37 | 0:18:39 | |
We now commit his body to the ground. | 0:18:45 | 0:18:49 | |
Earth to earth, | 0:18:49 | 0:18:51 | |
ashes to ashes, | 0:18:51 | 0:18:53 | |
dust to dust. | 0:18:53 | 0:18:54 | |
In the sure and certain hope of the resurrection to eternal life. | 0:18:54 | 0:18:59 | |
HE PLAYS AMAZING GRACE | 0:19:48 | 0:19:51 | |
MULTIPLE TELEPHONES RING | 0:20:49 | 0:20:53 | |
Where the hell is everybody? | 0:20:54 | 0:20:56 | |
They're all at the funeral, sir. | 0:20:57 | 0:20:58 | |
Well, I'm glad at least one of you hasn't abandoned his duties. | 0:21:00 | 0:21:03 | |
Thank you all for coming. | 0:21:17 | 0:21:18 | |
It was the least we could do, Mrs Briggs. | 0:21:19 | 0:21:21 | |
Walter always spoke so highly of you all. | 0:21:21 | 0:21:24 | |
I can see why. | 0:21:25 | 0:21:26 | |
Excuse me. | 0:21:36 | 0:21:37 | |
Hello? | 0:21:39 | 0:21:40 | |
Please stop! | 0:21:41 | 0:21:42 | |
Did you know my husband? | 0:21:45 | 0:21:46 | |
I don't want to intrude, I just... | 0:21:47 | 0:21:50 | |
I... | 0:21:51 | 0:21:52 | |
I heard he'd passed and... | 0:21:54 | 0:21:55 | |
We were friends. | 0:21:56 | 0:21:58 | |
HE EXCLAIMS | 0:21:59 | 0:22:01 | |
How dare you come here, how dare you! | 0:22:01 | 0:22:04 | |
I'm so sorry. | 0:22:04 | 0:22:06 | |
-What are you doing here? -I'm sorry, it's just... | 0:22:06 | 0:22:08 | |
-It's all right. -I'm sorry, I'm sorry. -It's all right. | 0:22:08 | 0:22:11 | |
-Let it out. -MRS BRIGGS CRIES | 0:22:11 | 0:22:14 | |
Do you want to go back to the cells? | 0:22:33 | 0:22:35 | |
Well... | 0:22:40 | 0:22:42 | |
I hope it was worth it. | 0:22:42 | 0:22:44 | |
Coulson's on the war path. | 0:22:44 | 0:22:46 | |
So what's new? | 0:22:46 | 0:22:47 | |
Detective Sawyer. | 0:22:52 | 0:22:53 | |
-Did you find Gabriel? -No, not yet. | 0:22:53 | 0:22:55 | |
What about the others? Did you arrest them? | 0:22:55 | 0:22:58 | |
Sawyer. | 0:22:58 | 0:22:59 | |
Delivery for you. | 0:22:59 | 0:23:01 | |
Items left in a nicked car. | 0:23:01 | 0:23:04 | |
-They said you'd know what it was about. -Thanks. | 0:23:04 | 0:23:06 | |
He is starting to annoy me. | 0:23:06 | 0:23:08 | |
This is Gabriel's. Why would he leave it? | 0:23:09 | 0:23:11 | |
Sir, this just came in from the lab. | 0:23:12 | 0:23:15 | |
-Please, has something happened to my brother? -I don't know. | 0:23:15 | 0:23:17 | |
Just sit tight, all right? | 0:23:17 | 0:23:19 | |
Do we have a projector? | 0:23:21 | 0:23:23 | |
In the interview room. | 0:23:23 | 0:23:24 | |
Hey! Sit. | 0:23:27 | 0:23:29 | |
You heard the man. | 0:23:29 | 0:23:30 | |
Well... | 0:23:37 | 0:23:38 | |
Nice of you all to grace us with your presence. | 0:23:38 | 0:23:41 | |
I don't expect my entire team of officers | 0:23:42 | 0:23:45 | |
to swan off in the middle of the day! | 0:23:45 | 0:23:48 | |
Telephones unmanned, front desk deserted! | 0:23:50 | 0:23:53 | |
I should put you all on report! | 0:23:54 | 0:23:56 | |
All your pay packets will be light this week, | 0:23:57 | 0:24:00 | |
make no mistake. | 0:24:00 | 0:24:02 | |
Sir. | 0:24:03 | 0:24:05 | |
With respect... | 0:24:06 | 0:24:07 | |
..we had every right to attend the funeral of a colleague. | 0:24:08 | 0:24:12 | |
If you wish to penalise us for that... | 0:24:12 | 0:24:13 | |
..go ahead. | 0:24:14 | 0:24:16 | |
But I for one will be staying late tonight | 0:24:16 | 0:24:17 | |
to make up for any time lost. | 0:24:17 | 0:24:19 | |
-Me too, Sergeant. -Me too. | 0:24:19 | 0:24:21 | |
-Me too, Sarge. -Me too, Sarge. | 0:24:21 | 0:24:23 | |
Me too. | 0:24:23 | 0:24:24 | |
Fine. | 0:24:25 | 0:24:26 | |
But there'll be no overtime pay. | 0:24:27 | 0:24:29 | |
And I won't tolerate late reports. | 0:24:30 | 0:24:33 | |
Well, Blackpool would've been more interesting. | 0:24:46 | 0:24:48 | |
Sir... | 0:24:55 | 0:24:56 | |
That sundial looks familiar. | 0:24:57 | 0:24:59 | |
Do you recognise the building? | 0:25:02 | 0:25:04 | |
No. | 0:25:06 | 0:25:07 | |
Taylor, get David in here. | 0:25:11 | 0:25:13 | |
Sir. | 0:25:13 | 0:25:14 | |
Is that Fischer? | 0:25:36 | 0:25:37 | |
And Petra Schulz? | 0:25:41 | 0:25:42 | |
Yes. | 0:25:46 | 0:25:47 | |
Are you all right? | 0:25:54 | 0:25:55 | |
The room looks military. | 0:25:58 | 0:26:00 | |
Sir, can we take it back to the start, please? | 0:26:00 | 0:26:03 | |
-What for? -Let me look at that sundial again. | 0:26:03 | 0:26:05 | |
Stop, stop. | 0:26:14 | 0:26:15 | |
Sheppard has a photograph of himself from the war, | 0:26:22 | 0:26:25 | |
and he's standing right where they are, I've seen it in his house. | 0:26:25 | 0:26:28 | |
You're sure it's the same place? | 0:26:28 | 0:26:30 | |
Yeah, I'm sure. | 0:26:30 | 0:26:31 | |
All right, but we still don't know where it is. | 0:26:31 | 0:26:33 | |
Yes, we do. | 0:26:33 | 0:26:34 | |
My father's in the picture with him. | 0:26:34 | 0:26:36 | |
You did a beautiful thing today. | 0:26:42 | 0:26:44 | |
Too little, too late. | 0:26:48 | 0:26:49 | |
You mustn't think that. | 0:26:50 | 0:26:52 | |
I should never have blamed you for what happened. | 0:26:52 | 0:26:55 | |
I know how much you cared for Inspector Briggs. | 0:26:56 | 0:26:58 | |
Please don't resign. | 0:27:01 | 0:27:03 | |
I'm not asking for me... | 0:27:04 | 0:27:05 | |
..but for the men. | 0:27:06 | 0:27:08 | |
This place needs you more than you know. | 0:27:08 | 0:27:10 | |
I'll stay. | 0:27:11 | 0:27:13 | |
Thank you. | 0:27:15 | 0:27:16 | |
I... | 0:27:18 | 0:27:19 | |
-I should get back to work. -Would you... | 0:27:21 | 0:27:23 | |
Would you walk me home tonight? | 0:27:26 | 0:27:28 | |
I don't want to be alone. | 0:27:28 | 0:27:29 | |
Of course. | 0:27:33 | 0:27:34 | |
What are you waiting for? | 0:27:38 | 0:27:39 | |
I'm here! | 0:27:39 | 0:27:40 | |
You think I'm scared of you? | 0:27:43 | 0:27:45 | |
You don't want to do that! | 0:27:45 | 0:27:46 | |
Who is this? | 0:27:49 | 0:27:50 | |
Just stay quiet and they won't come for you. | 0:27:55 | 0:27:58 | |
Let them come for me. | 0:27:59 | 0:28:00 | |
They can come! | 0:28:01 | 0:28:02 | |
DOOR UNLOCKS | 0:28:05 | 0:28:07 | |
FOOTSTEPS APPROACH | 0:28:12 | 0:28:16 | |
I'm glad to see you're feeling better this morning. | 0:28:24 | 0:28:27 | |
The rest has done you good. | 0:28:28 | 0:28:30 | |
And you're eager to get things started. | 0:28:31 | 0:28:34 | |
I appreciate that. | 0:28:39 | 0:28:40 | |
Please, after you. | 0:28:41 | 0:28:43 | |
I've seen enough. | 0:28:51 | 0:28:52 | |
Do you recognise the place? | 0:28:57 | 0:28:58 | |
It's where our Special Ops unit were trained | 0:28:59 | 0:29:02 | |
before going on a mission. | 0:29:02 | 0:29:04 | |
I assumed they'd shut it down after the war. | 0:29:04 | 0:29:06 | |
Can you take us there? | 0:29:06 | 0:29:07 | |
It looks like it might still belong to the military. | 0:29:09 | 0:29:12 | |
I can't disclose its location. | 0:29:13 | 0:29:15 | |
You can't be serious. | 0:29:15 | 0:29:17 | |
Whatever this project is, there's bound to be a good reason for it. | 0:29:17 | 0:29:20 | |
That man's a war criminal. | 0:29:20 | 0:29:22 | |
So you say. | 0:29:22 | 0:29:24 | |
But you're asking me to breach national security. | 0:29:24 | 0:29:26 | |
Dad. | 0:29:26 | 0:29:27 | |
William was one of the patients selected for the treatment. | 0:29:27 | 0:29:30 | |
What if they did those things to him? | 0:29:30 | 0:29:32 | |
What if they're still doing it? | 0:29:32 | 0:29:34 | |
Gabriel Meyer. | 0:29:38 | 0:29:39 | |
You haven't changed as much as you think. | 0:29:42 | 0:29:44 | |
Despite everything you've done... | 0:29:47 | 0:29:49 | |
..I know you're a good boy. | 0:29:50 | 0:29:52 | |
You understand I have...important work to do. | 0:29:52 | 0:29:56 | |
So, let's begin. | 0:30:04 | 0:30:06 | |
Tell me...how did you find us, Gabriel? | 0:30:08 | 0:30:11 | |
Does anyone else know we're here? | 0:30:15 | 0:30:17 | |
If you don't help me, | 0:30:24 | 0:30:25 | |
everything I've worked so hard for will be lost. | 0:30:25 | 0:30:28 | |
You know I can't have that. | 0:30:29 | 0:30:31 | |
So please, just answer the question. | 0:30:32 | 0:30:36 | |
FOOTSTEPS APPROACH | 0:30:37 | 0:30:40 | |
Please! Please, just let me go! | 0:30:40 | 0:30:42 | |
I won't tell anyone who you are! | 0:30:44 | 0:30:46 | |
I never have! | 0:30:46 | 0:30:47 | |
DRAMATIC MUSIC PLAYS | 0:30:52 | 0:30:55 | |
I told you to wait in the car. | 0:31:06 | 0:31:08 | |
Please, I'm the only one Gabriel trusts. | 0:31:08 | 0:31:10 | |
If he's in there, you'll need me. | 0:31:10 | 0:31:12 | |
Fine. | 0:31:12 | 0:31:13 | |
Spread out, search the grounds. | 0:31:16 | 0:31:18 | |
There are rooms underground. This way. | 0:31:26 | 0:31:29 | |
Put that down, now! | 0:31:39 | 0:31:41 | |
Hey, are you all right? | 0:31:43 | 0:31:44 | |
GABRIEL MUMBLES | 0:31:44 | 0:31:46 | |
You look well, David. | 0:31:46 | 0:31:47 | |
'Somebody let me out, please!' | 0:31:49 | 0:31:51 | |
Dad, it's William. | 0:31:51 | 0:31:52 | |
William! | 0:31:57 | 0:31:59 | |
Dad, we need to force it open. | 0:31:59 | 0:32:01 | |
Stand back. | 0:32:01 | 0:32:03 | |
SHE COUGHS | 0:32:04 | 0:32:07 | |
-Can you walk? -I think so. | 0:32:13 | 0:32:15 | |
William, William, where's Nurse Hartley? | 0:32:15 | 0:32:18 | |
She went down there. | 0:32:18 | 0:32:19 | |
OK, Dad, you need to get him upstairs. | 0:32:19 | 0:32:21 | |
Annie. Come back! | 0:32:21 | 0:32:23 | |
Annie! | 0:32:23 | 0:32:24 | |
My work has always been for the benefit of mankind. | 0:32:24 | 0:32:28 | |
Every important medical discovery depends on the suffering of others. | 0:32:28 | 0:32:33 | |
It's a necessary evil. | 0:32:33 | 0:32:35 | |
Evil is never necessary. | 0:32:35 | 0:32:36 | |
A predictable response... | 0:32:38 | 0:32:41 | |
from a Jew. | 0:32:41 | 0:32:42 | |
You are one, aren't you? | 0:32:44 | 0:32:46 | |
I can always tell. | 0:32:46 | 0:32:48 | |
Shoot him. | 0:32:50 | 0:32:51 | |
No, he stands trial. | 0:32:52 | 0:32:53 | |
Why? So he can get away with it? | 0:32:53 | 0:32:55 | |
No-one is getting away with it! | 0:32:55 | 0:32:58 | |
Open your eyes, David. He's being protected. | 0:32:58 | 0:33:00 | |
Just kill him. | 0:33:03 | 0:33:04 | |
FIRE RUMBLES AND GLASS SMASHES | 0:33:09 | 0:33:13 | |
-Stop what you're doing! -I'm not finished! | 0:33:13 | 0:33:15 | |
You're under arrest. | 0:33:15 | 0:33:16 | |
I said I'm not finished! | 0:33:16 | 0:33:19 | |
-ANNIE GROANS IN PAIN -And I said you're under arrest! | 0:33:19 | 0:33:22 | |
No, no! | 0:33:22 | 0:33:24 | |
Look at him. | 0:33:25 | 0:33:27 | |
He doesn't give a damn about going to prison. | 0:33:27 | 0:33:30 | |
He feels nothing. | 0:33:30 | 0:33:31 | |
It's not about him. | 0:33:31 | 0:33:32 | |
What do you know about it? | 0:33:32 | 0:33:34 | |
-Were you there? -No. | 0:33:34 | 0:33:36 | |
And I am sorry that you were. | 0:33:36 | 0:33:38 | |
Dieter Fischer, I am arresting you | 0:33:39 | 0:33:41 | |
for the torture and false imprisonment | 0:33:41 | 0:33:42 | |
of persons at present unknown. | 0:33:42 | 0:33:44 | |
You're not obliged to say anything but... | 0:33:44 | 0:33:46 | |
-What?! -Gab...! | 0:33:46 | 0:33:47 | |
No! | 0:33:50 | 0:33:51 | |
No, no, no! | 0:33:51 | 0:33:54 | |
SHE WAILS | 0:33:54 | 0:33:58 | |
This way, Miss. | 0:34:15 | 0:34:16 | |
Can I go with him? | 0:34:23 | 0:34:24 | |
He doesn't remember much. | 0:34:51 | 0:34:52 | |
-We need to get you to hospital. -No. | 0:34:54 | 0:34:56 | |
We need to find out how you are. | 0:34:56 | 0:34:58 | |
No doctors, please. | 0:34:58 | 0:35:00 | |
No, look, can he just stay with us? | 0:35:00 | 0:35:02 | |
Yes, yes, of course. | 0:35:03 | 0:35:05 | |
It's OK, William. | 0:35:06 | 0:35:08 | |
Dad's going to take you home. | 0:35:08 | 0:35:09 | |
Thank you for today. | 0:35:13 | 0:35:14 | |
Not at all. | 0:35:15 | 0:35:16 | |
It felt like the old days. | 0:35:16 | 0:35:18 | |
Thank you for finding him. | 0:35:19 | 0:35:20 | |
Usually, I'm happy to take all the credit, but... | 0:35:21 | 0:35:24 | |
..it was your daughter that wouldn't give up on him. | 0:35:25 | 0:35:28 | |
You should be proud of her. | 0:35:28 | 0:35:29 | |
Yes. | 0:35:31 | 0:35:32 | |
Yes, of course I am. | 0:35:32 | 0:35:33 | |
Well, don't let me detain you, Detective. | 0:35:34 | 0:35:37 | |
Dad. | 0:35:38 | 0:35:39 | |
Are you angry with me? | 0:35:41 | 0:35:42 | |
I'm angry with myself. | 0:35:45 | 0:35:47 | |
I should never have let you join up. | 0:35:47 | 0:35:50 | |
But I helped solve the case. | 0:35:51 | 0:35:53 | |
And you might've died doing it! | 0:35:53 | 0:35:54 | |
How could I live with myself if something happened to you? | 0:35:55 | 0:35:58 | |
How would your mother live? | 0:35:58 | 0:35:59 | |
Dad, that is not fair. | 0:35:59 | 0:36:00 | |
You did it, the boys do it. | 0:36:00 | 0:36:03 | |
You're our only little girl. | 0:36:03 | 0:36:05 | |
Annie, I can't tell you what to do, | 0:36:07 | 0:36:10 | |
I've never been able to do that. | 0:36:10 | 0:36:12 | |
But I'm asking you... | 0:36:12 | 0:36:13 | |
..please... | 0:36:14 | 0:36:16 | |
find something else. | 0:36:16 | 0:36:18 | |
Taylor. | 0:36:19 | 0:36:20 | |
You coming? | 0:36:20 | 0:36:21 | |
Type that up for me, will you, sweetheart? | 0:36:44 | 0:36:46 | |
There's a good girl. | 0:36:46 | 0:36:47 | |
Yes, Sarge. | 0:36:47 | 0:36:48 | |
I hear you got a full confession from Gabriel Meyer. | 0:36:56 | 0:36:59 | |
Yes, sir, he confessed to killing Brigadier Morris, | 0:36:59 | 0:37:03 | |
and Dieter Fischer, of course. | 0:37:03 | 0:37:05 | |
And the woman? Petra... | 0:37:05 | 0:37:06 | |
Schulz. | 0:37:06 | 0:37:08 | |
I spoke to Whitehall. | 0:37:08 | 0:37:09 | |
They're deporting her back to Germany. | 0:37:09 | 0:37:11 | |
With David Meyer's testimony, | 0:37:11 | 0:37:12 | |
they should be able to charge her with war crimes. | 0:37:12 | 0:37:15 | |
You did a sterling job, Detective. | 0:37:15 | 0:37:17 | |
You all did. | 0:37:17 | 0:37:19 | |
I believe tradition dictates I buy you a drink. | 0:37:19 | 0:37:23 | |
Thank you, sir, but... | 0:37:23 | 0:37:25 | |
I actually have a lot of paperwork to get through. | 0:37:25 | 0:37:27 | |
Of course. | 0:37:28 | 0:37:30 | |
Sergeant Fenton, | 0:37:30 | 0:37:32 | |
you'll join me, won't you? | 0:37:32 | 0:37:33 | |
The Tavern, my treat. | 0:37:33 | 0:37:35 | |
It's going to be a late one here for me too, sir. | 0:37:36 | 0:37:38 | |
Yeah, for us too, I'm afraid. | 0:37:38 | 0:37:41 | |
Sorry, sir. | 0:37:41 | 0:37:42 | |
Another time then. | 0:37:44 | 0:37:45 | |
Good night then. | 0:37:57 | 0:37:59 | |
Good night, sir. | 0:37:59 | 0:38:00 | |
He's gone. | 0:38:14 | 0:38:16 | |
Shall we? | 0:38:17 | 0:38:18 | |
"I should put you all on report!" | 0:38:19 | 0:38:22 | |
-HE SPITS WHILST SPEAKING -Aye, aye? "Rip up your pay packets!" | 0:38:22 | 0:38:25 | |
Straight in my pint, that, Swifty, lovely. | 0:38:25 | 0:38:28 | |
Hey, going to the pub without my express permission?! | 0:38:28 | 0:38:31 | |
-SPITTING: -Preposterous! | 0:38:31 | 0:38:33 | |
Here! What happened to you? | 0:38:37 | 0:38:39 | |
-HE SPEAKS OUT OF BREATH -I just ran from the Lucky 7. | 0:38:39 | 0:38:42 | |
Wanted to invite Gloria. | 0:38:42 | 0:38:44 | |
She said she'd come. | 0:38:44 | 0:38:45 | |
I can't wait to meet her. | 0:38:45 | 0:38:46 | |
She must be quite a girl. | 0:38:47 | 0:38:49 | |
She is. | 0:38:49 | 0:38:50 | |
Have you got it, Sarge? | 0:38:52 | 0:38:53 | |
Right here. | 0:38:53 | 0:38:54 | |
Well, I did a minute ago. | 0:38:58 | 0:38:59 | |
Some week. | 0:39:02 | 0:39:03 | |
You know I meant what I said about the case. | 0:39:03 | 0:39:06 | |
You're a natural. | 0:39:06 | 0:39:07 | |
Oh! | 0:39:10 | 0:39:12 | |
Sorry, sir. | 0:39:12 | 0:39:13 | |
How many pints has he had? | 0:39:13 | 0:39:15 | |
(Tommy.) | 0:39:19 | 0:39:21 | |
Tommy! | 0:39:21 | 0:39:23 | |
So I told him straight out, | 0:39:23 | 0:39:25 | |
put your own blinking tea on your own blimming desk...sir! | 0:39:25 | 0:39:28 | |
And he was, oh! | 0:39:29 | 0:39:31 | |
What are you doing? | 0:39:33 | 0:39:34 | |
Sorry, Miss Nightingale, I just dropped some money. | 0:39:34 | 0:39:37 | |
Oh... Well done, lad. | 0:39:42 | 0:39:45 | |
Hey. | 0:39:51 | 0:39:52 | |
THEY LAUGH | 0:39:54 | 0:39:57 | |
MUSIC: Pledging My Love by Johnny Ace | 0:40:14 | 0:40:18 | |
What are you waiting for, Sarge? | 0:40:19 | 0:40:21 | |
So what made you change your mind about the job then? | 0:40:24 | 0:40:26 | |
Oh, I don't know. | 0:40:26 | 0:40:27 | |
A few people I would have missed. | 0:40:29 | 0:40:30 | |
HE CLEARS HIS THROAT | 0:40:30 | 0:40:32 | |
I love this song. | 0:40:34 | 0:40:35 | |
It's so... | 0:40:37 | 0:40:38 | |
..romantic. | 0:40:40 | 0:40:41 | |
-Su... -Susie. | 0:40:43 | 0:40:45 | |
-Susie. -What? | 0:40:48 | 0:40:49 | |
I think Sergeant Swift's got something he'd like to say. | 0:40:49 | 0:40:53 | |
Oh! | 0:40:55 | 0:40:56 | |
What's everybody doing on the floor tonight? | 0:40:56 | 0:40:59 | |
Now, I know it's sudden, | 0:41:00 | 0:41:02 | |
but I've never been more sure of anything in my life. | 0:41:02 | 0:41:05 | |
I love you with all my heart, | 0:41:06 | 0:41:10 | |
and I want to spend every day | 0:41:10 | 0:41:13 | |
making you as happy as you make me. | 0:41:13 | 0:41:17 | |
Susie Nightingale... | 0:41:19 | 0:41:21 | |
..will you marry me? | 0:41:31 | 0:41:32 | |
Yes. | 0:41:34 | 0:41:35 | |
Of course I will! | 0:41:37 | 0:41:38 | |
CHEERING | 0:41:38 | 0:41:42 | |
Swifty, you sly old dog. | 0:41:42 | 0:41:44 | |
There it is. | 0:41:44 | 0:41:46 | |
I can't get up, I'm stuck. | 0:41:46 | 0:41:47 | |
I'm stuck, I'm stuck, I can't move. | 0:41:47 | 0:41:49 | |
LAUGHTER Sir. | 0:41:49 | 0:41:52 | |
LAUGHTER AND CHEERS | 0:41:58 | 0:42:00 | |
Hey... | 0:42:02 | 0:42:03 | |
There's someone I should thank. | 0:42:03 | 0:42:05 | |
Even though he's no longer with us. | 0:42:05 | 0:42:07 | |
I never would have met this wonderful, wonderful woman | 0:42:08 | 0:42:12 | |
if Chief Inspector Briggs hadn't had the good sense to hire her. | 0:42:12 | 0:42:16 | |
So... | 0:42:16 | 0:42:17 | |
if you'll all raise your glasses. | 0:42:17 | 0:42:19 | |
Here, what happened to my pint? | 0:42:20 | 0:42:21 | |
To Briggs. | 0:42:27 | 0:42:28 | |
ALL: To Briggs. | 0:42:28 | 0:42:30 | |
Next round's on me, get 'em in, lads! | 0:42:34 | 0:42:38 | |
Hurry up before he changes his mind. | 0:42:38 | 0:42:41 | |
Pint of Best, please. | 0:42:41 | 0:42:43 | |
# Love me as though there were no tomorrow | 0:42:43 | 0:42:50 | |
# Take me out of this world... # | 0:42:53 | 0:42:57 | |
-TELEPHONE RINGS -Ha, it'll never last. | 0:42:57 | 0:43:00 | |
Brinford Police. | 0:43:03 | 0:43:05 | |
-TELEPHONE RINGS -How many involved? | 0:43:06 | 0:43:09 | |
-Where? -Brinford Police. | 0:43:09 | 0:43:11 | |
-Yes, sir. Right away, sir. -Brinford Police. | 0:43:11 | 0:43:13 | |
-BELL RINGS -To the vans! Let's go! | 0:43:13 | 0:43:16 | |
Come on, move it! | 0:43:16 | 0:43:17 | |
SIREN RINGS | 0:43:31 | 0:43:35 |