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There's been a murder. And we need you to solve it. | 0:00:02 | 0:00:04 | |
Welcome to the TV show with only one question - | 0:00:04 | 0:00:07 | |
whodunnit? | 0:00:07 | 0:00:08 | |
Welcome to Armchair Detectives. | 0:00:23 | 0:00:25 | |
The show where these 15 murder mystery enthusiasts will try and solve a | 0:00:25 | 0:00:30 | |
deadly crime by the end of today's programme. | 0:00:30 | 0:00:33 | |
Our amateur sleuths are placed at the centre of a fictional investigation | 0:00:33 | 0:00:37 | |
set in Mortcliff, a sleepy village with a serious homicide problem. | 0:00:37 | 0:00:42 | |
They'll watch the drama play out as Mortcliff's top police force | 0:00:42 | 0:00:46 | |
spring into action. There they are. | 0:00:46 | 0:00:48 | |
What a calendar that would be. | 0:00:48 | 0:00:50 | |
DI Knight, DC Slater, and their scene of crime officer, Simmonds. | 0:00:50 | 0:00:54 | |
We'll be heading to Mortcliff shortly. | 0:00:54 | 0:00:56 | |
But first, let's meet our armchair detectives. | 0:00:56 | 0:00:59 | |
-Hello, everyone. -Hello! | 0:00:59 | 0:01:01 | |
Welcome back. | 0:01:01 | 0:01:02 | |
Only three of you play each day, take your armchairs, please - | 0:01:02 | 0:01:06 | |
Ellouise, Dipak and Audrey. | 0:01:06 | 0:01:08 | |
Come on up. | 0:01:08 | 0:01:09 | |
What a gentleman! | 0:01:13 | 0:01:15 | |
Ellouise, welcome. | 0:01:16 | 0:01:17 | |
-Hello. -What is going to make you a good armchair detective? | 0:01:17 | 0:01:20 | |
I'm quite a curious person. | 0:01:20 | 0:01:23 | |
I always like to know what everyone is up to. | 0:01:23 | 0:01:25 | |
What everyone's doing. | 0:01:25 | 0:01:26 | |
Dipak, welcome, what about you, | 0:01:26 | 0:01:28 | |
what is going to make you a good armchair detective? | 0:01:28 | 0:01:30 | |
A few years back I did a, kind of, | 0:01:30 | 0:01:32 | |
management course where we were stuck out in the middle of Wales, | 0:01:32 | 0:01:34 | |
and we had a two-day event where we had to go and chase some clues. | 0:01:34 | 0:01:39 | |
Interrogate people, be interrogated. | 0:01:39 | 0:01:41 | |
There's none of that today. | 0:01:41 | 0:01:43 | |
Audrey, what's going to make you a good armchair detective? | 0:01:43 | 0:01:46 | |
I'm always a bit suspicious of people if they are a bit too nice, | 0:01:46 | 0:01:50 | |
I think... | 0:01:50 | 0:01:52 | |
I think I'd slip quite nicely into the role. | 0:01:52 | 0:01:56 | |
Well, the armchair detectives who correctly guess the killer will each get | 0:01:56 | 0:01:59 | |
their hands on one of these, our very own golden magnifying glass trophy. | 0:01:59 | 0:02:05 | |
-ALL: -Ooh! | 0:02:05 | 0:02:06 | |
I'll be trying to solve the crime with you as we go along, too. | 0:02:06 | 0:02:10 | |
So, it's time for round one. | 0:02:10 | 0:02:13 | |
The crime scene. In today's story, Patently Murder, | 0:02:13 | 0:02:16 | |
Knight and Slater meet Simmonds, | 0:02:16 | 0:02:18 | |
who tells them all they need to know about today's victim. | 0:02:18 | 0:02:22 | |
Note pads at the ready for the first time today, | 0:02:22 | 0:02:25 | |
let's head over to Mortcliff. | 0:02:25 | 0:02:27 | |
I've always wanted to call myself one of those, sir. | 0:02:37 | 0:02:40 | |
You're too young for nostalgia, Slater. | 0:02:40 | 0:02:42 | |
The Hells Angels are old enough to be your grandfather. | 0:02:42 | 0:02:45 | |
You're always chipper early in the morning, Simmonds, | 0:02:45 | 0:02:48 | |
-how do you manage it? -Plenty of coffee... | 0:02:48 | 0:02:50 | |
and no social life. | 0:02:50 | 0:02:51 | |
I can identify with one of those. | 0:02:51 | 0:02:53 | |
It's not the coffee. | 0:02:53 | 0:02:54 | |
Before I get done for bullying in the workplace, Simmonds, | 0:02:56 | 0:02:59 | |
you'd better show us the scene. | 0:02:59 | 0:03:01 | |
Yeah, save a DC's life, Simmonds. | 0:03:01 | 0:03:04 | |
Don't give up your day job for a future in stand-up, Slater. | 0:03:04 | 0:03:06 | |
I'm the funniest man I know. | 0:03:06 | 0:03:08 | |
Right. | 0:03:10 | 0:03:11 | |
Heather Cookham, the secretary at the factory, called for an ambulance | 0:03:11 | 0:03:15 | |
at nine o'clock last night when she discovered this van had its engine | 0:03:15 | 0:03:18 | |
running, with a pipe that ran from its exhaust, into this workshop. | 0:03:18 | 0:03:24 | |
David Cotley, the victim, was in the building. | 0:03:24 | 0:03:27 | |
He was alive when the medics arrived, | 0:03:27 | 0:03:29 | |
but died later at hospital from carbon monoxide poisoning. | 0:03:29 | 0:03:32 | |
Is it safe to go inside yet? | 0:03:32 | 0:03:34 | |
Yeah. It's been thoroughly aired. | 0:03:34 | 0:03:36 | |
We've done a prelim search and dust. | 0:03:36 | 0:03:38 | |
Shall we? | 0:03:40 | 0:03:41 | |
The place is a bit of a mess, but there are a few things of interest. | 0:03:45 | 0:03:48 | |
We found this letter on one of the desks, as well as some paperwork. | 0:03:50 | 0:03:54 | |
Also, this handkerchief with the letters PH on it. | 0:03:56 | 0:03:59 | |
We're about to bag this, and test its contents. | 0:04:02 | 0:04:04 | |
But as it was found near to where David was, | 0:04:04 | 0:04:09 | |
we're surmising he was sick in it. | 0:04:09 | 0:04:11 | |
From the carbon monoxide? | 0:04:11 | 0:04:13 | |
That's the current assumption. | 0:04:13 | 0:04:14 | |
This might be of interest. | 0:04:14 | 0:04:16 | |
It's full of shredded documents. | 0:04:16 | 0:04:18 | |
It was still warm when we arrived, | 0:04:18 | 0:04:20 | |
so it looks like it was used just before David died. | 0:04:20 | 0:04:24 | |
Any results on the van? | 0:04:24 | 0:04:26 | |
Obviously, we'll do a full dust. | 0:04:26 | 0:04:27 | |
But as it is a company vehicle, it's going to be overflowing with prints. | 0:04:27 | 0:04:32 | |
OK. | 0:04:33 | 0:04:34 | |
Let's find out who was here yesterday evening, | 0:04:34 | 0:04:37 | |
and interview anyone of interest. | 0:04:37 | 0:04:39 | |
-Already on it, sir. -Quite the double act! | 0:04:39 | 0:04:42 | |
Well, Simmonds says she has no social life, | 0:04:44 | 0:04:48 | |
I don't believe that for a second! | 0:04:48 | 0:04:50 | |
So that is the initial crime scene. | 0:04:50 | 0:04:53 | |
Audrey, let me start with you. | 0:04:53 | 0:04:55 | |
The paper shredder being warm, obviously, | 0:04:55 | 0:04:58 | |
has the victim shredded some paper he wanted to hide? | 0:04:58 | 0:05:01 | |
Or did the killer shred something that he didn't want found? | 0:05:01 | 0:05:04 | |
How does somebody who is trapped, and not get out of it, | 0:05:04 | 0:05:07 | |
see that the gas was coming from the vehicle outside? | 0:05:07 | 0:05:11 | |
Potentially somebody who is in there, and can't get out, | 0:05:11 | 0:05:14 | |
yet they might have vomited, which is the victim's vomit, | 0:05:14 | 0:05:16 | |
-if I heard correctly? -It's got to be planned, | 0:05:16 | 0:05:19 | |
because it's had to be done at a certain time, for no-one to be around. | 0:05:19 | 0:05:23 | |
To save them, stop them. | 0:05:23 | 0:05:25 | |
And I want to know who PH is. | 0:05:25 | 0:05:27 | |
Where did you see that? | 0:05:27 | 0:05:29 | |
-The initials? -On the handkerchief. | 0:05:29 | 0:05:31 | |
The handkerchief, yeah. | 0:05:31 | 0:05:33 | |
Today, we are investigating the death of David Cotley, | 0:05:33 | 0:05:36 | |
David and his friends call themselves the Petrolheads, | 0:05:46 | 0:05:49 | |
a bunch of car engine enthusiasts. | 0:05:49 | 0:05:52 | |
So that's our victim. | 0:06:00 | 0:06:02 | |
Any early thoughts on him? | 0:06:02 | 0:06:05 | |
Well, he's an inventor, | 0:06:05 | 0:06:06 | |
could he have invented something that would be relevant, financially, | 0:06:06 | 0:06:12 | |
to somebody else? | 0:06:12 | 0:06:13 | |
Or to himself? Maybe that's why they've destroyed the paperwork. | 0:06:13 | 0:06:18 | |
Interesting. So, the suspect list so far is pretty narrow. | 0:06:18 | 0:06:24 | |
Heather Cookham, secretary at the Cotley Motor Factory. | 0:06:24 | 0:06:28 | |
Although we haven't met Heather yet. | 0:06:28 | 0:06:30 | |
She's the one who phoned the police. | 0:06:30 | 0:06:32 | |
She is the secretary, any initial thoughts. | 0:06:32 | 0:06:34 | |
I think the timing, for a secretary to work that late... | 0:06:34 | 0:06:40 | |
To say his time of death was 11 o'clock at night. | 0:06:40 | 0:06:43 | |
-So... -Do you know, I paid my way through university by being a secretary, | 0:06:43 | 0:06:46 | |
Ellouise, and I was out that door at five o'clock! | 0:06:46 | 0:06:49 | |
Every single night, I'll tell you that for nothing. | 0:06:49 | 0:06:52 | |
In each round, you'll get to interrogate a piece of evidence more closely. | 0:06:52 | 0:06:56 | |
So here is your first one. | 0:06:56 | 0:06:57 | |
The forensic report detailing text messages found on David's phone. | 0:06:57 | 0:07:03 | |
One from Simon, Tuesday 11:30am. | 0:07:03 | 0:07:06 | |
And then to David Cotley again from Simon. | 0:07:12 | 0:07:15 | |
Wednesday 10.15. | 0:07:15 | 0:07:16 | |
Obviously, the PH on the hanky could have stood for "petrol heads". | 0:07:23 | 0:07:28 | |
So that could be a company thing, the hanky. | 0:07:28 | 0:07:32 | |
Ellouise is now desperately disappointed. | 0:07:32 | 0:07:34 | |
She was hoping for the old trope of dropping the piece of evidence | 0:07:34 | 0:07:39 | |
with the murderer's name! | 0:07:39 | 0:07:40 | |
That would be really easy, wouldn't it! | 0:07:40 | 0:07:42 | |
What did you say, though, Ellouise, about Simon? | 0:07:42 | 0:07:44 | |
It's his son. It could be, he says, "Hey, Pops." | 0:07:44 | 0:07:47 | |
Which is obviously... | 0:07:47 | 0:07:49 | |
It could be, but who is the "we"? | 0:07:49 | 0:07:51 | |
That's my question. Simon didn't make it, | 0:07:51 | 0:07:54 | |
but did the person he was coming with make it? | 0:07:54 | 0:07:56 | |
Some good thoughts there, but it's time for round two. | 0:07:56 | 0:08:00 | |
Last movements. | 0:08:00 | 0:08:01 | |
We'll get to see Petrolhead David Cotley, the day before his murder. | 0:08:01 | 0:08:07 | |
Notepads at the ready. Let's head back to David's workshop. | 0:08:07 | 0:08:10 | |
KNOCKING | 0:08:22 | 0:08:25 | |
David! | 0:08:39 | 0:08:41 | |
Oh, heavens above, don't do that! | 0:08:49 | 0:08:51 | |
Sorry, sorry! You were away with the fairies. | 0:08:51 | 0:08:54 | |
The inventive fairies. | 0:08:54 | 0:08:56 | |
Simon. How are you doing, old chum? | 0:08:56 | 0:08:59 | |
Sorry about the intrusion. | 0:08:59 | 0:09:01 | |
After last week's meeting, you said I could pop round and chat. | 0:09:01 | 0:09:04 | |
Right, yes. | 0:09:04 | 0:09:07 | |
Delighted to chat. | 0:09:07 | 0:09:08 | |
You're always welcome, Simon. | 0:09:08 | 0:09:10 | |
Pull up a pew. | 0:09:11 | 0:09:13 | |
-Thanks. -Get rid of that stuff. | 0:09:13 | 0:09:16 | |
You... | 0:09:22 | 0:09:24 | |
Get to air the workshop much? | 0:09:24 | 0:09:27 | |
No need, old chap, I can't smell a thing. | 0:09:27 | 0:09:30 | |
Hangover from that bad virus I got a few years ago. | 0:09:30 | 0:09:33 | |
Well...? | 0:09:41 | 0:09:42 | |
How long did the engine coil take to develop? | 0:09:43 | 0:09:45 | |
About five years. | 0:09:47 | 0:09:49 | |
I came up with a good many different prototypes to try and solve the | 0:09:49 | 0:09:52 | |
issue. Not just me. Tony... your father, of course. | 0:09:52 | 0:09:58 | |
To be honest, Tony was the one that came up with the original idea. | 0:09:58 | 0:10:01 | |
Simon helped. | 0:10:01 | 0:10:03 | |
I was the one who worked out how to engineer it. | 0:10:03 | 0:10:06 | |
The original Petrolheads. | 0:10:06 | 0:10:08 | |
Indeed. Named not for our driving skills, | 0:10:09 | 0:10:12 | |
but for our collective obsession with machines. | 0:10:12 | 0:10:16 | |
How did it make you rich? | 0:10:16 | 0:10:18 | |
I patented the idea. | 0:10:18 | 0:10:21 | |
And since I had a monopoly on the market, it made me very wealthy. | 0:10:21 | 0:10:26 | |
As an inventor, it's important to understand the patent process. | 0:10:27 | 0:10:30 | |
Well, generally, a patent lasts for 20 years, | 0:10:32 | 0:10:36 | |
and you have to renew it every year within that time. | 0:10:36 | 0:10:40 | |
I've got one idea here that's very nearly ready to go. | 0:10:40 | 0:10:44 | |
You've always been an inspiration to me, old man. | 0:10:45 | 0:10:48 | |
More of a father figure to me than Dad. | 0:10:48 | 0:10:51 | |
Nonsense. | 0:10:51 | 0:10:53 | |
Dad has a business proposal that may interest you. | 0:10:53 | 0:10:55 | |
I've played a small part in the thinking. | 0:10:55 | 0:10:58 | |
Would you be able to meet him at ten, tomorrow, in the evening? | 0:10:58 | 0:11:01 | |
That sounds fine. You're a lot more interested in engineering than | 0:11:04 | 0:11:08 | |
-Graham. -Well, unfortunately, | 0:11:08 | 0:11:10 | |
we don't always inherit our parents' talents. | 0:11:10 | 0:11:12 | |
I'm just lucky that I did. | 0:11:12 | 0:11:14 | |
Great to chat. | 0:11:15 | 0:11:17 | |
Tony! Hello! | 0:11:17 | 0:11:20 | |
Hello. Hello, Dave. Si! | 0:11:20 | 0:11:23 | |
-Am I interrupting? -Not at all, I was just about to leave. | 0:11:23 | 0:11:26 | |
Thanks again, David. | 0:11:26 | 0:11:28 | |
-Tony, good to see you out and about. -Always good to see you. | 0:11:31 | 0:11:35 | |
Thanks for seeing me, David. | 0:11:35 | 0:11:36 | |
Do you know, I fairly rattle around that great big house, you know. | 0:11:36 | 0:11:40 | |
I thought you were going to downsize. | 0:11:41 | 0:11:45 | |
June won't hear of it. | 0:11:45 | 0:11:46 | |
She loves the grand life, our June, eh? | 0:11:48 | 0:11:51 | |
Well, she helped with the patent, with the coil, | 0:11:51 | 0:11:53 | |
so I suppose it's only fair that she can share in its spoils. | 0:11:53 | 0:11:57 | |
Which is why I wanted to chat to you about the patent. | 0:12:00 | 0:12:03 | |
I was hoping you'd consider changing your mind. | 0:12:04 | 0:12:06 | |
Lots happened in that film, didn't it? | 0:12:09 | 0:12:12 | |
So, I worked out who "we" was. | 0:12:12 | 0:12:14 | |
-Yes, who's we? -David said, | 0:12:14 | 0:12:17 | |
the original Petrolheads were Tony, Simon and David. | 0:12:17 | 0:12:20 | |
And I presumed Simon was that Simon's dad. | 0:12:20 | 0:12:24 | |
So then thought "we" was Simon and Simon. | 0:12:24 | 0:12:28 | |
Then he said Graham, and I don't know who Graham is. | 0:12:28 | 0:12:31 | |
It's almost like we've created a complex mystery for you to solve. | 0:12:31 | 0:12:35 | |
Something stuck out for me at the start of that film. | 0:12:35 | 0:12:39 | |
Did anyone else spot it? | 0:12:39 | 0:12:40 | |
He was taking pictures of his own patent. | 0:12:40 | 0:12:42 | |
-I did notice that. -That was his redesign, so at some point... | 0:12:42 | 0:12:45 | |
-He's going to alter it. -..I hope we get hold of that camera. | 0:12:45 | 0:12:48 | |
Let's take another look at the suspects board. | 0:12:48 | 0:12:50 | |
We still haven't met the mysterious Heather Cookham, | 0:12:50 | 0:12:54 | |
the secretary at the Cotley Motor Factory. | 0:12:54 | 0:12:56 | |
But there are four new suspects to add. | 0:12:56 | 0:12:58 | |
We've got Simon Delaney, entrepreneur. | 0:12:58 | 0:13:02 | |
Tony Harrow, Petrolhead member, and June Harrow, who is Tony's wife, | 0:13:02 | 0:13:07 | |
who we haven't met yet. | 0:13:07 | 0:13:09 | |
And Graham Cotley, who is David's son. | 0:13:09 | 0:13:13 | |
What? Simon's dad? | 0:13:13 | 0:13:14 | |
Because that says Simon Junior. | 0:13:14 | 0:13:15 | |
June and Tony have obviously got some axe to grind about the patent. | 0:13:15 | 0:13:19 | |
They were involved, or he said, how they were involved in the patent, | 0:13:19 | 0:13:23 | |
and they wanted him to have a change of mind. | 0:13:23 | 0:13:26 | |
Right. I've given you a piece of evidence already, | 0:13:26 | 0:13:29 | |
now's your chance to pick another one from the following list. | 0:13:29 | 0:13:32 | |
Decide as a group which one you fancy. | 0:13:32 | 0:13:35 | |
We have a blank envelope found at the crime scene... | 0:13:35 | 0:13:38 | |
or the patent agreement of the engine coil, | 0:13:40 | 0:13:43 | |
and finally the forensic report on the van parked outside the workshop. | 0:13:43 | 0:13:48 | |
I don't know why, but I'm drawn to blank envelope. | 0:13:48 | 0:13:51 | |
I'm drawn to the van, because the patented agreement, | 0:13:51 | 0:13:54 | |
all it's going to say is that it's for 20 years and renewable every year. | 0:13:54 | 0:13:57 | |
Dipak, what do you...? You've got the casting vote here. | 0:13:57 | 0:13:59 | |
Do you know what, I'm going to go blank envelope, | 0:13:59 | 0:14:01 | |
-because it's something completely new. -Sorry. | 0:14:01 | 0:14:03 | |
-That's all right. -We can look at the van in a bit. | 0:14:03 | 0:14:05 | |
Let me reveal what the blank envelope says. | 0:14:05 | 0:14:07 | |
The envelope is blank, and has a first-class stamp on it. | 0:14:07 | 0:14:10 | |
Underneath the stamp is a camera memory card | 0:14:10 | 0:14:15 | |
that has blueprint images saved on it. | 0:14:15 | 0:14:18 | |
There is a hand-written letter found inside the envelope that says | 0:14:18 | 0:14:21 | |
"Let me live, I want to break free. Save me." | 0:14:21 | 0:14:25 | |
You said he was taking photos. | 0:14:25 | 0:14:28 | |
So he could have taken the memory stick out of the card, | 0:14:28 | 0:14:31 | |
hidden it there when he realised he was being gassed and thought, | 0:14:31 | 0:14:34 | |
how am I going to do this, because the killer's maybe going to search | 0:14:34 | 0:14:36 | |
this van. Hide it under the stamp, and then shove that in. | 0:14:36 | 0:14:39 | |
So, armchair detectives, it's time now to lock in your prime suspect. | 0:14:39 | 0:14:45 | |
Who do you think is most likely to be the killer so far? | 0:14:45 | 0:14:48 | |
I need you to write down a name in your detective's notepad. | 0:14:48 | 0:14:52 | |
At home, join in as well, write down who you think it is. | 0:14:52 | 0:14:55 | |
Is it Heather, Simon Junior, Tony, June, or Graham. | 0:14:55 | 0:15:00 | |
Write it down now. | 0:15:00 | 0:15:02 | |
Time's up. Put your notepads away. | 0:15:11 | 0:15:14 | |
-Ellouise. -Simon Junior. | 0:15:14 | 0:15:17 | |
Simon Junior? Why? | 0:15:17 | 0:15:18 | |
He's asking a lot of the right questions in terms of the murder. | 0:15:18 | 0:15:24 | |
Dipak, who is your prime suspect and why? | 0:15:24 | 0:15:27 | |
-I'm going with June. -June? | 0:15:27 | 0:15:28 | |
-Yes. -June? We don't even know what June looks like, Dipak! | 0:15:28 | 0:15:32 | |
I don't trust her silhouette! | 0:15:32 | 0:15:34 | |
-Audrey? -Simon Junior. | 0:15:37 | 0:15:39 | |
Simon Junior. Why? | 0:15:39 | 0:15:40 | |
He was a bit too nosy. | 0:15:40 | 0:15:41 | |
What in the hell has it got to do with him about the patents, | 0:15:41 | 0:15:44 | |
and how long they run for, etc, etc. | 0:15:44 | 0:15:47 | |
He's got ulterior motives about the finance behind this patent. | 0:15:47 | 0:15:51 | |
OK. Interesting. | 0:15:51 | 0:15:53 | |
It's on to round three now, the police interviews. | 0:15:53 | 0:15:56 | |
Now, you get a lot of information here, | 0:15:56 | 0:15:58 | |
so pay attention to everything that's said. | 0:15:58 | 0:16:01 | |
It is time to see Knight and Slater zone in on the people close to the | 0:16:01 | 0:16:05 | |
victim, and pull them in for questioning. | 0:16:05 | 0:16:07 | |
Notepads at the ready. | 0:16:07 | 0:16:09 | |
It's off to Mortcliff police station. | 0:16:09 | 0:16:11 | |
Simmons, what do you have for us? | 0:16:22 | 0:16:25 | |
The victim shows no signs of trauma. | 0:16:25 | 0:16:27 | |
What about the van? | 0:16:29 | 0:16:31 | |
It had a petrol engine. | 0:16:31 | 0:16:32 | |
-Is that important? -Well, | 0:16:34 | 0:16:35 | |
petrol engines emit more carbon monoxide than diesels. | 0:16:35 | 0:16:39 | |
David Cotley died quicker than he would have done in a diesel vehicle. | 0:16:39 | 0:16:43 | |
And the results on prints? | 0:16:44 | 0:16:46 | |
There were no usable prints on the keys, | 0:16:46 | 0:16:49 | |
all of the fingerprints found around the van were from David Cotley, | 0:16:49 | 0:16:52 | |
or company workers. | 0:16:52 | 0:16:53 | |
And the only prints on the pipe leading to the warehouse were from | 0:16:53 | 0:16:57 | |
-Heather Cookham. -So nothing, then? | 0:16:57 | 0:17:00 | |
I'm trying my hardest. | 0:17:00 | 0:17:03 | |
Thank you, Simmonds. | 0:17:03 | 0:17:04 | |
You are a shining star in the otherwise cold, dark universe. | 0:17:04 | 0:17:07 | |
-Funny, Slater? -Hilarious, sir. | 0:17:10 | 0:17:13 | |
Why did you visit David the day before his murder? | 0:17:17 | 0:17:20 | |
To ask him to reconsider keeping a patent active. | 0:17:20 | 0:17:23 | |
Money is tight at the moment. | 0:17:24 | 0:17:26 | |
I've just done major renovations. Without money from the patent, | 0:17:26 | 0:17:29 | |
I'm not quite sure what we're going to do. | 0:17:29 | 0:17:32 | |
-We? -My wife, June and I. | 0:17:32 | 0:17:34 | |
What does your wife do for a living? | 0:17:34 | 0:17:36 | |
She takes care of all domestic arrangements. | 0:17:36 | 0:17:39 | |
June is a great wife and mother, | 0:17:41 | 0:17:43 | |
but that's when she's not out spending all my money. | 0:17:43 | 0:17:46 | |
Never give a woman a credit card, she just goes mad with it. | 0:17:47 | 0:17:50 | |
Do you have any idea who stands to inherit David's patents? | 0:17:53 | 0:17:57 | |
No, I don't. David, Simon, June and I all benefited. | 0:17:59 | 0:18:02 | |
What were you doing last night? | 0:18:04 | 0:18:07 | |
I was at home, and June was at Bridge club. | 0:18:07 | 0:18:10 | |
Why did you visit David the day before his murder? | 0:18:14 | 0:18:16 | |
I didn't. | 0:18:18 | 0:18:20 | |
Then why did he receive a text message saying you were visiting him? | 0:18:20 | 0:18:23 | |
That was my son, Simon Junior. | 0:18:25 | 0:18:27 | |
They've been close since Simon was a kid. | 0:18:27 | 0:18:29 | |
He asked David if he would be able to meet us at ten that evening. | 0:18:29 | 0:18:32 | |
If only we hadn't... | 0:18:34 | 0:18:35 | |
..maybe he'd still be alive. | 0:18:36 | 0:18:37 | |
Odd time for a business meeting? | 0:18:39 | 0:18:40 | |
I had a busy day. | 0:18:41 | 0:18:43 | |
Besides, we often caught up with one another in the evening. | 0:18:43 | 0:18:46 | |
And what did you want to meet David about? | 0:18:47 | 0:18:49 | |
I wanted to buy a patent off him. | 0:18:50 | 0:18:52 | |
What is it that you do? | 0:18:55 | 0:18:56 | |
I also construct engine parts. | 0:18:56 | 0:18:58 | |
So you and David are partners? | 0:19:00 | 0:19:02 | |
Well, no. | 0:19:02 | 0:19:04 | |
Rivals would be more accurate. | 0:19:04 | 0:19:07 | |
Don't get me wrong, David was a brilliant man, | 0:19:07 | 0:19:08 | |
he just wasn't the only one around. | 0:19:08 | 0:19:10 | |
I once patented a more modern idea than his at one point. | 0:19:10 | 0:19:14 | |
Do you have any idea who stands to inherit the financial proceeds of | 0:19:15 | 0:19:19 | |
-David's patents? -David loved Graham, | 0:19:19 | 0:19:22 | |
I'd be surprised if he didn't pass on all his patents to his only son. | 0:19:22 | 0:19:26 | |
What were you up to last night? | 0:19:29 | 0:19:31 | |
I was at home. All evening. | 0:19:31 | 0:19:33 | |
-With your son? -No, my son was at a friend's house. | 0:19:34 | 0:19:38 | |
-Which friend? -I have no idea. | 0:19:40 | 0:19:43 | |
He's a grown man. | 0:19:43 | 0:19:44 | |
You'd have to ask him. | 0:19:45 | 0:19:49 | |
-Well... -I noticed that he had a pocket hanky. | 0:19:50 | 0:19:53 | |
You're still thinking about that hanky, aren't you? | 0:19:53 | 0:19:56 | |
With PH on it. | 0:19:56 | 0:19:57 | |
He was an original PH member, so... | 0:19:57 | 0:20:00 | |
You're quite confrontational there, Ellouise. | 0:20:00 | 0:20:02 | |
I'm just trying to help you. | 0:20:02 | 0:20:04 | |
Audrey, what are you thinking? | 0:20:04 | 0:20:05 | |
Simon Senior, right, strange time to have a meeting, ten o'clock at night. | 0:20:05 | 0:20:09 | |
-It is. -His son was supposed to go with him, but didn't go, | 0:20:09 | 0:20:12 | |
he went with friends. | 0:20:12 | 0:20:14 | |
So he hasn't got an alibi. | 0:20:14 | 0:20:15 | |
So if the son's not got an alibi, there's nobody to alibi the father. | 0:20:15 | 0:20:19 | |
Absolutely. We've learned a lot. | 0:20:19 | 0:20:21 | |
Let's take a look at the suspects. | 0:20:21 | 0:20:23 | |
We're still waiting to meet the mysterious Heather Cookham. | 0:20:23 | 0:20:27 | |
Who is she? And we've got a new one, Simon Delaney Senior. | 0:20:27 | 0:20:32 | |
Who's a Petrolhead member, which means, previously, | 0:20:32 | 0:20:35 | |
we met Simon Delaney Junior, the inventor. | 0:20:35 | 0:20:38 | |
Along with Tony Harrow, Petrolhead member, June Harrow, Tony's wife, | 0:20:38 | 0:20:43 | |
who we still haven't met, and Graham Cotley, David's son. | 0:20:43 | 0:20:47 | |
Who we've also not met. | 0:20:47 | 0:20:49 | |
Where is your finger of suspicion pointing now, Dipak? | 0:20:49 | 0:20:53 | |
-I'm sticking with June. -Yeah? | 0:20:53 | 0:20:55 | |
Yeah. | 0:20:55 | 0:20:57 | |
-Audrey? -I'm joint between both Simon Delaneys. | 0:20:57 | 0:21:01 | |
There's something a bit iffy about the pair of them. | 0:21:01 | 0:21:04 | |
-Ellouise? -For some reason, | 0:21:04 | 0:21:06 | |
Tony saying June was at Bridge club at the time of the murder isn't | 0:21:06 | 0:21:10 | |
-sitting well. -Once again, you can pick a piece of evidence, | 0:21:10 | 0:21:13 | |
and we've added a new one to the list. | 0:21:13 | 0:21:16 | |
We now have the patented agreement of the engine coil, | 0:21:16 | 0:21:20 | |
the forensics report on the van parked outside the workshop. | 0:21:20 | 0:21:24 | |
Or this new piece of evidence, | 0:21:24 | 0:21:25 | |
the forensics report on the pipe found at the workshop. | 0:21:25 | 0:21:29 | |
Maybe the patent agreement gives us something. | 0:21:29 | 0:21:31 | |
Yes, I think the patent agreement, | 0:21:31 | 0:21:35 | |
because that holds a lot of clues to what's gone on here. | 0:21:35 | 0:21:37 | |
If we're looking for a motive, I'd say the patent. | 0:21:37 | 0:21:40 | |
Yeah. I definitely think there's something more in that pipe as well, | 0:21:40 | 0:21:43 | |
because it's the only unique piece of evidence that's not contaminated, | 0:21:43 | 0:21:46 | |
like the van, with other people using it. | 0:21:46 | 0:21:47 | |
Shall we take the patent first? | 0:21:47 | 0:21:49 | |
And then the next time, we can go for the pipe. | 0:21:49 | 0:21:51 | |
Because technically, that's the murder weapon, if they pumped it in there. | 0:21:51 | 0:21:55 | |
Yeah, but then I think the motive for the murder is in the patent | 0:21:55 | 0:21:58 | |
agreement. We'll go for the pipe next, shall we? | 0:21:58 | 0:22:00 | |
Let's go motive, then. | 0:22:00 | 0:22:02 | |
I feel like Dipak has been slightly steam-rollered by Audrey there. | 0:22:02 | 0:22:05 | |
So this is David's patent agreement that was found in his workshop. | 0:22:05 | 0:22:09 | |
There's five years left on the agreement, with Tony and Simon both receiving | 0:22:09 | 0:22:13 | |
15% total profit of the coil. | 0:22:13 | 0:22:17 | |
Cotley, the victim, gets 70% of the profits. | 0:22:17 | 0:22:21 | |
I think Cotley owns 70% of it, | 0:22:21 | 0:22:24 | |
the other 30% he's gifted Simon Delaney Senior and Tony Harrow. | 0:22:24 | 0:22:30 | |
They don't actually own it. | 0:22:30 | 0:22:32 | |
-Otherwise they'd have... -I don't have any doubt about the ownership. | 0:22:32 | 0:22:35 | |
He's written into the contract that these people will get a percentage share. | 0:22:35 | 0:22:39 | |
But there's only five years left on the contract. | 0:22:39 | 0:22:41 | |
So Tony would benefit from it being reapplied and extended, | 0:22:41 | 0:22:45 | |
and Simon would benefit from it not being extended, | 0:22:45 | 0:22:48 | |
because he would get to nick that engine part. | 0:22:48 | 0:22:51 | |
Armchair detectives, | 0:22:51 | 0:22:52 | |
I need you to write down who your prime suspect is now. | 0:22:52 | 0:22:56 | |
Join in at home. | 0:22:58 | 0:22:59 | |
Have you changed your mind? | 0:22:59 | 0:23:01 | |
OK, let's see who you picked. | 0:23:05 | 0:23:07 | |
Have you changed your mind or stuck with the same person? | 0:23:07 | 0:23:09 | |
Ellouise, last time your prime suspect was Simon Junior. | 0:23:09 | 0:23:13 | |
Have you changed your mind? | 0:23:13 | 0:23:14 | |
-I have. -Who is it this time? | 0:23:14 | 0:23:16 | |
Graham. | 0:23:16 | 0:23:17 | |
Graham! | 0:23:17 | 0:23:19 | |
Why have you picked someone we've not met? | 0:23:19 | 0:23:21 | |
-That's the reason. -Because you've not met? | 0:23:21 | 0:23:23 | |
-I don't know him. -I love it, Ellouise. | 0:23:23 | 0:23:26 | |
-Dipak, last time you plumped for June. -Yes. | 0:23:26 | 0:23:30 | |
Who we also hadn't met. | 0:23:30 | 0:23:31 | |
We have you gone for this time? | 0:23:31 | 0:23:33 | |
I've completely flipped now. | 0:23:33 | 0:23:35 | |
-Simon Senior. -Simon Senior. | 0:23:35 | 0:23:37 | |
-Why? -I'm just going on the evidence that we've got, | 0:23:37 | 0:23:39 | |
who was most going to benefit from this patent, | 0:23:39 | 0:23:42 | |
you know, changing hands, or defaulting. | 0:23:42 | 0:23:46 | |
Audrey, last time you went for... | 0:23:46 | 0:23:48 | |
-Simon Junior. -Simon Junior. | 0:23:48 | 0:23:50 | |
-I'm sticking with Simon Junior. -Oh, really? -Yes. There's just something not right about him. | 0:23:50 | 0:23:56 | |
He's a bit too slippery. | 0:23:56 | 0:23:59 | |
Slippery! Well, now it's time for round four, where we dig a bit deeper. | 0:23:59 | 0:24:04 | |
It's one week before David Cotley's death, | 0:24:04 | 0:24:07 | |
and let's head back to Mortcliff. | 0:24:07 | 0:24:09 | |
Excellent. Nectar of the gods. | 0:24:16 | 0:24:19 | |
You really need a clear-out in here. | 0:24:19 | 0:24:22 | |
Nonsense, this workshop is self-cleaning. | 0:24:22 | 0:24:24 | |
Well, let me open a window for some fresh air. | 0:24:27 | 0:24:29 | |
Oh, wait, the window doesn't work! | 0:24:29 | 0:24:32 | |
Give the man a break, Heather! | 0:24:32 | 0:24:34 | |
I agree with her, this place is a tip. | 0:24:34 | 0:24:36 | |
I'm the only one that works here, | 0:24:36 | 0:24:38 | |
so you can leave it exactly the way it is, thank you very much, Heather. | 0:24:38 | 0:24:41 | |
Friends, we have worked together off and on, over the years, | 0:24:43 | 0:24:49 | |
and ever since the engine timing coil was patented 15 years ago, | 0:24:49 | 0:24:55 | |
we have done very nicely for ourselves. | 0:24:55 | 0:24:58 | |
DOOR SLAMS | 0:24:58 | 0:25:01 | |
Sorry we're late. Bus delays. | 0:25:01 | 0:25:03 | |
Very nice indeed. | 0:25:05 | 0:25:07 | |
New perfume? | 0:25:08 | 0:25:09 | |
I wear this every day. | 0:25:09 | 0:25:11 | |
If you had, I would surely have noticed. | 0:25:11 | 0:25:14 | |
I smell nothing. Which is just as well, | 0:25:14 | 0:25:17 | |
because you know that perfume is nothing more than ethanol. | 0:25:17 | 0:25:20 | |
Try not to spoil the moment, eh, Dad? | 0:25:20 | 0:25:22 | |
Anyway. I was just about to say that I have decided that now is the right | 0:25:24 | 0:25:30 | |
time for me to retire. | 0:25:30 | 0:25:32 | |
Already? | 0:25:33 | 0:25:34 | |
Indeed, you're a spring chicken. | 0:25:36 | 0:25:38 | |
Retirement's not all it's cut out to be, David. | 0:25:39 | 0:25:41 | |
I'm getting on in years | 0:25:41 | 0:25:43 | |
and I'm able to live comfortably. | 0:25:44 | 0:25:48 | |
What with my latest patent almost ready to be sent off | 0:25:48 | 0:25:52 | |
and the timing coil patent about to expire for the year, it just seems the right time. | 0:25:52 | 0:25:59 | |
And what will happen to the patent? | 0:25:59 | 0:26:01 | |
We're still making £200,000 a year on it. | 0:26:02 | 0:26:05 | |
But that's already dropped by half over the last decade. | 0:26:05 | 0:26:09 | |
Although there's still five years left, I'm going to let the patent drop. | 0:26:10 | 0:26:14 | |
-Wow! -I know. | 0:26:21 | 0:26:23 | |
There were lots of looks there, weren't there. | 0:26:23 | 0:26:25 | |
Yes. | 0:26:25 | 0:26:26 | |
What do you think, Dipak? | 0:26:29 | 0:26:30 | |
Mr and Mrs Harrow, if he retires, or he dies, they lose out, | 0:26:30 | 0:26:36 | |
because the patent doesn't get renewed. | 0:26:36 | 0:26:37 | |
He owns the patent. | 0:26:37 | 0:26:39 | |
The secretary also, if he retires, she's got no job, | 0:26:39 | 0:26:43 | |
and she needs him to hang around, maybe. | 0:26:43 | 0:26:46 | |
So, let's take a look at the suspects board. | 0:26:46 | 0:26:48 | |
So, finally we can put faces to the names of Heather Cookham, | 0:26:48 | 0:26:52 | |
the secretary at the Cotley motor factory, and June Harrow, Tony's wife. | 0:26:52 | 0:26:57 | |
We've also of course got Simon Delaney Senior, | 0:26:57 | 0:27:00 | |
Simon Delaney Junior, | 0:27:01 | 0:27:03 | |
Tony Harrow and finally as well, Graham Cotley, who was the victim's son. | 0:27:04 | 0:27:10 | |
Anything changed for you? | 0:27:10 | 0:27:12 | |
No. | 0:27:12 | 0:27:13 | |
No. Ellouise? | 0:27:13 | 0:27:15 | |
Well, Ellouise, you'll be delighted to hear, once again, | 0:27:20 | 0:27:22 | |
it's time to pick your evidence. | 0:27:22 | 0:27:25 | |
There's another new item on the list. | 0:27:25 | 0:27:27 | |
You can either have the forensics report on the van parked outside the | 0:27:27 | 0:27:30 | |
workshop. The forensics report on the pipe found at the workshop, | 0:27:30 | 0:27:34 | |
and the new item of evidence is the last will and testament | 0:27:34 | 0:27:38 | |
of David Cotley. | 0:27:38 | 0:27:39 | |
The decision is yours, guys, what do you want to see? | 0:27:39 | 0:27:42 | |
Since Ellouise and I got our way the last time, | 0:27:42 | 0:27:45 | |
we'll let you have your way this time. | 0:27:45 | 0:27:46 | |
Oh, my God, I'm going to marry both of you, this sounds amazing. | 0:27:46 | 0:27:50 | |
So, in a beautiful example of consensus, Dipak, you now get your choice, | 0:27:50 | 0:27:56 | |
and you want to see the forensics on the pipe. | 0:27:56 | 0:27:59 | |
The forensic report reveals fingerprints were found on the middle of the | 0:27:59 | 0:28:03 | |
pipe, and silk fibres found at the ends of the pipe, | 0:28:03 | 0:28:07 | |
the fingerprints belonging to Heather Cookham. | 0:28:07 | 0:28:12 | |
-Ellouise? -I'm really trying to remember who was wearing a scarf. | 0:28:12 | 0:28:16 | |
I don't know if it was Heather and June, or just June. | 0:28:16 | 0:28:22 | |
The secretary, to me, doesn't look like the silk scarf type of lady. | 0:28:22 | 0:28:27 | |
But June, with her lavish lifestyle... | 0:28:27 | 0:28:29 | |
June would have that, yes. | 0:28:29 | 0:28:31 | |
Guys, it's time to pick your prime suspect again. | 0:28:31 | 0:28:34 | |
Armchair detectives... | 0:28:34 | 0:28:36 | |
Write down who your prime suspect is now. | 0:28:36 | 0:28:38 | |
Have you changed your mind, or stuck with the same person? | 0:28:47 | 0:28:50 | |
Ellouise, last time you went for Graham Cotley, | 0:28:50 | 0:28:52 | |
despite never having seen him. | 0:28:52 | 0:28:53 | |
Who have you gone for this time? | 0:28:53 | 0:28:55 | |
-June. -Why? | 0:28:55 | 0:28:57 | |
I feel like she's the only one that can afford a silk scarf. | 0:28:57 | 0:28:59 | |
Dipak, last time you went for | 0:28:59 | 0:29:03 | |
Simon Senior. | 0:29:03 | 0:29:04 | |
Have you stuck with that, or have you changed? | 0:29:04 | 0:29:07 | |
I've stuck with Simon Senior. | 0:29:07 | 0:29:09 | |
-Because? -Because I haven't got any other evidence to push me either way. | 0:29:09 | 0:29:12 | |
I like the whole lavish lifestyle with the silk, the handkerchief, | 0:29:12 | 0:29:16 | |
I'm still waiting to put a few key pieces together. | 0:29:16 | 0:29:19 | |
Audrey, last time you went for Simon Junior. | 0:29:19 | 0:29:23 | |
-Yes. -Have you changed your mind? | 0:29:23 | 0:29:24 | |
No, I haven't. He's obviously got wind at that meeting that they had | 0:29:24 | 0:29:28 | |
before that he had a new patent. | 0:29:28 | 0:29:31 | |
So I think he's maybe trying to get his grubby, greasy little paws on it. | 0:29:31 | 0:29:34 | |
Right. Well, we're motoring towards closing this case, it's round five. | 0:29:34 | 0:29:40 | |
The final clues. | 0:29:40 | 0:29:42 | |
The detectives go to meet Graham, David's son, | 0:29:42 | 0:29:46 | |
so let's have a look and see what happens. | 0:29:46 | 0:29:48 | |
Nice. | 0:29:54 | 0:29:55 | |
Hearing the call of the road, are you, Slater? | 0:29:56 | 0:29:59 | |
Something like that. | 0:30:00 | 0:30:01 | |
Thank you. | 0:30:12 | 0:30:14 | |
Just through here. | 0:30:15 | 0:30:17 | |
Is that your bike outside? | 0:30:17 | 0:30:20 | |
-Yeah. -Cool. | 0:30:20 | 0:30:22 | |
More of a Stones man myself. | 0:30:22 | 0:30:24 | |
Can I see your driving licence, please? | 0:30:25 | 0:30:27 | |
Yeah. | 0:30:27 | 0:30:29 | |
Category A only? | 0:30:33 | 0:30:36 | |
Dad reckoned cars would be obsolete within 20 years, so... | 0:30:36 | 0:30:39 | |
-Take a seat. -Thank you. | 0:30:41 | 0:30:44 | |
Sorry to have to ask this, | 0:30:48 | 0:30:49 | |
but do you know who benefits from your father's will? | 0:30:49 | 0:30:53 | |
I think I do. | 0:30:56 | 0:30:57 | |
The factory, and all of Dad's inventions go into a trust or something. | 0:30:57 | 0:31:03 | |
He probably wouldn't leave it to me, | 0:31:03 | 0:31:05 | |
I know he wanted me to take over the business, | 0:31:05 | 0:31:07 | |
but it's not really something I want to do. | 0:31:07 | 0:31:09 | |
Do you know what he was working on? We found a lot of shredded documents. | 0:31:12 | 0:31:16 | |
I wish I'd known, but he was very secretive. | 0:31:17 | 0:31:20 | |
Do you know Simon Delaney? | 0:31:23 | 0:31:25 | |
Dad's known both the Delaneys for years. | 0:31:25 | 0:31:27 | |
Simon Delaney would have loved to patent anything Dad developed. | 0:31:27 | 0:31:30 | |
Was there any bad blood between them? | 0:31:32 | 0:31:35 | |
Look, my dad was the sweetest man. | 0:31:35 | 0:31:38 | |
I really don't know why anyone would want to kill him. | 0:31:38 | 0:31:42 | |
Even though he could be infuriating and eccentric, | 0:31:42 | 0:31:46 | |
and make bizarre choices, sometimes. | 0:31:46 | 0:31:49 | |
What kind of bizarre choices? | 0:31:49 | 0:31:51 | |
Well, the decision to drop his main patent, for example. | 0:31:52 | 0:31:55 | |
That didn't make sense to you? | 0:31:57 | 0:31:59 | |
He'd have made much more money if he'd kept it active. | 0:31:59 | 0:32:02 | |
I didn't know David was around. | 0:32:10 | 0:32:12 | |
I assumed he'd gone home at five as he usually does. | 0:32:12 | 0:32:15 | |
You stayed late? | 0:32:17 | 0:32:18 | |
I was going on holiday, | 0:32:21 | 0:32:22 | |
and I wanted to sort out the salaries before I left. | 0:32:22 | 0:32:26 | |
Did you see anyone else, or hear anything? | 0:32:30 | 0:32:32 | |
No. | 0:32:34 | 0:32:35 | |
It was around nine, I realised I could hear an engine running. | 0:32:36 | 0:32:40 | |
That's when I saw the van parked outside the workshop. | 0:32:41 | 0:32:45 | |
It struck me as odd. | 0:32:45 | 0:32:47 | |
So I went to have a look. | 0:32:47 | 0:32:48 | |
That's when I saw the pipe. | 0:32:49 | 0:32:52 | |
I yanked the pipe from the workshop door, and the van, | 0:32:52 | 0:32:57 | |
and then reversed the van from outside the workshop. | 0:32:57 | 0:33:01 | |
When I opened the door, David was lying on the floor. | 0:33:01 | 0:33:05 | |
The ambulance turned up pretty quickly. | 0:33:06 | 0:33:09 | |
I can't believe he's dead. | 0:33:12 | 0:33:13 | |
How long had you known David? | 0:33:15 | 0:33:17 | |
25 years. | 0:33:19 | 0:33:20 | |
He was such a generous man. | 0:33:21 | 0:33:23 | |
Always. He was going to give me a pay rise | 0:33:25 | 0:33:27 | |
once the latest patent had been filed. | 0:33:27 | 0:33:31 | |
Where did you keep the keys to the van? | 0:33:33 | 0:33:35 | |
Above the sun visor. | 0:33:38 | 0:33:40 | |
David thought that was sensible? | 0:33:42 | 0:33:44 | |
We kept them there for years. | 0:33:45 | 0:33:47 | |
Because the van was widely used within the company. | 0:33:47 | 0:33:50 | |
Thank you, Miss Cookham. That will be all for now. | 0:33:52 | 0:33:55 | |
Well... | 0:33:59 | 0:34:01 | |
One thing that was a bit strange, in the note that he left, | 0:34:01 | 0:34:06 | |
-"Let me live, I want to break free. Save me". -Yes? | 0:34:06 | 0:34:12 | |
The son had a poster up of Queen. | 0:34:12 | 0:34:14 | |
One of their famous songs is I Want to Break Free. | 0:34:14 | 0:34:16 | |
Oh, that got a round of applause, Audrey. | 0:34:16 | 0:34:19 | |
That got a round of applause. | 0:34:19 | 0:34:22 | |
So it's a bit strange that that should be in the thing. | 0:34:22 | 0:34:26 | |
And the son says that the inventions go into a trust, | 0:34:26 | 0:34:29 | |
but didn't say who the trust was for. | 0:34:29 | 0:34:32 | |
But in some sort of trust. | 0:34:32 | 0:34:33 | |
-Could it have been him? -Let me see if I can help you, | 0:34:33 | 0:34:36 | |
-because you now get to pick your final piece of evidence. -Right. | 0:34:36 | 0:34:38 | |
You've just got two pieces of evidence left to choose from. | 0:34:38 | 0:34:42 | |
But you'll only see one of them before you make your final accusation. | 0:34:42 | 0:34:46 | |
So you can have either the forensics report on the van parked outside the | 0:34:46 | 0:34:50 | |
workshop, or you can have the last will and testament of David Cotley. | 0:34:50 | 0:34:55 | |
Personally, I'll go for the will. What do you guys want to do? | 0:34:55 | 0:34:59 | |
Let's see what the will has to say. | 0:34:59 | 0:35:01 | |
-Will? -Yeah, will. | 0:35:01 | 0:35:03 | |
OK. You've chosen to see the will of Mr David Cotley. | 0:35:03 | 0:35:06 | |
So, David's last will and testament explains that everything will be | 0:35:06 | 0:35:09 | |
passed onto his son, Graham, in the event of his death. | 0:35:09 | 0:35:12 | |
But he didn't want it. | 0:35:12 | 0:35:14 | |
He said very clearly, Dad knew that I didn't want it. | 0:35:14 | 0:35:17 | |
-Yeah, a lie. -So would he then give himself it by killing his dad? | 0:35:17 | 0:35:22 | |
There's also the new patent as well that was going to be pending. | 0:35:22 | 0:35:26 | |
Patent number. That is the patent that he's getting. | 0:35:26 | 0:35:30 | |
Does anyone remember the old patent number. | 0:35:30 | 0:35:31 | |
Graham did say that his father wouldn't have left him that, | 0:35:31 | 0:35:35 | |
and it was going to a trust. | 0:35:35 | 0:35:37 | |
That was a porky pie. | 0:35:37 | 0:35:39 | |
Well, armchair detectives, this is the big moment. | 0:35:39 | 0:35:42 | |
You've seen most of the evidence, you've met all of the suspects. | 0:35:42 | 0:35:46 | |
You're about to make your final accusation for the chance of winning that | 0:35:46 | 0:35:50 | |
golden magnifying glass trophy. | 0:35:50 | 0:35:53 | |
So, I need you to write down who you are accusing now. | 0:35:53 | 0:35:58 | |
And you at home, who are you going to choose? | 0:35:58 | 0:36:01 | |
Have you been paying attention? | 0:36:01 | 0:36:04 | |
Who wears silk scarves, who owns the handkerchief? | 0:36:04 | 0:36:08 | |
These and many more questions will never be answered... | 0:36:08 | 0:36:10 | |
No! They will be answered in just a minute. | 0:36:10 | 0:36:13 | |
Time's up. Please put your pads and pencils down, armchair detectives. | 0:36:13 | 0:36:17 | |
Ellouise, who have you accused? | 0:36:17 | 0:36:19 | |
Simon Senior. | 0:36:19 | 0:36:21 | |
Simon Senior, and why? | 0:36:21 | 0:36:23 | |
Just going back to his interview, | 0:36:23 | 0:36:26 | |
I feel like he was very sketchy and he seems quite close to Heather to have | 0:36:26 | 0:36:33 | |
all the secret information, and his son went and done all the digging. | 0:36:33 | 0:36:37 | |
Dipak? Who have you accused? | 0:36:39 | 0:36:42 | |
I've gone with Graham. | 0:36:42 | 0:36:44 | |
-Cotley? -That's correct. -The son? | 0:36:44 | 0:36:46 | |
The victim's son? And why? | 0:36:46 | 0:36:49 | |
The very loose thread that I'm not convinced he wasn't aware of the will. | 0:36:49 | 0:36:54 | |
-Audrey? -I changed my mind to young Graham, | 0:36:54 | 0:36:59 | |
because the fact that he said he wasn't going to inherit anything, | 0:36:59 | 0:37:03 | |
which he clearly was. | 0:37:03 | 0:37:05 | |
Before Knight and Slater tell us whodunnit, | 0:37:05 | 0:37:07 | |
there's one piece of evidence you haven't seen yet. | 0:37:07 | 0:37:10 | |
Would it have made a difference? | 0:37:10 | 0:37:12 | |
Would you have changed your minds? | 0:37:12 | 0:37:13 | |
Let's take a look. What you didn't look at was the forensic report on | 0:37:13 | 0:37:16 | |
the van. | 0:37:16 | 0:37:18 | |
It's a white van that was parked outside the workshop. | 0:37:18 | 0:37:21 | |
The vehicle has a dent in the left side, the front seat is forwards, | 0:37:21 | 0:37:25 | |
and the keys have been left in the ignition. | 0:37:25 | 0:37:27 | |
Fingerprint matches, David Cotley, Heather Cookham, | 0:37:27 | 0:37:31 | |
and workers from the factory. | 0:37:31 | 0:37:33 | |
Silk fibres were found throughout. | 0:37:33 | 0:37:37 | |
Would that have changed your mind at all? | 0:37:37 | 0:37:39 | |
No. The silk fibres throughout the interior, | 0:37:39 | 0:37:44 | |
could have come from anybody, at any time. | 0:37:44 | 0:37:46 | |
What really happened in today's story, Patently Murder? | 0:37:46 | 0:37:50 | |
Who killed David Cotley? | 0:37:50 | 0:37:53 | |
Let's find out. Whodunnit? | 0:37:53 | 0:37:55 | |
The pipe could only have been pulled out by Heather, not inserted, | 0:38:00 | 0:38:04 | |
as there were no fingerprints found near the exhaust. | 0:38:04 | 0:38:06 | |
With David dead, Heather loses out on her job. | 0:38:06 | 0:38:10 | |
Simon Delaney Junior and Senior both have other business interests. | 0:38:12 | 0:38:16 | |
According to the Inland Revenue, they are doing very well indeed. | 0:38:16 | 0:38:20 | |
Graham is the one who stands to gain most from his father's death. | 0:38:21 | 0:38:25 | |
Graham has a Category A driving licence, can he drive a van, so... | 0:38:27 | 0:38:31 | |
Whereas Tony and June Harrow on the other hand... | 0:38:34 | 0:38:37 | |
-I think we should bring them in. -Mm. | 0:38:41 | 0:38:43 | |
For the record, present are DI Knight and DC Slater, | 0:38:49 | 0:38:53 | |
interviewing June Harrow. | 0:38:53 | 0:38:55 | |
Mrs Harrow, thank you for coming in today. | 0:38:55 | 0:38:58 | |
No problem. | 0:38:58 | 0:39:00 | |
Where were you on the night of David Cotley's murder? | 0:39:00 | 0:39:03 | |
I played bridge at my club. | 0:39:04 | 0:39:07 | |
-Did you drive there? -Mm-hm, I always do. | 0:39:07 | 0:39:10 | |
You're very smart, aren't you? | 0:39:14 | 0:39:16 | |
It's a long time since I've been called that. | 0:39:18 | 0:39:21 | |
Well, you left university with a double first in engineering. | 0:39:21 | 0:39:24 | |
Your husband told us that the idea for David's electrical coil came from you. | 0:39:25 | 0:39:31 | |
Yes... Not something David remembered! | 0:39:32 | 0:39:36 | |
Must have been difficult. | 0:39:36 | 0:39:37 | |
So talented, but overlooked because of your gender. | 0:39:37 | 0:39:40 | |
I wasn't the only one. | 0:39:42 | 0:39:44 | |
And then to add insult to injury, David decided to let the patent lapse. | 0:39:44 | 0:39:49 | |
-It was outrageous. -Being overlooked is one thing, | 0:39:50 | 0:39:53 | |
but losing money on something that was yours to begin with must | 0:39:53 | 0:39:58 | |
have been the final insult. | 0:39:58 | 0:39:59 | |
-I don't know what you mean. -You and your husband were struggling | 0:40:01 | 0:40:04 | |
financially. | 0:40:04 | 0:40:05 | |
Tony tried to persuade David to keep the patent active, | 0:40:06 | 0:40:09 | |
to keep money coming in. | 0:40:09 | 0:40:10 | |
Tony knew that David was meeting Simons Junior and Senior so, therefore, | 0:40:12 | 0:40:17 | |
he would be in the workshop late. | 0:40:17 | 0:40:18 | |
So you drove to the workshop, you knew where the van keys were kept. | 0:40:20 | 0:40:24 | |
David didn't hear you, because he was listening to music. | 0:40:24 | 0:40:27 | |
Nor did he notice the fumes from the van. | 0:40:27 | 0:40:30 | |
See, you knew David had lost his sense of smell after a sinus infection. | 0:40:30 | 0:40:35 | |
Once the pipe was in place, | 0:40:35 | 0:40:37 | |
you parked the van in such a way as to block the workshop door, | 0:40:37 | 0:40:40 | |
you then got into your own car and drove to bridge club. | 0:40:40 | 0:40:43 | |
That's quite a story. | 0:40:45 | 0:40:47 | |
David started to feel unwell. | 0:40:47 | 0:40:50 | |
He noticed the pipe under the door. | 0:40:50 | 0:40:52 | |
He tried to get out, but he couldn't, because the van was in the way. | 0:40:52 | 0:40:57 | |
The window wouldn't open, | 0:40:57 | 0:40:58 | |
you knew that too. | 0:40:58 | 0:41:00 | |
By the time Heather called the ambulance, it was too late. | 0:41:00 | 0:41:04 | |
The poison was already in his system. | 0:41:04 | 0:41:06 | |
Something you failed to realise was that David had enough time to shred | 0:41:06 | 0:41:10 | |
the blueprint. We found an envelope with quotes from Queen songs, no name, | 0:41:10 | 0:41:14 | |
but both Graham and David were fans. | 0:41:14 | 0:41:17 | |
You have no proof. | 0:41:18 | 0:41:20 | |
You are the only one of the Petrolheads who can drive. | 0:41:22 | 0:41:24 | |
Sorry we're late, bus delays. | 0:41:26 | 0:41:28 | |
Also, you are, what, five-foot five? | 0:41:29 | 0:41:33 | |
We noticed the driver's seat in the van was pushed quite far forward. | 0:41:33 | 0:41:37 | |
Our forensic team have just finished tests on the seat adjuster. | 0:41:37 | 0:41:40 | |
It had silk fibres on it. | 0:41:40 | 0:41:44 | |
The same silk fibres that they found on the pipe. | 0:41:44 | 0:41:47 | |
And I'm willing to bet my life that they match your scarf. | 0:41:48 | 0:41:52 | |
You had motive, means and opportunity. | 0:41:53 | 0:41:56 | |
It was my idea. Mine. | 0:41:59 | 0:42:02 | |
He should have remembered where it came from | 0:42:02 | 0:42:04 | |
and he shouldn't have let the patent lapse. | 0:42:04 | 0:42:06 | |
He deserved to die. | 0:42:08 | 0:42:09 | |
June Harrow, I'm arresting you for the murder of David Cotley. | 0:42:12 | 0:42:15 | |
You picked up on all of the clues, | 0:42:19 | 0:42:22 | |
you just didn't put it together. | 0:42:22 | 0:42:24 | |
And at one point, June Harrow was identified by you, | 0:42:24 | 0:42:31 | |
and you changed your mind. | 0:42:31 | 0:42:33 | |
Does it all make sense now? | 0:42:33 | 0:42:35 | |
-Yeah. -Yeah. -Because when I said hindsight, I wanted to go back to her, | 0:42:35 | 0:42:38 | |
because I knew Category A licence, but it's all too late. | 0:42:38 | 0:42:41 | |
My life is over! | 0:42:41 | 0:42:42 | |
No, because the joy of Armchair Detectives is you get another chance. | 0:42:43 | 0:42:48 | |
-Learn from our mistakes. -Don't worry. | 0:42:48 | 0:42:50 | |
Never mind, guys. You failed to pick today's killer. | 0:42:50 | 0:42:52 | |
Better luck next time. | 0:42:52 | 0:42:54 | |
Did any of you pick the killer? | 0:42:54 | 0:42:56 | |
Well, you get your chance as well. | 0:42:58 | 0:43:00 | |
That's all from Armchair Detectives, come back tomorrow, | 0:43:00 | 0:43:03 | |
where we find Knight and Slater on a cliff edge. | 0:43:03 | 0:43:07 | |
And remember, no-one gets away with murder in Mortcliff. | 0:43:07 | 0:43:12 | |
Goodbye. | 0:43:12 | 0:43:14 |