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Hi there. I'm in Scotland just outside Glasgow. My gosh, we've got a busy day ahead of us! | 0:00:02 | 0:00:07 | |
-Where are you going, mate? -I'm going bargain hunting. -Hop in. -That's my language! | 0:00:07 | 0:00:13 | |
'Coming up today, the Reds blow the whistle on their shopping.' | 0:00:38 | 0:00:43 | |
BLOWS WHISTLE Welcome aboard, sir! | 0:00:43 | 0:00:47 | |
-'The Blues start to feel the pressure.' -Crisis stage. | 0:00:47 | 0:00:51 | |
'It's a belter of an auction for the Reds.' I don't believe this! | 0:00:51 | 0:00:55 | |
'And love is in the air for the Blues.' | 0:00:55 | 0:00:59 | |
Welcome to The Garrion Bridges Art And Antiques Centre. | 0:01:03 | 0:01:07 | |
Our teams today have certainly got drive, | 0:01:07 | 0:01:10 | |
but will they be able to put their foot down at this antiques-buying lark? | 0:01:10 | 0:01:15 | |
They each get £300 and an hour to shop. | 0:01:15 | 0:01:18 | |
They then hitch a ride across to the auction where they hope to make a profit | 0:01:18 | 0:01:23 | |
and the team that accelerates ahead with the most profits wins. | 0:01:23 | 0:01:27 | |
So let's go and meet the Reds and Blues. | 0:01:27 | 0:01:30 | |
For the Red Team, we've got Betty and Phil, and for the Blues, we've got Beverley and Nigel. | 0:01:31 | 0:01:36 | |
-Hi, guys. -Hello. -Phil, what do you do for a living? | 0:01:36 | 0:01:40 | |
-I'm a taxi driver. -And how long have you done that for? -33 years. | 0:01:40 | 0:01:44 | |
-Have you got any famous stories about passengers? -I reckon probably Billy Connolly is the most famous. | 0:01:44 | 0:01:52 | |
-Is he as amusing as he comes across? -He was with someone, so I never got a chance to talk to him. -Oh, dear! | 0:01:52 | 0:01:59 | |
Betty, you used to be a train guard. | 0:01:59 | 0:02:01 | |
That's right. I retired just a year ago. | 0:02:01 | 0:02:04 | |
-How many years did you do that for? -20 years. | 0:02:04 | 0:02:08 | |
It says here that you consider that the train guard is more important than the driver. | 0:02:08 | 0:02:14 | |
Well, we're the ones that are facing all the passengers. | 0:02:14 | 0:02:17 | |
You certainly are. That's quite a brave job cos some of these people can be pretty peculiar. | 0:02:17 | 0:02:23 | |
-Maybe it's brave or maybe it's stupidity! -You're also an incredible daredevil. | 0:02:23 | 0:02:29 | |
-A wee bit of one. -So what have you been up to, you naughty girl? | 0:02:29 | 0:02:33 | |
Not so many years ago, I abseiled from the top of the Hilton Hotel in Glasgow. | 0:02:33 | 0:02:38 | |
-And how tall is the Hilton Hotel in Glasgow? -20 storeys. | 0:02:38 | 0:02:42 | |
20 storeys? And you abseiled? | 0:02:42 | 0:02:45 | |
-I abseiled down. It was for a charity. -It needs to be! -Yeah. | 0:02:45 | 0:02:49 | |
-You seem to have the perfect balance in your team and you should do well today. -We'll try. -Very good luck. | 0:02:49 | 0:02:56 | |
Now for the Blues... So you two love birds, how did you meet? | 0:02:56 | 0:03:00 | |
Nigel and I met on a blind date. | 0:03:00 | 0:03:03 | |
-Did you? With Cilla Black? -No. | 0:03:03 | 0:03:05 | |
-Not on the show? -No. We were introduced through a mutual friend | 0:03:05 | 0:03:10 | |
who thought we would have a lot in common. | 0:03:10 | 0:03:13 | |
So was it then just like "caramba", you met and you thought, "Oh, gosh"? | 0:03:13 | 0:03:17 | |
We met and we hit it off. I thought, "Quite a nice chap," and he thought, "She's really quiet(!)" | 0:03:17 | 0:03:23 | |
It just shows what you can cover up at the initial meeting! | 0:03:24 | 0:03:29 | |
Only joking. Nigel, you've got an interesting means of transportation. | 0:03:29 | 0:03:34 | |
-Yes, we arrived today in my taxi called Marilyn. -Which is a very comfortable machine. | 0:03:34 | 0:03:39 | |
Yes, I bought her online at a well-known auction house. | 0:03:39 | 0:03:43 | |
You bought yourself a black cab - why? | 0:03:43 | 0:03:46 | |
I've always been interested in vintage vehicles and she appealed. | 0:03:46 | 0:03:51 | |
That's great fun. Anyway, now our money moment. | 0:03:51 | 0:03:55 | |
£300 apiece. You know the rules. Your experts await and off you go. And very, very good luck. | 0:03:55 | 0:04:00 | |
So, if our teams today need a breakdown service, | 0:04:00 | 0:04:04 | |
they've always got their experts to give them a kick-start. | 0:04:04 | 0:04:08 | |
For the Red Team, Paul Laidlaw who would never blow a gasket. | 0:04:08 | 0:04:12 | |
And for the Blues, Keith Baker | 0:04:12 | 0:04:15 | |
who likes a good finish on his glassware. | 0:04:15 | 0:04:18 | |
This'll be the quickest hour in your life. | 0:04:29 | 0:04:32 | |
-Only 60 minutes left. Let's go. Come on. -OK. | 0:04:32 | 0:04:36 | |
They may have only just met, but Paul already knows the way to Betty's heart. | 0:04:36 | 0:04:42 | |
-Did you work on the trains? -Yes. The railway. | 0:04:42 | 0:04:46 | |
Well, not far from trains, if you worked on a boat, you might have used a boatswain's pipe. | 0:04:46 | 0:04:52 | |
So that's the call that you would pipe the communications round the vessel or the commander on board. | 0:04:52 | 0:04:58 | |
That alleges to be a silver one. | 0:04:58 | 0:05:00 | |
It's faithful to what it should be. | 0:05:04 | 0:05:06 | |
-I'll be dead frank with you. -Can I see it? | 0:05:06 | 0:05:09 | |
I suspect that has no great age. | 0:05:09 | 0:05:12 | |
If you wanted to play the game, you could buy that and I reckon you'd make a profit. | 0:05:12 | 0:05:17 | |
-Uh-huh. -But it ain't an antique in my opinion. | 0:05:17 | 0:05:21 | |
What I would do if I were you... Only if you're at all interested. | 0:05:21 | 0:05:25 | |
I would ask them what the death is on it, price-wise, | 0:05:25 | 0:05:29 | |
because, off the record, that didn't cost a great deal. | 0:05:29 | 0:05:33 | |
-Right. -OK, retail. Or wholesale, I should say. | 0:05:33 | 0:05:37 | |
I wouldn't rush to buy it, but I would use that as a banker. | 0:05:37 | 0:05:41 | |
If you've got five minutes to go, and we've used ten minutes already of our precious hour, | 0:05:41 | 0:05:46 | |
that's when you could fall back on it. | 0:05:46 | 0:05:49 | |
Why don't you give it a wee blow? | 0:05:49 | 0:05:51 | |
BLOWS WHISTLE Welcome aboard, sir! | 0:05:51 | 0:05:55 | |
As the Red Ship sets sail and they tactically put the pipe aside, | 0:05:55 | 0:05:59 | |
the Blues only have one thing on their mind. | 0:05:59 | 0:06:02 | |
What do you think of the coffee set? | 0:06:02 | 0:06:05 | |
I like coffee sets. I'm not so sure about that one. It's not me. It's too heavy. | 0:06:05 | 0:06:10 | |
It's very modern, but I think it's... | 0:06:10 | 0:06:13 | |
Let's have a look. It's very iconic, very stylish. Portmeirion. | 0:06:13 | 0:06:19 | |
-It's a good collector's area. -It wouldn't be me, but what do you think? | 0:06:19 | 0:06:24 | |
-I prefer something a bit more delicate than that. -Something prettier? -Yeah. | 0:06:24 | 0:06:29 | |
So the Blues seem to have their strategy in place - just look for a coffee set, what? | 0:06:29 | 0:06:36 | |
Another coffee set. | 0:06:36 | 0:06:38 | |
They're quite common. These are quite nice little coffee cans, individual ones. | 0:06:38 | 0:06:43 | |
£10 the pair. | 0:06:43 | 0:06:45 | |
Just from a social history point of view, they're absolutely amazing things for a fiver each. | 0:06:45 | 0:06:52 | |
The teams are on a mission to seal their first deal, | 0:06:52 | 0:06:56 | |
but Betty seems a bit cautious about the Reds' next find. | 0:06:56 | 0:07:00 | |
Betty, come and see this. | 0:07:00 | 0:07:02 | |
-Let me see. -You put a candle in there. | 0:07:02 | 0:07:06 | |
-You walk around the corridor with a candle in it. -I'd be a wee bit worried about a candle in that. | 0:07:06 | 0:07:12 | |
-There's not much to hold it there. -Ignoring the health and safety aspects, can I have a wee shufty? | 0:07:12 | 0:07:18 | |
I've certainly not seen anything quite like that. | 0:07:18 | 0:07:21 | |
So we know we have a chamberstick. | 0:07:21 | 0:07:24 | |
-Yeah. -Yeah. | 0:07:24 | 0:07:26 | |
And clearly it is commemorate of Ile de St Helene, | 0:07:27 | 0:07:31 | |
or St Helena, | 0:07:31 | 0:07:33 | |
which is where Napoleon was exiled. | 0:07:33 | 0:07:36 | |
-Exiled, yeah. -For the second time. -He died on St Helena? -Yeah. | 0:07:36 | 0:07:41 | |
But the lobes of the socket are all faced by imperial eagles. | 0:07:41 | 0:07:47 | |
So you've got that continuity there. What a quirky little thing! | 0:07:47 | 0:07:51 | |
-I think we'll get that. I really like that. -What's the price on that? -£24. -It's not a lot of money. | 0:07:51 | 0:07:57 | |
-Is that worth £20, £30 at auction on a bad day? -I think it would be. | 0:07:57 | 0:08:02 | |
-I think you need to try and just get that price down... -Half the price. | 0:08:02 | 0:08:07 | |
-I like the way you think! -You start off there. | 0:08:07 | 0:08:10 | |
Betty doesn't shy away from danger, so whilst the Reds get a price on the hazardous candlestick, | 0:08:10 | 0:08:17 | |
the Blues have found just what they're looking for. | 0:08:17 | 0:08:20 | |
We've got the Wedgwood mark on the bottom, as it says on the label. | 0:08:20 | 0:08:24 | |
Moselle is the pattern. Whether it's anything similar like to the Moselle wine and everything, | 0:08:24 | 0:08:30 | |
but this has got a vine leaf look. | 0:08:30 | 0:08:32 | |
I see that it was 120. They've reduced it to 65. | 0:08:32 | 0:08:36 | |
That would probably indicate that it's been here a little while, | 0:08:36 | 0:08:40 | |
so it might not be the most popular thing in the antiques centre, | 0:08:40 | 0:08:45 | |
but at £65, if someone wants it, | 0:08:45 | 0:08:48 | |
I don't think you could go into any china shop today and buy it new for £65. | 0:08:48 | 0:08:53 | |
-I think it would be a good buy. -I think so. -It might do well. | 0:08:53 | 0:08:56 | |
-There's always the risk at auction that you'll find someone that wants it. Shall we have a go? -Yes. | 0:08:56 | 0:09:02 | |
We'll see what we can get on that. | 0:09:02 | 0:09:04 | |
A writing chest... | 0:09:05 | 0:09:07 | |
-Your chamberstick - would you be happy at 20? -20? -Aye, I think so. | 0:09:07 | 0:09:12 | |
-Would you be happier at 18? -18 would be better. -That's what you could get it for. -Smashing. | 0:09:12 | 0:09:18 | |
-Sold. -Excellent. Well done. -It was just a wee bit over. -We did all right there. | 0:09:18 | 0:09:24 | |
The Reds have made their first purchase, so that's one up on the Blues. | 0:09:26 | 0:09:31 | |
But Keith has news for his team. | 0:09:31 | 0:09:33 | |
-I've just been to check on the Wedgwood coffee set. -Oh, yeah. | 0:09:33 | 0:09:37 | |
Even though it's been reduced by half anyway, they're gonna knock another fiver off, so that's £60. | 0:09:37 | 0:09:44 | |
-I think it's a good buy at that. -I think so. -Are you both sure? | 0:09:44 | 0:09:48 | |
-Yes. -Number one purchase. -The three of us are in agreement. OK, let's go and have a look. -Sounds good. | 0:09:48 | 0:09:54 | |
So the Blues have their first purchase. 20 minutes down and it's one-all. | 0:09:55 | 0:10:01 | |
-Betty, tell us if there's any damage. -I'll let you have a wee look first since you picked it out. | 0:10:02 | 0:10:08 | |
-There's no damage. -Nothing the matter with that? -Not a mark. | 0:10:08 | 0:10:12 | |
No cracks, nothing. | 0:10:12 | 0:10:14 | |
-How old would that be? -In truth, it's a 20th century piece, but it's nice. | 0:10:16 | 0:10:21 | |
-I like the shamrocks. That would appeal to a lot of people. -It is what it is. | 0:10:21 | 0:10:26 | |
This is what they do. It cries out, this really fine porcelain. | 0:10:26 | 0:10:31 | |
-Yeah. -It is... | 0:10:31 | 0:10:34 | |
-all of £45. -Hmm. | 0:10:34 | 0:10:36 | |
We need to get a big chunk off that, but I'm happy to give it a go for you. | 0:10:36 | 0:10:41 | |
-See if you can find another bargain. -Do your best. -See you in a mo. -Right, see you shortly. -OK. | 0:10:41 | 0:10:47 | |
The Reds could be racing ahead, but have the Blues struck lucky with a fishy find? | 0:10:52 | 0:10:58 | |
"Deep-sea fishing reel, mahogany and brass-fitted Bakelite..." | 0:10:58 | 0:11:03 | |
-I like the brass reels. That's... -That gavel's actually quite a nice object. | 0:11:04 | 0:11:09 | |
-How much is that? -£45. | 0:11:09 | 0:11:12 | |
-Excuse me. Could we have a look in here? -Yeah, sure. -We'd like to look at that reel and perhaps the gavel. | 0:11:12 | 0:11:19 | |
-Do you want a look? -I would like to see the reel, yeah. | 0:11:19 | 0:11:23 | |
It's in good condition. It doesn't look as though it's been restored. | 0:11:24 | 0:11:29 | |
That's where the rod would obviously slot in there. | 0:11:29 | 0:11:32 | |
And you would screw on either side to hold it on. | 0:11:32 | 0:11:36 | |
The Bakelite would put it in the '30s. | 0:11:36 | 0:11:39 | |
-It's the sort of thing you'd get on door handles. -That's right. | 0:11:39 | 0:11:43 | |
So though it's not one of my specialities, it does have a charm. | 0:11:43 | 0:11:48 | |
I think if we could knock him down £10, get it for 25, that would be... | 0:11:48 | 0:11:52 | |
-Is there a possibility of getting that for 25? -Yeah, I'll try. > | 0:11:52 | 0:11:56 | |
-Shall we have a look at the gavel while we're here? -Yes. | 0:11:56 | 0:12:00 | |
I thought with the little stand, obviously it's a... | 0:12:01 | 0:12:05 | |
-That's nice when you see it. -It is nice with the ivory. | 0:12:05 | 0:12:08 | |
-That's inlaid, yeah. -It's nice wood, nicely made. | 0:12:08 | 0:12:12 | |
It is the sort of thing that's a niche. | 0:12:12 | 0:12:15 | |
If there was someone that had just been in auctioneering for 50 years or something, | 0:12:15 | 0:12:21 | |
-that's a little present to celebrate... -A retirement gift. | 0:12:21 | 0:12:25 | |
-Yeah. -Or a special birthday. -It'd be lovely. | 0:12:25 | 0:12:28 | |
-It's quite in keeping with the programme as well. -Yeah. | 0:12:28 | 0:12:32 | |
It was £65. It's been reduced to 45. | 0:12:32 | 0:12:36 | |
-I think that sounds fairly reasonable. -Nigel likes a bargain. | 0:12:36 | 0:12:40 | |
-If we can get a little bit more off it... -Anything will be helpful. | 0:12:40 | 0:12:44 | |
But I think £45 doesn't sound a murderous amount for it. | 0:12:44 | 0:12:48 | |
-Let's see what we can get. -I think it's nice. Shall we have a go? -Yes. | 0:12:48 | 0:12:52 | |
Let's see if we can get it down a bit, but I think it could be an interesting buy. | 0:12:52 | 0:12:57 | |
At this rate, the Blues could finish their shopping before the hour is up. | 0:12:58 | 0:13:04 | |
The Reds are so engrossed with their shopping, they've forgotten that Paul's there! | 0:13:04 | 0:13:09 | |
-Right then, guys... -That's quite nice. -Here's the news. -Sorry? | 0:13:09 | 0:13:13 | |
-Here's the news. -Is it good news or bad news? -Well, it's there or thereabouts. | 0:13:13 | 0:13:18 | |
At the moment, and I think I'm almost as low as I'll get the price, it's down to £25. | 0:13:18 | 0:13:24 | |
-Right. -Look, if it makes 20, you've no' lost a great deal. | 0:13:24 | 0:13:29 | |
-Aye, that's true. -If it makes 35, great stuff. -You're a tenner up. | 0:13:29 | 0:13:33 | |
It ain't gonna transform your fortunes one way or another, | 0:13:33 | 0:13:37 | |
-but I've really pulled out the stops. -It's in with a chance. | 0:13:37 | 0:13:41 | |
I reckon if I go back... Going back, you always get another pound or two and I'm always keen to take that. | 0:13:41 | 0:13:47 | |
-If I can maybe make that 22, 23, do we do it? -Yeah. | 0:13:47 | 0:13:51 | |
-You're up for that? -Yeah. -Yeah. -OK, leave it with me. -22 sounds good to me. -It's a deal. | 0:13:51 | 0:13:58 | |
And Paul managed to get the price down to £22. | 0:13:58 | 0:14:01 | |
With the Reds' second purchase in the bag, the Blues need to get prices on the reel and gavel. | 0:14:01 | 0:14:07 | |
-Hi. -I found out the prices. -Good news or bad news? | 0:14:07 | 0:14:11 | |
-Very good news. He can do the fishing reel for 20. -20? -Yeah. And the gavel for 40. | 0:14:11 | 0:14:16 | |
That's great. What do you think? Shall we...? | 0:14:16 | 0:14:20 | |
I like them both. Let's just have a wee look round some of the other things. | 0:14:20 | 0:14:25 | |
-You don't want to...? -Can you hold them both for us? Yeah, sure, no worries. | 0:14:25 | 0:14:30 | |
-Are you OK with that, Beverley? -Yeah. Thank you. | 0:14:30 | 0:14:33 | |
'Another tactical move, this time from the Blues. | 0:14:33 | 0:14:37 | |
'Now I'll check to see if things are going to plan for the Reds.' | 0:14:37 | 0:14:41 | |
-How are you getting on? -Fine, thanks. -We're doing not too bad. | 0:14:41 | 0:14:45 | |
-We've got a couple of things. -Two definites. One more thing to find. | 0:14:45 | 0:14:49 | |
-How much time have you got? -We've still got half an hour. -Feeling quite confident? -Yeah. | 0:14:49 | 0:14:55 | |
-Hopefully. -Hopefully. How have they been for you, Paul? -Great. Good eye. Good eye. | 0:14:55 | 0:15:01 | |
Phil, in particular. Dark horse, that one. | 0:15:01 | 0:15:04 | |
OK, the dark horse, eh? | 0:15:04 | 0:15:06 | |
-Good luck, guys. -Thanks, Tim. Bye. | 0:15:06 | 0:15:09 | |
'You certainly wouldn't take Phil for a ride. | 0:15:09 | 0:15:12 | |
'Halfway through and the teams seem in pretty good shape.' | 0:15:12 | 0:15:16 | |
If the teams want to boost their profits, they've got the bonus buy. | 0:15:18 | 0:15:22 | |
That's the bit where the expert takes any leftover lolly and buys a mystery item, | 0:15:22 | 0:15:28 | |
which is revealed to the teams at the auction, | 0:15:28 | 0:15:31 | |
and if they choose to go with it and it makes a profit, they get to keep the profit. | 0:15:31 | 0:15:37 | |
If they go with it and it makes a loss, they keep the loss too. | 0:15:37 | 0:15:41 | |
The teams still have a bit of time left and they're determined to keep sniffing out those bargains. | 0:15:44 | 0:15:50 | |
We need something really sexy, don't we? | 0:15:50 | 0:15:54 | |
-£18? -Yeah. | 0:15:54 | 0:15:56 | |
I always feel I miss out. | 0:15:57 | 0:16:00 | |
What do you think about this? | 0:16:00 | 0:16:02 | |
-No? -Honestly? LAUGHTER | 0:16:02 | 0:16:05 | |
I quite like that. | 0:16:06 | 0:16:08 | |
-What do you think? -No. | 0:16:08 | 0:16:10 | |
I think it's desperately out of fashion. | 0:16:10 | 0:16:14 | |
Is it? I think it's lovely as well. | 0:16:14 | 0:16:17 | |
Maybe that's me. I'm out of fashion! | 0:16:17 | 0:16:21 | |
That's £120. "French mantel clock, circa 1880." | 0:16:21 | 0:16:25 | |
Paul was in search of something sexy and this little number seems to be giving Betty a thrill. | 0:16:25 | 0:16:31 | |
-First impressions? -Beautiful. -That looks great. | 0:16:31 | 0:16:34 | |
And it has a lovely feel to it. | 0:16:34 | 0:16:37 | |
-Is that rosewood? -Yes. Our dark veining tells us that. | 0:16:38 | 0:16:43 | |
Silver-plated mounts crying out quality. | 0:16:43 | 0:16:46 | |
-What do you think it is? -Age-wise? -No. | 0:16:46 | 0:16:50 | |
We'll get to that. What do you think it's for? | 0:16:50 | 0:16:53 | |
I don't know, but I think my earrings would go in it. | 0:16:53 | 0:16:56 | |
In my opinion, this could be a humidor perhaps for cigars or smoking paraphernalia. | 0:16:56 | 0:17:02 | |
-But label that up as a cigar cabinet and watch the buyers run to the horizon. -They don't want to know. | 0:17:02 | 0:17:08 | |
-Label it up as a jewellery box, ta-da! -Aye. | 0:17:08 | 0:17:12 | |
-That is £198 and I think... -Which is expensive, but... | 0:17:12 | 0:17:18 | |
Expensive for us bargain-hunters. | 0:17:18 | 0:17:20 | |
My estimate at auction, that's worth £100 to £150. | 0:17:20 | 0:17:25 | |
-I'll keep looking. -It's quite heavy, isn't it? | 0:17:25 | 0:17:28 | |
-Feel the quality. -I'll go and find out what I can get at the best price. -Good luck. -I'll do my best. | 0:17:28 | 0:17:35 | |
The hour's nearly up. Have they found anything to make big bucks? | 0:17:37 | 0:17:41 | |
And has Betty charmed some money off that jewellery box? | 0:17:41 | 0:17:46 | |
Well, boys, not a great deal of luck there. | 0:17:48 | 0:17:52 | |
-£178. -It's too much. | 0:17:52 | 0:17:54 | |
-It's still too dear. -Still too much. | 0:17:54 | 0:17:57 | |
-You're not gonna try...? -I don't know. We'll maybe have another try. | 0:17:57 | 0:18:01 | |
Or send the big guns in. We'll send Paul in! | 0:18:01 | 0:18:04 | |
-178's too much. -Far too much. -You couldn't make anything on that, could you? -No, no. | 0:18:04 | 0:18:09 | |
-With minutes left, our teams need to make some crucial decisions. -Crisis stage. | 0:18:09 | 0:18:16 | |
-Right then, folks, three minutes. -Right. -Right. | 0:18:16 | 0:18:20 | |
We've still not made up our minds on the reel or the gavel. | 0:18:20 | 0:18:24 | |
-Snaffle that boatswain's pipe. -I'm keen on the gavel. | 0:18:24 | 0:18:27 | |
-I'm quite taken with that. -Three minutes, let's go. -Let's go. | 0:18:27 | 0:18:31 | |
-Let's go and tell them that we'll have the reel and the gavel and we'll have a good go at it. -Great. | 0:18:31 | 0:18:37 | |
Phew! Thank goodness for that! | 0:18:37 | 0:18:40 | |
-Are we going for it? -I think it's smashing. -I'll go and say yes then. | 0:18:40 | 0:18:44 | |
-Yeah. -See you in a mo. | 0:18:44 | 0:18:46 | |
Let's remind ourselves what the Reds bought. | 0:18:46 | 0:18:49 | |
Betty thought it was dangerous, | 0:18:49 | 0:18:52 | |
but they plumped for the silver-plated chamberstick. | 0:18:52 | 0:18:55 | |
Phil was taken with the Belleek porcelain jug. | 0:18:55 | 0:18:59 | |
And it took them back to where they started - | 0:19:00 | 0:19:03 | |
the silver Royal Navy whistle called a boatswain's pipe. | 0:19:03 | 0:19:07 | |
-So, you two, you struggled to find something valuable. -Yeah, well... | 0:19:07 | 0:19:12 | |
-And completely failed by only spending £60. -Yeah, I know. | 0:19:12 | 0:19:16 | |
Anyway, £60 only spent. | 0:19:16 | 0:19:19 | |
£240 later... | 0:19:19 | 0:19:22 | |
How can you go out shopping for an hour and only spend 60 quid? | 0:19:22 | 0:19:26 | |
It's not strategic, I hasten to add. | 0:19:26 | 0:19:30 | |
Off you go. Good luck. Let's remind ourselves what the Blues bought. | 0:19:30 | 0:19:34 | |
They were keen to get a coffee set | 0:19:34 | 0:19:37 | |
and the Wedgwood Moselle bone china one was the winner. | 0:19:37 | 0:19:41 | |
Nigel was hooked on the fishing reel with brass and Bakelite fittings. | 0:19:41 | 0:19:46 | |
And it would set any auctioneer's heart alight - | 0:19:47 | 0:19:51 | |
the ebony and ivory gavel. | 0:19:51 | 0:19:53 | |
-Bev, which is your favourite piece? -My favourite piece is the gavel. | 0:19:53 | 0:19:58 | |
-What about you, Nige? -Fishing reel. -The fishing reel is your favourite. | 0:19:58 | 0:20:02 | |
You spent £120 which is not so much money. | 0:20:02 | 0:20:05 | |
You're gonna give me 180 of leftover lolly | 0:20:05 | 0:20:08 | |
for Keith to go off and find something brilliant that's gonna churn out tons of profit. | 0:20:08 | 0:20:14 | |
-I hope so. -Good luck. -See you later. -Lovely. | 0:20:14 | 0:20:17 | |
I'm off to explore the amazing city of Glasgow. | 0:20:17 | 0:20:21 | |
In the 1980s and 1990s, Glasgow underwent a cultural renaissance | 0:20:26 | 0:20:32 | |
and in 1990 was named European City of Culture. | 0:20:32 | 0:20:36 | |
This shouldn't have come as a big surprise | 0:20:36 | 0:20:40 | |
as Scotland has long been known for producing adventurous artists and designers. | 0:20:40 | 0:20:45 | |
For over 100 years, the Kelvingrove Museum and Art Gallery has stood here | 0:20:45 | 0:20:51 | |
as a showcase for art and culture | 0:20:51 | 0:20:54 | |
and the products of all that Scottish talent. | 0:20:54 | 0:20:59 | |
25 of these talented individuals came together in the 1880s | 0:21:00 | 0:21:04 | |
with the sole aim of transforming Scottish art. | 0:21:04 | 0:21:08 | |
Known as the Glasgow Boys, | 0:21:08 | 0:21:10 | |
this group of young men were rebelling against sentimental Victorian art like this | 0:21:10 | 0:21:17 | |
and attempting to capture the character and characters of Scotland | 0:21:17 | 0:21:24 | |
in a more fresh and realistic way. | 0:21:24 | 0:21:26 | |
And there's surely no more outdoor scene than this. | 0:21:30 | 0:21:34 | |
Painted at Cockburnspath, Berwickshire, | 0:21:34 | 0:21:38 | |
it shows the artist hard at work, | 0:21:38 | 0:21:41 | |
doing his painting underneath the umbrella. | 0:21:41 | 0:21:44 | |
This is James Guthrie who painted this picture in 1883. | 0:21:44 | 0:21:50 | |
He would have had to cart his canvas and the paints and all his equipment to this particular spot | 0:21:50 | 0:21:56 | |
and you can see his satchel here in the foreground. | 0:21:56 | 0:22:00 | |
He would have painted this very quickly. | 0:22:00 | 0:22:03 | |
He only had that day perhaps out with the sun in this particular way | 0:22:03 | 0:22:07 | |
and you can see these incredibly immediate, vibrant, broad brushstrokes, | 0:22:07 | 0:22:13 | |
literally scraped through the impasto paint. | 0:22:13 | 0:22:17 | |
In the harsher winter months, the Glasgow Boys would meet up in each other's studios | 0:22:18 | 0:22:23 | |
to discuss their progress. | 0:22:23 | 0:22:25 | |
All their experiences influenced each other | 0:22:25 | 0:22:28 | |
and the group's focus shifted and evolved to other subjects and styles. | 0:22:28 | 0:22:33 | |
In this painting, we've moved right away from the bright and breezy, fresh countryside | 0:22:33 | 0:22:39 | |
into an urban environment. | 0:22:39 | 0:22:42 | |
It was painted by Sir John Lavery in 1888 at the time of the Glasgow Exhibition | 0:22:42 | 0:22:48 | |
which was an extraordinary event for Glasgow. | 0:22:48 | 0:22:52 | |
These structures were temporary. They were built here at Kelvingrove. | 0:22:52 | 0:22:56 | |
And Lavery took it upon himself to paint a whole series of scenes relating to the Exhibition, | 0:22:56 | 0:23:03 | |
50 in total. | 0:23:03 | 0:23:05 | |
What we've got here is a large middle-class audience. | 0:23:05 | 0:23:09 | |
Each of the people in this picture could potentially be a purchaser of a Lavery painting | 0:23:09 | 0:23:16 | |
of that moment in their exhibition. | 0:23:16 | 0:23:19 | |
In short, Lavery was becoming much more commercial. | 0:23:19 | 0:23:23 | |
Nothing the matter with that because he's not betraying his principles. | 0:23:23 | 0:23:28 | |
He's still painting out of doors, he's painting in a free and imprecise way. | 0:23:28 | 0:23:34 | |
What I love about this picture is the way the illuminations are just coming on at dusk | 0:23:34 | 0:23:40 | |
with these blobs of pink paint that are arranged over the surface | 0:23:40 | 0:23:45 | |
as if they're Chinese lanterns. | 0:23:45 | 0:23:48 | |
In the late 1880s, the Glasgow Boys started moving away | 0:23:48 | 0:23:52 | |
from their much-loved, realistic scenes of everyday life | 0:23:52 | 0:23:56 | |
and into more symbolic subjects. | 0:23:56 | 0:23:58 | |
By 1890, the Glasgow Boys had reached the pinnacle | 0:23:59 | 0:24:04 | |
of their creativity and inventiveness as a group. | 0:24:04 | 0:24:08 | |
And that's evidenced in this picture | 0:24:08 | 0:24:11 | |
which is entitled The Druids Bringing In The Mistletoe. | 0:24:11 | 0:24:16 | |
It was painted by two Glasgow Boys in tandem, | 0:24:16 | 0:24:20 | |
one Henry and one Hornel. | 0:24:20 | 0:24:23 | |
And what they've created here is a homage to their Celtic roots, | 0:24:23 | 0:24:28 | |
their interest in archaeology and all things Scottish. | 0:24:28 | 0:24:33 | |
And by this period, the Glasgow Boys are particularly interested in patterns. | 0:24:33 | 0:24:38 | |
Separate out from the picture the shape of each of the leaves relating to the mistletoe | 0:24:39 | 0:24:46 | |
and they form perfect crescents. | 0:24:46 | 0:24:49 | |
Look at the individual segments of these elaborate costumes | 0:24:49 | 0:24:53 | |
and they're stuffed with patterns throughout. | 0:24:53 | 0:24:57 | |
This painting created the international reputation of the Glasgow Boys. | 0:24:57 | 0:25:03 | |
It was a sensation when exhibited in Munich in 1890 | 0:25:03 | 0:25:08 | |
and indeed some people would say | 0:25:08 | 0:25:10 | |
that this picture would fit most exactly in a Secessionist Schloss. | 0:25:10 | 0:25:16 | |
The big question is, | 0:25:16 | 0:25:18 | |
are our teams today going to get well and truly "sloshed" over at the auction? | 0:25:18 | 0:25:24 | |
We've come in from Garrion Bridge to the centre of Glasgow to Great Western Auctions | 0:25:42 | 0:25:48 | |
-to be with our great auctioneer, Anita Manning. -Lovely to have you here, Tim. | 0:25:48 | 0:25:53 | |
Very nice to be here. We've got Phil and Betty with Paul Laidlaw. | 0:25:53 | 0:25:58 | |
Their first item is a little chamber candlestick. | 0:25:58 | 0:26:01 | |
-I suppose "chamber candlestick" because you put your wee candle in there and take it up to bed. -Yes. | 0:26:01 | 0:26:08 | |
But its association, I think, with Napoleon is essentially a tourist market thing, don't you? | 0:26:08 | 0:26:14 | |
Yes, I think it's been made as a souvenir for the tourist market in the 20th century, | 0:26:14 | 0:26:19 | |
late, mid-20th century. | 0:26:19 | 0:26:22 | |
Yes, so they paid £18. | 0:26:22 | 0:26:25 | |
-Do you think you can turn them a profit on that? -I think so. | 0:26:25 | 0:26:29 | |
Anything Napoleon-related is popular, especially with men. | 0:26:29 | 0:26:33 | |
Oh, yeah? | 0:26:33 | 0:26:35 | |
-I've estimated 20 to 30. -OK, brilliant. That's lovely. | 0:26:35 | 0:26:39 | |
The Belleek porcelain jug looks just as if it may have come from Fermanagh in 1880. | 0:26:39 | 0:26:45 | |
-But when was this one made? -Probably late '50s, early '60s. | 0:26:45 | 0:26:49 | |
-Right. -It's not an early one. -So how much then, do you think? | 0:26:49 | 0:26:54 | |
As it's not an early one, I haven't estimated it high, but it should do between £20 and £30. | 0:26:54 | 0:27:00 | |
Great. They paid £22 which is not a lot of money. We've got two potential winners so far. | 0:27:00 | 0:27:05 | |
Before we blow the whistle on this, what do you think about the boatswain's whistle? | 0:27:05 | 0:27:12 | |
I think they're wonderful. My old dad was in the Royal Navy, so I have a leaning towards there. | 0:27:12 | 0:27:18 | |
-What do you think it might bring? -I've estimated 20 to 30. | 0:27:18 | 0:27:22 | |
-£20 is all they paid. -I may have been a wee bit conservative there. | 0:27:22 | 0:27:26 | |
So maybe we can watch out for some sparks there. | 0:27:26 | 0:27:30 | |
-On your estimates versus what the team paid, they seem to be on a winning street here. -Yeah. | 0:27:30 | 0:27:36 | |
But just in case, we'll have a look at their bonus buy. Here it comes. | 0:27:36 | 0:27:40 | |
So, Phil and Betty, you gave Paul a massive £240. What did you spend it on? | 0:27:40 | 0:27:47 | |
-Well, have a look at that. -What is it? | 0:27:47 | 0:27:50 | |
Let me tell you. That is a Georgian silver dish stand. | 0:27:50 | 0:27:55 | |
-Right. -Very simple and elegant, but I'll tell you what lifts it for me. | 0:27:55 | 0:27:59 | |
It's this lovely little plaque here bearing an armorial crest. | 0:27:59 | 0:28:05 | |
-Right, yeah. -That was the crest of a fine family, their own disc. | 0:28:05 | 0:28:10 | |
-Good piece. About 200 years ago. -What family? | 0:28:10 | 0:28:13 | |
That would've really put the icing on this cake | 0:28:13 | 0:28:16 | |
and that's where your speculator today will hope perhaps to enhance the value of this | 0:28:16 | 0:28:22 | |
when they give us a tidy profit. | 0:28:22 | 0:28:24 | |
-Very good. -Right then... | 0:28:24 | 0:28:27 | |
The big question is, how much? | 0:28:27 | 0:28:29 | |
I paid £58 for that. | 0:28:31 | 0:28:33 | |
-Right. -A 200-year-old piece of silver. -Jeez... -All right? | 0:28:33 | 0:28:38 | |
I'll stick my neck out here. On a good day, I think that could make £80 to £120. | 0:28:38 | 0:28:43 | |
It's unusual. It's very interesting and I like the coat of arms. | 0:28:43 | 0:28:48 | |
That really makes it a bit special. | 0:28:48 | 0:28:51 | |
That's the thing I like about it, the coat of arms. | 0:28:51 | 0:28:55 | |
Everybody seems to like it. You don't have to choose right now. | 0:28:55 | 0:28:59 | |
But for the audience at home, let's find out what the auctioneer thinks about it. | 0:28:59 | 0:29:04 | |
Anita, what do you make of that fellow? | 0:29:04 | 0:29:07 | |
Well, it's a wonderful antique item. | 0:29:07 | 0:29:11 | |
Early 19th century. | 0:29:11 | 0:29:13 | |
The twist or rope work is beautifully done. | 0:29:13 | 0:29:18 | |
Lovely, Anita. How much? | 0:29:18 | 0:29:20 | |
50 to 70. | 0:29:20 | 0:29:23 | |
£50 to £70? Laidlaw paid £58. | 0:29:23 | 0:29:26 | |
-So your cunning compatriot... -Maybe I was a wee bit mean. | 0:29:26 | 0:29:30 | |
Oh, surely not, Anita! | 0:29:30 | 0:29:32 | |
That's it for the Reds. Now for the Blues. We're gonna start off with the coffee set which is complete. | 0:29:32 | 0:29:38 | |
When do you think it was made, Anita? | 0:29:38 | 0:29:41 | |
Probably 1970s. The Moselle pattern, um, 1970s... | 0:29:41 | 0:29:46 | |
It would have been the height of style at that time. | 0:29:46 | 0:29:50 | |
-And today, what are you likely to get at auction? -The estimate on this, £50 to £70. | 0:29:50 | 0:29:56 | |
-That's, as they say, "nae so bad" because £60 was paid. -Right. -So they stand a chance of making a profit. | 0:29:56 | 0:30:03 | |
Next is this large reel. | 0:30:03 | 0:30:06 | |
Now, this looks like a bit of a rough old dude to me. | 0:30:06 | 0:30:10 | |
-Doesn't it you? -Fishermen love anything to do with the equipment that they use. | 0:30:10 | 0:30:16 | |
-Yes. -This would obviously have been used to catch very big fish. | 0:30:16 | 0:30:21 | |
And that's about as much as I can say about it! | 0:30:21 | 0:30:25 | |
-What's your estimate? -25 to 40. -They'll be delighted. | 0:30:25 | 0:30:29 | |
They only paid £20 for it which is very good. | 0:30:29 | 0:30:33 | |
Now, the auctioneer's gavel. This is a pretty heavyweight gavel, isn't it? | 0:30:33 | 0:30:39 | |
-Yeah. -Does it suit you? -Uh-huh. I quite like the gavel. -Good. How much? | 0:30:39 | 0:30:45 | |
-50 to 70. -£40 paid. -Oh, well, that's not too bad. -There we go. | 0:30:45 | 0:30:49 | |
Depending on the fishermen, the junior league auctioneers | 0:30:49 | 0:30:54 | |
-and the young punters of Glasgow, we've got some interest here. -Some variety. -Some variety. | 0:30:54 | 0:31:00 | |
They may need their bonus buy, so let's look at it. | 0:31:00 | 0:31:04 | |
So, team, you spent £120. You gave Keith £180. Let's see what he spent it on. | 0:31:04 | 0:31:09 | |
All is revealed. | 0:31:09 | 0:31:12 | |
-A-ha. -Oh. | 0:31:12 | 0:31:14 | |
Obviously, it's a box. | 0:31:14 | 0:31:17 | |
The decoration is embossed pewter sheets, | 0:31:17 | 0:31:20 | |
so date-wise, about 1900. | 0:31:20 | 0:31:22 | |
-Yeah. -I suppose it's sort of a cross between Arts and Crafts and Art Nouveau in design. | 0:31:22 | 0:31:29 | |
I thought it would appeal to a Glasgow audience. What do you think? | 0:31:29 | 0:31:33 | |
-Sounds good. What's it like inside? -What would it be used for? -Whatever you like. | 0:31:33 | 0:31:38 | |
Trinkets of sorts. It's not lined like a jewellery box, but you could keep whatever you like in it. | 0:31:38 | 0:31:44 | |
-I'm pleasantly surprised. -It cost £78 which I don't think is bad. | 0:31:44 | 0:31:50 | |
-It's nicely done. I like it, yeah. -I like it. | 0:31:50 | 0:31:54 | |
-Good choice. -Good. | 0:31:54 | 0:31:56 | |
Well done, Keith. You don't choose right now, you choose later, | 0:31:56 | 0:32:00 | |
but for the audience at home, let's find out what Anita thinks about it. | 0:32:00 | 0:32:04 | |
So, Anita, this should be meat and drink to you. | 0:32:04 | 0:32:08 | |
Glasgow School of Art held classes for metalwork in the 1930s and 1940s, | 0:32:08 | 0:32:15 | |
so we see a lot of this type of thing and the Glasgow people like it, they enjoy it. | 0:32:15 | 0:32:21 | |
-How much do you think it will bring? -I estimated 60 to 90. | 0:32:21 | 0:32:25 | |
-OK, £78 he paid, so slightly edgy, isn't it? -Yeah. | 0:32:25 | 0:32:29 | |
-I'll have to give it a push. -You'll have to give it a push. No better at doing that than you! | 0:32:29 | 0:32:35 | |
-Now, Phil and Betty, how are you feeling? -A bit nervous. | 0:32:46 | 0:32:49 | |
-Are you? -Yeah. -Why's that? -Very nervous. | 0:32:49 | 0:32:52 | |
-You were very cocky in the shopping. -Well, not so cocky now! | 0:32:52 | 0:32:56 | |
First up is the candlestick. | 0:32:56 | 0:32:58 | |
Lot 94, ladies and gentlemen, a charming little object. | 0:32:58 | 0:33:02 | |
It's a silver-plated chamberstick. | 0:33:02 | 0:33:04 | |
Can we say £50? | 0:33:04 | 0:33:06 | |
50? 40? Start me at 20 for the Napoleon chamberstick? | 0:33:06 | 0:33:11 | |
20 bid. With the lady at 20. | 0:33:11 | 0:33:14 | |
Any advance...? 30. | 0:33:14 | 0:33:16 | |
40. I'll catch you in a wee minute. 40. The lady at 40. | 0:33:16 | 0:33:20 | |
The lady at £40. | 0:33:20 | 0:33:23 | |
Any advance on 40? | 0:33:23 | 0:33:26 | |
-£40! -Any advance on 40 on Napoleon's chamberstick? | 0:33:26 | 0:33:30 | |
Any advance on £40? All done at £40? £40... | 0:33:30 | 0:33:35 | |
-£40 is plus £22. That is brilliant. -That's great. -Smashing. | 0:33:35 | 0:33:39 | |
-What a great start! -Brilliant. | 0:33:39 | 0:33:42 | |
-All down to you. -Here comes the Belleek. | 0:33:42 | 0:33:45 | |
Ireland's finest porcelain, ladies and gentlemen. | 0:33:46 | 0:33:49 | |
Belleek, always a delight to handle. | 0:33:49 | 0:33:53 | |
Here we have the three-strand basketweave jug, | 0:33:53 | 0:33:56 | |
decorated with shamrocks, and this wonderful bark handle. | 0:33:56 | 0:34:01 | |
£50? | 0:34:01 | 0:34:03 | |
£50 for the Belleek? | 0:34:03 | 0:34:05 | |
50? 40? Start me at £20? | 0:34:05 | 0:34:08 | |
20 bid. 20 bid. | 0:34:08 | 0:34:11 | |
Any advance on 20? | 0:34:11 | 0:34:13 | |
30. Catch you in a minute. 40. 40 with the lady. | 0:34:13 | 0:34:18 | |
With you, madam, at £40. Any advance on 40? | 0:34:18 | 0:34:21 | |
50. Fresh bidder at £50. | 0:34:21 | 0:34:24 | |
We're doing well. | 0:34:24 | 0:34:26 | |
Any advance on 50? 55. I'll take 5. 55. | 0:34:26 | 0:34:30 | |
Yes? | 0:34:30 | 0:34:32 | |
-60. -£60! | 0:34:32 | 0:34:35 | |
£60. With the lady at £60. Any advance on £60? | 0:34:35 | 0:34:39 | |
All done at £60. £60... | 0:34:39 | 0:34:42 | |
-£60? That is unbelievable, isn't it? -I know. | 0:34:42 | 0:34:46 | |
That's another £38. | 0:34:46 | 0:34:49 | |
Lot 96 is the boatswain's whistle. | 0:34:49 | 0:34:53 | |
Again a charming object and again in perfect working condition, | 0:34:55 | 0:35:00 | |
ladies and gentlemen. | 0:35:00 | 0:35:02 | |
It has the Royal Navy insignia | 0:35:02 | 0:35:05 | |
and it is marked for silver. | 0:35:05 | 0:35:07 | |
Can we say £80 for the boatswain's whistle? | 0:35:07 | 0:35:10 | |
£80? 80? 60? Start me at 20 for the silver... | 0:35:10 | 0:35:15 | |
20 bid. 20 bid. | 0:35:15 | 0:35:17 | |
30. 40. 50. | 0:35:17 | 0:35:20 | |
£50. With you, sir, at 50 for the boatswain's whistle. | 0:35:20 | 0:35:25 | |
£50. Any advance on £50? All done at £50? | 0:35:25 | 0:35:29 | |
£50... | 0:35:29 | 0:35:31 | |
That's another £30. I don't believe this! | 0:35:31 | 0:35:34 | |
That's £30, £68, £88... | 0:35:34 | 0:35:38 | |
That is £90. You are £90 up. | 0:35:38 | 0:35:41 | |
Are you gonna twist or stick? | 0:35:41 | 0:35:44 | |
-What do you think? Go? -You want to go? -Yeah, we'll go for it. | 0:35:44 | 0:35:48 | |
-You don't have to go. -No, we have confidence in Paul. -Paul's stood us in good stead so far. | 0:35:48 | 0:35:53 | |
-Are you sure? -Yes. -We'll go with the bonus buy. -No' quite sure, but we're going with Paul. | 0:35:53 | 0:35:59 | |
Lot 100, ladies and gentlemen, | 0:35:59 | 0:36:03 | |
is this superb Georgian, silver dish stand. | 0:36:03 | 0:36:06 | |
-Can we say £200? -No. -200? -That would be nice! | 0:36:06 | 0:36:12 | |
Can we say £50? 50? | 0:36:12 | 0:36:15 | |
30. 30 bid. 40. | 0:36:15 | 0:36:18 | |
50. 60? £60? | 0:36:18 | 0:36:21 | |
60 for the Georgian stand? | 0:36:22 | 0:36:25 | |
60. Any advance on 60? | 0:36:26 | 0:36:29 | |
-It's a profit. -Any advance on £60? All done at £60. £60... | 0:36:29 | 0:36:33 | |
A profit is a profit. There's nothing the matter with that. | 0:36:33 | 0:36:37 | |
-It's exciting, isn't it? -Yes. | 0:36:37 | 0:36:39 | |
Plus £2 on that which is nothing to be sniffed at. | 0:36:39 | 0:36:43 | |
-You are plus £92 overall. -That's a good day. | 0:36:43 | 0:36:47 | |
You have made a profit between the three of you on every single item. I think that's phenomenal. | 0:36:47 | 0:36:53 | |
-So, Nige, Bev, how are you feeling? -Good. -Excited. | 0:36:57 | 0:37:01 | |
-Have you been talking to the Reds? -No. -Not at all. | 0:37:01 | 0:37:05 | |
-So you have no idea how they've got on? -None whatsoever. | 0:37:05 | 0:37:09 | |
First up is the coffee service and here it comes. | 0:37:09 | 0:37:12 | |
And it is Wedgwood. | 0:37:12 | 0:37:15 | |
Can we say £150? | 0:37:15 | 0:37:18 | |
150 for the Moselle Wedgwood? 150? | 0:37:18 | 0:37:22 | |
100? Start me at £50? | 0:37:22 | 0:37:25 | |
Start me at £50? | 0:37:25 | 0:37:27 | |
Start me at 50? 30 then? 30 bid. Any advance on 30? | 0:37:27 | 0:37:32 | |
Any advance on 30? 40. | 0:37:32 | 0:37:34 | |
50. | 0:37:34 | 0:37:37 | |
60 on the phone. 70. | 0:37:37 | 0:37:39 | |
-Good, good, good. -Look out, girl! You're in profit. | 0:37:39 | 0:37:44 | |
-£70. -More, more! -Any advance on 70 for the Wedgwood Moselle? | 0:37:44 | 0:37:49 | |
-75! -Don't bid yourself! | 0:37:49 | 0:37:52 | |
-Any advance on £70? -We want more than 70. | 0:37:52 | 0:37:55 | |
-£70 - 4555. -£70 is what you've got, girl. | 0:37:55 | 0:37:58 | |
That's a genuine bid for £70. You've made £10 profit. Perfect. | 0:37:58 | 0:38:02 | |
-It's on the right side of it. -The fishing tackle, here we go. | 0:38:02 | 0:38:06 | |
Every home should have one. | 0:38:06 | 0:38:09 | |
It's a large, mahogany, deep-sea fishing reel | 0:38:09 | 0:38:12 | |
with brass and Bakelite fittings. | 0:38:12 | 0:38:15 | |
And it's circa 1930s. | 0:38:15 | 0:38:18 | |
-A "reel" bargain, yeah. -Reel them in, reel them in. | 0:38:18 | 0:38:22 | |
And there's a fisherman nodding his head there. | 0:38:22 | 0:38:26 | |
Can we say £50? £50 for the fishing reel? £50? | 0:38:26 | 0:38:31 | |
-50? 40? -It's a steal. -Start me at £20? | 0:38:31 | 0:38:35 | |
Start me at £20? £10 then? | 0:38:35 | 0:38:38 | |
10 bid. Any advance on 10? | 0:38:38 | 0:38:41 | |
15. Any advance on 15? | 0:38:41 | 0:38:44 | |
20. £20. | 0:38:44 | 0:38:47 | |
-Any advance on £20? -We're level. | 0:38:47 | 0:38:50 | |
-25. -Yes! -Good. -You're in profit. | 0:38:50 | 0:38:53 | |
-You're getting a bargain. -Come on! | 0:38:53 | 0:38:55 | |
Any advance on 25? 25... | 0:38:55 | 0:38:58 | |
-1907... -£25, that's plus £5. No shame in that. Now the gavel. | 0:39:00 | 0:39:04 | |
We have this turned ebony and ivory auctioneer's gavel | 0:39:04 | 0:39:08 | |
on an ivory string inlaid rosewood base. | 0:39:08 | 0:39:11 | |
Nice gavel, ladies and gentlemen. | 0:39:11 | 0:39:14 | |
Nice Victorian gavel. | 0:39:14 | 0:39:16 | |
Can we say £100? £100 for the gavel? 100? | 0:39:16 | 0:39:20 | |
80? 60? | 0:39:20 | 0:39:23 | |
Start me at £60? Start me at 60? | 0:39:23 | 0:39:26 | |
40...? 50. 50 bid. 50 bid. 60. | 0:39:26 | 0:39:31 | |
70. 80. | 0:39:31 | 0:39:33 | |
90. 100. | 0:39:33 | 0:39:35 | |
-110. -Keith! | 0:39:35 | 0:39:38 | |
£110. | 0:39:38 | 0:39:41 | |
110. With you, sir, at 110. | 0:39:41 | 0:39:43 | |
Any advance on 110? All done... | 0:39:43 | 0:39:46 | |
120. | 0:39:46 | 0:39:48 | |
Fresh bidder at £120. No? | 0:39:48 | 0:39:52 | |
-120. -That's fantastic. | 0:39:52 | 0:39:55 | |
With you, sir, at 120. Any advance on 120? All done at 120? | 0:39:55 | 0:39:59 | |
120... | 0:39:59 | 0:40:01 | |
-Wow! -£120, you're plus £80 on that, | 0:40:01 | 0:40:04 | |
-which is nothing short of miraculous. -It is. Wow! | 0:40:04 | 0:40:07 | |
So, £95, you're up £95. | 0:40:07 | 0:40:10 | |
-Are we gonna go with the bonus buy? -Yeah. -Here it comes. Just in time! | 0:40:10 | 0:40:16 | |
Lot 122 is this Glasgow style, | 0:40:16 | 0:40:18 | |
Art Nouveau, beaten covered box. | 0:40:18 | 0:40:21 | |
It's a risky job, isn't it? This is a risky moment. Dear, oh, dear. | 0:40:21 | 0:40:25 | |
With the cabochon glass beads. | 0:40:25 | 0:40:29 | |
A nice piece of Glasgow Art Nouveau, ladies and gentlemen. | 0:40:29 | 0:40:34 | |
£150? 150? | 0:40:34 | 0:40:36 | |
100? Start me at £50? | 0:40:36 | 0:40:39 | |
-Start me at 50? 50 bid. -Yes, 50. | 0:40:39 | 0:40:42 | |
Any advance on 50? | 0:40:42 | 0:40:44 | |
-I'd like to have 60! -60. 70. | 0:40:44 | 0:40:46 | |
-80. -80! -£80. | 0:40:46 | 0:40:49 | |
-£80. With you, sir, at £80. -You're in profit. | 0:40:50 | 0:40:54 | |
-Do we have somebody at 90? -Any advance on £80? | 0:40:54 | 0:40:58 | |
All done at £80... | 0:40:58 | 0:41:00 | |
-Well done. -Well done, Keith. £80 is a couple of pounds' profit. | 0:41:00 | 0:41:04 | |
-I thought it would've gone for a bit more. -A profit in the bag. | 0:41:04 | 0:41:08 | |
You are plus £97. | 0:41:08 | 0:41:11 | |
-Oh, wow! -This gets really exciting now, so we don't want you saying anything to those Reds. | 0:41:11 | 0:41:17 | |
-No. -Mum? -My lips are sealed. -Mum is the word. | 0:41:17 | 0:41:21 | |
What a fantastically successful day we have had today! | 0:41:26 | 0:41:30 | |
-This is unbelievable. You've been chatting? -No. -No. | 0:41:30 | 0:41:34 | |
So nobody knows exactly where the scorecard lies. Yes? | 0:41:34 | 0:41:39 | |
-But the audience know that there has been phenomenal profit-making today by both teams. -Oh, good. | 0:41:39 | 0:41:47 | |
And if they've done the maths, they'll know that there is only a £5 note | 0:41:47 | 0:41:54 | |
between the phenomenal profits that our teams have made today | 0:41:54 | 0:41:59 | |
which on Bargain Hunt is a rare event. | 0:41:59 | 0:42:02 | |
And sadly, the runners-up, because we don't have losers today, happen to be the Reds. | 0:42:02 | 0:42:07 | |
-Oh, no! -Unlucky. | 0:42:07 | 0:42:11 | |
You are runners-up by making just £92-worth of profits. | 0:42:11 | 0:42:15 | |
-That'll do nicely. -How do you feel about the £92 coming over, darling? | 0:42:15 | 0:42:19 | |
Great. I'll have the 90, Phil'll have the 2. | 0:42:19 | 0:42:22 | |
We can see who wears the trousers in your household. | 0:42:22 | 0:42:26 | |
Anyway, congratulations. You've done enormously well. | 0:42:26 | 0:42:29 | |
-But not quite well enough when it comes to the Blues. -Well done. | 0:42:29 | 0:42:34 | |
£97 the Blues have achieved. | 0:42:34 | 0:42:37 | |
-Sounds good. -There it comes, Nige. -I'm getting it? Thank you. | 0:42:37 | 0:42:42 | |
What you do with it later... | 0:42:42 | 0:42:44 | |
-The Good Lord gives with one hand and no doubt Beverley will take with the other! -I'll have them as well. | 0:42:44 | 0:42:50 | |
-And there's £1 left over. -You can have that, darling. | 0:42:50 | 0:42:54 | |
-Have you had a good time? -Fabulous. -We've loved having you on the show. | 0:42:54 | 0:42:58 | |
-Join us soon for some more bargain hunting. Yes? -Yes! | 0:42:58 | 0:43:02 | |
Subtitles by Subtext for Red Bee Media Ltd 2009 | 0:43:16 | 0:43:20 | |
Email [email protected] | 0:43:20 | 0:43:23 |