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Over the centuries, Lincolnshire has been invaded by the Romans | 0:00:02 | 0:00:06 | |
the Danes, the Saxons, the Normans and now by us! | 0:00:06 | 0:00:10 | |
So join the stampede and let's go bargain hunting. | 0:00:10 | 0:00:14 | |
There are whole armies of folks here | 0:00:37 | 0:00:40 | |
scouring the stalls for trinkets and treasure | 0:00:40 | 0:00:43 | |
but will our teams have to go to battle | 0:00:43 | 0:00:46 | |
to get their mitts on the booty? | 0:00:46 | 0:00:49 | |
Well, they've only got an hour, so charge! | 0:00:49 | 0:00:52 | |
-Today's invading armies are all relatives. -Thank you. | 0:00:56 | 0:01:00 | |
-My mind is opening up. -That's it. | 0:01:00 | 0:01:02 | |
So, let's hope there's no fighting over their £300. | 0:01:03 | 0:01:06 | |
-Not keen. -I like it. | 0:01:06 | 0:01:08 | |
Before you look, I'm going to take the price tag off. | 0:01:08 | 0:01:10 | |
Who will be victorious? There's only one place to find out. | 0:01:12 | 0:01:17 | |
One of the most profitable things ever bought on Bargain Hunt. | 0:01:18 | 0:01:21 | |
Two teams of mothers and daughters today. | 0:01:23 | 0:01:26 | |
We'd best be on our best behaviour. | 0:01:26 | 0:01:29 | |
-Joanne, are you going to rise the shopping challenge today? -Definitely. | 0:01:29 | 0:01:34 | |
You work quite hard, don't you? | 0:01:34 | 0:01:36 | |
I don't do so much now. The kids do that for me. | 0:01:36 | 0:01:38 | |
What is your work? | 0:01:38 | 0:01:40 | |
We sell mobility aids, wheelchairs, scooters, stairlifts. | 0:01:40 | 0:01:45 | |
Now, you met your partner in rather an unusual way. | 0:01:45 | 0:01:48 | |
Yeah. I've been widowed a few years, and decided I needed a dog. | 0:01:48 | 0:01:53 | |
I got the free paper to look. | 0:01:53 | 0:01:55 | |
As I was going to put it in the bin, there was an advert saying, | 0:01:55 | 0:02:00 | |
David, widower, so I thought, "Oh yeah, I've got to do this | 0:02:00 | 0:02:02 | |
-had a date, and we've been together ever since. -Lovely. | 0:02:02 | 0:02:05 | |
Do you have a laugh that you were looking for a dog | 0:02:05 | 0:02:07 | |
-and finished up with him. -Yeah. | 0:02:07 | 0:02:09 | |
Does he take that joke pretty well? | 0:02:09 | 0:02:12 | |
-Yeah, he barks back often. -TIM LAUGHS | 0:02:12 | 0:02:14 | |
Do you enjoy working for the family business, Nicola? | 0:02:14 | 0:02:17 | |
Love it, yeah. It's been 19 years. | 0:02:17 | 0:02:20 | |
Every day is different, every client is different. | 0:02:20 | 0:02:23 | |
-It's very special, isn't it? -It is. It's lovely. | 0:02:23 | 0:02:26 | |
I've a feeling this family teamwork | 0:02:26 | 0:02:29 | |
is going to work out for you on Bargain Hunt. | 0:02:29 | 0:02:31 | |
-We'll see. -We'll see. -Very good luck, you lovely Reds. -Thank you. | 0:02:31 | 0:02:34 | |
Now, our lovely Blues. | 0:02:34 | 0:02:36 | |
-Jo. -Yes. -You come from a very close family. -Yes, we do. | 0:02:36 | 0:02:40 | |
What do you and your mother get up to? | 0:02:40 | 0:02:43 | |
Quizzes, we go pub quizzing - not always pubs, village halls. | 0:02:43 | 0:02:47 | |
Any quiz that we see in the paper, we're up for. | 0:02:47 | 0:02:49 | |
-You've also travelled to some very exotic places. -Yes. | 0:02:49 | 0:02:54 | |
I was a travel agent for 25 years. | 0:02:54 | 0:02:56 | |
So I did luckily go to places all over the world. | 0:02:56 | 0:02:59 | |
I've been to some nice spots. | 0:02:59 | 0:03:01 | |
Do you ever get to go on any trips with your old man? | 0:03:01 | 0:03:04 | |
Yeah, we had a great time in Saint Lucia. | 0:03:04 | 0:03:07 | |
We went to Saint Lucia, we arrived at the hotel. | 0:03:07 | 0:03:10 | |
There was a big bouquet and a bowl of fruit. | 0:03:10 | 0:03:13 | |
"Congratulations on your wedding. Welcome to the honeymoon suite." | 0:03:13 | 0:03:18 | |
-It was marvellous. -You'd been married how long? -Ten years! | 0:03:18 | 0:03:22 | |
Oh, I see, yes. | 0:03:22 | 0:03:24 | |
-Peggy, you don't let the grass grow under your feet. -I hope not. | 0:03:24 | 0:03:28 | |
We've heard about these pub quizzes, it says on my card | 0:03:28 | 0:03:31 | |
you are an absolute brainbox in the pub quiz department. | 0:03:31 | 0:03:37 | |
-Yes. -Is that because you read the paper a lot, keep up to date? | 0:03:37 | 0:03:42 | |
-Yes, if you read, you accumulate general knowledge. -Yes. | 0:03:42 | 0:03:47 | |
-It's a question of retaining it too, though. -Yes. -Under pressure. | 0:03:47 | 0:03:50 | |
I went on The Weakest Link, and that was pressure! | 0:03:50 | 0:03:54 | |
-Have you been on it? -Oh, yes. Two years ago. | 0:03:54 | 0:03:57 | |
-I loved it. -How did you get on? -Round 5. One question wrong. | 0:03:57 | 0:04:00 | |
Well, lovely to have you on the show. | 0:04:00 | 0:04:03 | |
I hope you do rather better than on The Weakest Link. | 0:04:03 | 0:04:07 | |
-I hope we will. -Yes. -Indeed. | 0:04:07 | 0:04:09 | |
Anyway, the money moment. The vital link. The cash link. | 0:04:09 | 0:04:12 | |
-The £300 moment. -Thank you. | 0:04:12 | 0:04:15 | |
There you are. Your £300. You know the rules. | 0:04:15 | 0:04:17 | |
Your experts await. | 0:04:17 | 0:04:19 | |
Off you go. And very, very, very good luck. | 0:04:19 | 0:04:23 | |
Well, isn't that charming! | 0:04:23 | 0:04:25 | |
I'd rather be on this programme than The Weakest Link. | 0:04:25 | 0:04:28 | |
Answering questions from the Red team is David Harper. | 0:04:29 | 0:04:32 | |
And being a strict with the Blues, it's James Lewis. | 0:04:34 | 0:04:38 | |
-Right, you two crazy girls, are you all excited? -Definitely. | 0:04:40 | 0:04:44 | |
-What are you looking for? I like -porcelain, Worcester porcelain. | 0:04:44 | 0:04:50 | |
-Moorcroft pottery. -So were really on the porcelain, pottery theme. | 0:04:50 | 0:04:54 | |
-A little chair, or something. -You like furniture? -I do. | 0:04:57 | 0:05:00 | |
-Oh, I love furniture. Jo? -Silver. -I love silver too. I love you two. | 0:05:00 | 0:05:04 | |
-Isn't that pretty? -Yes. | 0:05:07 | 0:05:09 | |
You can find anything and everything. | 0:05:12 | 0:05:14 | |
Darth Vader there and then a big propeller, three propellers. | 0:05:14 | 0:05:19 | |
-Isn't that fantastic? -Yeah, all sorts. | 0:05:19 | 0:05:22 | |
-Don't like that. -No. | 0:05:25 | 0:05:26 | |
-That's quite nice, that picture frame. Like that? -Yes, I do. | 0:05:26 | 0:05:30 | |
-It's nice bevelled glass. Missing a bit, but it IS silver. -Is it? | 0:05:30 | 0:05:34 | |
There's the hallmark. | 0:05:34 | 0:05:36 | |
-You've an anchor for Birmingham. -Right. -The letter E. | 0:05:36 | 0:05:40 | |
-What date is that? -I think it's about 1910. | 0:05:40 | 0:05:43 | |
Yeah, sounds about right. | 0:05:43 | 0:05:46 | |
Silver is very soft and this has been made incredibly thinly. | 0:05:46 | 0:05:50 | |
-Look at the style, what does that remind you of? -Rococo. | 0:05:50 | 0:05:54 | |
-Art Deco, Rococo. No. -Almost, somewhere in between. | 0:05:54 | 0:05:57 | |
-Almost. -Art Nouveau. | 0:05:57 | 0:05:58 | |
-That's what I meant. -Lovely. -I like that. | 0:05:58 | 0:06:01 | |
-What's trade on that one? -65. -65. | 0:06:01 | 0:06:06 | |
-Look around more? -Remember where it is. -Is that the death trade? | 0:06:06 | 0:06:10 | |
48, that's the death, I'm afraid. I can't do any better. | 0:06:10 | 0:06:13 | |
-I like it. -I like it. | 0:06:13 | 0:06:15 | |
If it wasn't for that damage, it'd be the cheapest thing. | 0:06:15 | 0:06:18 | |
However, it IS what it is. It's good quality. | 0:06:18 | 0:06:22 | |
-It's got the bevelled glass. -It's pretty. -I'd buy it. | 0:06:22 | 0:06:25 | |
-Do it for 42. -Go on then. -Thank you. -Girls? -Definitely. | 0:06:25 | 0:06:29 | |
-Quick these two, aren't they? -Thanks. -Thank you. | 0:06:29 | 0:06:32 | |
-Exactly the kind of women we love. -It's lovely. | 0:06:32 | 0:06:35 | |
-That was 1½ minutes. -And you're not the one who likes silver. -No. | 0:06:35 | 0:06:40 | |
-I love to get one in early. -Is that all right? -Yeah. | 0:06:40 | 0:06:43 | |
-That is nice. -Amazing. | 0:06:43 | 0:06:45 | |
-Now, where's your expert, Blues? -We've lost him. Oh, dear. | 0:06:45 | 0:06:50 | |
James? | 0:06:50 | 0:06:51 | |
-HE SHOUTS: -James! | 0:06:53 | 0:06:54 | |
He's right over there. | 0:06:54 | 0:06:57 | |
Your team's supposed to be on the hunt for bargains, | 0:06:57 | 0:07:00 | |
not for you! | 0:07:00 | 0:07:02 | |
-Most of this is junk. -Yes. | 0:07:03 | 0:07:04 | |
"The loss of a father is great The loss of a mother is more | 0:07:11 | 0:07:14 | |
"The loss of Our Saviour is such As no man can restore." | 0:07:14 | 0:07:18 | |
-Ooh. -There's no mark on it. -No. -How old do you think that would be? | 0:07:18 | 0:07:23 | |
-1850. -As old as that? | 0:07:23 | 0:07:26 | |
But, talking about the death of your father, of your mother? | 0:07:26 | 0:07:30 | |
-Perhaps not. -Perhaps not. -40 quid? -No. -Four quid. -Right. | 0:07:30 | 0:07:35 | |
-We need one with a cheerful verse. -We need to find a cheerful one. | 0:07:35 | 0:07:39 | |
"We found our father, our mother, what a great day we're having" | 0:07:39 | 0:07:43 | |
would be much better. | 0:07:43 | 0:07:44 | |
Well, at least THEY found you! That's a start! | 0:07:44 | 0:07:48 | |
Yeah, go on. | 0:07:52 | 0:07:54 | |
HE BLOWS | 0:07:54 | 0:07:56 | |
-It don't work. -It probably does, but I'm rubbish. Have a go. | 0:07:56 | 0:08:00 | |
Go on, Nic. | 0:08:00 | 0:08:02 | |
-DAVID IMITATES A HORN -Well done. -No. | 0:08:03 | 0:08:05 | |
LAUGHTER | 0:08:05 | 0:08:07 | |
And I'm not even going to try! | 0:08:07 | 0:08:10 | |
So it's horn mounted with silver plate. | 0:08:10 | 0:08:13 | |
You've got the stag's head there which is good. | 0:08:13 | 0:08:16 | |
You've got that country set, the cartouche that's not engraved, | 0:08:16 | 0:08:19 | |
and either an ivory or a bone tip. | 0:08:19 | 0:08:23 | |
-It's very late Victorian, early Edwardian. -OK. | 0:08:23 | 0:08:26 | |
In its day it would have been a fortune to make, | 0:08:26 | 0:08:30 | |
even if that IS silver plate. | 0:08:30 | 0:08:32 | |
That is, in actual fact, a good quality thing. | 0:08:32 | 0:08:35 | |
Can I just ask what you've got on the horn? | 0:08:35 | 0:08:38 | |
Yes, I had £25. I'll do it for 20. | 0:08:38 | 0:08:42 | |
-What do you think? -I like it. -OK, let's get it. | 0:08:42 | 0:08:45 | |
-But is it going to make us any money? -I don't know. | 0:08:45 | 0:08:48 | |
-Mind you, it's dead quirky. -Yeah, I like it. | 0:08:48 | 0:08:51 | |
-Well, if you like it.. Would 15 get it? -Do 18. -I was going to say 18. | 0:08:51 | 0:08:56 | |
-So are you going to bag it at 18? -Happy at 18? -Yeah. | 0:08:56 | 0:08:59 | |
-Right. -Definitely. -We'll have that one as well. | 0:08:59 | 0:09:02 | |
You two are sent from heaven. I love you. | 0:09:02 | 0:09:04 | |
-Well be back in five minutes. -Well done. -They call them angels. | 0:09:04 | 0:09:08 | |
That's a nice plate. It's Poole. Aegean. | 0:09:13 | 0:09:16 | |
-What do you think, James? -It's a nice thing. | 0:09:16 | 0:09:19 | |
-It's a good size. -Collectable? -Very. | 0:09:19 | 0:09:22 | |
Everybody knows it, easy to sell. Just depends how much it is. | 0:09:22 | 0:09:26 | |
-What sort of price? -That's around £30 at auction. | 0:09:26 | 0:09:30 | |
-My best on it is £30. -25? James, shall we have this for £25? | 0:09:30 | 0:09:36 | |
-I don't think there's a huge profit in it. -We'll think about that. | 0:09:36 | 0:09:41 | |
-You might... -We'll think about that? -A good reserve. -Yes. | 0:09:41 | 0:09:45 | |
You've got a potential fiver profit or loss. | 0:09:45 | 0:09:49 | |
-No potential for a big profit there. -OK. -Right. | 0:09:49 | 0:09:51 | |
So, girls, we've got what seems an eternity to buy a third item. | 0:09:52 | 0:09:57 | |
-I'd like a chair, a little chair. -Why would you like a chair? | 0:09:57 | 0:10:01 | |
-I've no idea. -You're a bit mad, aren't you? -Yeah. -She's decided. | 0:10:01 | 0:10:05 | |
Let's look for some furniture. | 0:10:05 | 0:10:07 | |
YOU might have some time on your hands | 0:10:07 | 0:10:10 | |
-Fancy a three-piece suite for 45 quid? -Bumper bargain! | 0:10:10 | 0:10:14 | |
But YOU LOT are still empty-handed! | 0:10:18 | 0:10:21 | |
-How much is he, please? -55. -Too much. | 0:10:21 | 0:10:23 | |
Mmm. | 0:10:23 | 0:10:24 | |
Silver. | 0:10:25 | 0:10:26 | |
-How about this, Victorian silver? -Victorian silver, | 0:10:26 | 0:10:30 | |
-Let's ask how much it is. -Shall we ask? -Yes, shall we ask the stallholder? | 0:10:31 | 0:10:35 | |
-How much is the mirror, please? -Pretty thing. -£20. -OK. | 0:10:35 | 0:10:41 | |
-I think we'll leave that one for now. -We can always come back. | 0:10:41 | 0:10:45 | |
-Yes, we'll keep our eye on that. -You really need to get a move on. | 0:10:45 | 0:10:49 | |
James, to take control. | 0:10:49 | 0:10:51 | |
The key is to be very quick on every object. | 0:10:51 | 0:10:54 | |
-If we spend four minutes looking at a hand mirror... -Yeah. | 0:10:54 | 0:10:59 | |
..that's four minutes we haven't got to find our last thing. Absolutely. | 0:10:59 | 0:11:04 | |
Mm, masterful. | 0:11:04 | 0:11:06 | |
Well, the Blue team can't find anything they like, | 0:11:07 | 0:11:10 | |
but I'm having much better luck. | 0:11:10 | 0:11:14 | |
Here's a bit of social history for you. | 0:11:14 | 0:11:17 | |
What would be your biggest nightmare as an Edwardian hostess | 0:11:17 | 0:11:22 | |
and about to set forth with a dinner party for 12 guests? | 0:11:22 | 0:11:26 | |
Your biggest problem would be | 0:11:27 | 0:11:29 | |
how you place your guests around the dining table. | 0:11:29 | 0:11:34 | |
You've got 12 of 'em, right? | 0:11:34 | 0:11:37 | |
In the Edwardian period you would either have this "placement", | 0:11:37 | 0:11:41 | |
that's the arrangement where everybody sits, | 0:11:41 | 0:11:44 | |
printed expensively at the local printers before the dinner party | 0:11:44 | 0:11:50 | |
or you'd have it were written out by the butler. | 0:11:50 | 0:11:53 | |
So, your hostess is presented, in this instance, | 0:11:53 | 0:11:58 | |
with 12 little tablets of white ivory, | 0:11:58 | 0:12:02 | |
but some cunning silversmith has come up with these little clips. | 0:12:02 | 0:12:07 | |
And if I slip the numeral off, | 0:12:08 | 0:12:10 | |
you can see the clip is made with a little prong at the back | 0:12:10 | 0:12:15 | |
and the sliver of ivory ivory fits most perfectly. | 0:12:15 | 0:12:19 | |
So she's got her 12 guests. | 0:12:19 | 0:12:22 | |
She knows James is likely to want to sit at the top of the table | 0:12:22 | 0:12:30 | |
on the left-hand side, | 0:12:30 | 0:12:32 | |
so she simply writes out, with a pencil on the piece of ivory, | 0:12:32 | 0:12:36 | |
"James." | 0:12:36 | 0:12:37 | |
Her next guest is called Anthea. Here we go. "Anthea." | 0:12:37 | 0:12:42 | |
And she thinks, "I'm going to place Anthea next to James." | 0:12:42 | 0:12:46 | |
And so forth, until she makes up her placement of 12. | 0:12:48 | 0:12:52 | |
Then she thinks, "Hang on a minute, | 0:12:52 | 0:12:55 | |
"wasn't Anthea once married to James? | 0:12:55 | 0:12:59 | |
"I can't possibly have them sitting next to one other." | 0:12:59 | 0:13:02 | |
So she'd take Anthea | 0:13:02 | 0:13:03 | |
and put her somewhere else in the place order around the table | 0:13:03 | 0:13:09 | |
and make quite sure before the final version is prepared | 0:13:09 | 0:13:13 | |
everybody is going to be sitting happily next door to one another. | 0:13:13 | 0:13:18 | |
At the end of the evening, she'd simply take a rubber | 0:13:18 | 0:13:21 | |
and rub Anthea off the tablet of ivory | 0:13:21 | 0:13:25 | |
and be ready for her next social engagement. | 0:13:26 | 0:13:30 | |
I think this is a great set. Incredibly rare. | 0:13:30 | 0:13:33 | |
I don't think I've ever seen one exactly in this form | 0:13:33 | 0:13:37 | |
and it's just redolent of an idle and an early age. | 0:13:37 | 0:13:43 | |
So what's a little set like this worth? | 0:13:44 | 0:13:46 | |
Well, it could be yours today, out there in the fair, for £20. | 0:13:46 | 0:13:52 | |
Is that cheap or not? Well, it's not much per head, is it? | 0:13:52 | 0:13:56 | |
Sadly, it's too early for dinner, so, back to the shopping. | 0:13:58 | 0:14:02 | |
Now what about that then, girls? | 0:14:06 | 0:14:09 | |
Do you like that? Chinese cloisonne pot | 0:14:09 | 0:14:13 | |
which looks like it's a very early Ming dynasty thing, but it isn't. | 0:14:13 | 0:14:18 | |
-Don't like it. -You don't like it? I love oriental pieces. | 0:14:18 | 0:14:22 | |
All my life I've had a crazy fascination. | 0:14:22 | 0:14:25 | |
-It's nice, but I wouldn't buy it. -No. -It's not to my cup of tea. | 0:14:25 | 0:14:29 | |
-You know what you like and you don't like. -We do. -Good. | 0:14:29 | 0:14:32 | |
You girls are getting picky! | 0:14:34 | 0:14:36 | |
But have the Blues lowered their standards? | 0:14:39 | 0:14:43 | |
-How desperately do you want to sell? -Not particularly. -Don't you? | 0:14:44 | 0:14:47 | |
-What have I got on it? -15 quid. | 0:14:47 | 0:14:50 | |
I can do it for 12. | 0:14:50 | 0:14:53 | |
-You really want to lump that around? -Tenner, then. | 0:14:53 | 0:14:57 | |
-That's a tenner. -Is it? What is it? | 0:14:58 | 0:15:01 | |
-Just a simple little ink stand. -Yes, it's heavy. -It's heavy. | 0:15:01 | 0:15:05 | |
It's not got any great quality. | 0:15:05 | 0:15:07 | |
Is eight quid any good? If it makes a tenner. | 0:15:07 | 0:15:10 | |
Make it nine and you can take it. | 0:15:10 | 0:15:12 | |
-£9. -What do you think? -We're getting desperate. | 0:15:14 | 0:15:16 | |
We still have two things to find. | 0:15:16 | 0:15:18 | |
Not going to make a huge loss. | 0:15:18 | 0:15:20 | |
Takes the pressure off a bit to think clearly. | 0:15:20 | 0:15:23 | |
Don't like it, don't think it's going to make a great profit, but | 0:15:23 | 0:15:27 | |
-It's not much of a loss either. -No. -There we go. | 0:15:27 | 0:15:30 | |
Let's see what happens, eh? Take that and see. | 0:15:30 | 0:15:33 | |
-At £9 you've a deal. -OK. -Brilliant. Thank you. | 0:15:33 | 0:15:35 | |
-Girls, point something out if you like it. -Can't see anything. | 0:15:41 | 0:15:45 | |
The girls are good. In the beginning, incredibly impressive, | 0:15:47 | 0:15:51 | |
straight in there, making decisions like proper antique dealers. | 0:15:51 | 0:15:56 | |
They're very strong-willed and strong-minded which I love. | 0:15:56 | 0:16:00 | |
I'm finding Nicola a real challenge in the nicest possible way. | 0:16:00 | 0:16:04 | |
-Nicola, you're not looking excited. -Not keen. Sorry. Not keen. | 0:16:04 | 0:16:09 | |
Everything I point out to her, she doesn't like. | 0:16:09 | 0:16:12 | |
I'm pointing out anything, just because I love the response. | 0:16:12 | 0:16:15 | |
-Do you like it, Nicola? -No, not my cup of tea. -Not your tipple. | 0:16:15 | 0:16:19 | |
-No. -No. | 0:16:19 | 0:16:20 | |
-It's not you? -No. -No. | 0:16:20 | 0:16:22 | |
-Victorian hors d'oeuvres dish. -No. -Don't you like that? | 0:16:22 | 0:16:26 | |
No. | 0:16:26 | 0:16:27 | |
-Sure you don't like the lion? -Quite sure. -Come on. | 0:16:27 | 0:16:31 | |
Look at that little chap. Now I just think that's quite sweet. | 0:16:33 | 0:16:38 | |
-Before you look, I'm going to hide and take the price tag off. -Right. | 0:16:38 | 0:16:43 | |
I'd just like to have your opinion on that. | 0:16:43 | 0:16:46 | |
-Have a look. -It's very light. -It's a little Chinese gourd. | 0:16:46 | 0:16:50 | |
-It's all hand-carved. -Oh, look, a little pig. | 0:16:50 | 0:16:53 | |
A little pig running through bushes. | 0:16:53 | 0:16:56 | |
-It's sweet. -Do you like it? -Yeah, I do. -I do. -It's pretty. | 0:16:56 | 0:16:59 | |
-What would you expect the price to be? -Maybe 20, 30? | 0:16:59 | 0:17:04 | |
-It should make £20, £30, shouldn't it? -Yes. | 0:17:04 | 0:17:06 | |
-Look. -What have they charged? -Oh! | 0:17:06 | 0:17:09 | |
£2! | 0:17:09 | 0:17:10 | |
I think we can splash out, James. | 0:17:10 | 0:17:13 | |
-I know it's not a lot. -Should we ask his best price? | 0:17:13 | 0:17:16 | |
-Do you want to ask him? -Oh, dear! -Here we go. | 0:17:16 | 0:17:19 | |
That's your job. | 0:17:19 | 0:17:21 | |
-There he is, go and ask him. -All right. I will. | 0:17:21 | 0:17:24 | |
-Peggy, let's run. -Yes, as fast as we can. | 0:17:24 | 0:17:27 | |
-Hey, guys, 100 per cent discount. -100 per cent? -Well, 50, then. | 0:17:27 | 0:17:33 | |
It's not quite free, but £1. | 0:17:33 | 0:17:35 | |
-Tim is going to go mad, we've spent a tenner. -I know, I know. | 0:17:35 | 0:17:39 | |
-That's awful! -Yes. -We need to find something good. -We do. | 0:17:39 | 0:17:42 | |
We've got 15 minutes. | 0:17:42 | 0:17:44 | |
You grab one there and look at the bases. | 0:17:44 | 0:17:47 | |
So they're in mint condition? Nothing wrong with them at all. | 0:17:47 | 0:17:50 | |
So Royal Doulton... | 0:17:50 | 0:17:52 | |
They would date to 1891 to about 1910, before the First World War. | 0:17:52 | 0:17:59 | |
-A good age on them. -Mm. | 0:17:59 | 0:18:00 | |
But that, for me, is glorious. | 0:18:00 | 0:18:04 | |
The colour is fantastic, the decoration is Art Nouveau. | 0:18:04 | 0:18:07 | |
Yeah, I like them. It's whether Nicola likes them. Yeah, I do. | 0:18:07 | 0:18:11 | |
-Nicola. -The first yes. -Did you say you like them? | 0:18:11 | 0:18:15 | |
-Yes, I do. -It's a celebration. | 0:18:15 | 0:18:17 | |
-Absolutely. -What would be the absolute double death trade? | 0:18:17 | 0:18:21 | |
90. Really?! Can't do them for less. | 0:18:21 | 0:18:23 | |
-Do them for 70. -I can't. I'll do them for 80 quid. -75. -No, 80. | 0:18:23 | 0:18:28 | |
-To be honest, who can criticise us for buying good quality Doulton? -No. | 0:18:28 | 0:18:32 | |
-Pair of, for 80? -No damage. -Yeah. -I think they're a bargain. | 0:18:32 | 0:18:37 | |
-Sorted. -Going to go have them? -Yeah. -Thank you. Good man. | 0:18:37 | 0:18:40 | |
-Cheers. -Thank you. -Wonderful. You've saved my life. | 0:18:40 | 0:18:43 | |
We were running out of time. | 0:18:43 | 0:18:45 | |
-Thank you. -Well done, you two. | 0:18:45 | 0:18:46 | |
Jo, isn't it fantastic to find something Nicola likes. | 0:18:46 | 0:18:50 | |
-Yep. Well done, Nicola. -I'm chuffed. | 0:18:50 | 0:18:52 | |
-At the risk of being a bore... -Oh! -We do have to make a decision. | 0:18:53 | 0:18:57 | |
What do you think we should do? | 0:18:57 | 0:18:58 | |
-You've got 13 minutes left. -Yes. | 0:18:58 | 0:19:01 | |
If you want to spend some money, let's go inside and blow £200. | 0:19:01 | 0:19:06 | |
-Absolutely, let's do it. -We can try. -Let's do it. | 0:19:06 | 0:19:09 | |
How much is the scent bottle with the plain top? | 0:19:20 | 0:19:22 | |
-At the bottom? -Yeah. -160. -160. 165, it says on it. | 0:19:22 | 0:19:27 | |
-Shall we have a look? -We'll have a look. | 0:19:27 | 0:19:29 | |
Yeah. It's an unusual shape. | 0:19:31 | 0:19:34 | |
-I like it. -I think that's worth £80 at auction. | 0:19:34 | 0:19:38 | |
-What's your absolute very, very best? -120. | 0:19:38 | 0:19:40 | |
-How much time do we have? -Eight minutes. -Eight minutes. | 0:19:42 | 0:19:45 | |
Oh dear, what do you think, James? | 0:19:45 | 0:19:48 | |
It's a really lovely object. | 0:19:49 | 0:19:51 | |
A practical object. | 0:19:51 | 0:19:52 | |
People can still use these, have them on their dressing tables. | 0:19:52 | 0:19:56 | |
Also, scent bottles are a great collecting market. | 0:19:56 | 0:19:59 | |
There are lots of people after them. Problem is the price. | 0:19:59 | 0:20:03 | |
-But, you have to go with your heart occasionally. -Yes. | 0:20:04 | 0:20:07 | |
-And, if you like it I'm 100 per cent behind you. -Yes, I like it. | 0:20:07 | 0:20:11 | |
I REALLY like it. | 0:20:11 | 0:20:12 | |
-Would you take 100 on this? -I think that looks better quality. | 0:20:12 | 0:20:17 | |
-110? Please? -110. -110. | 0:20:17 | 0:20:22 | |
Go on, then. Happy with that? | 0:20:22 | 0:20:24 | |
-Want to go for it? -We'll go for it. -We're out of time. | 0:20:24 | 0:20:26 | |
I think we should. It's very nice. | 0:20:26 | 0:20:28 | |
-If you want to go for it, go for it. -We'll go for it. -We'll take that. | 0:20:28 | 0:20:32 | |
-Thank you. -Well done. | 0:20:32 | 0:20:33 | |
Time to see what the Reds bought. | 0:20:37 | 0:20:40 | |
The ladies think they can see a profit in the Art Nouveau mirror. | 0:20:41 | 0:20:45 | |
And, blow me, if they didn't manage to find this hunting horn | 0:20:47 | 0:20:51 | |
for a mere £18. | 0:20:51 | 0:20:53 | |
The last choice, a smart pair of Royal Doulton vases | 0:20:53 | 0:20:56 | |
for the discerning bidder. | 0:20:56 | 0:20:59 | |
What can I buy you? | 0:21:01 | 0:21:02 | |
-I should think something stronger than tea! -Really? -Yeah. | 0:21:02 | 0:21:07 | |
-Did you have a great time, Jo? -Really enjoyed it. -Lovely. | 0:21:07 | 0:21:10 | |
-All right going round with the mother? -Not too bad. -No arguments? | 0:21:10 | 0:21:14 | |
-She did as she was told. -Poor Jo. -For a change. -For a change. | 0:21:14 | 0:21:17 | |
-Which is your favourite piece? -The silver mirror. | 0:21:17 | 0:21:20 | |
-What about you, Nicola? -The same, the frame. | 0:21:20 | 0:21:23 | |
-How much did you spend? -140. -£160 of left-over lolly, I would like. | 0:21:23 | 0:21:29 | |
Thank you very much. Very kind. | 0:21:29 | 0:21:31 | |
-Now that is quite a wodge for you, isn't it, David? -Love it, Tim. | 0:21:31 | 0:21:35 | |
Great feel. Big wodge of cash in my hand. | 0:21:35 | 0:21:37 | |
-You going to spend the lot, David Harper? -I don't know. | 0:21:37 | 0:21:40 | |
-But I might buy these two something oriental. -Oriental, maybe. | 0:21:40 | 0:21:44 | |
-No. -Uh-oh, is all I can say. -See you later. -Good luck. | 0:21:46 | 0:21:49 | |
Why don't we check out what the Blue team bought? | 0:21:49 | 0:21:51 | |
Peggy and Jo dipped into their purse | 0:21:52 | 0:21:55 | |
and paid just £9 for the marble ink stand. | 0:21:55 | 0:21:57 | |
They hope the Japanese gourd with the pig carving | 0:21:58 | 0:22:01 | |
might just save their bacon with its tiny price tag of £1. | 0:22:01 | 0:22:06 | |
Then an altogether different flavour | 0:22:06 | 0:22:09 | |
with the Art Deco cut-glass scent bottle. | 0:22:09 | 0:22:11 | |
Yeah! | 0:22:11 | 0:22:13 | |
I can't bear any more of this shopping. It's doing my nut. | 0:22:15 | 0:22:19 | |
-Bear! -Quite good. | 0:22:19 | 0:22:21 | |
-Hi, girls. How did you get on? -Hello. -Could have been better. | 0:22:21 | 0:22:26 | |
-Could have been better. -What was the problem? | 0:22:26 | 0:22:29 | |
-Didn't spend enough. -You'll be horrified with us. | 0:22:29 | 0:22:32 | |
You're going to have to own up. | 0:22:32 | 0:22:36 | |
-What did you spend? -£120. -Oh, that's not too bad. | 0:22:36 | 0:22:41 | |
-Oh, well. -It's not that brilliant, either, on three items. | 0:22:41 | 0:22:44 | |
But, Tim, by the end of the second item, we'd spent 10. | 0:22:44 | 0:22:48 | |
-Oh, my Lord. -Yes, so we could only improve. -Oh, my lordy! | 0:22:48 | 0:22:53 | |
They rescued me. They really did rescue me. | 0:22:53 | 0:22:55 | |
-We splashed out on the last one. -£180 I would like, please. | 0:22:55 | 0:23:00 | |
-Have you got that? -Yeah. -Thank you very much. | 0:23:00 | 0:23:03 | |
-That's a lot of money, isn't it? -It is. | 0:23:03 | 0:23:05 | |
One thing I really have decided | 0:23:05 | 0:23:08 | |
is these ladies love things of real quality and class. | 0:23:08 | 0:23:12 | |
They love ceramics and we failed to find anything. | 0:23:12 | 0:23:15 | |
So I'm going to try and find a really beautiful of porcelain. | 0:23:15 | 0:23:19 | |
I love it when he really gets his head down. Good luck, James. | 0:23:19 | 0:23:22 | |
Good luck, team. | 0:23:22 | 0:23:23 | |
Now we're heading off to our usual stately home moment. | 0:23:23 | 0:23:28 | |
The only thing I'm going to tell you is it's not local. | 0:23:28 | 0:23:32 | |
You find me today wandering down a west Kensington street in London, | 0:23:36 | 0:23:41 | |
a street full of houses that all seem absolutely identical. | 0:23:41 | 0:23:46 | |
Apart from this one. | 0:23:47 | 0:23:49 | |
So what's all this about? | 0:23:50 | 0:23:51 | |
You'll find out in just a second. | 0:23:51 | 0:23:55 | |
MUSIC: WALTZ | 0:23:55 | 0:23:57 | |
This house belonged to Edward Linley Sambourne, | 0:23:58 | 0:24:01 | |
a cartoonist for the satirical magazine Punch. | 0:24:01 | 0:24:05 | |
And it's special because it hasn't changed a jot for over 100 years. | 0:24:09 | 0:24:14 | |
What's really nice about these London houses | 0:24:21 | 0:24:25 | |
is that they often have a drawing room upstairs | 0:24:25 | 0:24:28 | |
that's of really generous proportions, which is the case here. | 0:24:28 | 0:24:33 | |
When the Sambournes bought this house in 1875, | 0:24:33 | 0:24:37 | |
the first thing they did, surprise, surprise, was redecorate, | 0:24:37 | 0:24:41 | |
but in the Aesthetic style. | 0:24:41 | 0:24:44 | |
Now, the Aesthetic style was a reaction | 0:24:44 | 0:24:47 | |
against the heavy mid-Victorian brown decoration | 0:24:47 | 0:24:54 | |
and they achieved that by introducing such detailing | 0:24:54 | 0:24:57 | |
as a Dado rail | 0:24:57 | 0:25:00 | |
and also a plate rail. | 0:25:00 | 0:25:02 | |
The first principle of the Aesthetic movement decorating manual is... | 0:25:03 | 0:25:07 | |
not too much clutter. | 0:25:07 | 0:25:09 | |
The first thing the Sambournes did was to clutter the place up! | 0:25:09 | 0:25:14 | |
First off, they went to a local house sale and bought 150 items. | 0:25:15 | 0:25:19 | |
The inventory by 1878 records 250 objects | 0:25:20 | 0:25:26 | |
in this drawing room alone. | 0:25:26 | 0:25:28 | |
Such was the lack of space, even in the drawing room, | 0:25:32 | 0:25:36 | |
that by 1878, Sambourne felt he had to add on this additional bay. | 0:25:36 | 0:25:43 | |
Because the glazed space would have looked out over the neighbours | 0:25:43 | 0:25:49 | |
it gave him an opportunity to design some stained and painted glass. | 0:25:49 | 0:25:54 | |
It looks very Aesthetic movement | 0:25:54 | 0:25:57 | |
with a pot at the bottom here that could have easily been designed | 0:25:57 | 0:26:02 | |
by William De Morgan, with these stylised fish | 0:26:02 | 0:26:06 | |
and growing out of the pot, | 0:26:06 | 0:26:08 | |
the emblems which epitomise the Aesthetic movement, | 0:26:08 | 0:26:11 | |
a row of sunflowers. | 0:26:11 | 0:26:14 | |
And as a reminder of Linley Sambourne's lineage, | 0:26:14 | 0:26:18 | |
he's introduced into each squares elements from his coat of arms. | 0:26:18 | 0:26:24 | |
The Sambournes loved their art at 18 Stafford Terrace | 0:26:26 | 0:26:31 | |
and they also enjoyed their mod cons. Hello. | 0:26:31 | 0:26:36 | |
MUSIC: AFTER THE BALL IS OVER | 0:26:36 | 0:26:39 | |
But possibly the ultimate in Victorian communications in the home | 0:26:42 | 0:26:47 | |
was one of these things. | 0:26:47 | 0:26:49 | |
Installed by Linley Sambourne | 0:26:49 | 0:26:52 | |
so he could communicate between the floors of the house | 0:26:52 | 0:26:56 | |
and also the stable which is across the yard at the back. | 0:26:56 | 0:27:00 | |
If he wanted something, | 0:27:00 | 0:27:02 | |
he'd take out the ivory bung and give it a blow. | 0:27:02 | 0:27:06 | |
SHRILL WHISTLE | 0:27:06 | 0:27:08 | |
That sound would go down the tube, alert the servants | 0:27:08 | 0:27:12 | |
who'd then come to their receiver and he'd say, | 0:27:12 | 0:27:16 | |
"Bring me up a cup of tea." | 0:27:16 | 0:27:18 | |
And then he'd listen. | 0:27:19 | 0:27:21 | |
What do you mean, "Take a running jump"? | 0:27:22 | 0:27:25 | |
I don't know. It's so difficult to get the staff these days. | 0:27:25 | 0:27:29 | |
Of course, the big question today is | 0:27:29 | 0:27:32 | |
who is going to be the whistleblower at the auction house? | 0:27:32 | 0:27:35 | |
Well, it's great to be at Golding Young & Thomas Mawer saleroom | 0:27:50 | 0:27:56 | |
in Grantham with Colin Young. | 0:27:56 | 0:27:57 | |
-Good morning, Tim. How are you? -Great to be here. | 0:27:57 | 0:28:00 | |
Now, first up for Joanne and Nicola is this strut table mirror. | 0:28:00 | 0:28:05 | |
Yes, nice little easel mirror there. Decent size. | 0:28:05 | 0:28:08 | |
Good, flowing Art Nouveau styling and sides to it. | 0:28:08 | 0:28:12 | |
Very good. It's just the condition. | 0:28:12 | 0:28:13 | |
-It's a bit flaky, isn't it? -It is. -Like there. -Yeah. | 0:28:13 | 0:28:17 | |
So how much, then? | 0:28:17 | 0:28:19 | |
I've put an estimate on it of 80 to 120 and that reflects the damage. | 0:28:19 | 0:28:24 | |
It would have been easily £150, £200. | 0:28:24 | 0:28:26 | |
David Harper is going to love you. | 0:28:26 | 0:28:28 | |
-£42 he paid, which is marvellous, Colin. | 0:28:28 | 0:28:31 | |
-Thank you very much for that. -That's all right. | 0:28:31 | 0:28:33 | |
-Next is the hunting horn. -Yep. Obviously not very old. | 0:28:33 | 0:28:37 | |
The mounts that are on it are pretty poor quality. | 0:28:37 | 0:28:42 | |
We've still put an estimate of 50 to 80 on it. | 0:28:42 | 0:28:44 | |
Hopefully that will inspire people to bid a bit more for it. | 0:28:44 | 0:28:48 | |
-Only £18 was paid for that. -Right. | 0:28:48 | 0:28:52 | |
-Joanne's going to love you - she found that. -Right. | 0:28:52 | 0:28:55 | |
Now, let's try on for size the pair of Doulton vases. | 0:28:55 | 0:28:59 | |
Nice bit of Slaters patent. | 0:28:59 | 0:29:01 | |
-Pretty traditional, aren't they? -Yes, but they're sizeable. | 0:29:01 | 0:29:06 | |
They're quite a statement piece. | 0:29:06 | 0:29:08 | |
So 80, 120 for something of that size, scale and nature. | 0:29:08 | 0:29:12 | |
They paid £80, you're estimating £80 to £120, | 0:29:12 | 0:29:16 | |
which does show how the mighty has fallen. | 0:29:16 | 0:29:18 | |
That pair of vases ten years ago would have been worth £200 to £300. | 0:29:18 | 0:29:23 | |
-That's right. -Hold on to your horses with that. | 0:29:23 | 0:29:26 | |
That is the most encouraging and positive start | 0:29:26 | 0:29:30 | |
-we've had for a Red team for some time. -Oh, right. | 0:29:30 | 0:29:33 | |
They're not going to need their bonus buy, according to your estimates. | 0:29:33 | 0:29:36 | |
But let's have a look, anyway. | 0:29:36 | 0:29:38 | |
Jo and Nicola, you spent a magnificent £140. | 0:29:40 | 0:29:43 | |
Well, it wasn't THAT magnificent. | 0:29:43 | 0:29:45 | |
And you gave up £160. | 0:29:45 | 0:29:48 | |
Did you blow the lot, David? | 0:29:48 | 0:29:50 | |
Not quite. | 0:29:50 | 0:29:51 | |
You know what part of the world this is from, don't you? | 0:29:51 | 0:29:54 | |
It's Oriental. | 0:29:54 | 0:29:55 | |
-Tell me what you think. -I quite like that. | 0:29:57 | 0:29:59 | |
Hold it tight. It's Japanese. It's Kutani ware. | 0:29:59 | 0:30:03 | |
We've got two characters, a wise man and his wife, | 0:30:03 | 0:30:06 | |
or his...close friend, I don't know. | 0:30:06 | 0:30:09 | |
They're probably in search of enlightenment. | 0:30:09 | 0:30:12 | |
The colours are gorgeous. | 0:30:12 | 0:30:14 | |
It's on its original wall hanger, which I haven't taken off. | 0:30:14 | 0:30:18 | |
I don't think you'd want to take it off. | 0:30:18 | 0:30:20 | |
Very unusual, and right up my street. I love this. | 0:30:20 | 0:30:24 | |
It's nice, and how much did you pay? | 0:30:24 | 0:30:26 | |
You are dreadful! | 0:30:27 | 0:30:28 | |
-What do you think? -40 quid. -25. -Oh, right. | 0:30:28 | 0:30:31 | |
But I think it was an absolute stonking bargain. | 0:30:31 | 0:30:34 | |
If that doesn't make a profit there's something drastically wrong with this world. | 0:30:34 | 0:30:38 | |
-Well done. -Well done. -Well done. | 0:30:38 | 0:30:40 | |
It's a funny old world, this! | 0:30:40 | 0:30:42 | |
No, seriously. You've heard the pearls of wisdom from the man. | 0:30:44 | 0:30:48 | |
You don't pick it now. Your opportunity comes later, | 0:30:48 | 0:30:51 | |
after the sale of your first three items. But for the viewers at home, | 0:30:51 | 0:30:55 | |
let's find out what the auctioneer thinks about David's plate. | 0:30:55 | 0:31:00 | |
-There you go. Something to excite you. -Right. | 0:31:00 | 0:31:03 | |
Piece of Japanese Kutani, date-wise probably about 1900. | 0:31:03 | 0:31:06 | |
Technically it's a wonderful thing and it IS good quality, | 0:31:06 | 0:31:10 | |
but I think the visual doesn't work. | 0:31:10 | 0:31:13 | |
What's your estimate, Colin? | 0:31:13 | 0:31:15 | |
I've put a lowly 30 to 50 on it, I'm afraid. | 0:31:15 | 0:31:18 | |
David Harper paid £25, and he's a man who doesn't pay more | 0:31:18 | 0:31:21 | |
than you need to pay. | 0:31:21 | 0:31:24 | |
That's it for the Reds, now for the Blues. | 0:31:24 | 0:31:26 | |
-Peggy went bonkers on the ink stand. -Yeah. | 0:31:26 | 0:31:29 | |
I think because it's carved marble, | 0:31:29 | 0:31:31 | |
and from that point of view it is pretty substantial. | 0:31:31 | 0:31:34 | |
Lovely variegation within the marble. | 0:31:34 | 0:31:37 | |
Good, strong green and grey colours within it. | 0:31:37 | 0:31:40 | |
-I think it's a very saleable item. -Good. | 0:31:40 | 0:31:44 | |
-What's your estimate? -I've put 30 to 50 on. | 0:31:44 | 0:31:47 | |
But I think the inkwells are quite dreadful. They would need changing. | 0:31:47 | 0:31:53 | |
-But the body of it is great. -Fantastic. | 0:31:53 | 0:31:55 | |
-Peggy will be pleased. £9 she paid. -That seems... | 0:31:55 | 0:31:59 | |
-What you call a snip. -Absolutely. | 0:31:59 | 0:32:01 | |
Now we're moving on to a Japanese gourd. | 0:32:01 | 0:32:04 | |
-I think it's a gourd. Well, it's almost spherical. -Mm. | 0:32:04 | 0:32:09 | |
-How do you rate it? -We put an estimate of £30 to £50. | 0:32:09 | 0:32:15 | |
I think it's a case of trying to encourage people to look at it, | 0:32:15 | 0:32:19 | |
rather than look away from it. | 0:32:19 | 0:32:21 | |
Do you think it might bring £30? | 0:32:21 | 0:32:23 | |
-£20? -It could be that level. -Well, they paid £1. -Yeah. | 0:32:23 | 0:32:28 | |
They got more adventurous with the scent decanter. | 0:32:28 | 0:32:31 | |
-Yeah. -A good-looking thing, isn't it? -It is. Very good. | 0:32:31 | 0:32:35 | |
Lovely curved shaping to the underside of the lid. | 0:32:35 | 0:32:40 | |
Very standard item. £50, £80 - how does that sound? | 0:32:40 | 0:32:44 | |
Not enough. Well, £110 they paid for it. | 0:32:44 | 0:32:48 | |
-So this is going to be very tight, Colin. -It is. -Yeah. | 0:32:48 | 0:32:52 | |
They're going to need their bonus buy. Let's look at it! | 0:32:52 | 0:32:55 | |
Now, Jo and Pegs, you spent £120, chickens. Yes? | 0:32:56 | 0:33:01 | |
You gave £180 to James Lewis. What did he blow it on? | 0:33:01 | 0:33:05 | |
-James? -Well... | 0:33:05 | 0:33:07 | |
-Ah! -Ah! -Well, I couldn't hide it under the cloth. It's this. | 0:33:07 | 0:33:12 | |
Gosh! | 0:33:12 | 0:33:14 | |
-Cunning monkey! -There we go. | 0:33:14 | 0:33:16 | |
What do you think to that? | 0:33:16 | 0:33:19 | |
BLOWS RASPBERRY | 0:33:19 | 0:33:20 | |
At the moment, scrap metal is on a high | 0:33:20 | 0:33:22 | |
and that is solid brass. | 0:33:22 | 0:33:25 | |
So even if we have to melt down, I think there might be a profit. | 0:33:25 | 0:33:29 | |
It's a piece of Arts and Crafts metalwork. It's 1880 and 1890. | 0:33:29 | 0:33:34 | |
And it's telescopic. | 0:33:34 | 0:33:37 | |
There's a little ratchet so you can adjust that | 0:33:37 | 0:33:39 | |
and raise it to whatever height you wish. | 0:33:39 | 0:33:42 | |
-How much was it? -38. | 0:33:42 | 0:33:44 | |
Oh, wow! | 0:33:44 | 0:33:46 | |
-Yeah? -Got to be profit in that. | 0:33:46 | 0:33:47 | |
-There has to be, hasn't there? -He says hopefully. | 0:33:47 | 0:33:50 | |
If there's a guaranteed profit, that's it. | 0:33:50 | 0:33:53 | |
-I like it. -I'm quite impressed. | 0:33:53 | 0:33:54 | |
-We are impressed. We're impressed. -We are. | 0:33:54 | 0:33:58 | |
-Good. -Well done. | 0:33:58 | 0:34:01 | |
Let's find out for the viewers if the auctioneer is similarly impressed. | 0:34:01 | 0:34:05 | |
That's a bit of a monster, isn't it? | 0:34:07 | 0:34:10 | |
-It's not ALL bad news. -Is it not? Good. | 0:34:10 | 0:34:12 | |
-There's good news and bad news. -The good news? | 0:34:12 | 0:34:14 | |
The good news is, it's an object that people can spend hours cleaning. | 0:34:14 | 0:34:19 | |
Yeah. | 0:34:19 | 0:34:20 | |
-In the time they've got left, they can spend dusting it. -Yes. | 0:34:20 | 0:34:24 | |
-Cleaning and dusting. -That's the good news. | 0:34:24 | 0:34:26 | |
The bad news is it must be well over 10 years | 0:34:26 | 0:34:30 | |
-since one of these sold well at auction. -Yes. | 0:34:30 | 0:34:33 | |
Anywhere in the UK. | 0:34:33 | 0:34:34 | |
-Do we have an estimate? -Yes, we've put 50 to 80 on it, | 0:34:34 | 0:34:39 | |
but I don't hold out that much hope. | 0:34:39 | 0:34:41 | |
James Lewis has bought it as a bonus buy. | 0:34:41 | 0:34:44 | |
-Right. -He paid £38 for it. | 0:34:44 | 0:34:46 | |
I think he reckons you could melt it down and get change out of £38. | 0:34:46 | 0:34:52 | |
-That's your challenge, Colin. You love a challenge. -As ever. | 0:34:52 | 0:34:55 | |
You're our favourite auctioneer. Well done. | 0:34:55 | 0:34:58 | |
700. 800. | 0:35:02 | 0:35:03 | |
-How are you feeling? -Good. -Feeling good? | 0:35:05 | 0:35:07 | |
-Excited, yes. -You're excited? -Yeah, I am. | 0:35:07 | 0:35:11 | |
First up is the table mirror and here it comes. | 0:35:11 | 0:35:14 | |
Who's going to start me at 120? 100 to go. 100. | 0:35:14 | 0:35:17 | |
80, if we have to. Who's going to be first in? 50? | 0:35:17 | 0:35:20 | |
OK, 30. Let's get on. 30 bid. | 0:35:21 | 0:35:23 | |
35. 40. 40 bid. | 0:35:23 | 0:35:25 | |
45. 50. 60, may I say? | 0:35:25 | 0:35:27 | |
55. 60. 60. 65? No. £60. | 0:35:27 | 0:35:31 | |
£60 bid. 5 anywhere else now? 65. | 0:35:31 | 0:35:33 | |
70. And 5. 75 bid. 80. | 0:35:33 | 0:35:36 | |
-90. -Yes. -90 bid now? 90. 95. No. | 0:35:36 | 0:35:39 | |
-Look at this. -90 bid. 5 again now? | 0:35:39 | 0:35:41 | |
We're nowhere yet. At 90 bid. | 0:35:41 | 0:35:44 | |
-5 anywhere else? -Come on. -Last call. 95 back in. | 0:35:44 | 0:35:47 | |
95. 100, may I say? | 0:35:47 | 0:35:49 | |
100. 105. Let's keep progress rolling. | 0:35:49 | 0:35:52 | |
105. | 0:35:52 | 0:35:53 | |
110 now, may I say? 110. | 0:35:53 | 0:35:55 | |
110. 15 now. 115, no. | 0:35:55 | 0:35:57 | |
110. Front row here. | 0:35:57 | 0:35:59 | |
Last call, this is your last chance. We sell at £110. | 0:35:59 | 0:36:04 | |
-£110. -REDS: Yes! | 0:36:04 | 0:36:06 | |
Would that be...? That would be... That would be a lot, that would. | 0:36:06 | 0:36:10 | |
-That's all we need to know. -That would be 58, £68. | 0:36:10 | 0:36:14 | |
-Oh! You're a dreamboat! -At a stroke. -That's good. | 0:36:14 | 0:36:17 | |
The hunting horn. | 0:36:17 | 0:36:18 | |
£50 for this. 50. 50. 30. | 0:36:18 | 0:36:21 | |
-Might not be so. -£30, anybody? | 0:36:21 | 0:36:23 | |
OK, it's going to come as a bit of a blow, but 10. | 0:36:23 | 0:36:25 | |
10. 10 bid. 15 now do I see? 10 bid. | 0:36:25 | 0:36:29 | |
15 now surely. 15 and 20. | 0:36:29 | 0:36:31 | |
-And 5. -In profit. -Oh! | 0:36:31 | 0:36:32 | |
25. Bid 30. And 5 now. | 0:36:32 | 0:36:35 | |
-Yes! -35. 38 bid. 40 not now. | 0:36:35 | 0:36:37 | |
38, last call. | 0:36:37 | 0:36:39 | |
Sells at £38. | 0:36:39 | 0:36:40 | |
£38. You are plus 20. | 0:36:40 | 0:36:43 | |
Look at that! | 0:36:44 | 0:36:46 | |
Now, will we get a profit on the third item? | 0:36:46 | 0:36:48 | |
Pair of Royal Doulton baluster vases. | 0:36:48 | 0:36:51 | |
Again, Slaters patent. Substantial things. | 0:36:51 | 0:36:53 | |
Who's going to start me £80? | 0:36:53 | 0:36:56 | |
-It might not... -50! | 0:36:56 | 0:36:58 | |
£50. Who's going to be first in? | 0:36:58 | 0:36:59 | |
-Yes! -Thank you. 50. 5 anywhere else now? | 0:36:59 | 0:37:02 | |
At 55. Bid 60. 60. 5. 65. | 0:37:02 | 0:37:05 | |
-70. | 0:37:05 | 0:37:07 | |
Any more now? 70. And 5 now. | 0:37:07 | 0:37:09 | |
-70 at the back of the room. -Come on! | 0:37:09 | 0:37:11 | |
75, surely. At 70, then, | 0:37:11 | 0:37:13 | |
selling, all done. At £70. | 0:37:13 | 0:37:16 | |
-Oh, girls! -£70. You are minus £10. | 0:37:16 | 0:37:19 | |
You were 88, you're now plus 78. No shame in that, girls. | 0:37:19 | 0:37:23 | |
-But no pins. -No pins. -But no pin. | 0:37:23 | 0:37:26 | |
-Going with the plate? -Want to go with it? You decide. | 0:37:26 | 0:37:30 | |
-I'm not deciding. -Come on, Ma. -Go on, then. | 0:37:30 | 0:37:32 | |
We're going with the bonus buy. Here it comes. The Japanese charger. | 0:37:32 | 0:37:37 | |
Who's going to start me at 50? 30 to go. | 0:37:37 | 0:37:39 | |
£30? 30? 20 to go. | 0:37:39 | 0:37:41 | |
20 bid. 22 bid. | 0:37:41 | 0:37:42 | |
25 bid. 28 do I see now? | 0:37:42 | 0:37:45 | |
25 bid. 28 now do I see? 28. At 28. | 0:37:45 | 0:37:47 | |
-Oh, no. -30 now? | 0:37:47 | 0:37:49 | |
At 28 bid. 30 is the last call. | 0:37:49 | 0:37:51 | |
-On the market at 28. No! All gone at £28. -I don't believe it, David. | 0:37:51 | 0:37:55 | |
But that's OK. £28 is plus £3. | 0:37:55 | 0:37:58 | |
Lovely, because that takes you over the 80. You are plus 81 smackers. | 0:37:58 | 0:38:03 | |
-We can't worry, can we? -No. -Well done. -Good. -I'm pleased. | 0:38:03 | 0:38:07 | |
-Jo and Pegs, do you know how the Reds got on? -No. | 0:38:17 | 0:38:20 | |
No, well, we don't want you to. Perfect. | 0:38:20 | 0:38:22 | |
-Are you feeling confident, Jo? -No. -Peggy? -Apprehensive. | 0:38:22 | 0:38:28 | |
First up is your ink stand. And here it comes. | 0:38:28 | 0:38:31 | |
A 19th-century green marble inkstand. | 0:38:31 | 0:38:33 | |
£40 or £50? | 0:38:33 | 0:38:35 | |
Who's going to start me at £20. | 0:38:36 | 0:38:38 | |
-£20. -Oh! | 0:38:38 | 0:38:40 | |
Thank you, £20 bid. | 0:38:40 | 0:38:41 | |
-20. -And 2 now, surely. At 20 and 2 now. | 0:38:41 | 0:38:43 | |
22. 25. 28. Bid 30, 32. | 0:38:43 | 0:38:47 | |
5 anywhere? | 0:38:47 | 0:38:48 | |
-At 32. Bid 5 or not? | 0:38:48 | 0:38:50 | |
Selling in the room at £32. | 0:38:50 | 0:38:53 | |
-£32. Is 22, 23. Plus £23. -Oh. -That's a good start. | 0:38:53 | 0:39:00 | |
Here comes your gourd. Scratched up. | 0:39:00 | 0:39:02 | |
Who's going to start me at £50? | 0:39:02 | 0:39:05 | |
For a gourd. 50. 50. | 0:39:05 | 0:39:08 | |
-40. -Oh, GOURD! -£40, anybody? | 0:39:08 | 0:39:10 | |
£40. Who's going to start me at 20? | 0:39:10 | 0:39:14 | |
£10. 10 to go, then. | 0:39:14 | 0:39:15 | |
10 bid. 12 bid. | 0:39:15 | 0:39:17 | |
-15. 15. 18. 20. | 0:39:17 | 0:39:19 | |
-You only paid £1! -25 bid. | 0:39:19 | 0:39:22 | |
No. | 0:39:22 | 0:39:23 | |
22. 5 or not? All done at £22. | 0:39:23 | 0:39:26 | |
That is marvellous, which means that's a profit of £21. | 0:39:26 | 0:39:31 | |
That has to be one of the most profitable things ever bought | 0:39:31 | 0:39:35 | |
on Bargain Hunt. | 0:39:35 | 0:39:37 | |
Spend £1 and get £22 back. Now here comes the scent bottle. | 0:39:37 | 0:39:41 | |
A George V glass scent bottle. | 0:39:41 | 0:39:44 | |
We start the bidding at 20. And 5 now? | 0:39:44 | 0:39:48 | |
At 20 and 5. 25. Bid 30 and 5. | 0:39:48 | 0:39:52 | |
Bid 40. And 5. | 0:39:52 | 0:39:53 | |
50 now. At 45 bid, 50 now, do I see? 50 on the internet. | 0:39:53 | 0:39:57 | |
55. Bid 60 now. | 0:39:57 | 0:39:59 | |
60 over there. 65 now. | 0:39:59 | 0:40:03 | |
70 and 5. | 0:40:03 | 0:40:04 | |
-75. -It's getting there. | 0:40:04 | 0:40:06 | |
80 from anywhere else? 78, front row has it. | 0:40:06 | 0:40:09 | |
At £78, and 80 back in. And 2, may I say now? | 0:40:09 | 0:40:13 | |
82 bid. 85 bid. 88, may I say now? 88. 90. | 0:40:13 | 0:40:17 | |
-Look at this. -They've gone away. | 0:40:17 | 0:40:19 | |
-Sells at £88. -£88. That's 12 short of 100. That's minus 22. | 0:40:20 | 0:40:27 | |
Minus 22. You had plus 44, which means you're plus £22. | 0:40:27 | 0:40:32 | |
-How good is that? -Yes! -You're £22 up. | 0:40:32 | 0:40:35 | |
What are we going to do about that standard lamp? | 0:40:35 | 0:40:38 | |
-Going to risk it? -We'll try it. -We'll punt. | 0:40:38 | 0:40:40 | |
-You happy? -Absolutely. -Quite sure? | 0:40:40 | 0:40:42 | |
You're risking all with the bonus buy. Here it comes. | 0:40:42 | 0:40:46 | |
The 19th-century Arts and Crafts brass and copper oil lamp standard. | 0:40:46 | 0:40:50 | |
-£50. Who's first at 50? -Surely | 0:40:50 | 0:40:53 | |
-30. -It's worth more than that for scrap! | 0:40:53 | 0:40:55 | |
Always very popular in sales. 30. | 0:40:55 | 0:40:57 | |
-That is insane! -30. | 0:40:57 | 0:41:00 | |
20. | 0:41:00 | 0:41:02 | |
-£20 bid. The lady's bid. -Come on! | 0:41:02 | 0:41:04 | |
22. 25. | 0:41:04 | 0:41:05 | |
28 now. 28 bid. Bit of competition. | 0:41:05 | 0:41:08 | |
30. £30 bid. | 0:41:08 | 0:41:09 | |
32. 35 now, may I say? At 32 at the back of the room. | 0:41:09 | 0:41:13 | |
5 anywhere else for this? We sell, then, at £32. | 0:41:13 | 0:41:17 | |
-Bad luck. Minus £6. -Do you know... -Which still means... | 0:41:17 | 0:41:21 | |
-It was in the wrong section of the sale. -I agree. | 0:41:21 | 0:41:24 | |
-Wrong day. -Wrong section of the sale, absolutely. | 0:41:24 | 0:41:27 | |
You have £16. You are plus £16. Nothing the matter with that, girls. | 0:41:27 | 0:41:32 | |
-Don't say a word to the Reds. -No. -No point in the spoiling their day. | 0:41:32 | 0:41:37 | |
What a great day we've had. | 0:41:50 | 0:41:53 | |
Both teams making substantial profits. | 0:41:53 | 0:41:55 | |
TEAMS: Oh! | 0:41:55 | 0:41:57 | |
It's enough to make the cockles of your heart warm up. | 0:41:57 | 0:42:00 | |
But, sadly, the team with less money to go home with | 0:42:00 | 0:42:04 | |
-are the Blues. -Yes! | 0:42:04 | 0:42:06 | |
Which is bad luck, girls. It started out so beautifully. | 0:42:07 | 0:42:11 | |
Then that wretched scent bottle let you down a tad. | 0:42:11 | 0:42:16 | |
As a result, you will go home with £16, | 0:42:16 | 0:42:19 | |
which is no bad score, actually. | 0:42:19 | 0:42:22 | |
There's your tenner, | 0:42:22 | 0:42:24 | |
I don't have a fiver, so we've gone for a lot of coins. | 0:42:24 | 0:42:27 | |
-Never mind. -There we go. Thank you! | 0:42:27 | 0:42:30 | |
-Have you had a nice time, Pegs? -Lovely. | 0:42:30 | 0:42:33 | |
We've loved having you on the show. | 0:42:33 | 0:42:35 | |
-But the victors today, my gosh, with £81. -Wow! | 0:42:35 | 0:42:40 | |
There's your £80, darling. | 0:42:40 | 0:42:42 | |
-Here comes the one. It was a very good result. -Very good. | 0:42:42 | 0:42:45 | |
What are you going to spend all this money on, Nics? | 0:42:45 | 0:42:49 | |
Me! | 0:42:49 | 0:42:50 | |
Well, you are nothing short of a national treasure. | 0:42:51 | 0:42:56 | |
Join us soon for some more bargain hunting, yes? | 0:42:56 | 0:42:59 | |
ALL: Yes! | 0:42:59 | 0:43:01 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:18 | |
E-mail [email protected] | 0:43:18 | 0:43:21 |