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Ooh, it's grand to be in the capital city. And... Oh look! | 0:00:02 | 0:00:07 | |
Alfie's Antiques Market. This is the place. | 0:00:07 | 0:00:10 | |
Let's go Bargain Hunting. Yeah! | 0:00:10 | 0:00:13 | |
Cor! Look at this. | 0:00:42 | 0:00:45 | |
Absolutely bursting at the seams. | 0:00:45 | 0:00:47 | |
This should be a piece of cake for our teams you know. Or will it? | 0:00:47 | 0:00:53 | |
Coming up, the Blues think they're on to a winner when they find a dealer with a sweet tooth. | 0:00:54 | 0:01:00 | |
How about 65 and a chocolate bar as well? You have to go for it. | 0:01:00 | 0:01:07 | |
But the Reds also offer a little bit extra. | 0:01:07 | 0:01:11 | |
-220. -220. | 0:01:11 | 0:01:13 | |
What about 150 and a dog? | 0:01:13 | 0:01:15 | |
Not today! | 0:01:15 | 0:01:17 | |
I don't blame him. Let's go and meet them. | 0:01:20 | 0:01:22 | |
-On today's Red team are good friends Alex and Martin. Hello. -Hello! | 0:01:24 | 0:01:29 | |
Hello. | 0:01:29 | 0:01:31 | |
So what's this, Alex, about you two meeting in a dungeon? | 0:01:31 | 0:01:35 | |
Yes, we did meet in a dungeon, the London Dungeon, when we were working together as actors scaring punters. | 0:01:35 | 0:01:43 | |
-Is that what you do for a living? -That's what we were doing then, absolutely. | 0:01:43 | 0:01:46 | |
The tourists pay to come in to get seriously frightened. | 0:01:46 | 0:01:49 | |
-Very frightened. -Are they going to get frightened today on Bargain Hunt? | 0:01:49 | 0:01:52 | |
That's our tactic. | 0:01:52 | 0:01:54 | |
I can see there's three of you on today's team. | 0:01:54 | 0:01:57 | |
Who's this little feller? | 0:01:57 | 0:01:59 | |
This is Suki, | 0:01:59 | 0:02:01 | |
she's my little Chihuahua and our assistant for this afternoon. | 0:02:01 | 0:02:07 | |
She's in an appropriate coloured vest, I'm pleased to see. Are you going to take her | 0:02:07 | 0:02:10 | |
shopping with you today? | 0:02:10 | 0:02:12 | |
-I am. -If you're allowed to. -If I'm allowed to, yes. | 0:02:12 | 0:02:15 | |
She's got a taste for the finer things in life. | 0:02:15 | 0:02:18 | |
What's her favourite period? | 0:02:18 | 0:02:19 | |
I think she's a very deco dog so we'll be looking for some deco, won't we? | 0:02:19 | 0:02:26 | |
What role does she play in your performances professionally? | 0:02:26 | 0:02:31 | |
She's my sidekick now. | 0:02:31 | 0:02:34 | |
I host a cabaret show every Saturday at the Cafe De Paris with Suki and Martin performs for me. | 0:02:34 | 0:02:42 | |
What role does he normally perform? | 0:02:42 | 0:02:44 | |
-He's normally a leggy blonde... -Yes, it's true. -..imagine if you will, called Bunny Galore. | 0:02:44 | 0:02:50 | |
Why Bunny Galore, Martin? | 0:02:50 | 0:02:54 | |
A lot of people ask me that and I ask myself regularly every week when I dress like that. | 0:02:54 | 0:02:58 | |
She comes from a party at drama school about 16 years ago and she's not left me since. | 0:02:58 | 0:03:04 | |
She's the bane of my life and an anchor around my neck but everyone loves her. | 0:03:04 | 0:03:08 | |
-So you started it off as a bit of a laugh 16 years ago and now it's your professional gambit. -That's right. | 0:03:08 | 0:03:15 | |
Good. So how are the two of you - I'm sorry, three of you - going to perform today on Bargain Hunt? | 0:03:15 | 0:03:19 | |
We'll probably just go for the shiniest prettiest things. | 0:03:19 | 0:03:23 | |
Straight for shiny, pretty, expensive things. | 0:03:23 | 0:03:26 | |
You're going to be spoiled for choice, I fancy. | 0:03:26 | 0:03:29 | |
Anyway, very good luck to the three of you. | 0:03:29 | 0:03:31 | |
Now the Blues, a brother and sister combo from heaven. How lovely. | 0:03:31 | 0:03:36 | |
Sarah, you're described as the big sis. | 0:03:36 | 0:03:39 | |
I am, although most people think I'm the youngest, but I'm in fact the oldest. | 0:03:39 | 0:03:45 | |
-And you've got a lot in common, have you? -Yes, we're both in performing arts. | 0:03:45 | 0:03:48 | |
I'm an actress and Chris is a dancer, and we both lived together in London. | 0:03:48 | 0:03:51 | |
-And get on famously. -We try to. | 0:03:51 | 0:03:54 | |
You have to if you live together. | 0:03:54 | 0:03:55 | |
-There's not many arguments, no. -That's lovely. | 0:03:55 | 0:03:58 | |
-So have you been performing for long? -Yes, since I was little. | 0:03:58 | 0:04:02 | |
Our auntie had a ballet school we went to when we were young | 0:04:02 | 0:04:05 | |
and my mum was a ballerina so we've grown up in the performing arts. | 0:04:05 | 0:04:09 | |
I took the acting route later on whereas Chris stuck to the dancing. | 0:04:09 | 0:04:13 | |
I went to drama school and graduated last summer. | 0:04:13 | 0:04:16 | |
Well done. Has your acting taken you overseas at all? | 0:04:16 | 0:04:18 | |
Yes, last summer I was in Poland doing a horror film. | 0:04:18 | 0:04:21 | |
-A proper teen horror. -More dungeon work! | 0:04:21 | 0:04:24 | |
Yeah! It was a slasher so there was a lot of blood involved. | 0:04:24 | 0:04:28 | |
Chris, you're a bit of a mover. | 0:04:28 | 0:04:31 | |
I am. I stuck with the dancing, as Sarah said. I started aged two, | 0:04:31 | 0:04:36 | |
and at 14 I decided to leave home and go to a dance college. | 0:04:36 | 0:04:40 | |
Then I graduated in 2009 and I've been dancing ever since really. | 0:04:40 | 0:04:44 | |
How do you think you two are going to perform today on Bargain Hunt? | 0:04:44 | 0:04:47 | |
-Brilliantly. -Yeah, fantastically! | 0:04:47 | 0:04:50 | |
Even though you've got no pooch to help you? | 0:04:50 | 0:04:52 | |
-No. -It won't slow us down so hopefully... | 0:04:52 | 0:04:55 | |
That's the tactic. | 0:04:55 | 0:04:58 | |
It won't turn on you and bite you either, will it? | 0:04:58 | 0:05:00 | |
Now the money - here is your £300 apiece. | 0:05:00 | 0:05:03 | |
Look at that thick wodge of tenners. You know the rules, your experts await and off you go. | 0:05:03 | 0:05:09 | |
Very good luck. Wow, two teams of performers, eh? | 0:05:09 | 0:05:15 | |
Is this show going to be big enough? | 0:05:15 | 0:05:17 | |
Let's hope our experts measure up. | 0:05:20 | 0:05:23 | |
Little old Charlie Hanson is with the Red team | 0:05:23 | 0:05:27 | |
and Anita Manning is joining the Blues. | 0:05:27 | 0:05:31 | |
Beautiful isn't it? | 0:05:37 | 0:05:39 | |
Wow, guys. Wow, guys, this is something else. | 0:05:39 | 0:05:45 | |
-What's the plan? -Look for anything that's shiny and pretty. | 0:05:45 | 0:05:49 | |
I'm thinking I'd like something with a frog on. | 0:05:49 | 0:05:51 | |
I've got a pet frog so I'm thinking maybe for a good luck charm or something. | 0:05:51 | 0:05:56 | |
-So we've got a theme. -Froggy. | 0:05:56 | 0:05:58 | |
Let's go. | 0:05:58 | 0:05:59 | |
-Come on, Suki, find us a bargain. -Right. | 0:05:59 | 0:06:03 | |
-Oh, hang on. -What's...? | 0:06:12 | 0:06:14 | |
I want, look! Leopard-print stools. | 0:06:14 | 0:06:17 | |
-There's two of them. -The stools? -Yes. | 0:06:17 | 0:06:20 | |
Shall I hold | 0:06:20 | 0:06:22 | |
Suki for you? Hello, Suki. What does Suki say about them? | 0:06:22 | 0:06:25 | |
Hold on. | 0:06:25 | 0:06:28 | |
-She's not sure. -She quite likes them actually. | 0:06:28 | 0:06:30 | |
-Have a look at them. -All right. | 0:06:30 | 0:06:33 | |
I think they're 495. | 0:06:33 | 0:06:36 | |
-495? -No! | 0:06:36 | 0:06:38 | |
495? Blimey. | 0:06:38 | 0:06:40 | |
They aren't Chihuahua, are they?! | 0:06:40 | 0:06:41 | |
-They've gone... -It's good | 0:06:41 | 0:06:43 | |
-because you like what you see, you see. -Yes. | 0:06:43 | 0:06:45 | |
I like the purply thing. | 0:06:46 | 0:06:47 | |
-Excuse me, can I have a look at the lamp? -Of course you can. | 0:06:55 | 0:06:58 | |
Squeeze in. | 0:06:58 | 0:07:00 | |
It's 145, a bit pricey. | 0:07:01 | 0:07:04 | |
145. It's very stylish, it looks great, it looks in good condition, but it's a wee bit pricey. | 0:07:04 | 0:07:11 | |
What's the best you can do? | 0:07:11 | 0:07:15 | |
The best I can do one that one, I can do 85 for you. | 0:07:17 | 0:07:21 | |
75? | 0:07:21 | 0:07:22 | |
-80. -What do you think? | 0:07:22 | 0:07:24 | |
Come on, Chris. Don't be shy. | 0:07:24 | 0:07:27 | |
I think it's a very nice lamp, it's stylish. | 0:07:27 | 0:07:31 | |
-People will like it. -I like it. | 0:07:31 | 0:07:33 | |
-I'm willing to go for it, Chris. What do you think? -I like it, too. | 0:07:33 | 0:07:36 | |
I think we should go for it. | 0:07:36 | 0:07:38 | |
Get one in the bag quick. | 0:07:38 | 0:07:39 | |
-Get one in the bag? -I think it's a deal. | 0:07:39 | 0:07:42 | |
I think we have a fait accompli. | 0:07:42 | 0:07:45 | |
-Thank you very much. -Thank you very much. | 0:07:45 | 0:07:48 | |
-Well done, well done. -That's one in the bag! -Yeah! | 0:07:48 | 0:07:51 | |
You'll need a big bag, love. | 0:07:51 | 0:07:54 | |
That way. | 0:07:54 | 0:07:55 | |
Two items you can afford, perhaps. | 0:07:55 | 0:07:58 | |
-Look at this. -That's pretty. | 0:07:58 | 0:08:01 | |
They say it's pink to make a Chelsea market wink, and it might sell well at auction. | 0:08:01 | 0:08:07 | |
What's it worth? | 0:08:07 | 0:08:09 | |
-295. -And the best price? | 0:08:09 | 0:08:11 | |
The best price is 240 for you. | 0:08:11 | 0:08:14 | |
What about 150 and a dog? House trained. | 0:08:14 | 0:08:17 | |
Not today I think! | 0:08:17 | 0:08:20 | |
She's so sweet. No? | 0:08:20 | 0:08:22 | |
-Let's move on. -Yeah. | 0:08:22 | 0:08:24 | |
Poor Suki. Don't give up on your lucky charm just yet. | 0:08:24 | 0:08:29 | |
-Over there. -I like this. If you're at home, at | 0:08:31 | 0:08:34 | |
home quite literally in your | 0:08:34 | 0:08:39 | |
Chelsea apartment, it says here "at home", doesn't it? | 0:08:39 | 0:08:43 | |
-That's lovely. -It's quite sweet. | 0:08:43 | 0:08:45 | |
What you've got here, Martin, is a little diary or notebook which is hallmarked for 1901. | 0:08:45 | 0:08:52 | |
We're going back to the Edwardian age. | 0:08:52 | 0:08:55 | |
What's so nice is that the pages have never been used. | 0:08:55 | 0:09:00 | |
Actually the pages might be completely new looking at their style, but to me, | 0:09:00 | 0:09:05 | |
it's priced at £79. It's not a lot of money in my opinion. | 0:09:05 | 0:09:10 | |
You've convinced me, Charles. | 0:09:10 | 0:09:12 | |
-I think... -On the stage, you know, that's a lovely little shimmering... | 0:09:12 | 0:09:15 | |
-That effect and the lining here. -Satin lining. | 0:09:15 | 0:09:19 | |
Could we find a price on that one? | 0:09:19 | 0:09:22 | |
-A touch cheaper. -Is it yours? -The best price for that, sadly it's not, I'd have | 0:09:22 | 0:09:27 | |
-to ask the lady but I'm sure we could do something. -Yes. | 0:09:27 | 0:09:32 | |
I'd happily pay for that... | 0:09:32 | 0:09:33 | |
-£60. -Really? -So there we go. -I'd say around 50. | 0:09:33 | 0:09:36 | |
I'd guide it between 60 and 90, | 0:09:36 | 0:09:38 | |
and that in my own saleroom, so down here it might fetch | 0:09:41 | 0:09:46 | |
£100 quite easily. | 0:09:46 | 0:09:48 | |
-Hi. -Now, you said you'd be happy with...? | 0:09:48 | 0:09:51 | |
-60, I think. -We'll do it | 0:09:51 | 0:09:54 | |
-for 60. -I wish I'd said 50 now! -I said 50. | 0:09:54 | 0:09:57 | |
I always do this! I think it's lovely. | 0:09:59 | 0:10:02 | |
-I like it. -I think it's really cute. | 0:10:02 | 0:10:05 | |
-I can picture a Chelsea lady buying it. -There's a slight tear there I've just seen, which concerns me a bit. | 0:10:05 | 0:10:11 | |
Maybe I could say 55. | 0:10:11 | 0:10:13 | |
Could you? That would be lovely. | 0:10:13 | 0:10:15 | |
-I'll tell her we found a little tear. -You're a good lady. | 0:10:15 | 0:10:18 | |
I think we should go for that one. | 0:10:18 | 0:10:21 | |
-Yes, yes. -Look at me and tell me that. | 0:10:21 | 0:10:23 | |
Yes! | 0:10:23 | 0:10:26 | |
Carlos's power of persuasion got there in the end. Item one for £55. Phew. | 0:10:26 | 0:10:32 | |
Let's try around here. | 0:10:33 | 0:10:35 | |
Hello! Fancy meeting like this. | 0:10:35 | 0:10:38 | |
-How's your shopping going, all right? -It's OK. | 0:10:38 | 0:10:41 | |
-We've got one item. -One in the bag. | 0:10:41 | 0:10:44 | |
They both loved it, they're very stylish Londoners and they've | 0:10:44 | 0:10:48 | |
bought a very stylish item, which I think will suit the London market. | 0:10:48 | 0:10:53 | |
I hope it will, I think it will. | 0:10:53 | 0:10:55 | |
You're excited about that so two more to go and how much time have you got? | 0:10:55 | 0:10:58 | |
-About 50 minutes. -50? -Yes. -You'd better be quick! -Bye. -See you! | 0:10:58 | 0:11:03 | |
-We've found a frog. -We've found a frog. | 0:11:07 | 0:11:09 | |
I'm not quite sure about the frog though. | 0:11:09 | 0:11:11 | |
You could always try kissing it. | 0:11:11 | 0:11:14 | |
-Here comes trouble. -Hello! | 0:11:17 | 0:11:20 | |
How are you doing, Charlie? | 0:11:20 | 0:11:22 | |
How are you getting on? | 0:11:22 | 0:11:23 | |
-Have you got all your items? -No, we've just got one. | 0:11:23 | 0:11:27 | |
You've only got one? And you've got three people on your team. | 0:11:27 | 0:11:31 | |
It's quality. | 0:11:31 | 0:11:33 | |
-So far so good, OK? -So far so good? | 0:11:33 | 0:11:36 | |
Have you made a good buy? Do you want to tell us what it is? | 0:11:36 | 0:11:39 | |
-No. -Do you want to tell us how much you paid for it? -I've found the one antique here. | 0:11:39 | 0:11:43 | |
In all the style and exuberance I need my team here | 0:11:43 | 0:11:47 | |
-to guide me. Come on, guys. -Good luck. See you. | 0:11:47 | 0:11:51 | |
-Have you bought much yet? You've one item? -Yes. | 0:11:53 | 0:11:54 | |
-Happy with it? -Yes. -Carlos! | 0:11:54 | 0:11:57 | |
Attaboy. | 0:11:57 | 0:11:59 | |
CHATTER | 0:11:59 | 0:12:02 | |
It isn't marked. | 0:12:02 | 0:12:04 | |
-Look at all that, eh? -It's this coffee pot. | 0:12:04 | 0:12:06 | |
Look, this is all so kitsch, isn't it? | 0:12:06 | 0:12:09 | |
Yes. | 0:12:09 | 0:12:12 | |
That's stunning, I love it. | 0:12:12 | 0:12:14 | |
-Look at the fingernails. -For a lady in Chelsea looking for a bit of jewellery... | 0:12:14 | 0:12:18 | |
The one important question though, darling, is how much would it be? | 0:12:18 | 0:12:22 | |
What would you pay for it? | 0:12:22 | 0:12:25 | |
What would I pay for it? Honestly? | 0:12:25 | 0:12:27 | |
-Yes. -100? -£100. | 0:12:27 | 0:12:30 | |
It's priced at 160. | 0:12:30 | 0:12:33 | |
I'd say the value... There's nothing intrinsic about it. | 0:12:33 | 0:12:35 | |
The value is in its style. | 0:12:35 | 0:12:38 | |
It captures the eye. | 0:12:38 | 0:12:40 | |
Again, in essence it probably is 1950s, 60s, I think. | 0:12:40 | 0:12:44 | |
Obviously it's paste glass, it's | 0:12:44 | 0:12:46 | |
not silver, but we must remember value goes far beyond intrinsic worth, Martin, doesn't it? | 0:12:46 | 0:12:52 | |
Exactly. It's a beautiful design, absolutely stunning. I want it myself. | 0:12:52 | 0:12:56 | |
He's getting excited. | 0:12:58 | 0:13:00 | |
I think we should see how much it is. | 0:13:00 | 0:13:03 | |
I think if we could get a little deal... OK. | 0:13:03 | 0:13:07 | |
What's your best price on this small item? | 0:13:07 | 0:13:12 | |
-I'm afraid the best would be 140 on that. -140. | 0:13:12 | 0:13:16 | |
It might flop, | 0:13:16 | 0:13:18 | |
it might fly. | 0:13:18 | 0:13:20 | |
-Life is too short. -I'm in love. | 0:13:20 | 0:13:21 | |
If you're in love, hopefully many like-minded ladies would be, too. | 0:13:21 | 0:13:24 | |
-Exactly. -That's a deal, we'll take it. Yes? | 0:13:24 | 0:13:28 | |
-£140, we'll gamble. -Fantastic. | 0:13:28 | 0:13:29 | |
Thanks ever so much. | 0:13:29 | 0:13:31 | |
Alex has gone with her heart. | 0:13:31 | 0:13:34 | |
Item two, a tasty trinket... | 0:13:34 | 0:13:36 | |
Or a tacky one? Hmm. | 0:13:36 | 0:13:38 | |
Cocktails, anyone? | 0:13:44 | 0:13:46 | |
-What do you think? -I like them. They're fun, they're vibrant. | 0:13:47 | 0:13:50 | |
-How much are they? -25. | 0:13:50 | 0:13:53 | |
-25 each. -It depends. | 0:13:53 | 0:13:54 | |
We'd have to have a really good price on them to make a profit. | 0:13:54 | 0:13:57 | |
Do you think they'd make anything? | 0:13:57 | 0:13:59 | |
Yes, I think again if you buy them in a set. You don't want to buy one. | 0:13:59 | 0:14:05 | |
-No, definitely. -If you buy them in a set, they will appeal to the private buyer. | 0:14:05 | 0:14:10 | |
They're colourful, they're functional, they're Swedish, so they are good Scandinavian | 0:14:10 | 0:14:16 | |
20th-century design and that's the type of thing which is hot just now. | 0:14:16 | 0:14:21 | |
Do you like them, Chris? | 0:14:21 | 0:14:23 | |
I do really like them. But I'm just thinking... | 0:14:23 | 0:14:25 | |
Tell me why you like them. | 0:14:25 | 0:14:28 | |
I think they'll be fun for parties and stuff. | 0:14:28 | 0:14:30 | |
They're bright on display. | 0:14:30 | 0:14:32 | |
They stand out straight away, as we saw. | 0:14:32 | 0:14:35 | |
I don't suppose you can do 50 for the set? | 0:14:35 | 0:14:37 | |
50 is a little bit of | 0:14:39 | 0:14:42 | |
-a stretch. -They aren't all the same size, are they? | 0:14:42 | 0:14:44 | |
They are slightly different. | 0:14:44 | 0:14:46 | |
50 is a little bit of a stretch. | 0:14:46 | 0:14:47 | |
What's the best you | 0:14:47 | 0:14:50 | |
could do? | 0:14:50 | 0:14:51 | |
Let's say 80 for the four of them. | 0:14:51 | 0:14:53 | |
How about 65? | 0:14:53 | 0:14:56 | |
£70. I meet you halfway. | 0:14:56 | 0:14:59 | |
How about 65 and a chocolate bar as well? | 0:14:59 | 0:15:03 | |
LAUGHTER | 0:15:03 | 0:15:06 | |
You bribe me? | 0:15:06 | 0:15:08 | |
-Everyone loves chocolate. -Look at the size of the chocolate. | 0:15:08 | 0:15:13 | |
I'm sure we can find you another one from somewhere. | 0:15:13 | 0:15:17 | |
Please, we don't have much money. | 0:15:17 | 0:15:18 | |
-Please. -OK. | 0:15:18 | 0:15:21 | |
Thank you very much. | 0:15:21 | 0:15:23 | |
Well done, Chris. Well done. | 0:15:23 | 0:15:25 | |
So the Blues pull out all the stops. | 0:15:25 | 0:15:28 | |
£65 and some chocolate. | 0:15:28 | 0:15:30 | |
Mind you, the Reds have got a dog. | 0:15:30 | 0:15:33 | |
-Now, we have £105 left. -Yeah. | 0:15:35 | 0:15:37 | |
-There's about 10 minutes and I don't like losing. -OK. | 0:15:37 | 0:15:41 | |
-I hate losing. -So it's eyes down for that last item. | 0:15:41 | 0:15:45 | |
-What about there? -Yes, go. | 0:15:47 | 0:15:49 | |
-I do quite like that. -Right. | 0:15:51 | 0:15:53 | |
I quite like the vases. | 0:15:54 | 0:15:57 | |
Right. They're nice. What sort of price? | 0:15:57 | 0:16:00 | |
-35 the pair. -£35. -For the pair. | 0:16:00 | 0:16:04 | |
-That's reasonable. -That's not too bad. | 0:16:04 | 0:16:07 | |
Is there anything else? | 0:16:07 | 0:16:09 | |
I love the Moorcroft. | 0:16:09 | 0:16:11 | |
-Can I see that pin dish there? -Certainly. | 0:16:11 | 0:16:13 | |
That's very nice. | 0:16:13 | 0:16:14 | |
-I like the colours. -Mm. | 0:16:16 | 0:16:18 | |
-The thing about Moorcroft is they have always made quality items. -Mm. | 0:16:18 | 0:16:26 | |
They always had the best of designers. | 0:16:26 | 0:16:28 | |
There's a little crack. | 0:16:28 | 0:16:31 | |
-Right. That's in the glaze. -Mm. | 0:16:31 | 0:16:34 | |
At 75 it's not too dear. | 0:16:34 | 0:16:36 | |
Well, you could always offer them | 0:16:36 | 0:16:38 | |
a sandwich, bit of cake, packet of crisps. | 0:16:38 | 0:16:41 | |
It's not something I myself would go for, but if it's going to make a profit, I'm happy. | 0:16:41 | 0:16:45 | |
At 75, it's touch and go. You like both of these things. | 0:16:45 | 0:16:50 | |
-We don't have much time. -No. -I don't think we've got time to go elsewhere. | 0:16:50 | 0:16:54 | |
-I think I prefer actually this than the two vases. -OK. | 0:16:54 | 0:16:58 | |
But this is putting me off slightly. | 0:16:58 | 0:17:01 | |
Let me have a look at that a second. | 0:17:01 | 0:17:03 | |
Let me see. Um... | 0:17:04 | 0:17:08 | |
-45. -I'm happy for 45 on the dish. | 0:17:08 | 0:17:11 | |
-Yes? -How do you feel, Chris? Which do you prefer? | 0:17:11 | 0:17:14 | |
I definitely prefer the dish than the glasses. | 0:17:14 | 0:17:16 | |
We'll go for the dish, then. | 0:17:16 | 0:17:19 | |
OK. Thank you very much. DEALER: No problem, Anita. | 0:17:19 | 0:17:22 | |
I think they wanted that. £45. | 0:17:22 | 0:17:25 | |
This sibling duo are done. | 0:17:25 | 0:17:29 | |
-Look at this. What is this? -It's a tiny, tiny handbag. | 0:17:31 | 0:17:35 | |
-It's a Suki handbag. A handbag for our little dog isn't it? -Yeah. | 0:17:35 | 0:17:38 | |
It's a sovereign holder. So your 20 carat gold sovereigns would go | 0:17:40 | 0:17:43 | |
in there, your half sovereigns in here. | 0:17:43 | 0:17:47 | |
You would have it perhaps on the end of a chatelaine fob chain, on a watch chain. | 0:17:47 | 0:17:54 | |
It's hallmarked for Birmingham. I think it's about 1935, isn't it? | 0:17:54 | 0:17:59 | |
I like this a lot. What's your best price on this, please? | 0:17:59 | 0:18:06 | |
-I'll take 40. -£40. | 0:18:06 | 0:18:09 | |
Now I like it more. | 0:18:09 | 0:18:10 | |
Solid silver, George V. | 0:18:10 | 0:18:12 | |
I'm telling you now, | 0:18:12 | 0:18:14 | |
hands-on Hanson is very hands-on now. | 0:18:14 | 0:18:18 | |
This will make money, Suki. | 0:18:18 | 0:18:21 | |
Not a handbag. It's a sovereign case. | 0:18:21 | 0:18:24 | |
We have 120 seconds to go. What's it going to be? | 0:18:24 | 0:18:29 | |
£40, Birmingham, we love Crossroads. | 0:18:29 | 0:18:31 | |
We do. I think that's a sale. | 0:18:31 | 0:18:34 | |
-You're good. -That's it. | 0:18:34 | 0:18:36 | |
-Thanks ever so much. -Thank you very much. -OK, Suki? | 0:18:36 | 0:18:38 | |
Yeah, whatever. | 0:18:38 | 0:18:41 | |
So the Reds have done it. | 0:18:42 | 0:18:44 | |
Walkies? | 0:18:44 | 0:18:46 | |
Did Suki sniff out some bargains? | 0:18:46 | 0:18:49 | |
Charles got things going finding this notebook for 55. | 0:18:49 | 0:18:53 | |
Then Alex was blinded by the bling. | 0:18:54 | 0:18:56 | |
£140 paid. Will the bidders see Red or go dead? | 0:18:56 | 0:19:01 | |
And all tails were wagging | 0:19:01 | 0:19:03 | |
when Charles spotted this sovereign case for £40. | 0:19:03 | 0:19:07 | |
Hey, you lot, you must be relieved to be finished. | 0:19:09 | 0:19:12 | |
-Yes. -Yes. | 0:19:12 | 0:19:14 | |
Quite a little process. | 0:19:14 | 0:19:16 | |
Tell me, Martin, which is your favourite piece? | 0:19:16 | 0:19:19 | |
I think probably going with the same as Alex, which is the red-stoned bracelet. | 0:19:19 | 0:19:23 | |
It's just so beautiful and the design is lovely. | 0:19:23 | 0:19:25 | |
Are you going to double your money on it? | 0:19:25 | 0:19:27 | |
I would love to think someone's going to give it a nice home and maybe pay a tenner more for it. | 0:19:27 | 0:19:32 | |
-That would be nice. -What do you think, Charles? | 0:19:32 | 0:19:35 | |
Tim, you never know in life. | 0:19:35 | 0:19:36 | |
Life is a journey. You never know. | 0:19:36 | 0:19:38 | |
Never give a straight answer, Charles, if you can possibly get around the edges. Very sensible. | 0:19:38 | 0:19:43 | |
-Who's got the leftover lolly? -Me. | 0:19:43 | 0:19:46 | |
-How much is that? -65. | 0:19:46 | 0:19:48 | |
-£65. OK, that goes straight to you, Charles Hanson. -Thank you. | 0:19:48 | 0:19:52 | |
You're going to have a challenge in this emporium finding something for £65. | 0:19:52 | 0:19:56 | |
I think I am, but with my team, there's so much theatre amongst | 0:19:56 | 0:19:59 | |
us, so much drama and excitement, something to really give us style and to ooze class. | 0:19:59 | 0:20:04 | |
-Something for the dog. -And the dog. | 0:20:04 | 0:20:06 | |
We've all chosen our respective items. | 0:20:06 | 0:20:09 | |
The poor old dog Suki hasn't yet. | 0:20:09 | 0:20:12 | |
A dog bowl. | 0:20:12 | 0:20:14 | |
That's it. A nice collar. | 0:20:14 | 0:20:16 | |
A bag of chews, something like that. | 0:20:16 | 0:20:19 | |
Anyway, very, very good luck. | 0:20:19 | 0:20:21 | |
Meanwhile, why don't we find out what the Blues have bought, eh? | 0:20:21 | 0:20:27 | |
Sarah took centre stage | 0:20:27 | 0:20:28 | |
and found item number one, the retro lamp for £80. | 0:20:28 | 0:20:33 | |
Chris did a sweet deal, getting these colourful glasses for 65. | 0:20:33 | 0:20:39 | |
And finally, they were positively underwhelmed | 0:20:39 | 0:20:42 | |
by this Moorcroft pin tray for £45. | 0:20:42 | 0:20:44 | |
Quite nice, actually. | 0:20:44 | 0:20:46 | |
Well, I must say you're looking very pleased with yourselves. | 0:20:48 | 0:20:52 | |
-Is this a portent for things to come? -Hopefully. | 0:20:52 | 0:20:55 | |
-You reckon you'll win? -We'll see. | 0:20:55 | 0:20:57 | |
Which is your favourite piece? | 0:20:57 | 0:20:59 | |
I think the glass cups. | 0:20:59 | 0:21:02 | |
They're your favourite? Are they going to bring the biggest profit? | 0:21:02 | 0:21:07 | |
-Probably not. -What's going to bring the biggest profit? | 0:21:07 | 0:21:10 | |
I think the small dish will probably make the most profit but the lamp's my favourite. We'll see. | 0:21:10 | 0:21:15 | |
We're in a split decision here. | 0:21:15 | 0:21:17 | |
-How much did you spend overall? -£190. | 0:21:17 | 0:21:20 | |
£110 of leftover lolly, please. | 0:21:20 | 0:21:24 | |
Lovely. That goes straight to Anita Manning, a very safe pair of hands if you don't mind my saying so. | 0:21:24 | 0:21:28 | |
Are you going to blow the lot, Anita? | 0:21:28 | 0:21:30 | |
I'm not too sure. There are a few things I've seen that I have liked. | 0:21:30 | 0:21:35 | |
These guys are young, stylish, artistic, so I'm looking for | 0:21:35 | 0:21:39 | |
something with a wee bit of edge to it. | 0:21:39 | 0:21:41 | |
Something related to dancing, perhaps. | 0:21:41 | 0:21:43 | |
Something that's got some shoes on it, anyway, to run out of the auction room. | 0:21:43 | 0:21:49 | |
Very good luck with that. Meanwhile, we're heading off to Bucks. | 0:21:49 | 0:21:52 | |
This is West Wycombe Park, stylish outside and in. | 0:21:58 | 0:22:03 | |
Pretty special house, this, isn't it? | 0:22:05 | 0:22:07 | |
It's been the home to a string of Dashwood baronets for over 300 years. | 0:22:07 | 0:22:15 | |
But two of them have to be credited with the way it looks today - the second baronet who created it | 0:22:15 | 0:22:23 | |
and the 11th baronet who basically, after decades of neglect, | 0:22:23 | 0:22:28 | |
pieced it all back together again. | 0:22:28 | 0:22:32 | |
The second baronet was full of ideas, | 0:22:32 | 0:22:35 | |
inspired by buildings he'd visited on his extensive travels. | 0:22:35 | 0:22:40 | |
Roman temples and Italian villas combine to form this unique home, now beautifully restored. | 0:22:40 | 0:22:47 | |
But there's one room that was in need of particular restoration | 0:22:52 | 0:22:56 | |
and that's this, the Palmyra room, or dining room. | 0:22:56 | 0:23:01 | |
At the time that the 11th baronet got his hands on it, it had been | 0:23:01 | 0:23:04 | |
subdivided with partitions into at least three smaller rooms. | 0:23:04 | 0:23:09 | |
What he did was to remove all the partitioning and set about the restoration. | 0:23:09 | 0:23:13 | |
In particular, this is evident in the magnificent painted ceiling. | 0:23:13 | 0:23:19 | |
The title of the room, the Palmyra room, derives from this design, which was found in Palmyra. | 0:23:19 | 0:23:27 | |
The character that was responsible for the original decoration was the second baronet, | 0:23:28 | 0:23:33 | |
Sir Francis Dashwood, who you see in this portrait. | 0:23:33 | 0:23:37 | |
Now, he was an immensely clubbable man. | 0:23:37 | 0:23:40 | |
It was said that if it was possible to dream up | 0:23:40 | 0:23:42 | |
a reason for having a club, then Sir Francis would be in the forefront. | 0:23:42 | 0:23:47 | |
And if you notice, he's wearing Turkish or oriental dress. | 0:23:47 | 0:23:51 | |
That's because one of his clubs was the Divan Club. | 0:23:51 | 0:23:56 | |
To be a member of the club, you had to have visited Turkey | 0:23:56 | 0:23:59 | |
and be interested in Ottoman culture, but also be capable and happy to | 0:23:59 | 0:24:05 | |
take on immense amounts of alcohol and be interested in all sorts of naughtiness. | 0:24:05 | 0:24:11 | |
Sir Francis is therefore surrounded by various girlfriends. | 0:24:11 | 0:24:17 | |
On his right, we've got a portrait of Lady Mary Wortley, | 0:24:17 | 0:24:21 | |
and on the other side, we've got a rather handsome-looking woman called Lady Mary Walcott. | 0:24:21 | 0:24:28 | |
If you look at the title on the top of the painting, it seems to say Sultana Walcotina. | 0:24:28 | 0:24:36 | |
Not so far off Wonnacott, Walcotina. | 0:24:36 | 0:24:39 | |
In fact, do you see a little family resemblance here? | 0:24:39 | 0:24:44 | |
She definitely looks a bit bloke-ish, and of course is wearing Turkish dress. | 0:24:44 | 0:24:50 | |
Next door to her, the girl who was described at the time | 0:24:50 | 0:24:54 | |
as the toast of the harem, Miss Fanny Murray. | 0:24:54 | 0:24:58 | |
And she's sporting an indication of her true profession, | 0:24:58 | 0:25:03 | |
which is a bare bosom. | 0:25:03 | 0:25:05 | |
Because in the 18th century, an indication of a courtesan was the bearing of one or two breasts. | 0:25:05 | 0:25:13 | |
She was not only a favourite of Sir Francis, but she was also | 0:25:13 | 0:25:18 | |
a favourite of his best friend, the Earl of Sandwich. | 0:25:18 | 0:25:22 | |
Sandwich was a co-member of Sir Francis's other club, | 0:25:22 | 0:25:26 | |
the Hellfire Club, and in this portrait | 0:25:26 | 0:25:29 | |
we see a picture of Sir Francis himself, where he is lampooning, | 0:25:29 | 0:25:35 | |
as a part of his Hellfire Club revelry, the Catholic Church. | 0:25:35 | 0:25:40 | |
This mock religious order held elaborate ceremonies, where drinking and free love played their part. | 0:25:40 | 0:25:47 | |
Let's hope there will be something to party about over at the auction. | 0:25:47 | 0:25:52 | |
Well, it's lovely to be at Lots Road Auctions in deepest Chelsea with our auctioneer Nick Carter. | 0:26:04 | 0:26:11 | |
-Hi, Nick. -Nice to see you, Tim. | 0:26:11 | 0:26:13 | |
Very good to be here. | 0:26:13 | 0:26:15 | |
First up for our teams, Charles Hanson found this silver Victorian notebook. | 0:26:15 | 0:26:21 | |
-How do you rate that? -I think it's a pretty thing. | 0:26:21 | 0:26:24 | |
I think it's an ideal gift for somebody, especially a Valentine's Day, birthday. | 0:26:24 | 0:26:30 | |
Yes. And it's decorative and it could be used as an autograph book or anything like that. | 0:26:30 | 0:26:37 | |
Perfect. What do you think it's worth, Nick? | 0:26:37 | 0:26:39 | |
I think we'll get something in the region of £40-£70 for it. | 0:26:39 | 0:26:42 | |
£55 they paid. That's pretty well in the frame. | 0:26:42 | 0:26:45 | |
Next is this stylish piece of costume jewellery. | 0:26:45 | 0:26:51 | |
What do you think about that, Nick? | 0:26:51 | 0:26:53 | |
Initially when I first saw it, I thought fantastic, ideal. | 0:26:53 | 0:26:57 | |
We sell costume jewellery very well here. | 0:26:57 | 0:26:59 | |
Closer look to it though, it does have a stone missing, which I do think hits it, rather. | 0:26:59 | 0:27:06 | |
I think it will sell but it's not going to make a lot. | 0:27:06 | 0:27:09 | |
When you say not a lot, how much is that? | 0:27:09 | 0:27:11 | |
-40-70. -How much? -40-70. | 0:27:11 | 0:27:15 | |
-Oh. -Tell me. How much did they pay? | 0:27:15 | 0:27:18 | |
-£140. -140? | 0:27:18 | 0:27:20 | |
That's quite strong, isn't it? | 0:27:20 | 0:27:22 | |
Quite strong? They're going to lose £100, potentially. | 0:27:22 | 0:27:26 | |
Unless we get a payback out of the sovereign case. | 0:27:26 | 0:27:29 | |
I quite like the silver sovereign case. I quite like it. | 0:27:29 | 0:27:31 | |
It's unusual in that it's dated 1935. | 0:27:31 | 0:27:35 | |
By 1935 we'd dropped the gold standard, sovereigns were out of circulation. | 0:27:35 | 0:27:39 | |
Doesn't really affect the value, that rarity, but it's still a nice thing. | 0:27:39 | 0:27:44 | |
We sell silver very well here. We have regular silver sales. | 0:27:44 | 0:27:47 | |
What's your estimate? | 0:27:47 | 0:27:49 | |
-60-90. -£40 paid. -They paid £40 for it? | 0:27:49 | 0:27:53 | |
They did, so they might make a £50 payback profit on that. | 0:27:53 | 0:27:57 | |
Things may not be too bad for this lot, at the end of the day. | 0:27:57 | 0:28:00 | |
Just in case, let's have a look at their bonus buy. | 0:28:00 | 0:28:04 | |
Now, Alex and Martin, how exciting, left over lolly. | 0:28:04 | 0:28:08 | |
You spent, you children, £235, you and Suki, | 0:28:08 | 0:28:13 | |
and you left £65 for Charles Hanson to go off and do his worst. | 0:28:13 | 0:28:17 | |
So, Charles, what did you do? | 0:28:17 | 0:28:19 | |
Tim, I went avant-garde and I bought this. | 0:28:19 | 0:28:22 | |
-Look out. -It was the entirety. | 0:28:22 | 0:28:25 | |
Now, you may have heard of a dumb waiter, a Georgian one, a Victorian one, in mahogany or walnut. | 0:28:25 | 0:28:30 | |
This is a bit different. Because... | 0:28:30 | 0:28:34 | |
She reminds me of you, Alex. | 0:28:34 | 0:28:36 | |
That's why I bought her. | 0:28:36 | 0:28:38 | |
She's a French maid and obviously a serving stand. | 0:28:38 | 0:28:42 | |
She's a good-looking lady in her suspenders. | 0:28:42 | 0:28:44 | |
I love it. How much was she? | 0:28:44 | 0:28:47 | |
Well, she cost me £60. I think she's got clout today, | 0:28:47 | 0:28:52 | |
and she'll either make £120 or she'll make £20. | 0:28:52 | 0:28:57 | |
-Very impressed. -Very impressed. I love it. | 0:28:59 | 0:29:02 | |
For all the wrong reasons, but I love it. | 0:29:02 | 0:29:05 | |
What are the wrong reasons, please? | 0:29:05 | 0:29:07 | |
-The kitsch value. -Oh yes. -The kitsch value and... | 0:29:07 | 0:29:10 | |
I just want to take her home, put a Martini there. | 0:29:10 | 0:29:13 | |
Well, it's your day, you see, and I can see her racing away, | 0:29:13 | 0:29:16 | |
but it's your day and that's why I've bought it for you. | 0:29:16 | 0:29:18 | |
Ultimately it's your choice, because after the sale of the first three items, | 0:29:18 | 0:29:23 | |
we'll give you a chance to decide whether you want to cope with Charles's bonus buy, | 0:29:23 | 0:29:28 | |
his bonny French maid or not. | 0:29:28 | 0:29:30 | |
But right now, for the viewers at home, | 0:29:30 | 0:29:32 | |
let's find out what the auctioneer thinks about the French maid. | 0:29:32 | 0:29:36 | |
Well, there you go, Nick. | 0:29:36 | 0:29:38 | |
A French maid, do you think? | 0:29:38 | 0:29:40 | |
I think she's most definitely French. | 0:29:40 | 0:29:42 | |
From a very early age I've had a thing for French maids. | 0:29:42 | 0:29:44 | |
-Have you? -Yeah. | 0:29:44 | 0:29:46 | |
-Morning. -Morning. | 0:29:46 | 0:29:49 | |
It's...it's an interesting, | 0:29:49 | 0:29:52 | |
decorative item, that's about it. | 0:29:52 | 0:29:55 | |
It's not particularly well made. | 0:29:55 | 0:29:58 | |
It's quite crudely made, in fact, but I can see, we have clients here, | 0:29:58 | 0:30:03 | |
guys from the City, got a bit of a bonus in their pocket, | 0:30:03 | 0:30:07 | |
it's the sort of thing they might quite like to see in their hallway in their rooftop apartment. | 0:30:07 | 0:30:12 | |
So, originally, I suppose intended to go in a cafe to take the menu or the tips dish or whatever | 0:30:12 | 0:30:19 | |
it might be, so it'll have another life in a Chelsea pad, you reckon? | 0:30:19 | 0:30:24 | |
-I think so. -So how much, then, is your City-slicker going to pay for this? | 0:30:24 | 0:30:28 | |
-I'm going out on a limb and saying £80 to £150. -Are you really? | 0:30:28 | 0:30:32 | |
-I know it's high, but I think so. -Well, Charles will be delighted because he only paid £60. | 0:30:32 | 0:30:36 | |
-Oh, well done, Charles. -£60, top end for him. | 0:30:36 | 0:30:39 | |
So, on that basis, he stands a reasonable chance of making a profit on his bonus buy. | 0:30:39 | 0:30:45 | |
Which would be brilliant. Thank you. | 0:30:45 | 0:30:46 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:30:46 | 0:30:49 | |
Their first item is the chrome deco-style lamp. Do you like it? | 0:30:49 | 0:30:55 | |
I love it. It's very, very Chelsea. | 0:30:55 | 0:30:57 | |
The young buyers that we get here are looking for this | 0:30:57 | 0:31:01 | |
sort of thing, they're looking for cool, '70s look, so it's ideal. | 0:31:01 | 0:31:05 | |
-How much? -How much? £100-£200, Tim. | 0:31:05 | 0:31:09 | |
£80 paid, so that's pretty good. That would be a brilliant start. | 0:31:09 | 0:31:13 | |
What about these four varicoloured Kosta Boda glasses? | 0:31:13 | 0:31:17 | |
I'm not sure about these. | 0:31:17 | 0:31:19 | |
I don't think they're very old, they've even still got their labels on, they've never been used. | 0:31:19 | 0:31:24 | |
But they're interesting, they look very fun in all those different colours. | 0:31:24 | 0:31:29 | |
But they're not going to make a lot compared to the retail price. | 0:31:29 | 0:31:32 | |
-What's the estimate? -£30-£50. | 0:31:32 | 0:31:34 | |
£65 paid. | 0:31:34 | 0:31:36 | |
So that's going to drag them back a bit. | 0:31:36 | 0:31:39 | |
The Moorcroft tray. | 0:31:39 | 0:31:41 | |
It can be hard stuff to sell now, especially late items, and this is a late item. | 0:31:41 | 0:31:46 | |
Yes, late item means brand-new, practically. | 0:31:46 | 0:31:48 | |
It does, yes. I'd say this is from the mid '80s. | 0:31:48 | 0:31:51 | |
-The mid '80s, OK. How much? -How much? £30-£50. -£45. | 0:31:51 | 0:31:56 | |
-Really? -Yes. So not so far. | 0:31:56 | 0:31:58 | |
-That's not so far. -Their killer is going to be the Kosta Boda glasses, but depending on how that is | 0:31:58 | 0:32:03 | |
will determine whether they really need their bonus buy or not, so let's go and have a look at it. | 0:32:03 | 0:32:08 | |
-OK, kids, are you ready for the left-over lolly moment? -Yes. | 0:32:08 | 0:32:12 | |
Well, you spent 190, | 0:32:12 | 0:32:14 | |
you gave Anita £110, a tidy sum. | 0:32:14 | 0:32:17 | |
She was let loose, what did you find, Anita? | 0:32:17 | 0:32:19 | |
Well, Chris and Sarah are an artistic pair, | 0:32:19 | 0:32:23 | |
and I thought they might like this. | 0:32:23 | 0:32:28 | |
Chris is a dancer, | 0:32:28 | 0:32:30 | |
so we're combining this piece of sculpture with dance. | 0:32:30 | 0:32:34 | |
It's a bronzed model, | 0:32:34 | 0:32:35 | |
it's not bronze but it does have a bronzed finish. | 0:32:35 | 0:32:38 | |
It's in the modernist style, do you like it? | 0:32:38 | 0:32:43 | |
How much did you pay for... | 0:32:43 | 0:32:44 | |
Is that the important question? | 0:32:44 | 0:32:46 | |
-Yeah. -£20. -Yes. | 0:32:46 | 0:32:49 | |
-And do you think we'll make much? -That makes me like it more now. | 0:32:49 | 0:32:53 | |
Yes, uh-huh. | 0:32:53 | 0:32:55 | |
Don't you like the style? | 0:32:55 | 0:32:56 | |
I do like it. | 0:32:56 | 0:32:57 | |
Do you like the line, is that a proper dance position? | 0:32:57 | 0:33:02 | |
-That's called arabesque. -Can you do that? | 0:33:02 | 0:33:05 | |
Not now. | 0:33:05 | 0:33:07 | |
-But you could do it? -Yeah, I'll teach you backstage. | 0:33:08 | 0:33:12 | |
Later on. | 0:33:12 | 0:33:14 | |
What about you, Sarah, do you like it? | 0:33:14 | 0:33:16 | |
I do like it, but it's quite new, it's quite modern. | 0:33:16 | 0:33:20 | |
-But it's £20. -But it's £20. | 0:33:20 | 0:33:23 | |
I don't dislike it. | 0:33:23 | 0:33:25 | |
I think it's worth more than £20. | 0:33:25 | 0:33:27 | |
You don't think it could be solid bronze, do you, Anita? | 0:33:27 | 0:33:30 | |
I mean, it feels as if it might be, | 0:33:30 | 0:33:32 | |
-it's got a bit of patination on it. -Yes, Uh-huh. | 0:33:32 | 0:33:35 | |
And there's a little abrasion there and it's kind of yellowish metal. | 0:33:35 | 0:33:38 | |
Well that would make it even better. | 0:33:38 | 0:33:40 | |
Well, there you go. The market will decide. | 0:33:40 | 0:33:44 | |
For my money, it's bronze. | 0:33:44 | 0:33:46 | |
Have you asked her how much it's going to make? | 0:33:46 | 0:33:49 | |
I'd hope it would make a profit of £10-15, | 0:33:49 | 0:33:53 | |
but somebody might fancy it very strongly. | 0:33:53 | 0:33:56 | |
-It could take a wee flyer. -Hopefully, fingers crossed. | 0:33:56 | 0:33:59 | |
-I think that's very canny of you, Anita. -Thank you, Tim. -Well done. | 0:33:59 | 0:34:04 | |
Anyway, you decide after the sale of your first three items, | 0:34:04 | 0:34:07 | |
but for the viewers at home, let's find out what the auctioneer thinks about Anita's dancer. | 0:34:07 | 0:34:12 | |
Well, Nick, she doesn't seem to have any stockings on, so over to you. | 0:34:12 | 0:34:18 | |
Some of my colleagues looked at this and liked it. | 0:34:18 | 0:34:21 | |
I have to say, I'm not convinced. | 0:34:21 | 0:34:24 | |
To me it seems a bit pedestrian | 0:34:24 | 0:34:26 | |
and a little bit uninteresting, really. | 0:34:26 | 0:34:29 | |
-I like the fact it's made of bronze, don't you? -It is made of bronze. | 0:34:29 | 0:34:32 | |
-So it's not rubbish, from that point of view. -It's not rubbish. | 0:34:32 | 0:34:35 | |
Still, to me it looks like something you could buy almost anywhere. | 0:34:35 | 0:34:41 | |
-Well, hopefully somebody will want to buy it here. -Hopefully. -How much? | 0:34:41 | 0:34:44 | |
I thought a lot lower, but my colleagues pushed me on this one and we've put 40-70 on it. | 0:34:44 | 0:34:48 | |
Well, Anita will be delighted, because she only paid £20 for it. | 0:34:48 | 0:34:52 | |
And when you think about it, for the Blue team, | 0:34:52 | 0:34:55 | |
that's a really good Bonus Buy. | 0:34:55 | 0:34:57 | |
Let's hope your colleagues are right. Are you taking the sale today? | 0:34:57 | 0:35:00 | |
-I certainly am. -We're in safe hands. | 0:35:00 | 0:35:02 | |
60's, yours, sir. 70's here. | 0:35:02 | 0:35:05 | |
80's bid, any advice on 80? | 0:35:05 | 0:35:07 | |
90's bid now. What about 100? | 0:35:07 | 0:35:10 | |
£100 is bid, front row. | 0:35:10 | 0:35:12 | |
At £100, at £100... | 0:35:12 | 0:35:15 | |
Going, going... | 0:35:15 | 0:35:17 | |
gone. | 0:35:17 | 0:35:19 | |
So, how are you feeling, guys? | 0:35:19 | 0:35:21 | |
-Excited. -Excited, but worried. -We don't know what's going to happen. | 0:35:21 | 0:35:25 | |
-You don't know what's going to happen? -No idea. | 0:35:25 | 0:35:27 | |
Nobody has any idea, that's the whole point? | 0:35:27 | 0:35:29 | |
I mean, it's just an amazing cliff edge that you're hanging around. | 0:35:29 | 0:35:34 | |
We really are hanging. | 0:35:34 | 0:35:35 | |
From which you're going to plunge any second now. | 0:35:35 | 0:35:39 | |
Anyway, first up is your notepad, the Birmingham 1901 notepad. | 0:35:39 | 0:35:44 | |
Here it comes. | 0:35:44 | 0:35:45 | |
336, we've got that silver embossed notepad, rather nice piece this | 0:35:45 | 0:35:49 | |
-and I'm going to start the bidding off at £20. -Oh, dear. | 0:35:49 | 0:35:52 | |
20, anyone want to bid me 5? | 0:35:52 | 0:35:54 | |
25, it's yours, sir. | 0:35:54 | 0:35:56 | |
30 is here. Is it 5? 35. | 0:35:56 | 0:35:58 | |
40 is against you, sir. Is it 45? No... | 0:35:58 | 0:36:01 | |
Come on. Let's keep going. | 0:36:01 | 0:36:03 | |
..45, new bidder. 50's here. | 0:36:03 | 0:36:06 | |
50's here, what about now? | 0:36:06 | 0:36:08 | |
55 is bid, 60's here. | 0:36:08 | 0:36:10 | |
60's bid, anyone going to go 5? | 0:36:10 | 0:36:12 | |
-One more. -Otherwise at £60, are we all done at 60? | 0:36:12 | 0:36:15 | |
Any advance on 60? | 0:36:15 | 0:36:17 | |
It's a commission buyer at £60... | 0:36:17 | 0:36:19 | |
Going, going... | 0:36:19 | 0:36:20 | |
Gone. Sold. | 0:36:20 | 0:36:21 | |
-Well done, plus £5. -Good. | 0:36:21 | 0:36:23 | |
Next up is the bracelet, and here it comes. | 0:36:23 | 0:36:26 | |
Now, moving to this angular bracelet. | 0:36:26 | 0:36:29 | |
I'm going to start the bidding off at £20 for this. Who'll bid me 20? | 0:36:29 | 0:36:33 | |
20's bid. Five's here, 30? | 0:36:33 | 0:36:36 | |
£30 bid. Anyone going five now? | 0:36:36 | 0:36:39 | |
Otherwise it's on my right at 30... | 0:36:39 | 0:36:42 | |
Oh, no. That could be a 110 loss. | 0:36:42 | 0:36:45 | |
..Are we all done at 30? | 0:36:45 | 0:36:47 | |
It's once 30, it's twice at 30, | 0:36:47 | 0:36:50 | |
it's three times at £30... | 0:36:50 | 0:36:52 | |
Sold. | 0:36:52 | 0:36:53 | |
Right, Charles, minus £110. | 0:36:53 | 0:36:58 | |
The silver sovereign and half sovereign case. | 0:36:58 | 0:37:01 | |
Going to start the bidding off at £30. | 0:37:01 | 0:37:04 | |
Anyone going 30? £30, anywhere? 30. | 0:37:04 | 0:37:07 | |
What about 40 now? | 0:37:07 | 0:37:08 | |
-Otherwise it's at 30. -Oh, come on! | 0:37:08 | 0:37:11 | |
A commission bid at 30, 35. | 0:37:11 | 0:37:12 | |
40 here. Any advance on 40? | 0:37:12 | 0:37:15 | |
Anyone want to go 5 now? Otherwise I'm selling it at 40. | 0:37:15 | 0:37:19 | |
Are we done? It's going at 40. | 0:37:19 | 0:37:21 | |
Buyer number 92 at 40 - gone. | 0:37:21 | 0:37:24 | |
That's a good buy for somebody. | 0:37:24 | 0:37:26 | |
It certainly is. Wiped its face. | 0:37:26 | 0:37:28 | |
So, overall you're minus £105. | 0:37:28 | 0:37:32 | |
Which is not so swift. | 0:37:32 | 0:37:34 | |
What are you going to do? Are you going to go with the dumb waiter? | 0:37:34 | 0:37:37 | |
-I think so. -You'll go with the dumb waiter. | 0:37:37 | 0:37:40 | |
They're going with the Bonus Buy and here it comes. | 0:37:40 | 0:37:42 | |
Lot number 342, | 0:37:42 | 0:37:45 | |
the dumb waiter, | 0:37:45 | 0:37:47 | |
a French maid. | 0:37:47 | 0:37:49 | |
£60? Anyone going to go 70 now? | 0:37:49 | 0:37:51 | |
At 60, anyone going to go 70 now? | 0:37:51 | 0:37:53 | |
Otherwise I'm at 60. I'm going to drop down to 40? | 0:37:53 | 0:37:56 | |
-Oh, no! -£40? Anyone want to bid me 40? | 0:37:56 | 0:37:58 | |
30, last offer, anyone going to go 30? Yes or no? | 0:37:58 | 0:38:02 | |
No bid on that at 30, | 0:38:02 | 0:38:04 | |
are we finished, anyone going for any more? No. | 0:38:04 | 0:38:07 | |
That lot, I'm afraid, is unsold. | 0:38:07 | 0:38:09 | |
The French maid hasn't sold! | 0:38:09 | 0:38:11 | |
The French maid hasn't sold. | 0:38:14 | 0:38:16 | |
That's incredible, isn't it? | 0:38:16 | 0:38:17 | |
-Nobody wants her. -Absolutely nobody wants her. Well, that's incredible. | 0:38:17 | 0:38:22 | |
-Not even for a £5 note. -They've got no taste in Chelsea. | 0:38:22 | 0:38:27 | |
I'm staggered, stunned... | 0:38:27 | 0:38:30 | |
We have to treat that, I'm afraid, as minus £60. | 0:38:30 | 0:38:32 | |
That means overall you're minus £165. | 0:38:32 | 0:38:37 | |
If I were you, I think I'd stick to the stage. | 0:38:37 | 0:38:40 | |
Do you know how the Reds got on? | 0:38:48 | 0:38:50 | |
-No. -No idea? You don't want to know, I tell you. | 0:38:50 | 0:38:54 | |
Anyway, first lot up is your table lamp, Chris, and here it comes. | 0:38:54 | 0:38:58 | |
Lot number 358, the table lamp. | 0:38:58 | 0:39:02 | |
Very stylish piece indeed, | 0:39:02 | 0:39:04 | |
I'm going to start the bidding off on this lot at £20. | 0:39:04 | 0:39:07 | |
Who'll start me at 20? £20, who'll start at 20? | 0:39:07 | 0:39:10 | |
So much for the estimate. | 0:39:10 | 0:39:11 | |
25 bid. 30 here, 30 commissioned. | 0:39:11 | 0:39:14 | |
35. 40 here. £40? Any advance on 40? | 0:39:14 | 0:39:18 | |
Anyone want to go 50? | 0:39:18 | 0:39:19 | |
-Otherwise it's at £40. Anyone want to go 50 now? -Come on, oh dear. | 0:39:19 | 0:39:24 | |
Otherwise I'm at 40 and I'm selling it at 40 unless I see more. | 0:39:24 | 0:39:27 | |
Going once, twice, three times at 40. | 0:39:27 | 0:39:30 | |
All his chat about smart Chelsea folk, 100-200. | 0:39:30 | 0:39:35 | |
-People just don't know style. -Minus £40. | 0:39:35 | 0:39:38 | |
-Here we go, for the Kosta Boda. -Where would you start me on those? | 0:39:38 | 0:39:41 | |
£10. Who'll start me at 10 for those four glasses. £10. | 0:39:41 | 0:39:44 | |
10's bid with you, sir. 15's here, sir. Is it 20? | 0:39:44 | 0:39:48 | |
20, 22 is against you. 25? | 0:39:48 | 0:39:51 | |
25 is bid. It's the gentleman's bid at 25. | 0:39:51 | 0:39:54 | |
It's 460 at 25. | 0:39:54 | 0:39:56 | |
Anyone want to go 30 now? | 0:39:56 | 0:39:58 | |
Otherwise it's 460 buying at £25. | 0:39:58 | 0:40:02 | |
Going, going... | 0:40:02 | 0:40:04 | |
Gone. | 0:40:04 | 0:40:05 | |
£25 is minus £40. | 0:40:05 | 0:40:08 | |
That's your fault. That's her fault. | 0:40:08 | 0:40:10 | |
No, no, it's not her fault, is it? | 0:40:10 | 0:40:12 | |
Anyway, here comes the Moorcroft pen tray. | 0:40:12 | 0:40:15 | |
I can start the bidding off now at £10. | 0:40:15 | 0:40:19 | |
£10, who'll bid me 10 for the Moorcroft tray? £10? | 0:40:19 | 0:40:24 | |
10 is bid with you. | 0:40:24 | 0:40:25 | |
15 - the gentleman's bid. 20, sir? | 0:40:25 | 0:40:27 | |
20 is bid. 5, sir? | 0:40:27 | 0:40:29 | |
25. 30, sir? 30. 5, sir? | 0:40:29 | 0:40:32 | |
No, it's the gentleman's bid on my left at £30 then. Are we all done? | 0:40:32 | 0:40:36 | |
I'm selling at 30. | 0:40:36 | 0:40:37 | |
Sold. | 0:40:37 | 0:40:39 | |
Minus £95. So, what are we going to do about the dancer, then? | 0:40:39 | 0:40:42 | |
-We'll go for it, definitely. -I think you've got to! | 0:40:42 | 0:40:47 | |
We're going with the Bonus Buy, let's see what happens. | 0:40:47 | 0:40:49 | |
Rather nice, modernist bronze figure. | 0:40:49 | 0:40:52 | |
I'm going to start the bidding off at £10. | 0:40:52 | 0:40:55 | |
-Amazing. -Who's going to bid me £10 for the bronze? £10. | 0:40:55 | 0:40:58 | |
Who's going to bid me 10 for the bronze? 10's bid. 15 is bid. | 0:40:58 | 0:41:01 | |
20 bid. Any advance on 20? Anyone want to go 5 now? | 0:41:01 | 0:41:05 | |
22 is bid. And 5 now. | 0:41:05 | 0:41:07 | |
At 25, any advance on £25? | 0:41:07 | 0:41:10 | |
I'm selling at 25, any more for that? | 0:41:10 | 0:41:15 | |
I'm selling at 25, commission bid at 25... | 0:41:15 | 0:41:17 | |
-Gone. -Yes. -Well done, Anita. | 0:41:17 | 0:41:20 | |
We have made a profit today on one item. | 0:41:20 | 0:41:23 | |
Anyway, that's minus £90 and quite frankly, girls and boys, | 0:41:23 | 0:41:28 | |
this could be a winning score, so don't talk to the Reds, all right? | 0:41:28 | 0:41:31 | |
All right, then. | 0:41:31 | 0:41:32 | |
-Well, teams, have we had a great day? -Brilliant time. | 0:41:37 | 0:41:40 | |
We've had lots and lots of fun | 0:41:40 | 0:41:42 | |
and there's tremendous similarities between our two teams today. | 0:41:42 | 0:41:46 | |
-Both teams have made a substantial loss. -Oh, no. | 0:41:46 | 0:41:50 | |
Both teams went with the Bonus Buy. | 0:41:50 | 0:41:51 | |
Both teams made a £5 profit, but only on one object. | 0:41:51 | 0:41:57 | |
That's where the similarities end. | 0:41:57 | 0:41:59 | |
A great chasm opens up on the scale of losses, | 0:41:59 | 0:42:03 | |
because the team with the runaway losses today, | 0:42:03 | 0:42:05 | |
and therefore the runners-up, | 0:42:05 | 0:42:07 | |
-are the Reds. -Oh, no! | 0:42:07 | 0:42:09 | |
Oh, no. Sorry. | 0:42:09 | 0:42:12 | |
Failed. | 0:42:12 | 0:42:13 | |
HE LAUGHS | 0:42:13 | 0:42:16 | |
All three of them. | 0:42:16 | 0:42:19 | |
I guess... | 0:42:19 | 0:42:21 | |
I guess, Alex, the worst moment in your life was the bracelet, yes? | 0:42:21 | 0:42:26 | |
-The bracelet moment is my fault. -Minus £110 is a shocker, actually. | 0:42:26 | 0:42:30 | |
-Awful. -I guess for you, Charles, | 0:42:30 | 0:42:33 | |
the big puzzle is how your French maid didn't do so well. | 0:42:33 | 0:42:36 | |
I can't believe it, she came, she delivered and didn't sell. | 0:42:36 | 0:42:39 | |
-Unbelievable. -Good, well, we cracked that. | 0:42:39 | 0:42:41 | |
I'm glad you had a wonderful time, anyway, | 0:42:41 | 0:42:44 | |
we've loved having you on the show. | 0:42:44 | 0:42:45 | |
Now we turn to the victors, who win by only managing to lose £90. | 0:42:45 | 0:42:50 | |
We're still winners. | 0:42:50 | 0:42:51 | |
Not so swift, actually. | 0:42:51 | 0:42:54 | |
But at least you managed a small profit. | 0:42:54 | 0:42:56 | |
Anita, well done, on your modernist bronze dancer. | 0:42:56 | 0:42:59 | |
Therefore, you are minus £90, and are the winners of today's show. | 0:42:59 | 0:43:03 | |
We have had a great programme. | 0:43:03 | 0:43:05 | |
Join us soon for some more Bargain Hunting. Yes? | 0:43:05 | 0:43:07 | |
ALL: Yes! | 0:43:07 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:09 | 0:43:12 | |
E-mail [email protected] | 0:43:12 | 0:43:15 |