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If today's Bargain Hunt was being made into a Hollywood classic, | 0:00:05 | 0:00:09 | |
would it be called the Colour Of Money or maybe Black Beauty? | 0:00:09 | 0:00:14 | |
Ha-ha! | 0:00:14 | 0:00:15 | |
Either way, we're looking for a box-office smash | 0:00:15 | 0:00:18 | |
so let's go bargain hunting! | 0:00:18 | 0:00:21 | |
Welcome to the Mona Showground in Anglesey. Coming up... | 0:00:46 | 0:00:49 | |
..best friends Gail and Wendy pile on the pressure. | 0:00:51 | 0:00:55 | |
If we don't make a profit, it's your fault. | 0:00:55 | 0:00:57 | |
THEY LAUGH | 0:00:57 | 0:00:58 | |
Father and daughter George and Clare tell it like it is. | 0:00:58 | 0:01:02 | |
-Let's have a look at this fellow. That's Japanese. -It's very ugly. | 0:01:02 | 0:01:06 | |
Yes, it is. | 0:01:06 | 0:01:07 | |
95...100. | 0:01:08 | 0:01:10 | |
And the contest gets ugly over at the auction. | 0:01:10 | 0:01:13 | |
The rules are simple. The challenge is not. | 0:01:18 | 0:01:23 | |
Our teams each have an hour and £300 | 0:01:23 | 0:01:26 | |
to source three items to sell on later at auction. | 0:01:26 | 0:01:30 | |
Let's meet today's stars of the show. | 0:01:30 | 0:01:33 | |
-Hello, everyone. -Hello. | 0:01:35 | 0:01:38 | |
-And on the Red team today we've got Gail and Wendy. Hi, girls. -Hi. | 0:01:38 | 0:01:42 | |
-Gail, how did you two meet? -We met in a local supermarket. | 0:01:42 | 0:01:45 | |
Wendy was a cashier and, as I was going through, she said, | 0:01:45 | 0:01:48 | |
" Oh, you're the lady that's moved up the road from me." | 0:01:48 | 0:01:50 | |
Nothing moves in your village then. | 0:01:50 | 0:01:53 | |
Nothing at all. No, it's very boring. | 0:01:53 | 0:01:56 | |
So you kept up with one another. | 0:01:56 | 0:01:58 | |
-22 years. -22 years? -Best friends. Yes, more like sisters than friends. | 0:01:58 | 0:02:02 | |
-Isn't that lovely, out of a chance supermarket meeting? -Yes. | 0:02:02 | 0:02:06 | |
Lovely. Wendy, what's your approach to finding | 0:02:06 | 0:02:09 | |
a bargain when you're out and about? | 0:02:09 | 0:02:10 | |
Oh, I'm a rummager. I tend to find boxes and go through them, | 0:02:10 | 0:02:15 | |
-empty boxes. -Any old boxes? -Any old box will do! | 0:02:15 | 0:02:19 | |
-Are we talking all actions, car boots, what are we talking? -Everything. | 0:02:19 | 0:02:23 | |
Have you got a strategy between you for today's show? | 0:02:23 | 0:02:26 | |
Yes, to buy something that doesn't cost a lot | 0:02:26 | 0:02:29 | |
that we can get a good profit on. | 0:02:29 | 0:02:30 | |
So you're intending to spend as little as possible? | 0:02:30 | 0:02:32 | |
As little as possible for a good profit. | 0:02:32 | 0:02:34 | |
Seems to me you've got the right idea. | 0:02:34 | 0:02:37 | |
There are going to be quaking over here. George, are you quaking? | 0:02:37 | 0:02:40 | |
-No, not yet. -Not at all, because you've got a passion for antiques, haven't you? -Yes. | 0:02:40 | 0:02:44 | |
-What do you get up to? -We go around the car boot sales | 0:02:44 | 0:02:47 | |
and charity shops with my grandson. | 0:02:47 | 0:02:50 | |
We look to see if there any bargains around and if we see one, we get it. | 0:02:50 | 0:02:54 | |
-What sorts of things have you bought? -Well, mostly figurines, Royal Doulton, Coalport. | 0:02:54 | 0:03:01 | |
Anything old and beautiful. | 0:03:01 | 0:03:03 | |
-Just like my wife. -God bless her. | 0:03:03 | 0:03:07 | |
Now, you and your boy, Clare, have picked up George's love of antiques. | 0:03:07 | 0:03:12 | |
-That's right. -Tell us about that. | 0:03:12 | 0:03:14 | |
Sometimes he gives good advice but he took my son to the auction | 0:03:14 | 0:03:19 | |
and told him to buy two World War Two aircraft paintings, | 0:03:19 | 0:03:22 | |
he said, "They're oil paintings." | 0:03:22 | 0:03:24 | |
-And when we got them home, they weren't. They were prints. -Oh dear. | 0:03:24 | 0:03:28 | |
But my son was still happy with them. | 0:03:28 | 0:03:30 | |
So not 100% reliable, George, in your advice? | 0:03:30 | 0:03:33 | |
-No, no, no. -No. | 0:03:33 | 0:03:35 | |
Is it your intention to make a huge profit today too on Bargain Hunt? | 0:03:35 | 0:03:39 | |
Oh yes, definitely. | 0:03:39 | 0:03:40 | |
Oh, fighting talk here. Now the money moment. | 0:03:40 | 0:03:43 | |
-There's your £300. -Thanks very much. -You know the rules. | 0:03:43 | 0:03:45 | |
Your experts await. And off you go. | 0:03:45 | 0:03:48 | |
Very, very, very good luck. | 0:03:48 | 0:03:49 | |
Ready and waiting for the Red team, Mark Stacey. | 0:03:51 | 0:03:54 | |
Planning ahead for the Blues, Jeremy Lamond. | 0:03:56 | 0:03:59 | |
-What's our strategy for the day, do you think? -Good bargains. | 0:04:05 | 0:04:08 | |
Something that catches the eye. | 0:04:08 | 0:04:11 | |
But the key word for us is what? | 0:04:11 | 0:04:13 | |
-Bargains. -And fun. | 0:04:13 | 0:04:15 | |
-Oh yes. -Yes, I think we are going to have a lot of fun. | 0:04:15 | 0:04:19 | |
So, George and Clare, | 0:04:22 | 0:04:25 | |
what's our tactics? What do we want to do? | 0:04:25 | 0:04:28 | |
-Anything quirky. -Yes, something different, unusual. | 0:04:28 | 0:04:31 | |
Where we can buy them cheap and sell them dear. | 0:04:31 | 0:04:33 | |
Now, that's a strategy, George. | 0:04:33 | 0:04:36 | |
That's quite interesting, isn't it? This is a 19th-century one. | 0:04:36 | 0:04:39 | |
With these, always look at the price first. | 0:04:39 | 0:04:43 | |
Oh, there's no price on there. | 0:04:43 | 0:04:45 | |
He has put the name, William Smith and Co. | 0:04:45 | 0:04:47 | |
Now those are about mid-19th century. 1850 or so. | 0:04:47 | 0:04:50 | |
-Actually, I quite like that. -It's lovely, isn't it? -It's different. | 0:04:50 | 0:04:55 | |
-It goes with my... -I love that, actually. | 0:04:55 | 0:04:57 | |
-Do you like it? -I love it. I really do. | 0:04:57 | 0:04:59 | |
What about you? | 0:04:59 | 0:05:01 | |
-Not too sure. I'd like to have a look around first. -OK. | 0:05:01 | 0:05:03 | |
-Can we have a look around first? -Absolutely. Of course we can. | 0:05:03 | 0:05:07 | |
-We can come back and see if we can knock him down a bit. -Absolutely. | 0:05:07 | 0:05:11 | |
Well, there is plenty of time ... for now. | 0:05:12 | 0:05:15 | |
Look, let's get our skates on. | 0:05:16 | 0:05:19 | |
THEY LAUGH | 0:05:19 | 0:05:21 | |
I should have thought of that, Jeremy. | 0:05:21 | 0:05:23 | |
I think I had some of those when I was younger. | 0:05:23 | 0:05:26 | |
-These are Batman skates, aren't they? Look at those. -Oh yes, yes. | 0:05:26 | 0:05:29 | |
These'll get you going. | 0:05:29 | 0:05:32 | |
I suppose we could stop clowning about. | 0:05:32 | 0:05:34 | |
THEY LAUGH | 0:05:34 | 0:05:35 | |
Oh dear, viewers, I can only apologise. | 0:05:35 | 0:05:38 | |
-Quite fun, isn't it? -Yes. -Little shell dish? | 0:05:39 | 0:05:41 | |
-£18. -It's Royal Worcester. See the mark there? -Yeah. -Yes. | 0:05:41 | 0:05:45 | |
It's very plain. | 0:05:45 | 0:05:47 | |
-It's quite nice, dainty, but, you know... -Plain can be good, you know. | 0:05:47 | 0:05:51 | |
-..it's not to my taste, but it is nice. -Will it be to the buyers' taste? -Yes. | 0:05:51 | 0:05:56 | |
-Because Royal Worcester is a good name, isn't it? -It is, yeah. | 0:05:56 | 0:05:59 | |
-No? -Um, something we can think about. -OK. | 0:05:59 | 0:06:04 | |
-# This indecision's buggin' me -Esta undecision me molesta | 0:06:05 | 0:06:09 | |
# If you don't want me set me free... # | 0:06:09 | 0:06:11 | |
Jeremy, can you just look at these? | 0:06:11 | 0:06:14 | |
Can you get more quirky than that? | 0:06:14 | 0:06:16 | |
Well, yeah, this is a little page marker, isn't it, | 0:06:16 | 0:06:19 | |
in the form of a knife? You can see, you put that on the page. | 0:06:19 | 0:06:23 | |
A little Victorian one, isn't it? | 0:06:23 | 0:06:25 | |
-It is. If you check the patent number... -Oh, it's got a patent number. | 0:06:25 | 0:06:29 | |
-Just under the string... -It's around about 1880. | 0:06:29 | 0:06:33 | |
What do you think of those? You've the pair of them. | 0:06:33 | 0:06:35 | |
-What's the price? -Is that 12 the pair? | 0:06:35 | 0:06:37 | |
-£15 for the pair. -For the pair. | 0:06:41 | 0:06:45 | |
If you can't make a profit on that... | 0:06:45 | 0:06:47 | |
-They're great, George, that's a good buy. -CLARE: -I like those. | 0:06:47 | 0:06:50 | |
-It's quirky. Shall we go for that? -Yes, please. -We'll have those. | 0:06:50 | 0:06:54 | |
-Number one buy. -That's £15, yeah? | 0:06:54 | 0:06:56 | |
Shake on it? That's if you don't drop your guitar. | 0:06:56 | 0:06:58 | |
He's going to drop his guitar. | 0:06:58 | 0:07:01 | |
-There you go. -Thank you very much. Thank you. | 0:07:01 | 0:07:03 | |
The Blues are off. George is sticking to the plan. | 0:07:05 | 0:07:08 | |
First quirky item bagged. | 0:07:08 | 0:07:10 | |
-That was a good first buy. -I think it was marvellous. | 0:07:12 | 0:07:15 | |
-If we didn't make a profit on those, we would be unlucky, I think. -Let's hope. | 0:07:15 | 0:07:21 | |
Time for the rabbit's foot then, Jeremy. | 0:07:21 | 0:07:24 | |
I hope the Reds aren't relying on luck. | 0:07:24 | 0:07:27 | |
-How much is that? -Asking 35 on that. | 0:07:27 | 0:07:29 | |
-It's Victorian. -Silver-plated? -No. | 0:07:29 | 0:07:32 | |
-Oh, silver, is it? -The mark's a bit rubbed as far as the date's concerned... -Sorry. | 0:07:32 | 0:07:36 | |
I've got a little magic aid here. I forgot my normal eyeglass | 0:07:36 | 0:07:40 | |
so I'm going to look a bit like Inspector Clouseau. | 0:07:40 | 0:07:43 | |
Oh yes, the marks. You can just see Victoria's head, can't you? | 0:07:43 | 0:07:47 | |
-Yeah. -And the other marks. -There's an N. | 0:07:47 | 0:07:49 | |
If it's Chester, I think it's 1878, | 0:07:49 | 0:07:52 | |
if it's Birmingham, it's 1880 something. | 0:07:52 | 0:07:55 | |
-I think it's probably from a little bachelor's tea set. -Right. | 0:07:55 | 0:07:58 | |
A single teapot, with a small cream jug and a small sugar bowl. | 0:07:58 | 0:08:04 | |
That's what it's originally for. And it's got a reasonable weight to it. | 0:08:04 | 0:08:07 | |
Quite well made. What was the price? | 0:08:07 | 0:08:09 | |
35. | 0:08:09 | 0:08:12 | |
-That's the very best. -Yes, it would be 50 normally. | 0:08:12 | 0:08:16 | |
-Do you like it? -I do like it. It's elegant, isn't it? | 0:08:16 | 0:08:19 | |
-It's not a bad buy at 35. -I like that. That's nice. | 0:08:19 | 0:08:23 | |
Would you like to go for that for your first buy? | 0:08:23 | 0:08:26 | |
BELL TOLLS, TIM YAWNS | 0:08:27 | 0:08:30 | |
Any time today, ladies? | 0:08:30 | 0:08:32 | |
You have to make a decision eventually, ladies. | 0:08:33 | 0:08:36 | |
-I know. -This is called Bargain Hunt, not Bargain Think About It. | 0:08:36 | 0:08:39 | |
So if we don't make a profit, it's your fault. | 0:08:39 | 0:08:41 | |
THEY LAUGH | 0:08:41 | 0:08:43 | |
You see, I knew there was going to be trouble. | 0:08:43 | 0:08:46 | |
I did warn you about that one. | 0:08:46 | 0:08:48 | |
-I think you have to try and... -Yes, I do like that. | 0:08:48 | 0:08:51 | |
Yes, that's nice, that. That is nice. We'll go for that one. | 0:08:51 | 0:08:54 | |
-Yes? -I think so, yeah. -OK. | 0:08:54 | 0:08:56 | |
-Decision made. -Lovely. | 0:08:56 | 0:08:58 | |
And we've only had 55 minutes. | 0:08:58 | 0:08:59 | |
THEY LAUGH | 0:08:59 | 0:09:01 | |
That was painful but at least they are under way. | 0:09:03 | 0:09:06 | |
Let's have a look this fellow. | 0:09:06 | 0:09:08 | |
That's Japanese. He's, um... | 0:09:10 | 0:09:12 | |
-He's very ugly. -Yeah, it is. | 0:09:12 | 0:09:14 | |
That's you told, Jeremy. | 0:09:16 | 0:09:18 | |
-I think this is quite pretty, this chair, actually. -It's quite nice. | 0:09:19 | 0:09:23 | |
I like the carving on this. It's quite ornate and this at the bottom. | 0:09:23 | 0:09:27 | |
-It's lovely, isn't it? -Yeah. It's unusual. | 0:09:27 | 0:09:29 | |
Well, you pointed out, I have to tell you, all the right details here | 0:09:29 | 0:09:33 | |
because we are looking at a chair which, at first glance, you'd think | 0:09:33 | 0:09:37 | |
this was by Hepplewhite or Sheraton, | 0:09:37 | 0:09:40 | |
somebody like that, from the last quarter of the 18th century. | 0:09:40 | 0:09:44 | |
But it's far too small for that. And it's not quite up in that echelon. | 0:09:44 | 0:09:48 | |
I would say this is about 1900-1910. | 0:09:48 | 0:09:51 | |
-It's what we tend to refer to as Sheraton revival furniture. -Right. | 0:09:51 | 0:09:56 | |
This would have been from a drawing room suite. | 0:09:56 | 0:09:58 | |
But the quality is very good. | 0:09:58 | 0:10:01 | |
You pointed out these lovely details | 0:10:01 | 0:10:04 | |
like little ribbons at the top there. You've got the swag. | 0:10:04 | 0:10:07 | |
They haven't just stopped at this little satinwood inlaid roundel | 0:10:07 | 0:10:11 | |
with the urn in there. They've put this lovely beading around it. | 0:10:11 | 0:10:14 | |
You've got these lovely little sunflower bursts. | 0:10:14 | 0:10:17 | |
Again, everything about it is actually quite good quality. | 0:10:17 | 0:10:20 | |
And in an elegant hallway or a bedroom or landing, | 0:10:20 | 0:10:24 | |
this would look absolutely stunning, actually. | 0:10:24 | 0:10:26 | |
Yes. What price is it? | 0:10:26 | 0:10:27 | |
-Well, we've got 90 on it, which is pretty cheap. -55? 60? | 0:10:27 | 0:10:34 | |
I could do it at 80. | 0:10:34 | 0:10:35 | |
-That would be the max. -75. | 0:10:35 | 0:10:39 | |
-Go on, 75. -Go on then. -Oh, you're wonderful, thank you very much. | 0:10:39 | 0:10:43 | |
How's 75? | 0:10:43 | 0:10:45 | |
-Am I needed on this show? -No. -I think I've just been made... | 0:10:45 | 0:10:49 | |
She did warn you she was not going to take any notice. | 0:10:49 | 0:10:52 | |
I think I've just be made redundant. | 0:10:52 | 0:10:54 | |
-I don't take prisoners. -You don't. -No. | 0:10:54 | 0:10:56 | |
I'll just go back to the green room for a cuppa, I think. 75 quid. | 0:10:56 | 0:10:59 | |
-Thank you very much. -Thank you. -Lovely. | 0:10:59 | 0:11:02 | |
-Is that fine? -Fine. -Yes, OK. | 0:11:02 | 0:11:04 | |
Cor, the Reds have come over all decisive but don't collect your | 0:11:04 | 0:11:08 | |
P45 just yet, Mark. | 0:11:08 | 0:11:10 | |
You need one more bargain. | 0:11:10 | 0:11:12 | |
Now, come over and have a look at this. | 0:11:14 | 0:11:16 | |
# There's a hole in my bucket Dear Liza, dear Liza | 0:11:16 | 0:11:20 | |
# There's a hole in my bucket Dear Liza, a hole. # | 0:11:20 | 0:11:23 | |
Actually, there isn't a hole in my bucket. | 0:11:23 | 0:11:26 | |
What I've got is one of these in my bucket. | 0:11:26 | 0:11:30 | |
The big question is, | 0:11:30 | 0:11:32 | |
what is it? Well, for a kick-off, look at the metal. | 0:11:32 | 0:11:37 | |
If you look at the shaft on this thing it's that gorgeous greenish | 0:11:37 | 0:11:40 | |
brown colour that bronze goes | 0:11:40 | 0:11:45 | |
when it exposed to the atmosphere, | 0:11:45 | 0:11:47 | |
water or weather conditions over a long period of time. | 0:11:47 | 0:11:51 | |
And what the cunning dealer's done is to put some furniture polish, | 0:11:51 | 0:11:55 | |
simple beeswax, on to the dry, green metal and polish it up a bit. | 0:11:55 | 0:12:00 | |
And that's how you get this gorgeous sheen and depth of patination. | 0:12:00 | 0:12:06 | |
But what is it? | 0:12:06 | 0:12:08 | |
Well, just look at the gauge of the metal. | 0:12:08 | 0:12:10 | |
First of all, it unscrews. | 0:12:10 | 0:12:13 | |
Good telly, this. | 0:12:18 | 0:12:20 | |
And if you do this unscrewing process, you can see that | 0:12:20 | 0:12:24 | |
it's beautifully engineered. | 0:12:24 | 0:12:27 | |
It's not only beautifully engineered, | 0:12:27 | 0:12:29 | |
it's massively engineered. | 0:12:29 | 0:12:31 | |
Look how thick this expensive bronze is. | 0:12:31 | 0:12:35 | |
It's that thick because it's got to take some wellington. | 0:12:35 | 0:12:40 | |
It's going to be used | 0:12:40 | 0:12:41 | |
in an industrial sense, but what is it, I hear you ask? | 0:12:41 | 0:12:47 | |
Well, if I'm being honest, I'm not 100% sure | 0:12:47 | 0:12:50 | |
but I will tell you what the dealer says it is. | 0:12:50 | 0:12:52 | |
At the time that you had steam engines requiring massive amounts of | 0:12:52 | 0:12:58 | |
water to fill their boilers, | 0:12:58 | 0:13:01 | |
you had a device like this on the end of a pipe | 0:13:01 | 0:13:05 | |
so that when you were extracting water you would insert this | 0:13:05 | 0:13:09 | |
into the reservoir and suck the water through these perforations, | 0:13:09 | 0:13:14 | |
effectively removing any bits before the bits got into your steam boiler. | 0:13:14 | 0:13:21 | |
And that is what this thing is supposed to be. | 0:13:21 | 0:13:25 | |
Crazy, isn't it? | 0:13:25 | 0:13:27 | |
Well, not that crazy | 0:13:27 | 0:13:29 | |
cos the woman's asking £100 for it. | 0:13:29 | 0:13:34 | |
Stick that in your filter. | 0:13:34 | 0:13:36 | |
Right, Blue team, you've only bought one thing. | 0:13:37 | 0:13:40 | |
What are you up to, Jezza? | 0:13:40 | 0:13:42 | |
What we've got here is a pair of silver mounted late-Victorian | 0:13:44 | 0:13:48 | |
decanters that have been mould- blown here with blown-glass stoppers | 0:13:48 | 0:13:54 | |
and they've also been polished out so that's a good sign if quality. | 0:13:54 | 0:13:57 | |
-Yes. -We just want to check that they fit tightly. No damage. | 0:13:57 | 0:14:02 | |
-And you've got a pair of them, haven't you? -I like those a lot. | 0:14:02 | 0:14:05 | |
Are they original stoppers? | 0:14:05 | 0:14:07 | |
As far as I'm aware, yes. | 0:14:07 | 0:14:10 | |
You can test the stoppers by turning them in the top, | 0:14:10 | 0:14:12 | |
lift the decanters, they fit snug. | 0:14:12 | 0:14:15 | |
Everyone can use a decanter, can't they? | 0:14:15 | 0:14:18 | |
-Yes. -So, what have they got to...? | 0:14:18 | 0:14:21 | |
I've got 120 on the pair. | 0:14:21 | 0:14:24 | |
Fighting talk, 80? | 0:14:24 | 0:14:26 | |
-Sounds good. -Would you go to 70? | 0:14:26 | 0:14:28 | |
No, I'll do 80 and that's it. | 0:14:28 | 0:14:32 | |
They are 1897 silver, original decanters. | 0:14:32 | 0:14:36 | |
I like them. I like them. | 0:14:36 | 0:14:38 | |
-Shall we have a drink on it? -Yeah, do you want a drink on it? | 0:14:38 | 0:14:41 | |
I'll take a whisky. | 0:14:41 | 0:14:43 | |
Oh, that's handy! | 0:14:43 | 0:14:45 | |
-It had better be full. -It is. It is. | 0:14:46 | 0:14:49 | |
Here we are, help yourself to a tot. | 0:14:49 | 0:14:52 | |
Goodness me. I turn my back for two minutes and... | 0:14:52 | 0:14:56 | |
-Tell me when. -A little bit. | 0:14:56 | 0:14:58 | |
That will do. Thank you very much. | 0:14:58 | 0:15:01 | |
And you did say 80, didn't you, not 70? | 0:15:01 | 0:15:03 | |
-80, I'm smiling. 80. -I tried. | 0:15:03 | 0:15:07 | |
Nice try, Georgie. | 0:15:07 | 0:15:09 | |
-Shall I show you something very interesting? -Yes. -Yeah, go on. | 0:15:11 | 0:15:15 | |
What do you think that is? | 0:15:15 | 0:15:17 | |
Chinese Ming dynasty? | 0:15:17 | 0:15:19 | |
Do you know what it was used for? | 0:15:19 | 0:15:21 | |
It's called a bourdaloue. | 0:15:21 | 0:15:24 | |
It's a lady's chamber pot. | 0:15:24 | 0:15:26 | |
And it was called after a French man. | 0:15:26 | 0:15:30 | |
A French vicar, I suppose, who gave such long sermons, | 0:15:30 | 0:15:33 | |
they created these to go under the dresses | 0:15:33 | 0:15:36 | |
-while they were listening to the sermons. -Oh, crikey! | 0:15:36 | 0:15:38 | |
Might be useful while you're waiting for these girls | 0:15:38 | 0:15:41 | |
to make their next decision, Mark. | 0:15:41 | 0:15:42 | |
And that one is priced at £250. | 0:15:42 | 0:15:46 | |
Unless we can get it for 35, put it back. | 0:15:46 | 0:15:50 | |
I have a feeling you're not going to. | 0:15:50 | 0:15:52 | |
-We could try. -I like your optimism. | 0:15:52 | 0:15:56 | |
Stand by. I think Jeremy is about to embrace his feminine side. | 0:15:56 | 0:16:00 | |
Here we are, a little ladies' Art Deco compact. | 0:16:00 | 0:16:04 | |
Lots going on with it. We've got this faux tortoiseshell here | 0:16:04 | 0:16:07 | |
and these beautiful sleek lines. | 0:16:07 | 0:16:09 | |
And if you open it up here you've got a little powder mirror, | 0:16:09 | 0:16:14 | |
a little powder box. | 0:16:14 | 0:16:16 | |
And then, just next to it, because you're getting bored as | 0:16:16 | 0:16:20 | |
you're powdering your nose, you've got a music box. | 0:16:20 | 0:16:23 | |
And then, let's not forget a bit of lipstick at the end here. | 0:16:23 | 0:16:27 | |
Is there anything in the lipstick or is that...? | 0:16:27 | 0:16:30 | |
Afraid not. It's all gone. 1928, it went. | 0:16:30 | 0:16:34 | |
Nothing left. | 0:16:34 | 0:16:36 | |
Probably not your colour anyway, Jeremy. | 0:16:36 | 0:16:38 | |
Ah, a jardiniere stand. | 0:16:39 | 0:16:42 | |
If we'd just put it up here so we can actually see it, | 0:16:44 | 0:16:47 | |
the detailing of it. | 0:16:47 | 0:16:49 | |
So you've got all the sort of carved work here, the leaves and the flowers. | 0:16:49 | 0:16:53 | |
Yes, and its good quality carving. | 0:16:53 | 0:16:55 | |
You can just imagine somebody sitting and carving it. | 0:16:55 | 0:16:59 | |
And you've got faux bamboo legs coming down here terminating. | 0:16:59 | 0:17:04 | |
This is hard wood, like a Chinese rosewood. | 0:17:04 | 0:17:06 | |
Chinese things are quite popular at auction at the moment. | 0:17:06 | 0:17:09 | |
-Yeah. -I like it because it's very decorative. -Beautiful. | 0:17:09 | 0:17:12 | |
And the marble inset at the top here, which is rather nice. | 0:17:12 | 0:17:15 | |
-That's lovely. -I would probably put it early-20th century. | 0:17:15 | 0:17:19 | |
-Yeah. -70, 80, 90 years old, something like that. | 0:17:19 | 0:17:22 | |
I think that's quite unusual. | 0:17:26 | 0:17:28 | |
I haven't seen one before. | 0:17:28 | 0:17:30 | |
It's lovely. It's not gold. I think that's a fascinating object | 0:17:30 | 0:17:34 | |
-but the big question is, what's it going to be? -Um... | 0:17:34 | 0:17:38 | |
..I'll do 120. | 0:17:40 | 0:17:42 | |
It's quite full because | 0:17:42 | 0:17:44 | |
although there are lots of things going on with it, it's not gold. | 0:17:44 | 0:17:50 | |
There might be a profit in it but, at 120, you're on the edge a bit. | 0:17:50 | 0:17:56 | |
-Shall we leave it then and maybe come back? -We've got to make a profit on it, unfortunately. | 0:17:56 | 0:18:02 | |
Oh, what's this? | 0:18:02 | 0:18:03 | |
-An extra compartment. -You missed that bit. | 0:18:03 | 0:18:07 | |
We missed that bit. A little manicure set. | 0:18:07 | 0:18:10 | |
That, to me, is the piece de resistance. | 0:18:10 | 0:18:12 | |
What are we going to do then? Are we going to go for it? | 0:18:12 | 0:18:14 | |
I really do like that. For 110, I like that. | 0:18:14 | 0:18:19 | |
11,0 cash on the nail? | 0:18:20 | 0:18:22 | |
-No, it's got to be 120. -Shall we go for it anyway? | 0:18:22 | 0:18:24 | |
-I think so, yeah. -Have we got a deal? | 0:18:24 | 0:18:27 | |
-Yes, we've got a deal. -Thank you very much. | 0:18:27 | 0:18:30 | |
And the Blues bagged their final item. | 0:18:30 | 0:18:33 | |
But what about the Red team? | 0:18:36 | 0:18:38 | |
-And what is on it? 150. -Is that the best price you'd do? | 0:18:43 | 0:18:47 | |
Could you knock another tenner off? | 0:18:47 | 0:18:49 | |
-Can we go a bit lower? -Another ten and that's it. -120. | 0:18:49 | 0:18:51 | |
-120? -Can't do less. | 0:18:51 | 0:18:53 | |
-I think that's quite reasonable, actually. -Yes, I like that. | 0:18:53 | 0:18:56 | |
If we get it for 120, | 0:18:56 | 0:18:58 | |
you've spent 110 already, so that's 230. | 0:18:58 | 0:19:00 | |
-It leaves you with 70 quid. -Yeah. | 0:19:00 | 0:19:02 | |
-Which is a reasonable sum of money to try and find you something. -Yes. | 0:19:02 | 0:19:05 | |
-And you've got three items which you're pleased with? -Very pleased. | 0:19:05 | 0:19:08 | |
-Yeah. -But the best thing is all of them fit into our category | 0:19:08 | 0:19:12 | |
of buying quality items and having a bit of a laugh, yeah? | 0:19:12 | 0:19:15 | |
-Yes, that's nice, that. I love the top. -Shall we say yes? | 0:19:15 | 0:19:18 | |
-Yes. -Yes. Why not? | 0:19:18 | 0:19:20 | |
-Thank you. -Sold. | 0:19:20 | 0:19:23 | |
Wonder of wonders, the Reds have finished! | 0:19:23 | 0:19:27 | |
Do you know something, time's up. | 0:19:27 | 0:19:30 | |
Big time. | 0:19:30 | 0:19:31 | |
£35 bought the cream of Victorian silver jugs. | 0:19:33 | 0:19:39 | |
Can they rest easy with the mahogany Sheraton chair at £75? | 0:19:39 | 0:19:44 | |
And finally, they threw caution to the wind, spending £120 | 0:19:44 | 0:19:47 | |
on the jardiniere stand. | 0:19:47 | 0:19:49 | |
-Well, Mark, you look as if you've got a couple of satisfied girls here. -Very satisfied. | 0:19:51 | 0:19:55 | |
-Are you happy with your shopping? -Very happy. | 0:19:55 | 0:19:57 | |
-Which is your favourite piece? -The silver jug. -Is it? | 0:19:57 | 0:20:00 | |
Yes. I think we'll probably make a profit on that, if we're lucky. | 0:20:00 | 0:20:03 | |
I'm pleased about that. | 0:20:03 | 0:20:04 | |
And which piece is going to bring the biggest profit? | 0:20:04 | 0:20:07 | |
-Hopefully the chair. -You reckon? | 0:20:07 | 0:20:09 | |
-Yes. -Well, that's good. There are some predictions. | 0:20:09 | 0:20:12 | |
And how much did you spend overall? | 0:20:12 | 0:20:14 | |
£230. | 0:20:14 | 0:20:15 | |
That is just so mature, isn't it? | 0:20:15 | 0:20:17 | |
£230. That's £70 of left-over lolly, please, coming from somewhere or other. | 0:20:17 | 0:20:21 | |
Lovely. That goes straight across to the mastermind here. | 0:20:21 | 0:20:26 | |
-Mark, what are you going to spend your £70 on? -I have to be honest. | 0:20:26 | 0:20:29 | |
-No idea whatsoever. -Have you not? | 0:20:29 | 0:20:31 | |
But it's a good fair. I'm sure I can find something decent. | 0:20:31 | 0:20:34 | |
I think it's so tough on you guys, so good luck, Mark. | 0:20:34 | 0:20:37 | |
And have a lovely time, girls. | 0:20:37 | 0:20:38 | |
For us, though, why don't we check out what the Blue team bought, eh? | 0:20:38 | 0:20:42 | |
Two page markers for £15. Wow! | 0:20:44 | 0:20:48 | |
Two decanters for £80. Wow! Wow! | 0:20:49 | 0:20:53 | |
A Deco combination powder compact for £120. Wow! Wow! Wow! | 0:20:54 | 0:20:59 | |
So, George and Clare, how was that shopping for you? | 0:20:59 | 0:21:02 | |
-Absolutely amazing. -It was really, really good. | 0:21:02 | 0:21:05 | |
Really good. Really enjoyed it. | 0:21:05 | 0:21:07 | |
Did you bond up with Jeremy all right? | 0:21:07 | 0:21:09 | |
Yeah, he's fine, he's fine. | 0:21:09 | 0:21:10 | |
He's done us proud. | 0:21:10 | 0:21:12 | |
-He was good. -No better accolade than that, I'd say. -Thank you very much. | 0:21:12 | 0:21:16 | |
-We're all looking a bit blue but for all the right reasons. -Good. | 0:21:16 | 0:21:20 | |
And how much did you spend overall? | 0:21:20 | 0:21:22 | |
-215. -215. I'd like £85 of left-over lolly, please. | 0:21:22 | 0:21:27 | |
There we go, comes from Dad. | 0:21:27 | 0:21:29 | |
Very good, Jeremy. So how are you finding this fair? | 0:21:29 | 0:21:32 | |
-Are you finding it tough going around that? -Quite relaxed. | 0:21:32 | 0:21:36 | |
There are things with potential, but we'll see, won't we, | 0:21:36 | 0:21:38 | |
what kind of potential it is when we get to Wilson's. | 0:21:38 | 0:21:41 | |
Yes. There's a bit of pressure on you here. | 0:21:41 | 0:21:43 | |
A bit of pressure as the new boy. | 0:21:43 | 0:21:45 | |
-Good luck, Jeremy, anyway. -We trust him. | 0:21:45 | 0:21:47 | |
Good luck, team. That's your first big mistake! | 0:21:47 | 0:21:49 | |
Anyway, we're heading off to Droitwich, | 0:21:49 | 0:21:51 | |
to a really splendid house. | 0:21:51 | 0:21:54 | |
Hanbury Hall started life as a modest manor house, | 0:22:00 | 0:22:04 | |
but at the turn of the century it was transformed | 0:22:04 | 0:22:07 | |
into an extraordinary mansion by a man with quite a lot to prove. | 0:22:07 | 0:22:12 | |
Thomas Vernon might have been a successful London lawyer but he was no peer or senior aristocrat, | 0:22:12 | 0:22:19 | |
and building this place, and furnishing it so extravagantly, | 0:22:19 | 0:22:24 | |
was his way of telling the world that he'd arrived. | 0:22:24 | 0:22:27 | |
And this was Thomas Vernon's piece de resistance. | 0:22:34 | 0:22:38 | |
The must-have, Flash Harry, I-have-made-it | 0:22:38 | 0:22:43 | |
staircase of the 1710 period. | 0:22:43 | 0:22:47 | |
All the neighbours around here would have had simple, plain painted | 0:22:47 | 0:22:52 | |
wall surfaces going up their staircases, | 0:22:52 | 0:22:54 | |
but that was not good enough for Thomas Vernon. | 0:22:54 | 0:22:57 | |
He employed the most fashionable of fresco painters, James Thornhill, | 0:22:57 | 0:23:02 | |
who came here to create this magnificent effect. | 0:23:02 | 0:23:07 | |
Thornhill went on to paint the dome of St Paul's. | 0:23:09 | 0:23:13 | |
Imagine! | 0:23:13 | 0:23:14 | |
Vernon must have been in heaven. | 0:23:14 | 0:23:17 | |
And the wall paintings themselves tell the story from Greek mythology | 0:23:21 | 0:23:26 | |
of Achilles. | 0:23:26 | 0:23:29 | |
Now, in this wall painting we see Achilles in his most girly mode, | 0:23:29 | 0:23:34 | |
because you'll remember from the myth that his mother, | 0:23:34 | 0:23:38 | |
the sea nymph Thetis, did not want him to go to war. | 0:23:38 | 0:23:44 | |
First of all she dipped him in water to make him invulnerable. | 0:23:44 | 0:23:48 | |
The only bit that didn't get dipped being his heel. | 0:23:48 | 0:23:51 | |
And later she dressed him as a girl. | 0:23:51 | 0:23:54 | |
This is the moment in the female court, after some jewellery | 0:23:54 | 0:24:00 | |
and valuables have been delivered, where all the girls went mad, | 0:24:00 | 0:24:04 | |
grabbing the jewellery and so forth. | 0:24:04 | 0:24:07 | |
But Achilles discovered a shield and a spear. | 0:24:07 | 0:24:11 | |
He grabbed that instead and gave the game away. | 0:24:11 | 0:24:15 | |
Anyway, having been rumbled, Achilles has to go off to war. | 0:24:15 | 0:24:19 | |
And a bit later on he decides he needs a super-duper set of armour. | 0:24:19 | 0:24:24 | |
And in this painting we see these Cyclopean forgers at the forge, | 0:24:24 | 0:24:31 | |
making his suit of armour. | 0:24:31 | 0:24:33 | |
Of course, it didn't do Achilles that much good | 0:24:33 | 0:24:36 | |
because ultimately, of course, he died | 0:24:36 | 0:24:39 | |
when the unprotected heel was pierced by Paris's arrow. | 0:24:39 | 0:24:45 | |
Now, how do we know that this series of fresco paintings by Thornhill | 0:24:45 | 0:24:50 | |
was done around 1710? | 0:24:50 | 0:24:53 | |
Well, if we go back up to the ceiling, you can see up there | 0:24:53 | 0:24:57 | |
that being held up is a black and white pamphlet. | 0:24:57 | 0:25:01 | |
And on that pamphlet you've got an image of a Dr Sacheverell. | 0:25:01 | 0:25:08 | |
Now, Dr Sacheverell was an arch- Tory and was also a preacher. | 0:25:08 | 0:25:12 | |
And he preached a sermon in 1710 in St Paul's Cathedral | 0:25:12 | 0:25:16 | |
that the Whig government considered was sedition. | 0:25:16 | 0:25:21 | |
Thomas Vernon was very pro-Whig. | 0:25:21 | 0:25:24 | |
Therefore, when he had this fresco painted, | 0:25:24 | 0:25:27 | |
he identified his political allegiance | 0:25:27 | 0:25:31 | |
by having the anti-Sacheverell pamphlet | 0:25:31 | 0:25:36 | |
held up and recorded on the ceiling of his hallway. | 0:25:36 | 0:25:41 | |
The big question is today, how much sedition is there going to be | 0:25:41 | 0:25:46 | |
over at the auction? | 0:25:46 | 0:25:48 | |
Well, we've had a motor, I tell you, all the way from Anglesey | 0:25:56 | 0:26:00 | |
to Nantwich to Peter Wilson's sale room, where we've been greeted | 0:26:00 | 0:26:04 | |
by the proprietor, Robert Stones. Good morning, Robert. | 0:26:04 | 0:26:06 | |
-Good morning, Tim. -Lovely to be here. -Nice to see you. | 0:26:06 | 0:26:08 | |
Now, first up, for Gail, is this little silver cream jug, | 0:26:08 | 0:26:12 | |
looking a bit lonely there. | 0:26:12 | 0:26:14 | |
-How do you rate that? -Like it. | 0:26:14 | 0:26:16 | |
Nice double-scroll handle on it, half-fluted decoration. | 0:26:16 | 0:26:20 | |
A little tip here, if you just breathe on the hallmark, | 0:26:20 | 0:26:22 | |
it means that you can bring out the hallmark more easily to read it. | 0:26:22 | 0:26:26 | |
And we've now read the hallmark as being 1887, | 0:26:26 | 0:26:28 | |
so that's a little bit of a bonus. | 0:26:28 | 0:26:30 | |
Nice shape, very attractive thing. So we quite like that. | 0:26:30 | 0:26:34 | |
-Good. What's your estimate? -60-80. | 0:26:34 | 0:26:36 | |
Good, £35 paid. | 0:26:36 | 0:26:37 | |
So they may well double their money straight up on that. | 0:26:37 | 0:26:40 | |
Now, we've got the Sheraton revival mahogany inlaid chair. | 0:26:40 | 0:26:44 | |
-Where could that be? -You're sitting on it, Tim. -Get away. | 0:26:44 | 0:26:48 | |
Wow! Look at that. | 0:26:48 | 0:26:50 | |
As if by magic, we reveal this little revival chair. | 0:26:50 | 0:26:55 | |
So, Robert, how do you rate that? | 0:26:55 | 0:26:58 | |
I love furniture. The big thing about furniture is, | 0:26:58 | 0:27:01 | |
you've got to really look at it carefully, particularly chairs. | 0:27:01 | 0:27:04 | |
Because if they're damaged it's a real problem. | 0:27:04 | 0:27:06 | |
If you just happen to put your knee on something, and push on the back, | 0:27:06 | 0:27:10 | |
I can feel that's flexing a little bit, Tim. | 0:27:10 | 0:27:13 | |
So if you look carefully at the joint down here, | 0:27:13 | 0:27:16 | |
we can see there are some little tacks that have been put in. | 0:27:16 | 0:27:18 | |
So it's had a repair at some stage, so a little bit dangerous. | 0:27:18 | 0:27:21 | |
But let's face it, a chair like this is generally used as a bedroom chair. | 0:27:21 | 0:27:25 | |
It doesn't really get sat on very often. So it can't be too bad. | 0:27:25 | 0:27:28 | |
Lovely splat, a beautiful decoration in satinwood in the back there. | 0:27:28 | 0:27:32 | |
-Brilliant. What's your estimate? -£40-£60. -Is that all? -Mmm. | 0:27:32 | 0:27:35 | |
£75 they paid. | 0:27:35 | 0:27:37 | |
Well, if this thing is insecure, as insecure as me, | 0:27:37 | 0:27:41 | |
I'm certainly not going to sit on it. I'll have this one. | 0:27:41 | 0:27:43 | |
-Thank you, Robert. -Quite right. | 0:27:43 | 0:27:45 | |
-Now is this one OK to sit on? -Perfect chair. | 0:27:45 | 0:27:48 | |
Yeah, Queen Anne repro, we know all about them. Right, here we go. | 0:27:48 | 0:27:51 | |
And lastly for this team, they've got this Chinese hardwood, | 0:27:51 | 0:27:57 | |
what we used to call huanghuali, | 0:27:57 | 0:28:00 | |
then it became blackwood. What's it called these days? | 0:28:00 | 0:28:03 | |
-Rosewood. -Fair enough. It's just morphed, hasn't it? | 0:28:03 | 0:28:06 | |
OK, so, how much for this baby? | 0:28:06 | 0:28:09 | |
-Well, we quite like that, but 60-80. -Really? £120. | 0:28:09 | 0:28:13 | |
-Really? -Anyway, they're going to need their bonus buy, | 0:28:13 | 0:28:16 | |
so let's go and have a look at it. | 0:28:16 | 0:28:17 | |
-Gail and Wendy, are you up for this? -Yes, definitely. | 0:28:18 | 0:28:21 | |
This is our leftover lolly moment. | 0:28:21 | 0:28:23 | |
You spent £230. You gave £70 of leftover lolly to Mark Stacey. | 0:28:23 | 0:28:27 | |
-We did. -What did he buy? | 0:28:27 | 0:28:30 | |
Da-dah! It's a little Art Nouveau... | 0:28:30 | 0:28:33 | |
That should be down, it's a little Art Nouveau desk stand, really. | 0:28:33 | 0:28:37 | |
You put your envelopes and papers in there. | 0:28:37 | 0:28:39 | |
And you open this, and you keep your stamps in there. | 0:28:39 | 0:28:42 | |
Its brass, obviously. And I think it's rather decorative, actually. | 0:28:42 | 0:28:46 | |
It's lovely. How much was that? | 0:28:46 | 0:28:48 | |
Well, I got it for a very reasonable £20. | 0:28:48 | 0:28:51 | |
-Really? -That's very good. | 0:28:51 | 0:28:53 | |
Which I thought was quite reasonable. | 0:28:53 | 0:28:55 | |
How much do you think we could make? | 0:28:55 | 0:28:57 | |
I hope it would make £30 or £40. | 0:28:57 | 0:28:59 | |
That is absolutely gorgeous. | 0:28:59 | 0:29:01 | |
They're very fashionable. | 0:29:01 | 0:29:03 | |
That would look nice on my desk. | 0:29:03 | 0:29:05 | |
Well, you can't have it. | 0:29:05 | 0:29:07 | |
On the other hand, you may not need to choose it at all. | 0:29:09 | 0:29:12 | |
I think it's lovely. It is really lovely. That's nice. | 0:29:12 | 0:29:15 | |
Nearly as nice as you! | 0:29:15 | 0:29:18 | |
Ooh! | 0:29:18 | 0:29:19 | |
Gail, settle down, girl. | 0:29:19 | 0:29:22 | |
It's only early. | 0:29:22 | 0:29:23 | |
Can't take her anywhere, you know. | 0:29:23 | 0:29:26 | |
-That's nice, you got a bit of a hit with your team. -I hope so. | 0:29:26 | 0:29:29 | |
In more ways than one! | 0:29:29 | 0:29:31 | |
On that happy note, for the audience at home, | 0:29:31 | 0:29:33 | |
let's find out what the auctioneer thinks about Mark's desk tidy. | 0:29:33 | 0:29:37 | |
Now, Robert, what do you make of that? | 0:29:39 | 0:29:41 | |
We've got a classic little desk tidy here, of course. | 0:29:41 | 0:29:44 | |
In about 1900, when this was made, everybody was writing letters | 0:29:44 | 0:29:48 | |
and wanting things to keep envelopes and postcards in. | 0:29:48 | 0:29:51 | |
This one here is quite nice, this Art Nouveau decoration here. | 0:29:51 | 0:29:54 | |
And also a little place to keep stamps in the base. | 0:29:54 | 0:29:58 | |
Or paperclips, that's quite nice, it's what we call a patent design, | 0:29:58 | 0:30:01 | |
so this is all spring-loaded. | 0:30:01 | 0:30:03 | |
We quite like it, we think £20-30 for that. | 0:30:03 | 0:30:07 | |
-Mark Stacey paid £20. He rates it. -Yep. | 0:30:07 | 0:30:09 | |
He sees a small profit. I think he's right. | 0:30:09 | 0:30:12 | |
-Agreed. -It's a charming little object. | 0:30:12 | 0:30:14 | |
Whether you write that many letters, you could stick your bills in there. | 0:30:14 | 0:30:17 | |
-Yes, sadly. -There's enough of those! | 0:30:17 | 0:30:19 | |
That's it for the Reds. | 0:30:19 | 0:30:21 | |
Now for the Blues, George and Claire. | 0:30:21 | 0:30:23 | |
Their first item, these two page markers. | 0:30:23 | 0:30:26 | |
Yes. These are charming little things, made out of brass, | 0:30:26 | 0:30:29 | |
they're stamped, they've a little patent mark on them as well. | 0:30:29 | 0:30:33 | |
Nice little collectors' thing. Unusual being a pair of them. | 0:30:33 | 0:30:36 | |
Not exactly the most useful thing today. | 0:30:36 | 0:30:40 | |
-No. -But, if you've got the time to read your book in your drawing room | 0:30:40 | 0:30:44 | |
and you're never going to take the book in your suitcase | 0:30:44 | 0:30:48 | |
and go on your travels, then it's quite a handy thing, isn't it? | 0:30:48 | 0:30:51 | |
-What's your estimate? -10-20. -They paid £15. | 0:30:51 | 0:30:54 | |
I bet they get their money back, that'll be all right. | 0:30:54 | 0:30:57 | |
What about the decanters with the silver mounts? | 0:30:57 | 0:30:59 | |
I like these. Having silver mounts on them is rather nice. | 0:30:59 | 0:31:03 | |
And they do match. | 0:31:03 | 0:31:04 | |
The stoppers are right, | 0:31:04 | 0:31:05 | |
these are the things you've got to look very carefully at | 0:31:05 | 0:31:08 | |
when you're buying decanters. | 0:31:08 | 0:31:09 | |
-But they're not really that fashionable these days. -No. | 0:31:09 | 0:31:12 | |
So many of them that have got silver tops on are cut bases, aren't they? | 0:31:12 | 0:31:16 | |
Yes. They're spectacularly well-produced bottoms. | 0:31:16 | 0:31:20 | |
Those bottoms look a bit like Woolworths to me. | 0:31:20 | 0:31:23 | |
They're not too bad, are they? | 0:31:23 | 0:31:25 | |
They're a pair, that's the big thing about them. | 0:31:25 | 0:31:27 | |
-So what's your estimate? -60 - 80. -Brilliant. £80 paid, actually. | 0:31:27 | 0:31:32 | |
-Lastly the musical compact, which is a strange thing, isn't it? -Well... | 0:31:32 | 0:31:38 | |
I actually quite like this, because people are very enthusiastic about vintage costume, | 0:31:38 | 0:31:43 | |
and it's a great accessory to go with vintage costume. | 0:31:43 | 0:31:46 | |
So I think this has really improved in value. | 0:31:46 | 0:31:49 | |
We think this will do reasonably well. | 0:31:49 | 0:31:51 | |
Rather nice condition, and of course it works, | 0:31:51 | 0:31:53 | |
so that's a real big bonus. | 0:31:53 | 0:31:56 | |
It is extraordinary how stuff like this has come back. | 0:31:56 | 0:31:59 | |
-Definitely. -Lipstick cases, compacts, | 0:31:59 | 0:32:01 | |
all the little things that went into girls' handbags | 0:32:01 | 0:32:04 | |
-in the '30s, '40s, '50s are so collectible. -Yes. | 0:32:04 | 0:32:07 | |
-What's your estimate, Robert? -30-50. | 0:32:07 | 0:32:10 | |
-£120 paid. -Ah! | 0:32:10 | 0:32:12 | |
-Do they stand any chance of getting to £120, do you think? -We'll see. | 0:32:12 | 0:32:16 | |
We're on the internet for bidding, so we'll see what happens. | 0:32:16 | 0:32:19 | |
Bit of a risk though, isn't it? | 0:32:19 | 0:32:21 | |
Based on that estimate, they'll need their bonus buy, | 0:32:21 | 0:32:23 | |
so let's go and have a look at it. | 0:32:23 | 0:32:25 | |
So, George and Claire, you gave £85 to the lovely Jeremy, | 0:32:26 | 0:32:31 | |
who's blown it on an object which is supposed to be your bonus buy. | 0:32:31 | 0:32:35 | |
Jeremy, what did you spend it on? | 0:32:35 | 0:32:37 | |
I've gone a bit potty, Tim. | 0:32:37 | 0:32:39 | |
You bought a pot. | 0:32:39 | 0:32:41 | |
-Aah! -Right. | 0:32:41 | 0:32:43 | |
It's Pilkington's Lancastrian, | 0:32:43 | 0:32:45 | |
that's a pottery from the north-west. | 0:32:45 | 0:32:48 | |
And it's the first period of production, this. | 0:32:48 | 0:32:51 | |
So, very early, round about 1910-1915. | 0:32:51 | 0:32:54 | |
And it's got a good early mark on the bottom here. £50. | 0:32:54 | 0:32:59 | |
And, best of all with a pot, it's not cracked. | 0:32:59 | 0:33:02 | |
Excellent. | 0:33:02 | 0:33:03 | |
How much do you think it's going to make? | 0:33:03 | 0:33:05 | |
Oh, two, three, 4,000? | 0:33:05 | 0:33:08 | |
LAUGHTER | 0:33:08 | 0:33:10 | |
-Such a wag! -Let's hope. | 0:33:10 | 0:33:12 | |
Claire, take it, darling. Hold it. | 0:33:12 | 0:33:15 | |
Feel it, because so many of these pots are the better for the handling, aren't they? | 0:33:15 | 0:33:19 | |
-They are. Look at the colour. I thought of you. -I like the colour. | 0:33:19 | 0:33:23 | |
-The Blues. -Yes. | 0:33:23 | 0:33:24 | |
-There we are, a blue pot. -What happens if I drop it now? | 0:33:24 | 0:33:27 | |
That's the end of the bonus. | 0:33:27 | 0:33:29 | |
-You'll have to pay for it. -Very nice, Jeremy. | 0:33:29 | 0:33:32 | |
Yeah, quite like that. | 0:33:32 | 0:33:34 | |
You don't have to choose now. You can choose later. | 0:33:34 | 0:33:36 | |
But for the viewers at home, let's find out what the auctioneer thinks about Jeremy's bonus buy. | 0:33:36 | 0:33:42 | |
Well, Roberto, there we go. That's a nice, clean little pot. | 0:33:43 | 0:33:46 | |
Nice dribble glaze on this one, nice mark on the base of it. | 0:33:48 | 0:33:51 | |
We like that a lot. It's not the greatest glaze in the world, | 0:33:51 | 0:33:54 | |
but at the end of the day, people that collect Pilkington | 0:33:54 | 0:33:57 | |
will be interested in buying this. It's a nice example, in good nick. | 0:33:57 | 0:34:01 | |
-Yeah. Made not far from here? -That's true, in Manchester. | 0:34:01 | 0:34:05 | |
The ones with the lustre glazes make the most, don't they? | 0:34:05 | 0:34:08 | |
They do indeed. Yes. | 0:34:08 | 0:34:10 | |
-The brightly-coloured ones. How do you rate this? -£30 - £50. | 0:34:10 | 0:34:14 | |
Jeremy Lamond, our new boy on the block, | 0:34:14 | 0:34:16 | |
he's really hoping that it's going to do well. He paid £50 for it. | 0:34:16 | 0:34:20 | |
-I hope it does well for him. -Absolutely. -It's a nice thing. | 0:34:20 | 0:34:23 | |
£30 - £50 is a nice, tempting estimate. | 0:34:23 | 0:34:26 | |
That's brilliant. Thank you very much. | 0:34:26 | 0:34:28 | |
-Feeling nervous, you two? -No, very confident. -Very confident? | 0:34:35 | 0:34:38 | |
Look at this room, stuffed up with people. | 0:34:38 | 0:34:41 | |
There is not a square centimetre for another person. | 0:34:41 | 0:34:44 | |
-I know, plenty of money. -They're all here to buy your lots. | 0:34:44 | 0:34:48 | |
-We live in hope. -If you believe that, you'll believe anything. | 0:34:48 | 0:34:51 | |
It is a very enthusiastic crowd here. | 0:34:51 | 0:34:53 | |
-Is there anything you wish you hadn't bought? -The jardiniere table. | 0:34:53 | 0:34:56 | |
-The jardiniere table? -Yeah. -You feel badly about that? | 0:34:56 | 0:34:58 | |
-I think it's going to struggle. -Do you really think so? -Yes. | 0:34:58 | 0:35:01 | |
You paid £120 for it, Mark found it. | 0:35:01 | 0:35:04 | |
There is a peculiar thing happening in the Chinese market place, | 0:35:04 | 0:35:07 | |
I have to tell you. | 0:35:07 | 0:35:09 | |
The auctioneer's estimate is only £60-80 on that jardiniere table. | 0:35:09 | 0:35:12 | |
-I think he could be wrong. I could see that making £150. -Yeah, I could. | 0:35:12 | 0:35:16 | |
So let's not do it down till it's actually happened, all right? | 0:35:16 | 0:35:20 | |
First up though, is your Victorian cream jug, and here it comes. | 0:35:20 | 0:35:24 | |
Lot number 50, ladies and gentlemen, is the Victorian silver cream jug. | 0:35:24 | 0:35:29 | |
What may we say for it? Give me a starter. Surely £50 to start it off? | 0:35:29 | 0:35:32 | |
This lovely little cream jug, at 50? £50 anywhere now? | 0:35:32 | 0:35:35 | |
50 I'm bid straightaway. | 0:35:35 | 0:35:37 | |
50! | 0:35:37 | 0:35:39 | |
At £50, that's all I'm bid. | 0:35:39 | 0:35:40 | |
£50 is what I have. At 50, and it will be sold. | 0:35:40 | 0:35:44 | |
-£50. -That's good, isn't it? | 0:35:44 | 0:35:45 | |
That's plus £15. | 0:35:45 | 0:35:47 | |
Thank you very much. We wouldn't say boo to that. | 0:35:47 | 0:35:50 | |
Now here comes your chair. | 0:35:50 | 0:35:52 | |
Delightful Sheraton revival mahogany framed single chair. | 0:35:52 | 0:35:56 | |
Lovely quality, what's it worth to you? | 0:35:56 | 0:35:59 | |
£30 I'm bid straightaway. 35 is there now? | 0:35:59 | 0:36:01 | |
At £30... | 0:36:01 | 0:36:02 | |
Come on, come on. | 0:36:02 | 0:36:04 | |
40, yes? 40 on the telephone. 45. It's a nice thing. | 0:36:04 | 0:36:07 | |
50 now. £50, yes. 50 bid. 55 now? | 0:36:07 | 0:36:09 | |
At £50, it's on the telephone. | 0:36:09 | 0:36:12 | |
-Come on, where are you? 55. -Come on, come on. -60 is there now? | 0:36:12 | 0:36:16 | |
60, yes? At 60. 60 bid. | 0:36:16 | 0:36:18 | |
Good auctioneering. | 0:36:18 | 0:36:20 | |
-Yes. -At 70. | 0:36:20 | 0:36:22 | |
-Yes! -75, 80 now? 80 bid. | 0:36:22 | 0:36:26 | |
You're in profit. | 0:36:27 | 0:36:28 | |
Super piece of furniture, at £80, bid's here at 80. | 0:36:28 | 0:36:31 | |
-Going to be sold at £80. -Yes! | 0:36:31 | 0:36:33 | |
How brilliant is that? | 0:36:33 | 0:36:35 | |
That's plus five. Oh, my gosh. | 0:36:35 | 0:36:38 | |
Now, stand by for the jardiniere. | 0:36:38 | 0:36:42 | |
Chinese carved hardwood plant stand, ladies and gentlemen. | 0:36:42 | 0:36:45 | |
Several commissions on this one. | 0:36:45 | 0:36:47 | |
I can start the bidding on this at £60. | 0:36:47 | 0:36:50 | |
£60 straightaway. 65 now, do I hear? 65, 70, 75... | 0:36:50 | 0:36:53 | |
-Keep going, keep going. -80 bid. 85. 90 now, do I hear? | 0:36:53 | 0:36:57 | |
90? 90 on the internet. At £90. 95 here. | 0:36:57 | 0:37:00 | |
95. 100 on the internet? 100 bid. | 0:37:00 | 0:37:03 | |
105 here with me. | 0:37:03 | 0:37:05 | |
110 on the internet? Yes? 110? | 0:37:05 | 0:37:09 | |
Come on, please. | 0:37:09 | 0:37:11 | |
-105, then, on commission. -Oh! -On commission, it will be sold at 105. | 0:37:11 | 0:37:15 | |
105, that is minus £15 for that. But that does mean you are plus five. | 0:37:15 | 0:37:20 | |
-Fish and chip supper. -Fish-and-chip supper. | 0:37:22 | 0:37:25 | |
What are you going to do about the letter rack? | 0:37:25 | 0:37:27 | |
We're hoping that Mark's got one here for us to win a bit more. | 0:37:27 | 0:37:31 | |
-Right. -We hope. -That's the decision, is it? | 0:37:31 | 0:37:33 | |
-Praying. -I tell you what, we'll cross everything. | 0:37:33 | 0:37:36 | |
You're going with the bonus buy and here it comes. | 0:37:36 | 0:37:39 | |
-Good on you, girls. -56 is the lot number. | 0:37:39 | 0:37:42 | |
This lovely little desktop letter rack. | 0:37:42 | 0:37:46 | |
I can start the bidding at £20. | 0:37:46 | 0:37:47 | |
25 bid, 30 with me. 35 now? | 0:37:47 | 0:37:50 | |
Look at Mark Stacey's face! | 0:37:50 | 0:37:52 | |
40, 45 now. 45? 45. | 0:37:54 | 0:37:57 | |
-50 anywhere else? 50, I have. -Oh, 50! | 0:37:57 | 0:38:00 | |
50 is your bid. 55 anywhere else? At £50, it's going to be sold at 50. | 0:38:00 | 0:38:04 | |
-£50. -Plus £30. | 0:38:04 | 0:38:07 | |
Isn't he a brilliant man? | 0:38:07 | 0:38:08 | |
And you as well. | 0:38:10 | 0:38:12 | |
I didn't do anything. Ha! Anyway, listen, £30 up on that. | 0:38:12 | 0:38:15 | |
That's super. You had £5 before. | 0:38:15 | 0:38:17 | |
You are plus £35, | 0:38:17 | 0:38:18 | |
and do us a favour, don't mention a word to the Blues. | 0:38:18 | 0:38:21 | |
-We won't. -We'll keep it secret. -That's brilliant. | 0:38:21 | 0:38:23 | |
35 there, 35. | 0:38:26 | 0:38:27 | |
-George and Claire, how are you feeling? -Excited. | 0:38:32 | 0:38:35 | |
-Do you know how the Reds got on? -No. | 0:38:35 | 0:38:37 | |
-No idea. -Perfect. We don't want you to, either. | 0:38:37 | 0:38:40 | |
-£120 for the compact is quite a lot, isn't it? -It is. | 0:38:40 | 0:38:44 | |
-But it's beautiful. -I still like it. | 0:38:44 | 0:38:46 | |
-If the worst comes to the worst, you've always got the Pilkingtons pot to fall back on. -That's it. | 0:38:46 | 0:38:51 | |
Carefully selected by our Jeremy. | 0:38:51 | 0:38:54 | |
Anyway, first up though are the page markers, and here they come. | 0:38:54 | 0:38:57 | |
67 is the lot number, ladies and gentlemen. | 0:38:57 | 0:39:00 | |
The pair of late-Victorian brass page markers, a lovely lot for somebody. | 0:39:00 | 0:39:04 | |
What may we say for them? £10 bid straightaway. | 0:39:04 | 0:39:07 | |
15 is there now? 15 bid there. 20 with me. 25 bid now? | 0:39:07 | 0:39:10 | |
-Look at this. -At 25, the bid's there. | 0:39:10 | 0:39:13 | |
30, I'll take anywhere else? | 0:39:13 | 0:39:15 | |
At 25, going to be sold at £25. | 0:39:15 | 0:39:17 | |
£25 is plus £10. | 0:39:17 | 0:39:19 | |
My gosh, he's a good auctioneer. Now, the decanters. | 0:39:19 | 0:39:23 | |
This delightful pair of silver mounted decanters. | 0:39:23 | 0:39:26 | |
London, 1897, what may we say for these? | 0:39:26 | 0:39:29 | |
A couple of commissions left on them, 50 I'm bid straight away. | 0:39:29 | 0:39:33 | |
55 is there now? 55 anywhere now? | 0:39:33 | 0:39:36 | |
Is that a bid? 55. 60, 65, 70, 75 your bid. 75. | 0:39:36 | 0:39:41 | |
-80 anywhere else? -More. | 0:39:41 | 0:39:43 | |
80 there. 85 now. | 0:39:43 | 0:39:45 | |
-Nice things. 90 bid. -In profit. | 0:39:45 | 0:39:47 | |
95. 100 now? 95, your bid. | 0:39:47 | 0:39:50 | |
At 95, going to be sold, 95. | 0:39:50 | 0:39:53 | |
Yes! That's good, plus £15 on that. | 0:39:53 | 0:39:56 | |
That's smashing. You are £25 up. | 0:39:56 | 0:39:59 | |
Plus 25, I love it. | 0:39:59 | 0:40:01 | |
Lot number 69, ladies and gentlemen. | 0:40:01 | 0:40:04 | |
-It's good. -Five commissions on this, | 0:40:04 | 0:40:06 | |
but don't let that put you off, ladies and gentlemen. | 0:40:06 | 0:40:09 | |
50 is the starting bid. 55 now? 55? | 0:40:09 | 0:40:12 | |
Very up and coming collectors' thing. | 0:40:12 | 0:40:14 | |
£50 is the bid here with me. | 0:40:14 | 0:40:15 | |
55, well done. 55. 60 is here. 65 now? | 0:40:15 | 0:40:18 | |
65, 70's with me. 75? | 0:40:18 | 0:40:22 | |
Still reasonable at 70. Come on! 75 anywhere else? | 0:40:22 | 0:40:27 | |
At £70. All quiet at £70? | 0:40:27 | 0:40:28 | |
£70, I'm very sorry, that's minus 50. | 0:40:30 | 0:40:33 | |
You had 25, you are now minus 25. | 0:40:33 | 0:40:38 | |
Such is the helter-skelter of Bargain Hunt life. | 0:40:38 | 0:40:41 | |
I had a horrible feeling about that. | 0:40:41 | 0:40:43 | |
-You certainly did. -I'm sorry I had the feeling, too. | 0:40:43 | 0:40:47 | |
What are you going to do about the Pilkingtons pot? | 0:40:47 | 0:40:49 | |
I think we go with it. | 0:40:49 | 0:40:51 | |
-We'll trust him. -You trust him? -Yes. | 0:40:51 | 0:40:53 | |
-You can't not trust that face, can you? -Well, you can't, no. | 0:40:53 | 0:40:57 | |
Here comes your Lancastrian pot then and good luck, Jeremy. | 0:40:57 | 0:41:00 | |
Lot number 73, ladies and gentlemen, coming up here. | 0:41:00 | 0:41:03 | |
This terrific Pilkington's Royal Lancastrian vase. | 0:41:03 | 0:41:07 | |
I've got £25 bid for it straightaway. 30 is there now? | 0:41:07 | 0:41:11 | |
30 bid straightaway. A nice example of Pilkingtons' pottery. | 0:41:11 | 0:41:15 | |
35, there. 40? Did I see somebody else bid 40? | 0:41:15 | 0:41:18 | |
35, your bid. 40 anywhere else? | 0:41:18 | 0:41:20 | |
40 over there. 45 anywhere else? | 0:41:20 | 0:41:21 | |
At £40, bid's there, at 40, going to be sold. Last chance at £40. | 0:41:21 | 0:41:27 | |
Oh dear. Bad luck, Jeremy. | 0:41:27 | 0:41:29 | |
£40 is minus 10, which overall gives you minus £35. | 0:41:29 | 0:41:33 | |
Listen, that could be a winning score. | 0:41:33 | 0:41:35 | |
-Don't say a word to the Reds, right? -We won't. -We won't. | 0:41:35 | 0:41:39 | |
Well, what a show we've had today. Such similarities between our teams. | 0:41:48 | 0:41:52 | |
Extremely nice teams both sides of the divide, that's true. | 0:41:52 | 0:41:58 | |
Very competent experts both sides of the divide, that's true. | 0:41:58 | 0:42:02 | |
Both teams went with the bonus buy, which is lovely. | 0:42:02 | 0:42:07 | |
But such a pole of difference between them | 0:42:07 | 0:42:10 | |
when it comes to the score. | 0:42:10 | 0:42:12 | |
In fact, exactly the same number of score, | 0:42:13 | 0:42:18 | |
except for the Blues it's minus 35! | 0:42:18 | 0:42:22 | |
-And for the Reds it's plus 35. -Yes! | 0:42:22 | 0:42:26 | |
I mean, who could organise that? | 0:42:26 | 0:42:29 | |
Bad luck. Did you have a good time, though, Claire? | 0:42:29 | 0:42:32 | |
-I loved it. -Was it good, George? -Absolutely fantastic. | 0:42:32 | 0:42:35 | |
Thank you very much for joining us, you've been really good sports. | 0:42:35 | 0:42:38 | |
But you chaps, you were pretty solid. | 0:42:38 | 0:42:40 | |
So I'm going to be handing you out cash for a change. | 0:42:40 | 0:42:43 | |
-This is a rare moment. £35. -Thank you very much. -There you go. | 0:42:43 | 0:42:46 | |
What are you going to spend it on? | 0:42:46 | 0:42:49 | |
-Ooh, we'll go for a meal, shall we? -Yes. -Just the two of us. | 0:42:49 | 0:42:52 | |
-Leave the kids at home. -The three of us! -OK, the three of us. | 0:42:53 | 0:42:57 | |
The three of you. Have a great time! | 0:42:57 | 0:42:59 | |
-Anyway, join us soon for some more Bargain Hunting, yes? -ALL: Yes! | 0:42:59 | 0:43:02 | |
Subtitles by Red Bee Media Ltd | 0:43:20 | 0:43:24 | |
E-mail [email protected] | 0:43:24 | 0:43:28 |