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Today, we're in the heart of England | 0:00:04 | 0:00:07 | |
and just like the Malvern Hills rise and fall, | 0:00:07 | 0:00:10 | |
so do the price of antiques. | 0:00:10 | 0:00:12 | |
So let's go bargain hunting. | 0:00:12 | 0:00:15 | |
Malvern in Worcestershire | 0:00:42 | 0:00:45 | |
is an area of outstanding beauty. | 0:00:45 | 0:00:47 | |
But what sort of antique beauties | 0:00:47 | 0:00:50 | |
are our teams going to uncover today? | 0:00:50 | 0:00:52 | |
Well, you're just going to have to wait and find out, aren't you, baby? | 0:00:52 | 0:00:57 | |
The Reds look like they're dining alfresco... | 0:00:58 | 0:01:00 | |
Bit like a boardroom table, isn't it? It's huge. | 0:01:00 | 0:01:03 | |
-..While the Blues are getting all tarted up. -I think he suits them. | 0:01:03 | 0:01:08 | |
But will it pay off at the auction? | 0:01:09 | 0:01:12 | |
Well, that's all to come, but first of all, | 0:01:14 | 0:01:16 | |
let me remind you of the rules. | 0:01:16 | 0:01:17 | |
Each team gets £300 and an hour to shop for three items. | 0:01:17 | 0:01:22 | |
The team that wins over at the auction | 0:01:22 | 0:01:25 | |
makes the largest profit or the smallest loss. | 0:01:25 | 0:01:29 | |
Now, let's go and meet the teams. | 0:01:29 | 0:01:31 | |
So, for the Reds today we have partners Bill and Jenny. | 0:01:37 | 0:01:41 | |
-Hi, how are you? -Hello. -Hi. -How did you two first meet? | 0:01:41 | 0:01:46 | |
I was curating an exhibition at the People's History Museum | 0:01:46 | 0:01:49 | |
in Manchester on a street called Edrie Street in Ancoats | 0:01:49 | 0:01:53 | |
and Jenny's grandma actually lived on Edrie Street | 0:01:53 | 0:01:56 | |
and I ran a reminiscence day and Jenny brought her grandma along | 0:01:56 | 0:01:59 | |
and during the proceedings | 0:01:59 | 0:02:01 | |
it became obvious that me and Jenny were getting on very well | 0:02:01 | 0:02:05 | |
so her grandma disappeared very slowly like Mrs Overall. | 0:02:05 | 0:02:09 | |
-How sweet. Is she quite subtle then, your gran? -Yes. | 0:02:09 | 0:02:13 | |
She's no longer with us now but she's very pleased that we got together. | 0:02:13 | 0:02:17 | |
Isn't that nice? What do you do for a living, Jen? | 0:02:17 | 0:02:20 | |
I am a textile artist so I make mainly quilts. | 0:02:20 | 0:02:24 | |
That's what I specialise in. | 0:02:24 | 0:02:26 | |
You're very modest though, aren't you, | 0:02:26 | 0:02:28 | |
because you make it for the V&A. | 0:02:28 | 0:02:29 | |
Last year I had a commission which was really exciting. | 0:02:29 | 0:02:32 | |
They did a big quilt exhibition last summer | 0:02:32 | 0:02:35 | |
and I had a commission for that, so it was great. | 0:02:35 | 0:02:38 | |
It's very prestigious to have something commissioned by the V&A. | 0:02:38 | 0:02:41 | |
Very good luck today. Now, for the Blues. | 0:02:41 | 0:02:45 | |
The daughter and father-in-law combo, Rachel and Philip. | 0:02:45 | 0:02:49 | |
Hi, how are you? | 0:02:49 | 0:02:50 | |
-Hi. -Very good thanks, Tim. -Very nice to see you. | 0:02:50 | 0:02:52 | |
-So, Rachel, you're married to Phil's son, Richard. -Yes. | 0:02:52 | 0:02:57 | |
You've got a degree in psychology | 0:02:57 | 0:03:00 | |
and you had an interesting final dissertation, tell us about that. | 0:03:00 | 0:03:04 | |
My final year dissertation I thought, "Psychology, that's great, | 0:03:04 | 0:03:08 | |
"but I really love shopping." | 0:03:08 | 0:03:10 | |
So I specialised in impulse purchasing | 0:03:10 | 0:03:12 | |
and the psychology behind impulse purchasing, | 0:03:12 | 0:03:15 | |
which has nicely led into my career in retail | 0:03:15 | 0:03:18 | |
and hopefully will give us the winning edge today. | 0:03:18 | 0:03:21 | |
I think that's very, very cool, actually. | 0:03:21 | 0:03:23 | |
To do psychology and do impulse buying at the end of it all | 0:03:23 | 0:03:27 | |
because the big retail chains, they want you. | 0:03:27 | 0:03:30 | |
They want to know about impulse buying. | 0:03:30 | 0:03:33 | |
Now, Phil, you're semi-retired. | 0:03:33 | 0:03:36 | |
Yes. Actually, I finished for good about three weeks ago. | 0:03:36 | 0:03:41 | |
Oh, right. So that's retired-retired? | 0:03:41 | 0:03:45 | |
What were you doing when you were a semi-retiree? | 0:03:45 | 0:03:47 | |
-When I was a semi-retiree, I worked for the Prince's Trust. -How lovely. | 0:03:47 | 0:03:52 | |
In a number of capacities. | 0:03:52 | 0:03:53 | |
In various offices throughout the north-west. | 0:03:53 | 0:03:57 | |
-What do you collect yourself? -I collect... | 0:03:57 | 0:04:01 | |
I'm a bit of a blue anorak guy when it comes to collecting model buses. | 0:04:01 | 0:04:06 | |
It comes from my father being a bus driver. | 0:04:07 | 0:04:13 | |
He worked for a company called Crosville, | 0:04:13 | 0:04:15 | |
which was based in the north-west, | 0:04:15 | 0:04:17 | |
and of course the sort of fleet plates and tickets | 0:04:17 | 0:04:21 | |
and bits-and-pieces. | 0:04:21 | 0:04:23 | |
Are you really drilled down to the anorak end of it? | 0:04:23 | 0:04:27 | |
How many pieces of Crosville bus memorabilia have you got | 0:04:27 | 0:04:30 | |
in your collection? Come on, own up. | 0:04:30 | 0:04:32 | |
-Between 60 and 70, I would have thought. -Have you really? | 0:04:32 | 0:04:35 | |
You're a well-qualified anorak - no, collector. | 0:04:35 | 0:04:38 | |
Now the money moment. £300 apiece. | 0:04:38 | 0:04:41 | |
You know the rules, your experts await and off you go! | 0:04:41 | 0:04:43 | |
Very, very good luck. Gosh, what interesting teams we've got today. | 0:04:43 | 0:04:47 | |
As usual, the teams are given a helping hand | 0:04:47 | 0:04:50 | |
by two of our select experts. | 0:04:50 | 0:04:52 | |
Addressing the hardware for the Reds is Colin Young. | 0:04:52 | 0:04:57 | |
And putting the blues in the picture is Anita Manning. | 0:04:57 | 0:05:00 | |
What sort of things do you want to buy? | 0:05:00 | 0:05:04 | |
-Something cheap that will make lots and lots of money. -I like expensive. | 0:05:04 | 0:05:09 | |
Oh, right! We're going to have a great time then. | 0:05:09 | 0:05:11 | |
Graphics, things to do with shops. | 0:05:11 | 0:05:14 | |
I'm particularly interested in old shop cabinets. | 0:05:14 | 0:05:17 | |
Something old - kitchen like, kitchenalia. | 0:05:17 | 0:05:20 | |
-Are you a more practical person? -I'm very practical. | 0:05:20 | 0:05:24 | |
-My trouble is there's so much that's going to catch your eye. -It's hard. | 0:05:24 | 0:05:28 | |
-Let's go, we haven't got a lot of time. -OK. | 0:05:28 | 0:05:33 | |
Not a lot of time indeed. | 0:05:33 | 0:05:35 | |
One hour, actually. | 0:05:35 | 0:05:38 | |
That sort of thing is doing quite well in the market at the moment. | 0:05:41 | 0:05:45 | |
-It doesn't make me think, "Wow." -It's got to have that wow factor. | 0:05:45 | 0:05:49 | |
-Is that glass-bottomed? -It's got a glass bottom. | 0:05:49 | 0:05:52 | |
-Sort of cricketers. -A cricket theme. | 0:05:52 | 0:05:55 | |
-Don Pewter? -Forget about that, Phil, it's empty. | 0:05:55 | 0:05:59 | |
The tankard is empty but your pockets are full, | 0:06:00 | 0:06:04 | |
so come on, get spending! | 0:06:04 | 0:06:05 | |
That's quite nice actually. I quite like that. Is it a light fitting? | 0:06:05 | 0:06:09 | |
It is, yeah. Imagine that when it's flipped over | 0:06:09 | 0:06:12 | |
and you've got the chains from it | 0:06:12 | 0:06:13 | |
and you've got the light beaming through. | 0:06:13 | 0:06:17 | |
-Lovely. -Isn't that a wonderful thing? | 0:06:17 | 0:06:20 | |
It's not of the greatest quality. | 0:06:20 | 0:06:22 | |
It is not Lalique, it is probably not Sabino. | 0:06:22 | 0:06:25 | |
You can see the odd bubble in it. | 0:06:25 | 0:06:27 | |
I think it's quite nice. | 0:06:27 | 0:06:28 | |
I think it's the kind of thing that would sell. | 0:06:28 | 0:06:31 | |
For retro fitting of interiors, I think it would go really well. | 0:06:31 | 0:06:34 | |
-I agree. -The key is going to be pricing on it. | 0:06:34 | 0:06:37 | |
-Can we ask you what's your best price on this? -It would have to be 55. | 0:06:37 | 0:06:44 | |
That's not unreasonable. | 0:06:44 | 0:06:45 | |
There is potentially a small margin in it for us. We'll do the rows. | 0:06:45 | 0:06:50 | |
When we get to the end of these rows, | 0:06:50 | 0:06:52 | |
if this is the best of the bunch from this, we can come back | 0:06:52 | 0:06:55 | |
and do a little bit of negotiating. | 0:06:55 | 0:06:57 | |
I think it's a great looking thing and we should come back to it. | 0:06:57 | 0:07:01 | |
Well, shine on, Reds. But still nothing bought. | 0:07:01 | 0:07:04 | |
Meanwhile, Anita has spotted something close to her heart. | 0:07:04 | 0:07:08 | |
It might be an idea to have a wee look at this Mauchline piece here. | 0:07:08 | 0:07:13 | |
This is obviously made in Scotland in a wee village called Ayrshire. | 0:07:15 | 0:07:20 | |
Is this practical enough for you? You're looking a wee bit... | 0:07:20 | 0:07:24 | |
-It's not really big, is it? -It's still too feminine, isn't it? | 0:07:24 | 0:07:27 | |
-Have you got a big one? -Steady on, Anita. | 0:07:27 | 0:07:32 | |
This is a daytime show, you dirty beast. | 0:07:32 | 0:07:35 | |
-What have the Reds found? -What about that, then? -I like that. | 0:07:35 | 0:07:41 | |
A nice mahogany top. Good turn legs. | 0:07:41 | 0:07:43 | |
It's actually a beech base but mahogany top. | 0:07:43 | 0:07:47 | |
A whole variety of things - | 0:07:47 | 0:07:49 | |
people say these are trade pieces or miniature furniture. | 0:07:49 | 0:07:53 | |
Obviously, it's just a stool | 0:07:53 | 0:07:55 | |
that happens to be in the shape of a table. | 0:07:55 | 0:07:57 | |
I think that's quite a good little thing | 0:07:57 | 0:07:59 | |
and we know this kind of thing sells well in the saleroom we're going to. | 0:07:59 | 0:08:03 | |
It's all going to come down to one thing - should I ask a price? | 0:08:03 | 0:08:07 | |
Is it something you're interested in? | 0:08:07 | 0:08:09 | |
Definitely, I like that. | 0:08:09 | 0:08:11 | |
35 squid. | 0:08:11 | 0:08:13 | |
-£35. -Do you think she'd come down a little bit? -What do you think? | 0:08:13 | 0:08:20 | |
-I think that's a little bit expensive. -You do? | 0:08:20 | 0:08:24 | |
Maybe if you said 25? | 0:08:24 | 0:08:26 | |
All right, 30, but I've got to get 30. I'm being serious. | 0:08:30 | 0:08:33 | |
Would you come down to 28, maybe? | 0:08:33 | 0:08:36 | |
I think the more we can squeeze it down, | 0:08:36 | 0:08:39 | |
the more profit we are likely to get. | 0:08:39 | 0:08:41 | |
Do you want to buy it at 28? | 0:08:41 | 0:08:43 | |
I think 28's a good price. | 0:08:43 | 0:08:45 | |
I'm not going to turn it down for two quid, even I won't do that. | 0:08:45 | 0:08:50 | |
-I like it. -Why not? -I think we can make a few bob on it. | 0:08:50 | 0:08:53 | |
There's got to be a little bit there. | 0:08:53 | 0:08:56 | |
Thank you very much, a pleasure. | 0:08:56 | 0:08:59 | |
The Reds kick off their shopping with a small mahogany stool | 0:08:59 | 0:09:02 | |
but don't put your feet up just yet, lads. | 0:09:02 | 0:09:05 | |
-What have you got that's a great bargain? -A great bargain? | 0:09:05 | 0:09:09 | |
-They're always in the van. -How much is that? -30. | 0:09:12 | 0:09:17 | |
-Let's have a look at that. -Chester. | 0:09:18 | 0:09:21 | |
It's a Chester hallmark and you come from Chester. | 0:09:21 | 0:09:25 | |
That's where I'm living at the moment and so close to my heart. | 0:09:25 | 0:09:28 | |
You look at that and tell me if you like it. | 0:09:28 | 0:09:31 | |
-I think it's a pretty thing, isn't it? -It's beautiful, that. | 0:09:31 | 0:09:36 | |
Nice and delicate. | 0:09:36 | 0:09:38 | |
You've got a little compass there and you've got a little agate, | 0:09:38 | 0:09:43 | |
little bloodstone here. It's quite a pretty thing. | 0:09:43 | 0:09:46 | |
-It could be useful because she very often gets lost. -I'm terrible. | 0:09:46 | 0:09:51 | |
I have no sense of direction whatsoever. | 0:09:51 | 0:09:53 | |
-It would be useful as well. -I think this must be meant for you then. | 0:09:53 | 0:09:57 | |
-A Chester girl who always gets lost. -I think we've got to have it. | 0:09:57 | 0:10:01 | |
-What's the best price you can do on it? -Will you do 20 on it? | 0:10:01 | 0:10:04 | |
I will do 25. | 0:10:04 | 0:10:06 | |
-20, I want to take it off your hands now. -I'll split you, 22. | 0:10:06 | 0:10:12 | |
-22, yeah, happy with that? -Are you happy? | 0:10:12 | 0:10:16 | |
I'd be happier at 20. Come on, £20. | 0:10:16 | 0:10:20 | |
Price of gold's gone up this week - £12.50 a gram. | 0:10:20 | 0:10:24 | |
You're making me cry. £20. | 0:10:24 | 0:10:28 | |
-That's very kind of you. You gave her a lovely deal. -Thank you. | 0:10:28 | 0:10:34 | |
Well, Rachel, you're not lost now, girl. Good work, Blues. | 0:10:34 | 0:10:37 | |
There's the scales there, see. | 0:10:37 | 0:10:39 | |
What about this? That's the sort of period you were looking at. | 0:10:41 | 0:10:45 | |
That's the type of chair and with this one, | 0:10:45 | 0:10:47 | |
you get a table to go with it as well. | 0:10:47 | 0:10:49 | |
It's a bit like a boardroom table, isn't it? It's huge. | 0:10:49 | 0:10:53 | |
As long as you're not bored already. | 0:10:53 | 0:10:54 | |
-How much is the table and chairs? -750. | 0:10:57 | 0:11:00 | |
750. Another abandoned purchase. | 0:11:00 | 0:11:02 | |
Oh, dear. | 0:11:02 | 0:11:04 | |
£750?! Ouch! | 0:11:04 | 0:11:06 | |
I've got some more scales here. | 0:11:06 | 0:11:09 | |
These scales are becoming an obsession, Phil. | 0:11:11 | 0:11:14 | |
OK, team, we have failed on 1970s teak over there. | 0:11:14 | 0:11:19 | |
Let's see if we can be successful here. | 0:11:19 | 0:11:21 | |
That looks fairly mundane, doesn't it? | 0:11:21 | 0:11:24 | |
-I quite like that. It's a bit more '50s. -It's in good condition. | 0:11:24 | 0:11:29 | |
The key thing here is going to be the name. | 0:11:29 | 0:11:33 | |
We mentioned G Plan over there. | 0:11:33 | 0:11:35 | |
On that, with no name, it's a lump of teak that's worth a fiver. | 0:11:35 | 0:11:40 | |
But hopefully what you're going to find on here is this. | 0:11:40 | 0:11:43 | |
Oh, right, there's a stamp. | 0:11:43 | 0:11:46 | |
Gordon Russell. Broadway Worcestershire. | 0:11:46 | 0:11:49 | |
So you've got something fairly local to where we're going. | 0:11:49 | 0:11:53 | |
You've got a fabulous maker on there as well. | 0:11:53 | 0:11:57 | |
The key is going to be the price, as ever. | 0:11:57 | 0:12:00 | |
Who's going to do the bidding and negotiating then? | 0:12:00 | 0:12:03 | |
-You could have a go. -Who fancies doing it? | 0:12:03 | 0:12:06 | |
What would be your best price on the table? | 0:12:06 | 0:12:09 | |
I think the best price we'd be looking at | 0:12:09 | 0:12:11 | |
is probably going to be 140. | 0:12:11 | 0:12:13 | |
It's going to be bottom price. | 0:12:13 | 0:12:16 | |
That's still going to be quite tight for getting a profit out of it. | 0:12:16 | 0:12:19 | |
-It is in Worcestershire. -Even in Worcestershire, | 0:12:19 | 0:12:22 | |
even the right place, in the right sale room, on the right day, | 0:12:22 | 0:12:25 | |
I think with the wind behind it | 0:12:25 | 0:12:26 | |
we're going to struggle to get there. | 0:12:26 | 0:12:28 | |
I think it's really nice for people who are interested in that period | 0:12:28 | 0:12:32 | |
or are looking for the name, but how many are going to be there? | 0:12:32 | 0:12:37 | |
We've still got plenty of time. We can always come back. | 0:12:37 | 0:12:40 | |
Unless he's already sold it, of course. | 0:12:40 | 0:12:42 | |
-There's been a lot of interest. -Has there? -OK, let's move on. | 0:12:42 | 0:12:46 | |
See what else we can find for the shopping list. | 0:12:46 | 0:12:49 | |
So, they leave the coffee table behind | 0:12:49 | 0:12:51 | |
and continue the all-important search for bargains. | 0:12:51 | 0:12:54 | |
While the teams are busy shopping, look what I found. | 0:12:54 | 0:12:57 | |
In 1890, your great-gran might have gone to Liberty's shop | 0:12:57 | 0:13:02 | |
in Regent Street and bought one of these things. | 0:13:02 | 0:13:06 | |
Jardinieres today aren't anything like as sought-after | 0:13:06 | 0:13:10 | |
as they would have been in 1890, | 0:13:10 | 0:13:13 | |
except that this one is extremely rare. Why's that? | 0:13:13 | 0:13:18 | |
All this exquisite decoration on the outside is lacquer. | 0:13:18 | 0:13:24 | |
I've never seen Persian lacquer applied to a metal object like this | 0:13:24 | 0:13:28 | |
ever before. | 0:13:28 | 0:13:31 | |
If you look at the detail of this lacquer, it's quite exquisite. | 0:13:31 | 0:13:34 | |
You've got literally hundreds of flowers scattered on a black ground. | 0:13:34 | 0:13:42 | |
But look at the detail of the flowers. | 0:13:42 | 0:13:44 | |
Look at that peony and surrounding the peony, | 0:13:44 | 0:13:48 | |
all these other radiating flower heads. | 0:13:48 | 0:13:51 | |
This thing, I have to say, is not looking at its best. | 0:13:51 | 0:13:56 | |
That's because when it was made in 1890, what it had | 0:13:56 | 0:13:59 | |
was some varnish put on the top surface | 0:13:59 | 0:14:04 | |
and that varnish has discoloured. | 0:14:04 | 0:14:06 | |
Just like any oil painting, you send it off to a restorer | 0:14:06 | 0:14:09 | |
and he'll be able to remove the filthy brown varnish | 0:14:09 | 0:14:12 | |
and reveal the bright and exquisite colours underneath. | 0:14:12 | 0:14:17 | |
What's this thing worth? Well, here at the fair, it will cost you £20. | 0:14:17 | 0:14:21 | |
What's it going to cost to restore? No more than £100. | 0:14:21 | 0:14:26 | |
Total cost - £120. | 0:14:26 | 0:14:28 | |
What's it worth? In an Islamic sale, it could be worth £1,000. | 0:14:28 | 0:14:33 | |
Now that's what I call a bargain. | 0:14:35 | 0:14:38 | |
Let's see what our teams are playing at. | 0:14:38 | 0:14:41 | |
ALL CHEER | 0:14:41 | 0:14:43 | |
This girl is a winner! | 0:14:43 | 0:14:46 | |
You won't win anything if you keep mucking about. | 0:14:46 | 0:14:48 | |
What do you think, is this worth a shot? | 0:14:48 | 0:14:52 | |
I think that's quite good fun | 0:14:52 | 0:14:54 | |
but no, we've got to find a set of scales. | 0:14:54 | 0:14:57 | |
We've got quite a few scales at home in our house. | 0:14:57 | 0:15:00 | |
I was able to buy some scales as a job lot in an auction | 0:15:00 | 0:15:03 | |
-when I was doing an exhibition. -I think we ought to move on rapidly. | 0:15:03 | 0:15:06 | |
-OK. -We're not going to do very well on that. | 0:15:06 | 0:15:09 | |
Scales? You need to speak to the Blues about them. | 0:15:09 | 0:15:12 | |
We've done the outside. Let's see what the inside brings us. | 0:15:12 | 0:15:16 | |
Good plan, Colin. It could be Aladdin's cave in there. | 0:15:16 | 0:15:19 | |
-Is that of any interest to you? -It's pretty, yeah. | 0:15:20 | 0:15:24 | |
This is Mdina glass which is a Maltese glass | 0:15:24 | 0:15:29 | |
and it's really quite collectible. | 0:15:29 | 0:15:31 | |
I thought it might appeal to you because of the abstract pattern. | 0:15:31 | 0:15:36 | |
I think it's rather pretty and it's quite collectible. | 0:15:36 | 0:15:40 | |
-Is this all Mdina? -Yeah. | 0:15:40 | 0:15:44 | |
I thought that it's not terribly expensive. | 0:15:44 | 0:15:47 | |
It's got chips on it. | 0:15:47 | 0:15:50 | |
All right, forever the practical man. | 0:15:50 | 0:15:54 | |
-Yeah, has to find a flaw. -She likes things perfect. -I do. | 0:15:54 | 0:15:57 | |
That's why she married your son. | 0:15:57 | 0:15:59 | |
Exactly, and she chose me as a partner today. | 0:15:59 | 0:16:02 | |
It's very pretty, Mdina glass. | 0:16:04 | 0:16:07 | |
If we bought two, could you do us a deal? | 0:16:07 | 0:16:09 | |
I can do 25 for the two. They would have been 30, 15 each. | 0:16:09 | 0:16:15 | |
-If you threw the chipped one in... -I'd do the three for 30. | 0:16:15 | 0:16:20 | |
-Could you do the three for 25? -No, 28 for the three. | 0:16:22 | 0:16:26 | |
28 for the three. | 0:16:26 | 0:16:28 | |
-I think that's a fair price. -She's quite good, isn't she? | 0:16:28 | 0:16:32 | |
-Said that without moving her lips. -28 for the three? | 0:16:32 | 0:16:37 | |
-I'd be happy with that. -Are you happy? -I am always happy. | 0:16:37 | 0:16:41 | |
And if we buy a set of scales with no weights, | 0:16:41 | 0:16:44 | |
we can always use them as weights. | 0:16:44 | 0:16:46 | |
Well bargained and it's two down for the Blues | 0:16:47 | 0:16:52 | |
but Phil has still to buy his scales. | 0:16:52 | 0:16:54 | |
Meanwhile, the Reds have decided inside is not where it's at. | 0:16:54 | 0:16:57 | |
-That's the end of the inside. -Right. | 0:16:57 | 0:17:00 | |
We've got our light fitting and maybe the table, haven't we? | 0:17:00 | 0:17:03 | |
-I think we should definitely go with the light. -Yeah. | 0:17:03 | 0:17:07 | |
We could get that down and there's a bit of profit to be made. | 0:17:07 | 0:17:10 | |
Let's make it quick and rush across | 0:17:10 | 0:17:12 | |
and get that purchase out of the way. | 0:17:12 | 0:17:14 | |
Then we've just got a few minutes for the last one. | 0:17:14 | 0:17:16 | |
Oh, stop horsing around, Blues. | 0:17:17 | 0:17:20 | |
You won't make a pony messing around like that. | 0:17:20 | 0:17:23 | |
Great news. It's actually still here | 0:17:25 | 0:17:28 | |
so let's see how well we can do on this one. | 0:17:28 | 0:17:32 | |
-Who wants to have a bit of a haggle? -Will you do this one? | 0:17:32 | 0:17:34 | |
-OK, I'll have a go. -We just had a little chat. -Excellent. | 0:17:34 | 0:17:37 | |
We'll come down to 45. | 0:17:37 | 0:17:40 | |
-£45. -They've had a little bit of a chat. | 0:17:40 | 0:17:43 | |
-Without any duress, they've come down to 45. -That's pretty good. | 0:17:43 | 0:17:47 | |
With a bit of duress, could we bear to offer 40 to you? | 0:17:47 | 0:17:50 | |
Yes, that's fine. | 0:17:50 | 0:17:52 | |
-Thank you very much. -Brilliant, thank you. | 0:17:52 | 0:17:54 | |
-Thank you. -Thank you very much. | 0:17:54 | 0:17:57 | |
-Are we pleased with that then? -Yes. -Pleased with that. | 0:17:57 | 0:17:59 | |
-I'm really pleased. -OK, That's two down. | 0:17:59 | 0:18:01 | |
Just got to go and negotiate that last one but time is running out. | 0:18:01 | 0:18:05 | |
We've literally got minutes to go. | 0:18:05 | 0:18:08 | |
So, both teams have two items in the old bag. Well done, Reds. | 0:18:09 | 0:18:13 | |
-Now, it's Anita's turn. -I think that they're very nice. | 0:18:13 | 0:18:17 | |
I think that Liberty - it's a good make, obviously. | 0:18:17 | 0:18:22 | |
Costume jewellery is hot just now. People like costume jewellery | 0:18:22 | 0:18:26 | |
and it seems to be doing well in the sale room. | 0:18:26 | 0:18:28 | |
But we tend to sell it in bundles. Lots. | 0:18:28 | 0:18:32 | |
I think that they might stand on their own because they're Liberty, | 0:18:32 | 0:18:37 | |
because they've got the stamp. | 0:18:37 | 0:18:39 | |
I think they're maybe from the 1950s, 1960s. | 0:18:39 | 0:18:42 | |
-Try them on. -I've got earrings on. -OK, Phil, you try them on. | 0:18:42 | 0:18:45 | |
I'll try them on. | 0:18:45 | 0:18:48 | |
-Both of them. -With the beard, I think it's particularly attractive. | 0:18:50 | 0:18:56 | |
-Stand back. Let me see. -You said you wanted something practical, Phil. | 0:18:57 | 0:19:02 | |
I think he's got the model look. | 0:19:02 | 0:19:04 | |
Blow us a little kiss. | 0:19:06 | 0:19:09 | |
They are squeezing my ears. | 0:19:09 | 0:19:11 | |
We're just wondering what price you can do them for, really. | 0:19:11 | 0:19:15 | |
I've got 15 on them. I'd do it for 10. | 0:19:15 | 0:19:19 | |
-Do you think you could manage eight? We're at the last item. -OK. | 0:19:19 | 0:19:26 | |
Thank you so much. That's absolutely brilliant. | 0:19:26 | 0:19:31 | |
-I promise I won't keep them for me. -They were for him, weren't they? | 0:19:31 | 0:19:35 | |
Well bargained, Blues, but no scales for Phil. | 0:19:35 | 0:19:38 | |
Well, there's part of the good news, team. It's still here. | 0:19:38 | 0:19:41 | |
Less objects on it but it is still here. | 0:19:41 | 0:19:43 | |
I think you mentioned a figure of 110 previously. | 0:19:43 | 0:19:46 | |
You're close. | 0:19:46 | 0:19:47 | |
We just wondered if we can bring you down a little bit further. | 0:19:47 | 0:19:51 | |
-Would you go for 100? -Well, no, I can't take 100 on it. | 0:19:51 | 0:19:55 | |
I'll take 110 off you. | 0:19:55 | 0:19:57 | |
-110. -If that's all right. If you're happy with that. | 0:19:57 | 0:20:01 | |
-108, get a little bit more out of you? -108, go on. | 0:20:03 | 0:20:08 | |
Brilliant, thank you. Thank you very much. | 0:20:08 | 0:20:12 | |
Well done, Jenny. Again, you've sealed the deal. | 0:20:12 | 0:20:15 | |
Time's up. | 0:20:19 | 0:20:21 | |
Right, let's remind ourselves now what the Red team bought. | 0:20:21 | 0:20:24 | |
For £28, they bought this mahogany stool. Love the music. | 0:20:27 | 0:20:32 | |
For £40, they hope everything comes up rosy with the glass lampshade. | 0:20:32 | 0:20:37 | |
Boy, they perked up when they paid £108 | 0:20:38 | 0:20:41 | |
for this Gordon Russell coffee table. | 0:20:41 | 0:20:43 | |
Well, well, well. A lot of heat. | 0:20:43 | 0:20:46 | |
-Near the end. -A lot of hot bother. | 0:20:46 | 0:20:48 | |
Which is your favourite piece, Jen? | 0:20:48 | 0:20:50 | |
-I really like the light fitting that we bought. -That's your favourite. | 0:20:50 | 0:20:54 | |
Is that going to bring the biggest profit? | 0:20:54 | 0:20:56 | |
-I think it's got the best chance. -It's got the best chance, that's your predictions. | 0:20:56 | 0:21:00 | |
And how much did you spend? We spent £176. Did you? Brilliant. | 0:21:00 | 0:21:04 | |
That's a wholesome amount of money. Good. | 0:21:04 | 0:21:06 | |
Then I would like please £124, please. | 0:21:06 | 0:21:11 | |
124 smackers. | 0:21:11 | 0:21:15 | |
-Cross your palms with silver. -Lovely. | 0:21:15 | 0:21:17 | |
It goes to Colin Young to go and find something splendid, we hope. | 0:21:17 | 0:21:21 | |
I'm sure there will be something splendid there. | 0:21:21 | 0:21:24 | |
You've laid down the gauntlet, spent lots of money - | 0:21:24 | 0:21:27 | |
I aim to bring you very little money back. | 0:21:27 | 0:21:29 | |
We do like that. Good luck, Colin. Good luck, team. | 0:21:29 | 0:21:32 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:21:32 | 0:21:36 | |
You look at that and tell me if you like it. | 0:21:36 | 0:21:38 | |
Rachel navigated her way to a good deal with this gold compass for £20. | 0:21:38 | 0:21:43 | |
They paid £28 for three pieces of Mdina glass. | 0:21:43 | 0:21:47 | |
Phil lost all thought of being manly | 0:21:48 | 0:21:50 | |
when he saw these vintage gold-plated Liberty earrings for £8. | 0:21:50 | 0:21:55 | |
That's £4 a lobe, ducky. | 0:21:55 | 0:21:58 | |
-And you've liked all your items. -We have indeed. -Really like our items. | 0:21:58 | 0:22:02 | |
They're looking happy, Anita. Congratulations on that. Lovely. | 0:22:02 | 0:22:06 | |
-You had a nice time, Rachel? -I had a brilliant day. Absolutely fantastic. | 0:22:06 | 0:22:09 | |
-Which is your favourite piece, Phil? -I think I like the little compass. | 0:22:09 | 0:22:13 | |
-The Chester gold compass. -That's your favourite piece? | 0:22:13 | 0:22:16 | |
What about you, Rach? | 0:22:16 | 0:22:18 | |
My favourite piece is the same - the Chester gold compass, | 0:22:18 | 0:22:21 | |
for a couple of reasons. | 0:22:21 | 0:22:23 | |
It's Chester gold - I'm from Chester. | 0:22:23 | 0:22:24 | |
And it's a compass and I can never find where I'm going. | 0:22:24 | 0:22:28 | |
And you're agreeing with your father-in-law, | 0:22:28 | 0:22:30 | |
which is always a very good thing to do, which is lovely. | 0:22:30 | 0:22:33 | |
-You've obviously had fun, Anita. -It's been lovely. | 0:22:33 | 0:22:36 | |
-How much did you spend all round? -We spent 58? -£56. | 0:22:36 | 0:22:40 | |
-What?! -£56. | 0:22:40 | 0:22:42 | |
-For all three things? -I know. | 0:22:42 | 0:22:43 | |
And we're going to Philip Serrell's sale room? | 0:22:43 | 0:22:46 | |
He's going to be in a bad mood about that. £56. | 0:22:46 | 0:22:50 | |
-I want £144 of left-over lolly. -£244. | 0:22:50 | 0:22:52 | |
I want £244. What am I saying? £244. | 0:22:52 | 0:22:57 | |
-There it is. -There's the £4. | 0:22:57 | 0:22:58 | |
There's the £244. | 0:22:58 | 0:23:01 | |
Anita, have you ever had so much cash, darling? | 0:23:01 | 0:23:04 | |
It's lovely. | 0:23:04 | 0:23:05 | |
-I'm hoping she's going to buy us scales with some of that. -Really? | 0:23:05 | 0:23:09 | |
Yes, I wanted scales but she didn't seem to think | 0:23:09 | 0:23:12 | |
they were good enough, the ones we looked at. | 0:23:12 | 0:23:14 | |
Anita is very picky, aren't you? | 0:23:14 | 0:23:17 | |
I couldn't find the right ones, | 0:23:17 | 0:23:20 | |
but I will look for scales but I'll have to WEIGH it up. | 0:23:20 | 0:23:24 | |
On that happy note, we're heading off somewhere splendid. | 0:23:26 | 0:23:30 | |
We're going to Castle Howard | 0:23:30 | 0:23:32 | |
which is yonks away from here, I can tell you. | 0:23:32 | 0:23:35 | |
Castle Howard in North Yorkshire was built over 300 years ago. | 0:23:38 | 0:23:42 | |
It's one of the finest houses in England today | 0:23:42 | 0:23:45 | |
and it contains an assortment of wonderful treasures. | 0:23:45 | 0:23:49 | |
I'm here to take a look at one of the magnificent bedrooms. | 0:23:49 | 0:23:53 | |
Some bedroom, hey? | 0:23:57 | 0:24:00 | |
Called the Castle Howard bedroom, it's a space that's completely | 0:24:00 | 0:24:05 | |
contained by large oil paintings by one particular artist - | 0:24:05 | 0:24:11 | |
Marco Ricci. | 0:24:11 | 0:24:13 | |
A Venetian who came here between about 1709 and 1710 | 0:24:13 | 0:24:20 | |
and was employed by the third Earl | 0:24:20 | 0:24:24 | |
to paint no less than about 30 to 40 pictures. | 0:24:24 | 0:24:28 | |
If you look at the top painting behind me, | 0:24:28 | 0:24:32 | |
we've got a group of characters out sketching, | 0:24:32 | 0:24:35 | |
which is what the milordy did on their 18th-century grand tours. | 0:24:35 | 0:24:40 | |
Except they're sketching a torrent descending from the Alps | 0:24:40 | 0:24:45 | |
and that would have been a reminder to the third Earl | 0:24:45 | 0:24:48 | |
of how precarious travel was. | 0:24:48 | 0:24:51 | |
Anybody travelling to Italy by land had to cross the Alps | 0:24:51 | 0:24:56 | |
and it was dodgy. | 0:24:56 | 0:24:57 | |
The weather was bad and the roads weren't good. | 0:24:57 | 0:25:00 | |
If you went by sea, on the other hand, | 0:25:00 | 0:25:03 | |
everything in the Mediterranean is not necessarily calm and placid. | 0:25:03 | 0:25:09 | |
This is a capriccio. | 0:25:09 | 0:25:11 | |
It's an imaginary view of a Mediterranean shore | 0:25:11 | 0:25:15 | |
but, by jingo, is it rough! | 0:25:15 | 0:25:19 | |
We've got major seas breaking on the shore. | 0:25:19 | 0:25:23 | |
This is Ricci doing his stuff to dramatic best effect. | 0:25:23 | 0:25:29 | |
Ricci is perfectly capable of producing a calm and serene scene, | 0:25:29 | 0:25:35 | |
which he does below, which is a moonlit mythical coastline. | 0:25:35 | 0:25:40 | |
He likes the play of light which he achieves with the bonfire | 0:25:40 | 0:25:45 | |
or conflagration that's happening in the town on one side, | 0:25:45 | 0:25:49 | |
and also the effects of the moonlight itself. | 0:25:49 | 0:25:53 | |
For example, the illuminated side of that imaginary building | 0:25:53 | 0:25:58 | |
on top of the cliff. | 0:25:58 | 0:26:00 | |
So what did the third Earl pay Ricci for his years of work | 0:26:00 | 0:26:05 | |
here at Castle Howard? | 0:26:05 | 0:26:07 | |
According to the accounts, £100. | 0:26:07 | 0:26:09 | |
And if he got, say, 30 paintings out of him, | 0:26:09 | 0:26:13 | |
that means each painting cost about £3.50, which is a bit of a bargain. | 0:26:13 | 0:26:18 | |
Dominating the middle of the room is this enormous four-poster bed, | 0:26:18 | 0:26:23 | |
which is part of a commission which was undertaken | 0:26:23 | 0:26:26 | |
by the celebrated London cabinet maker, John Lynell. | 0:26:26 | 0:26:31 | |
Just look at that - a most complicated bed canopy. | 0:26:31 | 0:26:37 | |
What we see today is in two tiers, but originally | 0:26:37 | 0:26:42 | |
when this bed was made in the 1780s, | 0:26:42 | 0:26:44 | |
it had a socking great cupola on the top as well. | 0:26:44 | 0:26:47 | |
The bed was moved into the Castle Howard bedroom in the 1870s | 0:26:47 | 0:26:50 | |
and at that moment, they found that the ceiling was too low, | 0:26:50 | 0:26:55 | |
so they lopped the cupola off and the cabinet maker replaced it | 0:26:55 | 0:27:02 | |
with that rather fancy gilt basket finial. | 0:27:02 | 0:27:05 | |
Of course, the big question for our teams today over at the auction is, | 0:27:05 | 0:27:09 | |
are they going to be well and truly finial? | 0:27:09 | 0:27:12 | |
It's not so often on Bargain Hunt we come literally a few hundred yards | 0:27:29 | 0:27:32 | |
from the fair ground to the auction house, | 0:27:32 | 0:27:35 | |
but that's exactly what's happened here in Malvern. | 0:27:35 | 0:27:38 | |
-It's a treat, I tell you. -It is, isn't it? Lovely to see you. | 0:27:38 | 0:27:41 | |
Bill and Jenny, their first item is this little miniature stool. | 0:27:41 | 0:27:46 | |
-Pretty ordinary little thing, isn't it? -Yeah, | 0:27:46 | 0:27:50 | |
it's sort of naive, primitive. Is it a stool? | 0:27:50 | 0:27:52 | |
Is it a doll's house table that some father's knocked up | 0:27:52 | 0:27:55 | |
-for his daughter? -That's a very good point, actually. | 0:27:55 | 0:27:57 | |
I can't see it doing much over the 35-40 mark, I don't think. | 0:27:57 | 0:28:03 | |
-it would be lovely if you got anywhere like that. -Really? | 0:28:03 | 0:28:05 | |
-£28 was all they paid. -That's all right then. -It's in good nick, | 0:28:05 | 0:28:08 | |
-that's the main thing. -Absolutely. | 0:28:08 | 0:28:11 | |
What about this moulded ceiling dish then? Do you rate that? | 0:28:11 | 0:28:14 | |
It's sort of not for me, really. | 0:28:14 | 0:28:16 | |
I think I'm probably old enough that I can remember going into some | 0:28:16 | 0:28:19 | |
great-aunt's house where one of those was hanging from the ceiling. | 0:28:19 | 0:28:23 | |
Definitely. I remember them being used. | 0:28:23 | 0:28:25 | |
-Do you not find that worrying? -Not really, no. -I do. | 0:28:25 | 0:28:27 | |
What I don't like about is it's got this nicotine colouring to it. | 0:28:27 | 0:28:31 | |
I hope it's nicotine. | 0:28:31 | 0:28:32 | |
I don't know what they paid for that but to me, that's £20-30 worth. | 0:28:32 | 0:28:36 | |
They only paid 40 so I wouldn't worry about it. | 0:28:36 | 0:28:39 | |
Now, the Gordon Russell coffee table. What do you think about that? | 0:28:39 | 0:28:43 | |
-Looks good, doesn't it? -Yeah, it's a nice thing. Plain Jane. | 0:28:43 | 0:28:47 | |
Gordon Russell was just the other side of the county in Broadway. | 0:28:47 | 0:28:50 | |
We see a number of those and I think that's going to make | 0:28:50 | 0:28:55 | |
probably in the region of £40-60. | 0:28:55 | 0:28:57 | |
-Is that all? -I think it's a bit late, really. -Oh, Lord. | 0:28:57 | 0:29:00 | |
-£108 they invested. -Right, OK. What's the bonus buy? | 0:29:00 | 0:29:05 | |
I tell you what, they're going to need it. | 0:29:05 | 0:29:07 | |
Let's go and have a look at it. | 0:29:07 | 0:29:09 | |
As they say in the song, | 0:29:09 | 0:29:10 | |
the back of my neck's looking mighty pretty, which I expect yours are, | 0:29:10 | 0:29:14 | |
because we're not going to let you turn around to look | 0:29:14 | 0:29:16 | |
at what Colin Young's bought for you, | 0:29:16 | 0:29:19 | |
because it's so enormous, we can't cover it up. Happy with this, Bill? | 0:29:19 | 0:29:23 | |
-I'm very happy. -Bit nervous, Jenny? Listen. You spent £176, yes? | 0:29:23 | 0:29:29 | |
You gave £134 of leftover lolly to Colin Young | 0:29:29 | 0:29:33 | |
and this is what he bought. | 0:29:33 | 0:29:36 | |
-Oh, that's really different. -Didn't expect that. -Not at all. | 0:29:37 | 0:29:43 | |
-What were you expecting? -I don't know. | 0:29:43 | 0:29:45 | |
Something much more modern, I think. | 0:29:45 | 0:29:48 | |
It's absolutely wonderful mahogany. | 0:29:48 | 0:29:50 | |
It's Victorian, dates from probably 1850-1870. | 0:29:50 | 0:29:54 | |
Good mid-Victorian piece, lovely moulded edge to it. | 0:29:54 | 0:29:58 | |
The scrolling legs on it as well, original castors. | 0:29:58 | 0:30:02 | |
It's a breakfast table that is really of top-drawer quality. | 0:30:02 | 0:30:06 | |
What do you think it is worth? | 0:30:06 | 0:30:08 | |
I think you probably used up the rest of the money that we had | 0:30:08 | 0:30:11 | |
but I think it's worth maybe £100 on top of that? | 0:30:11 | 0:30:15 | |
-Guess what? -I think there's a profit in it. -You do. | 0:30:15 | 0:30:19 | |
Excellent, that's what I like to hear. | 0:30:19 | 0:30:23 | |
-I'll tell you the figure - £120 was spent on it. -Get away. | 0:30:23 | 0:30:27 | |
-I think that's great. -Thanks, Colin. | 0:30:27 | 0:30:29 | |
-You might have saved our bacon there. -You like it? -Yes, we do. | 0:30:29 | 0:30:32 | |
-Very much so. -Good, that's a relief. | 0:30:32 | 0:30:36 | |
Of course, there's one auctioneer in the world who loves a bit of wood | 0:30:36 | 0:30:39 | |
and that's Philip Serrell so let's find out what he thinks about it. | 0:30:39 | 0:30:43 | |
God bless Colin Young cos he's bought another big table. | 0:30:43 | 0:30:46 | |
-What do you think about that one? -I quite like that. | 0:30:46 | 0:30:49 | |
People talk about brand furniture having died a death | 0:30:49 | 0:30:52 | |
and all the rest of it. | 0:30:52 | 0:30:53 | |
We put £120-180 on it. | 0:30:53 | 0:30:56 | |
If we have a bit of luck, it might just top the 200. | 0:30:56 | 0:31:00 | |
I think it's a really inexpensive table. | 0:31:00 | 0:31:02 | |
It's not overly fashionable, which is its problem, | 0:31:02 | 0:31:04 | |
-but you've got a lot of timber for your money there. -You certainly do. | 0:31:04 | 0:31:08 | |
That's brilliant because Colin only invested £120. | 0:31:08 | 0:31:11 | |
Anything more than £120, Phil, and you're the hero of the moment. | 0:31:11 | 0:31:15 | |
I can guarantee nothing but I think we can guarantee a profit with that. | 0:31:15 | 0:31:18 | |
Lovely. If you can't guarantee anything, that's a lovely guarantee. | 0:31:18 | 0:31:22 | |
Good. Anyway, that's it for the Reds. | 0:31:22 | 0:31:25 | |
Now, for Rachel and Phil, your favourite name, is the little fob. | 0:31:25 | 0:31:29 | |
That is the most miserable mean thing I've ever seen. | 0:31:29 | 0:31:34 | |
It is mean, isn't it? | 0:31:34 | 0:31:36 | |
The only thing going for it is it might just get you home on | 0:31:36 | 0:31:39 | |
a beery night out somewhere, but... | 0:31:39 | 0:31:41 | |
-I wouldn't guarantee it. -No. | 0:31:41 | 0:31:42 | |
I wouldn't set off across the Atlantic with it. | 0:31:42 | 0:31:46 | |
I think there's enough gold in there that it will make 20-30, | 0:31:46 | 0:31:49 | |
-perhaps a little more. -They only paid 20. | 0:31:49 | 0:31:52 | |
-They'll be all right with that. -They'll make a profit out of that. | 0:31:52 | 0:31:55 | |
Now, the Mdina glass all the way from Malta. | 0:31:55 | 0:31:58 | |
How do you rate those three pieces? | 0:31:58 | 0:32:00 | |
I think that I was born too soon to fully appreciate | 0:32:00 | 0:32:03 | |
the quality of these items. | 0:32:03 | 0:32:05 | |
I can see them making £20-30, perhaps a little bit more. | 0:32:05 | 0:32:09 | |
I think these will make their money but it is an acquired taste. | 0:32:09 | 0:32:14 | |
Three pieces bought for £28, I have to say, I think it's pretty modest. | 0:32:14 | 0:32:19 | |
That's a modest amount. Anyway, 20-30's fine, Phil. If they happen | 0:32:19 | 0:32:23 | |
-to make 40, everybody would be happy. -Fantastic. | 0:32:23 | 0:32:25 | |
Next are these so-called gold-plated Liberty earrings. | 0:32:25 | 0:32:30 | |
-There's a profit in those. -Do you reckon? -I do. | 0:32:30 | 0:32:34 | |
Just because they're Liberty? | 0:32:34 | 0:32:36 | |
I think somebody will pay - we've put £10-15 on them. | 0:32:36 | 0:32:39 | |
It wouldn't surprise me if they made 20-25 quid. | 0:32:39 | 0:32:41 | |
That's amazing because your namesake only paid £8 for those. | 0:32:41 | 0:32:44 | |
If I was Phil, I wouldn't be bragging about buying earrings. | 0:32:44 | 0:32:48 | |
-You haven't met Phil. -OK, swiftly moving on. | 0:32:48 | 0:32:50 | |
Anyway, you're predicting a small profit on that. | 0:32:50 | 0:32:54 | |
You're predicting a small profit on the fob | 0:32:54 | 0:32:57 | |
and you're pretty ambivalent about the Mdina. | 0:32:57 | 0:33:00 | |
This could be a case where the bonus buy's not required | 0:33:00 | 0:33:03 | |
but let's go and have a look at it anyway. | 0:33:03 | 0:33:06 | |
So, Rachel, Phil, you spent a miserable £56. | 0:33:06 | 0:33:10 | |
-£244 went across to Anita and I hope she's blown the lot. -I haven't. | 0:33:10 | 0:33:16 | |
-I remember this. -You remember it. -Yes, so do I. | 0:33:19 | 0:33:22 | |
Well, a pair of sweethearts here | 0:33:22 | 0:33:24 | |
and I thought this lovely little box or pincushion, | 0:33:24 | 0:33:29 | |
which is a Mauchline tartanware item. | 0:33:29 | 0:33:33 | |
It's Bonnie Prince Charlie tartan | 0:33:33 | 0:33:35 | |
and it would have been made at the end of the 1800s. | 0:33:35 | 0:33:40 | |
So, a nice collectable little thing | 0:33:40 | 0:33:42 | |
and tartanware is the most collectable of the Mauchline pieces. | 0:33:42 | 0:33:47 | |
Tell me, what do you think about it? | 0:33:47 | 0:33:50 | |
-I think it's really sweet. -Yeah, it's lovely. | 0:33:50 | 0:33:54 | |
Phil, you are speaking with a forked tongue, aren't you? | 0:33:56 | 0:34:00 | |
I was slightly disappointed | 0:34:00 | 0:34:01 | |
because I thought it might have been scales but there we are. | 0:34:01 | 0:34:05 | |
Never stops going on about those scales. | 0:34:05 | 0:34:07 | |
It's very nice, very delicate. | 0:34:07 | 0:34:10 | |
-It's a ladies' item I think, very much so. -It's gorgeous. | 0:34:10 | 0:34:13 | |
-Very pretty. -So, big question, how much? | 0:34:13 | 0:34:16 | |
£22. | 0:34:16 | 0:34:17 | |
Not a lot and price was an important factor in buying. | 0:34:17 | 0:34:23 | |
-Will we make some money? -You should make some money on that. | 0:34:23 | 0:34:27 | |
You're certainly Scotland's best ambassadress, I tell you. | 0:34:27 | 0:34:31 | |
I'd have her on my payroll. Anyway, let's see what Philip Serrell | 0:34:31 | 0:34:34 | |
thinks about the Mauchline pincushion. | 0:34:34 | 0:34:38 | |
Anita's never one not to advertise Scotland, | 0:34:38 | 0:34:42 | |
including in her bonus buys. | 0:34:42 | 0:34:44 | |
-How about that? -It's Prince Charlie's tartan, isn't it? | 0:34:44 | 0:34:48 | |
It's a great little tartanware pincushion. | 0:34:48 | 0:34:52 | |
That's going to do £20-30 and the thing about that is | 0:34:52 | 0:34:56 | |
you're hitting two collectors. | 0:34:56 | 0:34:58 | |
There's the one area of people who collect tartanware and the like | 0:34:58 | 0:35:02 | |
but there's the other area of sewing accessories, | 0:35:02 | 0:35:05 | |
so hopefully you've got a double whammy there, | 0:35:05 | 0:35:08 | |
-and I can't hopefully see that failing. -£22 was paid by Anita | 0:35:08 | 0:35:11 | |
-so you're predicting £20-30? -Yeah. | 0:35:11 | 0:35:14 | |
-It's going to be a bit of a victory roll here. -I think she could be all right. -Excellent. Thank you, Phil. | 0:35:14 | 0:35:20 | |
Well, we're on the edge. Never been to an auction before, this girl. | 0:35:29 | 0:35:33 | |
This is a dangerous way of playing it. Anyway, very good luck. | 0:35:33 | 0:35:38 | |
-Here comes the miniature stool. -The little miniature stool or the table. | 0:35:38 | 0:35:42 | |
Bid me for that. Put it in the bidding, start me off. | 0:35:42 | 0:35:46 | |
Give me £30 for it. | 0:35:46 | 0:35:47 | |
Give me 20. Give me a tenner, someone, quickly. 10 I'm bid at, 10. | 0:35:47 | 0:35:53 | |
10 bid. At £10, I'm only bid at 10. 10 bid, is there any more? At £10. | 0:35:53 | 0:35:59 | |
Any more at all? At £10, I sell then at £10 and done, thank you. | 0:36:01 | 0:36:06 | |
-£10 is minus 18. -Oh, dear. -That's not so swift, is it? -No. | 0:36:06 | 0:36:10 | |
-Now, you'll make it all back on this. -Lot number 333 is the shade. | 0:36:10 | 0:36:17 | |
Bid me for that. Start me off, who's got £50 for it? | 0:36:17 | 0:36:20 | |
Who's got £40 for it? | 0:36:22 | 0:36:24 | |
Who's got £30 for it? | 0:36:24 | 0:36:26 | |
20 I'm bid. At 20, 20 bid. | 0:36:27 | 0:36:29 | |
£20 there, 5, 30. 5, 40. 5, 50. 50 bid, 5, 60, 5, 70. | 0:36:30 | 0:36:38 | |
70 bid. And 5, 80. | 0:36:38 | 0:36:40 | |
At £80 then. Bid's with me. At £80 only. Is there any more at all? | 0:36:40 | 0:36:47 | |
At £80, bid's with me and it's done at £80 and done, thank you. | 0:36:47 | 0:36:51 | |
That is plus £40, thank you very much. Next is the coffee table. | 0:36:51 | 0:36:57 | |
-Here we go. -Gordon Russell coffee table, bid me for that. | 0:36:57 | 0:37:01 | |
Start me off, someone. I'm bid straight in at £50 bid, at 50. | 0:37:01 | 0:37:03 | |
5, 60, 5, 70, 5, 80, 5, 90, 5, 100 and 10 with me. At 110. | 0:37:03 | 0:37:10 | |
-We're in profit. -At 110. Is there any more at all? At £110. | 0:37:10 | 0:37:15 | |
-Is there any more? -Ignore the estimate. -At 110. | 0:37:15 | 0:37:20 | |
£110, you are plus £2 on that. Feeling better? | 0:37:20 | 0:37:24 | |
That is exciting, isn't it? | 0:37:24 | 0:37:26 | |
Listen, you were 22, | 0:37:26 | 0:37:28 | |
you got the coffee table away with a profit of £2, you are plus £24. | 0:37:28 | 0:37:31 | |
What are you going to do about this breakfast table? | 0:37:31 | 0:37:34 | |
-I think we should go for it. -We should definitely go for it. | 0:37:34 | 0:37:37 | |
£24 could be a winning score. You've got that money in the bank. | 0:37:37 | 0:37:40 | |
You don't have to go for it. Anyway, you're going to do it. Yes. | 0:37:40 | 0:37:43 | |
Going with the bonus buy, you have £24 profit. | 0:37:43 | 0:37:46 | |
You're still going to spin the wheel and off we go again. | 0:37:46 | 0:37:48 | |
I'm bid £100. At 100. | 0:37:48 | 0:37:52 | |
At £100 only, 110. | 0:37:52 | 0:37:56 | |
120 in the room. 130, 140. | 0:37:56 | 0:38:04 | |
-You're in profit. -150, 160. | 0:38:04 | 0:38:08 | |
-In the room, 170. -Yes. -180. | 0:38:08 | 0:38:13 | |
190. | 0:38:13 | 0:38:16 | |
-He's not finished. -At £190. | 0:38:16 | 0:38:18 | |
At £190 and I sell then at £190 and done, thank you. | 0:38:18 | 0:38:24 | |
-Brilliant, that's really great. -Well done, that's plus £70. | 0:38:24 | 0:38:27 | |
Congratulations, Colin. Overall then, you are plus £94. | 0:38:27 | 0:38:31 | |
Just don't say a word to the Blues. If you see them, don't talk. | 0:38:31 | 0:38:35 | |
Might have to wipe the smile off my face. | 0:38:35 | 0:38:38 | |
-So, Rachel, Phil, how are you feeling? -Fine, thank you. | 0:38:44 | 0:38:48 | |
-Been talking to the Reds? -No. -Do you know what their score is? | 0:38:48 | 0:38:51 | |
-Not at all. Clueless. -That's what we like. | 0:38:51 | 0:38:55 | |
-First up is the compass fob and here it comes. -Give me 20 to start. | 0:38:55 | 0:39:01 | |
20, I'm bid at 20, 20 bid. At £20, take 5, someone. | 0:39:03 | 0:39:07 | |
At 5 on the net, bid 30. At 30. Bid's over yonder at £30 only. | 0:39:09 | 0:39:16 | |
30 bid, is there any more? | 0:39:16 | 0:39:19 | |
At £30 and I sell then at £30 and done, thank you. | 0:39:19 | 0:39:23 | |
Well done, girl, that is plus £10. That's all right, isn't it? | 0:39:23 | 0:39:26 | |
-Good start. -Good start. -355 is the Mdina glass. | 0:39:26 | 0:39:31 | |
Give me £30 for the lot, someone. | 0:39:31 | 0:39:34 | |
Give me £20 for the lot. Come on. 20 I'm bid at, 20. 20 bid. | 0:39:34 | 0:39:39 | |
At £20 only, who's got 5? 25, 30? At 35, looking at your shoes again. | 0:39:39 | 0:39:45 | |
At 35, 40 is it? | 0:39:45 | 0:39:47 | |
At £35, right at the back and I sell then at 35 and done, thank you. | 0:39:47 | 0:39:53 | |
-That is £7 profit. -Another little bit. Your earrings. -Earrings. | 0:39:53 | 0:40:00 | |
-Here we go. -20. 20 I am bid at, 20. | 0:40:00 | 0:40:04 | |
At £20, only at 20. 5. 30, 5. 40. | 0:40:04 | 0:40:11 | |
40 bid I've got down here at 40. At £40, is there any more at all? | 0:40:14 | 0:40:18 | |
At £40 and I sell on my right and done then at 40 and done. Yes. | 0:40:18 | 0:40:22 | |
-Yes! -Plus £32. | 0:40:22 | 0:40:25 | |
This is ridiculous! | 0:40:25 | 0:40:28 | |
£32, £39, plus £49. | 0:40:28 | 0:40:31 | |
You spent £56 and you have made £49 profit. | 0:40:31 | 0:40:36 | |
-Nearly doubled the money. -These two. | 0:40:36 | 0:40:37 | |
What are you going to do about the Mauchline job? Going to risk it? | 0:40:37 | 0:40:42 | |
-We're going to stick. -Let's stay where we are. -Stay where we are. | 0:40:42 | 0:40:47 | |
-You're going to what? -There's no Scottish people here. | 0:40:47 | 0:40:50 | |
That's the decision then, we're not going with the Mauchline job. | 0:40:50 | 0:40:54 | |
Right, sticking with the 49 but we're going to sell it anyway | 0:40:54 | 0:40:57 | |
and see what happens. Great. | 0:40:57 | 0:40:58 | |
I'm bid £20 on the book bid at 20, and 5, 30. 30 bid, 5, 40. | 0:40:58 | 0:41:02 | |
40 bid, and 5, 50. And 5, 60, 60 bid. On the book. | 0:41:05 | 0:41:10 | |
£60 only, is there any more at all? | 0:41:10 | 0:41:13 | |
At £60, on the book, can I sell at 60 and done. | 0:41:13 | 0:41:18 | |
Ye of little faith! | 0:41:18 | 0:41:21 | |
When Anita says something's going to do well on the international | 0:41:21 | 0:41:25 | |
market because it's Scottish, you have to believe the woman. | 0:41:25 | 0:41:28 | |
-A big slip-up. -£60, you would have made £38 profit. | 0:41:28 | 0:41:34 | |
Do we get a golden gavel now because we made three profits? | 0:41:34 | 0:41:37 | |
That will be revealed later. | 0:41:37 | 0:41:40 | |
-Well, teams, everybody happy? -Yes. -Yes. -Yes. | 0:41:44 | 0:41:49 | |
Well, we're all happy today, | 0:41:49 | 0:41:51 | |
aren't we, because both teams are going home with substantial profits. | 0:41:51 | 0:41:55 | |
They are both winners but sadly, one team has to be the runners-up | 0:41:58 | 0:42:02 | |
and the runners-up today are... | 0:42:02 | 0:42:04 | |
the Blues. | 0:42:04 | 0:42:07 | |
The Blues are runners-up with profits of £49 which is | 0:42:07 | 0:42:11 | |
an extraordinary turnaround, really, because normally | 0:42:11 | 0:42:13 | |
if you make a profit of about £3 you're a winner on this programme. | 0:42:13 | 0:42:17 | |
Anyway, there it is. Bad luck. | 0:42:17 | 0:42:19 | |
I'm going to give you your £49, Rach. | 0:42:19 | 0:42:21 | |
I don't want you spending that all at once. | 0:42:21 | 0:42:25 | |
You have the additional accolade, of course, of getting the golden gavel. | 0:42:25 | 0:42:28 | |
The ancient and venerable award of the golden gavel. | 0:42:28 | 0:42:33 | |
We've run out of golden gavels so we now present you | 0:42:33 | 0:42:36 | |
with nice clips like that. | 0:42:36 | 0:42:38 | |
Take one, darling. OK, Dad. | 0:42:38 | 0:42:40 | |
Take that one. There you go, Anita. One to add to your collection. | 0:42:40 | 0:42:43 | |
Anyway, well done. But the team that are wandering | 0:42:43 | 0:42:46 | |
away with the most cash are, of course, | 0:42:46 | 0:42:49 | |
the Reds and you get £94 to go home with. | 0:42:49 | 0:42:53 | |
£94, how about that! | 0:42:53 | 0:42:55 | |
Just as well you went with Colin Young's bonus buy, wasn't it? | 0:42:55 | 0:42:59 | |
That made a profit of £70. Congratulations on that, Colin. | 0:42:59 | 0:43:04 | |
-You had a good time? -Lovely, really enjoyed it. -Brilliant, thanks. | 0:43:04 | 0:43:07 | |
Really nice to see you. Congratulations all round. | 0:43:07 | 0:43:10 | |
-In fact, join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:10 | 0:43:14 | |
I know you're sitting there thinking, | 0:43:14 | 0:43:17 | |
"I could have done better than that!" | 0:43:17 | 0:43:20 | |
Well, what's stopping you? | 0:43:20 | 0:43:22 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:22 | 0:43:26 | |
It'll be splendid to see you! | 0:43:26 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:32 | |
E-mail: [email protected] | 0:43:32 | 0:43:35 |