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APPLAUSE | 0:00:09 | 0:00:11 | |
Hello and welcome to Debatable, the quiz show where talk is cheap but | 0:00:14 | 0:00:18 | |
celebrity chat can win a contestant money. | 0:00:18 | 0:00:21 | |
Today, one player must answer a series of tricky questions to | 0:00:21 | 0:00:25 | |
try to bag our jackpot of ?2,000. | 0:00:25 | 0:00:28 | |
But they are not on their own. | 0:00:28 | 0:00:30 | |
They'll also have a panel of celebrity brain boxes, | 0:00:30 | 0:00:33 | |
debating their way to the answer. | 0:00:33 | 0:00:37 | |
Will they help, or will they hinder? Well, that's debatable. | 0:00:37 | 0:00:40 | |
Let's meet them. On today's show we have actress Sunetra Sarker. | 0:00:40 | 0:00:45 | |
We have weather presenter Carol Kirkwood | 0:00:45 | 0:00:47 | |
and writer and broadcaster Rick Edwards. | 0:00:47 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:52 | |
That is our panel. Let's meet today's contestant. | 0:00:55 | 0:00:58 | |
It is Danielle Harvie from London! | 0:00:58 | 0:01:01 | |
Dani, how are you doing? I'm very well, thank you, Patrick. | 0:01:03 | 0:01:06 | |
OK, so Dani, tell us a little bit about yourself. | 0:01:06 | 0:01:08 | |
I'm 34, I live in Hampstead in North London with my husband, Ben, | 0:01:08 | 0:01:12 | |
and my daughter Eleanor, who's ten months old. | 0:01:12 | 0:01:14 | |
Where did you and Ben meet? | 0:01:14 | 0:01:16 | |
We met at university. | 0:01:16 | 0:01:17 | |
We married six years ago in Las Vegas. Oh, come on! | 0:01:17 | 0:01:21 | |
It was a last-minute thing so we were going on holiday to | 0:01:21 | 0:01:25 | |
Vegas and we said, you know, we've been together for ten years, | 0:01:25 | 0:01:28 | |
let's get married. | 0:01:28 | 0:01:30 | |
Hey! And we did, yeah. Let's go to Vegas, we're getting married! | 0:01:30 | 0:01:33 | |
And what do you do in your spare time? | 0:01:36 | 0:01:38 | |
I'm a stay at home mum, so I look after Eleanor. | 0:01:38 | 0:01:41 | |
I watch a lot of Teletubbies. | 0:01:41 | 0:01:42 | |
I build lots of bricks and things like that. | 0:01:42 | 0:01:45 | |
What subjects are you hoping are going to come up today? | 0:01:45 | 0:01:47 | |
I'm quite into music but only very particular genres of music. | 0:01:47 | 0:01:52 | |
In my head it's still 1996. Isn't it? | 0:01:52 | 0:01:56 | |
I still listen to a lot of Blur, a lot of Morrissey, | 0:01:56 | 0:01:58 | |
that sort of Britpop kind of stuff. | 0:01:58 | 0:02:01 | |
Fantastic! Let's see if we can get you some cash today. | 0:02:01 | 0:02:04 | |
Let's get the show on the road and play Round One. | 0:02:04 | 0:02:07 | |
This round is multiple choice. Each question has four possible answers. | 0:02:09 | 0:02:13 | |
Only one of those, Dani, is correct. | 0:02:13 | 0:02:16 | |
Helping you find the answer is our panel. | 0:02:16 | 0:02:20 | |
You can go with what they say, or you can go your own way, | 0:02:20 | 0:02:22 | |
it is entirely up to you. | 0:02:22 | 0:02:24 | |
There are two questions in this round, each question is worth ?200. | 0:02:24 | 0:02:27 | |
OK. Ready to play? Yes, I am. | 0:02:27 | 0:02:29 | |
Here we go. Let's get cracking. | 0:02:29 | 0:02:31 | |
I can tell you, Dani, that none of those people got married in | 0:02:51 | 0:02:55 | |
Vegas, so this might be quite tricky for you. | 0:02:55 | 0:02:57 | |
You surprise me. | 0:02:57 | 0:02:58 | |
If I had to go for one I'd probably go with Princess Anne at this stage. | 0:02:58 | 0:03:02 | |
OK, you think Princess Anne may be the youngest. | 0:03:02 | 0:03:06 | |
Sunetra is stroking her chin in a knowing way. | 0:03:06 | 0:03:08 | |
Over to our panel, the debate starts now. | 0:03:08 | 0:03:11 | |
I think Dani might be onto something there | 0:03:11 | 0:03:13 | |
because that was my gut instinct. | 0:03:13 | 0:03:15 | |
I remember watching it on Blue Peter because on Blue Peter they'd | 0:03:15 | 0:03:17 | |
made all these cheese scones that we were all encouraged to make | 0:03:17 | 0:03:20 | |
and sit and watch the Royal Wedding. | 0:03:20 | 0:03:22 | |
A different time, wasn't it? LAUGHTER | 0:03:22 | 0:03:25 | |
Anyway... She looked young. I think it's Princess Anne. | 0:03:25 | 0:03:29 | |
Do you think that Charles was old when he got married, | 0:03:29 | 0:03:32 | |
or relatively old? Relatively old. | 0:03:32 | 0:03:34 | |
None of them were old when they got married but, you know, older. | 0:03:34 | 0:03:36 | |
Older than William at 29? | 0:03:36 | 0:03:39 | |
My best friend has the same birthday as him, so he's 34. Oh, right. | 0:03:39 | 0:03:45 | |
2011 he got married. So he was 29. | 0:03:45 | 0:03:49 | |
Zara Phillips got married just after, or just before, | 0:03:49 | 0:03:52 | |
Prince William. She got away without too much coverage on the story. | 0:03:52 | 0:03:56 | |
They're cousins, aren't they? They are. Zara's about 31. | 0:03:56 | 0:04:01 | |
I think we should go with Princess Anne. Everybody in agreement? Yeah. | 0:04:01 | 0:04:05 | |
OK, so the panel's decision, is Princess Anne. | 0:04:05 | 0:04:08 | |
OK, our panel are going for Princess Anne. Is that any use? | 0:04:09 | 0:04:13 | |
Um, yes, Carol was very helpful in that she could remember the event. | 0:04:13 | 0:04:17 | |
So... That's... | 0:04:17 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:20 | |
So that's been a big help. | 0:04:21 | 0:04:22 | |
I think I'm going to stick with my initial instinct and agree | 0:04:22 | 0:04:25 | |
with the panel, it's Princess Anne. | 0:04:25 | 0:04:27 | |
OK... For ?200... | 0:04:27 | 0:04:29 | |
Was Princess Anne the youngest of these royals when she got married? | 0:04:29 | 0:04:34 | |
It's the correct answer! | 0:04:38 | 0:04:40 | |
Thank you, thanks very much. Well done. Well played. | 0:04:40 | 0:04:42 | |
Princess Anne was 23 when she married Captain Mark Phillips. | 0:04:42 | 0:04:46 | |
Prince William was 28. | 0:04:46 | 0:04:48 | |
Zara Phillips was 30 | 0:04:48 | 0:04:50 | |
and Prince Charles, 32. | 0:04:50 | 0:04:53 | |
Well done, we're up and running, ?200 in the prize pot. | 0:04:53 | 0:04:55 | |
Excellent! | 0:04:55 | 0:04:57 | |
APPLAUSE | 0:04:57 | 0:04:58 | |
Here comes your next one, Dani. | 0:04:58 | 0:05:01 | |
OK, I'm feeling much more confident on this as a subject. Really? | 0:05:24 | 0:05:27 | |
It's one of my favourite films. | 0:05:27 | 0:05:28 | |
I believe, unless my memory is playing a very cruel trick on | 0:05:28 | 0:05:31 | |
me, it's chocolate syrup. | 0:05:31 | 0:05:33 | |
You think it was chocolate syrup? I think so. | 0:05:34 | 0:05:36 | |
It would be useful if we had an actor on the panel who knew | 0:05:36 | 0:05:40 | |
the tricks of the trade. | 0:05:40 | 0:05:42 | |
Don't look at me like that, Sunetra, | 0:05:42 | 0:05:44 | |
let's see if we can sort this one out. The debate starts now. Well... | 0:05:44 | 0:05:48 | |
What do you think? | 0:05:48 | 0:05:49 | |
What I do know, the limited knowledge I know about fake | 0:05:49 | 0:05:51 | |
blood, because obviously we use a lot in Casualty. | 0:05:51 | 0:05:54 | |
It does have a consistency of syrup because it's water. Yeah. | 0:05:54 | 0:05:58 | |
If we go back to when Psycho was made, | 0:05:58 | 0:06:01 | |
it's a black and white film, isn't it? Yeah, because I... | 0:06:01 | 0:06:04 | |
I'm sort of with Dani because you'd assume it'd be a red... | 0:06:04 | 0:06:07 | |
Tomato ketchup. ..liquid. | 0:06:07 | 0:06:09 | |
But it wouldn't matter if it's in black and white. | 0:06:09 | 0:06:10 | |
I think it is chocolate syrup. Let's start eliminating them. | 0:06:10 | 0:06:14 | |
Ketchup has gone, it's a black and white movie, | 0:06:14 | 0:06:16 | |
it doesn't actually matter what colour the blood was. | 0:06:16 | 0:06:19 | |
We can write off jam. Get rid of ketchup. | 0:06:19 | 0:06:21 | |
BBQ sauce is a runny consistency, chocolate syrup is more gloopy. | 0:06:21 | 0:06:24 | |
Would BBQ sauce have been around then? Were BBQs big? | 0:06:24 | 0:06:27 | |
I would say chocolate syrup. Yeah, yeah, I'm chocolate syrup. | 0:06:27 | 0:06:30 | |
We're unanimous. So the panel think, chocolate syrup. | 0:06:30 | 0:06:33 | |
Any of that make sense? You did say, chocolate syrup. | 0:06:35 | 0:06:37 | |
That was my inclination, yes. | 0:06:37 | 0:06:39 | |
Yeah, and it's good to have the inside knowledge there with | 0:06:39 | 0:06:42 | |
someone who works with fake blood every day, almost. | 0:06:42 | 0:06:44 | |
So I'm going to stick with my first inclination and the panel's | 0:06:44 | 0:06:47 | |
as well and go with chocolate syrup, please. | 0:06:47 | 0:06:49 | |
We are all agreed. For ?200... | 0:06:49 | 0:06:53 | |
Was chocolate syrup used as the fake blood in the shower scene in Psycho? | 0:06:53 | 0:06:57 | |
It was! | 0:07:02 | 0:07:04 | |
APPLAUSE | 0:07:04 | 0:07:05 | |
Well done, everybody. Thanks very much. | 0:07:05 | 0:07:07 | |
Well done, Dani. | 0:07:07 | 0:07:09 | |
Janet Leigh, who played the doomed character, Marion Crane, | 0:07:09 | 0:07:13 | |
in the famous shower scene. | 0:07:13 | 0:07:15 | |
There she is, is quoted as saying, "I still don't take showers." | 0:07:15 | 0:07:18 | |
And just to show you that it was actually chocolate syrup we've | 0:07:18 | 0:07:22 | |
a picture of Janet there with absolutely no blood on her... | 0:07:22 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:27 | |
So well done. | 0:07:27 | 0:07:29 | |
It means that we've got ?200 in the bank bringing your total at | 0:07:29 | 0:07:32 | |
the end of Round One | 0:07:32 | 0:07:33 | |
up to 400. Well played. Excellent, thank you. | 0:07:33 | 0:07:36 | |
Smiles all round, 100% record. | 0:07:37 | 0:07:39 | |
How do we think the panel's doing? They're doing very well. | 0:07:39 | 0:07:42 | |
Yes, thank you very much for all your help. | 0:07:42 | 0:07:44 | |
Who do you think is performing best so far? Oh, it's difficult to say. | 0:07:44 | 0:07:47 | |
Um... At the moment I'm edging towards Carol. | 0:07:47 | 0:07:50 | |
OK, well, let's see how they cope with pictures. | 0:07:50 | 0:07:53 | |
It is time for Round Two. | 0:07:53 | 0:07:54 | |
OK, Dani, Round Two is our picture round. | 0:07:57 | 0:08:00 | |
All you have to do is place three pictures in the correct order. | 0:08:00 | 0:08:04 | |
There are two questions in this round, each correct is worth ?300. | 0:08:04 | 0:08:08 | |
OK. Here we go. | 0:08:08 | 0:08:10 | |
I'm tempted just to keep them in that order. | 0:08:27 | 0:08:30 | |
I don't know whether I'd swap Ryan Giggs and Kelly Holmes | 0:08:30 | 0:08:33 | |
but I think Tony McCoy probably was the latest of those three. | 0:08:33 | 0:08:37 | |
But I need some help with this one. | 0:08:37 | 0:08:39 | |
You need some help, don't worry. | 0:08:39 | 0:08:41 | |
The debate starts now. | 0:08:41 | 0:08:43 | |
I think that Dani is right. | 0:08:43 | 0:08:46 | |
I think A P McCoy is the most successful jockey ever. Yeah. | 0:08:46 | 0:08:51 | |
But didn't win it for ages. | 0:08:51 | 0:08:53 | |
Yeah. People were like he should have won it. | 0:08:53 | 0:08:55 | |
Kelly Holmes got it the year of the Olympics. 2000, wasn't it? Yeah. | 0:08:55 | 0:08:59 | |
She got three medals, two medals? | 0:08:59 | 0:09:02 | |
She won the 800 and 1500, didn't she? | 0:09:02 | 0:09:05 | |
She now runs a tea room, I think, as well. She now runs a what? | 0:09:05 | 0:09:08 | |
A tea room. She wouldn't have won anything for that, though. | 0:09:08 | 0:09:10 | |
Really? Yeah. | 0:09:10 | 0:09:12 | |
Ryan Giggs is an older footballer. | 0:09:12 | 0:09:14 | |
He was a footballer who did all his years at Man U, he never left. | 0:09:14 | 0:09:17 | |
Yeah, and he played an extraordinary number of games. | 0:09:17 | 0:09:19 | |
He played till he was like 39, it's amazing. | 0:09:19 | 0:09:21 | |
With Giggsy, he probably won it earlier in his career, | 0:09:21 | 0:09:23 | |
rather than later. I disagree, I think he came second a lot. | 0:09:23 | 0:09:27 | |
You know how the Sports Personality has changed over the years. Mm-hm. | 0:09:27 | 0:09:29 | |
It used to be five or six sports and now it's about every sport. | 0:09:29 | 0:09:32 | |
Andy Murray's won it. Yeah, exactly. | 0:09:32 | 0:09:35 | |
So I think back in the day when Ryan Giggs did win it, | 0:09:35 | 0:09:38 | |
I think it was mainly footballers, cricketers, rugby... | 0:09:38 | 0:09:41 | |
It definitely didn't include jockeys, as much. | 0:09:41 | 0:09:43 | |
We're pretty sure that A P McCoy, last. | 0:09:43 | 0:09:46 | |
Kelly in 2000, we're just trying to work out... | 0:09:46 | 0:09:49 | |
Kelly's still quite young. Keep it as it is. | 0:09:49 | 0:09:51 | |
Keep it as it is. OK, so we think the earliest winner of | 0:09:51 | 0:09:55 | |
Sports Personality Of The Year was Ryan Giggs. | 0:09:55 | 0:09:58 | |
Then Kelly Holmes and then A P McCoy. | 0:09:58 | 0:10:01 | |
So lots of info in there, Dani, not all of it useful. Mm-hm. | 0:10:03 | 0:10:06 | |
Kelly Holmes apparently has a cafe. Yeah... | 0:10:06 | 0:10:09 | |
Yeah, I'm pleased that they agree | 0:10:13 | 0:10:15 | |
that A P McCoy was probably the latest. | 0:10:15 | 0:10:17 | |
I think it probably was about 2010/2011 for him. | 0:10:17 | 0:10:21 | |
And Kelly Holmes, 2000 sounds pretty much right. | 0:10:21 | 0:10:25 | |
The question is, did Ryan Giggs win it in the '90s or in the 2000s? | 0:10:25 | 0:10:30 | |
I've got no idea. Um... | 0:10:30 | 0:10:32 | |
I'm going to go with the panel and I'm going to leave it as it is. | 0:10:32 | 0:10:36 | |
Ryan Giggs, Kelly Holmes, A P McCoy. | 0:10:36 | 0:10:38 | |
You are saying Ryan Giggs won it first, then Kelly Holmes, | 0:10:38 | 0:10:41 | |
then A P McCoy, as Rick Edwards bows his head to pray. | 0:10:41 | 0:10:46 | |
For ?300, is this the correct order? | 0:10:48 | 0:10:50 | |
PANEL: Oh, no! | 0:10:56 | 0:10:58 | |
Wrong order. | 0:10:58 | 0:10:59 | |
Let's reveal the correct order. | 0:10:59 | 0:11:02 | |
I knew it. | 0:11:02 | 0:11:04 | |
Kelly Holmes won it first, | 0:11:06 | 0:11:07 | |
then it was Ryan Giggs | 0:11:07 | 0:11:09 | |
and then it was A P McCoy. | 0:11:09 | 0:11:10 | |
Let's have a look at the years. | 0:11:10 | 0:11:12 | |
2004 was Kelly Holmes, | 0:11:12 | 0:11:13 | |
2009 was Ryan Giggs. | 0:11:13 | 0:11:16 | |
Wow! A P McCoy, 2010. | 0:11:16 | 0:11:19 | |
A P McCoy was the very first jockey ever to win | 0:11:19 | 0:11:23 | |
Sports Personality Of The Year. | 0:11:23 | 0:11:25 | |
OK, unfortunately, nothing for that one, | 0:11:25 | 0:11:27 | |
Dani, but you still have ?400 in the prize pot. | 0:11:27 | 0:11:30 | |
Thank you. | 0:11:30 | 0:11:32 | |
APPLAUSE | 0:11:32 | 0:11:34 | |
OK, Dani, here's your second picture question. | 0:11:34 | 0:11:37 | |
Titanic, was that 1901, or something? | 0:11:58 | 0:12:01 | |
The first Model T car. | 0:12:01 | 0:12:03 | |
I'm a big fan of Laurel and Hardy. | 0:12:03 | 0:12:05 | |
They had cars in those films in the 1920s and the '10s. | 0:12:05 | 0:12:08 | |
Harley-Davidsons, no idea, so I'll put them earliest. | 0:12:08 | 0:12:10 | |
I'll say Harley-Davidson, Titanic, the first Ford Model T car. | 0:12:10 | 0:12:14 | |
That's your first thought, | 0:12:14 | 0:12:16 | |
the Harley-Davidson then the Titanic, then the Model T. | 0:12:16 | 0:12:20 | |
Let's go to our model panel. | 0:12:20 | 0:12:23 | |
Your debate starts now. | 0:12:23 | 0:12:25 | |
Was the Titanic 1910s? 1911, 1912, something like that? | 0:12:25 | 0:12:29 | |
It was the centenary of the Titanic recently. I think it was 1912-ish. | 0:12:29 | 0:12:35 | |
Watching the movie, Titanic, I think you've seen these cars in it, | 0:12:35 | 0:12:40 | |
which would indicate that the car was there before the boat. | 0:12:40 | 0:12:43 | |
The Model T is before the Titanic, I think. Yeah. | 0:12:43 | 0:12:46 | |
You think that, as well? Yeah. I think that's the order. | 0:12:46 | 0:12:48 | |
But is this another... But the motorbike... | 0:12:48 | 0:12:50 | |
We've been here before. I've got no idea. | 0:12:50 | 0:12:53 | |
You definitely think there were cars driving up in the film, Titanic? | 0:12:53 | 0:12:56 | |
I think so. | 0:12:56 | 0:12:58 | |
I'm nervous about saying there were cars there. | 0:12:58 | 0:13:00 | |
I just think that the first Model T was like 1905, | 0:13:00 | 0:13:03 | |
or something like that. | 0:13:03 | 0:13:04 | |
I've got a feeling that the Titanic was early 1910s. Right, OK. | 0:13:04 | 0:13:08 | |
The motorbike, I do not know. | 0:13:08 | 0:13:10 | |
Let's go with that order because we're guessing. We are. | 0:13:10 | 0:13:12 | |
So let's go with it. | 0:13:12 | 0:13:14 | |
OK, the panel's unanimous decision | 0:13:14 | 0:13:17 | |
is the mode of transport in order of when they were built, | 0:13:17 | 0:13:21 | |
the earliest first of all, is what you can see in front of you. | 0:13:21 | 0:13:25 | |
Thanks, panel. Anything in there? Yes. | 0:13:27 | 0:13:31 | |
Was there? There was something in there, yes. | 0:13:31 | 0:13:34 | |
They reminded me that there has recently been | 0:13:34 | 0:13:36 | |
a centenary of the Titanic so I think I was probably about | 0:13:36 | 0:13:38 | |
ten years out when I said 1901, initially. | 0:13:38 | 0:13:41 | |
I think it's possible that there were Harley-Davidsons | 0:13:41 | 0:13:43 | |
knocking around in the 1890s. | 0:13:43 | 0:13:46 | |
So, I'm going to say that the Harley-Davidson came first. | 0:13:46 | 0:13:48 | |
I could be totally wrong! | 0:13:48 | 0:13:50 | |
Then I'm going to go Ford Model T car. | 0:13:50 | 0:13:52 | |
Then I'm going to go Titanic. | 0:13:52 | 0:13:54 | |
OK... | 0:13:56 | 0:13:58 | |
You've gleaned enough information to decide the Harley-Davidson | 0:13:58 | 0:14:03 | |
was built first. | 0:14:03 | 0:14:05 | |
Then the Ford Model T, then the Titanic. | 0:14:05 | 0:14:08 | |
For ?300... | 0:14:10 | 0:14:11 | |
Is that the right order? | 0:14:11 | 0:14:13 | |
It is the right order! APPLAUSE | 0:14:18 | 0:14:20 | |
Well done. I don't know how I managed that. | 0:14:20 | 0:14:23 | |
Really, really good work. The first Harley-Davidson motorcycle was 1903. | 0:14:25 | 0:14:29 | |
The first Ford Model T car, 1908. | 0:14:29 | 0:14:33 | |
The Titanic was started in 1909, | 0:14:33 | 0:14:35 | |
it was launched in 1911 and sank on its maiden voyage in 1912. | 0:14:35 | 0:14:40 | |
Dani, well played. That was a great bit of game play. | 0:14:40 | 0:14:43 | |
Thank you. ?300 to your prize pot. | 0:14:43 | 0:14:46 | |
You are now up to ?700, well done. | 0:14:46 | 0:14:48 | |
So, Dani, how is our panel doing for you? They have a 50% record. | 0:14:52 | 0:14:57 | |
They have two out of four. Three out of four for your good self. Mm-hm. | 0:14:57 | 0:15:00 | |
Who's standing out? Well, they've all been very helpful. | 0:15:00 | 0:15:04 | |
They've all had little nuggets of information, | 0:15:04 | 0:15:06 | |
or little ideas here and there. | 0:15:06 | 0:15:08 | |
Or wrong answers that have directed you to the right answer. | 0:15:08 | 0:15:10 | |
OK, look, you're going to have to choose one for your final | 0:15:13 | 0:15:15 | |
debate but that is all after our final round where there is | 0:15:15 | 0:15:18 | |
still another ?1,000 up for grabs. | 0:15:18 | 0:15:20 | |
Let's play Round Three! | 0:15:20 | 0:15:22 | |
In this round, you are going to face questions that contain three | 0:15:25 | 0:15:28 | |
statements about a person, a place, or a thing. | 0:15:28 | 0:15:30 | |
Only one of those statements is true. | 0:15:30 | 0:15:33 | |
You need to find that for us to win the money. | 0:15:33 | 0:15:35 | |
Two questions in this round. Because it's our final round, we're going to up the cash to ?500, | 0:15:35 | 0:15:39 | |
so we can really get this up. Best of luck. Here we go. | 0:15:39 | 0:15:43 | |
I don't think that B's correct, | 0:16:02 | 0:16:04 | |
so it is a toss-up between A and C. | 0:16:04 | 0:16:06 | |
My inclination at this stage is to say that C is correct but | 0:16:06 | 0:16:11 | |
I'm really not sure of that. | 0:16:11 | 0:16:12 | |
So you think they have four toes on their hind feet. Yeah. | 0:16:12 | 0:16:16 | |
Don't worry. Don't worry. I'm very unsure. | 0:16:16 | 0:16:18 | |
I'm sure our panel can sort this out. | 0:16:18 | 0:16:22 | |
Panel, your debate starts now. | 0:16:22 | 0:16:24 | |
The only elephant I've ever seen are the Asian ones. | 0:16:24 | 0:16:26 | |
I'm pretty sure that they don't all have tusks. | 0:16:26 | 0:16:29 | |
I think they're bigger than African elephants. Do you? Yeah. | 0:16:29 | 0:16:32 | |
Oh, no. What I do think is about the four toes on their hind feet | 0:16:32 | 0:16:35 | |
because I think there's something about equal balance, about | 0:16:35 | 0:16:38 | |
the equilibrium of having two and two | 0:16:38 | 0:16:41 | |
and I think I might have heard some old, | 0:16:41 | 0:16:44 | |
Indian mythological fable which is to do with the equality | 0:16:44 | 0:16:49 | |
of an elephant having four toes. | 0:16:49 | 0:16:51 | |
We feel like we've seen elephants that don't have tusks. | 0:16:51 | 0:16:54 | |
We feel like, yeah. We feel like we've seen tuskless elephants. | 0:16:54 | 0:16:57 | |
I have always thought that African elephants were bigger | 0:16:57 | 0:17:01 | |
than Asian elephants. | 0:17:01 | 0:17:03 | |
I don't know why. OK, I think Asians are bigger but... | 0:17:03 | 0:17:07 | |
I think elephants in Asia have four toes on their hind feet. | 0:17:08 | 0:17:13 | |
That's my hunch. | 0:17:13 | 0:17:15 | |
You're going for the four toes. What about yourself? | 0:17:15 | 0:17:18 | |
Yeah, I think I would probably go with the four toes. | 0:17:18 | 0:17:21 | |
I want to go for the larger than African elephants. Oh, do you? | 0:17:21 | 0:17:25 | |
But, but, I shall bow to the superior knowledge of my | 0:17:25 | 0:17:29 | |
fellow panellists and the panel's decision is that Asian | 0:17:29 | 0:17:33 | |
elephants have four toes on their hind feet. | 0:17:33 | 0:17:36 | |
Dani, does any of that make any sense? | 0:17:38 | 0:17:41 | |
Um, Yes, it does, yeah. | 0:17:41 | 0:17:43 | |
I liked Sunetra's theory about the four toes on the hind feet | 0:17:43 | 0:17:46 | |
and if you think about it in a way on our hands, | 0:17:46 | 0:17:48 | |
we have like the four fingers, | 0:17:48 | 0:17:50 | |
so maybe there's some sort of link there, like the four toes, | 0:17:50 | 0:17:53 | |
four fingers, I don't know. | 0:17:53 | 0:17:55 | |
I'm going to say that C is the correct statement. | 0:17:55 | 0:17:59 | |
OK. | 0:17:59 | 0:18:01 | |
You're agreeing with the panel. | 0:18:01 | 0:18:03 | |
We all believe that Asian elephants have four toes on their hind feet. | 0:18:03 | 0:18:08 | |
If it's correct, it's ?500 into the prize pot. | 0:18:08 | 0:18:11 | |
Here we go... Is it true? | 0:18:11 | 0:18:12 | |
It is true! | 0:18:17 | 0:18:19 | |
Well done. Well done, panel. | 0:18:20 | 0:18:22 | |
They have four toes on their hind feet, | 0:18:25 | 0:18:28 | |
while African elephants only have three. | 0:18:28 | 0:18:31 | |
All African elephants have tusks but only some male | 0:18:31 | 0:18:34 | |
Asian elephants have them. | 0:18:34 | 0:18:36 | |
They are smaller than African elephants. | 0:18:36 | 0:18:38 | |
That is ?500 added to your prize pot | 0:18:38 | 0:18:41 | |
giving you a total of ?1,200. | 0:18:41 | 0:18:43 | |
APPLAUSE | 0:18:43 | 0:18:44 | |
Good, thank you. | 0:18:44 | 0:18:46 | |
Here comes your final question of this round. | 0:18:48 | 0:18:51 | |
Let's see if we can get you up another 500 to 1,700. | 0:18:51 | 0:18:53 | |
My first inclination is A or B. | 0:19:14 | 0:19:18 | |
I'm not sure. | 0:19:18 | 0:19:19 | |
OK, so you're veering towards it's never left Europe or she wears | 0:19:19 | 0:19:23 | |
a veil. It one of three! It is one of three. | 0:19:23 | 0:19:26 | |
I really don't know. | 0:19:26 | 0:19:29 | |
It is one of three. I know nothing. | 0:19:29 | 0:19:30 | |
Let's see if one of this three can sort it out. | 0:19:30 | 0:19:33 | |
It's a very cultured panel. I'm sure you can sort this out. | 0:19:33 | 0:19:37 | |
Your debate starts now. | 0:19:37 | 0:19:39 | |
It was stolen, wasn't it? Yes. | 0:19:39 | 0:19:42 | |
So it may have left Europe. OK. | 0:19:42 | 0:19:44 | |
We know that it was once stolen, | 0:19:44 | 0:19:46 | |
which gives us an idea it could have travelled further than Europe. | 0:19:46 | 0:19:49 | |
Yes. And does she wear a veil? | 0:19:49 | 0:19:51 | |
She doesn't look like she wears a veil because she's sitting | 0:19:51 | 0:19:53 | |
like this with her parting, isn't she? | 0:19:53 | 0:19:55 | |
I don't remember a veil. It's not an obvious... | 0:19:55 | 0:19:57 | |
It's also very small, isn't it? | 0:19:57 | 0:19:59 | |
It's also one of those interesting facts that when you do walk | 0:19:59 | 0:20:03 | |
around the Louvre, you go, can you believe that she was wearing a veil? | 0:20:03 | 0:20:07 | |
You absolutely don't see it in the picture. | 0:20:07 | 0:20:08 | |
If we don't see the veil, we have to assume | 0:20:08 | 0:20:10 | |
that she wasn't wearing a veil. OK. | 0:20:10 | 0:20:13 | |
Elbow the veil. Get rid of the veil. | 0:20:13 | 0:20:15 | |
Was she around in the 15th century? | 0:20:15 | 0:20:17 | |
But if it was painted in 1400 and something, | 0:20:18 | 0:20:20 | |
that is the 15th century, isn't it? | 0:20:20 | 0:20:22 | |
I think it was 1400 and something, wasn't it? | 0:20:22 | 0:20:25 | |
Equally, it could have been 1500 and something. Oh! | 0:20:25 | 0:20:28 | |
Dani, herself, thinks it's either A or B. Dani's a smart dude. | 0:20:30 | 0:20:34 | |
We've eliminated B because we don't think it's B. | 0:20:34 | 0:20:37 | |
Maybe we should go with A because... | 0:20:37 | 0:20:41 | |
Yes... | 0:20:41 | 0:20:43 | |
I think maybe it was painted in the 1500s or 16th century. | 0:20:43 | 0:20:46 | |
We still have a conundrum. What do you think? | 0:20:46 | 0:20:48 | |
Sunetra, what do you think? | 0:20:48 | 0:20:49 | |
Now, through our analysis, | 0:20:49 | 0:20:51 | |
I'm going to go for the painting has never left Europe. | 0:20:51 | 0:20:53 | |
OK, Rick? | 0:20:53 | 0:20:55 | |
Yeah, I think our analysis is relatively good. | 0:20:55 | 0:20:58 | |
I'll go for the painting has never left Europe. OK. | 0:20:58 | 0:21:01 | |
The panel's unanimous decision is that the Mona Lisa | 0:21:01 | 0:21:04 | |
has never left Europe. | 0:21:04 | 0:21:06 | |
The panel believe that it has never left Europe. | 0:21:09 | 0:21:11 | |
Is that any use? | 0:21:11 | 0:21:12 | |
It is, yeah. I think that Da Vinci painted it... | 0:21:12 | 0:21:15 | |
I think it was the 1500s, which would have been the 16th century. | 0:21:15 | 0:21:18 | |
So I agree with Rick on that. | 0:21:18 | 0:21:20 | |
Um, the veil thing. | 0:21:20 | 0:21:22 | |
Even though it's a painting you think that you're familiar with, | 0:21:22 | 0:21:24 | |
sometimes there are little details, | 0:21:24 | 0:21:27 | |
if it was a black veil, would you see it on the black hair? | 0:21:27 | 0:21:29 | |
But I'm inclined to agree with the panel | 0:21:29 | 0:21:32 | |
that the painting has never left Europe. | 0:21:32 | 0:21:34 | |
I think I'm going to go with A. | 0:21:34 | 0:21:36 | |
You believe that the painting has never left Europe. | 0:21:39 | 0:21:43 | |
For ?500, has the Mona Lisa never left Europe? | 0:21:43 | 0:21:48 | |
It's the wrong answer. No! | 0:21:57 | 0:21:59 | |
The true statement is that the Mona Lisa wears a veil. | 0:21:59 | 0:22:04 | |
The delicate, dark veil that covers the Mona Lisa's hair | 0:22:04 | 0:22:06 | |
is sometimes considered a mourning veil. | 0:22:06 | 0:22:09 | |
There it is. | 0:22:09 | 0:22:11 | |
In fact, such veils were commonly worn as a mark of virtue. | 0:22:11 | 0:22:15 | |
It was painted in the 16th century. | 0:22:15 | 0:22:17 | |
Although the Mona Lisa is usually on display in the Louvre, | 0:22:17 | 0:22:20 | |
in 1974 it travelled to Tokyo to the National Museum there | 0:22:20 | 0:22:24 | |
and the Pushkin Museum Of Fine Arts. | 0:22:24 | 0:22:28 | |
The Mona Lisa was stolen in 1911 by a former employee who | 0:22:28 | 0:22:32 | |
believed that it wrongly belonged to Italy. | 0:22:32 | 0:22:36 | |
But Da Vinci had been commissioned by Louis XIV to paint the | 0:22:36 | 0:22:39 | |
picture, so it was actually French property. | 0:22:39 | 0:22:42 | |
Unfortunately, no luck with that one, Dani. | 0:22:42 | 0:22:44 | |
It means that you're going to be playing for ?1,200 | 0:22:44 | 0:22:46 | |
in our final debate. | 0:22:46 | 0:22:48 | |
APPLAUSE | 0:22:48 | 0:22:50 | |
So, quite a tidy sum. | 0:22:52 | 0:22:54 | |
Not bad. Any plans for that? | 0:22:54 | 0:22:56 | |
Oh, that would be a nice little weekend away, | 0:22:56 | 0:22:58 | |
maybe in Barcelona or someone nice with Eleanor and the husband. Nice. | 0:22:58 | 0:23:03 | |
OK, there's just one question that stands between you and the money, | 0:23:03 | 0:23:07 | |
and that is today's Final Debate. | 0:23:07 | 0:23:09 | |
You will face one question, Dani. | 0:23:09 | 0:23:11 | |
There are six possible answers, but only three are correct. | 0:23:11 | 0:23:15 | |
In order to win the cash, we need all three correct answers. | 0:23:15 | 0:23:20 | |
As always, you're not playing alone. | 0:23:20 | 0:23:22 | |
It is your Final Debate, so you're going to choose one of these | 0:23:22 | 0:23:25 | |
fantastic brainboxes to play along with. | 0:23:25 | 0:23:28 | |
You and your celebrity will have 45 seconds to answer, | 0:23:28 | 0:23:30 | |
so who would you like to join you for the Final Debate? | 0:23:30 | 0:23:33 | |
Ooh, it's a difficult decision, | 0:23:33 | 0:23:35 | |
because they've all been very helpful in different ways. | 0:23:35 | 0:23:38 | |
I think... | 0:23:42 | 0:23:44 | |
I'm going to ask Carol to help me. | 0:23:44 | 0:23:46 | |
Carol, could you please join us for the Final Debate. | 0:23:47 | 0:23:50 | |
APPLAUSE | 0:23:50 | 0:23:52 | |
So, Carol, Dani has put her faith in you, and rightly so. | 0:23:56 | 0:24:00 | |
Dani, I just hope that we can do this. | 0:24:00 | 0:24:02 | |
I so want you to get that money. | 0:24:02 | 0:24:04 | |
OK, it is our Final Debate, | 0:24:04 | 0:24:05 | |
that means we're going to give you a choice of two subjects. | 0:24:05 | 0:24:08 | |
Here they come. | 0:24:08 | 0:24:09 | |
Well, there is no decision as far as I'm concerned, it has to be music. | 0:24:14 | 0:24:18 | |
Yeah, yeah. Music's good. | 0:24:18 | 0:24:20 | |
Yeah, we're settled on music, please, Paddy. | 0:24:20 | 0:24:22 | |
We're settling on music, | 0:24:22 | 0:24:23 | |
and we're hoping that it's specifically 1990s music. | 0:24:23 | 0:24:26 | |
If it's about Morrissey, we're good. | 0:24:26 | 0:24:28 | |
Yeah, what sort of music do you like? | 0:24:28 | 0:24:30 | |
I like '80s, '90s, I kind of stop there as well. | 0:24:30 | 0:24:33 | |
But classical, I am lost. Right. | 0:24:33 | 0:24:36 | |
So if it's glam rock or opera, then we're trouble. | 0:24:36 | 0:24:39 | |
But '80s or '90s, we might be OK. So fingers crossed. | 0:24:39 | 0:24:41 | |
OK, glam rock or opera, you're in trouble... Yep! | 0:24:41 | 0:24:44 | |
Fingers crossed, we're going for music. | 0:24:44 | 0:24:47 | |
So, Dani, for ?1,200, best of luck, | 0:24:49 | 0:24:51 | |
here it comes, your Final Debate question. | 0:24:51 | 0:24:54 | |
Dani and Carol, for the final time, your 45-seconds debate starts now. | 0:25:22 | 0:25:27 | |
Any stand out? Marriage of Figaro think is Mozart. Yeah. | 0:25:27 | 0:25:30 | |
Don Giovanni? Possibly. That sounds like, to me. Aida does as well. | 0:25:30 | 0:25:35 | |
But I am no buff on this, these are just ones I know. I don't think... | 0:25:35 | 0:25:39 | |
Aida's the Egyptian one. I don't think that was Mozart. | 0:25:39 | 0:25:42 | |
What about the Barber Of Seville? Hmm... I don't think so. | 0:25:42 | 0:25:45 | |
My inclination is no. What nationality was Mozart? | 0:25:45 | 0:25:49 | |
He was born in Austria, Salzburg. OK, so Seville, Spain. | 0:25:49 | 0:25:52 | |
Doesn't mean anything, but just throwing it out there. | 0:25:52 | 0:25:55 | |
The Clemency Of Titus... Never heard of it. Neither have I! | 0:25:55 | 0:25:57 | |
It's probably the answer! Yes. | 0:25:57 | 0:25:59 | |
So, Marriage Of Figaro we think yes, Don Giovanni, we think... | 0:25:59 | 0:26:02 | |
Maybe. Maybe. And it's just the last one. Fidelio. | 0:26:02 | 0:26:06 | |
Fidelio? Yep, that sounds... It could be. Could be. | 0:26:06 | 0:26:10 | |
Aida's gone, so it's Fidelio or the Clemency Of Titus. | 0:26:10 | 0:26:13 | |
BUZZER Time up, guys. | 0:26:13 | 0:26:15 | |
Dani, I need three operas, please. | 0:26:15 | 0:26:17 | |
OK. Marriage of Figaro. | 0:26:17 | 0:26:19 | |
Don Giovanni. | 0:26:22 | 0:26:23 | |
And... | 0:26:27 | 0:26:28 | |
Fidelio. | 0:26:30 | 0:26:31 | |
Fidelio. | 0:26:33 | 0:26:34 | |
OK, they are locked in. | 0:26:34 | 0:26:36 | |
If those are the three operas by Wolfgang Amadeus Mozart, | 0:26:36 | 0:26:40 | |
you leave with ?1,200 today. | 0:26:40 | 0:26:42 | |
If one of those is incorrect, I'm afraid you do leave with nothing. | 0:26:42 | 0:26:45 | |
Best of luck. | 0:26:45 | 0:26:47 | |
First up, The Marriage Of Figaro, is that an opera by Mozart? | 0:26:47 | 0:26:52 | |
It is. APPLAUSE | 0:26:58 | 0:27:00 | |
We're up and running. | 0:27:03 | 0:27:04 | |
You then said Don Giovanni. | 0:27:05 | 0:27:09 | |
Is Don Giovanni an opera by Mozart? | 0:27:09 | 0:27:13 | |
To keep us on track for the 1,200. | 0:27:13 | 0:27:15 | |
It's a correct answer. APPLAUSE | 0:27:20 | 0:27:22 | |
So, you guys then toyed with the Barber of Seville and Aida, | 0:27:23 | 0:27:27 | |
you ruled both of those out, | 0:27:27 | 0:27:28 | |
and it left us with the Clemency Of Titus and Fidelio. | 0:27:28 | 0:27:33 | |
You went with Fidelio. | 0:27:33 | 0:27:36 | |
Is Fidelio an opera by Mozart? | 0:27:36 | 0:27:39 | |
AUDIENCE GROANS | 0:27:49 | 0:27:51 | |
It's the wrong answer, Dani, I'm so sorry. | 0:27:51 | 0:27:54 | |
It was actually by Beethoven. Oh, dear. | 0:27:54 | 0:27:56 | |
Let's have a little look at the correct answer, | 0:27:56 | 0:27:58 | |
it WAS The Clemency Of Titus! | 0:27:58 | 0:28:01 | |
It was so close. | 0:28:01 | 0:28:03 | |
It was so, so close. | 0:28:03 | 0:28:05 | |
I'm sorry, you don't leave with any money today, | 0:28:05 | 0:28:07 | |
but you've played the game so, so well. Thanks for coming in. | 0:28:07 | 0:28:10 | |
Thank you. One more time, let's hear it for Dani. Thanks very much. | 0:28:10 | 0:28:12 | |
APPLAUSE Well done, you were brilliant. | 0:28:12 | 0:28:15 | |
So close. That is it for Debatable. | 0:28:15 | 0:28:18 | |
There's just enough time for me to thank our fantastic panel, | 0:28:18 | 0:28:22 | |
Carol Kirkwood, | 0:28:22 | 0:28:23 | |
Sunetra Sarker | 0:28:23 | 0:28:24 | |
and Rick Edwards. | 0:28:24 | 0:28:26 | |
APPLAUSE | 0:28:26 | 0:28:28 | |
I hope you've enjoyed watching, | 0:28:28 | 0:28:29 | |
we will see you next time for more heated debates. | 0:28:29 | 0:28:31 | |
For now, it's goodbye from me. | 0:28:31 | 0:28:33 | |
APPLAUSE | 0:28:33 | 0:28:35 |