Catrin O Ferain Mamwlad


Catrin O Ferain

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-Many women in history

-have drawn our attention.

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-They're intelligent or rich,

-beautiful or influential.

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-More often than not,

-they are shrouded in mystery.

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-In the mid-sixteenth century...

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-..the lady who attracted

-Wales's most powerful men...

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-..was Katheryn of Berain.

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-By all accounts,

-she was the mother of Wales.

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-Four weddings, six children

-and a descendant of Henry Tudor.

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-It was implied that her grandfather,

-Sir Roland de Velville...

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-..was the illegitimate son

-of Henry Tudor or Henry VII.

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-Four centuries after her birth,

-the Nazis wanted her portrait.

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-We heard that the family had decided

-to sell the original painting...

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-..but at the end of the war, it had

-become part of Goering's collection.

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-Today, she is a national icon.

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-Katheryn of Berain

-was the Marilyn Monroe of her day.

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-In Clwyd and much further afield,

-400 years ago...

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-..Katheryn was a celebrity.

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-However, her reputation deteriorated

-when stories surfaced...

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-..claiming she killed her husbands

-by pouring lead into their ears...

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-..and that she accumulated

-her wealth by marrying rich men.

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-However, there's more to her

-than meets the eye.

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-It wasn't easy to play the marriage

-game in Tudor times and win!

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-Uncertainty surrounds

-her date of birth.

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-It's thought she was born in 1534

-in the Vale of Clwyd...

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-..to Tudor ap Robert Fychan

-of Berain and Jane Velville.

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-They were a wealthy family in the

-area and descendants of Henry VII.

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-Helen Williams-Ellis

-married into the family.

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-She's writing a biography

-about Katheryn.

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-What choices did women have

-at that time?

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-It was expected for women

-of that era to get married.

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-The convents had closed.

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-Spinsters were frowned upon

-so marriage was the only option.

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-For a wealthy heiress like Katheryn,

-marriage was more important.

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-It was vital that she had family

-to inherit her money...

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-..to keep the wealth

-within the family.

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-She inherited 1,000 acres on

-Anglesey from her mother's family.

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-The Berain estate was 3,000 acres.

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-Therefore,

-she was a very wealthy woman.

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-Berain mansion...

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-..where Katheryn was born, stands

-on the outskirts of Llannefydd.

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-It's currently home to Eirian

-and Iona Jones and their families.

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-Five generations have lived here and

-they've embraced Katheryn's history.

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-Would she have used this room?

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-Yes, it's probable

-as this is part of the old hall.

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-She'd have feasted here.

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-This is the original fireplace.

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-During Katheryn's era, there was

-a fire in the middle of the floor.

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-This beam dates back to her era.

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-It's quite remarkable

-incorporating the linen fold design.

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-The beam looks like

-a stack of folded blankets.

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-Therefore, it's a fairly thick beam.

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-What impression have you had

-of Katheryn's character?

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-Personally, I believe

-that she was very intelligent...

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-..and influential during that era.

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-She was ahead of her time...

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-..and was very clever

-to have retained her own estate.

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-Katheryn's first marriage...

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-..was arranged when she

-and her suitor were children.

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-Girls were sent to their

-prospective husband's family...

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-..to learn the family's ways.

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-Katheryn was sent to Lleweni

-to join the Salusbury family.

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-Lleweni was home to another

-of the vale's famous families.

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-A young Katheryn married the

-family's eldest son, John Salusbury.

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-They had two sons, John and Thomas.

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-John Salusbury was a renowned poet.

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-The family knew the literary greats

-of the era.

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-Christ Church University in Oxford

-houses poetry from Lleweni.

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-It's one of the most important books

-in the Welsh language.

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-It was commissioned by Katheryn

-to record her own family history.

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-It's an important record

-of Katheryn's story.

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-It reveals her family pride...

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-..and her pride in her

-own family's cultural heritage.

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-The book praises Katheryn

-as a supporter of poets.

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-She was generous towards the poor

-and also visited prisoners.

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-We have poetry by Ben Jonson

-who was a friend of John Salusbury.

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-There's also a poem which some claim

-was written by Shakespeare.

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-Over the years,

-some historians have claimed...

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-..that Shakespeare's signature

-hides under this untidy scribble.

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-There's no proof as yet.

-Experts are working on the document.

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-However, there were connections

-between Lleweni and Shakespeare.

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-It's believed that Katheryn's son,

-John Salusbury, knew Shakespeare.

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-Shakespeare dedicated his poem,

-The Phoenix And The Turtle...

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-..to Sir John Salusbury

-and his wife.

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-However, there is no confirmation

-that Shakespeare visited Lleweni.

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-What about the claims

-that Katheryn had royal blood?

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-Was her grandfather,

-Sir Roland de Velville...

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-..the illegitimate son of Henry VII?

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-This manuscript

-houses elegies for Katheryn.

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-Katheryn's last husband

-was Edward Thelwall...

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-..but she was always referred to

-as Katheryn Tudor.

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-It could not be said openly...

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-..that she hailed

-from royal lineage.

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-However, there is no doubt

-about the insinuation in the poetry.

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-Katheryn was married

-to John Salusbury for ten years.

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-Following John's death in 1566,

-Katheryn became a young widow.

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-However, she was very wealthy having

-inherited land in Clwyd, Anglesey...

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-..and many houses, farms and mills.

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-It was a huge fortune in the period,

-so she wasn't a widow for very long.

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-Many myths surround

-Katheryn's marriages.

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-Some believed

-she killed her husbands...

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-..by pouring lead into their ears

-to secure their wealth.

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-They claimed

-she had seven or eight husbands.

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-She'd bury them in an orchard...

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-..after killing them by pouring

-hot lead into their ears.

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-It was an age-old folk motif.

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-One famous tale says...

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-..that Katheryn left the funeral of

-her first husband, John Salusbury...

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-..arm in arm with Morris Wynn,

-and he proposed to her.

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-Katheryn declined...

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-..as she had already agreed to marry

-Richard Clough on the way there!

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-There are stories

-of her burning love letters...

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-..and people would see and hear

-her lovers' ghosts.

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-They've also claimed that Katheryn

-was the mother of Shakespeare!

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-Richard Clough, the son of a Denbigh

-glove maker, was her second husband.

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-His family lacked the noble status

-of the Salusburys...

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-..but he had a sizeable fortune.

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-He was part of the nouveau riche

-and one of Britain's richest men...

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-..giving Katheryn

-even more power and wealth.

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-Richard Clough worked

-as a moneylender in the Netherlands.

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-He was incredibly rich, similar to

-a stockbroker or hedge-fund manager.

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-She was aware that she'd have

-to move to Antwerp with him.

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-It's also thought

-that she visited Spain...

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-..and travelled through France,

-Brabant and Flanders.

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-When Katheryn wasn't in Antwerp,

-she lived at Bachegraig, Denbigh.

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-As a prominent Renaissance figure,

-Clough wanted to flaunt his wealth.

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-There was no better way

-than to build a grand house.

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-Bachegraig was the first brick house

-to be built in Wales.

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-The original house was influenced

-by Dutch architecture.

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-In Antwerp, Clough was an agent

-to the banker, Sir Thomas Gresham...

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-..the founder of the Royal Exchange.

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-Due to the political

-and religious unrest...

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-..they moved

-to the safety of Hamburg.

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-In 1568, they commissioned

-a portrait of Katheryn...

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-..by Adriaen van Cronenburgh.

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-This is the iconic portrait

-of Katheryn at the National Museum.

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-As I delved further into her life...

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-..I learnt that this

-is one of many portraits of her.

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-Some are fake whilst others are

-copies of the original Cronenburgh.

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-I became interested

-in Katheryn of Berain...

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-..when I married

-Jonathan Clough Williams-Ellis.

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-The Clough element of his name

-derives from Richard Clough...

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-..who was her second husband.

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-This copy was made...

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-..before the original portrait at

-the museum in Cardiff was cleaned.

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-Therefore, features of the painting

-aren't easily distinguished.

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-It's rather dark and dirty,

-but I'm very fond of it.

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-The copy was made

-for a Flintshire stately home.

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-The owner sold the original

-and kept the copy in its place.

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-The original

-went on an adventure...

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-..before reaching its home

-at the museum.

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-We've heard that the family decided

-to sell the original painting.

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-It was sold at an auction in Spink

-in London...

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-..but I don't know

-where it went from there.

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-Somehow, it was part of the Goering

-collection at the end of the war.

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-The National Museum has helped us

-to prove for the first time...

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-..that Katheryn's portrait was

-in Germany between 1940 and 1945.

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-During World War II, Hitler's

-close friend, Hermann Goering...

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-..used Nazi force

-to strip Europe of its fine art.

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-Katheryn's portrait

-was part of his collection.

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-Clough died in Hamburg two years

-after the portrait's completion.

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-Katheryn had to return to Wales.

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-Clough wanted his heart

-and right hand to be buried...

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-..at Whitchurch in Denbigh.

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-Katheryn was pregnant

-with her fourth child...

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-..and she had to be particularly

-strong in her bereavement.

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-Once again, Katheryn was alone.

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-However, her first marriage to

-John Salusbury had given her status.

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-Richard Clough

-had also left her his fortune.

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-As a young widow, Katheryn

-had more wealth and power...

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-..than any other woman in Wales.

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-It's hard to imagine how Katheryn

-felt after losing two husbands.

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-She was only 30

-and left to raise four children.

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-Her wealth meant that she would not

-live in poverty and die young.

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-Three years

-after Richard Clough's death...

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-..she'd married for the third time

-and had come to live in Llanrwst.

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-Morris Wynn of Gwydir Castle

-was her third husband...

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-..and Katheryn

-was also his third wife.

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-The Wynn family was one

-of North Wales's richest families.

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-By marrying Morris, Katheryn became

-the stepmother of Sir John Wynn.

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-He lived in a large mansion

-to the west in the Vale of Conwy...

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-..and had a keen interest

-in culture.

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-Katheryn saw that

-he could offer her stability...

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-..after her adventures

-with Richard Clough.

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-The carefully crafted

-wedding agreement...

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-..took everything

-into consideration.

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-Katheryn's drafting of the wedding

-agreements indicates her astuteness.

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-She had no intention

-of losing her land or possessions.

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-She could add

-to her family's wealth and power...

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-..if her children married

-the children of Clough and Wynn.

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-She was complex and cunning.

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-She married Morris Wynn and

-her son married Morris's daughter.

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-There aren't any get-out clauses

-in these agreements.

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-They are business contracts

-that bind the families together.

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-We get the impression that Katheryn

-instrumented the contracts.

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-However, the contracts

-were signed by the men.

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-These arrangements or contracts...

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-..were very similar

-to the prenup agreements of today.

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-The aim was to

-protect inheritance...

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-..and ensure that a wife secured

-enough money to sustain herself.

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-In those days,

-when a woman got married...

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-..all her possessions

-were transferred to the husband.

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-On the occasions when a woman

-had a substantial inheritance...

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-..the family would be eager

-to draw up a contract.

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-Katheryn and Morris Wynn had two

-children called Jane and Edward.

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-This gave Katheryn

-a total of six children.

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-How did the aristocracy

-treat their children...

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-..and what sort of mother was she?

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-She didn't have any custodial rights

-over her children...

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-..as she was a woman.

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-It didn't matter that

-she was an heiress and their mother.

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-When she married Richard Clough

-and moved to Antwerp...

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-..she lost touch with her sons

-from her first marriage.

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-The poets don't mention

-Katheryn's motherly nature...

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-..her love for her children

-or their upbringing.

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-There is no evidence

-of a mother figure...

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-..but the poets praise Katheryn

-for producing heirs and heiresses.

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-There were dark clouds ahead

-for Katheryn.

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-Her firstborn son, Thomas Salusbury,

-was a friend of Anthony Babington.

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-He was involved in the 1586 plot

-to assassinate Elizabeth I...

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-..and replace her with the Catholic,

-Mary Queen of Scots.

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-When Babington and Thomas Salusbury

-were captured...

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-..there was no other option

-but to hang them.

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-Thomas was deleted from history

-without trace.

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-The family must have felt

-extraordinary shame.

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-The loss of a son must have been

-very painful for her.

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-The majority of aristocrats

-in North Wales...

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-..remained silent

-when Thomas Salusbury was executed.

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-Here was an aristocrat

-who was being executed.

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-If they were rather lax...

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-..in their attitudes

-towards Catholicism...

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-..and had an open mind

-about these beliefs...

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-..this made them reconsider

-their thoughts.

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-What do we know

-about Katheryn's own faith?

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-The portrait suggests

-that she was a religious woman.

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-Her clothes are dark and sombre...

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-..and she's holding a prayer book.

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-The skull or the memento mori...

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-..reminds us

-of the fragility of life.

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-These are all signs...

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-..to suggest that it's a portrait

-of a Christian figure.

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-The choice of van Cronenburgh

-to paint the portrait...

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-..speaks volumes about her faith.

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-We know for a fact

-that he was an ardent Catholic.

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-He started his career in Friesland.

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-He had to leave Friesland

-due to his religious beliefs.

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-He refused to give up Catholicism.

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-She wouldn't have chosen

-a Catholic artist...

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-..unless she shared his beliefs.

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-I suspect that Katheryn

-was a staunch Catholic.

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-When her eldest son was executed for

-his part in the Babington Plot...

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-..he stood on the gallows

-and said...

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-.."So have I lived a Catholic,

-shall I die a Catholic".

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-Women were expected to educate

-their children in the faith.

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-If she concealed her Catholicism...

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-..it's possible her choice

-of husbands was politically driven.

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-Morris Wynn's death left her

-a widow for the third time.

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-She returned to the Vale of Clwyd.

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-Within three years, she'd married

-another influential man.

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-Edward Thelwall

-was younger than Katheryn.

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-He was the son of an MP and

-lived at Plas y Ward near Ruthin.

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-It was a very Welsh household.

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-They supported many poets,

-such as Simwnt Fychan.

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-That's the typical culture

-which was evident in Plas y Ward.

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-A noble family

-and part of the establishment...

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-..they administered law and order

-and were professional people.

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-To the end, Katheryn

-carefully planned her life.

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-She was a business woman,

-a siren and a virtuous mother.

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-Is there any another woman who made

-such an impression in Tudor Wales?

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-She died at Plas y Ward in August

-1591, aged just over 50 years.

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-Thomas Pennant states that she

-was buried at Llannefydd Church...

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-..with a gold locket and a lock

-of hair belonging to Richard Clough.

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-No memorial exists

-in the Vale of Clwyd to Katheryn.

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-There's nothing to commemorate

-this extraordinary woman.

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-Why isn't there a memorial to her?

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-Her mother-in-law,

-Dame Sian Salusbury...

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-..spent a fortune

-creating a grand alabaster tomb...

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-..for her own memorial

-at Whitchurch, Denbigh.

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-It grieves me that

-there isn't a memorial to Katheryn.

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-She was defined by her marriages...

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-..as opposed

-to her actions or deeds.

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-However, she managed

-to retain her inheritance.

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-I wonder if that

-was her greatest achievement.

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-She was cunning and used this trait

-in order to survive.

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-I don't believe

-that she was a wicked person.

0:22:490:22:53

-It's one of the myths surrounding

-her that I'd like to dispel.

0:22:530:22:58

-She was a woman of her time

-and a contemporary woman.

0:22:590:23:03

-Over the years,

-Katheryn's character...

0:23:070:23:10

-..has been consumed by a host

-of wild and dramatic stories.

0:23:110:23:15

-For me, I'll remember that she

-survived during a dangerous era...

0:23:150:23:21

-..by using the only weapon

-known to her - marriage.

0:23:210:23:26

-She was an iconic figure.

0:23:260:23:28

-It's no wonder that her story

-still fascinates us.

0:23:280:23:32

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0:23:560:23:57

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