Browse content similar to Catrin O Ferain. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Many women in history -have drawn our attention. | 0:00:05 | 0:00:10 | |
-They're intelligent or rich, -beautiful or influential. | 0:00:10 | 0:00:14 | |
-More often than not, -they are shrouded in mystery. | 0:00:15 | 0:00:18 | |
-In the mid-sixteenth century... | 0:00:19 | 0:00:21 | |
-..the lady who attracted -Wales's most powerful men... | 0:00:21 | 0:00:25 | |
-..was Katheryn of Berain. | 0:00:25 | 0:00:27 | |
-By all accounts, -she was the mother of Wales. | 0:00:28 | 0:00:32 | |
-Four weddings, six children -and a descendant of Henry Tudor. | 0:00:32 | 0:00:37 | |
-It was implied that her grandfather, -Sir Roland de Velville... | 0:00:38 | 0:00:43 | |
-..was the illegitimate son -of Henry Tudor or Henry VII. | 0:00:43 | 0:00:47 | |
-Four centuries after her birth, -the Nazis wanted her portrait. | 0:00:47 | 0:00:52 | |
-We heard that the family had decided -to sell the original painting... | 0:00:53 | 0:00:58 | |
-..but at the end of the war, it had -become part of Goering's collection. | 0:00:58 | 0:01:04 | |
-Today, she is a national icon. | 0:01:04 | 0:01:08 | |
-Katheryn of Berain -was the Marilyn Monroe of her day. | 0:01:08 | 0:01:12 | |
-In Clwyd and much further afield, -400 years ago... | 0:01:30 | 0:01:33 | |
-..Katheryn was a celebrity. | 0:01:33 | 0:01:36 | |
-However, her reputation deteriorated -when stories surfaced... | 0:01:36 | 0:01:41 | |
-..claiming she killed her husbands -by pouring lead into their ears... | 0:01:41 | 0:01:46 | |
-..and that she accumulated -her wealth by marrying rich men. | 0:01:47 | 0:01:50 | |
-However, there's more to her -than meets the eye. | 0:01:51 | 0:01:54 | |
-It wasn't easy to play the marriage -game in Tudor times and win! | 0:01:55 | 0:02:00 | |
-Uncertainty surrounds -her date of birth. | 0:02:02 | 0:02:05 | |
-It's thought she was born in 1534 -in the Vale of Clwyd... | 0:02:06 | 0:02:09 | |
-..to Tudor ap Robert Fychan -of Berain and Jane Velville. | 0:02:10 | 0:02:14 | |
-They were a wealthy family in the -area and descendants of Henry VII. | 0:02:15 | 0:02:20 | |
-Helen Williams-Ellis -married into the family. | 0:02:20 | 0:02:24 | |
-She's writing a biography -about Katheryn. | 0:02:24 | 0:02:27 | |
-What choices did women have -at that time? | 0:02:28 | 0:02:31 | |
-It was expected for women -of that era to get married. | 0:02:31 | 0:02:36 | |
-The convents had closed. | 0:02:36 | 0:02:38 | |
-Spinsters were frowned upon -so marriage was the only option. | 0:02:38 | 0:02:43 | |
-For a wealthy heiress like Katheryn, -marriage was more important. | 0:02:43 | 0:02:48 | |
-It was vital that she had family -to inherit her money... | 0:02:48 | 0:02:52 | |
-..to keep the wealth -within the family. | 0:02:53 | 0:02:56 | |
-She inherited 1,000 acres on -Anglesey from her mother's family. | 0:02:59 | 0:03:04 | |
-The Berain estate was 3,000 acres. | 0:03:04 | 0:03:09 | |
-Therefore, -she was a very wealthy woman. | 0:03:09 | 0:03:12 | |
-Berain mansion... | 0:03:16 | 0:03:18 | |
-..where Katheryn was born, stands -on the outskirts of Llannefydd. | 0:03:18 | 0:03:23 | |
-It's currently home to Eirian -and Iona Jones and their families. | 0:03:23 | 0:03:28 | |
-Five generations have lived here and -they've embraced Katheryn's history. | 0:03:28 | 0:03:34 | |
-Would she have used this room? | 0:03:34 | 0:03:37 | |
-Yes, it's probable -as this is part of the old hall. | 0:03:37 | 0:03:42 | |
-She'd have feasted here. | 0:03:42 | 0:03:45 | |
-This is the original fireplace. | 0:03:46 | 0:03:50 | |
-During Katheryn's era, there was -a fire in the middle of the floor. | 0:03:50 | 0:03:56 | |
-This beam dates back to her era. | 0:03:56 | 0:04:00 | |
-It's quite remarkable -incorporating the linen fold design. | 0:04:00 | 0:04:04 | |
-The beam looks like -a stack of folded blankets. | 0:04:05 | 0:04:08 | |
-Therefore, it's a fairly thick beam. | 0:04:08 | 0:04:11 | |
-What impression have you had -of Katheryn's character? | 0:04:11 | 0:04:15 | |
-Personally, I believe -that she was very intelligent... | 0:04:15 | 0:04:19 | |
-..and influential during that era. | 0:04:20 | 0:04:23 | |
-She was ahead of her time... | 0:04:23 | 0:04:26 | |
-..and was very clever -to have retained her own estate. | 0:04:26 | 0:04:31 | |
-Katheryn's first marriage... | 0:04:36 | 0:04:37 | |
-..was arranged when she -and her suitor were children. | 0:04:38 | 0:04:41 | |
-Girls were sent to their -prospective husband's family... | 0:04:41 | 0:04:46 | |
-..to learn the family's ways. | 0:04:46 | 0:04:48 | |
-Katheryn was sent to Lleweni -to join the Salusbury family. | 0:04:49 | 0:04:53 | |
-Lleweni was home to another -of the vale's famous families. | 0:04:53 | 0:04:58 | |
-A young Katheryn married the -family's eldest son, John Salusbury. | 0:04:58 | 0:05:03 | |
-They had two sons, John and Thomas. | 0:05:03 | 0:05:06 | |
-John Salusbury was a renowned poet. | 0:05:10 | 0:05:12 | |
-The family knew the literary greats -of the era. | 0:05:12 | 0:05:16 | |
-Christ Church University in Oxford -houses poetry from Lleweni. | 0:05:16 | 0:05:21 | |
-It's one of the most important books -in the Welsh language. | 0:05:21 | 0:05:25 | |
-It was commissioned by Katheryn -to record her own family history. | 0:05:25 | 0:05:31 | |
-It's an important record -of Katheryn's story. | 0:05:32 | 0:05:38 | |
-It reveals her family pride... | 0:05:38 | 0:05:41 | |
-..and her pride in her -own family's cultural heritage. | 0:05:41 | 0:05:45 | |
-The book praises Katheryn -as a supporter of poets. | 0:05:45 | 0:05:49 | |
-She was generous towards the poor -and also visited prisoners. | 0:05:49 | 0:05:55 | |
-We have poetry by Ben Jonson -who was a friend of John Salusbury. | 0:05:55 | 0:06:01 | |
-There's also a poem which some claim -was written by Shakespeare. | 0:06:01 | 0:06:07 | |
-Over the years, -some historians have claimed... | 0:06:09 | 0:06:12 | |
-..that Shakespeare's signature -hides under this untidy scribble. | 0:06:12 | 0:06:18 | |
-There's no proof as yet. -Experts are working on the document. | 0:06:18 | 0:06:23 | |
-However, there were connections -between Lleweni and Shakespeare. | 0:06:23 | 0:06:28 | |
-It's believed that Katheryn's son, -John Salusbury, knew Shakespeare. | 0:06:28 | 0:06:34 | |
-Shakespeare dedicated his poem, -The Phoenix And The Turtle... | 0:06:34 | 0:06:40 | |
-..to Sir John Salusbury -and his wife. | 0:06:41 | 0:06:43 | |
-However, there is no confirmation -that Shakespeare visited Lleweni. | 0:06:43 | 0:06:49 | |
-What about the claims -that Katheryn had royal blood? | 0:06:49 | 0:06:53 | |
-Was her grandfather, -Sir Roland de Velville... | 0:06:53 | 0:06:56 | |
-..the illegitimate son of Henry VII? | 0:06:57 | 0:06:59 | |
-This manuscript -houses elegies for Katheryn. | 0:07:00 | 0:07:03 | |
-Katheryn's last husband -was Edward Thelwall... | 0:07:04 | 0:07:07 | |
-..but she was always referred to -as Katheryn Tudor. | 0:07:07 | 0:07:12 | |
-It could not be said openly... | 0:07:12 | 0:07:17 | |
-..that she hailed -from royal lineage. | 0:07:17 | 0:07:20 | |
-However, there is no doubt -about the insinuation in the poetry. | 0:07:20 | 0:07:25 | |
-Katheryn was married -to John Salusbury for ten years. | 0:07:30 | 0:07:34 | |
-Following John's death in 1566, -Katheryn became a young widow. | 0:07:34 | 0:07:39 | |
-However, she was very wealthy having -inherited land in Clwyd, Anglesey... | 0:07:39 | 0:07:45 | |
-..and many houses, farms and mills. | 0:07:45 | 0:07:48 | |
-It was a huge fortune in the period, -so she wasn't a widow for very long. | 0:07:48 | 0:07:54 | |
-Many myths surround -Katheryn's marriages. | 0:08:00 | 0:08:04 | |
-Some believed -she killed her husbands... | 0:08:04 | 0:08:07 | |
-..by pouring lead into their ears -to secure their wealth. | 0:08:07 | 0:08:12 | |
-They claimed -she had seven or eight husbands. | 0:08:12 | 0:08:16 | |
-She'd bury them in an orchard... | 0:08:16 | 0:08:18 | |
-..after killing them by pouring -hot lead into their ears. | 0:08:19 | 0:08:24 | |
-It was an age-old folk motif. | 0:08:24 | 0:08:26 | |
-One famous tale says... | 0:08:27 | 0:08:29 | |
-..that Katheryn left the funeral of -her first husband, John Salusbury... | 0:08:29 | 0:08:33 | |
-..arm in arm with Morris Wynn, -and he proposed to her. | 0:08:33 | 0:08:38 | |
-Katheryn declined... | 0:08:38 | 0:08:40 | |
-..as she had already agreed to marry -Richard Clough on the way there! | 0:08:40 | 0:08:46 | |
-There are stories -of her burning love letters... | 0:08:46 | 0:08:50 | |
-..and people would see and hear -her lovers' ghosts. | 0:08:50 | 0:08:54 | |
-They've also claimed that Katheryn -was the mother of Shakespeare! | 0:08:55 | 0:09:01 | |
-Richard Clough, the son of a Denbigh -glove maker, was her second husband. | 0:09:03 | 0:09:08 | |
-His family lacked the noble status -of the Salusburys... | 0:09:09 | 0:09:13 | |
-..but he had a sizeable fortune. | 0:09:13 | 0:09:15 | |
-He was part of the nouveau riche -and one of Britain's richest men... | 0:09:15 | 0:09:20 | |
-..giving Katheryn -even more power and wealth. | 0:09:20 | 0:09:25 | |
-Richard Clough worked -as a moneylender in the Netherlands. | 0:09:25 | 0:09:30 | |
-He was incredibly rich, similar to -a stockbroker or hedge-fund manager. | 0:09:30 | 0:09:36 | |
-She was aware that she'd have -to move to Antwerp with him. | 0:09:36 | 0:09:41 | |
-It's also thought -that she visited Spain... | 0:09:42 | 0:09:45 | |
-..and travelled through France, -Brabant and Flanders. | 0:09:45 | 0:09:50 | |
-When Katheryn wasn't in Antwerp, -she lived at Bachegraig, Denbigh. | 0:09:55 | 0:10:00 | |
-As a prominent Renaissance figure, -Clough wanted to flaunt his wealth. | 0:10:00 | 0:10:06 | |
-There was no better way -than to build a grand house. | 0:10:06 | 0:10:10 | |
-Bachegraig was the first brick house -to be built in Wales. | 0:10:10 | 0:10:15 | |
-The original house was influenced -by Dutch architecture. | 0:10:15 | 0:10:19 | |
-In Antwerp, Clough was an agent -to the banker, Sir Thomas Gresham... | 0:10:20 | 0:10:25 | |
-..the founder of the Royal Exchange. | 0:10:25 | 0:10:28 | |
-Due to the political -and religious unrest... | 0:10:28 | 0:10:32 | |
-..they moved -to the safety of Hamburg. | 0:10:32 | 0:10:35 | |
-In 1568, they commissioned -a portrait of Katheryn... | 0:10:36 | 0:10:40 | |
-..by Adriaen van Cronenburgh. | 0:10:40 | 0:10:43 | |
-This is the iconic portrait -of Katheryn at the National Museum. | 0:10:45 | 0:10:50 | |
-As I delved further into her life... | 0:10:50 | 0:10:52 | |
-..I learnt that this -is one of many portraits of her. | 0:10:53 | 0:10:56 | |
-Some are fake whilst others are -copies of the original Cronenburgh. | 0:10:57 | 0:11:01 | |
-I became interested -in Katheryn of Berain... | 0:11:05 | 0:11:08 | |
-..when I married -Jonathan Clough Williams-Ellis. | 0:11:08 | 0:11:12 | |
-The Clough element of his name -derives from Richard Clough... | 0:11:13 | 0:11:17 | |
-..who was her second husband. | 0:11:17 | 0:11:20 | |
-This copy was made... | 0:11:20 | 0:11:22 | |
-..before the original portrait at -the museum in Cardiff was cleaned. | 0:11:22 | 0:11:27 | |
-Therefore, features of the painting -aren't easily distinguished. | 0:11:27 | 0:11:32 | |
-It's rather dark and dirty, -but I'm very fond of it. | 0:11:32 | 0:11:36 | |
-The copy was made -for a Flintshire stately home. | 0:11:36 | 0:11:40 | |
-The owner sold the original -and kept the copy in its place. | 0:11:40 | 0:11:44 | |
-The original -went on an adventure... | 0:11:45 | 0:11:48 | |
-..before reaching its home -at the museum. | 0:11:49 | 0:11:52 | |
-We've heard that the family decided -to sell the original painting. | 0:11:52 | 0:11:58 | |
-It was sold at an auction in Spink -in London... | 0:11:58 | 0:12:01 | |
-..but I don't know -where it went from there. | 0:12:01 | 0:12:05 | |
-Somehow, it was part of the Goering -collection at the end of the war. | 0:12:05 | 0:12:10 | |
-The National Museum has helped us -to prove for the first time... | 0:12:13 | 0:12:18 | |
-..that Katheryn's portrait was -in Germany between 1940 and 1945. | 0:12:18 | 0:12:24 | |
-During World War II, Hitler's -close friend, Hermann Goering... | 0:12:25 | 0:12:30 | |
-..used Nazi force -to strip Europe of its fine art. | 0:12:30 | 0:12:35 | |
-Katheryn's portrait -was part of his collection. | 0:12:35 | 0:12:38 | |
-Clough died in Hamburg two years -after the portrait's completion. | 0:12:44 | 0:12:50 | |
-Katheryn had to return to Wales. | 0:12:50 | 0:12:53 | |
-Clough wanted his heart -and right hand to be buried... | 0:12:53 | 0:12:57 | |
-..at Whitchurch in Denbigh. | 0:12:57 | 0:12:59 | |
-Katheryn was pregnant -with her fourth child... | 0:12:59 | 0:13:04 | |
-..and she had to be particularly -strong in her bereavement. | 0:13:04 | 0:13:08 | |
-Once again, Katheryn was alone. | 0:13:10 | 0:13:13 | |
-However, her first marriage to -John Salusbury had given her status. | 0:13:13 | 0:13:18 | |
-Richard Clough -had also left her his fortune. | 0:13:18 | 0:13:22 | |
-As a young widow, Katheryn -had more wealth and power... | 0:13:22 | 0:13:26 | |
-..than any other woman in Wales. | 0:13:26 | 0:13:29 | |
-. | 0:13:35 | 0:13:36 | |
-Subtitles | 0:13:38 | 0:13:38 | |
-Subtitles - -Subtitles | 0:13:38 | 0:13:40 | |
-It's hard to imagine how Katheryn -felt after losing two husbands. | 0:13:45 | 0:13:50 | |
-She was only 30 -and left to raise four children. | 0:13:50 | 0:13:54 | |
-Her wealth meant that she would not -live in poverty and die young. | 0:13:54 | 0:14:00 | |
-Three years -after Richard Clough's death... | 0:14:00 | 0:14:04 | |
-..she'd married for the third time -and had come to live in Llanrwst. | 0:14:04 | 0:14:09 | |
-Morris Wynn of Gwydir Castle -was her third husband... | 0:14:12 | 0:14:16 | |
-..and Katheryn -was also his third wife. | 0:14:16 | 0:14:19 | |
-The Wynn family was one -of North Wales's richest families. | 0:14:20 | 0:14:24 | |
-By marrying Morris, Katheryn became -the stepmother of Sir John Wynn. | 0:14:24 | 0:14:30 | |
-He lived in a large mansion -to the west in the Vale of Conwy... | 0:14:31 | 0:14:36 | |
-..and had a keen interest -in culture. | 0:14:36 | 0:14:40 | |
-Katheryn saw that -he could offer her stability... | 0:14:40 | 0:14:45 | |
-..after her adventures -with Richard Clough. | 0:14:45 | 0:14:49 | |
-The carefully crafted -wedding agreement... | 0:14:49 | 0:14:53 | |
-..took everything -into consideration. | 0:14:53 | 0:14:57 | |
-Katheryn's drafting of the wedding -agreements indicates her astuteness. | 0:15:02 | 0:15:08 | |
-She had no intention -of losing her land or possessions. | 0:15:08 | 0:15:12 | |
-She could add -to her family's wealth and power... | 0:15:12 | 0:15:16 | |
-..if her children married -the children of Clough and Wynn. | 0:15:16 | 0:15:21 | |
-She was complex and cunning. | 0:15:21 | 0:15:23 | |
-She married Morris Wynn and -her son married Morris's daughter. | 0:15:24 | 0:15:28 | |
-There aren't any get-out clauses -in these agreements. | 0:15:29 | 0:15:33 | |
-They are business contracts -that bind the families together. | 0:15:34 | 0:15:40 | |
-We get the impression that Katheryn -instrumented the contracts. | 0:15:40 | 0:15:46 | |
-However, the contracts -were signed by the men. | 0:15:46 | 0:15:50 | |
-These arrangements or contracts... | 0:15:50 | 0:15:54 | |
-..were very similar -to the prenup agreements of today. | 0:15:54 | 0:15:58 | |
-The aim was to -protect inheritance... | 0:15:59 | 0:16:02 | |
-..and ensure that a wife secured -enough money to sustain herself. | 0:16:02 | 0:16:07 | |
-In those days, -when a woman got married... | 0:16:07 | 0:16:10 | |
-..all her possessions -were transferred to the husband. | 0:16:10 | 0:16:14 | |
-On the occasions when a woman -had a substantial inheritance... | 0:16:15 | 0:16:20 | |
-..the family would be eager -to draw up a contract. | 0:16:21 | 0:16:25 | |
-Katheryn and Morris Wynn had two -children called Jane and Edward. | 0:16:27 | 0:16:32 | |
-This gave Katheryn -a total of six children. | 0:16:33 | 0:16:36 | |
-How did the aristocracy -treat their children... | 0:16:36 | 0:16:40 | |
-..and what sort of mother was she? | 0:16:40 | 0:16:43 | |
-She didn't have any custodial rights -over her children... | 0:16:43 | 0:16:47 | |
-..as she was a woman. | 0:16:47 | 0:16:49 | |
-It didn't matter that -she was an heiress and their mother. | 0:16:49 | 0:16:54 | |
-When she married Richard Clough -and moved to Antwerp... | 0:16:54 | 0:16:59 | |
-..she lost touch with her sons -from her first marriage. | 0:16:59 | 0:17:03 | |
-The poets don't mention -Katheryn's motherly nature... | 0:17:12 | 0:17:17 | |
-..her love for her children -or their upbringing. | 0:17:17 | 0:17:22 | |
-There is no evidence -of a mother figure... | 0:17:22 | 0:17:25 | |
-..but the poets praise Katheryn -for producing heirs and heiresses. | 0:17:25 | 0:17:30 | |
-There were dark clouds ahead -for Katheryn. | 0:17:33 | 0:17:36 | |
-Her firstborn son, Thomas Salusbury, -was a friend of Anthony Babington. | 0:17:36 | 0:17:41 | |
-He was involved in the 1586 plot -to assassinate Elizabeth I... | 0:17:42 | 0:17:46 | |
-..and replace her with the Catholic, -Mary Queen of Scots. | 0:17:46 | 0:17:50 | |
-When Babington and Thomas Salusbury -were captured... | 0:17:51 | 0:17:55 | |
-..there was no other option -but to hang them. | 0:17:55 | 0:18:00 | |
-Thomas was deleted from history -without trace. | 0:18:01 | 0:18:04 | |
-The family must have felt -extraordinary shame. | 0:18:05 | 0:18:10 | |
-The loss of a son must have been -very painful for her. | 0:18:11 | 0:18:15 | |
-The majority of aristocrats -in North Wales... | 0:18:15 | 0:18:19 | |
-..remained silent -when Thomas Salusbury was executed. | 0:18:19 | 0:18:24 | |
-Here was an aristocrat -who was being executed. | 0:18:24 | 0:18:30 | |
-If they were rather lax... | 0:18:30 | 0:18:34 | |
-..in their attitudes -towards Catholicism... | 0:18:34 | 0:18:38 | |
-..and had an open mind -about these beliefs... | 0:18:38 | 0:18:41 | |
-..this made them reconsider -their thoughts. | 0:18:42 | 0:18:45 | |
-What do we know -about Katheryn's own faith? | 0:18:56 | 0:19:00 | |
-The portrait suggests -that she was a religious woman. | 0:19:01 | 0:19:05 | |
-Her clothes are dark and sombre... | 0:19:05 | 0:19:09 | |
-..and she's holding a prayer book. | 0:19:09 | 0:19:12 | |
-The skull or the memento mori... | 0:19:12 | 0:19:17 | |
-..reminds us -of the fragility of life. | 0:19:17 | 0:19:20 | |
-These are all signs... | 0:19:21 | 0:19:23 | |
-..to suggest that it's a portrait -of a Christian figure. | 0:19:23 | 0:19:27 | |
-The choice of van Cronenburgh -to paint the portrait... | 0:19:28 | 0:19:32 | |
-..speaks volumes about her faith. | 0:19:32 | 0:19:35 | |
-We know for a fact -that he was an ardent Catholic. | 0:19:36 | 0:19:41 | |
-He started his career in Friesland. | 0:19:41 | 0:19:46 | |
-He had to leave Friesland -due to his religious beliefs. | 0:19:46 | 0:19:50 | |
-He refused to give up Catholicism. | 0:19:50 | 0:19:52 | |
-She wouldn't have chosen -a Catholic artist... | 0:19:53 | 0:19:57 | |
-..unless she shared his beliefs. | 0:19:57 | 0:20:01 | |
-I suspect that Katheryn -was a staunch Catholic. | 0:20:01 | 0:20:05 | |
-When her eldest son was executed for -his part in the Babington Plot... | 0:20:05 | 0:20:10 | |
-..he stood on the gallows -and said... | 0:20:10 | 0:20:13 | |
-.."So have I lived a Catholic, -shall I die a Catholic". | 0:20:13 | 0:20:18 | |
-Women were expected to educate -their children in the faith. | 0:20:18 | 0:20:24 | |
-If she concealed her Catholicism... | 0:20:29 | 0:20:33 | |
-..it's possible her choice -of husbands was politically driven. | 0:20:33 | 0:20:37 | |
-Morris Wynn's death left her -a widow for the third time. | 0:20:38 | 0:20:42 | |
-She returned to the Vale of Clwyd. | 0:20:42 | 0:20:44 | |
-Within three years, she'd married -another influential man. | 0:20:45 | 0:20:49 | |
-Edward Thelwall -was younger than Katheryn. | 0:20:49 | 0:20:53 | |
-He was the son of an MP and -lived at Plas y Ward near Ruthin. | 0:20:53 | 0:20:59 | |
-It was a very Welsh household. | 0:20:59 | 0:21:01 | |
-They supported many poets, -such as Simwnt Fychan. | 0:21:02 | 0:21:06 | |
-That's the typical culture -which was evident in Plas y Ward. | 0:21:07 | 0:21:11 | |
-A noble family -and part of the establishment... | 0:21:11 | 0:21:14 | |
-..they administered law and order -and were professional people. | 0:21:15 | 0:21:19 | |
-To the end, Katheryn -carefully planned her life. | 0:21:21 | 0:21:25 | |
-She was a business woman, -a siren and a virtuous mother. | 0:21:26 | 0:21:30 | |
-Is there any another woman who made -such an impression in Tudor Wales? | 0:21:30 | 0:21:36 | |
-She died at Plas y Ward in August -1591, aged just over 50 years. | 0:21:37 | 0:21:43 | |
-Thomas Pennant states that she -was buried at Llannefydd Church... | 0:21:44 | 0:21:48 | |
-..with a gold locket and a lock -of hair belonging to Richard Clough. | 0:21:49 | 0:21:55 | |
-No memorial exists -in the Vale of Clwyd to Katheryn. | 0:21:57 | 0:22:03 | |
-There's nothing to commemorate -this extraordinary woman. | 0:22:03 | 0:22:07 | |
-Why isn't there a memorial to her? | 0:22:07 | 0:22:09 | |
-Her mother-in-law, -Dame Sian Salusbury... | 0:22:09 | 0:22:12 | |
-..spent a fortune -creating a grand alabaster tomb... | 0:22:12 | 0:22:16 | |
-..for her own memorial -at Whitchurch, Denbigh. | 0:22:16 | 0:22:20 | |
-It grieves me that -there isn't a memorial to Katheryn. | 0:22:21 | 0:22:25 | |
-She was defined by her marriages... | 0:22:26 | 0:22:29 | |
-..as opposed -to her actions or deeds. | 0:22:29 | 0:22:34 | |
-However, she managed -to retain her inheritance. | 0:22:35 | 0:22:40 | |
-I wonder if that -was her greatest achievement. | 0:22:40 | 0:22:44 | |
-She was cunning and used this trait -in order to survive. | 0:22:44 | 0:22:49 | |
-I don't believe -that she was a wicked person. | 0:22:49 | 0:22:53 | |
-It's one of the myths surrounding -her that I'd like to dispel. | 0:22:53 | 0:22:58 | |
-She was a woman of her time -and a contemporary woman. | 0:22:59 | 0:23:03 | |
-Over the years, -Katheryn's character... | 0:23:07 | 0:23:10 | |
-..has been consumed by a host -of wild and dramatic stories. | 0:23:11 | 0:23:15 | |
-For me, I'll remember that she -survived during a dangerous era... | 0:23:15 | 0:23:21 | |
-..by using the only weapon -known to her - marriage. | 0:23:21 | 0:23:26 | |
-She was an iconic figure. | 0:23:26 | 0:23:28 | |
-It's no wonder that her story -still fascinates us. | 0:23:28 | 0:23:32 | |
-S4C Subtitles by Tinopolis | 0:23:54 | 0:23:56 | |
-. | 0:23:56 | 0:23:57 |