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-Gregynog Hall -is a famous centre of culture... | 0:00:09 | 0:00:12 | |
-..and the home -of the Davies Sisters. | 0:00:12 | 0:00:15 | |
-But there was another lady... | 0:00:15 | 0:00:17 | |
-..who played an important -yet unexpected role in our history. | 0:00:17 | 0:00:22 | |
-Dora Herbert Jones. | 0:00:22 | 0:00:23 | |
-The Gregynog Press -was her main interest. | 0:00:26 | 0:00:28 | |
-She dedicated herself... | 0:00:29 | 0:00:32 | |
-..to the press -and the Davies Sisters. | 0:00:32 | 0:00:36 | |
-They've often been spoken of as shy. | 0:00:37 | 0:00:40 | |
-I don't think I would call it shy. -It was another quality. | 0:00:40 | 0:00:44 | |
-She painstakingly ensured -that our folk tunes were protected. | 0:00:47 | 0:00:52 | |
-She was a great influence -on the performance of folk songs... | 0:00:52 | 0:00:56 | |
-..and the promotion -of our folk songs... | 0:00:57 | 0:01:00 | |
-..and the way English composers... | 0:01:00 | 0:01:05 | |
-..used the Welsh songs. | 0:01:06 | 0:01:07 | |
-But there's another side -to Dora's story. | 0:01:08 | 0:01:11 | |
-It's a story of mystery in the midst -of the Easter Rising in Ireland. | 0:01:11 | 0:01:16 | |
-She risked her life. | 0:01:16 | 0:01:18 | |
-Being caught carrying messages -in Ireland was dangerous. | 0:01:18 | 0:01:23 | |
-She could also have drowned -had her ship been torpedoed. | 0:01:23 | 0:01:27 | |
-My search for the story -of Dora Herbert Jones... | 0:01:47 | 0:01:50 | |
-..starts near my home in Cyfronydd. | 0:01:51 | 0:01:54 | |
-Gregynog Hall -is just a few miles away. | 0:01:54 | 0:01:58 | |
-We associate Gregynog with -Gwendoline and Margaret Davies... | 0:01:58 | 0:02:03 | |
-..but it also features -in Dora's story. | 0:02:03 | 0:02:06 | |
-This is where she lived and worked -for the majority of her life. | 0:02:07 | 0:02:12 | |
-But Dora's upbringing -was very different... | 0:02:12 | 0:02:15 | |
-..to the privileged lives -of Gwendoline and Margaret. | 0:02:16 | 0:02:20 | |
-Dora was the youngest -of five daughters. | 0:02:21 | 0:02:24 | |
-Her father ran a successful grocery -in the town of Llangollen. | 0:02:24 | 0:02:30 | |
-He was quite a character... | 0:02:30 | 0:02:32 | |
-..and believed strongly in giving -equal rights for girls in education. | 0:02:33 | 0:02:38 | |
-There was an incident with one aunt. | 0:02:39 | 0:02:41 | |
-She told him -not to waste his money... | 0:02:41 | 0:02:44 | |
-..and take his daughters to the -agricultural fairs to find husbands. | 0:02:45 | 0:02:50 | |
-He was quite adamant... | 0:02:51 | 0:02:52 | |
-..that his daughters had knowledge -as opposed to financial security. | 0:02:52 | 0:02:58 | |
-Where did Dora's -interest in music start? | 0:02:58 | 0:03:02 | |
-I think -she always had a love of music. | 0:03:02 | 0:03:04 | |
-Whilst at the county school -in Llangollen... | 0:03:05 | 0:03:08 | |
-..she took part -in concerts and operettas... | 0:03:08 | 0:03:14 | |
-..from a very young age. | 0:03:14 | 0:03:18 | |
-In 1908, Dora went to Aberystwyth -University to study Welsh... | 0:03:21 | 0:03:25 | |
-..but enjoyed traditional music -outside of her lectures. | 0:03:25 | 0:03:30 | |
-Folk music was unpopular at the time -in Wales. | 0:03:30 | 0:03:35 | |
-There were folk song societies -in England, Scotland and Ireland... | 0:03:35 | 0:03:40 | |
-..but there was nothing in Wales... | 0:03:40 | 0:03:43 | |
-..until J Lloyd Williams and his -type saw the value of these songs. | 0:03:43 | 0:03:49 | |
-Dr Mary Davies, a co-founder -of the Welsh Folk Song Society... | 0:03:51 | 0:03:55 | |
-..visited Aberystwyth to lecture... | 0:03:55 | 0:03:58 | |
-..and asked Dora -to sing examples of the songs. | 0:03:58 | 0:04:01 | |
-It was the start of a life -of singing folk songs. | 0:04:01 | 0:04:05 | |
-In March 1911... | 0:04:05 | 0:04:08 | |
-..four students -from Aberystwyth University... | 0:04:08 | 0:04:13 | |
-..spent six days in Paris. | 0:04:13 | 0:04:16 | |
-They performed in many concerts in -various locations across the city... | 0:04:17 | 0:04:22 | |
-..including -the Paris-Sorbonne University. | 0:04:22 | 0:04:26 | |
-You could say that this -was the first important step... | 0:04:26 | 0:04:30 | |
-..towards internationalizing -Welsh folk songs. | 0:04:30 | 0:04:34 | |
-Dora was undoubtedly -the star of those performances. | 0:04:34 | 0:04:40 | |
-This is where she mastered her -talent and ability as a singer... | 0:04:40 | 0:04:45 | |
-..and a person who interpreted -folk songs in a unique way. | 0:04:45 | 0:04:51 | |
-The emphasis was on the traditional -as opposed to the classical. | 0:04:51 | 0:04:55 | |
-But Dora chose to sidestep a career -as a singer and moved to London... | 0:04:58 | 0:05:04 | |
-..where she became the first woman -to work in the Houses of Parliament. | 0:05:05 | 0:05:10 | |
-It was quite a feat when women -were fighting for the right to vote. | 0:05:10 | 0:05:15 | |
-Dora was the secretary of the MP for -the Flint Boroughs, Herbert Lewis... | 0:05:15 | 0:05:20 | |
-..and often found herself -in the Houses of Parliament. | 0:05:21 | 0:05:25 | |
-Herbert's wife, Ruth was one of the -main collectors of Welsh folk songs. | 0:05:25 | 0:05:31 | |
-Dora accompanied her as she recorded -and collected the songs. | 0:05:31 | 0:05:36 | |
-They famously visited Jane Williams -in the Holywell Workhouse. | 0:05:36 | 0:05:41 | |
-She was over 80 years old -and was totally illiterate... | 0:05:41 | 0:05:47 | |
-..but she had an incredible memory. | 0:05:47 | 0:05:50 | |
-We went to see her one day. | 0:05:50 | 0:05:53 | |
-It was either 1911 or 1912 -but I think it was 1912. | 0:05:53 | 0:05:56 | |
-She was in her bed -but she wasn't ill at all. | 0:05:57 | 0:06:00 | |
-We started recording and got -five songs from her that afternoon. | 0:06:00 | 0:06:05 | |
-I went back time and time again. | 0:06:05 | 0:06:09 | |
-Mrs Herbert Lewis and others -also revisited Jane... | 0:06:09 | 0:06:13 | |
-..and her memory was miraculous. | 0:06:13 | 0:06:15 | |
-Dora is responsible... | 0:06:16 | 0:06:17 | |
-..for preserving the well-known -song, Beth Yw'r Haf I Mi? | 0:06:18 | 0:06:22 | |
-A German musician -called Johann Malchair... | 0:06:23 | 0:06:27 | |
-..visited Harlech -at the start of the 19th century. | 0:06:27 | 0:06:32 | |
-He heard this beautiful melody -as an instrumental piece... | 0:06:32 | 0:06:36 | |
-..and made a note of it -in a little pocket book. | 0:06:36 | 0:06:40 | |
-Some 100 years later... | 0:06:40 | 0:06:43 | |
-..Llew Tegid discovered the notebook -in a second-hand shop in Bangor. | 0:06:43 | 0:06:48 | |
-He showed the melody -to Dora Herbert Jones... | 0:06:48 | 0:06:52 | |
-..who showed it -to John Roberts Williams. | 0:06:52 | 0:06:56 | |
-John asked T H Parry-Williams -and Amy Parry-Williams... | 0:06:56 | 0:07:00 | |
-..if they would write lyrics -to accompany the melody. | 0:07:00 | 0:07:04 | |
-The result is a perfect marriage -between melody and lyrics. | 0:07:04 | 0:07:08 | |
-# What is the summer to me? | 0:07:09 | 0:07:13 | |
-# Just a poor winter -and a flood of tears # | 0:07:13 | 0:07:19 | |
-It was incredibly unfashionable... | 0:07:19 | 0:07:22 | |
-..to talk about folk songs -in those days. | 0:07:22 | 0:07:27 | |
-I was often told that -there was nothing of value... | 0:07:27 | 0:07:31 | |
-..to be recorded and safeguarded. | 0:07:32 | 0:07:34 | |
-But I can tell you -that it was not true. | 0:07:35 | 0:07:38 | |
-If I'm perfectly honest, they didn't -know the essence of a folk song. | 0:07:38 | 0:07:43 | |
-# The summer means... # | 0:07:43 | 0:07:46 | |
-Dora was a key figure in preserving -our folk songs. | 0:07:46 | 0:07:51 | |
-Shortly before her death... | 0:07:51 | 0:07:54 | |
-..Roy Saer from St Fagans made -a recording of Dora's own story. | 0:07:54 | 0:07:59 | |
-How do you view folk songs and -a series such as Hob y Deri Dando? | 0:07:59 | 0:08:05 | |
-It's important to state that -I don't want to be old-fashioned... | 0:08:05 | 0:08:10 | |
-..but I feel that you need -to have respect for the song. | 0:08:10 | 0:08:14 | |
-What was she like? | 0:08:14 | 0:08:17 | |
-I'll start by using the foreign term -of "formidable." | 0:08:17 | 0:08:21 | |
-Physically, she was a large woman -and very tall. | 0:08:21 | 0:08:26 | |
-She would look at you -with her piercing eyes... | 0:08:26 | 0:08:30 | |
-..and gave her opinions -on an array of topics. | 0:08:30 | 0:08:34 | |
-It wasn't pointless banter because -she was too intelligent for that. | 0:08:34 | 0:08:39 | |
-I don't want to sound pompous... | 0:08:40 | 0:08:42 | |
-..but every time -you sing a folk song... | 0:08:43 | 0:08:46 | |
-..you sing about the experience -even if you know nothing about it. | 0:08:46 | 0:08:50 | |
-She had a wide repertoire of songs -but enjoyed singing Hiraeth. | 0:08:50 | 0:08:56 | |
-It was often performed -at the end of her recitals. | 0:08:57 | 0:09:00 | |
-# Tell, great people of knowledge | 0:09:06 | 0:09:13 | |
-# Of what was longing made | 0:09:14 | 0:09:21 | |
-# And what material was put into it | 0:09:22 | 0:09:28 | |
-# That it should not | 0:09:29 | 0:09:33 | |
-# Fade as it is worn? # | 0:09:33 | 0:09:40 | |
-World War I opened many chapters -in Dora's life. | 0:09:40 | 0:09:44 | |
-In 1916, she married Herbert Jones -from Llangernyw. | 0:09:45 | 0:09:48 | |
-Shortly afterwards, -they went to France. | 0:09:48 | 0:09:51 | |
-Herbert was injured at Ypres. | 0:09:51 | 0:09:54 | |
-Dora stayed in Verdun with Margaret -and Gwendoline Davies from Gregynog. | 0:09:54 | 0:09:59 | |
-She ran a canteen -and sang to the soldiers. | 0:09:59 | 0:10:02 | |
-She was the Vera Lynn of her day. | 0:10:02 | 0:10:04 | |
-After leaving France, she got -another job in the political world. | 0:10:08 | 0:10:12 | |
-It took her to the heart of the -battle for independence in Ireland. | 0:10:13 | 0:10:18 | |
-It's 1917, a bleak time -with the war raging in Europe. | 0:10:19 | 0:10:23 | |
-Britain fought on two fronts -since the Irish uprising. | 0:10:24 | 0:10:27 | |
-In the midst of it all, -Dora started a new job... | 0:10:28 | 0:10:32 | |
-..which meant travelling between -London and Dublin regularly. | 0:10:32 | 0:10:36 | |
-It's both confidential -and dangerous... | 0:10:37 | 0:10:39 | |
-..especially as the waters -were full of German u-boats. | 0:10:40 | 0:10:43 | |
-But what was her actual role? | 0:10:44 | 0:10:46 | |
-. | 0:10:51 | 0:10:52 | |
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-Today's crossing from Holyhead -to Dublin is relatively smooth. | 0:10:57 | 0:11:01 | |
-It was a different story in the -midst of war some 100 years ago. | 0:11:01 | 0:11:05 | |
-At 26, Dora Herbert Jones regularly -travelled between London and Dublin. | 0:11:06 | 0:11:12 | |
-She claims to be doing -confidential work... | 0:11:12 | 0:11:15 | |
-..for Lord Wimborne, -the Lord Lieutenant of Ireland. | 0:11:15 | 0:11:20 | |
-What was the situation in Ireland -during Dora's visits? | 0:11:22 | 0:11:26 | |
-It was a very troubled time -in Ireland... | 0:11:27 | 0:11:29 | |
-..following the Easter Rising -against the British government. | 0:11:30 | 0:11:34 | |
-The leaders of the rising -had been shot... | 0:11:34 | 0:11:38 | |
-..whilst others -were imprisoned in Britain. | 0:11:38 | 0:11:41 | |
-Many were held in Frongoch -near Bala. | 0:11:41 | 0:11:44 | |
-Was it a dangerous time to travel -between London and Ireland? | 0:11:44 | 0:11:49 | |
-Yes, it was in 1917. | 0:11:49 | 0:11:51 | |
-German u-boats were active in the -waters and sank every ship in sight. | 0:11:51 | 0:11:57 | |
-Dora was risking her life. | 0:11:57 | 0:12:00 | |
-Yes, she risked her life. | 0:12:00 | 0:12:02 | |
-Being caught carrying messages -in Ireland was dangerous. | 0:12:02 | 0:12:06 | |
-She could also have drowned -had her ship been torpedoed. | 0:12:06 | 0:12:10 | |
-Dora loved being in Dublin. | 0:12:13 | 0:12:15 | |
-She played the organ -in the Welsh chapel.. | 0:12:16 | 0:12:18 | |
-..and enjoyed a life of grandeur -with her employer. | 0:12:19 | 0:12:22 | |
-# Dome epais # | 0:12:22 | 0:12:25 | |
-In Dora's time, the British Empire -governed Ireland from Dublin Castle. | 0:12:25 | 0:12:31 | |
-Lord Wimborne came here -and Dora was at his side... | 0:12:32 | 0:12:35 | |
-..at some of the most -exciting events in Irish history. | 0:12:35 | 0:12:40 | |
-# A la rose s'assemble # | 0:12:40 | 0:12:45 | |
-There's no evidence to reveal the -nature of Dora's confidential work. | 0:12:46 | 0:12:51 | |
-But Lloyd George used the Welsh and -their language on secret missions. | 0:12:51 | 0:12:57 | |
-# Sur la rive en fleurs, -riant au matin # | 0:12:57 | 0:13:03 | |
-What are your thoughts on the claims -that she did undercover work? | 0:13:03 | 0:13:08 | |
-It's a valid point... | 0:13:08 | 0:13:10 | |
-..because the British government -at the time... | 0:13:10 | 0:13:15 | |
-..didn't trust their own -civil servants in Ireland. | 0:13:15 | 0:13:20 | |
-They didn't know who was carrying -messages to the various parties... | 0:13:20 | 0:13:25 | |
-..so Dora was a natural choice. | 0:13:25 | 0:13:28 | |
-Lloyd George knew her... | 0:13:28 | 0:13:32 | |
-..so she could carry messages -from Ireland to Downing Street. | 0:13:32 | 0:13:37 | |
-I wanted to learn more about Dora -and this period in time. | 0:13:43 | 0:13:47 | |
-Finding clues proved difficult... | 0:13:47 | 0:13:50 | |
-..until Dora's granddaughter -called me... | 0:13:50 | 0:13:53 | |
-..about her grandmother's letters. | 0:13:54 | 0:13:56 | |
-The information about Dora's son -was quite astounding. | 0:13:57 | 0:14:00 | |
-He was, for thirty years, -a civil servant... | 0:14:03 | 0:14:06 | |
-..apparently in the Foreign Office. | 0:14:07 | 0:14:09 | |
-Only after he'd retired... | 0:14:09 | 0:14:12 | |
-..I learnt that he was actually in -the intelligence service or MI6... | 0:14:12 | 0:14:18 | |
-..and so was my mother... | 0:14:18 | 0:14:21 | |
-..and various other godfathers -and godmothers. | 0:14:21 | 0:14:25 | |
-And you had no idea. | 0:14:25 | 0:14:26 | |
-And you had no idea. - -We had no idea. | 0:14:26 | 0:14:28 | |
-And I don't think that Dora -actually knew that he was in MI6. | 0:14:28 | 0:14:33 | |
-What about the idea that she did -secret service work in Ireland? | 0:14:34 | 0:14:38 | |
-What do you think? | 0:14:38 | 0:14:39 | |
-What do you think? - -I don't know. | 0:14:39 | 0:14:42 | |
-My gut feeling is that she was -either a trustworthy secretary... | 0:14:42 | 0:14:47 | |
-..or possibly just acting -as a courier carrying letters back. | 0:14:47 | 0:14:51 | |
-Do you think that's likely? | 0:14:51 | 0:14:53 | |
-I don't know but I think the story -might be in these letters... | 0:14:54 | 0:14:58 | |
-..which have been in these boxes -for some time. | 0:14:59 | 0:15:02 | |
-It won't be spelt out and I'll -have to read between the lines. | 0:15:03 | 0:15:07 | |
-We know Dora returned from Ireland -when Lord Wimborne retired... | 0:15:09 | 0:15:14 | |
-..but she never spoke to anyone -about her secret missions. | 0:15:14 | 0:15:20 | |
-In 1918, Dora and Herbert had a -daughter who they called Elspeth... | 0:15:23 | 0:15:28 | |
-..who was shortly followed -by a son called Hugh. | 0:15:28 | 0:15:32 | |
-On the day of Hugh's christening, -Dora also buried her husband. | 0:15:32 | 0:15:38 | |
-Herbert never recovered from the -injuries he sustained in the war. | 0:15:38 | 0:15:42 | |
-The majestic and historical -Gregynog Hall. | 0:15:49 | 0:15:52 | |
-Dora lived in Aberystwyth -after her husband's death... | 0:15:53 | 0:15:56 | |
-..before becoming the secretary -of Margaret and Gwendoline Davies. | 0:15:57 | 0:16:01 | |
-They owned the hall -and its famous press. | 0:16:01 | 0:16:04 | |
-Dora was the PR officer -and involved in marketing. | 0:16:10 | 0:16:15 | |
-She was responsible -for selling the books... | 0:16:16 | 0:16:19 | |
-..and ran rigorous quality control -checks on all the publications. | 0:16:19 | 0:16:24 | |
-Many felt that she was the press. | 0:16:24 | 0:16:27 | |
-The emphasis in this place -was on standards. | 0:16:27 | 0:16:31 | |
-Only the finest would do. | 0:16:31 | 0:16:32 | |
-This was not some little hobby... | 0:16:33 | 0:16:36 | |
-..of two romantic sisters -in a beautiful home... | 0:16:36 | 0:16:39 | |
-..with money to squander. | 0:16:40 | 0:16:41 | |
-Oh, no. It was serious. -It had a purpose. | 0:16:42 | 0:16:45 | |
-What was the relationship -between the hall and the press? | 0:16:46 | 0:16:50 | |
-There was an underlying feeling... | 0:16:50 | 0:16:53 | |
-..that the press was viewed -as a commercial venture... | 0:16:53 | 0:16:58 | |
-..and the hall -was on a higher playing field. | 0:16:59 | 0:17:02 | |
-Dora belonged to both -so where did she fit in? | 0:17:02 | 0:17:06 | |
-Yes, Dora found herself -in an uncomfortable position. | 0:17:06 | 0:17:10 | |
-She was a friend of the sisters. | 0:17:10 | 0:17:13 | |
-There was a feeling -amongst her co-workers... | 0:17:13 | 0:17:16 | |
-..that she would tell tales -to their employers. | 0:17:16 | 0:17:20 | |
-She dedicated herself to the press -and to the sisters. | 0:17:21 | 0:17:26 | |
-I don't think that the sisters -were sensitive enough... | 0:17:26 | 0:17:31 | |
-..to show the amount of respect -that they had for all she did. | 0:17:31 | 0:17:36 | |
-Dora lived on the estate in a house -called Bron Bechan. | 0:17:38 | 0:17:41 | |
-It became a centre -for the cultural life of the hall. | 0:17:42 | 0:17:45 | |
-It was an exciting -but challenging time... | 0:17:46 | 0:17:49 | |
-..and it wasn't always easy. | 0:17:49 | 0:17:51 | |
-They've often been spoken of as shy. | 0:17:51 | 0:17:54 | |
-I don't think I would call it shy. | 0:17:54 | 0:17:56 | |
-It was another quality. | 0:17:57 | 0:17:58 | |
-They shunned publicity. | 0:17:59 | 0:18:01 | |
-Indeed perhaps you and I would -if we had a million each. | 0:18:01 | 0:18:04 | |
-I've never had it so can't tell you -but they did shun it. | 0:18:05 | 0:18:08 | |
-She was friendly with both but they -were very different from each other. | 0:18:08 | 0:18:13 | |
-And Daisy, in any case, -was very jealous of Dora. | 0:18:14 | 0:18:20 | |
-I don't know for what reason. | 0:18:20 | 0:18:22 | |
-It may have been -that Gwen was very fond of Dora... | 0:18:22 | 0:18:25 | |
-..or it may have been that she was -jealous of her various talents. | 0:18:26 | 0:18:30 | |
-I really don't know. | 0:18:30 | 0:18:32 | |
-When it comes to Gwen, -it was different. | 0:18:32 | 0:18:34 | |
-Gwen was absolutely dependent -on Dora after she got to Gregynog. | 0:18:35 | 0:18:40 | |
-They were very alike -in lots of ways. | 0:18:40 | 0:18:43 | |
-But also, they had a great affection -for each other. | 0:18:43 | 0:18:47 | |
-They remained very close... | 0:18:47 | 0:18:49 | |
-..until the very last few years... | 0:18:50 | 0:18:55 | |
-..of Gwen's life. | 0:18:55 | 0:18:57 | |
-That was really very sad. | 0:18:58 | 0:19:00 | |
-Very sad indeed. | 0:19:00 | 0:19:02 | |
-Gwen mistrusted Dora. | 0:19:02 | 0:19:04 | |
-If one had not lived -in a great house... | 0:19:04 | 0:19:08 | |
-..and the other lived in a cottage -and felt inferior... | 0:19:08 | 0:19:12 | |
-..they would have been real buddies. | 0:19:12 | 0:19:15 | |
-They didn't always see eye-to-eye... | 0:19:19 | 0:19:21 | |
-..but it proved to be a successful -partnership for both parties. | 0:19:22 | 0:19:26 | |
-Gwendoline and Margaret Davies' -greatest gift... | 0:19:29 | 0:19:34 | |
-..was the new lease of life they -gave to the Welsh music world... | 0:19:34 | 0:19:40 | |
-..thanks to their generosity. | 0:19:40 | 0:19:43 | |
-More importantly... | 0:19:43 | 0:19:44 | |
-..they invited many influential -and prominent English musicians... | 0:19:45 | 0:19:50 | |
-..to stay at Gregynog Hall. | 0:19:50 | 0:19:52 | |
-When these legendary musicians... | 0:19:52 | 0:19:54 | |
-..such as Elgar, Delius, -Vaughan Williams and Holst... | 0:19:55 | 0:19:59 | |
-..visited Gregynog... | 0:19:59 | 0:20:01 | |
-..they were entertained -in the evenings by Dora Rowlands. | 0:20:01 | 0:20:05 | |
-She sang traditional Welsh songs. | 0:20:05 | 0:20:08 | |
-Shortly afterwards... | 0:20:08 | 0:20:11 | |
-..those composers -used some of the Welsh melodies... | 0:20:11 | 0:20:15 | |
-..as the basis -of their compositions. | 0:20:15 | 0:20:18 | |
-They also arranged -Welsh folk songs... | 0:20:18 | 0:20:21 | |
-..for quartets -and the choral tradition in England. | 0:20:21 | 0:20:26 | |
-Stanley Baldwin, I suppose... | 0:20:29 | 0:20:31 | |
-..was the most famous non-musician -who ever went to Gregynog. | 0:20:31 | 0:20:36 | |
-They gave him a home for rest -during the abdication time. | 0:20:36 | 0:20:41 | |
-Dora was largely -left in charge of him. | 0:20:41 | 0:20:44 | |
-I think she and Stanley Baldwin -got on extremely well. | 0:20:44 | 0:20:50 | |
-Dora endured a second tragedy... | 0:20:57 | 0:20:59 | |
-..with the death of her daughter -at the age of 21. | 0:20:59 | 0:21:02 | |
-Elspeth was returning from Australia -when her ship was hit by a torpedo. | 0:21:02 | 0:21:08 | |
-After all that had happened... | 0:21:09 | 0:21:11 | |
-..Dora couldn't face -staying in Gregynog. | 0:21:12 | 0:21:15 | |
-She spent the rest of her life -lecturing about folk songs... | 0:21:22 | 0:21:28 | |
-..leaving an incredible legacy. | 0:21:28 | 0:21:30 | |
-She was just as comfortable on large -stages as she was in small vestries. | 0:21:30 | 0:21:36 | |
-She could empathize and appeal -to both adults and children. | 0:21:36 | 0:21:41 | |
-She was so important -and worked in many fields... | 0:21:41 | 0:21:45 | |
-..as a PR officer for folk music. | 0:21:45 | 0:21:48 | |
-She was active in the society... | 0:21:48 | 0:21:50 | |
-..but also lectured -to various groups... | 0:21:51 | 0:21:53 | |
-..and was prominent -in the Eisteddfod. | 0:21:54 | 0:21:57 | |
-If we had a recording of Dora -singing Welsh folk songs... | 0:21:57 | 0:22:01 | |
-..when she was in her prime... | 0:22:01 | 0:22:04 | |
-..I'm sure many singers in Wales... | 0:22:04 | 0:22:08 | |
-..would understand -how to interpret a folk song. | 0:22:08 | 0:22:13 | |
-It shouldn't be like a classical -song or an operatic aria... | 0:22:13 | 0:22:17 | |
-..but something totally natural. | 0:22:17 | 0:22:20 | |
-That was Dora's greatest skill. | 0:22:20 | 0:22:22 | |
-The tragedy is that -so few emulate her today. | 0:22:22 | 0:22:25 | |
-In January 1974, Dorothy received -a phone call from Dora. | 0:22:26 | 0:22:31 | |
-Her voice suggested -that all was not well. | 0:22:31 | 0:22:36 | |
-At the end, she said... | 0:22:38 | 0:22:40 | |
-.."Goodnight, darling. -I do hope I'll see you again." | 0:22:40 | 0:22:43 | |
-And I said, "goodnight." | 0:22:44 | 0:22:47 | |
-That really worried me -because that wasn't Dora. | 0:22:48 | 0:22:52 | |
-That wasn't her at all. | 0:22:52 | 0:22:54 | |
-I was so worried... | 0:22:54 | 0:22:55 | |
-..I decided I'd go over -the next morning to see her. | 0:22:55 | 0:22:59 | |
-By ten o'clock the next morning, her -cleaner had found her dead in bed. | 0:23:00 | 0:23:04 | |
-Her lively voice was silent. | 0:23:11 | 0:23:14 | |
-Her mischievous smile was still -and zest for life had gone. | 0:23:14 | 0:23:19 | |
-Dora described Gregynog as one of -the most magical places in Wales... | 0:23:20 | 0:23:25 | |
-..and this is where she returned -in the end. | 0:23:25 | 0:23:28 | |
-I hope she knows that Gregynog and -Wales were much richer places... | 0:23:28 | 0:23:34 | |
-..thanks to her hard work -and dedication. | 0:23:34 | 0:23:37 | |
-S4C Subtitles By Tinopolis | 0:23:57 | 0:24:00 |