Morfydd Llwyn Owen Mamwlad


Morfydd Llwyn Owen

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-The Gower Peninsula is the resting

-place of a talented Welsh musician.

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-Morfydd Llwyn Owen...

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-..was one of the most important

-composers of the early 20th century.

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-This religious girl experienced

-a colourful and amorous life.

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-She exploited

-and enjoyed romances...

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-..with a string of male companions.

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-Men appeared overnight

-before she moved on to the next one.

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-Her character was often

-a topic of conversation.

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-I don't think she realized

-that she hurt people.

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-And she did hurt people.

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-Her music is a legacy to treasure.

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-She transformed the way

-I looked at singing in Wales.

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-It's been a century since the death

-of Morfydd Llwyn Owen.

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-Her incredible beauty,

-melancholic music...

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-..and mysterious final years

-still enchant us.

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-Morfydd is often described

-as an enigma.

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-She was an incredibly beautiful girl

-with raven hair, sparkling eyes...

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-..and olive skin reminiscent

-of an exotic Romani figure.

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-However, there was nothing exotic

-about her upbringing.

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-She was born in the industrial

-South Wales Valleys...

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-..at the end of the 19th century.

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-Morfydd was born

-on this street in 1891...

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-..to William and Sarah Owen.

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-Her father was an accountant

-in Cardiff and her mother a draper.

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-They had enough money to holiday

-in Llandrindod and Switzerland.

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-She came from a

-middle class background.

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-They were a strict Puritan family.

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-She had two older brothers

-who were twins.

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-She was beautiful, intelligent...

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-..and terribly spoilt.

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-This affected her

-throughout her life...

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-..as she wasn't responsible enough

-to care for herself.

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-Morfydd's talent became apparent

-from a very young age.

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-She composed music

-before she had even left school.

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-This is her earliest

-surviving composition.

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-It was composed in 1908

-when she was 17 years old.

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-It's a minuet for the piano.

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-The school, chapel and Eisteddfod

-provided a stage for her music.

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-Everyone in the area wanted

-to take advantage of her talent.

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-But Morfydd knew that her future

-didn't lie in Treforest.

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-William Owen was the head of the

-family and was quite the dictator.

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-Morfydd left Treforest...

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-..and escaped to a more

-liberal society in the big city.

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-She was the first recipient

-of the Caradog Scholarship...

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-..to study music

-at Cardiff University.

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-Morfydd wasn't the only female

-student but she paved the way...

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-..for other women

-like Grace Williams.

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-Professional female musicians

-were very rare at that time.

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-We can put this into

-a wider international context.

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-Vienna's Symphonic Orchestra didn't

-allow females until recently...

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-..and there are still

-very few women in today's orchestra.

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-The professional music world

-was only seen as a place for men.

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-Whilst at college,

-Morfydd met Eliot Crawshay-Williams.

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-At the time, Eliot

-was a married Member of Parliament.

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-Like most men,

-he was charmed by Morfydd.

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-She enjoyed male company.

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-She boasted about her string

-of male companions.

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-Men appeared overnight

-before she moved on to the next one.

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-It was no wonder

-that she enjoyed their company...

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-..as she'd been raised

-in a very strict household.

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-Her father was quite a tyrant.

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-He didn't allow any man to cross the

-threshold at Wain House, Treforest.

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-Her friendship with Eliot Crawshay

-lasted her whole life.

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-Their letters show

-a close relationship.

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-"Eliot, my soul, what should I do...

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-"..if no-one but you would

-satisfy me the whole of my life?

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-"The very thought kills me."

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-She was very fond of Eliot Crawshay.

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-However, he didn't feel

-the same way towards her.

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-She could be herself around him,

-more than anyone else.

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-I believe

-that she was in love with him.

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-Eliot encouraged Morfydd

-to further her studies in London.

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-Treforest and Cardiff

-were very proud...

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-..when she was accepted

-into the Royal Academy of Music.

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-Here, she composed, performed

-as a singer and truly prospered.

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-When did you first encounter

-Morfydd's music?

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-I was in the Royal College of Music

-preparing for my final recital.

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-The theme was women.

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-My tutor, David Owen Norris,

-insisted that I chose one composer.

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-It was Morfydd Llwyn Owen so I chose

-Gweddi Y Pechadur and I was hooked!

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-She transformed the way

-I looked at Welsh music.

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-# I once heard of Jesus

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-# And that he continues

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-# To accept publicans

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-# And the great sinners #

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-It's very rare to be able

-to sing with such honesty.

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-She was obviously

-an incredible woman...

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-..to go to the depths of her soul...

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-..to use these words and

-team them with these harmonies...

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-..that are dark and mature.

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-# With them #

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-It was easy to empathize

-with her love of music and poetry.

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-When I sing her songs,

-I channel her.

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-It sounds strange

-but I feel like I'm possessed.

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-I lose myself in the music

-and the lyrics.

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-I love the harmonies and melodies.

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-There's strength in Morfydd's music

-and that comes out of me.

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-Morfydd treasured her time

-at the Royal Academy.

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-She blossomed

-out of her father's shadow.

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-She experienced success, praise

-and won all sorts of prizes.

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-It was unusual to find a woman

-who composed music.

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-There was hardly anyone in Wales...

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-..who composed on the same

-creative and ambitious level.

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-She led the way for Grace Williams,

-Dilys Elwyn Edwards...

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-..and many more female composers.

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-Moving to London wasn't easy for

-this 20-year-old from the Valleys.

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-She lived in a flat in Maida Vale

-and Eliot was there to support her.

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-Morfydd greatly appreciated

-his support.

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-"Do you know, I really

-shall never, never forget...

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-"..how perfectly sweet you were

-to me when I first came to London.

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-"You were a real darling,

-really you were.

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-"Long live Eliot!"

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-The Welsh society and the Charing

-Cross Chapel were important to her.

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-That's where she met...

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-..the Member of Parliament,

-Herbert Lewis and his wife, Ruth.

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-Their grandchild, Nest

-remembers Morfydd.

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-Morfydd was introduced to London...

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-..and knew nobody there.

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-My grandmother took pity on her...

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-..and basically adopted her

-whilst she was in London.

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-She decided she wasn't

-suitably clothed for London society.

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-She had a French dressmaker

-who she was very proud of...

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-..and she sent her

-to this French dressmaker.

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-You can imaging this gypsy

-being sent to a dressmaker.

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-It worked out very well

-and she was very pleased with it.

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-I think she probably relied

-on my mother a great deal...

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-..to learn how she should behave.

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-Over time, Morfydd and Nest's family

-grew apart.

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-To this day, there is still

-a feeling of betrayal and shame.

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-I got the impression

-that she would do anything...

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-..to get what she wanted

-and never mind hurt.

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-I don't think she'd even be aware

-of how much she hurt people.

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-She did hurt people.

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-Both my mother, grandmother and my

-grandfather to a certain extent...

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-..were left not actually knowing

-what they could have done...

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-..to have helped her more...

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-..and bitter regret

-at what happened...

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-..and the way she died.

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-.

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-At the start of World War II...

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-..Morfydd Llwyn Owen was a prominent

-composer and performer in London.

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-She was a leading figure

-of the city's Welsh social scene.

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-She'd also discovered

-the freedom of bohemian living.

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-Who were the bohemian set in London?

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-They were mainly artists.

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-Think of Puccini's opera, La Boheme.

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-These bohemians led a carefree life.

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-They were painters, writers,

-poets and musicians.

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-They didn't fit into a respectable

-and law-abiding society.

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-They could dress differently

-and smoke in public without worry.

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-Their relationships

-with one another...

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-..didn't follow those

-strict and conservative rules...

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-..that were inherently part

-of a Christian Welsh life.

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-Hampstead Heath was one of the

-bohemian set's favourite places.

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-She socialized with notable figures

-like D H Lawrence and Ezra Pound.

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-How bohemian was her life in London?

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-Now there's a question!

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-There are many theories

-about her life.

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-However, I'm not sure

-if she stayed out late...

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-..and associated with others

-in a way that pushed her boundaries.

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-We must remember

-that she was a keen chapel-goer.

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-Breaking free...

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-..was more of a dream

-than a reality.

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-Her bohemian friends

-introduced her to Ernest Jones.

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-He was a controversial psychoanalyst

-and a great friend of Sigmund Freud.

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-She fell in love with him

-on the first night they met.

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-She attended a party

-with another man...

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-..but their eyes met across the room

-and it was very romantic.

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-They were both from Wales and

-he longed to be more of a Welshman.

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-Being married to a Welsh woman

-meant a lot to Jones.

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-They both had similar personalities.

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-There were differences...

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-..but they also shared

-similar interests.

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-After three months,

-Morfydd and Ernest wed in secret.

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-Not a single wedding photograph

-has survived.

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-This is Ernest and Morfydd's

-wedding certificate.

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-This is our most detailed account

-of this unusual wedding.

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-Ernest and Morfydd didn't leave

-any more information.

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-Morfydd

-was a professional composer...

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-..but this box has been left empty.

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-I wonder if she always knew

-that she'd have to choose...

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-..between a marriage and composing.

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-Did your grandmother try to stop her

-from marrying Ernest Jones?

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-Everybody tried to stop her

-from marrying him.

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-They didn't like him.

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-They thought

-that he was trying to mould her...

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-..into what he expected

-a good wife to be.

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-He was an intelligent man.

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-He had a power...

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-..and a hold over Morfydd.

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-Her friends hated him.

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-Ernest Jones

-wasn't a respectable man.

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-He had strong German connections

-during the war against Germany.

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-I wanted to know

-how he felt about Morfydd.

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-These two letters

-were sent by Ernest Jones...

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-..to his tutor and mentor, Freud.

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-"Since my last letter...

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-"..I have news to give

-that I got married last week...

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-"..and just returned from a

-week's honeymoon in West Cornwall.

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-"She is Welsh, young, 23...

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-"..very pretty, intelligent

-and musical.

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-"After a degree in music...

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-"..she studied for four years

-at the Academy.

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-"She sang at her first and last

-concert the week I captured her."

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-That's very interesting.

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-"She has also composed

-some promising works."

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-He also promises that Freud

-would meet Morfydd after the war.

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-What was Ernest Jones' status?

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-He was the international leader

-of the Freud movement for decades.

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-Nobody else could match him

-in terms of status.

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-In my opinion,

-he could have superseded Freud...

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-..but his great respect for him

-stopped him from doing such a thing.

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-At the time, the work of Freud and

-Ernest Jones was very controversial.

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-Psychoanalysis

-was a new and alien field.

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-When Ernest Jones

-came on to the scene...

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-..my grandfather tried to find out

-as much as he could about him.

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-He was so concerned...

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-..that this still

-fairly wild young woman...

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-..was marrying somebody

-so much older than her...

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-..and completely

-the opposite of her.

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-He was an atheist...

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-..and there was general opposition

-towards Freud's followers.

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-He was labelled a dirty old man

-for his views about sex.

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-They didn't realize...

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-..that Freud was referring to the

-significance of these sexual acts.

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-There's a great difference.

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-After the wedding, the pair settled

-in Ernest's Sussex home, The Platt.

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-Ernest worked

-from his Harley Street clinic...

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-..whilst Morfydd juggled her work

-at the Academy with being a wife.

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-She reveals her feelings in her

-final letter to Eliot Crawshay.

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-"Oh dear, what it is to be married

-and run a household establishment.

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-"Married life doesn't seem...

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-"..the easiest thing to adapt to

-and has taken up all my time."

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-Despite this...

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-..Morfydd composed nearly 200 pieces

-during her short life.

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-She proved

-that she was an incredible talent.

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-She could compose

-idiomatic piano pieces.

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-She was a fantastic pianist...

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-..and had the talent to play

-concerti and classical pieces.

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-This is a very rare quality

-in this day and age.

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-She had taken the time to learn

-techniques and extend her knowledge.

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-Her compositions

-like Slumber Song to the Madonna...

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-..can be compared to the best

-that you'll find in England.

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-They are classics.

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-In August 1917, Ernest and Morfydd

-left their home...

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-..and travelled to Wales on holiday.

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-The pair came to Ernest's

-family home, Craig-Y-Mor.

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-She had a stomach ache and sickness

-from the moment she arrived.

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-However, she got better...

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-..and walked the rocks

-and lunched with friends.

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-On 24 August, her condition

-deteriorated once more.

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-Morfydd developed the lethal

-condition, appendix abscess.

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-The treatments of the era...

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-..were nothing similar

-to today's treatments.

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-There was no such thing

-as a blood transfusion...

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-..or sending patients

-to intensive care units.

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-You did all you could

-to shake the illness...

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-..and hope for the best.

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-Two weeks after arriving in Wales

-and a year after getting married...

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-..Morfydd died aged 26

-after undergoing an operation.

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-This is Ernest Jones'

-personal diary.

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-There must be a record

-of Morfydd's death.

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-Here it is.

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-It's September 7 and only reads...

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-"2.00am. Ceased treatment."

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-The time, 8.30am

-has been underlined.

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-That was the end of her life.

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-The circumstances of Morfydd's death

-have always been questioned.

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-Why wasn't a doctor called earlier

-and why did they use chloroform?

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-Some have questioned

-whether Ernest killed her.

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-What's your opinion on the theory

-that Ernest killed Morfydd?

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-It's complete nonsense.

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-There isn't any evidence.

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-I have a theory about what happened.

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-There was such opposition to the

-Freud supporters of the world...

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-..that they used any excuse

-to vilify them.

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-Chloroform had been used

-instead of ether...

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-..as there was still a debate

-as to which one was best.

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-It's been claimed

-that someone gave her chloroform...

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-..as she would die

-as a result of it.

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-I don't believe their theory

-and it's slanderous.

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-What was the family's theory

-about her death?

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-They always thought...

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-..that Ernest Jones hadn't done

-as much as he should have done...

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-..and they held him

-directly responsible for her death.

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-My mother particularly,

-right until the end of her life...

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-..used to say...

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-..how upset she was

-at the way she died.

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-There was always

-a slight mystery around that.

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-I don't think we'll ever know

-exactly what happened.

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-However, we do know...

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-..that she underwent an operation on

-the kitchen table inside this room.

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-Within a few days, she had died...

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-..aged just 26.

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-Morfydd died young and at the

-pinnacle of her composing career.

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-We can only imagine

-what she could have achieved.

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-She will live on like the sun...

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-..and the Morfudd

-in Dafydd ap Gwilym's poems.

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-She will continue

-to shine from above.

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-I don't understand

-why she isn't more famous.

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-She was daring,

-intelligent and venturesome...

0:22:520:22:56

-..and this scared people.

0:22:560:22:58

-However, nearly a century has passed

-so it's time that we celebrate her.

0:22:580:23:03

-Morfydd rests here in a lonely grave

-without a husband or family.

0:23:080:23:13

-It's easy to see why questions are

-still being asked about her death.

0:23:130:23:18

-The loss of her beauty

-and personality...

0:23:180:23:21

-..have turned her into a legend.

0:23:210:23:24

-However, it's her talent

-that we will remember most...

0:23:240:23:28

-..and her music will live on.

0:23:290:23:31

-S4C Subtitles by Tinopolis

0:23:560:23:58

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0:23:580:23:58

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