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-The Gower Peninsula is the resting -place of a talented Welsh musician. | 0:00:09 | 0:00:14 | |
-Morfydd Llwyn Owen... | 0:00:17 | 0:00:19 | |
-..was one of the most important -composers of the early 20th century. | 0:00:19 | 0:00:24 | |
-This religious girl experienced -a colourful and amorous life. | 0:00:25 | 0:00:30 | |
-She exploited -and enjoyed romances... | 0:00:31 | 0:00:34 | |
-..with a string of male companions. | 0:00:34 | 0:00:37 | |
-Men appeared overnight -before she moved on to the next one. | 0:00:38 | 0:00:42 | |
-Her character was often -a topic of conversation. | 0:00:47 | 0:00:51 | |
-I don't think she realized -that she hurt people. | 0:00:51 | 0:00:54 | |
-And she did hurt people. | 0:00:56 | 0:00:59 | |
-Her music is a legacy to treasure. | 0:00:59 | 0:01:02 | |
-She transformed the way -I looked at singing in Wales. | 0:01:02 | 0:01:08 | |
-It's been a century since the death -of Morfydd Llwyn Owen. | 0:01:15 | 0:01:18 | |
-Her incredible beauty, -melancholic music... | 0:01:19 | 0:01:24 | |
-..and mysterious final years -still enchant us. | 0:01:24 | 0:01:28 | |
-Morfydd is often described -as an enigma. | 0:01:48 | 0:01:51 | |
-She was an incredibly beautiful girl -with raven hair, sparkling eyes... | 0:01:52 | 0:01:56 | |
-..and olive skin reminiscent -of an exotic Romani figure. | 0:01:57 | 0:02:01 | |
-However, there was nothing exotic -about her upbringing. | 0:02:05 | 0:02:08 | |
-She was born in the industrial -South Wales Valleys... | 0:02:09 | 0:02:13 | |
-..at the end of the 19th century. | 0:02:13 | 0:02:16 | |
-Morfydd was born -on this street in 1891... | 0:02:18 | 0:02:22 | |
-..to William and Sarah Owen. | 0:02:22 | 0:02:25 | |
-Her father was an accountant -in Cardiff and her mother a draper. | 0:02:25 | 0:02:29 | |
-They had enough money to holiday -in Llandrindod and Switzerland. | 0:02:30 | 0:02:35 | |
-She came from a -middle class background. | 0:02:38 | 0:02:41 | |
-They were a strict Puritan family. | 0:02:42 | 0:02:46 | |
-She had two older brothers -who were twins. | 0:02:46 | 0:02:50 | |
-She was beautiful, intelligent... | 0:02:51 | 0:02:54 | |
-..and terribly spoilt. | 0:02:54 | 0:02:57 | |
-This affected her -throughout her life... | 0:02:57 | 0:03:01 | |
-..as she wasn't responsible enough -to care for herself. | 0:03:01 | 0:03:05 | |
-Morfydd's talent became apparent -from a very young age. | 0:03:08 | 0:03:12 | |
-She composed music -before she had even left school. | 0:03:12 | 0:03:16 | |
-This is her earliest -surviving composition. | 0:03:16 | 0:03:19 | |
-It was composed in 1908 -when she was 17 years old. | 0:03:20 | 0:03:23 | |
-It's a minuet for the piano. | 0:03:24 | 0:03:26 | |
-The school, chapel and Eisteddfod -provided a stage for her music. | 0:03:31 | 0:03:35 | |
-Everyone in the area wanted -to take advantage of her talent. | 0:03:35 | 0:03:39 | |
-But Morfydd knew that her future -didn't lie in Treforest. | 0:03:40 | 0:03:44 | |
-William Owen was the head of the -family and was quite the dictator. | 0:03:47 | 0:03:52 | |
-Morfydd left Treforest... | 0:03:53 | 0:03:55 | |
-..and escaped to a more -liberal society in the big city. | 0:03:56 | 0:03:59 | |
-She was the first recipient -of the Caradog Scholarship... | 0:04:02 | 0:04:06 | |
-..to study music -at Cardiff University. | 0:04:06 | 0:04:09 | |
-Morfydd wasn't the only female -student but she paved the way... | 0:04:10 | 0:04:15 | |
-..for other women -like Grace Williams. | 0:04:15 | 0:04:17 | |
-Professional female musicians -were very rare at that time. | 0:04:18 | 0:04:23 | |
-We can put this into -a wider international context. | 0:04:23 | 0:04:27 | |
-Vienna's Symphonic Orchestra didn't -allow females until recently... | 0:04:27 | 0:04:32 | |
-..and there are still -very few women in today's orchestra. | 0:04:32 | 0:04:36 | |
-The professional music world -was only seen as a place for men. | 0:04:37 | 0:04:42 | |
-Whilst at college, -Morfydd met Eliot Crawshay-Williams. | 0:04:44 | 0:04:49 | |
-At the time, Eliot -was a married Member of Parliament. | 0:04:49 | 0:04:53 | |
-Like most men, -he was charmed by Morfydd. | 0:04:53 | 0:04:57 | |
-She enjoyed male company. | 0:04:57 | 0:04:59 | |
-She boasted about her string -of male companions. | 0:05:00 | 0:05:06 | |
-Men appeared overnight -before she moved on to the next one. | 0:05:06 | 0:05:11 | |
-It was no wonder -that she enjoyed their company... | 0:05:12 | 0:05:17 | |
-..as she'd been raised -in a very strict household. | 0:05:17 | 0:05:20 | |
-Her father was quite a tyrant. | 0:05:20 | 0:05:23 | |
-He didn't allow any man to cross the -threshold at Wain House, Treforest. | 0:05:23 | 0:05:29 | |
-Her friendship with Eliot Crawshay -lasted her whole life. | 0:05:30 | 0:05:35 | |
-Their letters show -a close relationship. | 0:05:35 | 0:05:39 | |
-"Eliot, my soul, what should I do... | 0:05:40 | 0:05:43 | |
-"..if no-one but you would -satisfy me the whole of my life? | 0:05:43 | 0:05:47 | |
-"The very thought kills me." | 0:05:48 | 0:05:50 | |
-She was very fond of Eliot Crawshay. | 0:05:50 | 0:05:53 | |
-However, he didn't feel -the same way towards her. | 0:05:53 | 0:05:57 | |
-She could be herself around him, -more than anyone else. | 0:05:58 | 0:06:03 | |
-I believe -that she was in love with him. | 0:06:03 | 0:06:06 | |
-Eliot encouraged Morfydd -to further her studies in London. | 0:06:08 | 0:06:12 | |
-Treforest and Cardiff -were very proud... | 0:06:12 | 0:06:15 | |
-..when she was accepted -into the Royal Academy of Music. | 0:06:15 | 0:06:19 | |
-Here, she composed, performed -as a singer and truly prospered. | 0:06:19 | 0:06:25 | |
-When did you first encounter -Morfydd's music? | 0:06:25 | 0:06:29 | |
-I was in the Royal College of Music -preparing for my final recital. | 0:06:29 | 0:06:35 | |
-The theme was women. | 0:06:35 | 0:06:37 | |
-My tutor, David Owen Norris, -insisted that I chose one composer. | 0:06:37 | 0:06:41 | |
-It was Morfydd Llwyn Owen so I chose -Gweddi Y Pechadur and I was hooked! | 0:06:41 | 0:06:47 | |
-She transformed the way -I looked at Welsh music. | 0:06:47 | 0:06:51 | |
-# I once heard of Jesus | 0:06:52 | 0:07:00 | |
-# And that he continues | 0:07:00 | 0:07:09 | |
-# To accept publicans | 0:07:09 | 0:07:15 | |
-# And the great sinners # | 0:07:16 | 0:07:24 | |
-It's very rare to be able -to sing with such honesty. | 0:07:24 | 0:07:27 | |
-She was obviously -an incredible woman... | 0:07:28 | 0:07:30 | |
-..to go to the depths of her soul... | 0:07:31 | 0:07:33 | |
-..to use these words and -team them with these harmonies... | 0:07:33 | 0:07:37 | |
-..that are dark and mature. | 0:07:37 | 0:07:40 | |
-# With them # | 0:07:40 | 0:07:43 | |
-It was easy to empathize -with her love of music and poetry. | 0:07:44 | 0:07:49 | |
-When I sing her songs, -I channel her. | 0:07:49 | 0:07:53 | |
-It sounds strange -but I feel like I'm possessed. | 0:07:53 | 0:07:56 | |
-I lose myself in the music -and the lyrics. | 0:07:57 | 0:08:00 | |
-I love the harmonies and melodies. | 0:08:01 | 0:08:03 | |
-There's strength in Morfydd's music -and that comes out of me. | 0:08:03 | 0:08:08 | |
-Morfydd treasured her time -at the Royal Academy. | 0:08:10 | 0:08:14 | |
-She blossomed -out of her father's shadow. | 0:08:14 | 0:08:18 | |
-She experienced success, praise -and won all sorts of prizes. | 0:08:18 | 0:08:22 | |
-It was unusual to find a woman -who composed music. | 0:08:26 | 0:08:31 | |
-There was hardly anyone in Wales... | 0:08:31 | 0:08:34 | |
-..who composed on the same -creative and ambitious level. | 0:08:34 | 0:08:38 | |
-She led the way for Grace Williams, -Dilys Elwyn Edwards... | 0:08:38 | 0:08:43 | |
-..and many more female composers. | 0:08:44 | 0:08:47 | |
-Moving to London wasn't easy for -this 20-year-old from the Valleys. | 0:08:50 | 0:08:55 | |
-She lived in a flat in Maida Vale -and Eliot was there to support her. | 0:08:55 | 0:09:00 | |
-Morfydd greatly appreciated -his support. | 0:09:01 | 0:09:04 | |
-"Do you know, I really -shall never, never forget... | 0:09:04 | 0:09:07 | |
-"..how perfectly sweet you were -to me when I first came to London. | 0:09:08 | 0:09:12 | |
-"You were a real darling, -really you were. | 0:09:13 | 0:09:15 | |
-"Long live Eliot!" | 0:09:16 | 0:09:18 | |
-The Welsh society and the Charing -Cross Chapel were important to her. | 0:09:18 | 0:09:24 | |
-That's where she met... | 0:09:24 | 0:09:26 | |
-..the Member of Parliament, -Herbert Lewis and his wife, Ruth. | 0:09:27 | 0:09:31 | |
-Their grandchild, Nest -remembers Morfydd. | 0:09:31 | 0:09:34 | |
-Morfydd was introduced to London... | 0:09:35 | 0:09:38 | |
-..and knew nobody there. | 0:09:39 | 0:09:41 | |
-My grandmother took pity on her... | 0:09:41 | 0:09:43 | |
-..and basically adopted her -whilst she was in London. | 0:09:43 | 0:09:48 | |
-She decided she wasn't -suitably clothed for London society. | 0:09:49 | 0:09:54 | |
-She had a French dressmaker -who she was very proud of... | 0:09:55 | 0:09:58 | |
-..and she sent her -to this French dressmaker. | 0:09:59 | 0:10:02 | |
-You can imaging this gypsy -being sent to a dressmaker. | 0:10:02 | 0:10:06 | |
-It worked out very well -and she was very pleased with it. | 0:10:06 | 0:10:10 | |
-I think she probably relied -on my mother a great deal... | 0:10:11 | 0:10:15 | |
-..to learn how she should behave. | 0:10:15 | 0:10:18 | |
-Over time, Morfydd and Nest's family -grew apart. | 0:10:19 | 0:10:25 | |
-To this day, there is still -a feeling of betrayal and shame. | 0:10:26 | 0:10:31 | |
-I got the impression -that she would do anything... | 0:10:31 | 0:10:35 | |
-..to get what she wanted -and never mind hurt. | 0:10:35 | 0:10:39 | |
-I don't think she'd even be aware -of how much she hurt people. | 0:10:40 | 0:10:44 | |
-She did hurt people. | 0:10:44 | 0:10:46 | |
-Both my mother, grandmother and my -grandfather to a certain extent... | 0:10:46 | 0:10:52 | |
-..were left not actually knowing -what they could have done... | 0:10:52 | 0:10:56 | |
-..to have helped her more... | 0:10:56 | 0:10:59 | |
-..and bitter regret -at what happened... | 0:10:59 | 0:11:03 | |
-..and the way she died. | 0:11:04 | 0:11:06 | |
-. | 0:11:10 | 0:11:10 | |
-Subtitles | 0:11:12 | 0:11:12 | |
-Subtitles - -Subtitles | 0:11:12 | 0:11:14 | |
-At the start of World War II... | 0:11:18 | 0:11:20 | |
-..Morfydd Llwyn Owen was a prominent -composer and performer in London. | 0:11:21 | 0:11:26 | |
-She was a leading figure -of the city's Welsh social scene. | 0:11:27 | 0:11:31 | |
-She'd also discovered -the freedom of bohemian living. | 0:11:31 | 0:11:35 | |
-Who were the bohemian set in London? | 0:11:35 | 0:11:38 | |
-They were mainly artists. | 0:11:39 | 0:11:41 | |
-Think of Puccini's opera, La Boheme. | 0:11:41 | 0:11:45 | |
-These bohemians led a carefree life. | 0:11:45 | 0:11:49 | |
-They were painters, writers, -poets and musicians. | 0:11:49 | 0:11:54 | |
-They didn't fit into a respectable -and law-abiding society. | 0:11:54 | 0:12:00 | |
-They could dress differently -and smoke in public without worry. | 0:12:01 | 0:12:07 | |
-Their relationships -with one another... | 0:12:07 | 0:12:10 | |
-..didn't follow those -strict and conservative rules... | 0:12:11 | 0:12:15 | |
-..that were inherently part -of a Christian Welsh life. | 0:12:15 | 0:12:19 | |
-Hampstead Heath was one of the -bohemian set's favourite places. | 0:12:21 | 0:12:25 | |
-She socialized with notable figures -like D H Lawrence and Ezra Pound. | 0:12:25 | 0:12:31 | |
-How bohemian was her life in London? | 0:12:33 | 0:12:36 | |
-Now there's a question! | 0:12:37 | 0:12:39 | |
-There are many theories -about her life. | 0:12:40 | 0:12:44 | |
-However, I'm not sure -if she stayed out late... | 0:12:44 | 0:12:48 | |
-..and associated with others -in a way that pushed her boundaries. | 0:12:48 | 0:12:53 | |
-We must remember -that she was a keen chapel-goer. | 0:12:53 | 0:12:57 | |
-Breaking free... | 0:12:58 | 0:13:01 | |
-..was more of a dream -than a reality. | 0:13:02 | 0:13:06 | |
-Her bohemian friends -introduced her to Ernest Jones. | 0:13:09 | 0:13:14 | |
-He was a controversial psychoanalyst -and a great friend of Sigmund Freud. | 0:13:14 | 0:13:20 | |
-She fell in love with him -on the first night they met. | 0:13:20 | 0:13:24 | |
-She attended a party -with another man... | 0:13:24 | 0:13:28 | |
-..but their eyes met across the room -and it was very romantic. | 0:13:28 | 0:13:34 | |
-They were both from Wales and -he longed to be more of a Welshman. | 0:13:34 | 0:13:38 | |
-Being married to a Welsh woman -meant a lot to Jones. | 0:13:39 | 0:13:43 | |
-They both had similar personalities. | 0:13:44 | 0:13:47 | |
-There were differences... | 0:13:47 | 0:13:49 | |
-..but they also shared -similar interests. | 0:13:50 | 0:13:53 | |
-After three months, -Morfydd and Ernest wed in secret. | 0:13:56 | 0:14:01 | |
-Not a single wedding photograph -has survived. | 0:14:01 | 0:14:04 | |
-This is Ernest and Morfydd's -wedding certificate. | 0:14:04 | 0:14:08 | |
-This is our most detailed account -of this unusual wedding. | 0:14:08 | 0:14:13 | |
-Ernest and Morfydd didn't leave -any more information. | 0:14:13 | 0:14:17 | |
-Morfydd -was a professional composer... | 0:14:18 | 0:14:23 | |
-..but this box has been left empty. | 0:14:24 | 0:14:27 | |
-I wonder if she always knew -that she'd have to choose... | 0:14:27 | 0:14:31 | |
-..between a marriage and composing. | 0:14:31 | 0:14:34 | |
-Did your grandmother try to stop her -from marrying Ernest Jones? | 0:14:35 | 0:14:39 | |
-Everybody tried to stop her -from marrying him. | 0:14:39 | 0:14:43 | |
-They didn't like him. | 0:14:43 | 0:14:45 | |
-They thought -that he was trying to mould her... | 0:14:45 | 0:14:49 | |
-..into what he expected -a good wife to be. | 0:14:49 | 0:14:53 | |
-He was an intelligent man. | 0:14:53 | 0:14:55 | |
-He had a power... | 0:14:56 | 0:14:58 | |
-..and a hold over Morfydd. | 0:14:58 | 0:15:01 | |
-Her friends hated him. | 0:15:01 | 0:15:05 | |
-Ernest Jones -wasn't a respectable man. | 0:15:05 | 0:15:08 | |
-He had strong German connections -during the war against Germany. | 0:15:08 | 0:15:13 | |
-I wanted to know -how he felt about Morfydd. | 0:15:14 | 0:15:18 | |
-These two letters -were sent by Ernest Jones... | 0:15:18 | 0:15:21 | |
-..to his tutor and mentor, Freud. | 0:15:21 | 0:15:25 | |
-"Since my last letter... | 0:15:25 | 0:15:27 | |
-"..I have news to give -that I got married last week... | 0:15:27 | 0:15:31 | |
-"..and just returned from a -week's honeymoon in West Cornwall. | 0:15:31 | 0:15:35 | |
-"She is Welsh, young, 23... | 0:15:35 | 0:15:38 | |
-"..very pretty, intelligent -and musical. | 0:15:38 | 0:15:41 | |
-"After a degree in music... | 0:15:41 | 0:15:43 | |
-"..she studied for four years -at the Academy. | 0:15:43 | 0:15:46 | |
-"She sang at her first and last -concert the week I captured her." | 0:15:47 | 0:15:52 | |
-That's very interesting. | 0:15:52 | 0:15:54 | |
-"She has also composed -some promising works." | 0:15:54 | 0:15:58 | |
-He also promises that Freud -would meet Morfydd after the war. | 0:15:58 | 0:16:02 | |
-What was Ernest Jones' status? | 0:16:05 | 0:16:08 | |
-He was the international leader -of the Freud movement for decades. | 0:16:08 | 0:16:13 | |
-Nobody else could match him -in terms of status. | 0:16:13 | 0:16:18 | |
-In my opinion, -he could have superseded Freud... | 0:16:18 | 0:16:23 | |
-..but his great respect for him -stopped him from doing such a thing. | 0:16:23 | 0:16:28 | |
-At the time, the work of Freud and -Ernest Jones was very controversial. | 0:16:29 | 0:16:34 | |
-Psychoanalysis -was a new and alien field. | 0:16:34 | 0:16:38 | |
-When Ernest Jones -came on to the scene... | 0:16:38 | 0:16:41 | |
-..my grandfather tried to find out -as much as he could about him. | 0:16:41 | 0:16:46 | |
-He was so concerned... | 0:16:46 | 0:16:49 | |
-..that this still -fairly wild young woman... | 0:16:49 | 0:16:53 | |
-..was marrying somebody -so much older than her... | 0:16:53 | 0:16:58 | |
-..and completely -the opposite of her. | 0:16:58 | 0:17:01 | |
-He was an atheist... | 0:17:01 | 0:17:03 | |
-..and there was general opposition -towards Freud's followers. | 0:17:04 | 0:17:09 | |
-He was labelled a dirty old man -for his views about sex. | 0:17:09 | 0:17:13 | |
-They didn't realize... | 0:17:13 | 0:17:15 | |
-..that Freud was referring to the -significance of these sexual acts. | 0:17:16 | 0:17:21 | |
-There's a great difference. | 0:17:21 | 0:17:23 | |
-After the wedding, the pair settled -in Ernest's Sussex home, The Platt. | 0:17:25 | 0:17:31 | |
-Ernest worked -from his Harley Street clinic... | 0:17:31 | 0:17:34 | |
-..whilst Morfydd juggled her work -at the Academy with being a wife. | 0:17:35 | 0:17:40 | |
-She reveals her feelings in her -final letter to Eliot Crawshay. | 0:17:40 | 0:17:45 | |
-"Oh dear, what it is to be married -and run a household establishment. | 0:17:45 | 0:17:51 | |
-"Married life doesn't seem... | 0:17:51 | 0:17:53 | |
-"..the easiest thing to adapt to -and has taken up all my time." | 0:17:53 | 0:17:58 | |
-Despite this... | 0:18:01 | 0:18:02 | |
-..Morfydd composed nearly 200 pieces -during her short life. | 0:18:02 | 0:18:06 | |
-She proved -that she was an incredible talent. | 0:18:07 | 0:18:10 | |
-She could compose -idiomatic piano pieces. | 0:18:13 | 0:18:16 | |
-She was a fantastic pianist... | 0:18:16 | 0:18:18 | |
-..and had the talent to play -concerti and classical pieces. | 0:18:19 | 0:18:24 | |
-This is a very rare quality -in this day and age. | 0:18:24 | 0:18:27 | |
-She had taken the time to learn -techniques and extend her knowledge. | 0:18:28 | 0:18:33 | |
-Her compositions -like Slumber Song to the Madonna... | 0:18:35 | 0:18:40 | |
-..can be compared to the best -that you'll find in England. | 0:18:40 | 0:18:44 | |
-They are classics. | 0:18:44 | 0:18:46 | |
-In August 1917, Ernest and Morfydd -left their home... | 0:18:46 | 0:18:51 | |
-..and travelled to Wales on holiday. | 0:18:51 | 0:18:54 | |
-The pair came to Ernest's -family home, Craig-Y-Mor. | 0:18:54 | 0:18:59 | |
-She had a stomach ache and sickness -from the moment she arrived. | 0:19:00 | 0:19:04 | |
-However, she got better... | 0:19:04 | 0:19:06 | |
-..and walked the rocks -and lunched with friends. | 0:19:06 | 0:19:10 | |
-On 24 August, her condition -deteriorated once more. | 0:19:10 | 0:19:14 | |
-Morfydd developed the lethal -condition, appendix abscess. | 0:19:14 | 0:19:19 | |
-The treatments of the era... | 0:19:19 | 0:19:24 | |
-..were nothing similar -to today's treatments. | 0:19:24 | 0:19:28 | |
-There was no such thing -as a blood transfusion... | 0:19:28 | 0:19:32 | |
-..or sending patients -to intensive care units. | 0:19:32 | 0:19:36 | |
-You did all you could -to shake the illness... | 0:19:37 | 0:19:40 | |
-..and hope for the best. | 0:19:40 | 0:19:43 | |
-Two weeks after arriving in Wales -and a year after getting married... | 0:19:46 | 0:19:51 | |
-..Morfydd died aged 26 -after undergoing an operation. | 0:19:51 | 0:19:55 | |
-This is Ernest Jones' -personal diary. | 0:19:58 | 0:20:01 | |
-There must be a record -of Morfydd's death. | 0:20:01 | 0:20:05 | |
-Here it is. | 0:20:05 | 0:20:06 | |
-It's September 7 and only reads... | 0:20:07 | 0:20:10 | |
-"2.00am. Ceased treatment." | 0:20:10 | 0:20:14 | |
-The time, 8.30am -has been underlined. | 0:20:14 | 0:20:17 | |
-That was the end of her life. | 0:20:19 | 0:20:21 | |
-The circumstances of Morfydd's death -have always been questioned. | 0:20:25 | 0:20:30 | |
-Why wasn't a doctor called earlier -and why did they use chloroform? | 0:20:31 | 0:20:35 | |
-Some have questioned -whether Ernest killed her. | 0:20:35 | 0:20:39 | |
-What's your opinion on the theory -that Ernest killed Morfydd? | 0:20:40 | 0:20:45 | |
-It's complete nonsense. | 0:20:45 | 0:20:47 | |
-There isn't any evidence. | 0:20:47 | 0:20:49 | |
-I have a theory about what happened. | 0:20:49 | 0:20:54 | |
-There was such opposition to the -Freud supporters of the world... | 0:20:54 | 0:20:59 | |
-..that they used any excuse -to vilify them. | 0:20:59 | 0:21:03 | |
-Chloroform had been used -instead of ether... | 0:21:04 | 0:21:09 | |
-..as there was still a debate -as to which one was best. | 0:21:09 | 0:21:13 | |
-It's been claimed -that someone gave her chloroform... | 0:21:13 | 0:21:18 | |
-..as she would die -as a result of it. | 0:21:18 | 0:21:20 | |
-I don't believe their theory -and it's slanderous. | 0:21:21 | 0:21:24 | |
-What was the family's theory -about her death? | 0:21:25 | 0:21:28 | |
-They always thought... | 0:21:29 | 0:21:31 | |
-..that Ernest Jones hadn't done -as much as he should have done... | 0:21:31 | 0:21:36 | |
-..and they held him -directly responsible for her death. | 0:21:36 | 0:21:40 | |
-My mother particularly, -right until the end of her life... | 0:21:40 | 0:21:45 | |
-..used to say... | 0:21:45 | 0:21:47 | |
-..how upset she was -at the way she died. | 0:21:47 | 0:21:52 | |
-There was always -a slight mystery around that. | 0:21:52 | 0:21:57 | |
-I don't think we'll ever know -exactly what happened. | 0:22:01 | 0:22:04 | |
-However, we do know... | 0:22:05 | 0:22:07 | |
-..that she underwent an operation on -the kitchen table inside this room. | 0:22:07 | 0:22:12 | |
-Within a few days, she had died... | 0:22:12 | 0:22:15 | |
-..aged just 26. | 0:22:15 | 0:22:18 | |
-Morfydd died young and at the -pinnacle of her composing career. | 0:22:28 | 0:22:34 | |
-We can only imagine -what she could have achieved. | 0:22:34 | 0:22:38 | |
-She will live on like the sun... | 0:22:38 | 0:22:40 | |
-..and the Morfudd -in Dafydd ap Gwilym's poems. | 0:22:40 | 0:22:45 | |
-She will continue -to shine from above. | 0:22:45 | 0:22:48 | |
-I don't understand -why she isn't more famous. | 0:22:48 | 0:22:52 | |
-She was daring, -intelligent and venturesome... | 0:22:52 | 0:22:56 | |
-..and this scared people. | 0:22:56 | 0:22:58 | |
-However, nearly a century has passed -so it's time that we celebrate her. | 0:22:58 | 0:23:03 | |
-Morfydd rests here in a lonely grave -without a husband or family. | 0:23:08 | 0:23:13 | |
-It's easy to see why questions are -still being asked about her death. | 0:23:13 | 0:23:18 | |
-The loss of her beauty -and personality... | 0:23:18 | 0:23:21 | |
-..have turned her into a legend. | 0:23:21 | 0:23:24 | |
-However, it's her talent -that we will remember most... | 0:23:24 | 0:23:28 | |
-..and her music will live on. | 0:23:29 | 0:23:31 | |
-S4C Subtitles by Tinopolis | 0:23:56 | 0:23:58 | |
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