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Hello and welcome to the quiz that likes to scramble your brains, | 0:00:21 | 0:00:24 | |
fry your wits and make a deluxe omelette out of overconfidence. | 0:00:24 | 0:00:28 | |
We're at the quarterfinals stage, | 0:00:28 | 0:00:29 | |
where only the hard-boiled can survive, so let's crack on. | 0:00:29 | 0:00:33 | |
Eggs. I'm saying everything is like eggs. | 0:00:33 | 0:00:36 | |
The soldiers who are dipping in tonight | 0:00:36 | 0:00:38 | |
and hoping not to get burned are... | 0:00:38 | 0:00:41 | |
On my right, Innis Carson, | 0:00:41 | 0:00:43 | |
a PhD chemistry student who once broke his leg on a roundabout. | 0:00:43 | 0:00:47 | |
Lorraine Murtagh, a professional | 0:00:47 | 0:00:49 | |
dog walker who first met the team captain | 0:00:49 | 0:00:51 | |
when he was shirtless and eating cheese in her brother's kitchen. | 0:00:51 | 0:00:54 | |
And that captain is Ian Volante, | 0:00:54 | 0:00:57 | |
a physics graduate who | 0:00:57 | 0:00:59 | |
was on the committee of the Jaffa Cake Appreciation Society. | 0:00:59 | 0:01:02 | |
United by a passion for | 0:01:02 | 0:01:03 | |
the periodic table, | 0:01:03 | 0:01:04 | |
they are the Scientists. | 0:01:04 | 0:01:06 | |
Ian, you won you first game against the Builders | 0:01:06 | 0:01:08 | |
and your next against the Athenians. | 0:01:08 | 0:01:10 | |
What's been the secret of your success? | 0:01:10 | 0:01:12 | |
A large dollop of luck | 0:01:12 | 0:01:13 | |
and my team-mates making up for | 0:01:13 | 0:01:15 | |
my deficiencies, I think, mainly. | 0:01:15 | 0:01:17 | |
Let's see if that will happen again tonight. | 0:01:17 | 0:01:19 | |
You are facing, on my left... | 0:01:19 | 0:01:22 | |
Tessa North, a sales assistant who used to live in a camper van | 0:01:22 | 0:01:25 | |
in Texas and was once prevented from getting home by a police cordon | 0:01:25 | 0:01:29 | |
and some escaped cows. | 0:01:29 | 0:01:31 | |
Pete Sorel-Cameron, an actor | 0:01:31 | 0:01:32 | |
and musician who once accidentally | 0:01:32 | 0:01:34 | |
flashed the audience while appearing as Flute the bellows-mender. | 0:01:34 | 0:01:38 | |
And their captain Richard Aubrey, | 0:01:38 | 0:01:40 | |
a secondary school teacher | 0:01:40 | 0:01:41 | |
and keen musician who once played Duncan in a production of Macbeth | 0:01:41 | 0:01:44 | |
where they forgot to kill him. | 0:01:44 | 0:01:46 | |
All intrigued by instruments, | 0:01:46 | 0:01:49 | |
they are the String Section. | 0:01:49 | 0:01:51 | |
Richard, you've beaten the Headliners and the Wayfarers. | 0:01:51 | 0:01:53 | |
What do you chalk your success down to? | 0:01:53 | 0:01:55 | |
Mine is lucky ties | 0:01:55 | 0:01:57 | |
and being able to go for | 0:01:57 | 0:01:59 | |
the Two Reeds question | 0:01:59 | 0:02:01 | |
almost every time, cos it seems most musical. | 0:02:01 | 0:02:03 | |
-You do look magnificent tonight, if I may say so. -Thank you. | 0:02:03 | 0:02:06 | |
Very nice outfit. Let's see how far | 0:02:06 | 0:02:08 | |
that gets you in the quiz. | 0:02:08 | 0:02:09 | |
Scientists, you won the toss, | 0:02:09 | 0:02:11 | |
but you've decided to put the String Section in first. | 0:02:11 | 0:02:13 | |
Tricksy. So, it'll be your team | 0:02:13 | 0:02:15 | |
to choose an Egyptian hieroglyph. | 0:02:15 | 0:02:17 | |
-The Two Reeds, please. -The Two Reeds. OK. | 0:02:17 | 0:02:20 | |
What connects these apparently random clues? Here is the first. | 0:02:20 | 0:02:24 | |
Something Yiddish? | 0:02:28 | 0:02:30 | |
It was invented there? | 0:02:30 | 0:02:32 | |
-It is a borrowed word from German, not from... -OK. | 0:02:32 | 0:02:34 | |
The word itself, I would imagine. Next, please. | 0:02:34 | 0:02:36 | |
Monkey tails? | 0:02:39 | 0:02:40 | |
-Some kind of shape. -PETE WHISPERS | 0:02:40 | 0:02:43 | |
Like a symbol on... | 0:02:43 | 0:02:46 | |
-On a coin or... -Yeah. | 0:02:46 | 0:02:48 | |
Next, please. | 0:02:48 | 0:02:50 | |
Is it represented by something in something? Is it a game or...? | 0:02:52 | 0:02:56 | |
Oh, yeah. That's a good one. | 0:02:56 | 0:02:57 | |
Final one, please. | 0:02:57 | 0:02:59 | |
Three seconds. | 0:03:02 | 0:03:03 | |
BELL | 0:03:03 | 0:03:05 | |
Symbols on national football shirt. | 0:03:07 | 0:03:11 | |
Ooh. No. You've found | 0:03:11 | 0:03:12 | |
your way to something, | 0:03:12 | 0:03:13 | |
but that's not the answer, I'm afraid. | 0:03:13 | 0:03:15 | |
Scientists, you have the chance | 0:03:15 | 0:03:16 | |
-of a bonus point. -I'm struggling. | 0:03:16 | 0:03:18 | |
I'm going to guess...national foods. | 0:03:18 | 0:03:21 | |
The snail, I mean, the Italians | 0:03:22 | 0:03:24 | |
are well-known... When anyone thinks | 0:03:24 | 0:03:25 | |
of eating snails, they think | 0:03:25 | 0:03:27 | |
it's just a classic Italian dish. | 0:03:27 | 0:03:28 | |
No. Now, this is what these nations | 0:03:28 | 0:03:32 | |
would say where we would say an at-sign. | 0:03:32 | 0:03:35 | |
Little A in a circle. | 0:03:35 | 0:03:37 | |
Curly alpha, or kroellalfa, | 0:03:37 | 0:03:39 | |
in Norway. Strudel in Israel. | 0:03:39 | 0:03:41 | |
Monkey tail in Netherlands. Snail in Italy. No points there. | 0:03:41 | 0:03:45 | |
Scientists, which question | 0:03:45 | 0:03:46 | |
would you like for yourselves? | 0:03:46 | 0:03:47 | |
-Let's start with Twisted Flax, please. -OK. | 0:03:47 | 0:03:50 | |
What is the connection between these clues? Here is the first. | 0:03:50 | 0:03:54 | |
I don't know. | 0:03:56 | 0:03:57 | |
No. Next, please. | 0:03:58 | 0:04:00 | |
THEY CONFER QUIETLY | 0:04:03 | 0:04:06 | |
-No, I don't think so. -It's possible. | 0:04:07 | 0:04:09 | |
Next, please. | 0:04:09 | 0:04:10 | |
Designers of... | 0:04:15 | 0:04:16 | |
HE WHISPERS | 0:04:18 | 0:04:20 | |
Is there a monument there? | 0:04:20 | 0:04:21 | |
THEY WHISPER | 0:04:22 | 0:04:26 | |
Next one, please. | 0:04:26 | 0:04:27 | |
Three seconds. | 0:04:30 | 0:04:32 | |
BELL | 0:04:32 | 0:04:34 | |
Are they are people that designed famous sculptures | 0:04:34 | 0:04:36 | |
associated with those places or things? | 0:04:36 | 0:04:39 | |
I'm afraid not. | 0:04:39 | 0:04:41 | |
It is a very nice idea, but not the designers of those things. | 0:04:41 | 0:04:44 | |
String Section, you have | 0:04:44 | 0:04:45 | |
the chance of a bonus point. | 0:04:45 | 0:04:47 | |
The models for these famous sculptures. | 0:04:47 | 0:04:49 | |
They are the models for those things, | 0:04:49 | 0:04:51 | |
that is exactly right. | 0:04:51 | 0:04:52 | |
Eleanor Velasco Thornton is not the | 0:04:52 | 0:04:54 | |
designer of The Spirit Of Ecstasy, | 0:04:54 | 0:04:56 | |
but she features in it. | 0:04:56 | 0:04:57 | |
The story there is that there was | 0:04:57 | 0:04:59 | |
a fashion for people to have | 0:04:59 | 0:05:00 | |
personalised designs on their | 0:05:00 | 0:05:02 | |
Rolls-Royces, and Baron Montagu had one of his lover, | 0:05:02 | 0:05:04 | |
who was this Eleanor Velasco Thornton. | 0:05:04 | 0:05:06 | |
But Rolls-Royce didn't like it | 0:05:06 | 0:05:07 | |
because people were picking inappropriate things, so they asked | 0:05:07 | 0:05:10 | |
the sculptor to standardise them, | 0:05:10 | 0:05:12 | |
and they were all then modelled on this person. | 0:05:12 | 0:05:14 | |
What do you have on your Rolls-Royce? | 0:05:14 | 0:05:16 | |
I was going to say a sausage for no apparent reason, | 0:05:16 | 0:05:19 | |
but I don't have a sausage on my Rolls-Royce. | 0:05:19 | 0:05:20 | |
I have Michael Portillo resplendent | 0:05:20 | 0:05:23 | |
over the radiator. Wonderful. LAUGHTER | 0:05:23 | 0:05:25 | |
Yes. Models for those statues. | 0:05:25 | 0:05:27 | |
Well done, you get a bonus point. | 0:05:27 | 0:05:28 | |
What would you like as a question? | 0:05:28 | 0:05:30 | |
-The Eye of Horus, please. -Eye of Horus. | 0:05:30 | 0:05:32 | |
MUSICAL TONE Ah, the music question. | 0:05:32 | 0:05:34 | |
What connects these musical clues? Here is the first. | 0:05:34 | 0:05:37 | |
# What am I supposed to do? | 0:05:37 | 0:05:41 | |
# Sit around and wait for you? | 0:05:41 | 0:05:43 | |
-# Well, I can't do that. # -Next, please. | 0:05:43 | 0:05:45 | |
# I can see it in your eyes | 0:05:45 | 0:05:47 | |
# You still despise the same old lines | 0:05:47 | 0:05:49 | |
# You heard the night before | 0:05:49 | 0:05:52 | |
# And though it is just a line to you | 0:05:53 | 0:05:56 | |
# For me it's true And never seemed so right before. # | 0:05:56 | 0:06:01 | |
Next, please. | 0:06:01 | 0:06:02 | |
# I turn away from the wall | 0:06:03 | 0:06:07 | |
# I stumble and fall | 0:06:07 | 0:06:09 | |
-# But I give you it... # -Next. | 0:06:09 | 0:06:11 | |
-# I was born un... # -Three seconds. | 0:06:13 | 0:06:16 | |
BELL | 0:06:16 | 0:06:17 | |
I'm sorry we interrupted that beautiful track. What is the answer? | 0:06:17 | 0:06:20 | |
-Performed by Oscar winners. -They are all | 0:06:20 | 0:06:22 | |
sung by people who won an Oscar. | 0:06:22 | 0:06:24 | |
An Oscar for what? | 0:06:24 | 0:06:25 | |
Paint Your Wagon. | 0:06:26 | 0:06:28 | |
No, I mean for doing what? | 0:06:28 | 0:06:30 | |
-Right! -Cher, Nicole Kidman... | 0:06:30 | 0:06:32 | |
They didn't all win the Oscar for Paint Your Wagon. | 0:06:32 | 0:06:35 | |
No, just acting, Best Actor winners. | 0:06:35 | 0:06:36 | |
They all had those number-one songs. | 0:06:36 | 0:06:38 | |
What did we hear? | 0:06:38 | 0:06:40 | |
-Cher, believe. -Mm-hm. | 0:06:40 | 0:06:41 | |
Was that a Nicole Kidman version of Something Stupid? | 0:06:41 | 0:06:44 | |
It was a duet with Robbie Williams, | 0:06:44 | 0:06:46 | |
but that's right, yes. | 0:06:46 | 0:06:47 | |
Wand'rin' Star by Lee Marvin. | 0:06:47 | 0:06:49 | |
Woman In Love was sung by... | 0:06:49 | 0:06:51 | |
-Barbra Streisand. -Barbra Streisand. Absolutely. | 0:06:51 | 0:06:54 | |
All sung by Oscar-winning performers | 0:06:54 | 0:06:56 | |
in the acting category. Well done. | 0:06:56 | 0:06:59 | |
Scientists, what would you like? | 0:06:59 | 0:07:00 | |
-Lion, please. -Lion. OK. | 0:07:00 | 0:07:02 | |
What connects these clues? Here's the first. | 0:07:02 | 0:07:05 | |
HE WHISPERS | 0:07:08 | 0:07:11 | |
That doesn't help. | 0:07:11 | 0:07:13 | |
Next, please. | 0:07:13 | 0:07:14 | |
He was in... His first film was... | 0:07:16 | 0:07:19 | |
The film was called... | 0:07:19 | 0:07:21 | |
-Scum. -Their first film. -Could be. Could well be, yeah. | 0:07:21 | 0:07:26 | |
-Um... Go for another one? -Go for it. -Next, please. | 0:07:26 | 0:07:28 | |
No. I don't think that was... It might have been his first one. | 0:07:31 | 0:07:34 | |
I don't know. | 0:07:34 | 0:07:36 | |
Get the last one, please. | 0:07:36 | 0:07:37 | |
HE MUMBLES Three seconds. | 0:07:41 | 0:07:44 | |
BELL | 0:07:44 | 0:07:46 | |
Going to have to guess that they were their first roles. | 0:07:46 | 0:07:50 | |
They were not their first roles, | 0:07:51 | 0:07:53 | |
I'm afraid. Do you know, | 0:07:53 | 0:07:54 | |
String Section, for a bonus? | 0:07:54 | 0:07:56 | |
-Any thought? I don't think I've got any. -No, I don't. -Uh... | 0:07:56 | 0:07:59 | |
-No. -I don't think you're going to | 0:07:59 | 0:08:00 | |
get it. To be honest, | 0:08:00 | 0:08:01 | |
I think you are all - | 0:08:01 | 0:08:02 | |
perhaps I should say WE are all - | 0:08:02 | 0:08:04 | |
too young for this question. | 0:08:04 | 0:08:05 | |
Older quizzers would get this. | 0:08:05 | 0:08:07 | |
These are all from the BBC's Play For Today. | 0:08:07 | 0:08:11 | |
Alison Steadman played Beverly. Do you know what that was in? | 0:08:11 | 0:08:14 | |
Um... Abigail's Party, I guess? | 0:08:14 | 0:08:16 | |
Abigail's Party, Mike Leigh - | 0:08:16 | 0:08:18 | |
absolutely right. Rumpole, | 0:08:18 | 0:08:19 | |
as in Rumpole Of The Bailey. | 0:08:19 | 0:08:20 | |
That started as a one-off | 0:08:20 | 0:08:21 | |
for Play For Today | 0:08:21 | 0:08:22 | |
written by John Mortimer. Ray Winstone | 0:08:22 | 0:08:24 | |
as a borstal inmate, that was Scum. | 0:08:24 | 0:08:26 | |
The first one, Blue Remembered Hills, | 0:08:26 | 0:08:28 | |
was a Dennis Potter play. | 0:08:28 | 0:08:30 | |
They all featured as | 0:08:30 | 0:08:31 | |
the BBC Play For Today. | 0:08:31 | 0:08:32 | |
No points then, String Section, for the bonus. | 0:08:32 | 0:08:35 | |
What about your own question? | 0:08:35 | 0:08:37 | |
-Horned Viper, please. -Horned Viper. | 0:08:37 | 0:08:38 | |
These are going to be picture clues. | 0:08:38 | 0:08:40 | |
Something connects them. What is it? Here's the first. | 0:08:40 | 0:08:43 | |
THEY CONFER QUIETLY | 0:08:46 | 0:08:49 | |
Ne... Because you'll see it. Just go next and... | 0:08:50 | 0:08:53 | |
Next. | 0:08:53 | 0:08:54 | |
Were they stolen? | 0:08:55 | 0:08:57 | |
Next, please. | 0:08:59 | 0:09:00 | |
An exhibition at a major gallery or...? | 0:09:03 | 0:09:06 | |
-But I don't know what that would make... -OK. The last one, please. | 0:09:06 | 0:09:09 | |
Oh. They were badly restored. | 0:09:11 | 0:09:12 | |
Yes, OK. | 0:09:12 | 0:09:14 | |
BELL | 0:09:14 | 0:09:16 | |
Things that have been damaged and attempted restorations | 0:09:16 | 0:09:19 | |
-have gone badly. -VICTORIA CHUCKLES | 0:09:19 | 0:09:21 | |
Well, yes. Let's say | 0:09:21 | 0:09:22 | |
controversial restorations. | 0:09:22 | 0:09:24 | |
It is in the eye of the beholder. | 0:09:24 | 0:09:26 | |
That fourth clue is Ecce Homo, | 0:09:26 | 0:09:27 | |
which was the victim of a voluntarily | 0:09:27 | 0:09:30 | |
and, let's say, unauthorised | 0:09:30 | 0:09:32 | |
restoration by an elderly parishioner. | 0:09:32 | 0:09:34 | |
And the BBC Europe correspondent described it as now resembling, | 0:09:34 | 0:09:38 | |
"A crayon sketch of a very hairy monkey in an ill-fitting tunic." | 0:09:38 | 0:09:43 | |
The first one, Supper At Emmaus, | 0:09:43 | 0:09:45 | |
the restorers said they appeared to | 0:09:45 | 0:09:46 | |
have given it a nose job. | 0:09:46 | 0:09:48 | |
Virgin And Child with St Anne, they said it was over-cleaned. | 0:09:48 | 0:09:50 | |
The third one, it is a fresco from | 0:09:50 | 0:09:52 | |
the Qing dynasty that they said | 0:09:52 | 0:09:54 | |
it went a bit cartoonish. | 0:09:54 | 0:09:55 | |
So, all works that have been accused of being badly restored | 0:09:55 | 0:09:58 | |
in various controversies. Well done. | 0:09:58 | 0:10:00 | |
Scientists, one question remains - | 0:10:00 | 0:10:03 | |
Water. Maybe you'll get some points on this one. Good luck. | 0:10:03 | 0:10:06 | |
Something connects these clues. What is it? Here is the first. | 0:10:06 | 0:10:09 | |
It's somebody's autobiography. | 0:10:11 | 0:10:13 | |
Next, please. | 0:10:13 | 0:10:14 | |
I don't know. | 0:10:21 | 0:10:23 | |
-No, it doesn't help me. -OK. Next please. | 0:10:24 | 0:10:27 | |
-Did the same person make all of these? -Um... | 0:10:29 | 0:10:31 | |
OK, I think it might be... | 0:10:31 | 0:10:34 | |
Nile Rodgers from Chic. | 0:10:34 | 0:10:37 | |
I'm not sure. | 0:10:38 | 0:10:39 | |
Best get the last one, then. Next, please. | 0:10:41 | 0:10:44 | |
-No. -Two seconds. | 0:10:45 | 0:10:47 | |
BELL | 0:10:47 | 0:10:50 | |
All...written by... | 0:10:50 | 0:10:54 | |
Dostoevsky. | 0:10:54 | 0:10:56 | |
I'm afraid none of them | 0:10:56 | 0:10:57 | |
was written by Dostoyevsky, | 0:10:57 | 0:10:59 | |
so over to the String Section | 0:10:59 | 0:11:00 | |
for a possible bonus point. | 0:11:00 | 0:11:01 | |
So, if you prefix them with "one day in" | 0:11:01 | 0:11:03 | |
you get the thing that is above it. | 0:11:03 | 0:11:05 | |
That is what it is. | 0:11:05 | 0:11:06 | |
One Day In My Life is the memoir | 0:11:06 | 0:11:08 | |
of Bobby Sands, the hunger striker. | 0:11:08 | 0:11:10 | |
One Day In Your Life, | 0:11:10 | 0:11:11 | |
Michael Jackson's first | 0:11:11 | 0:11:12 | |
UK number one. One Day In September | 0:11:12 | 0:11:14 | |
is the film about the Olympics, | 0:11:14 | 0:11:16 | |
the terrible Munich Olympics. | 0:11:16 | 0:11:18 | |
And One Day In The Life Of Ivan Denisovich | 0:11:18 | 0:11:20 | |
is the great novella not written by Dostoevsky. | 0:11:20 | 0:11:23 | |
Aleksandr Solzhenitsyn. | 0:11:23 | 0:11:25 | |
Unlucky. But well done for the bonus. | 0:11:25 | 0:11:27 | |
That means at the end of Round One, | 0:11:27 | 0:11:29 | |
the String Section have four points, the scientists are yet to score. | 0:11:29 | 0:11:33 | |
Onto the sequences round and the String Section, | 0:11:36 | 0:11:38 | |
you will be going first again. | 0:11:38 | 0:11:39 | |
Which hieroglyph would you like? | 0:11:39 | 0:11:41 | |
-Two Reeds, please. -As always, the Two Reeds. | 0:11:41 | 0:11:44 | |
But which in this Two Reeds question would be the fourth clue? | 0:11:44 | 0:11:47 | |
The first one is coming in now. | 0:11:47 | 0:11:50 | |
THEY WHISPER | 0:11:53 | 0:11:55 | |
Or some kind of pact or something. | 0:11:57 | 0:12:00 | |
HE WHISPERS | 0:12:00 | 0:12:01 | |
Next, please. | 0:12:03 | 0:12:04 | |
MI5 codes. Escalations. | 0:12:06 | 0:12:09 | |
THEY WHISPER | 0:12:09 | 0:12:11 | |
-DA05. -And...? | 0:12:13 | 0:12:15 | |
THEY CONFER QUIELTY | 0:12:17 | 0:12:19 | |
We'll take the next, please. | 0:12:21 | 0:12:23 | |
SHE WHISPERS | 0:12:25 | 0:12:27 | |
Three seconds. BELL | 0:12:27 | 0:12:29 | |
It is DA05... | 0:12:29 | 0:12:32 | |
-And you think it's...? -I think the whole thing. | 0:12:32 | 0:12:35 | |
-And...it's e-mail correspondence, isn't it? -I need an answer. | 0:12:35 | 0:12:39 | |
And e-mail correspondence. | 0:12:39 | 0:12:41 | |
Not it, I'm afraid. There's a bonus | 0:12:41 | 0:12:43 | |
possibility for the Scientists. | 0:12:43 | 0:12:45 | |
Radio communications. | 0:12:45 | 0:12:48 | |
That is not it either. | 0:12:48 | 0:12:49 | |
It is DA05 UK security and intelligence services. | 0:12:49 | 0:12:52 | |
I'd have taken spies, MI5, | 0:12:52 | 0:12:54 | |
anything like that. | 0:12:54 | 0:12:56 | |
It is the Defence Advisory Notices System, | 0:12:56 | 0:12:59 | |
commonly known as D-Notices. | 0:12:59 | 0:13:00 | |
It's warnings to the media not to | 0:13:00 | 0:13:02 | |
publish sensitive information | 0:13:02 | 0:13:04 | |
about certain things and number five | 0:13:04 | 0:13:05 | |
would be the personnel, | 0:13:05 | 0:13:07 | |
the spies and their operations. | 0:13:07 | 0:13:08 | |
You don't get the bonus, but you do | 0:13:08 | 0:13:10 | |
get a choice. What would you like? | 0:13:10 | 0:13:11 | |
-Eye of Horus, please. -The Eye of Horus. | 0:13:11 | 0:13:13 | |
What would come fourth in this sequence? Here is the first. | 0:13:13 | 0:13:16 | |
That's no help. | 0:13:18 | 0:13:20 | |
Next, please. | 0:13:20 | 0:13:21 | |
THEY CONFER QUIETLY | 0:13:23 | 0:13:26 | |
-Is that binary? -HE MUTTERS NUMBERS | 0:13:26 | 0:13:29 | |
-Take another one. -Next, please. | 0:13:32 | 0:13:35 | |
THEY MUTTER | 0:13:35 | 0:13:39 | |
-Try that. -Three seconds. | 0:13:52 | 0:13:54 | |
-BELL -Right, OK. | 0:13:54 | 0:13:56 | |
Is it 100 x 11 = 1,100? | 0:13:56 | 0:14:02 | |
That is exactly what it is! Well done, Innis. | 0:14:02 | 0:14:05 | |
There are ten types of people in the world - | 0:14:05 | 0:14:07 | |
those who understand binary | 0:14:07 | 0:14:09 | |
and those who don't. | 0:14:09 | 0:14:10 | |
We just wanted to hear | 0:14:10 | 0:14:11 | |
4 x 3 = 12 in binary. Well done. | 0:14:11 | 0:14:13 | |
Back to you, String Section, | 0:14:13 | 0:14:14 | |
for a choice. | 0:14:14 | 0:14:16 | |
Lion. The Lion, please. | 0:14:16 | 0:14:18 | |
The Lion question. | 0:14:18 | 0:14:19 | |
What is the connection between these clues and, more importantly, | 0:14:19 | 0:14:22 | |
what would come fourth in the sequence? Here's the first. | 0:14:22 | 0:14:25 | |
THEY WHISPER | 0:14:27 | 0:14:30 | |
So, the next, please. | 0:14:31 | 0:14:32 | |
Oh, um... | 0:14:34 | 0:14:35 | |
THEY CONFER QUIETLY | 0:14:35 | 0:14:38 | |
But not in 1966. Big Wednesday, when did that come out? | 0:14:38 | 0:14:42 | |
-Yeah, OK. -Is that...? | 0:14:42 | 0:14:44 | |
Next, please. | 0:14:44 | 0:14:45 | |
Oh, that's War Of The Worlds. | 0:14:45 | 0:14:47 | |
-Blue Sky. Blue Wednesday, isn't it? -It could be. | 0:14:47 | 0:14:51 | |
THEY CONFER QUIETLY | 0:14:51 | 0:14:54 | |
-Blue... -Blue Sky. | 0:14:54 | 0:14:56 | |
What did you say the Jeff Wayne was? Blue Sky? | 0:14:56 | 0:14:58 | |
Oh, no. I don't know. | 0:14:58 | 0:15:00 | |
I don't know. | 0:15:00 | 0:15:02 | |
Three seconds. | 0:15:02 | 0:15:04 | |
BELL | 0:15:04 | 0:15:05 | |
The Long Good Friday. | 0:15:08 | 0:15:09 | |
Not it, I'm afraid. | 0:15:09 | 0:15:10 | |
There's a bonus possibility | 0:15:10 | 0:15:12 | |
for the Scientists now. | 0:15:12 | 0:15:13 | |
I am going to guess something about winter, | 0:15:13 | 0:15:15 | |
so a Shakespeare play, A Winter's Tale. | 0:15:15 | 0:15:18 | |
You have to tell me something | 0:15:18 | 0:15:20 | |
a little bit more than that | 0:15:20 | 0:15:21 | |
for a bonus point. | 0:15:21 | 0:15:22 | |
Well, the Jeff Wayne song, I'm assuming, is Forever Autumn, | 0:15:24 | 0:15:27 | |
so always winter is... | 0:15:27 | 0:15:30 | |
Always winter, that's all I want here. | 0:15:30 | 0:15:32 | |
If you can give me an example, | 0:15:32 | 0:15:33 | |
a nice one might be | 0:15:33 | 0:15:34 | |
the White Witch's curse on Narnia. | 0:15:34 | 0:15:36 | |
But something always or eternal, | 0:15:36 | 0:15:38 | |
because we are looking at the Rodin sculpture | 0:15:38 | 0:15:41 | |
Eternal Spring, that surfing | 0:15:41 | 0:15:42 | |
documentary is Endless Summer, | 0:15:42 | 0:15:44 | |
Forever Autumn, so something that is forever winter, for example, | 0:15:44 | 0:15:47 | |
the White Witch's curse. | 0:15:47 | 0:15:50 | |
Well done. You get a bonus point, and which question would you like? | 0:15:50 | 0:15:53 | |
-Horned Viper, please. -The Horned Viper. What... | 0:15:53 | 0:15:55 | |
MUSICAL TONE Ah, a music sequence. | 0:15:55 | 0:15:58 | |
What would you expect to hear in fourth place? | 0:15:58 | 0:16:01 | |
The first one is coming in now. | 0:16:01 | 0:16:03 | |
# Don't call me baby | 0:16:03 | 0:16:06 | |
# You got some nerve, baby That'll never do | 0:16:06 | 0:16:09 | |
# You know I don't belong to you. # | 0:16:10 | 0:16:14 | |
Next please. | 0:16:14 | 0:16:15 | |
# Don't you want somebody to love? | 0:16:15 | 0:16:18 | |
# Don't you need somebody to love? | 0:16:18 | 0:16:22 | |
# Wouldn't you love somebody to love? | 0:16:22 | 0:16:26 | |
# You better find somebody to love. # | 0:16:26 | 0:16:30 | |
Next, please. | 0:16:30 | 0:16:31 | |
# Got my first real six-string | 0:16:31 | 0:16:33 | |
# Bought it at the five and dime | 0:16:33 | 0:16:37 | |
# Played it till my fingers bled | 0:16:37 | 0:16:40 | |
-# Was the summer of '69. # -Three seconds. | 0:16:40 | 0:16:43 | |
BELL | 0:16:43 | 0:16:45 | |
Um... | 0:16:45 | 0:16:46 | |
And something... Woodstock by Matthews' Southern Comfort. | 0:16:46 | 0:16:52 | |
A song from 1970. | 0:16:52 | 0:16:55 | |
No good, I'm afraid. | 0:16:55 | 0:16:56 | |
That is not a sequence. | 0:16:56 | 0:16:57 | |
String Section, your chance for a bonus point. | 0:16:57 | 0:17:00 | |
Just say any artist. Dinah Washington. | 0:17:00 | 0:17:02 | |
Something by Dinah Washington. | 0:17:02 | 0:17:04 | |
Any song by Dinah Washington, | 0:17:04 | 0:17:06 | |
that's it. They share their names | 0:17:06 | 0:17:08 | |
with the fourth to first | 0:17:08 | 0:17:09 | |
presidents of the United States. | 0:17:09 | 0:17:11 | |
We're going backwards. | 0:17:11 | 0:17:12 | |
We heard from Madison Avenue, | 0:17:12 | 0:17:13 | |
share their name with James Madison. | 0:17:13 | 0:17:15 | |
Then Jefferson Airplane | 0:17:15 | 0:17:16 | |
for Thomas Jefferson. | 0:17:16 | 0:17:17 | |
Next was Bryan Adams. | 0:17:17 | 0:17:19 | |
And I wanted to hear something from an act that shared their name | 0:17:19 | 0:17:21 | |
with George Washington - for example, | 0:17:21 | 0:17:23 | |
anything by Dinah Washington. | 0:17:23 | 0:17:25 | |
Can you name anything | 0:17:25 | 0:17:26 | |
by Dinah Washington? | 0:17:26 | 0:17:27 | |
-Mad About The Boy. -Mad About The Boy is lovely. | 0:17:27 | 0:17:29 | |
The audience might not know what | 0:17:29 | 0:17:31 | |
you mean. Let's give it a go. | 0:17:31 | 0:17:33 | |
Not again. | 0:17:33 | 0:17:34 | |
One, two, three, four. | 0:17:34 | 0:17:36 | |
-DISCORDANTLY: -# I'm mad about the boy. # | 0:17:36 | 0:17:40 | |
-Something like that. -I've run out of... | 0:17:40 | 0:17:42 | |
You gave it a try, | 0:17:42 | 0:17:43 | |
that's the main thing. | 0:17:43 | 0:17:45 | |
You showed up and gave it a try, absolutely lovely. | 0:17:45 | 0:17:47 | |
Well done. You get that point and | 0:17:47 | 0:17:49 | |
you can choose your own question. | 0:17:49 | 0:17:50 | |
What would you like? | 0:17:50 | 0:17:51 | |
-The Twisted Flax, please. -Twisted Flax, OK. | 0:17:51 | 0:17:53 | |
What would come fourth in this sequence? Here's the first. | 0:17:53 | 0:17:56 | |
THEY WHISPER | 0:17:58 | 0:18:01 | |
Next, please. | 0:18:06 | 0:18:07 | |
-Oh. -It's where the Pauline letters were written, so... | 0:18:09 | 0:18:13 | |
But I can't... Um... | 0:18:13 | 0:18:15 | |
HE WHISPERS | 0:18:15 | 0:18:17 | |
Next, please. | 0:18:17 | 0:18:19 | |
Um... | 0:18:20 | 0:18:22 | |
SHE WHISPERS | 0:18:22 | 0:18:25 | |
BELL | 0:18:28 | 0:18:30 | |
-The Hebrews. -Richard. | 0:18:32 | 0:18:34 | |
I'm afraid that is not the answer. | 0:18:34 | 0:18:36 | |
There is a possible bonus point | 0:18:36 | 0:18:38 | |
for you, Scientists. | 0:18:38 | 0:18:39 | |
The Ecclesiastes. | 0:18:39 | 0:18:41 | |
No. The answer would be Rome. | 0:18:41 | 0:18:44 | |
-Let me go back to our resident RE teacher. -They're backwards! | 0:18:44 | 0:18:48 | |
-Why would the answer be Rome? -It's going backwards, isn't it? | 0:18:48 | 0:18:51 | |
So, that's the first place to which Paul wrote a letter. | 0:18:51 | 0:18:54 | |
That is it. We're going backwards. | 0:18:54 | 0:18:56 | |
It is the letters written by Paul, | 0:18:56 | 0:18:58 | |
but it is more what he would have | 0:18:58 | 0:18:59 | |
popped on the envelope. | 0:18:59 | 0:19:00 | |
He'd have had to write Rome on there, | 0:19:00 | 0:19:03 | |
Corinth, Galatia, Ephesus. | 0:19:03 | 0:19:05 | |
He is writing to people that live in those places | 0:19:05 | 0:19:08 | |
in the books of the Bible, | 0:19:08 | 0:19:09 | |
and we're going in reverse order. | 0:19:09 | 0:19:11 | |
That'll be an awkward moment | 0:19:11 | 0:19:13 | |
when you go back to school, won't it? OTHERS LAUGH | 0:19:13 | 0:19:15 | |
So, Scientists, | 0:19:15 | 0:19:16 | |
you don't get the bonus point, | 0:19:16 | 0:19:17 | |
but you get the last question, Water. | 0:19:17 | 0:19:19 | |
What would come fourth in this picture sequence? | 0:19:19 | 0:19:22 | |
I'd like you to describe the sort of thing | 0:19:22 | 0:19:24 | |
you'd expect to see in the fourth picture. Here is the first. | 0:19:24 | 0:19:26 | |
That's between Germany and Poland. | 0:19:28 | 0:19:31 | |
THEY WHISPER | 0:19:33 | 0:19:36 | |
That is behind the Iron Curtain. | 0:19:38 | 0:19:40 | |
Next, please. | 0:19:41 | 0:19:42 | |
Baltic Sea. | 0:19:44 | 0:19:45 | |
Are they all places that were neutral? | 0:19:45 | 0:19:49 | |
Or on the opposite side. Controlled by the opposite side. | 0:19:49 | 0:19:52 | |
I think. Shall I guess? | 0:19:52 | 0:19:54 | |
But we need the fourth one. | 0:19:54 | 0:19:56 | |
-Yep. -I'd go for it. | 0:19:56 | 0:19:58 | |
BELL | 0:19:58 | 0:20:00 | |
West Berlin, a picture thereof. | 0:20:00 | 0:20:02 | |
Not a sequence, I'm afraid. | 0:20:03 | 0:20:05 | |
I like your gambling spirit. | 0:20:05 | 0:20:07 | |
Let's show the third one | 0:20:07 | 0:20:08 | |
to the String Section, | 0:20:08 | 0:20:09 | |
see if you want to have a go. | 0:20:09 | 0:20:10 | |
Texas. | 0:20:12 | 0:20:14 | |
I mean, it spectacularly isn't Texas. | 0:20:14 | 0:20:18 | |
Would it help if I told you | 0:20:18 | 0:20:19 | |
that those areas of the map depicted | 0:20:19 | 0:20:22 | |
represented Stettin, the Baltic | 0:20:22 | 0:20:24 | |
and Trieste? | 0:20:24 | 0:20:25 | |
It's to do with Churchill's speech about the Iron Curtain | 0:20:25 | 0:20:28 | |
coming down over Europe. | 0:20:28 | 0:20:29 | |
That is exactly what it is. | 0:20:29 | 0:20:31 | |
"From Stettin in the Baltic to Trieste in the ADRIATIC, | 0:20:31 | 0:20:34 | |
"an Iron Curtain has descended | 0:20:34 | 0:20:36 | |
"across the continent." | 0:20:36 | 0:20:37 | |
We wanted to hear the Adriatic. | 0:20:37 | 0:20:40 | |
At the end of Round Two... | 0:20:40 | 0:20:42 | |
What about a couple of horrible Only Connect | 0:20:48 | 0:20:51 | |
quarterfinal Connecting Walls? | 0:20:51 | 0:20:53 | |
I thought you'd like it. | 0:20:53 | 0:20:55 | |
You get the dubious pleasure of going first this time, Scientists. | 0:20:55 | 0:20:58 | |
-Would you like Lion or Water? -I fancy the Water today. -Water. | 0:20:58 | 0:21:02 | |
OK, you have two and a half minutes to solve it, starting now. | 0:21:02 | 0:21:06 | |
OK. Would it go through the old blues musicians? | 0:21:07 | 0:21:11 | |
Hoover Dam - that's an Elvis song. | 0:21:11 | 0:21:14 | |
-Yeah. -Plage is beach. | 0:21:14 | 0:21:15 | |
Monrovia is the capital of Liberia. | 0:21:15 | 0:21:19 | |
-Juba is the capital of South Sudan. -Oh, well, OK. -African capitals? | 0:21:19 | 0:21:22 | |
Yeah, that's got to be what it is. Kahakai one? | 0:21:22 | 0:21:23 | |
Um, I don't know that one. | 0:21:23 | 0:21:25 | |
-BUZZ -Oh, there's Praia. | 0:21:25 | 0:21:27 | |
-Victoria's one, isn't it? -No, I don't think so. | 0:21:27 | 0:21:29 | |
It might be, but I don't think it is. | 0:21:29 | 0:21:30 | |
-BUZZ -It might be Seychelles, actually. | 0:21:30 | 0:21:32 | |
-Just try something. -Yeah. Um... | 0:21:32 | 0:21:35 | |
-Oh, lovely. -Right, OK. -Next one. | 0:21:35 | 0:21:38 | |
Monrovia is named after an American president. | 0:21:38 | 0:21:40 | |
-Well, yeah, so is Hoover Dam, so... -Hoover, yeah. -And teddy bear. -Teddy. | 0:21:40 | 0:21:44 | |
-Yeah, and then... -Polk. -Polk. | 0:21:44 | 0:21:46 | |
-BUZZ -Oh, OK. -So, that's five things. | 0:21:46 | 0:21:48 | |
Woody Guthrie might have been named after... | 0:21:48 | 0:21:50 | |
-Woodrow or something like that. -Woodrow, yeah. | 0:21:50 | 0:21:52 | |
Look, we've got a certain... | 0:21:52 | 0:21:53 | |
-BUZZ -No. Monrovia. -Oh, oops. OK. | 0:21:53 | 0:21:55 | |
-Not Cristiano Ronaldo. -BUZZ | 0:21:55 | 0:21:58 | |
-Other stuff. Spiaggia - no idea. -BUZZ | 0:21:58 | 0:22:00 | |
-Surrender is... -BUZZ | 0:22:00 | 0:22:02 | |
-Strand is another word for a beach. -BUZZ | 0:22:02 | 0:22:07 | |
-Did we not try all of these? -No. -BUZZ | 0:22:07 | 0:22:10 | |
-Kahakai might be a beach word. -BUZZ | 0:22:10 | 0:22:12 | |
Spiaggia as well. | 0:22:12 | 0:22:13 | |
-Oh, all seafront words. -Nice one. Nice one. | 0:22:13 | 0:22:15 | |
Right, OK, that's probably one of the groups. | 0:22:15 | 0:22:17 | |
-Three strikes now. -Let's think this through. | 0:22:17 | 0:22:19 | |
Teddy Bear is an Elvis song. | 0:22:19 | 0:22:21 | |
Surrender is an Elvis song. | 0:22:21 | 0:22:22 | |
OK, so, it's definitely... | 0:22:22 | 0:22:23 | |
-Wait. -Um... | 0:22:23 | 0:22:25 | |
-Cristiano Ronaldo... -Polk. -..might have been named after... | 0:22:25 | 0:22:28 | |
It's hard to... | 0:22:28 | 0:22:29 | |
Maybe he was right after Ronald Reagan or something. | 0:22:29 | 0:22:31 | |
-Hmm, yeah. -Is one of these an Elvis song? | 0:22:31 | 0:22:34 | |
Must be Polk Salad Annie or Hoover Dam. | 0:22:34 | 0:22:36 | |
-Oh, it could be... -Yes! | 0:22:36 | 0:22:38 | |
That's it. You've solved the wall. | 0:22:38 | 0:22:40 | |
Very well done. | 0:22:40 | 0:22:41 | |
You get all the points for the groups. | 0:22:41 | 0:22:42 | |
What about the connections? | 0:22:42 | 0:22:44 | |
Let's start with the top blue group that begins Victoria. | 0:22:44 | 0:22:47 | |
I think they're all African capital cities. | 0:22:47 | 0:22:49 | |
Yes, they are. | 0:22:49 | 0:22:50 | |
And the green group, starting spiaggia? | 0:22:50 | 0:22:52 | |
They all sound to me like words for beachfronts or seasides. | 0:22:52 | 0:22:57 | |
They all mean beach. That's right. | 0:22:57 | 0:22:59 | |
And the pink or purple group, stating Surrender? | 0:22:59 | 0:23:02 | |
-They're all Elvis songs. Elvis Presley songs. -They are. | 0:23:02 | 0:23:05 | |
And the light blue group, starting Monrovia? | 0:23:05 | 0:23:07 | |
Things named after American presidents. | 0:23:07 | 0:23:08 | |
That is absolutely right. | 0:23:08 | 0:23:10 | |
Monrovia, of course, a red herring in the other groups, | 0:23:10 | 0:23:12 | |
is the capital city of Liberia, | 0:23:12 | 0:23:14 | |
-but who's it named after? -Um, is it... | 0:23:14 | 0:23:16 | |
-James Monroe. -..James Monroe? -Absolutely right. | 0:23:16 | 0:23:18 | |
That is all the connecting points as well. | 0:23:18 | 0:23:20 | |
I'll give you a bonus for getting it all right. That's the maximum of ten. | 0:23:20 | 0:23:23 | |
Let's bring back the String Section and give them the other wall - | 0:23:23 | 0:23:26 | |
the Lion wall - and see what they can do with it. | 0:23:26 | 0:23:28 | |
Two and a half minutes, of course, is what you have | 0:23:28 | 0:23:30 | |
to try and solve this wall. | 0:23:30 | 0:23:32 | |
Time starts now. | 0:23:32 | 0:23:34 | |
-OK. OK. -It's... | 0:23:35 | 0:23:37 | |
Culture vulture, but vulture, buzzard, osprey, kite - | 0:23:37 | 0:23:40 | |
-they're all birds of prey. -We've got falcon as well. | 0:23:40 | 0:23:42 | |
Do you want to go in there and...? | 0:23:42 | 0:23:44 | |
-BUZZ -Types of...? | 0:23:44 | 0:23:46 | |
-What about...? -There's kite as well. There's four. | 0:23:46 | 0:23:48 | |
-There's economists. Keynes, Friedman. -Keynes, Friedman. | 0:23:48 | 0:23:51 | |
Um... | 0:23:52 | 0:23:53 | |
Ooh, wait! They're the second half of towns. | 0:23:53 | 0:23:56 | |
-So, Saffron Walden, King's Lynn... -Good. | 0:23:56 | 0:23:58 | |
..Milton Keynes and Leighton Buzzard. | 0:23:58 | 0:24:00 | |
Well done. Nicely spotted. | 0:24:00 | 0:24:02 | |
-Um... -Dragon. Are they...? Are these...? | 0:24:02 | 0:24:04 | |
Dragons and Scarlets and Ospreys are rugby... | 0:24:04 | 0:24:07 | |
-Um, badges. -Say Falcons as well. | 0:24:07 | 0:24:09 | |
-One, two, three, Falcons. -BUZZ | 0:24:09 | 0:24:11 | |
-No. -Um, Blues. | 0:24:11 | 0:24:13 | |
-So, let's go with Dragon. -Oh, good. -Three strikes now. Plenty of time. | 0:24:13 | 0:24:16 | |
All right, so, presumably, Vulcan, fal... | 0:24:16 | 0:24:18 | |
Vulture, falcon, kite and hobby. | 0:24:18 | 0:24:21 | |
But, then, are they some...? | 0:24:21 | 0:24:22 | |
How specific do we need to be? | 0:24:22 | 0:24:23 | |
-Are they just...? -Wait, Modigliani is an artist. | 0:24:23 | 0:24:26 | |
-And an economist. -But are they...? | 0:24:26 | 0:24:28 | |
-Is that also the name of a...? -Hayek? | 0:24:28 | 0:24:31 | |
Salma Hayek? Yeah. | 0:24:31 | 0:24:33 | |
And Tobin. | 0:24:33 | 0:24:34 | |
I'd be tempted to say it's hobby, kite and vulture, | 0:24:34 | 0:24:36 | |
-and then one of these two or one of the bottom three... -OK. | 0:24:36 | 0:24:39 | |
..with that being what they expect for a surname. | 0:24:39 | 0:24:41 | |
-But then what are the...? -OK. -What are the surnames? -Um... | 0:24:41 | 0:24:45 | |
-What kind of art is it? -What kind of economists? | 0:24:45 | 0:24:49 | |
Early 20th century? | 0:24:49 | 0:24:50 | |
I can tell you Friedman is the choreographer on The X Factor. | 0:24:50 | 0:24:53 | |
-Really? -That's useful. Spelt that way - with an I-E? | 0:24:53 | 0:24:55 | |
-I believe so. -Right. Shall we...? We need to start pressing. | 0:24:55 | 0:24:58 | |
-Let's go one, two, three, four. -BUZZ | 0:24:58 | 0:25:01 | |
-One, two, three, four. -BUZZ | 0:25:01 | 0:25:04 | |
One, two, three... | 0:25:04 | 0:25:05 | |
Cor! | 0:25:07 | 0:25:09 | |
You've solved the wall. | 0:25:09 | 0:25:11 | |
Very interesting strategy you had there, | 0:25:11 | 0:25:13 | |
but that's four points. What about the connections, | 0:25:13 | 0:25:15 | |
starting with Kaynes or Keynes in the top group? | 0:25:15 | 0:25:19 | |
Second half of English towns. | 0:25:19 | 0:25:22 | |
That's right. | 0:25:22 | 0:25:23 | |
They are the second halves | 0:25:23 | 0:25:24 | |
of two-worded English place names. | 0:25:24 | 0:25:26 | |
The second green group, starting scarlet? | 0:25:26 | 0:25:28 | |
They are...rugby union teams. | 0:25:28 | 0:25:34 | |
I need to hear something else. | 0:25:34 | 0:25:36 | |
-Are they all Welsh clubs? -Are they all Welsh? | 0:25:36 | 0:25:38 | |
They are Welsh rugby union teams. Absolutely right. | 0:25:38 | 0:25:41 | |
The pink group - hobby, vulture, kite, falcon? | 0:25:41 | 0:25:44 | |
-Birds of prey. -They are all birds of prey. | 0:25:44 | 0:25:46 | |
And the light blue group starting Modigliani? | 0:25:46 | 0:25:49 | |
Economists. | 0:25:49 | 0:25:51 | |
They are all economists. | 0:25:51 | 0:25:53 | |
I'd love to hear something else as well, if you can tell me. | 0:25:53 | 0:25:56 | |
Nobel-winning economists? | 0:25:56 | 0:25:58 | |
They are Nobel-winning economists. | 0:25:58 | 0:26:00 | |
That's absolutely it. Yes, they are economists, | 0:26:00 | 0:26:02 | |
so you get full Wall points for the connections | 0:26:02 | 0:26:04 | |
and a bonus for getting it all right. | 0:26:04 | 0:26:05 | |
That's the maximum of ten. Let's have a look at the scores. | 0:26:05 | 0:26:08 | |
We are now going to decide who goes through to the semifinal | 0:26:15 | 0:26:17 | |
and who goes home with the missing vowels round. | 0:26:17 | 0:26:21 | |
So, fingers on buzzers, teams. | 0:26:21 | 0:26:23 | |
The first group are all songs from Saturday Night Fever. | 0:26:23 | 0:26:27 | |
String Section? | 0:26:30 | 0:26:31 | |
-More Than A Woman. -Correct. | 0:26:31 | 0:26:33 | |
Strings? | 0:26:35 | 0:26:36 | |
-Disco Inferno. -Yes, it is. | 0:26:36 | 0:26:38 | |
Scientists? | 0:26:43 | 0:26:44 | |
-If I Can't Have You. -Correct. | 0:26:44 | 0:26:45 | |
-Scientists? -How Deep Is Your Love. | 0:26:49 | 0:26:51 | |
Yes, it is. | 0:26:51 | 0:26:52 | |
Next category - names with the word Taylor removed. | 0:26:52 | 0:26:56 | |
String Section? | 0:26:58 | 0:26:59 | |
-Samuel Coleridge. -Correct. | 0:26:59 | 0:27:00 | |
-Scientists? -Pass. Sorry. | 0:27:03 | 0:27:04 | |
Don't know it? | 0:27:04 | 0:27:06 | |
String Section, do you know? | 0:27:06 | 0:27:07 | |
-Tim Brooke. -Yes, that's right. | 0:27:07 | 0:27:09 | |
-Scientists? -Shelley Dawson. | 0:27:12 | 0:27:15 | |
Not it, I'm afraid. String Section? | 0:27:15 | 0:27:16 | |
-Ashley Dawson. -It is Ashley Dawson, | 0:27:16 | 0:27:18 | |
or Taylor Dawson from Hollyoaks. | 0:27:18 | 0:27:20 | |
Next clue. | 0:27:20 | 0:27:21 | |
String Section? | 0:27:23 | 0:27:24 | |
-Courtney Taylor. -Correct. | 0:27:24 | 0:27:25 | |
Next category - Greek muses. | 0:27:25 | 0:27:28 | |
-Scientists? -Terpsichore. -Correct. | 0:27:29 | 0:27:32 | |
-String Section? -Erato. -Correct. | 0:27:35 | 0:27:36 | |
-String Section? -Urania. -Correct. | 0:27:41 | 0:27:43 | |
-Scientists? -Clio. -Correct. | 0:27:45 | 0:27:47 | |
Next category. | 0:27:47 | 0:27:48 | |
END MUSIC SOUNDS | 0:27:48 | 0:27:52 | |
But we will not have another category | 0:27:52 | 0:27:53 | |
because the bell has gone for the end of the quiz. | 0:27:53 | 0:27:55 | |
And looking at the final scores, | 0:27:55 | 0:27:57 | |
ending with an excellent 23 points and through to the semifinal, | 0:27:57 | 0:28:01 | |
it's the String Section. | 0:28:01 | 0:28:03 | |
Very well done to you. | 0:28:03 | 0:28:04 | |
Finishing with 15 points after a very good series, | 0:28:04 | 0:28:07 | |
but sadly going home, | 0:28:07 | 0:28:08 | |
it's the Scientists. | 0:28:08 | 0:28:10 | |
Very sorry to lose you. | 0:28:10 | 0:28:11 | |
You've been a great team. | 0:28:11 | 0:28:13 | |
Some lovely quizzing, some beautiful singing. | 0:28:13 | 0:28:15 | |
I'm sorry to say goodbye. | 0:28:15 | 0:28:17 | |
Well done to you guys. | 0:28:17 | 0:28:18 | |
We will see you next time. | 0:28:18 | 0:28:20 | |
And I hope we'll see you next time for another episode of the show | 0:28:20 | 0:28:23 | |
that brings unbridled joy to quiz fans everywhere | 0:28:23 | 0:28:26 | |
and deep anguish to quiz fans everywhere. | 0:28:26 | 0:28:30 | |
That's BBC balance for you. Goodbye. | 0:28:30 | 0:28:32 |