Browse content similar to Wrestlers v Clareites. Check below for episodes and series from the same categories and more!
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Should auld acquaintance be forgot and never brought to mind? | 0:00:22 | 0:00:27 | |
I would say yes, it should. | 0:00:27 | 0:00:29 | |
There's a reason why you lost touch, | 0:00:29 | 0:00:30 | |
you simply didn't like each other enough. | 0:00:30 | 0:00:33 | |
So you slough them off, that's OK. | 0:00:33 | 0:00:35 | |
Let it go. Why ruin a perfectly nice | 0:00:35 | 0:00:37 | |
festive evening thinking about | 0:00:37 | 0:00:38 | |
those losers you spent years trying to drop? | 0:00:38 | 0:00:41 | |
I think that's basically what the poet was trying to say. | 0:00:41 | 0:00:45 | |
On which welcoming note, let's meet... | 0:00:45 | 0:00:48 | |
On my right, Steve Hoar, | 0:00:48 | 0:00:50 | |
a legal administrator who is a proud | 0:00:50 | 0:00:52 | |
member of the League of Battlefield Guides | 0:00:52 | 0:00:54 | |
and a founding member of the North Manchester Battlefield Society. | 0:00:54 | 0:00:58 | |
Tom Mead, a mortgage consultant who narrowly avoided being run over by a | 0:00:58 | 0:01:02 | |
golf buggy driven by Little and Large, | 0:01:02 | 0:01:05 | |
and their captain, Colin Daffern, | 0:01:05 | 0:01:07 | |
a sociology and women's studies graduate | 0:01:07 | 0:01:09 | |
who played the part of a cooked roast turkey | 0:01:09 | 0:01:11 | |
in his school's Christmas play. | 0:01:11 | 0:01:14 | |
United by their taste for a tangle, they are the Wrestlers. | 0:01:14 | 0:01:17 | |
So you share a love of wrestling. | 0:01:17 | 0:01:19 | |
What are your other specialisms as a team? | 0:01:19 | 0:01:21 | |
We're very good at music, | 0:01:21 | 0:01:23 | |
history, geography. | 0:01:23 | 0:01:25 | |
Television's a strong point as well, classic and modern. | 0:01:25 | 0:01:28 | |
Almost all of those things are likely to come up tonight, | 0:01:28 | 0:01:31 | |
so let's hope your predictions prove true. | 0:01:31 | 0:01:35 | |
You are facing across the wrestling ring this evening, on my left, | 0:01:35 | 0:01:39 | |
Elysia Warner, a linguistic student who speaks French, German, Mandarin, | 0:01:39 | 0:01:43 | |
Irish, Latin, classical Greek, Polish, Welsh, Manx, | 0:01:43 | 0:01:46 | |
Spanish and some British sign language. | 0:01:46 | 0:01:49 | |
Olivier Grouille, a futurology specialist who is half French, | 0:01:49 | 0:01:53 | |
one-eighth Scottish and enjoys | 0:01:53 | 0:01:55 | |
foraging for mushrooms with his father. | 0:01:55 | 0:01:57 | |
And their captain, Sarah Binney, | 0:01:57 | 0:02:00 | |
a physics graduate who enjoys knitting | 0:02:00 | 0:02:02 | |
and has climbed Mount Fuji in her pyjamas. | 0:02:02 | 0:02:05 | |
All students at Clare College, Cambridge, they are the Clareites. | 0:02:05 | 0:02:08 | |
How is your team feeling ahead of the match? | 0:02:08 | 0:02:11 | |
Well, despite the Clare and present danger, | 0:02:11 | 0:02:13 | |
we are Clare of mind and we're keen to get quizzing. | 0:02:13 | 0:02:16 | |
If I could give you 100 points for that introduction, I would. | 0:02:16 | 0:02:19 | |
Unfortunately, I can't, but I can give you points | 0:02:19 | 0:02:21 | |
if you're successful in the quiz. | 0:02:21 | 0:02:23 | |
We're going to start by playing Round One, what's the connection | 0:02:23 | 0:02:25 | |
between four apparently random clues? | 0:02:25 | 0:02:28 | |
Wrestlers, you won the toss. | 0:02:28 | 0:02:30 | |
You'll be going first. | 0:02:30 | 0:02:31 | |
Please choose an | 0:02:31 | 0:02:32 | |
Egyptian hieroglyph. | 0:02:32 | 0:02:33 | |
Well, Steve here reliably informs me | 0:02:33 | 0:02:36 | |
that his nickname at school was | 0:02:36 | 0:02:38 | |
Horus, so we're going to go for Eye Of Horus. | 0:02:38 | 0:02:40 | |
The Eye Of Steve Horus. | 0:02:40 | 0:02:42 | |
What is the connection between these | 0:02:42 | 0:02:44 | |
clues? First one coming in now. | 0:02:44 | 0:02:46 | |
The Golden Man. Any thoughts? | 0:02:47 | 0:02:49 | |
Is that a film of some sort? | 0:02:49 | 0:02:51 | |
Next, please. | 0:02:53 | 0:02:55 | |
The Adjustment Bureau? Are they | 0:02:59 | 0:03:00 | |
slightly amended film titles? | 0:03:00 | 0:03:02 | |
Golden Compass? | 0:03:02 | 0:03:03 | |
Next, please. | 0:03:04 | 0:03:05 | |
Oh, it's a Philip K Dick film. | 0:03:07 | 0:03:10 | |
Adaptations of Philip K Dick novels. | 0:03:10 | 0:03:12 | |
Films based on Philip K Dick books. | 0:03:14 | 0:03:16 | |
They are stories by Philip K Dick | 0:03:16 | 0:03:18 | |
and the years they were made into | 0:03:18 | 0:03:20 | |
films. You didn't need | 0:03:20 | 0:03:21 | |
to see the last one. | 0:03:21 | 0:03:22 | |
What film was that? Blade Runner. | 0:03:23 | 0:03:25 | |
It was Blade Runner. | 0:03:25 | 0:03:26 | |
And what are these others? | 0:03:26 | 0:03:27 | |
Total Recall is | 0:03:27 | 0:03:29 | |
We Can Remember It For You | 0:03:29 | 0:03:30 | |
Wholesale. Yeah. | 0:03:30 | 0:03:31 | |
Is Adjustment Team | 0:03:32 | 0:03:33 | |
Adjustment Bureau? | 0:03:33 | 0:03:34 | |
That's right. And I haven't got a | 0:03:34 | 0:03:35 | |
clue about The Golden Man. | 0:03:35 | 0:03:37 | |
The Golden Man actually has featured | 0:03:37 | 0:03:40 | |
as a clue on this show. | 0:03:40 | 0:03:41 | |
It's a Nicolas Cage film called | 0:03:41 | 0:03:43 | |
Next, and we had a very complicated | 0:03:43 | 0:03:45 | |
question once where the answer was "Next", | 0:03:45 | 0:03:48 | |
and that was one of the clues. | 0:03:48 | 0:03:50 | |
But of course, I didn't know if | 0:03:50 | 0:03:51 | |
the teams wanted another clue or | 0:03:51 | 0:03:52 | |
had the answer. We should have | 0:03:52 | 0:03:54 | |
really foreseen that, but we didn't. | 0:03:54 | 0:03:56 | |
Nevertheless, that is the right | 0:03:56 | 0:03:57 | |
answer. Well done for two points. | 0:03:57 | 0:03:59 | |
Clareites, what would you like? | 0:03:59 | 0:04:00 | |
Let's start with the | 0:04:00 | 0:04:01 | |
Horned Viper, please. | 0:04:01 | 0:04:02 | |
The Viper will kick you off. | 0:04:02 | 0:04:04 | |
What is the connection between these | 0:04:04 | 0:04:06 | |
clues? Here's the first. | 0:04:06 | 0:04:08 | |
Oh, God! What does that mean? | 0:04:08 | 0:04:10 | |
So Powys is a place in Wales... | 0:04:10 | 0:04:13 | |
Could be a version of a TV show. | 0:04:13 | 0:04:15 | |
Oh, it's going to be like | 0:04:15 | 0:04:16 | |
Bob the Builder or something. | 0:04:16 | 0:04:18 | |
Oh, I like that. | 0:04:18 | 0:04:20 | |
Next, please. | 0:04:20 | 0:04:22 | |
Peter Snow. Oh, this is... | 0:04:22 | 0:04:25 | |
It's going to be the same TV show. | 0:04:25 | 0:04:27 | |
Next, please. | 0:04:27 | 0:04:29 | |
It's the same thing. | 0:04:32 | 0:04:34 | |
It's going to be the | 0:04:34 | 0:04:35 | |
David Attenborough shows, I don't | 0:04:35 | 0:04:36 | |
know. Next, please. | 0:04:36 | 0:04:38 | |
Oh, what's he played? | 0:04:40 | 0:04:41 | |
People on Mastermind? | 0:04:41 | 0:04:43 | |
People who have presented | 0:04:44 | 0:04:45 | |
Mastermind? | 0:04:45 | 0:04:46 | |
They are interrogators on | 0:04:46 | 0:04:48 | |
Mastermind. | 0:04:48 | 0:04:49 | |
You were close with Bob The Builder. | 0:04:49 | 0:04:51 | |
I mean, it's a children's show, | 0:04:51 | 0:04:52 | |
isn't it, Mastermind? | 0:04:52 | 0:04:54 | |
Nice, easy, gentle question and | 0:04:54 | 0:04:56 | |
answer show that we all enjoy, as a | 0:04:56 | 0:04:57 | |
sort of warm up. | 0:04:57 | 0:04:58 | |
All interrogators on Mastermind. | 0:04:58 | 0:05:01 | |
Very well done, you get the point. | 0:05:01 | 0:05:03 | |
Wrestlers, what would you like? | 0:05:03 | 0:05:04 | |
Twisted Flax, please. | 0:05:04 | 0:05:05 | |
The Twisted Flax. TONE SOUNDS | 0:05:05 | 0:05:07 | |
It's the music question. You've | 0:05:07 | 0:05:08 | |
promised you were good on music. | 0:05:08 | 0:05:10 | |
This is going to be the acid test. | 0:05:10 | 0:05:12 | |
The first clue is coming in now. | 0:05:12 | 0:05:14 | |
# Just smile for me | 0:05:16 | 0:05:17 | |
# And let the day begin... # | 0:05:17 | 0:05:19 | |
It's On The Wings Of Love. | 0:05:19 | 0:05:21 | |
Jeff Osborne. | 0:05:21 | 0:05:23 | |
Next, please. | 0:05:23 | 0:05:24 | |
# In the wilderness build me a nest... # | 0:05:25 | 0:05:29 | |
Not sure what that is. | 0:05:29 | 0:05:30 | |
Could be. Aled Jones, possibly. | 0:05:30 | 0:05:34 | |
Jeffrey Osborn was famously mistaken | 0:05:34 | 0:05:36 | |
for George Osborn. Next, please. | 0:05:36 | 0:05:38 | |
# Well, for me it's waking up...# | 0:05:38 | 0:05:40 | |
That's Flying Without Wings. | 0:05:40 | 0:05:43 | |
Wings. Is the right answer. | 0:05:43 | 0:05:45 | |
You didn't need to hear the last | 0:05:45 | 0:05:47 | |
one, Wind Beneath My Wings. | 0:05:47 | 0:05:48 | |
What did we hear? | 0:05:48 | 0:05:49 | |
Jeffrey Osborne, | 0:05:49 | 0:05:51 | |
with On The Wings Of Love. | 0:05:51 | 0:05:52 | |
You recognised that quickly. | 0:05:52 | 0:05:53 | |
Big fan of Jeffrey Osborne? | 0:05:53 | 0:05:54 | |
I'm a big soul fan. Is that | 0:05:54 | 0:05:56 | |
what it is? OK, what else? | 0:05:56 | 0:05:58 | |
Westlife, Flying Without Wings. | 0:05:58 | 0:05:59 | |
Yeah. | 0:05:59 | 0:06:00 | |
And the second one? | 0:06:00 | 0:06:01 | |
Was it O For The Wings Of A Dove? | 0:06:01 | 0:06:03 | |
It is, Mendelssohn, | 0:06:03 | 0:06:04 | |
O For The Wings Of A Dove, | 0:06:04 | 0:06:05 | |
O Konnt Ich Fliegen, | 0:06:05 | 0:06:07 | |
all containing the word "wings" in | 0:06:07 | 0:06:09 | |
the title. Well done. | 0:06:09 | 0:06:10 | |
Clareites, what would you like? | 0:06:10 | 0:06:12 | |
Let's go for the Lion. The Lion. | 0:06:12 | 0:06:14 | |
What is the connection between these | 0:06:14 | 0:06:16 | |
clues? Here's the first. | 0:06:16 | 0:06:17 | |
Paganini, violinist. There was | 0:06:19 | 0:06:21 | |
variations on a theme of Paganini. | 0:06:21 | 0:06:23 | |
OK. Next, please. | 0:06:23 | 0:06:24 | |
Certain number of... Dice Bones... | 0:06:28 | 0:06:30 | |
Napier...um... | 0:06:31 | 0:06:32 | |
Next, please. | 0:06:32 | 0:06:33 | |
Slang? I mean...no. | 0:06:35 | 0:06:37 | |
Yeah, slang for... | 0:06:37 | 0:06:38 | |
Oh, they've made it from... | 0:06:41 | 0:06:42 | |
Made it from, yeah. | 0:06:42 | 0:06:43 | |
But made it from the violinist, | 0:06:43 | 0:06:45 | |
what? Made it out of Paganini? | 0:06:45 | 0:06:46 | |
Next, please. | 0:06:46 | 0:06:48 | |
Oh, the Devil's Dictionary. | 0:06:48 | 0:06:50 | |
So it's the devil's thing. | 0:06:50 | 0:06:52 | |
The devil's... that thing. | 0:06:52 | 0:06:54 | |
That is absolutely right. | 0:06:54 | 0:06:55 | |
The devil's violinist is | 0:06:55 | 0:06:57 | |
Niccolo Paganini. | 0:06:57 | 0:06:58 | |
The devil's bones are dice, | 0:06:58 | 0:07:00 | |
the devil's dandruff, cocaine. | 0:07:00 | 0:07:02 | |
Wrestlers, what would you like? | 0:07:02 | 0:07:04 | |
The Two Reeds, please. | 0:07:04 | 0:07:05 | |
The Two Reeds. | 0:07:05 | 0:07:06 | |
These are going to be picture clues. | 0:07:06 | 0:07:08 | |
What connects them? | 0:07:08 | 0:07:09 | |
Here's the first. | 0:07:09 | 0:07:10 | |
Ant and Dec. Could be anything. | 0:07:11 | 0:07:13 | |
Byker Grove. | 0:07:13 | 0:07:14 | |
Next, please. | 0:07:15 | 0:07:17 | |
The Beatles. | 0:07:17 | 0:07:18 | |
They've all appeared in the Rover ad. | 0:07:20 | 0:07:22 | |
That's too vague. | 0:07:22 | 0:07:24 | |
Could be OBEs. Next, please. | 0:07:24 | 0:07:26 | |
Olympic rings. | 0:07:26 | 0:07:29 | |
Do you think they've had to change | 0:07:30 | 0:07:32 | |
their names? | 0:07:32 | 0:07:33 | |
The Olympic Breakfast famously | 0:07:33 | 0:07:35 | |
changed its name. | 0:07:35 | 0:07:36 | |
The Beatles... I think we should go | 0:07:36 | 0:07:38 | |
next down. Next, please. | 0:07:38 | 0:07:39 | |
Ambulance was backwards. | 0:07:42 | 0:07:43 | |
It has to be in the same direction. | 0:07:43 | 0:07:45 | |
Ant and Dec have to | 0:07:45 | 0:07:46 | |
be the same way round. | 0:07:46 | 0:07:47 | |
Things that have to be the same way | 0:07:47 | 0:07:50 | |
round, have a particular line-up. | 0:07:50 | 0:07:52 | |
What do you mean? | 0:07:52 | 0:07:53 | |
Ant and Dec have to face the same | 0:07:53 | 0:07:55 | |
direction, have to be | 0:07:55 | 0:07:56 | |
in the same place on TV. | 0:07:56 | 0:07:57 | |
Do you think the Beatles always had | 0:07:57 | 0:07:58 | |
to stand in the same place? | 0:07:58 | 0:08:00 | |
We're hoping. I'm afraid I can't | 0:08:00 | 0:08:02 | |
accept it. I think | 0:08:02 | 0:08:03 | |
they were allowed to move around | 0:08:03 | 0:08:04 | |
freely, especially when | 0:08:04 | 0:08:06 | |
they got rich. No points there, but | 0:08:06 | 0:08:07 | |
a possible bonus for the Clareites. | 0:08:07 | 0:08:09 | |
In these photos, they're the | 0:08:09 | 0:08:10 | |
opposite way round from usual. | 0:08:10 | 0:08:11 | |
Ant and Dec usually stand the other | 0:08:11 | 0:08:13 | |
way round. On an ambulance, it's | 0:08:13 | 0:08:14 | |
backwards so you can see it in | 0:08:14 | 0:08:15 | |
mirrors. The rings of the Olympics, | 0:08:15 | 0:08:17 | |
the blue one goes on the left. | 0:08:17 | 0:08:18 | |
The images are flipped. | 0:08:18 | 0:08:19 | |
You see, that's not Ant and Dec, | 0:08:19 | 0:08:21 | |
that's Dec and Ant! | 0:08:21 | 0:08:22 | |
And it's not that they aren't | 0:08:22 | 0:08:24 | |
allowed to stand where they like, | 0:08:24 | 0:08:25 | |
it's just in these particular | 0:08:25 | 0:08:27 | |
pictures, it's been flipped. | 0:08:27 | 0:08:28 | |
And what's the clue in the Beatles | 0:08:28 | 0:08:29 | |
picture? Is it Paul McCartney being | 0:08:29 | 0:08:31 | |
left-handed? Paul McCartney plays | 0:08:31 | 0:08:33 | |
the guitar left-handed. | 0:08:33 | 0:08:34 | |
That's how you would spot it. | 0:08:34 | 0:08:35 | |
I wasn't looking properly. Well | 0:08:35 | 0:08:37 | |
noticed, they are mirror images. | 0:08:37 | 0:08:39 | |
These pictures have been flipped, | 0:08:39 | 0:08:41 | |
so you get a bonus point and you get | 0:08:41 | 0:08:42 | |
the last question of the round, | 0:08:42 | 0:08:44 | |
Water. What is the connection | 0:08:44 | 0:08:45 | |
between these clues? | 0:08:45 | 0:08:47 | |
Here's the first. | 0:08:47 | 0:08:48 | |
It's got a name. | 0:08:49 | 0:08:50 | |
I don't know what it is. | 0:08:50 | 0:08:51 | |
Next, please. | 0:08:51 | 0:08:52 | |
Mono. I think it would be mono. | 0:08:54 | 0:08:56 | |
Mono? Shall we go for it? | 0:08:56 | 0:08:58 | |
Go for it. | 0:08:58 | 0:08:59 | |
Mono? It's too quick, | 0:09:01 | 0:09:02 | |
I'm having my water. | 0:09:02 | 0:09:04 | |
The answer is mono. | 0:09:04 | 0:09:07 | |
Very well done, coming in after only | 0:09:07 | 0:09:08 | |
two clues. | 0:09:08 | 0:09:10 | |
You didn't need to see | 0:09:10 | 0:09:11 | |
North American glandular fever and | 0:09:11 | 0:09:12 | |
single-channel sound reproduction as | 0:09:12 | 0:09:14 | |
opposed to stereo. | 0:09:14 | 0:09:15 | |
I thought it was safe to drink water | 0:09:15 | 0:09:17 | |
at least till the glandular fever. | 0:09:17 | 0:09:18 | |
And the single-fingered | 0:09:18 | 0:09:19 | |
rock-climbing hold. | 0:09:19 | 0:09:21 | |
Very painful, apparently. | 0:09:21 | 0:09:22 | |
I can believe it would be. | 0:09:22 | 0:09:23 | |
Any of you go rock climbing? No. | 0:09:23 | 0:09:26 | |
Why would anyone go rock climbing? | 0:09:26 | 0:09:28 | |
I've done it once, many years ago. | 0:09:28 | 0:09:30 | |
How did that go? Badly. Badly. | 0:09:30 | 0:09:31 | |
At the end of Round One, the | 0:09:33 | 0:09:34 | |
Wrestlers have four points. | 0:09:34 | 0:09:36 | |
The Clareites have six. | 0:09:36 | 0:09:37 | |
Round Two is the sequences round. | 0:09:40 | 0:09:42 | |
I'll be asking the teams | 0:09:42 | 0:09:43 | |
what comes fourth. | 0:09:43 | 0:09:44 | |
Wrestlers, you'll be going first | 0:09:44 | 0:09:45 | |
again. Please, choose a hieroglyph. | 0:09:45 | 0:09:47 | |
I think we'll choose Eye Of Horus | 0:09:47 | 0:09:48 | |
again, please. | 0:09:48 | 0:09:49 | |
The Eye Of Horus again. | 0:09:49 | 0:09:51 | |
What will come fourth in this | 0:09:51 | 0:09:52 | |
particular sequence? | 0:09:52 | 0:09:53 | |
Here's the first. | 0:09:53 | 0:09:55 | |
Nasal passage. | 0:09:55 | 0:09:56 | |
Shall we go next? BELL RINGS | 0:09:58 | 0:10:00 | |
Oh, sorry! Apologies. | 0:10:00 | 0:10:01 | |
Now, I'm afraid, horrible though it | 0:10:01 | 0:10:03 | |
is, you've pressed the bell. | 0:10:03 | 0:10:05 | |
I need to ask you for an answer. | 0:10:05 | 0:10:07 | |
Do cavities. What can we go for...? | 0:10:07 | 0:10:09 | |
Cavities. | 0:10:09 | 0:10:10 | |
Heart? Ear, throat, nose. | 0:10:12 | 0:10:15 | |
Sophogal, throat? I need something. | 0:10:15 | 0:10:16 | |
Sophogal Cavity. | 0:10:16 | 0:10:17 | |
I'm afraid that's not it. | 0:10:17 | 0:10:19 | |
Very cruel. We've had this once | 0:10:19 | 0:10:20 | |
before this series. People buzzed | 0:10:20 | 0:10:22 | |
in. They had to give something. | 0:10:22 | 0:10:23 | |
I'm going to show the next two clues | 0:10:23 | 0:10:25 | |
to the Clareites. | 0:10:25 | 0:10:26 | |
I'm not going to give you long. | 0:10:26 | 0:10:27 | |
Do you have an answer? Temporal? | 0:10:27 | 0:10:29 | |
Not it, either. | 0:10:29 | 0:10:30 | |
It would be occipital. | 0:10:30 | 0:10:32 | |
These are the bones of the skull, | 0:10:32 | 0:10:35 | |
nasal, frontal, parietal, occipital, | 0:10:35 | 0:10:38 | |
going backwards. Had you seen more | 0:10:38 | 0:10:39 | |
clues, would you have got it? | 0:10:39 | 0:10:40 | |
No. Well, that's a comfort, | 0:10:40 | 0:10:42 | |
isn't it? It is, yes. | 0:10:42 | 0:10:44 | |
Clareites, you don't get the bonus point, | 0:10:44 | 0:10:46 | |
but you do get a question choice. | 0:10:46 | 0:10:48 | |
Shall we try... Let's try Water. | 0:10:48 | 0:10:50 | |
What would come fourth in this | 0:10:50 | 0:10:51 | |
sequence? Here's the first. | 0:10:51 | 0:10:54 | |
B for Birmingham. | 0:10:54 | 0:10:56 | |
Could be the letter B in postcodes. | 0:10:56 | 0:10:59 | |
Next, please. | 0:10:59 | 0:11:00 | |
I think it's postcodes. | 0:11:00 | 0:11:02 | |
It is postcodes, | 0:11:02 | 0:11:03 | |
but what's the pattern? | 0:11:03 | 0:11:05 | |
Going down the alphabet, maybe? | 0:11:07 | 0:11:09 | |
Next, please. | 0:11:10 | 0:11:11 | |
Is it just skipping two each time? | 0:11:13 | 0:11:15 | |
B.. C, D, E, F... ..E, F, G... | 0:11:15 | 0:11:18 | |
No, it's not. | 0:11:18 | 0:11:19 | |
Is it one that has a... | 0:11:19 | 0:11:21 | |
Yeah, which is the same in the... | 0:11:21 | 0:11:22 | |
So, H? Is H something? | 0:11:22 | 0:11:25 | |
I? That's got to be I, is it? J? | 0:11:25 | 0:11:27 | |
Three seconds. | 0:11:30 | 0:11:32 | |
Halifax, with the H highlighted red? | 0:11:32 | 0:11:34 | |
Not the answer, I'm afraid. | 0:11:34 | 0:11:36 | |
So, Wrestlers, what do you think? | 0:11:36 | 0:11:38 | |
We were going to say Liverpool. | 0:11:38 | 0:11:39 | |
Is the right answer. | 0:11:39 | 0:11:41 | |
What is the sequence? It's | 0:11:41 | 0:11:42 | |
single-letter postal districts. | 0:11:42 | 0:11:44 | |
You see the first letter is in red? | 0:11:44 | 0:11:46 | |
There are only eight postal | 0:11:46 | 0:11:48 | |
districts of the UK which have | 0:11:48 | 0:11:50 | |
a one-letter postcode. It's not | 0:11:50 | 0:11:51 | |
jumping a particular number of | 0:11:51 | 0:11:53 | |
letters, but there is no C or D or F, | 0:11:53 | 0:11:57 | |
so it would be Glasgow, and the | 0:11:57 | 0:11:58 | |
next one with a | 0:11:58 | 0:11:59 | |
single letter is Liverpool. | 0:11:59 | 0:12:00 | |
What comes next after that? | 0:12:00 | 0:12:02 | |
Do you know? | 0:12:02 | 0:12:03 | |
Manchester. And then? North London. | 0:12:03 | 0:12:05 | |
Two more. Sheffield. South London. | 0:12:05 | 0:12:07 | |
Sheffield. | 0:12:07 | 0:12:09 | |
Not South London, that's SE or SW. | 0:12:09 | 0:12:10 | |
And West London, so M, N, S, W. | 0:12:10 | 0:12:13 | |
Then there are no more single-letter | 0:12:13 | 0:12:15 | |
postcodes, for no reason. | 0:12:15 | 0:12:16 | |
Useful fact. | 0:12:16 | 0:12:18 | |
Useful fact. I don't know about | 0:12:18 | 0:12:20 | |
USEFUL fact, but a good fact. | 0:12:20 | 0:12:21 | |
So you get the bonus point, Wrestlers. | 0:12:21 | 0:12:23 | |
What would you like? Lion, please. | 0:12:23 | 0:12:25 | |
Lion. What would come fourth in this | 0:12:25 | 0:12:27 | |
sequence? Here's the first. | 0:12:27 | 0:12:29 | |
Is that the name of his book? | 0:12:30 | 0:12:32 | |
Possibly, I'm not sure. | 0:12:32 | 0:12:33 | |
Shall we go next? Yeah. | 0:12:33 | 0:12:34 | |
Next, please. | 0:12:34 | 0:12:36 | |
Slogan? So what was... | 0:12:40 | 0:12:41 | |
Things that were promised. | 0:12:42 | 0:12:44 | |
No new taxes. No new taxes. Yeah. | 0:12:44 | 0:12:46 | |
No new taxes. George Bush senior. | 0:12:48 | 0:12:50 | |
No new taxes. | 0:12:50 | 0:12:51 | |
Things that were promised. | 0:12:51 | 0:12:53 | |
I can't accept that, I'm afraid. | 0:12:53 | 0:12:55 | |
I'm having a quick think, and that | 0:12:55 | 0:12:57 | |
does not quite work as a sequence. | 0:12:57 | 0:12:58 | |
So I'm going to show the third to | 0:12:58 | 0:13:00 | |
the Clareites for a possible bonus | 0:13:00 | 0:13:01 | |
point. I'll nominate the politician. | 0:13:01 | 0:13:03 | |
George H Bush, Desert Storm. | 0:13:05 | 0:13:07 | |
Is the right answer. | 0:13:07 | 0:13:10 | |
Well done. And what is the sequence? | 0:13:10 | 0:13:13 | |
It's military missions led by those | 0:13:13 | 0:13:16 | |
presidents, in reverse order. | 0:13:16 | 0:13:18 | |
That's right. I don't think one can | 0:13:18 | 0:13:19 | |
quite say that Barack Obama promised | 0:13:19 | 0:13:21 | |
inherent resolve. | 0:13:21 | 0:13:23 | |
That's just a sort of stupid, | 0:13:23 | 0:13:25 | |
thriller-type title for a bombing | 0:13:25 | 0:13:28 | |
raid. Iraq bombings. I think it's | 0:13:28 | 0:13:29 | |
the custom in America. | 0:13:29 | 0:13:30 | |
When you become President, you must | 0:13:30 | 0:13:32 | |
launch your own bombing raid. | 0:13:32 | 0:13:33 | |
It's a bit like bringing in a | 0:13:33 | 0:13:34 | |
Downing Street cat. | 0:13:34 | 0:13:35 | |
You get your own bombing raid, you | 0:13:35 | 0:13:37 | |
get to pick the name, | 0:13:37 | 0:13:38 | |
and we're going backwards and the | 0:13:38 | 0:13:39 | |
first George Bush, | 0:13:39 | 0:13:41 | |
Desert Storm was his | 0:13:41 | 0:13:43 | |
macho bombing name. | 0:13:43 | 0:13:44 | |
It's a bit like those games, how do | 0:13:46 | 0:13:47 | |
you pick your porn name? | 0:13:47 | 0:13:48 | |
We should have that. If you were | 0:13:48 | 0:13:50 | |
president, how do you pick your | 0:13:50 | 0:13:52 | |
glamorised Iraqi bombing name? | 0:13:52 | 0:13:54 | |
I'm going to think about that later. | 0:13:54 | 0:13:56 | |
So you get the bonus point, | 0:13:56 | 0:13:57 | |
Clareites, and you may choose a question. | 0:13:57 | 0:13:59 | |
Let's go for the Twisted Flax then. | 0:13:59 | 0:14:01 | |
The Twisted Flax. What would come | 0:14:01 | 0:14:02 | |
fourth in this sequence? | 0:14:02 | 0:14:04 | |
Here's the first. | 0:14:04 | 0:14:05 | |
Next, please. | 0:14:09 | 0:14:10 | |
This is the Craig David song, where | 0:14:12 | 0:14:14 | |
he's, like, where they were | 0:14:14 | 0:14:16 | |
making love or something? | 0:14:16 | 0:14:18 | |
Next, please. | 0:14:18 | 0:14:20 | |
It is! | 0:14:21 | 0:14:22 | |
I don't know where he finished | 0:14:22 | 0:14:24 | |
making love with | 0:14:24 | 0:14:25 | |
the girl in the song. | 0:14:25 | 0:14:26 | |
The bedroom? That would | 0:14:26 | 0:14:27 | |
make more sense. | 0:14:27 | 0:14:28 | |
I even had her in the shower, | 0:14:28 | 0:14:30 | |
it wasn't me. | 0:14:30 | 0:14:31 | |
If you had it on the | 0:14:31 | 0:14:32 | |
counter, it wasn't me. | 0:14:32 | 0:14:33 | |
If you had it on the sofa... | 0:14:33 | 0:14:35 | |
The shower. | 0:14:35 | 0:14:36 | |
We're going to have to say the bed. | 0:14:36 | 0:14:37 | |
It would make more sense. | 0:14:37 | 0:14:38 | |
Bathroom floor. | 0:14:38 | 0:14:39 | |
The bathroom floor? | 0:14:39 | 0:14:41 | |
Is not the answer, I'm afraid. | 0:14:41 | 0:14:43 | |
Wrestlers, would you like to have a | 0:14:43 | 0:14:45 | |
go for a bonus point? | 0:14:45 | 0:14:46 | |
We think it's on camera. | 0:14:46 | 0:14:48 | |
On camera is the right answer. | 0:14:48 | 0:14:49 | |
The bathroom floor happens elsewhere | 0:14:49 | 0:14:51 | |
in the song. | 0:14:51 | 0:14:52 | |
What is this? | 0:14:52 | 0:14:54 | |
It's Shaggy. It Wasn't Me. | 0:14:54 | 0:14:55 | |
It's not Craig David. Craig David's | 0:14:55 | 0:14:57 | |
one is about doing it every day. | 0:14:57 | 0:14:59 | |
Monday, we made love. | 0:14:59 | 0:15:00 | |
Tuesday, we made love. | 0:15:00 | 0:15:01 | |
Wednesday, Thursday... | 0:15:01 | 0:15:03 | |
It makes it sound like taking the | 0:15:03 | 0:15:04 | |
bins out. | 0:15:04 | 0:15:06 | |
Relentless, day after day for | 0:15:06 | 0:15:07 | |
Craig David. For Shaggy, | 0:15:07 | 0:15:08 | |
it was more about the areas. | 0:15:08 | 0:15:10 | |
He's not singing, of course. | 0:15:10 | 0:15:11 | |
Rikrok. Rikrok is the singer. | 0:15:11 | 0:15:14 | |
Shaggy just shouts "It wasn't me" in | 0:15:14 | 0:15:16 | |
these various places. | 0:15:16 | 0:15:17 | |
On camera would be the next one in | 0:15:17 | 0:15:19 | |
that chorus, well-remembered. | 0:15:19 | 0:15:21 | |
Wrestlers, you get a bonus point and | 0:15:21 | 0:15:24 | |
you get a choice. Horned Viper. | 0:15:24 | 0:15:26 | |
The Horned Viper. What would | 0:15:26 | 0:15:27 | |
come fourth in | 0:15:27 | 0:15:28 | |
this picture sequence? | 0:15:28 | 0:15:30 | |
Here's the first. | 0:15:30 | 0:15:31 | |
Cumberland. | 0:15:33 | 0:15:34 | |
Next, please. | 0:15:37 | 0:15:38 | |
French mustard? French mustard. | 0:15:40 | 0:15:43 | |
Cumberland sausage. | 0:15:43 | 0:15:45 | |
Ingredients of something. | 0:15:45 | 0:15:47 | |
Next, please. | 0:15:50 | 0:15:51 | |
Jelly. Green jelly, yellow mustard. | 0:15:53 | 0:15:56 | |
Or Jell-O. Jell-O, mustard, French | 0:15:56 | 0:15:58 | |
mustard. French jelly. | 0:15:58 | 0:16:00 | |
Green eggs and ham? | 0:16:03 | 0:16:05 | |
Not the answer, I'm afraid. | 0:16:05 | 0:16:06 | |
Clareites, you have the chance of a bonus point. | 0:16:06 | 0:16:08 | |
Let's try custard. | 0:16:08 | 0:16:10 | |
Is the right answer! | 0:16:10 | 0:16:13 | |
As many people at home will be | 0:16:13 | 0:16:15 | |
shouting. Do you know why? We think | 0:16:15 | 0:16:17 | |
it's a rhyme of some kind, | 0:16:17 | 0:16:18 | |
because mustard rhymes with custard. | 0:16:18 | 0:16:20 | |
That's the thing. Some viewers will | 0:16:20 | 0:16:22 | |
have been nervous to see the image | 0:16:22 | 0:16:23 | |
of a hot sausage so soon after the | 0:16:23 | 0:16:24 | |
Shaggy song. | 0:16:24 | 0:16:26 | |
Hot sausage, very much | 0:16:26 | 0:16:27 | |
a problem for him. | 0:16:27 | 0:16:28 | |
But actually, no, it's the lovely | 0:16:28 | 0:16:30 | |
Food, Glorious Food from the | 0:16:30 | 0:16:31 | |
musical Oliver, | 0:16:31 | 0:16:33 | |
"Hot sausage and mustard, while | 0:16:33 | 0:16:35 | |
"we're in the mood, cold jelly and | 0:16:35 | 0:16:36 | |
"custard. Pease pudding and | 0:16:36 | 0:16:38 | |
"saveloys, what next is the | 0:16:38 | 0:16:39 | |
"question? Rich gentlemen have it, | 0:16:39 | 0:16:41 | |
boys..." Indigestion. | 0:16:41 | 0:16:42 | |
Indigestion is absolutely right, | 0:16:42 | 0:16:44 | |
Food, Glorious Food. | 0:16:44 | 0:16:46 | |
So custard is the answer, well done. | 0:16:46 | 0:16:48 | |
One question remaining. | 0:16:48 | 0:16:50 | |
It's the Two Reeds. | 0:16:50 | 0:16:51 | |
First clue coming up now. | 0:16:51 | 0:16:53 | |
Next, please. | 0:16:58 | 0:16:59 | |
Are these stages of, like, | 0:16:59 | 0:17:03 | |
a cake or something? | 0:17:03 | 0:17:04 | |
Can we go next? Go next. | 0:17:06 | 0:17:07 | |
Next, please. | 0:17:07 | 0:17:08 | |
Semi-sec. Sec. Is it, like, | 0:17:10 | 0:17:12 | |
types of champagne? | 0:17:12 | 0:17:14 | |
Just working across. Anyway. OK. | 0:17:14 | 0:17:16 | |
Sec. | 0:17:16 | 0:17:18 | |
Sec is the right answer. | 0:17:18 | 0:17:19 | |
And what's the sequence? | 0:17:19 | 0:17:21 | |
It's something to do with flavour | 0:17:21 | 0:17:23 | |
of wine or champagne? | 0:17:23 | 0:17:25 | |
It's sweetness of champagne, | 0:17:25 | 0:17:27 | |
getting from sweet to dry, | 0:17:27 | 0:17:29 | |
going along the sequence, | 0:17:29 | 0:17:31 | |
Demi-sec and then Sec would mean dry. | 0:17:31 | 0:17:34 | |
Clue two, Moelleux. | 0:17:34 | 0:17:36 | |
Can you pronounce that, | 0:17:36 | 0:17:37 | |
Monsieur Grouille? | 0:17:37 | 0:17:38 | |
Moelleux. Moelleux. That is correct. | 0:17:38 | 0:17:40 | |
Sec would be the dry form of wine. | 0:17:40 | 0:17:41 | |
That's fourth in the sequence. | 0:17:41 | 0:17:43 | |
At the end of Round Two, the | 0:17:43 | 0:17:45 | |
Wrestlers have six points, | 0:17:45 | 0:17:46 | |
the Clareites have ten. | 0:17:46 | 0:17:48 | |
The Connecting Wall now, the 16 jumbled-up clues that the teams have | 0:17:50 | 0:17:54 | |
to sort into four connected groups of four. | 0:17:54 | 0:17:56 | |
You get to go first this time, Clareites, so, please, choose, | 0:17:56 | 0:17:59 | |
Lion or Water? | 0:17:59 | 0:18:01 | |
We'll go for water, please, Victoria. | 0:18:01 | 0:18:03 | |
OK, the Water will feature 16 clues. | 0:18:03 | 0:18:05 | |
There is one perfect solution. | 0:18:05 | 0:18:06 | |
You have two and a half minutes to find it...starting now. | 0:18:06 | 0:18:10 | |
The Big Short was a film that was animated... | 0:18:11 | 0:18:13 | |
The Maltese Falcon. | 0:18:13 | 0:18:15 | |
Lorraine is a Daytime TV show. | 0:18:17 | 0:18:18 | |
Japanese Chin is just like a... dog even. | 0:18:18 | 0:18:22 | |
Daytime TV Shows. Loose Women, Tipping Point, Lorraine. | 0:18:23 | 0:18:25 | |
What else is a daytime TV show? | 0:18:25 | 0:18:29 | |
Judge Rinder, maybe. | 0:18:30 | 0:18:32 | |
Crosses. | 0:18:33 | 0:18:35 | |
Maltese Cross, Greek cross. | 0:18:35 | 0:18:36 | |
Calvary cross? | 0:18:36 | 0:18:39 | |
You sure about this daytime TV thing? | 0:18:39 | 0:18:42 | |
Loose Women, though. | 0:18:42 | 0:18:43 | |
Crosses, cross, cross, cross. | 0:18:46 | 0:18:49 | |
No. Are there any crosses? | 0:18:49 | 0:18:52 | |
Pomeranian. It is a dog. | 0:18:52 | 0:18:55 | |
Maltese is a dog dog. It's a dog dog. OK. | 0:18:55 | 0:18:56 | |
Calvary dog. There we go. | 0:18:57 | 0:18:59 | |
Crosses. | 0:18:59 | 0:19:00 | |
Maybe Big Short could be a TV show. | 0:19:03 | 0:19:04 | |
Yeah, I like that. | 0:19:04 | 0:19:06 | |
What were the other three? | 0:19:06 | 0:19:07 | |
I think that's Big Short, Lorraine... | 0:19:07 | 0:19:10 | |
We'll come back to that. | 0:19:10 | 0:19:12 | |
Books? Tipping Point, that's a book. | 0:19:17 | 0:19:19 | |
The God Particle is a book as well, I think. | 0:19:19 | 0:19:23 | |
I'm not sure about the three. | 0:19:23 | 0:19:24 | |
The Big Short is a book. | 0:19:24 | 0:19:26 | |
What is Judge Rinder? I have no idea, could be a TV show. | 0:19:26 | 0:19:28 | |
St Peter's Basilica. | 0:19:32 | 0:19:33 | |
Shall we think of the fourth book? | 0:19:35 | 0:19:37 | |
Quiche Lorraine. | 0:19:41 | 0:19:43 | |
Information point. | 0:19:43 | 0:19:45 | |
Three strikes and you're out now. | 0:19:46 | 0:19:48 | |
That is a book? No. That's a TV show. | 0:19:48 | 0:19:52 | |
Drunkard's Walk. Loose Women. | 0:19:52 | 0:19:54 | |
OK. Tipping Point. Oh, yeah, we can't do it. | 0:19:54 | 0:19:57 | |
Have we tried that already? | 0:19:57 | 0:19:59 | |
The God Particle... Oh, that's so familiar. | 0:19:59 | 0:20:01 | |
I think it's something to do with physics. | 0:20:01 | 0:20:04 | |
We've got a very limited time. Oh, it is. | 0:20:04 | 0:20:06 | |
Maybe Judge Rinder, TV shows...hang on... | 0:20:10 | 0:20:13 | |
We're running out of time. | 0:20:14 | 0:20:16 | |
Ten seconds. | 0:20:16 | 0:20:17 | |
Sorry, I'm going to say these are theories. | 0:20:17 | 0:20:19 | |
That's it, your three strikes, and | 0:20:19 | 0:20:21 | |
the wall has frozen. | 0:20:21 | 0:20:22 | |
But you found two groups. What about the connections? | 0:20:22 | 0:20:25 | |
Japanese Chin, Griffon Bruxellois, Maltese, Pomeranian. | 0:20:25 | 0:20:30 | |
Those are types of dog. | 0:20:30 | 0:20:32 | |
They are. Could you be more specific? They're quite small dogs. | 0:20:32 | 0:20:35 | |
Japanese Chin is like a cat-dog. | 0:20:35 | 0:20:36 | |
It's a dog that looks like a cat. | 0:20:36 | 0:20:38 | |
It's got big eyes. | 0:20:38 | 0:20:39 | |
I think the Kennel Club would say toy dogs, | 0:20:39 | 0:20:42 | |
rather than a dog that looks like a cat. | 0:20:42 | 0:20:44 | |
But they are all dogs and they are all small dogs. That's right. | 0:20:44 | 0:20:47 | |
What about the green group, starting Greek? | 0:20:47 | 0:20:49 | |
We think these are all crosses. | 0:20:49 | 0:20:51 | |
They are the crosses. Greek crosses. | 0:20:51 | 0:20:52 | |
Greek Cross, St Peter's Cross, Lorraine Cross and Calvary Cross. | 0:20:52 | 0:20:55 | |
And you can still get points for the | 0:20:55 | 0:20:56 | |
connections in the groups you didn't | 0:20:56 | 0:20:58 | |
find, so let's resolve the wall. There you go. | 0:20:58 | 0:21:00 | |
Big Short, Information, Drunkard's Walk, God Particle. | 0:21:00 | 0:21:05 | |
We think these are theories in physics. | 0:21:06 | 0:21:09 | |
I'm afraid they're not theories in physics and I think you knew it. | 0:21:09 | 0:21:13 | |
They're just books. Novels. Not novels, either. | 0:21:13 | 0:21:15 | |
Works of non-fiction. You need a The. | 0:21:15 | 0:21:17 | |
The Big Short, that's the one about the housing bubble. | 0:21:17 | 0:21:19 | |
The Information, The Drunkard's Walk, | 0:21:19 | 0:21:21 | |
The God Particle, | 0:21:21 | 0:21:22 | |
these are works of non-fiction. | 0:21:22 | 0:21:25 | |
And the last turquoise group, starting Judge Rinder, Masterpiece, | 0:21:25 | 0:21:30 | |
Tipping Point and Loose Women? | 0:21:30 | 0:21:32 | |
I think it's daytime TV shows. | 0:21:32 | 0:21:34 | |
They are, yes. I don't know whether | 0:21:34 | 0:21:35 | |
this Judge one, would you say that | 0:21:35 | 0:21:37 | |
rhymes with Tinder or Grinder? | 0:21:37 | 0:21:38 | |
I'm going to go with Rin-der, but I don't know. | 0:21:38 | 0:21:41 | |
I simply don't know. I've never watched the show. | 0:21:41 | 0:21:43 | |
They are daytime TV shows. | 0:21:43 | 0:21:44 | |
Or used it. | 0:21:44 | 0:21:45 | |
You quickly clarify. You did find two groups and three connections. | 0:21:47 | 0:21:50 | |
That is a total of five. | 0:21:50 | 0:21:52 | |
Let's bring in the Wrestlers now, | 0:21:52 | 0:21:53 | |
give them a new connecting wall to | 0:21:53 | 0:21:55 | |
wrestle with and see what they can do | 0:21:55 | 0:21:56 | |
about solving it. It will be the Lion wall for you, | 0:21:56 | 0:21:59 | |
two and a half minutes, of course, starting now. | 0:21:59 | 0:22:02 | |
OK, pedal bike. | 0:22:03 | 0:22:05 | |
Cromwell... Hammer of the Scots? Cromwell is... | 0:22:07 | 0:22:10 | |
People called Jeremy? | 0:22:10 | 0:22:12 | |
Jeremy Irons, | 0:22:12 | 0:22:14 | |
Jeremy Hardy. Jeremy Hardy. | 0:22:14 | 0:22:15 | |
North. Jeremy Davis? | 0:22:15 | 0:22:18 | |
Belly... | 0:22:24 | 0:22:26 | |
Yeah, North West, Key West. | 0:22:26 | 0:22:28 | |
North West. Key West. | 0:22:28 | 0:22:30 | |
Beer belly, beer goggles... Yeah. | 0:22:31 | 0:22:34 | |
..beer garden, beer mat. | 0:22:34 | 0:22:36 | |
No. Beer pong. Beer pong. Hang on, try these. | 0:22:36 | 0:22:40 | |
Right then. What could belly be? | 0:22:43 | 0:22:47 | |
Hammer... | 0:22:47 | 0:22:48 | |
Was Cromwell called The Hammer of the Irish or something like that? | 0:22:50 | 0:22:54 | |
Stone, North, the colonels. These colonels, Stone, North... | 0:22:54 | 0:22:59 | |
Oliver North and Oliver Cromwell. Oliver Hardy. | 0:22:59 | 0:23:02 | |
Yeah, yeah, yeah. | 0:23:02 | 0:23:05 | |
Oliver Kahn. Footballer. | 0:23:06 | 0:23:08 | |
Leave out Cromwell. | 0:23:14 | 0:23:17 | |
Leave out North. | 0:23:17 | 0:23:18 | |
There's not a way to do this. I'll go again. | 0:23:20 | 0:23:22 | |
You two think while I do this. | 0:23:22 | 0:23:25 | |
You've got a minute left. | 0:23:29 | 0:23:30 | |
Right, OK. | 0:23:30 | 0:23:31 | |
And three strikes, of course. | 0:23:32 | 0:23:34 | |
Pedal bin? Beer belly. | 0:23:35 | 0:23:38 | |
Belly flop? | 0:23:38 | 0:23:39 | |
Pork belly pork. | 0:23:41 | 0:23:43 | |
Hammer. Hardy. Irons. It's Jeremy Hardy and Jeremy Irons. | 0:23:43 | 0:23:46 | |
Jeremy Davis? If we try... | 0:23:46 | 0:23:48 | |
Do we have two Jeremys? | 0:23:49 | 0:23:51 | |
Pedal cycle. Key cycle. | 0:23:53 | 0:23:54 | |
Pedal. It's worth thinking about the words themselves. | 0:23:54 | 0:23:58 | |
Is it skeleton key? Skeleton hammer. | 0:24:00 | 0:24:02 | |
Iron hammer. Iron key. | 0:24:02 | 0:24:04 | |
Iron pedal. What's Agraffe? | 0:24:04 | 0:24:08 | |
Angela Davis. | 0:24:08 | 0:24:10 | |
Thomas Hardy. | 0:24:10 | 0:24:11 | |
No, that's it, that's your three gos. | 0:24:16 | 0:24:18 | |
The wall has frozen, but you found two groups. | 0:24:18 | 0:24:21 | |
What about the connections? | 0:24:21 | 0:24:22 | |
Tell me about the blue group, starting mat. | 0:24:22 | 0:24:24 | |
Beer. Beer mat, beer goggles, beer garden, beer pong, that is correct. | 0:24:24 | 0:24:29 | |
And the green group, starting Kahn? | 0:24:29 | 0:24:31 | |
Famous Olivers. That's right. | 0:24:31 | 0:24:33 | |
Oliver Cromwell, Oliver Kahn, Oliver North, Oliver Stone. | 0:24:33 | 0:24:36 | |
You can still get points for the connections in the groups you didn't | 0:24:36 | 0:24:38 | |
find, so let's resolve the wall. | 0:24:38 | 0:24:40 | |
That's how it should have looked. | 0:24:40 | 0:24:42 | |
Pedal, key, belly, Agraffe. | 0:24:42 | 0:24:45 | |
Cycles? That's not it. | 0:24:45 | 0:24:47 | |
Now, you were going to be hot on music. | 0:24:47 | 0:24:50 | |
They are parts of a piano. Ah! | 0:24:50 | 0:24:52 | |
The belly is just the sound board of a piano. | 0:24:52 | 0:24:54 | |
All piano parts. | 0:24:54 | 0:24:55 | |
And the turquoise group, Hardy, Irons, Hammer, Davis? | 0:24:55 | 0:24:59 | |
Jeremys? They're not Jeremys. | 0:24:59 | 0:25:02 | |
What they are, and this is quite a tough one, | 0:25:02 | 0:25:04 | |
actors who have played twins. | 0:25:04 | 0:25:06 | |
Ah. Jeremy Irons played the twin brothers in Dead Ringers. | 0:25:06 | 0:25:10 | |
Oliver Hardy's Our Relations. | 0:25:10 | 0:25:12 | |
Well, Tom Hardy played the Kray twins. | 0:25:12 | 0:25:16 | |
And Armie Hammer played those twin brothers in The Social Network, | 0:25:18 | 0:25:21 | |
Remember the Winklevi? | 0:25:21 | 0:25:22 | |
And Bette Davis played twin sisters. | 0:25:22 | 0:25:25 | |
All actors who played twins, a tricky one. | 0:25:25 | 0:25:28 | |
But you found two groups and you gave me the two connections, | 0:25:28 | 0:25:30 | |
so that is a total of four points. | 0:25:30 | 0:25:32 | |
Let's have a look at the overall scores. | 0:25:32 | 0:25:35 | |
The Wrestlers have ten points, the Clareites have 15. | 0:25:35 | 0:25:39 | |
So the outcome will be decided in the missing vowels round, | 0:25:41 | 0:25:44 | |
where points can be won and lost, so, teams, beware. | 0:25:44 | 0:25:48 | |
Fingers on buzzers. | 0:25:48 | 0:25:50 | |
I can tell you that the first group | 0:25:50 | 0:25:52 | |
are all adjectives involving parts of the face. | 0:25:52 | 0:25:57 | |
Clareites. Beady-eyed. Correct. | 0:26:00 | 0:26:02 | |
Clareites. Rosy-cheeked. | 0:26:05 | 0:26:06 | |
Yes, it is. | 0:26:06 | 0:26:07 | |
Clareites. Stiff... No, sorry. | 0:26:10 | 0:26:12 | |
Not it. Wrestlers? Do you know? | 0:26:12 | 0:26:13 | |
Stiff nosed? No, it's toffee-nosed. | 0:26:14 | 0:26:17 | |
You'd need an S. | 0:26:17 | 0:26:18 | |
Next clue. | 0:26:18 | 0:26:19 | |
Clareites. Mealy-mouthed. | 0:26:20 | 0:26:22 | |
Correct. Next category. | 0:26:22 | 0:26:23 | |
Wrestlers? How do you do? | 0:26:28 | 0:26:29 | |
Very well, thank you. | 0:26:29 | 0:26:30 | |
Clareites? Pleased to meet you. | 0:26:32 | 0:26:34 | |
Correct. | 0:26:34 | 0:26:35 | |
Wrestlers. Well played. | 0:26:37 | 0:26:38 | |
Indeed. | 0:26:38 | 0:26:39 | |
Clareites. Congratulations. | 0:26:42 | 0:26:43 | |
Well done. Next category. | 0:26:43 | 0:26:44 | |
Wrestlers. Chuck Berry. Correct. | 0:26:49 | 0:26:50 | |
Wrestlers. TS Eliot. | 0:26:53 | 0:26:54 | |
Well done. | 0:26:54 | 0:26:55 | |
Clareites. Maya Angelou. | 0:26:58 | 0:26:59 | |
Correct. | 0:26:59 | 0:27:00 | |
Clareites. Jon Hamm. | 0:27:03 | 0:27:04 | |
Lovely. Next category, less lovely. | 0:27:04 | 0:27:06 | |
Clareites. Council. Correct. | 0:27:10 | 0:27:11 | |
Clareites. Capital gains. | 0:27:14 | 0:27:15 | |
Correct. | 0:27:15 | 0:27:16 | |
Wrestlers. Value added. | 0:27:19 | 0:27:20 | |
Yes, it is. | 0:27:20 | 0:27:21 | |
Clareites. Inheritance. | 0:27:24 | 0:27:25 | |
Correct. Next category. | 0:27:25 | 0:27:27 | |
But we won't have another category | 0:27:31 | 0:27:32 | |
because the bell has gone for the end | 0:27:32 | 0:27:34 | |
of the quiz. What a fantastic Round Four. | 0:27:34 | 0:27:36 | |
That was really competitive. | 0:27:36 | 0:27:37 | |
I really enjoyed that one. | 0:27:37 | 0:27:39 | |
I can tell you that at the conclusion of it, | 0:27:39 | 0:27:41 | |
finishing in second place with 15 points, | 0:27:41 | 0:27:44 | |
it's the Wrestlers. | 0:27:44 | 0:27:46 | |
And the winners, with 24, are the Clareites. | 0:27:46 | 0:27:49 | |
So, very well done. | 0:27:49 | 0:27:51 | |
You are through to the next round. | 0:27:51 | 0:27:53 | |
Wrestlers, if you finish among the | 0:27:53 | 0:27:55 | |
highest-scoring losers in this half of | 0:27:55 | 0:27:57 | |
the draw, you'll be coming through to another round as well, | 0:27:57 | 0:28:00 | |
so I hope we will see you again. | 0:28:00 | 0:28:03 | |
Before we go, there's something I'd like to say. | 0:28:03 | 0:28:05 | |
Ever since we moved here from the rarefied world of BBC Four, | 0:28:05 | 0:28:08 | |
every week during the show, | 0:28:08 | 0:28:09 | |
people write to me on Twitter to ask what I'm wearing. | 0:28:09 | 0:28:12 | |
Now, I don't want to be all knee jerk offended and political, | 0:28:12 | 0:28:15 | |
but I ask you, would you write to This Week | 0:28:15 | 0:28:17 | |
and ask what Michael Portillo was | 0:28:17 | 0:28:18 | |
wearing? I know I have. | 0:28:18 | 0:28:20 | |
In fact, I've written to offer to | 0:28:20 | 0:28:22 | |
collect anything that Michael Portillo | 0:28:22 | 0:28:24 | |
has worn...for charity. | 0:28:24 | 0:28:26 | |
And the day that he replies, so will I. Goodbye. | 0:28:27 | 0:28:31 |