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Hello, and welcome to Only Connect, the quiz that raises more eyebrows | 0:00:22 | 0:00:25 | |
than a Scottish tenner in a London pub. | 0:00:25 | 0:00:29 | |
Rustling suspiciously across the counter tonight are, | 0:00:29 | 0:00:33 | |
on my right, Nina Grant, a copy-editor and proof-reader | 0:00:33 | 0:00:37 | |
whose specialist subjects include Disney films and strange diseases. | 0:00:37 | 0:00:42 | |
Katie McGettigan, a university research fellow, | 0:00:42 | 0:00:45 | |
who travels to America a lot, mostly visiting libraries. | 0:00:45 | 0:00:49 | |
And their captain, Jenny Harris, a PhD student with a degree in French, | 0:00:49 | 0:00:54 | |
who spent a year working in a shop that sold Scandinavian things. | 0:00:54 | 0:00:58 | |
United by a passion for poetry, they are the Part-Time Poets. | 0:00:58 | 0:01:03 | |
Now, Jenny, viewers with long memories | 0:01:03 | 0:01:06 | |
- which is about 12% of our viewers - | 0:01:06 | 0:01:08 | |
may find your face familiar. Why would that be? | 0:01:08 | 0:01:11 | |
Well, we came with my University Challenge team quite a few years | 0:01:11 | 0:01:15 | |
ago to film a special against The Crossworders, who obviously | 0:01:15 | 0:01:19 | |
trounced us, so I thought, "Come back and have a proper go." | 0:01:19 | 0:01:23 | |
Excellent. I'm very impressed. This is real commitment. | 0:01:23 | 0:01:25 | |
You've done a one-off special, and now you think, | 0:01:25 | 0:01:27 | |
"All right, come on, let's do the full series." | 0:01:27 | 0:01:30 | |
Good luck. Welcome back. | 0:01:30 | 0:01:32 | |
This time around, you are facing, on my left, | 0:01:32 | 0:01:35 | |
Howard Freedman, a taxi driver and Blackpool FC supporter, | 0:01:35 | 0:01:39 | |
who used to live in a flat that was used in the TV series Minder. | 0:01:39 | 0:01:44 | |
Adrian Knott, a civil servant with an English degree, | 0:01:44 | 0:01:47 | |
who can make balloon animal hats, though his swan is a bit rusty. | 0:01:47 | 0:01:52 | |
And their captain, Michael Slowey, | 0:01:52 | 0:01:55 | |
a data analyst with a degree in Business Studies, | 0:01:55 | 0:01:57 | |
who was abandoned by his mother during an armed robbery. | 0:01:57 | 0:02:00 | |
United by an affection for the Academy Awards, | 0:02:00 | 0:02:02 | |
they are the Oscar Men. | 0:02:02 | 0:02:04 | |
How does your team celebrate the Oscars? | 0:02:04 | 0:02:06 | |
Usually with hot dogs, lots of booze, | 0:02:06 | 0:02:09 | |
and betting against each other on the outcome. | 0:02:09 | 0:02:11 | |
How much do you bet? At the moment, it's 50p. | 0:02:11 | 0:02:13 | |
We might up it by 50p for next year. Just to keep it interesting. | 0:02:13 | 0:02:16 | |
Yeah, yeah. | 0:02:16 | 0:02:18 | |
We are going to play the quiz, starting with Round One. | 0:02:18 | 0:02:20 | |
What is the connection between four apparently random clues? | 0:02:20 | 0:02:23 | |
Oscar Men, if you bet on the toss, you'd be victorious, | 0:02:23 | 0:02:26 | |
because you won that. You'll be going first. | 0:02:26 | 0:02:28 | |
Please choose an Egyptian hieroglyph. | 0:02:28 | 0:02:31 | |
We'll go with Two Reeds, please. | 0:02:31 | 0:02:32 | |
Two Reeds, OK. First of four clues coming up. | 0:02:32 | 0:02:35 | |
Shout next when you want another one. The time starts now. | 0:02:35 | 0:02:38 | |
Feather, West Yorkshire. Featherstone, maybe. Featherstone. | 0:02:40 | 0:02:44 | |
OK, next, please. | 0:02:44 | 0:02:45 | |
OK, these are places in the north. Places that end with stone. | 0:02:47 | 0:02:51 | |
Featherstone, Silverstone. Silverstone, it is, yeah. | 0:02:51 | 0:02:53 | |
Shall we go for that? Yeah. | 0:02:53 | 0:02:55 | |
BUZZ We think we're going to buzz | 0:02:55 | 0:02:58 | |
on this one. Erm... Places that... No, stone. | 0:02:58 | 0:03:01 | |
They're connected by stone. | 0:03:02 | 0:03:03 | |
A confident opening buzz, and after | 0:03:03 | 0:03:05 | |
two clues, you get three points. | 0:03:05 | 0:03:07 | |
If you add "stone," you will get, | 0:03:07 | 0:03:09 | |
as I'm sure you know, | 0:03:09 | 0:03:11 | |
a village or town in that area. | 0:03:11 | 0:03:13 | |
They are missing "stone". | 0:03:13 | 0:03:15 | |
Very well done. | 0:03:15 | 0:03:16 | |
Part-Time Poets, what would you | 0:03:16 | 0:03:18 | |
like? The Lion, please. | 0:03:18 | 0:03:20 | |
The Lion question, OK. What is the | 0:03:20 | 0:03:21 | |
connection between these clues? | 0:03:21 | 0:03:23 | |
Here's the first. | 0:03:23 | 0:03:24 | |
Queen Beatrix, Netherlands. Next, please. | 0:03:26 | 0:03:28 | |
Er... She was assassinated there? | 0:03:32 | 0:03:34 | |
Yeah. And also the head of state there? OK, maybe have another one? | 0:03:35 | 0:03:39 | |
Yeah, next, please. | 0:03:39 | 0:03:41 | |
Monarchs? Benazir Bhutto's not a monarch. No. She's a politician. | 0:03:43 | 0:03:49 | |
Do you think...? It might be where they were... | 0:03:49 | 0:03:51 | |
Do you think we should see the last one? | 0:03:51 | 0:03:52 | |
Yeah, can we have the last one, please? | 0:03:52 | 0:03:55 | |
OK, maybe first female head of states, and where. Three seconds. | 0:03:57 | 0:04:02 | |
BUZZ Er, so, the first female | 0:04:02 | 0:04:05 | |
head of state and the capital city? | 0:04:05 | 0:04:07 | |
I'm afraid that's not it, | 0:04:08 | 0:04:09 | |
so there's a bonus opportunity | 0:04:09 | 0:04:11 | |
for the Oscar Men. | 0:04:11 | 0:04:12 | |
Er... Was Queen Beatrix assassinated? | 0:04:12 | 0:04:14 | |
I don't think they were. We're just going to go with, | 0:04:14 | 0:04:16 | |
they were all assassinated in this particular city. | 0:04:16 | 0:04:19 | |
They were not. | 0:04:19 | 0:04:20 | |
Now, what this is a selection of is | 0:04:20 | 0:04:23 | |
airports named after women. | 0:04:23 | 0:04:25 | |
Now, three of them heads of state. | 0:04:26 | 0:04:28 | |
Indira Gandhi was assassinated, | 0:04:28 | 0:04:29 | |
but Istanbul's airport is named | 0:04:29 | 0:04:31 | |
after Turkey's first female combat pilot. Oh, wow! Wow! | 0:04:31 | 0:04:35 | |
Yes, but women who have airports | 0:04:35 | 0:04:36 | |
named after them is what | 0:04:36 | 0:04:38 | |
we're looking at there. | 0:04:38 | 0:04:40 | |
So you don't get the bonus, | 0:04:40 | 0:04:41 | |
Oscar Men, but you do get the chance to choose a question. | 0:04:41 | 0:04:43 | |
Er, we'll go with Twisted Flax, please. The Twisted Flax. | 0:04:43 | 0:04:46 | |
It's a music question. | 0:04:46 | 0:04:47 | |
What is the connection between these musical clues? Here's the first. | 0:04:47 | 0:04:51 | |
# From beyond the moat, there arose such a clatter | 0:04:51 | 0:04:55 | |
# I jumped to the window to see what was the matter. # | 0:04:55 | 0:04:58 | |
Next, please. # Ashes to ashes, fun to funky, | 0:04:58 | 0:05:02 | |
# We know Major Tom's a junkie | 0:05:02 | 0:05:05 | |
# Strung out in heaven's high... # Next, please. | 0:05:05 | 0:05:09 | |
# Please don't tell, no, no, no | 0:05:09 | 0:05:12 | |
# Don't say that I told you so | 0:05:12 | 0:05:15 | |
# I just heard a rumour from a friend | 0:05:15 | 0:05:18 | |
Ash? Mash? | 0:05:18 | 0:05:20 | |
# I don't say that it's true | 0:05:22 | 0:05:26 | |
# I'll just leave that up to you. # Three seconds. | 0:05:26 | 0:05:30 | |
BUZZ That's Peggy Sue Got Married. | 0:05:30 | 0:05:32 | |
Ooh, OK. I'll go for that. I can't give you long. | 0:05:32 | 0:05:35 | |
We believe they all may contain the word "ash". | 0:05:36 | 0:05:39 | |
I'm afraid they do not all | 0:05:39 | 0:05:40 | |
contain the word "ash". | 0:05:40 | 0:05:42 | |
I'm going to blast the final clue to | 0:05:42 | 0:05:44 | |
the Part-Time Poets. | 0:05:44 | 0:05:45 | |
# Round and round and up and down we go again. # | 0:05:45 | 0:05:49 | |
The Twist. Dances, maybe? No, no, the second one isn't. | 0:05:49 | 0:05:54 | |
Ashes To Ashes. It's just Ashes. | 0:05:54 | 0:05:57 | |
I need an answer. | 0:05:57 | 0:05:58 | |
No, that's too long, too long. | 0:05:58 | 0:06:00 | |
What they all do is refer to | 0:06:00 | 0:06:02 | |
previous songs. The key... | 0:06:02 | 0:06:05 | |
That first one is NOT Monster Mash, | 0:06:05 | 0:06:08 | |
it's Monsters Holiday. Oh! | 0:06:08 | 0:06:10 | |
By the same artist, | 0:06:10 | 0:06:11 | |
but it refers back to Monster Mash. | 0:06:11 | 0:06:12 | |
Ashes To Ashes, of course, | 0:06:12 | 0:06:14 | |
"We know Major Tom's a junkie." | 0:06:14 | 0:06:16 | |
That refers to Space Oddity. | 0:06:16 | 0:06:17 | |
Peggy Sue Got Married, | 0:06:17 | 0:06:19 | |
that's Buddy Holly's great love, | 0:06:19 | 0:06:20 | |
Peggy Sue, but he's heard the | 0:06:20 | 0:06:21 | |
news she got married. | 0:06:21 | 0:06:22 | |
The final one, Let's Twist Again, | 0:06:22 | 0:06:24 | |
what does that refer to? | 0:06:24 | 0:06:26 | |
The Twist. The Twist. | 0:06:26 | 0:06:27 | |
Chubby Checker's The Twist. | 0:06:27 | 0:06:29 | |
And he's referring back to that. | 0:06:29 | 0:06:31 | |
It's sequels. | 0:06:31 | 0:06:32 | |
My grandfather used to sing that to | 0:06:32 | 0:06:34 | |
us when he dealt blackjack to us. | 0:06:34 | 0:06:35 | |
If you took a card, | 0:06:35 | 0:06:36 | |
he would sing "Let's twist again". | 0:06:36 | 0:06:38 | |
But properly to win money. | 0:06:38 | 0:06:39 | |
Genuinely, he was trying to win | 0:06:39 | 0:06:41 | |
our pocket money, | 0:06:41 | 0:06:42 | |
so he could buy cigarettes and sweets, | 0:06:42 | 0:06:44 | |
and he would sing the song happily | 0:06:44 | 0:06:45 | |
to himself as he pocketed it. | 0:06:45 | 0:06:47 | |
God bless him. | 0:06:47 | 0:06:48 | |
All songs that refer to previous | 0:06:48 | 0:06:50 | |
songs by the same artist. | 0:06:50 | 0:06:52 | |
So you don't get the bonus, Poets, | 0:06:52 | 0:06:53 | |
but you do get a choice. | 0:06:53 | 0:06:54 | |
The Eye of Horus, please. The Eye of Horus. | 0:06:54 | 0:06:57 | |
These are going to be picture clues. | 0:06:57 | 0:06:58 | |
What connects them? Here's the first. | 0:06:58 | 0:07:00 | |
Is that...? Who are they? | 0:07:04 | 0:07:07 | |
Period drama. Next, please. | 0:07:07 | 0:07:09 | |
Salami, or chorizo, cold cuts. Two sausages. Tapas. Was that Cold Case? | 0:07:11 | 0:07:16 | |
Cold Case, cold cuts. Let's have... Next, please. | 0:07:16 | 0:07:20 | |
Mince pies? | 0:07:20 | 0:07:22 | |
Sausages, mince pies. Types of meat? | 0:07:22 | 0:07:26 | |
But then they wouldn't have sausages... Oh, is it rhyming slang? | 0:07:26 | 0:07:29 | |
Plates of meat, mince pies. | 0:07:29 | 0:07:31 | |
Yeah, good, go for it. What are they rhyming slangs for? | 0:07:31 | 0:07:33 | |
I can't remember all of them. Mince pies are eyes... | 0:07:33 | 0:07:36 | |
BUZZ They're all Cockney rhyming slang. | 0:07:36 | 0:07:39 | |
They are. | 0:07:39 | 0:07:40 | |
Can you tell me something else? | 0:07:40 | 0:07:42 | |
Parts of the body? For parts of the body, that's right. | 0:07:42 | 0:07:45 | |
That first one is | 0:07:45 | 0:07:46 | |
a still from the BBC adaptation of | 0:07:46 | 0:07:48 | |
North And South, by Mrs Gaskill, | 0:07:48 | 0:07:49 | |
for the mouth. | 0:07:49 | 0:07:51 | |
Plates of meat is the next one. | 0:07:51 | 0:07:52 | |
This is a rarefied quiz. | 0:07:52 | 0:07:53 | |
I like to hear people muttering | 0:07:53 | 0:07:56 | |
"salami, chorizo." | 0:07:56 | 0:07:57 | |
It's just plates of meat. It's just ordinary meat, for the feet. | 0:07:57 | 0:08:00 | |
Mince pies, eyes, and what's that | 0:08:00 | 0:08:01 | |
last one you didn't need? | 0:08:01 | 0:08:02 | |
Boat race, face. Boat race for the face, that's right. | 0:08:02 | 0:08:04 | |
For coming in after three clues, | 0:08:04 | 0:08:07 | |
you get two points. Well done. | 0:08:07 | 0:08:09 | |
Back to you, Oscar Men. | 0:08:09 | 0:08:10 | |
Horned Viper, please. The Viper. | 0:08:10 | 0:08:12 | |
What is the connection between its | 0:08:12 | 0:08:14 | |
snaky clues? Here's the first. | 0:08:14 | 0:08:16 | |
THEY CONFER QUIETLY | 0:08:18 | 0:08:20 | |
Next, please. | 0:08:20 | 0:08:22 | |
Oh, Makka Pakka. In The Night Garden. Isn't it? Makka Pakka? | 0:08:23 | 0:08:28 | |
In The Night Garden? | 0:08:28 | 0:08:29 | |
Yep, OK. Can we go for the next, please? | 0:08:29 | 0:08:32 | |
Alley Oop. | 0:08:33 | 0:08:35 | |
I think these may all be characters from In The Night Garden, | 0:08:35 | 0:08:38 | |
but I don't know. | 0:08:38 | 0:08:39 | |
I don't have kids, but... Do you want to go...? | 0:08:39 | 0:08:42 | |
Might as well take the last one. | 0:08:42 | 0:08:44 | |
Can we take the last one next, please? | 0:08:44 | 0:08:47 | |
OK, Old Mother Shipton. OK, I think we've got this one. | 0:08:47 | 0:08:51 | |
I think they lived in caves. | 0:08:51 | 0:08:52 | |
BUZZ They all lived in caves. | 0:08:52 | 0:08:56 | |
They are all troglodytes, | 0:08:56 | 0:08:58 | |
cave-dwellers. | 0:08:58 | 0:08:59 | |
That's absolutely right. | 0:08:59 | 0:09:00 | |
Who do you recognise? | 0:09:00 | 0:09:01 | |
Makka Pakka from In The Night Garden, and Old Mother Shipton | 0:09:01 | 0:09:04 | |
specifically was the one that gave it away for me. | 0:09:04 | 0:09:07 | |
Yeah, Old Mother Shipton, sort of | 0:09:07 | 0:09:08 | |
medieval soothsayer. | 0:09:08 | 0:09:09 | |
Alley Oop, that's an American comic | 0:09:09 | 0:09:11 | |
strip about a caveman, | 0:09:11 | 0:09:12 | |
and the Nabateans, they're just ancient people. | 0:09:12 | 0:09:15 | |
There are cave paintings | 0:09:15 | 0:09:17 | |
that they left behind. | 0:09:17 | 0:09:18 | |
I mean, they'd be interesting | 0:09:18 | 0:09:20 | |
characters on | 0:09:20 | 0:09:21 | |
In The Night Garden, but in fact an ancient, | 0:09:21 | 0:09:24 | |
ancient people who drew on the walls | 0:09:24 | 0:09:26 | |
of their cave homes. Well done. | 0:09:26 | 0:09:28 | |
Poets, what would you like? Well, | 0:09:28 | 0:09:30 | |
we've got Water left, haven't we? | 0:09:30 | 0:09:32 | |
I hope that's what you'd like, | 0:09:32 | 0:09:33 | |
cos that's what you're getting. | 0:09:33 | 0:09:35 | |
Water. What is the connection between these clues? | 0:09:35 | 0:09:37 | |
Here's the first. | 0:09:37 | 0:09:39 | |
THEY CONFER QUIETLY | 0:09:40 | 0:09:44 | |
Next, please. | 0:09:44 | 0:09:46 | |
University Challenge. University Challenge captains. | 0:09:47 | 0:09:49 | |
BUZZ University Challenge appearances. | 0:09:49 | 0:09:51 | |
They are contestants on University Challenge. | 0:09:51 | 0:09:54 | |
You didn't need to see | 0:09:54 | 0:09:56 | |
John Sessions and Stephen Fry. | 0:09:56 | 0:09:58 | |
Contestants on University Challenge | 0:09:58 | 0:10:01 | |
over the years. | 0:10:01 | 0:10:02 | |
Here's a question that Stephen Fry | 0:10:02 | 0:10:03 | |
got right - who partnered | 0:10:03 | 0:10:04 | |
George Burns in the film version | 0:10:04 | 0:10:07 | |
of The Sunshine Boys? | 0:10:07 | 0:10:08 | |
Nope. Who was it? ALL: Walter Matthau. | 0:10:08 | 0:10:10 | |
Of course, Walter Matthau. You must | 0:10:10 | 0:10:11 | |
see that film, it's brilliant. | 0:10:11 | 0:10:13 | |
Do you know the story of David Aaronovitch on University Challenge? | 0:10:13 | 0:10:16 | |
They only gave communist leaders as | 0:10:16 | 0:10:19 | |
answers, didn't they? | 0:10:19 | 0:10:20 | |
It was that team. So what happened? | 0:10:20 | 0:10:22 | |
This is a great story, | 0:10:22 | 0:10:23 | |
do you know this? Yeah. | 0:10:23 | 0:10:24 | |
In those days, you could just go on | 0:10:24 | 0:10:26 | |
University Challenge. | 0:10:26 | 0:10:27 | |
There was no audition. | 0:10:27 | 0:10:28 | |
You just wrote in and said, | 0:10:28 | 0:10:29 | |
"Can we be on?" and they said "Yes." | 0:10:29 | 0:10:31 | |
So they wrote to the | 0:10:31 | 0:10:32 | |
University of Manchester, | 0:10:32 | 0:10:33 | |
and the letter was mis-delivered, it didn't go to the Union, | 0:10:33 | 0:10:35 | |
and fell into the hands of these | 0:10:35 | 0:10:37 | |
communist students, who said, | 0:10:37 | 0:10:38 | |
"Right, we'll do it." | 0:10:38 | 0:10:39 | |
And they went on, | 0:10:39 | 0:10:40 | |
and as a protest against elitism, | 0:10:40 | 0:10:43 | |
they answered communist leaders | 0:10:43 | 0:10:44 | |
for every question, | 0:10:44 | 0:10:45 | |
but not all through the show, | 0:10:45 | 0:10:47 | |
cos they ran out. | 0:10:47 | 0:10:48 | |
And they couldn't think of any more, | 0:10:48 | 0:10:49 | |
so they said Trotsky for | 0:10:49 | 0:10:51 | |
seven or eight answers, | 0:10:51 | 0:10:52 | |
and then Bamber Gascoigne said, | 0:10:52 | 0:10:54 | |
"You're just spoiling the quiz, | 0:10:54 | 0:10:56 | |
"and we won't broadcast it." | 0:10:56 | 0:10:57 | |
And then they sheepishly | 0:10:57 | 0:10:58 | |
answered a few questions. | 0:10:58 | 0:10:59 | |
Got a score of 40. | 0:10:59 | 0:11:00 | |
At the end of Round One, | 0:11:02 | 0:11:03 | |
the Oscar Men have four points, | 0:11:03 | 0:11:05 | |
the Part-Time Poets have five. | 0:11:05 | 0:11:07 | |
On to Round Two, | 0:11:09 | 0:11:11 | |
the sequences round. | 0:11:11 | 0:11:12 | |
What comes fourth in a sequence? | 0:11:12 | 0:11:14 | |
I'll be asking that initially to the | 0:11:14 | 0:11:15 | |
Oscar Men. You're going first again. | 0:11:15 | 0:11:17 | |
Please choose a hieroglyph. | 0:11:17 | 0:11:18 | |
Eye of Horus, please. The Eye of Horus. | 0:11:18 | 0:11:20 | |
What will come fourth in this sequence? Here's the first. | 0:11:20 | 0:11:24 | |
Poor rates. Erm... | 0:11:25 | 0:11:27 | |
I think it's some kind of tax. Next, please. | 0:11:27 | 0:11:30 | |
Country rates. County rates. Community Charge? | 0:11:32 | 0:11:36 | |
Yeah, Community Charge. Should we go for the next one? | 0:11:36 | 0:11:40 | |
Yeah. Can we go for the next, please? | 0:11:40 | 0:11:43 | |
Community Charge. OK. | 0:11:43 | 0:11:45 | |
So what's it called now? | 0:11:45 | 0:11:47 | |
Community Charge. What's it called? Business rates? No. | 0:11:49 | 0:11:53 | |
No, business rates is what? Well, it can't be business rates as well. | 0:11:53 | 0:11:56 | |
That's not a sequence, is it? Well, it could be. | 0:11:56 | 0:11:59 | |
It could be, going up. Three seconds. | 0:11:59 | 0:12:01 | |
We're going to go with business rates. | 0:12:03 | 0:12:05 | |
Unfortunately, as I heard you say, | 0:12:05 | 0:12:07 | |
not a sequence. Mm. | 0:12:07 | 0:12:08 | |
That might be a category, | 0:12:08 | 0:12:09 | |
but it's not a sequence. | 0:12:09 | 0:12:11 | |
So there's a bonus chance, Poets. | 0:12:11 | 0:12:13 | |
We think it might be the poll tax. | 0:12:13 | 0:12:15 | |
I can't take it, because the | 0:12:15 | 0:12:16 | |
poll tax is sort of slang for | 0:12:16 | 0:12:18 | |
actually clue three that we're | 0:12:18 | 0:12:19 | |
looking at. That's what I thought! | 0:12:19 | 0:12:20 | |
It was the council tax. | 0:12:20 | 0:12:22 | |
I mean, some people do still say the | 0:12:22 | 0:12:24 | |
poll tax, meaning the council tax, | 0:12:24 | 0:12:25 | |
but technically, | 0:12:25 | 0:12:26 | |
that would be clue three. | 0:12:26 | 0:12:27 | |
Council tax. It's successive local | 0:12:27 | 0:12:30 | |
taxes levied in England and Wales. | 0:12:30 | 0:12:31 | |
Business rates is | 0:12:31 | 0:12:32 | |
a different sort of thing, | 0:12:32 | 0:12:34 | |
but the local taxes after the community charge, | 0:12:34 | 0:12:36 | |
which is the one that was known, really, as the poll tax. Yeah. | 0:12:36 | 0:12:38 | |
Council tax was next. | 0:12:38 | 0:12:40 | |
So you don't get the bonus, | 0:12:40 | 0:12:41 | |
but you do get a choice. | 0:12:41 | 0:12:42 | |
What would you like? Can we have Water, please? Water. | 0:12:42 | 0:12:46 | |
It's a music sequence. How lovely. | 0:12:46 | 0:12:49 | |
You'll be hearing the clues, but only three of them. | 0:12:49 | 0:12:51 | |
I want to know what you'd expect to hear at clue four. | 0:12:51 | 0:12:53 | |
First piece of music coming in now. | 0:12:53 | 0:12:56 | |
# She left me with no hope, # It's all gone up in smoke... # | 0:12:56 | 0:13:02 | |
Next, please. | 0:13:05 | 0:13:06 | |
ROCK MUSIC PLAYS | 0:13:06 | 0:13:12 | |
# It's getting late, have you seen my mates? | 0:13:12 | 0:13:15 | |
# Ma, tell me when the boys get here | 0:13:15 | 0:13:18 | |
# It's seven o'clock, and I want to rock... # | 0:13:18 | 0:13:20 | |
Oh, my goodness. The chorus is coming. Next, please. | 0:13:20 | 0:13:23 | |
# Every day is silent and grey... # | 0:13:23 | 0:13:26 | |
It's Every Day Is Like Sunday," so maybe it's Monday, Monday? | 0:13:26 | 0:13:29 | |
Friday, Saturday, Sunday, Monday. | 0:13:29 | 0:13:31 | |
I Don't Like Mondays? Yeah. | 0:13:31 | 0:13:33 | |
BUZZ I Don't Like Mondays. | 0:13:33 | 0:13:35 | |
Would be an acceptable answer, | 0:13:35 | 0:13:37 | |
well done. What did we hear? | 0:13:37 | 0:13:39 | |
Every Day Is Like Sunday, by Morrissey. Mm-hm. | 0:13:39 | 0:13:42 | |
And then we just sort of decided a direction. | 0:13:42 | 0:13:44 | |
Oh, it was Saturday Night's Alright For Fighting, by Elton John. | 0:13:44 | 0:13:46 | |
That's what it was! That's right, Elton John. | 0:13:46 | 0:13:49 | |
And unfortunately not Friday by Rebecca Black. | 0:13:49 | 0:13:51 | |
No, it was She Left Me On Friday, | 0:13:51 | 0:13:53 | |
by Shed Seven. OK. | 0:13:53 | 0:13:54 | |
So we need to hear | 0:13:54 | 0:13:55 | |
a song featuring Monday. | 0:13:55 | 0:13:57 | |
Could have been Manic Monday or | 0:13:57 | 0:13:58 | |
Monday, Monday. | 0:13:58 | 0:13:59 | |
You went with I Don't Like Mondays | 0:13:59 | 0:14:01 | |
by The Boomtown Rats. | 0:14:01 | 0:14:02 | |
Unfortunately, we don't have | 0:14:02 | 0:14:03 | |
a recording of that, but I don't | 0:14:03 | 0:14:04 | |
see why the viewers shouldn't be | 0:14:04 | 0:14:06 | |
able to enjoy a snatch of it anyway. | 0:14:06 | 0:14:08 | |
Let's go from the "tell me why." | 0:14:08 | 0:14:10 | |
One, two, three. | 0:14:10 | 0:14:11 | |
# (Tell me why) I don't like Mondays | 0:14:11 | 0:14:14 | |
# (Tell me why) I don't like Mondays. # | 0:14:14 | 0:14:17 | |
That was lovely. | 0:14:17 | 0:14:19 | |
I think you could form | 0:14:19 | 0:14:20 | |
a fantastic six-part supergroup. | 0:14:20 | 0:14:22 | |
You might work a little bit on the | 0:14:22 | 0:14:24 | |
timing, but the harmonies | 0:14:24 | 0:14:25 | |
- beautiful. That's cheered up my | 0:14:25 | 0:14:27 | |
evening no end. Very well done. | 0:14:27 | 0:14:28 | |
I'd give you 12 points if I could, | 0:14:28 | 0:14:30 | |
and bonus ones for you. | 0:14:30 | 0:14:31 | |
I can't, but Oscar Men, I may offer | 0:14:31 | 0:14:34 | |
you a choice. Lion, please. Lion. | 0:14:34 | 0:14:36 | |
What would come fourth in this sequence? Here's the first. | 0:14:36 | 0:14:39 | |
THEY CONFER QUIETLY | 0:14:41 | 0:14:44 | |
Next, please. | 0:14:46 | 0:14:47 | |
Lesbos, so they're getting smaller, aren't they? I'm not sure. | 0:14:49 | 0:14:54 | |
Well, Crete's got to be the biggest, hasn't it? We'll go next, please? | 0:14:54 | 0:14:57 | |
Wait, can't we...? | 0:14:57 | 0:14:59 | |
It's going smaller. They are getting smaller. Kos? Could be Kos. | 0:14:59 | 0:15:03 | |
What about where... Where whats-his-name's from? | 0:15:03 | 0:15:07 | |
Corfu. Corfu. What do you want to go for? Either Corfu or Crete or Kos. | 0:15:07 | 0:15:13 | |
Well, it can't be Crete if it's going smaller, can it? OK. | 0:15:13 | 0:15:16 | |
BUZZ We're going for the Greek islands. | 0:15:16 | 0:15:19 | |
I think they're probably going from large to small, | 0:15:19 | 0:15:22 | |
so we're going to go with Kos. | 0:15:22 | 0:15:24 | |
I'm afraid that's not the answer, | 0:15:24 | 0:15:26 | |
so there's a bonus chance for you, | 0:15:26 | 0:15:27 | |
Part-Time Poets. | 0:15:27 | 0:15:29 | |
One that he said. Well, we'll try Crete. | 0:15:29 | 0:15:31 | |
Unfortunately for you, | 0:15:31 | 0:15:32 | |
they're getting larger, | 0:15:32 | 0:15:34 | |
and the answer is Crete. | 0:15:34 | 0:15:36 | |
Well done, you get the bonus point. | 0:15:36 | 0:15:38 | |
And your choice of a question. | 0:15:38 | 0:15:40 | |
The Two Reeds, please. Two Reeds. | 0:15:40 | 0:15:42 | |
What will come fourth in this little sequence? Here's the first. | 0:15:42 | 0:15:46 | |
Counter-intelligence. Oh, it's "MI"s. MI5. Go for the second one. | 0:15:46 | 0:15:51 | |
Next, please. | 0:15:51 | 0:15:54 | |
So is that MI6? | 0:15:54 | 0:15:55 | |
No, hang on, is it...? It's this... | 0:15:55 | 0:15:59 | |
What are we thinking? | 0:16:01 | 0:16:02 | |
Counter-intelligence, terrorism. | 0:16:02 | 0:16:03 | |
I think it's the name of something. | 0:16:03 | 0:16:06 | |
It's not like Cobra, but you know. | 0:16:06 | 0:16:08 | |
We should maybe get another one. | 0:16:08 | 0:16:11 | |
All right. Next, please. | 0:16:11 | 0:16:12 | |
Oh, OK. It's a different thing. | 0:16:12 | 0:16:15 | |
There is no MIRevenge. | 0:16:15 | 0:16:17 | |
Terrorism, Revenge. Tragedy? | 0:16:17 | 0:16:20 | |
It's going to be, like, an acronym or something. Three seconds. | 0:16:21 | 0:16:23 | |
Buzz, buzz, buzz. BUZZ | 0:16:23 | 0:16:25 | |
Erm... Organised crime? | 0:16:26 | 0:16:29 | |
Not an answer I can take, | 0:16:29 | 0:16:30 | |
I'm afraid, so there's a bonus | 0:16:30 | 0:16:31 | |
chance for you now, Oscar Men. | 0:16:31 | 0:16:33 | |
Well, it's film-related. It's a Bond thing, I think. | 0:16:33 | 0:16:36 | |
I think these are the initials for SPECTRE, | 0:16:36 | 0:16:38 | |
and the last one being E for Extortion. | 0:16:38 | 0:16:41 | |
Very well done. | 0:16:41 | 0:16:42 | |
It is organised crime in a way, | 0:16:42 | 0:16:43 | |
but very specifically, | 0:16:43 | 0:16:45 | |
it's got to start with an E, | 0:16:45 | 0:16:46 | |
because we're talking about the | 0:16:46 | 0:16:48 | |
SPecial Executive for | 0:16:48 | 0:16:49 | |
Counter-intelligence, Terrorism, | 0:16:49 | 0:16:51 | |
Revenge and Extortion, | 0:16:51 | 0:16:52 | |
known as SPECTRE. | 0:16:52 | 0:16:54 | |
It's our obligatory Bond question. | 0:16:54 | 0:16:56 | |
We have to have some of | 0:16:56 | 0:16:57 | |
those every series. | 0:16:57 | 0:16:58 | |
What do you think of SPECTRE, | 0:16:58 | 0:16:59 | |
the new Bond film? | 0:16:59 | 0:17:01 | |
I liked it, yeah. Really good. | 0:17:01 | 0:17:02 | |
I feel like it's much better. Yeah. | 0:17:02 | 0:17:03 | |
That terrible one about the oil, | 0:17:03 | 0:17:05 | |
or the water, whatever it was, | 0:17:05 | 0:17:07 | |
Quantum Of Solace, nonsense. Quantum Of Solace. Terrible. Ugh! | 0:17:07 | 0:17:10 | |
I need that day of my life back. | 0:17:10 | 0:17:11 | |
SPECTRE was really good fun again. | 0:17:11 | 0:17:13 | |
Yeah. Who runs SPECTRE? | 0:17:13 | 0:17:15 | |
Blofeld. Ernst Blofeld, of course. | 0:17:15 | 0:17:19 | |
Excellent fellow. | 0:17:19 | 0:17:21 | |
Well done, you get the bonus point, | 0:17:21 | 0:17:23 | |
and you way choose a question. | 0:17:23 | 0:17:24 | |
We're going to go for Twisted Flax, please. Twisted Flax. | 0:17:24 | 0:17:27 | |
What...? Ah, these are going to be picture clues. | 0:17:27 | 0:17:29 | |
What sort of thing would you expect to see in the last picture? | 0:17:29 | 0:17:32 | |
Here's the first. | 0:17:32 | 0:17:33 | |
Coins, yeah. Can't see what the country is. | 0:17:34 | 0:17:37 | |
I think it might be Greece. | 0:17:37 | 0:17:39 | |
Might be Turkish, actually. Next, please. | 0:17:39 | 0:17:42 | |
Right. It's a lion. | 0:17:44 | 0:17:45 | |
Is it called Leo? | 0:17:47 | 0:17:48 | |
That's the MGM logo. | 0:17:50 | 0:17:53 | |
Is it? Yeah. | 0:17:53 | 0:17:54 | |
Next one, please. | 0:17:54 | 0:17:56 | |
That's a lay. What? A lay. L A Y. | 0:17:57 | 0:18:02 | |
Leo. Lire! Lire, Leo, lay. So... Three seconds. | 0:18:02 | 0:18:08 | |
BUZZ Right, so we've got lire. | 0:18:11 | 0:18:14 | |
L I R, L E O... I need an answer. | 0:18:14 | 0:18:17 | |
We believe it might be lip. L I P. | 0:18:18 | 0:18:22 | |
Not the answer, I'm afraid, | 0:18:22 | 0:18:23 | |
so another bonus | 0:18:23 | 0:18:24 | |
opportunity for the poets. | 0:18:24 | 0:18:26 | |
So lei is L E I. Yeah. I need an answer. | 0:18:26 | 0:18:29 | |
L... E O. L E U. L E U. | 0:18:29 | 0:18:32 | |
No, it's too long. Saint-Leu? | 0:18:32 | 0:18:34 | |
Sorry? Saint-Leu. | 0:18:34 | 0:18:36 | |
Can't do that, I'm afraid, | 0:18:36 | 0:18:37 | |
because in fact, | 0:18:37 | 0:18:38 | |
that first picture is the well-known | 0:18:38 | 0:18:41 | |
Romanian currency, the leu. | 0:18:41 | 0:18:43 | |
Oh, that's the U. | 0:18:43 | 0:18:44 | |
Then we've got Leo, the MGM lion, | 0:18:44 | 0:18:46 | |
then lei, so it's L E... Leek. | 0:18:46 | 0:18:48 | |
..U, O, I, Lee. You know, | 0:18:48 | 0:18:50 | |
the author Harper Lee, for example. | 0:18:50 | 0:18:52 | |
It's just something L E E, | 0:18:52 | 0:18:53 | |
that's what we needed, | 0:18:53 | 0:18:54 | |
so you were fumbling around in the | 0:18:54 | 0:18:57 | |
area, but not quite on it. | 0:18:57 | 0:18:58 | |
I'm remembering my wedding night. | 0:18:58 | 0:19:00 | |
One question remaining for you, | 0:19:00 | 0:19:02 | |
Poets, the Horned Viper. | 0:19:02 | 0:19:03 | |
What will come fourth in this | 0:19:03 | 0:19:05 | |
sequence? Here's the first. | 0:19:05 | 0:19:07 | |
Beyonce... What is that? 47. | 0:19:08 | 0:19:12 | |
OK. Next, please. | 0:19:13 | 0:19:16 | |
Bruno Mars. 48. | 0:19:16 | 0:19:18 | |
Er, next. | 0:19:20 | 0:19:22 | |
Oh, Super Bowls, so it was Beyonce again, wasn't it? Was it? | 0:19:23 | 0:19:28 | |
Yes, cos she just did the last one. It was this year. OK. | 0:19:28 | 0:19:31 | |
Beyonce, XL... No, it would just be L. Yeah. Yeah. | 0:19:31 | 0:19:34 | |
BUZZ Beyonce = L. | 0:19:34 | 0:19:37 | |
Not the answer, I'm afraid, | 0:19:37 | 0:19:38 | |
so back to the Oscar Men | 0:19:38 | 0:19:40 | |
for another bonus chance. | 0:19:40 | 0:19:41 | |
Wasn't it Coldplay? And Beyonce came on. | 0:19:41 | 0:19:44 | |
OK, we'll go with Coldplay, and X... With L. L. | 0:19:44 | 0:19:48 | |
I will accept Coldplay, | 0:19:49 | 0:19:51 | |
with L or 50. | 0:19:51 | 0:19:53 | |
Now, you know this is Super Bowl performances. | 0:19:53 | 0:19:55 | |
Beyonce was a special guest, | 0:19:55 | 0:19:57 | |
but these are specifically the | 0:19:57 | 0:19:58 | |
headliners. Oh, OK. | 0:19:58 | 0:19:59 | |
So Beyonce headlined at | 0:19:59 | 0:20:01 | |
the 47th Super Bowl in 2013, | 0:20:01 | 0:20:03 | |
then we have Bruno Mars, Katy Perry, | 0:20:03 | 0:20:05 | |
and Coldplay at the 50th one. | 0:20:05 | 0:20:07 | |
Funnily enough, | 0:20:07 | 0:20:08 | |
they don't write it with an L. | 0:20:08 | 0:20:09 | |
If you look back at the | 0:20:09 | 0:20:10 | |
branding for that one, | 0:20:10 | 0:20:12 | |
because they felt in America that | 0:20:12 | 0:20:13 | |
"Super Bowl L" would confuse people, | 0:20:13 | 0:20:16 | |
so they put 50. | 0:20:16 | 0:20:17 | |
Even though they are going to, | 0:20:17 | 0:20:18 | |
for the next one, go back to LI. | 0:20:18 | 0:20:20 | |
So "Super Bowlli" | 0:20:20 | 0:20:21 | |
is OK, but "Super Bowll," no, | 0:20:21 | 0:20:22 | |
so they wrote it with a 50. | 0:20:22 | 0:20:24 | |
But Coldplay were the headline act. | 0:20:24 | 0:20:26 | |
Well done for the bonus. | 0:20:26 | 0:20:28 | |
That means, at the end of Round Two, | 0:20:28 | 0:20:30 | |
the Oscar Men have six points, | 0:20:30 | 0:20:32 | |
the Part-Time Poets have eight. | 0:20:32 | 0:20:34 | |
Time now for the Connecting Wall, and it'll be the Part-Time Poets | 0:20:37 | 0:20:40 | |
who go first this time, so you have a choice, Lion or Water? | 0:20:40 | 0:20:44 | |
We'd like the Lion Wall, please. | 0:20:44 | 0:20:45 | |
OK, you have two and a half minutes to solve the Lion Wall, | 0:20:45 | 0:20:48 | |
starting now. | 0:20:48 | 0:20:50 | |
OK, so Walk The Line is a... Is a biopic about Johnny Cash. | 0:20:52 | 0:20:57 | |
Yeah, with Joaquin Phoenix in. | 0:20:57 | 0:20:59 | |
Also a Johnny Cash song. OK. I'm seeing lotus. | 0:21:00 | 0:21:04 | |
Lotus, moon? No. Lotus. Crescent moon. Deadly nightshade. | 0:21:05 | 0:21:11 | |
That's a position. Those are positions. Oh, yeah, good one. | 0:21:11 | 0:21:13 | |
Right, yoga positions. Hunter as well. Crescent moon? Yeah. | 0:21:13 | 0:21:18 | |
BUZZ No. OK, let's try again. Mountain. | 0:21:18 | 0:21:20 | |
BUZZ OK. | 0:21:22 | 0:21:23 | |
I don't know if crescent moon actually is one, by the way. | 0:21:23 | 0:21:26 | |
OK, no, me either. We tried that. Maybe try cobra? | 0:21:26 | 0:21:29 | |
Try power. Power. Yeah, power stance. | 0:21:29 | 0:21:31 | |
OK, what else have we got? Jet black, mud brown... | 0:21:33 | 0:21:35 | |
Wild... Election. | 0:21:38 | 0:21:41 | |
Election special. Deadly nightshade. Election night. Electric Six. | 0:21:41 | 0:21:44 | |
Electric...power? | 0:21:44 | 0:21:47 | |
No. Power plant. | 0:21:47 | 0:21:49 | |
Saracens, cobras. No, Saracen, Cobra, Jet, and Hunter. | 0:21:52 | 0:21:56 | |
Oh, Gladiators! They're all Gladiators! Right, OK. | 0:21:56 | 0:22:00 | |
So Jet is one. Nightshade was one. Let's try without Cobra. | 0:22:00 | 0:22:05 | |
No, let's try without Jet. | 0:22:05 | 0:22:06 | |
Yes! OK. | 0:22:06 | 0:22:08 | |
Jet pack. Six pack, mud pack. | 0:22:08 | 0:22:10 | |
Power pack. Power pack. | 0:22:12 | 0:22:13 | |
Expansion pack. Yeah, OK, try it without power. | 0:22:13 | 0:22:16 | |
Right, try it without jet. | 0:22:16 | 0:22:18 | |
Try it without six. | 0:22:19 | 0:22:21 | |
And try it without mud. | 0:22:22 | 0:22:24 | |
Yes, OK. Three strikes and you're out, now. | 0:22:24 | 0:22:27 | |
OK. So now we've got this film, Walk The Line. | 0:22:27 | 0:22:29 | |
Or song Walk The Line, Johnny Cash song. Oh, Reese Witherspoon films. | 0:22:29 | 0:22:32 | |
She was in Election. | 0:22:32 | 0:22:34 | |
She was in Walk The Line, she was in Wild. And Mud. | 0:22:34 | 0:22:37 | |
You've solved the Wall! Well done, that's four points immediately. | 0:22:38 | 0:22:41 | |
What about the connections? | 0:22:41 | 0:22:43 | |
Tell me about the first blue group, starting Cobra. | 0:22:43 | 0:22:47 | |
They were all Gladiators of the 1990s. | 0:22:47 | 0:22:50 | |
That's right, the original series. 1992-2000. They're Gladiators. | 0:22:50 | 0:22:54 | |
The green group. Power, Jet, Six, Expansion. | 0:22:54 | 0:22:58 | |
Can be followed by "pack." They can all be followed by "pack." | 0:22:58 | 0:23:01 | |
And the next group, starting Wild. | 0:23:01 | 0:23:04 | |
They are films with Reese Witherspoon in them. That's right. | 0:23:04 | 0:23:07 | |
Wild, Election, Walk The Line, and Mud, | 0:23:07 | 0:23:09 | |
all featured the actor Reese Witherspoon. | 0:23:09 | 0:23:11 | |
And the final turquoise group - Mountain, Cow-Face, | 0:23:11 | 0:23:14 | |
Lotus, Crescent Moon. | 0:23:14 | 0:23:16 | |
I would go for yoga. Yoga poses. | 0:23:16 | 0:23:18 | |
They're yoga positions. That's absolutely right, very well done. | 0:23:18 | 0:23:22 | |
So that's all the connections, as well as the groups. | 0:23:22 | 0:23:24 | |
I can give you a maximum of ten points. | 0:23:24 | 0:23:27 | |
Let's bring in the Oscar Men now, give them a Wall, | 0:23:27 | 0:23:29 | |
and see what they can do about solving it. | 0:23:29 | 0:23:31 | |
It's the Water Wall that remains for you. | 0:23:31 | 0:23:33 | |
Two and a half minutes, of course, starting now. | 0:23:33 | 0:23:36 | |
OK. Adze, that's a kind of cutting plate, isn't it? Yeah. Woodwork. | 0:23:37 | 0:23:41 | |
Chisel. Durian's a fruit as well. | 0:23:41 | 0:23:45 | |
OK, shall we go for jigsaw, adze, bradawl, and plane? | 0:23:45 | 0:23:49 | |
BUZZ | 0:23:49 | 0:23:51 | |
Chisel. Chisel, bradawl, adze, jigsaw. | 0:23:51 | 0:23:53 | |
BUZZ Adze, chisel, bradawl, plane. | 0:23:53 | 0:23:56 | |
OK, we've got that one. | 0:23:56 | 0:23:58 | |
Rambutan and durian, they're fruits, and avocado's a fruit. | 0:23:58 | 0:24:01 | |
We'll go for those ones, try that. BUZZ | 0:24:01 | 0:24:04 | |
OK. Go for mango, avocado there. BUZZ | 0:24:04 | 0:24:07 | |
Rambutan, ooh. | 0:24:07 | 0:24:09 | |
BUZZ OK, we're missing one out, are we? | 0:24:11 | 0:24:13 | |
I think durian, avocado. Try that, OK, good. | 0:24:13 | 0:24:16 | |
Three strikes now. OK. | 0:24:16 | 0:24:18 | |
So, these are types of puzzles, OK? And women's clothing places, so... | 0:24:19 | 0:24:24 | |
OK, we know Jigsaw is as well. | 0:24:24 | 0:24:26 | |
So that's the one that's crossover. Monsoon, Oasis. | 0:24:26 | 0:24:29 | |
We know tangram, KenKen and the crossword, right? | 0:24:29 | 0:24:31 | |
OK, so the next one we need to go for... | 0:24:31 | 0:24:34 | |
There's women's clothing outlets, and there's puzzles, | 0:24:34 | 0:24:37 | |
so Jigsaw is probably most likely to go in that. | 0:24:37 | 0:24:39 | |
We've got Monsoon, Oasis, Mango and Tentaizu. Could be a puzzle as well. | 0:24:39 | 0:24:45 | |
BUZZ | 0:24:45 | 0:24:46 | |
OK, so it's that, tangram, KenKen, crossword. | 0:24:46 | 0:24:48 | |
That's it, you've solved the Wall. Very well done. | 0:24:48 | 0:24:51 | |
What about the connections? Chisel, Adze, Bradawl, Plane. | 0:24:51 | 0:24:55 | |
Yeah, they're all types of tools. They're woodworking tools. | 0:24:55 | 0:24:58 | |
The Adze, of course, so beloved of Scrabble players, | 0:24:58 | 0:25:01 | |
with or without the E. | 0:25:01 | 0:25:02 | |
So useful. And the green group, starting Rambutan? | 0:25:02 | 0:25:06 | |
They're all fruits. They are. All exotic fruits, really. | 0:25:06 | 0:25:09 | |
Our question editor says, "The durian is a large, oval, | 0:25:09 | 0:25:13 | |
"tasty but foul-smelling fruit with a prickly rind." | 0:25:13 | 0:25:16 | |
Takes one to know one, I would say. Takes one to know one. | 0:25:16 | 0:25:19 | |
The rambutan is a sort of round, prickly red Malayan fruit. | 0:25:19 | 0:25:23 | |
And the next group, starting Tangram, what's that? | 0:25:23 | 0:25:25 | |
They're all types of puzzles. Exactly. | 0:25:25 | 0:25:28 | |
Quizzers should always appreciate the range of puzzles in | 0:25:28 | 0:25:31 | |
the world. That's four of them. | 0:25:31 | 0:25:32 | |
And the last group - Jigsaw, Monsoon, Oasis, Mango. | 0:25:32 | 0:25:36 | |
Having two sisters, this has helped me out. | 0:25:36 | 0:25:37 | |
They are women's fashion outlets. | 0:25:37 | 0:25:40 | |
Women's clothing stores, that's absolutely right. | 0:25:40 | 0:25:42 | |
So, all the groups, all the connections, | 0:25:42 | 0:25:44 | |
that's a maximum of ten. | 0:25:44 | 0:25:46 | |
Let's have a look at the scores. | 0:25:46 | 0:25:48 | |
The Oscar Men have 16 points, | 0:25:48 | 0:25:50 | |
the Part-Time Poets have 18 points. | 0:25:50 | 0:25:53 | |
So it's neck and neck, and will be decided in the Missing Vowels round. | 0:25:54 | 0:25:59 | |
Fingers on buzzers, teams. This is a close one. | 0:25:59 | 0:26:02 | |
The first group are all adjectives involving animals. | 0:26:02 | 0:26:08 | |
Oscar Men. Snake-hipped. | 0:26:09 | 0:26:11 | |
Correct. | 0:26:11 | 0:26:12 | |
Poets. Erm... | 0:26:14 | 0:26:16 | |
Too long, I'm afraid. Oscar Men. | 0:26:17 | 0:26:19 | |
Er, dog tired. No, that's not it. | 0:26:19 | 0:26:21 | |
Dog-eat-dog. Next clue. | 0:26:21 | 0:26:23 | |
Don't know this one. | 0:26:28 | 0:26:29 | |
They say it of a town. One-horse. | 0:26:29 | 0:26:32 | |
Next clue. | 0:26:32 | 0:26:34 | |
Poets. Hen-pecked. | 0:26:34 | 0:26:36 | |
Correct. Next category - things an estate agent might say. | 0:26:36 | 0:26:39 | |
Oscar Men. In need of modernisation. | 0:26:43 | 0:26:45 | |
Correct. | 0:26:45 | 0:26:47 | |
Poets. Full of character. | 0:26:50 | 0:26:52 | |
Correct. | 0:26:52 | 0:26:53 | |
Poets. | 0:26:57 | 0:26:58 | |
Tremendous scope for improvement. | 0:26:58 | 0:27:00 | |
Very well done. | 0:27:00 | 0:27:01 | |
This one is deceptively spacious. | 0:27:08 | 0:27:10 | |
Next category - people who share their surnames with birds. | 0:27:11 | 0:27:14 | |
Poets. James Martin. Correct. | 0:27:16 | 0:27:18 | |
Oscar Men. Christopher Wren. | 0:27:20 | 0:27:22 | |
Correct. | 0:27:22 | 0:27:24 | |
Oscar Men. Angela Eagle. | 0:27:26 | 0:27:28 | |
Is the right answer. | 0:27:28 | 0:27:30 | |
BELL RINGS | 0:27:30 | 0:27:32 | |
And the bell has gone for the end of the quiz. | 0:27:32 | 0:27:35 | |
No more people who share surnames with birds, | 0:27:35 | 0:27:37 | |
I can reveal the final scores, and the winners, | 0:27:37 | 0:27:41 | |
with 21 points, and through to the next round, | 0:27:41 | 0:27:43 | |
are the Part-Time Poets. | 0:27:43 | 0:27:46 | |
And an impressive second place, with 20 points, it's the Oscar Men. | 0:27:46 | 0:27:51 | |
So very well done, Part-Time Poets, you are through. | 0:27:51 | 0:27:54 | |
But Oscar Men, with a score of 20, | 0:27:54 | 0:27:55 | |
I can reveal you are among our highest scoring second place | 0:27:55 | 0:27:59 | |
finishers this block, so you'll be back as well, | 0:27:59 | 0:28:01 | |
through to the next sub-round. | 0:28:01 | 0:28:03 | |
Very well done. We'll be seeing you all again. | 0:28:03 | 0:28:06 | |
And I hope we'll see you again too. Join me for next week's show, | 0:28:06 | 0:28:09 | |
which is going to feature a swimwear round, but don't worry, | 0:28:09 | 0:28:13 | |
it simply involves our teams having to identify ancient Etruscan forms | 0:28:13 | 0:28:17 | |
of swimwear using engravings found on old pottery shards, | 0:28:17 | 0:28:21 | |
while wearing bikinis and Speedos. | 0:28:21 | 0:28:22 | |
TEAMS LAUGH | 0:28:22 | 0:28:24 | |
Goodbye. | 0:28:24 | 0:28:25 |