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Good evening. | 0:00:23 | 0:00:25 | |
Cartographers have recently worked out that, based on current maps | 0:00:25 | 0:00:28 | |
and assuming they set off from their native Leith, | 0:00:28 | 0:00:31 | |
travelling via the Zeebrugge ferry, that The Proclaimers' girlfriend | 0:00:31 | 0:00:36 | |
lives in the Polish town of Bialystok. | 0:00:36 | 0:00:38 | |
And it's that kind of rigorous thinking that I'm hoping to see | 0:00:38 | 0:00:41 | |
from tonight's new teams, who are... | 0:00:41 | 0:00:43 | |
On my right, Derek Caudwell, | 0:00:43 | 0:00:47 | |
a freelance indexer, whose recent books have included | 0:00:47 | 0:00:50 | |
titles on accountancy, | 0:00:50 | 0:00:52 | |
landscape gardening, training for beauty salons and welding. | 0:00:52 | 0:00:56 | |
Andy Crane, a retired business analyst, who married his wife | 0:00:56 | 0:00:59 | |
in Sri Lanka and travelled to the ceremony on an elephant. | 0:00:59 | 0:01:03 | |
And their captain, Traci Whitehead, | 0:01:03 | 0:01:05 | |
a medieval and renaissance studies graduate, who enjoys | 0:01:05 | 0:01:08 | |
playing and writing live action role-play games. | 0:01:08 | 0:01:12 | |
United by a fascination with their families, they are the Genealogists. | 0:01:12 | 0:01:16 | |
How has your team been preparing for Only Connect? | 0:01:16 | 0:01:19 | |
We've been training our brain cells | 0:01:19 | 0:01:20 | |
by feeding them copious amounts of alcohol, to strengthen them. | 0:01:20 | 0:01:22 | |
You will be facing tonight... On my left, Jeremy Partington, | 0:01:22 | 0:01:26 | |
a civil servant who conducts guided tours of the crypts | 0:01:26 | 0:01:30 | |
at Nunhead Cemetery in London. | 0:01:30 | 0:01:32 | |
Chris James, a software developer | 0:01:32 | 0:01:34 | |
who once saw Charlton Heston fall down a hole | 0:01:34 | 0:01:37 | |
at a set of roadworks. | 0:01:37 | 0:01:39 | |
And their captain, Jonathan Carter, | 0:01:39 | 0:01:41 | |
a law graduate who once chased ornithologist Bill Oddie | 0:01:41 | 0:01:45 | |
to his dressing room, in pursuit of an autograph. | 0:01:45 | 0:01:48 | |
United by a soft spot for surrealism, | 0:01:48 | 0:01:50 | |
they are the Surrealists. | 0:01:50 | 0:01:52 | |
How are the Surrealists feeling, ahead of tonight's heat? | 0:01:52 | 0:01:55 | |
I think we're as prepared as we can be for this quiz, | 0:01:55 | 0:01:57 | |
and we're hoping the questions just fall our way. | 0:01:57 | 0:02:00 | |
We'll start, as is only traditional, with round one. | 0:02:00 | 0:02:02 | |
What is the connection between four apparently random clues? | 0:02:02 | 0:02:06 | |
Surrealists, you won the toss | 0:02:06 | 0:02:07 | |
but you've decided to put the Genealogists in first. | 0:02:07 | 0:02:09 | |
Traci, please choose an Egyptian hieroglyph. Lion, please. | 0:02:09 | 0:02:13 | |
What is the connection between these apparently random clues? | 0:02:13 | 0:02:18 | |
Here's the first. | 0:02:18 | 0:02:22 | |
THEY CONFER | 0:02:22 | 0:02:24 | |
Next, please. | 0:02:24 | 0:02:27 | |
It's words that nearly have the same letters | 0:02:31 | 0:02:34 | |
but with minor variations, isn't it? | 0:02:34 | 0:02:36 | |
Iceland and Ireland have a letter difference. | 0:02:36 | 0:02:38 | |
Million and billion have got a letter difference. | 0:02:38 | 0:02:41 | |
Shall we go for that? Yeah. | 0:02:41 | 0:02:43 | |
BUZZER CHIMES | 0:02:43 | 0:02:46 | |
They're words which are different by only one letter. | 0:02:46 | 0:02:49 | |
Ireland and Iceland, million and billion. | 0:02:49 | 0:02:51 | |
Much as I salute your brave gamble coming in after two clues, | 0:02:51 | 0:02:56 | |
I can also give you the points. It's the right answer, well done. | 0:02:56 | 0:03:01 | |
You saw the codes for Ireland and Iceland, and million and billion. | 0:03:01 | 0:03:06 | |
One letter difference each time. | 0:03:06 | 0:03:07 | |
What are these clues you didn't need? | 0:03:07 | 0:03:09 | |
Beta. And theta? Beta and zeta, the Greek letters. | 0:03:09 | 0:03:12 | |
Caesium and... Something else. | 0:03:12 | 0:03:16 | |
Chromium? Curium. | 0:03:16 | 0:03:18 | |
Curium, those are the elements, yes. | 0:03:18 | 0:03:21 | |
They are clues that would, when spelled out, | 0:03:21 | 0:03:24 | |
differ by only one letter. Well done for three points. | 0:03:24 | 0:03:27 | |
Surrealists, your turn to choose. Water, please. | 0:03:27 | 0:03:29 | |
MUSICAL CHIME | 0:03:29 | 0:03:30 | |
Ah. | 0:03:30 | 0:03:32 | |
The music question, nice and early. | 0:03:32 | 0:03:33 | |
You'll be hearing your clues. What connects them? | 0:03:33 | 0:03:36 | |
Here's the first. | 0:03:36 | 0:03:38 | |
# I know I won't be late Cos at half past eight... # | 0:03:38 | 0:03:42 | |
Next, please. | 0:03:42 | 0:03:44 | |
# I've spent all of my life in search of your love... # | 0:03:44 | 0:03:51 | |
Next, please. | 0:03:51 | 0:03:52 | |
# Just waiting for bread | 0:03:52 | 0:03:57 | |
# Once I built a railroad I made it run... | 0:03:57 | 0:04:03 | |
Next, please. | 0:04:03 | 0:04:04 | |
# Bad times are coming And I reap what I don't sow | 0:04:04 | 0:04:09 | |
# Well, let me tell you somethin' All that glitters ain't gold... # | 0:04:09 | 0:04:14 | |
Three seconds. Try that. What? Apprentice theme tunes. | 0:04:14 | 0:04:19 | |
Themes to television shows? They're not. | 0:04:19 | 0:04:23 | |
They'd make good themes to television shows, | 0:04:23 | 0:04:25 | |
but they don't have that connection. | 0:04:25 | 0:04:27 | |
Genealogists, you have the chance of a bonus point. | 0:04:27 | 0:04:30 | |
We think they all have "buddy" in the title. | 0:04:30 | 0:04:32 | |
That's not it, either. | 0:04:32 | 0:04:33 | |
You're thinking of the third clue, | 0:04:33 | 0:04:35 | |
Bing Crosby, Brother, Can You Spare a Dime? | 0:04:35 | 0:04:38 | |
We also heard Al Jolson, About A Quarter To Nine, | 0:04:38 | 0:04:42 | |
Lionel Richie, Penny Lover. | 0:04:42 | 0:04:44 | |
The last one, I Need A dollar. | 0:04:44 | 0:04:46 | |
They're titles contain American currency. | 0:04:46 | 0:04:49 | |
Quarter, penny, dime, dollar. I interviewed Lionel Richie once. | 0:04:49 | 0:04:54 | |
He's incredibly attractive. | 0:04:54 | 0:04:57 | |
You wouldn't think so, because you picture the sort of wet perm | 0:04:57 | 0:05:00 | |
and the '80s clothes and the dancing shoes and think of a comical figure. | 0:05:00 | 0:05:04 | |
Incredibly attractive. He's no Portillo, but I was very impressed. | 0:05:04 | 0:05:10 | |
No bonus points, unfortunately, Genealogists, | 0:05:10 | 0:05:13 | |
but you may choose a question. Two Reeds, please. | 0:05:13 | 0:05:16 | |
What is the connection between these clues? Here's the first. | 0:05:16 | 0:05:19 | |
They might be grace notes, are they? | 0:05:24 | 0:05:27 | |
Next, please. | 0:05:27 | 0:05:28 | |
Lotharios. What can you say about lotharios? | 0:05:30 | 0:05:36 | |
Next, please. | 0:05:36 | 0:05:38 | |
That's the Wolverhampton Wanderers. | 0:05:39 | 0:05:43 | |
So is it wandering? Wandering. Wanderers. | 0:05:43 | 0:05:48 | |
Wandering or Wanderers. | 0:05:51 | 0:05:53 | |
Another brave gamble. | 0:05:53 | 0:05:54 | |
This time, I'm afraid not the answer I'm looking for, | 0:05:54 | 0:05:57 | |
so I'm going to show the fourth clue | 0:05:57 | 0:05:59 | |
to the Surrealists, for a possible bonus point. Wolf? | 0:05:59 | 0:06:02 | |
Wolves. That is the right answer. | 0:06:02 | 0:06:04 | |
Yes, the Molineux team are Wolverhampton Wanderers. | 0:06:04 | 0:06:07 | |
You went for the wrong half of it. | 0:06:07 | 0:06:09 | |
And these other things - unfortunately, | 0:06:09 | 0:06:13 | |
the answer to this question is a word that I cannot say. | 0:06:13 | 0:06:16 | |
I can't pronounce it. So I'm going to ask you to say the word for me. | 0:06:16 | 0:06:21 | |
A violin's extraneous discordant notes are known as... | 0:06:21 | 0:06:25 | |
Wolves, presumably. | 0:06:25 | 0:06:27 | |
And lotharios, you know a slang term for them would be... Wolves. | 0:06:27 | 0:06:31 | |
And we know the football team | 0:06:31 | 0:06:33 | |
and, of course, Canis lupus is the Latin word for... Wolf. | 0:06:33 | 0:06:37 | |
Thank you very much. | 0:06:37 | 0:06:38 | |
You get the bonus point and you may choose your question. | 0:06:38 | 0:06:42 | |
Horned Viper, please. | 0:06:42 | 0:06:43 | |
These are going to be picture clues. | 0:06:43 | 0:06:45 | |
Something connects them all. What is it? First one coming in now. | 0:06:45 | 0:06:49 | |
That's an...aye-aye, I think. | 0:06:49 | 0:06:53 | |
Next, please. | 0:06:53 | 0:06:56 | |
THEY CONFER | 0:06:56 | 0:06:58 | |
Next, please. | 0:07:08 | 0:07:09 | |
Dalziel. It's Roman numerals. DL. | 0:07:12 | 0:07:15 | |
Yeah, it is. Oh. So what's it going down? | 0:07:15 | 0:07:19 | |
Just say Roman numerals. | 0:07:19 | 0:07:21 | |
Roman numerals. | 0:07:21 | 0:07:23 | |
They are homophones for Roman numerals. | 0:07:23 | 0:07:25 | |
Don't worry about going up and down, it's not a sequence. | 0:07:25 | 0:07:28 | |
I'll show you the last clue. It would have been Excel. | 0:07:28 | 0:07:31 | |
So of course, the digits in the right-hand corner | 0:07:31 | 0:07:34 | |
are the numbers for which these would be the Roman numerals. | 0:07:34 | 0:07:37 | |
What are we looking at? So that's the aye-aye. | 0:07:37 | 0:07:40 | |
IV. DL. | 0:07:40 | 0:07:43 | |
From Dalziel And Pascoe. | 0:07:43 | 0:07:44 | |
Not everyone knows how to pronounce that, | 0:07:44 | 0:07:47 | |
it's written D-A-L-Z-I-E-L, but pronounced D-L. | 0:07:47 | 0:07:49 | |
Homophones for Roman numerals, well done. Back to you, Genealogists. | 0:07:49 | 0:07:53 | |
What would you like? Eye of Horus, please. | 0:07:53 | 0:07:56 | |
What is the connection between these clues? Here is the first. | 0:07:56 | 0:07:59 | |
THEY CONFER | 0:07:59 | 0:08:04 | |
Next, please. | 0:08:04 | 0:08:06 | |
Chain reaction... | 0:08:11 | 0:08:13 | |
Next, please. | 0:08:13 | 0:08:14 | |
Next, please. | 0:08:24 | 0:08:25 | |
Hungarian inventors. | 0:08:29 | 0:08:31 | |
The nuclear? Don't know about that. Three seconds. | 0:08:31 | 0:08:36 | |
Invented or developed by Hungarians. | 0:08:38 | 0:08:42 | |
They were all invented or developed by Hungarians. | 0:08:42 | 0:08:45 | |
I speak a little Hungarian. | 0:08:45 | 0:08:47 | |
That is the right answer. | 0:08:47 | 0:08:49 | |
What can you tell me of the relevant Hungarians? | 0:08:49 | 0:08:53 | |
Rubik and Biro for ballpoint pen. | 0:08:53 | 0:08:56 | |
Erno Rubik and Laszlo Biro, that's right. | 0:08:56 | 0:08:58 | |
The other two, I've got nothing. | 0:08:58 | 0:09:00 | |
Dennis Gabor is the father of holography. | 0:09:00 | 0:09:03 | |
What about the nuclear chain reaction? Do you know over there? | 0:09:03 | 0:09:08 | |
Leo Szilard. All born in Budapest, all of these inventors. | 0:09:08 | 0:09:12 | |
All Hungarians, well done. | 0:09:12 | 0:09:14 | |
That leaves one question for you, Surrealists. | 0:09:14 | 0:09:17 | |
It will be the Twisted Flax. Something connects these clues. | 0:09:17 | 0:09:19 | |
Can you find it? Time starts now. | 0:09:19 | 0:09:22 | |
Next, please. | 0:09:24 | 0:09:26 | |
Is that... Twins with Arnold Schwarzenegger? | 0:09:30 | 0:09:32 | |
Was his mother..? Try it. Yeah? No, no, no. Next, please. | 0:09:34 | 0:09:39 | |
I think we should go for it. | 0:09:44 | 0:09:46 | |
Well, what else could it be? | 0:09:48 | 0:09:49 | |
Next, please. | 0:09:51 | 0:09:52 | |
No, that's Bart Simpson. | 0:09:54 | 0:09:55 | |
Is it? Yeah. | 0:09:55 | 0:10:00 | |
Homer Simpson. | 0:10:00 | 0:10:02 | |
A little more specific, please? | 0:10:05 | 0:10:07 | |
They're the voices of the people | 0:10:07 | 0:10:10 | |
who are that relation to Homer Simpson. | 0:10:10 | 0:10:13 | |
I will accept Homer Simpson, because he is the uniting factor, | 0:10:13 | 0:10:17 | |
but they are the relatives of Homer Simpson in that great cartoon. | 0:10:17 | 0:10:21 | |
That means at the end of Round One, the Surrealists have four points. | 0:10:22 | 0:10:26 | |
The Genealogists have four points. | 0:10:26 | 0:10:28 | |
On to Round Two, the sequences round. | 0:10:31 | 0:10:33 | |
You will be going first again, Genealogists. | 0:10:33 | 0:10:35 | |
Which hieroglyph would you like? The lion, please. | 0:10:35 | 0:10:38 | |
MUSICAL CHIME | 0:10:38 | 0:10:40 | |
It's a musical sequence. So, you may hear up to three pieces of music. | 0:10:40 | 0:10:45 | |
I want to know what sort of thing you would expect to hear fourth. | 0:10:45 | 0:10:49 | |
The first one is coming in now. | 0:10:49 | 0:10:52 | |
# Oh, my love, my darling... # | 0:10:52 | 0:10:56 | |
That's Unchained Melody. Next. | 0:10:56 | 0:11:01 | |
# Whoa, my love... # | 0:11:01 | 0:11:02 | |
That's another version of it. That was Jimmy Young. So... | 0:11:02 | 0:11:06 | |
Was it Gareth Gates who did it? | 0:11:08 | 0:11:10 | |
Gareth Gates? | 0:11:10 | 0:11:12 | |
There was Robson and Green. | 0:11:12 | 0:11:14 | |
Robson and Green, and then Gareth Gates. Robson and Jerome. | 0:11:14 | 0:11:17 | |
Gareth Gates, singing Unchained Melody. | 0:11:17 | 0:11:20 | |
The right answer would be Gareth Gates singing Unchained Melody. | 0:11:20 | 0:11:24 | |
Well done. What did we hear? Jimmy Young. Then the Righteous Brothers. | 0:11:24 | 0:11:30 | |
Then, Robson and Jerome, presumably. Yes. | 0:11:30 | 0:11:35 | |
The viewers will be saying | 0:11:35 | 0:11:36 | |
that that's just four versions of Unchained Melody. | 0:11:36 | 0:11:39 | |
The earliest one was Jimmy Young. | 0:11:39 | 0:11:40 | |
They were number ones, weren't they? | 0:11:40 | 0:11:43 | |
There were many versions of Unchained Melody, | 0:11:43 | 0:11:45 | |
but these are the ones that were number one. | 0:11:45 | 0:11:47 | |
In fourth place, Gareth Gates. | 0:11:47 | 0:11:50 | |
We don't have that recorded, but I think we could give people | 0:11:50 | 0:11:53 | |
a sense of what Gareth Gates sounded like when he sang Unchained Melody. | 0:11:53 | 0:11:58 | |
Let's have a go. One, two, three. | 0:11:58 | 0:12:01 | |
# Oh, my love, my darling | 0:12:01 | 0:12:05 | |
# I hunger for your kiss | 0:12:05 | 0:12:09 | |
# A long lonely night... # | 0:12:09 | 0:12:12 | |
Absolutely lovely. I will say it's "I've hungered for your touch". | 0:12:12 | 0:12:15 | |
I'm interested that all three of you went with "kiss", | 0:12:15 | 0:12:18 | |
almost telepathically. | 0:12:18 | 0:12:20 | |
Not being male, I wasn't singing, I was letting my teammates... | 0:12:20 | 0:12:24 | |
Well, it was lovely. | 0:12:24 | 0:12:25 | |
I almost felt that Gareth Gates himself was standing behind me, | 0:12:25 | 0:12:30 | |
looking horrified. | 0:12:30 | 0:12:31 | |
Very well done there, Surrealists, back to you for a choice. | 0:12:33 | 0:12:36 | |
Twisted Flax, please. What would come fourth in this sequence? | 0:12:36 | 0:12:41 | |
Here is the first. | 0:12:41 | 0:12:42 | |
Is it going to be a spectrum? Next, please. | 0:12:47 | 0:12:49 | |
THEY CONFER | 0:12:53 | 0:12:54 | |
What can it be? | 0:12:57 | 0:12:58 | |
It's Re, Mi, Fa, | 0:12:58 | 0:13:00 | |
so it would be SO and then a large G. | 0:13:00 | 0:13:03 | |
Do, Re, Mi, Fa, So... | 0:13:03 | 0:13:05 | |
s-o in lower case and then a capital G. | 0:13:09 | 0:13:13 | |
Is the right answer for three points. Well done. | 0:13:13 | 0:13:16 | |
What are we looking at? | 0:13:16 | 0:13:18 | |
We're looking at the musical scale going upwards, and letters of the... | 0:13:18 | 0:13:23 | |
Oh, no, it's the letter they represent | 0:13:23 | 0:13:25 | |
in the musical scale, isn't it? | 0:13:25 | 0:13:28 | |
Well, we're in the scale of C. It is another musical sequence. | 0:13:28 | 0:13:33 | |
So it's Do, Re, Mi in the scale of C, | 0:13:33 | 0:13:37 | |
so the So note would relate to G. Well done. | 0:13:37 | 0:13:41 | |
Back to you, Genealogists. What would you like? Water, please. | 0:13:42 | 0:13:46 | |
What would come fourth? Here is the first. | 0:13:46 | 0:13:49 | |
Jacques Santer. Of the EU. | 0:13:52 | 0:13:55 | |
Yeah. Next, please. | 0:13:55 | 0:13:58 | |
Santer, Prodi... | 0:13:59 | 0:14:02 | |
Juncker. I'm thinking Juncker. | 0:14:05 | 0:14:08 | |
Go for it? Yeah. | 0:14:08 | 0:14:09 | |
Juncker. | 0:14:09 | 0:14:10 | |
Is the right answer. There's some very good early buzzing. | 0:14:10 | 0:14:14 | |
What are we looking at? | 0:14:14 | 0:14:15 | |
The chairman, well, president of the Euro Commission. | 0:14:15 | 0:14:20 | |
That's absolutely right. Can you do the first names? | 0:14:20 | 0:14:23 | |
It's Jacques Santer. | 0:14:23 | 0:14:25 | |
Jacques Santer. He was the former prime minister of Luxembourg. | 0:14:25 | 0:14:28 | |
He and his team resigned | 0:14:28 | 0:14:30 | |
on the day a report was published into administrative malpractice. | 0:14:30 | 0:14:33 | |
I don't know what happened to him. I think he went to FIFA. | 0:14:33 | 0:14:36 | |
And the second? Romano Prodi. He was the Prime Minister of? | 0:14:36 | 0:14:41 | |
Not sure. Italy. | 0:14:41 | 0:14:44 | |
Italy. And Barroso? Juan Manuel? Jose Manuel. | 0:14:44 | 0:14:50 | |
And the last one, 2014 onwards, Jean-Claude Juncker, | 0:14:50 | 0:14:53 | |
former Prime Minister of Luxembourg. | 0:14:53 | 0:14:55 | |
All presidents of the European Commission. Well done. | 0:14:55 | 0:14:58 | |
Surrealists, what would you like next? Eye of Horus, please. | 0:14:58 | 0:15:02 | |
The Eye of Horus, OK. | 0:15:02 | 0:15:03 | |
What will come fourth in this interesting sequence? | 0:15:03 | 0:15:06 | |
Here's the first. | 0:15:06 | 0:15:07 | |
Cube equals x, so 2 cubed equals... | 0:15:10 | 0:15:13 | |
Next, please. | 0:15:14 | 0:15:15 | |
Two to the power of zero is one... | 0:15:18 | 0:15:20 | |
So it's, so it's... | 0:15:20 | 0:15:22 | |
Yeah, no, it's zero equals one... | 0:15:23 | 0:15:25 | |
Yeah, but you need to say what | 0:15:25 | 0:15:27 | |
one is. So it's had a victory. OK. | 0:15:27 | 0:15:29 | |
So, a little raised zero | 0:15:31 | 0:15:33 | |
equals had a victory. | 0:15:33 | 0:15:36 | |
As you have done yourself | 0:15:36 | 0:15:37 | |
in this question, | 0:15:37 | 0:15:38 | |
that is absolutely right, | 0:15:38 | 0:15:40 | |
zero equals, was victorious, | 0:15:40 | 0:15:41 | |
for example, in a quiz. | 0:15:41 | 0:15:42 | |
Very well done. And I think you | 0:15:42 | 0:15:44 | |
spotted it at the very first clue. | 0:15:44 | 0:15:45 | |
What's going on here? | 0:15:45 | 0:15:47 | |
So, if you, it's | 0:15:47 | 0:15:48 | |
two to the power of 3 is eight, | 0:15:48 | 0:15:50 | |
and so consumed is a synonym | 0:15:50 | 0:15:52 | |
for the homophone of the number. | 0:15:52 | 0:15:54 | |
That's absolutely right, it is | 0:15:54 | 0:15:56 | |
homophones of the powers of two. | 0:15:56 | 0:15:57 | |
Two cubed is eight, | 0:15:57 | 0:15:58 | |
sounds like consumed. | 0:15:58 | 0:16:00 | |
Two to the power two, four, | 0:16:00 | 0:16:01 | |
in favour of, two to the | 0:16:01 | 0:16:02 | |
power of one, two itself, | 0:16:02 | 0:16:04 | |
and two to the power of zero, | 0:16:04 | 0:16:05 | |
of course, is one, because anything | 0:16:05 | 0:16:08 | |
to the power of zero is one. | 0:16:08 | 0:16:09 | |
Good quizzing, goodness me. | 0:16:09 | 0:16:11 | |
Very impressive scoring at this | 0:16:11 | 0:16:13 | |
point. What would you like, | 0:16:13 | 0:16:14 | |
Genealogists ? Two Reeds, please. | 0:16:14 | 0:16:16 | |
Two Reeds, OK. You're going to see | 0:16:16 | 0:16:17 | |
some picture clues. | 0:16:17 | 0:16:19 | |
They will be coming in a sequence. | 0:16:19 | 0:16:20 | |
What will be fourth? | 0:16:20 | 0:16:21 | |
Here's the first. | 0:16:21 | 0:16:22 | |
Saturn. Saturn. | 0:16:22 | 0:16:24 | |
Next, please. | 0:16:25 | 0:16:27 | |
The sun. Saturn, the sun... | 0:16:28 | 0:16:30 | |
You can't go towards the sun | 0:16:43 | 0:16:45 | |
and go to anywhere else. | 0:16:45 | 0:16:47 | |
It might be alphabetical. Oh, I see | 0:16:47 | 0:16:49 | |
what you mean, alphabetically. | 0:16:49 | 0:16:51 | |
Shall we go? | 0:16:51 | 0:16:52 | |
V, try V. | 0:16:54 | 0:16:56 | |
A picture of Venus. | 0:16:56 | 0:16:58 | |
I know what you're thinking, and I'm | 0:16:58 | 0:17:00 | |
afraid that is not a sequence. | 0:17:00 | 0:17:02 | |
I'm not going to let you talk us | 0:17:02 | 0:17:03 | |
through it, because it might give | 0:17:03 | 0:17:04 | |
too much away to the other team, | 0:17:04 | 0:17:06 | |
but I'm afraid I can't accept that. | 0:17:06 | 0:17:07 | |
I will show the third in the | 0:17:07 | 0:17:08 | |
sequence to the Surrealists | 0:17:08 | 0:17:10 | |
for a possible bonus point. | 0:17:10 | 0:17:11 | |
Saturn, Sun, Moon, yeah? | 0:17:11 | 0:17:13 | |
Is it the... Can't be that. | 0:17:14 | 0:17:16 | |
I can't let you chat. | 0:17:16 | 0:17:17 | |
The smallest object, so, | 0:17:17 | 0:17:18 | |
what's smaller than the moon? | 0:17:18 | 0:17:20 | |
No, that's too long, I'm afraid, | 0:17:20 | 0:17:21 | |
and you haven't got it. | 0:17:21 | 0:17:22 | |
Now... Days of the week. | 0:17:22 | 0:17:23 | |
It's days of the week, isn't it? | 0:17:23 | 0:17:25 | |
You're not just arraying | 0:17:25 | 0:17:26 | |
various things in the sky | 0:17:26 | 0:17:27 | |
in alphabetical order. | 0:17:27 | 0:17:29 | |
Yes, Saturn, that is etymologically | 0:17:29 | 0:17:31 | |
responsible for Saturday, | 0:17:31 | 0:17:33 | |
the Sun for Sunday, Moon for Monday, | 0:17:33 | 0:17:35 | |
and we wanted what? | 0:17:35 | 0:17:36 | |
Thor. Thor. It's actually Tyr, | 0:17:36 | 0:17:39 | |
the Norse god Tyr, | 0:17:39 | 0:17:41 | |
god of victory, ironically enough, | 0:17:41 | 0:17:43 | |
having just missed it there, | 0:17:43 | 0:17:44 | |
giving his name to Tuesday. | 0:17:44 | 0:17:47 | |
Days of the week, well spotted, | 0:17:47 | 0:17:48 | |
but a little too late. | 0:17:48 | 0:17:49 | |
One question remaining for you, | 0:17:49 | 0:17:51 | |
Surrealists, the Horned Viper. | 0:17:51 | 0:17:53 | |
What will come fourth in this | 0:17:53 | 0:17:55 | |
sequence? Here's the first. | 0:17:55 | 0:17:56 | |
Next, please. | 0:17:59 | 0:18:00 | |
Helena is the capital of Montana, | 0:18:02 | 0:18:06 | |
Sacramento is the capital | 0:18:06 | 0:18:07 | |
of California. Right. | 0:18:07 | 0:18:09 | |
So, a sequence, | 0:18:09 | 0:18:10 | |
Montana, California... | 0:18:10 | 0:18:12 | |
Next, please. | 0:18:12 | 0:18:13 | |
Texas. | 0:18:15 | 0:18:16 | |
Is it sizes of states? | 0:18:16 | 0:18:19 | |
Oh, the size of the state. | 0:18:20 | 0:18:21 | |
So, Alaska. Alaska, yeah. So, Juneau. Juneau. | 0:18:21 | 0:18:23 | |
Juneau. Is the right answer. | 0:18:25 | 0:18:28 | |
And what's the sequence? | 0:18:28 | 0:18:30 | |
We think they're the | 0:18:30 | 0:18:31 | |
state capital of states | 0:18:31 | 0:18:33 | |
in ascending order of size. | 0:18:33 | 0:18:35 | |
Size of the state. | 0:18:35 | 0:18:37 | |
That's absolutely right. | 0:18:37 | 0:18:38 | |
It's simply the states getting | 0:18:38 | 0:18:39 | |
bigger, and the capital of Alaska, | 0:18:39 | 0:18:41 | |
the biggest state, would be Juneau. | 0:18:41 | 0:18:43 | |
I once snogged a Texan Marxist. | 0:18:43 | 0:18:46 | |
My friend Charlie said, | 0:18:46 | 0:18:48 | |
"That is a statistical anomaly akin | 0:18:48 | 0:18:51 | |
"to finding a Cornish astronaut." | 0:18:51 | 0:18:53 | |
It was a very interesting evening. | 0:18:53 | 0:18:55 | |
No disrespect to Cornwall, may be | 0:18:55 | 0:18:56 | |
full of astronauts for all I know. | 0:18:56 | 0:18:58 | |
That means, at the end of round two, | 0:18:58 | 0:19:00 | |
the Genealogists have 10 points, | 0:19:00 | 0:19:02 | |
the Surrealists have 12. | 0:19:02 | 0:19:04 | |
Time now for the connecting wall. | 0:19:07 | 0:19:09 | |
There are 16 clues, all jumbled up, | 0:19:09 | 0:19:11 | |
that need sorting into four connected groups of four. | 0:19:11 | 0:19:14 | |
Your turn to go first this time, Surrealists. | 0:19:14 | 0:19:16 | |
And in a surreal twist, just for you, | 0:19:16 | 0:19:18 | |
none of the clues has anything to do with any of the others! | 0:19:18 | 0:19:21 | |
Excellent(!) | 0:19:21 | 0:19:23 | |
No, they do, it's Sudoku-like solution we're looking for. | 0:19:23 | 0:19:26 | |
Would you like Lion or Water? | 0:19:26 | 0:19:28 | |
Lion, please. OK, good choice. | 0:19:28 | 0:19:31 | |
Your two and a half minutes start now. | 0:19:31 | 0:19:35 | |
St Albans, St Kilda, St Ives... Louis? | 0:19:38 | 0:19:43 | |
Albans, Kilda... | 0:19:46 | 0:19:49 | |
That's, um... | 0:19:50 | 0:19:51 | |
There's an American composer. So, Ives... | 0:19:51 | 0:19:54 | |
Barber. Barber. | 0:19:54 | 0:19:55 | |
Glass. Sousa. | 0:19:55 | 0:19:57 | |
Cage. Oh, yes. | 0:19:57 | 0:19:59 | |
Sousa. | 0:19:59 | 0:20:00 | |
OK, you've got, he was a detective. | 0:20:03 | 0:20:06 | |
Oh, Lucia. | 0:20:06 | 0:20:08 | |
Um, Mapple, maybe? | 0:20:09 | 0:20:11 | |
Granger? | 0:20:11 | 0:20:13 | |
They're monks. He's a monk. | 0:20:13 | 0:20:15 | |
Friar Tuck. Friar Tuck. | 0:20:15 | 0:20:17 | |
That's tuck shop, sweat shop. Barber shop. | 0:20:17 | 0:20:19 | |
Let's put tuck shop, sweat shop, barber shop, Photoshop. Workshop. | 0:20:20 | 0:20:24 | |
Workshop, instead. | 0:20:24 | 0:20:26 | |
There isn't... Yes, there is. | 0:20:26 | 0:20:28 | |
OK, so we've got... Three strikes and you're out, now. | 0:20:32 | 0:20:35 | |
We've got St Albans, St Kilda, | 0:20:35 | 0:20:37 | |
St Louis, St Lucia. | 0:20:37 | 0:20:39 | |
So we've got Cadfael, Tuck, Granger and Mapple. | 0:20:39 | 0:20:43 | |
So are they... Are Granger and Mapple monks? | 0:20:43 | 0:20:46 | |
They're friars, aren't they? | 0:20:46 | 0:20:47 | |
Friar, Friar Mapple. | 0:20:47 | 0:20:49 | |
We'll do, members of monastic... We'll say monks. | 0:20:49 | 0:20:52 | |
OK, yeah. | 0:20:52 | 0:20:54 | |
Shall I put it in? Try. | 0:20:54 | 0:20:55 | |
We've got shop, composers... | 0:20:55 | 0:20:57 | |
That's it, you've solved the wall. Very well done. | 0:20:59 | 0:21:01 | |
Four groups, what can you tell me about the connections? | 0:21:01 | 0:21:04 | |
We'll start with the first blue group, starting Sousa. | 0:21:04 | 0:21:08 | |
They're composers. It's not Sou-sa, is it, it's Soo-za | 0:21:08 | 0:21:11 | |
Sousa. They are composers. What sort of composers? | 0:21:11 | 0:21:13 | |
Uh... Are they all American? | 0:21:13 | 0:21:15 | |
They are, they're 20th century American composers. | 0:21:15 | 0:21:18 | |
And what about the green group, starting work? | 0:21:18 | 0:21:20 | |
They can all be followed by the word shop. | 0:21:20 | 0:21:22 | |
Yes, they can. Workshop, Photoshop, barbershop, sweatshop. | 0:21:22 | 0:21:25 | |
And the purple group, starting "Lewis" or Louis? | 0:21:25 | 0:21:29 | |
They all have Saint in front of them. To give place names. | 0:21:29 | 0:21:32 | |
That's right, so it would be St Louis, Missouri, | 0:21:32 | 0:21:34 | |
St Lucia, St Albans and St Kilda. | 0:21:34 | 0:21:38 | |
And what about the turquoise group, starting Mapple or "maple"? | 0:21:38 | 0:21:41 | |
We think that they're monks. | 0:21:41 | 0:21:43 | |
They are not monks. You're in the right area, but went too specific. | 0:21:43 | 0:21:47 | |
Friars. No, they're clergy. Now, you're thinking of men, aren't you? | 0:21:47 | 0:21:52 | |
But Granger is Geraldine Granger from the Vicar Of Dibley. | 0:21:52 | 0:21:55 | |
Not a monk, not a friar. | 0:21:55 | 0:21:56 | |
She is a lady vicar, so not monks. | 0:21:56 | 0:21:59 | |
More generally, clergy. | 0:21:59 | 0:22:01 | |
But you did find four groups | 0:22:01 | 0:22:02 | |
and three connections. That is a total of seven. | 0:22:02 | 0:22:05 | |
Let's bring in the Genealogists now, give them a new connecting wall | 0:22:05 | 0:22:08 | |
with different jumbled-up clues | 0:22:08 | 0:22:10 | |
and see what they can do about solving it. | 0:22:10 | 0:22:11 | |
It's the water wall for you, because the Lion's been taken. | 0:22:11 | 0:22:14 | |
You have two and a half minutes, starting now. | 0:22:14 | 0:22:17 | |
Mercurial, fickle, capricious... Erratic. | 0:22:23 | 0:22:26 | |
Oh, Gwyn, Wight, um, LeBlanc, | 0:22:29 | 0:22:32 | |
something else that means white? | 0:22:32 | 0:22:33 | |
De Witt? No. | 0:22:37 | 0:22:39 | |
Um, what else have we got? Corrie, erratic, | 0:22:39 | 0:22:43 | |
these are all, um, geographical terms. | 0:22:43 | 0:22:46 | |
Right, OK. | 0:22:46 | 0:22:49 | |
Mercurial, capricious... Fickle... | 0:22:52 | 0:22:56 | |
And Kittle? | 0:22:56 | 0:22:57 | |
Oh, OK, right. | 0:22:57 | 0:22:59 | |
Three strikes now, and you're out. | 0:22:59 | 0:23:01 | |
Hang on. Take your time. | 0:23:01 | 0:23:03 | |
Rod Stewart? Hunter and Weisz, they're wives of Rod Stewart. | 0:23:03 | 0:23:06 | |
Oh, Rachel Weisz, Rachel Hunter, yes, could be. | 0:23:06 | 0:23:09 | |
Rachels? | 0:23:09 | 0:23:10 | |
I don't know the others. Weisz, Riley and Hunter. | 0:23:13 | 0:23:16 | |
Riley, Weisz, Rachel... | 0:23:16 | 0:23:18 | |
Anybody know about Treweek? No. | 0:23:18 | 0:23:21 | |
I think De Witt, Treweek, Le Blanc and either Wight or Gwyn. | 0:23:24 | 0:23:29 | |
It'll be Wight. Wight means person. | 0:23:29 | 0:23:33 | |
Isle of Wight, Isle of Man. | 0:23:33 | 0:23:35 | |
Rachel Wight, and try for | 0:23:35 | 0:23:37 | |
the other Rachel. No. | 0:23:37 | 0:23:38 | |
Right, so... | 0:23:38 | 0:23:40 | |
Rachel De Witt, Rachel LeBlanc, Weisz, Riley, Hunter... | 0:23:40 | 0:23:44 | |
No, OK. One more to go then. | 0:23:47 | 0:23:49 | |
Try, try for the, try for the... | 0:23:49 | 0:23:52 | |
Gwyn then. | 0:23:52 | 0:23:54 | |
Meaning...? As a Rachel. | 0:23:54 | 0:23:57 | |
Rachel Gwyn, Rachel Weisz, help me out here. | 0:23:57 | 0:24:00 | |
No, Not Rachel Weisz. | 0:24:00 | 0:24:01 | |
Rachel... We've got Rachel Riley. | 0:24:01 | 0:24:03 | |
Hunter? Hunter. | 0:24:04 | 0:24:06 | |
And... | 0:24:06 | 0:24:08 | |
De Witt? | 0:24:10 | 0:24:12 | |
Can we work out what the other one | 0:24:12 | 0:24:13 | |
is before we commit? No. Ten seconds. | 0:24:13 | 0:24:15 | |
10 seconds. Pick one. Rachel De Witt. | 0:24:15 | 0:24:18 | |
No, that's not it. You're out of goes and the wall is frozen. | 0:24:19 | 0:24:22 | |
But you found two groups. And what about the connections? | 0:24:22 | 0:24:25 | |
Arete, Corrie, Erratic, Roche Moutanee. | 0:24:25 | 0:24:28 | |
Geological terms around glaciers. Mountains. | 0:24:28 | 0:24:33 | |
They're features of glacial erosion. Landscapes. Absolutely right. | 0:24:33 | 0:24:36 | |
And the green group, Kittle, Fickle, Mercurial, Capricious. | 0:24:36 | 0:24:40 | |
They all mean... Well, mercurial, capricious, um, | 0:24:40 | 0:24:44 | |
slightly flaky, | 0:24:44 | 0:24:46 | |
um... Unpredictable. Unpredictable. | 0:24:46 | 0:24:48 | |
Yeah, they're synonyms of each other and they all mean unpredictable. | 0:24:48 | 0:24:51 | |
And you can still get points for the | 0:24:51 | 0:24:52 | |
connections in the groups you didn't find, so let's resolve the wall. | 0:24:52 | 0:24:55 | |
There we go. Riley, Treweek, | 0:24:55 | 0:24:58 | |
Weisz, Hunter. Are they all Rachels, then? I'm not sure. | 0:24:58 | 0:25:01 | |
They're all Rachels? | 0:25:03 | 0:25:04 | |
They are all Rachels! | 0:25:04 | 0:25:06 | |
Rachel Treweek, you don't know? | 0:25:06 | 0:25:07 | |
No. A theme of this week's show is not knowing the female clergy. | 0:25:07 | 0:25:11 | |
Bishop of Gloucester. | 0:25:11 | 0:25:12 | |
Oh, OK. She's the Bishop of Gloucester. | 0:25:12 | 0:25:15 | |
Very impressive trajectory. | 0:25:15 | 0:25:17 | |
And what about the last turquoise group, | 0:25:17 | 0:25:19 | |
starting Gwyn? | 0:25:19 | 0:25:21 | |
They all mean white. I think they all mean white. | 0:25:21 | 0:25:23 | |
All from the root white. | 0:25:23 | 0:25:25 | |
They do all mean white. They're common surnames that mean white. | 0:25:25 | 0:25:27 | |
White is W-I-G-H`T, | 0:25:27 | 0:25:28 | |
it does mean a person or a man in old writing. | 0:25:28 | 0:25:31 | |
It means a lot of things and one of them is white. OK. | 0:25:31 | 0:25:34 | |
So, you found two groups and four connections, | 0:25:34 | 0:25:38 | |
that's a total of six. | 0:25:38 | 0:25:39 | |
Let's have a look at the scores. | 0:25:39 | 0:25:41 | |
The Genealogists have 16 points, the Surrealists have 19. | 0:25:41 | 0:25:46 | |
So, pretty close, as we go into the missing vowels round, | 0:25:48 | 0:25:50 | |
which will decide the outcome of the quiz. | 0:25:50 | 0:25:53 | |
Fingers on buzzers, teams. | 0:25:53 | 0:25:55 | |
I can tell you that the first group of missing vowel clues | 0:25:55 | 0:25:58 | |
are all adjectives involving colours. | 0:25:58 | 0:26:01 | |
Genealogists. | 0:26:05 | 0:26:06 | |
Yellow-bellied. Correct. | 0:26:06 | 0:26:07 | |
Surrealists. | 0:26:10 | 0:26:11 | |
Black-hearted. Correct. | 0:26:11 | 0:26:13 | |
Surrealists. Red-faced. Correct. | 0:26:15 | 0:26:17 | |
Genealogists. | 0:26:20 | 0:26:21 | |
White-knuckle. Correct. | 0:26:21 | 0:26:22 | |
Next category, similes. | 0:26:22 | 0:26:24 | |
Genealogists. | 0:26:26 | 0:26:27 | |
Sick as a parrot. Correct. | 0:26:27 | 0:26:28 | |
Genealogists. | 0:26:31 | 0:26:32 | |
Smart as a whip. Correct. | 0:26:32 | 0:26:33 | |
Surrealists. | 0:26:36 | 0:26:37 | |
Clean as a whistle. Yes, it is. | 0:26:37 | 0:26:39 | |
Surrealists. | 0:26:41 | 0:26:42 | |
Blind as a bat. Correct. | 0:26:42 | 0:26:43 | |
Next category, things that are lacking in justice. | 0:26:43 | 0:26:46 | |
Genealogists. | 0:26:49 | 0:26:50 | |
Show trial. Correct. | 0:26:50 | 0:26:51 | |
Surrealists. | 0:26:54 | 0:26:55 | |
Star chamber. Yes, it is. | 0:26:55 | 0:26:56 | |
Surrealists. | 0:26:59 | 0:27:00 | |
Kangaroo court. Correct. | 0:27:00 | 0:27:01 | |
Genealogists. | 0:27:04 | 0:27:05 | |
Vigilantism. Correct. | 0:27:05 | 0:27:06 | |
Next category, comedy duos. | 0:27:06 | 0:27:08 | |
Surrealists. | 0:27:11 | 0:27:12 | |
Hope and Crosby. Yes, it is. | 0:27:12 | 0:27:13 | |
Surrealists. | 0:27:16 | 0:27:17 | |
Cook and Moore. Well done. | 0:27:17 | 0:27:18 | |
Surrealists. | 0:27:20 | 0:27:22 | |
Lucas and Williams. Walliams! | 0:27:22 | 0:27:23 | |
Can't take that, I'm afraid. | 0:27:23 | 0:27:25 | |
Genealogists, do you know? Lucas and Williams? | 0:27:25 | 0:27:28 | |
No, it's Lucas and Walliams. | 0:27:28 | 0:27:29 | |
Next clue. | 0:27:29 | 0:27:31 | |
END-OF`GAME JINGLE | 0:27:33 | 0:27:36 | |
You buzzed, Surrealists, but there wasn't time to tell me the answer. | 0:27:37 | 0:27:41 | |
Barker and Corbett the last duo. | 0:27:41 | 0:27:42 | |
But it's the end of the quiz and I can tell you that, | 0:27:42 | 0:27:46 | |
the winners, and through to the next round, | 0:27:46 | 0:27:48 | |
with 26 points, are the Surrealists. | 0:27:48 | 0:27:50 | |
Very well done to you. We'll be seeing you again. | 0:27:50 | 0:27:53 | |
Genealogists, you've scored 22 points | 0:27:53 | 0:27:56 | |
and, with that excellent score, I can tell you you are in our highest | 0:27:56 | 0:28:00 | |
scoring second place finishes. We'll be seeing you again, as well. | 0:28:00 | 0:28:03 | |
You'll be in the next sub-round, trying to get to round two. | 0:28:03 | 0:28:06 | |
So, very well done, everybody. Excellent quizzing all round. | 0:28:06 | 0:28:10 | |
Thanks very much for playing, and for watching. | 0:28:10 | 0:28:12 | |
Join me next time, for another episode of the quiz so intricate, | 0:28:12 | 0:28:15 | |
that if it were a maze, | 0:28:15 | 0:28:17 | |
it would be one with a really unusual cell structure, | 0:28:17 | 0:28:20 | |
not that normal sort they use to make Corn Flakes. | 0:28:20 | 0:28:22 | |
Yes. That sort of maize. | 0:28:22 | 0:28:24 | |
Deal with it. | 0:28:24 | 0:28:26 | |
Goodbye. | 0:28:26 | 0:28:28 |