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Every year at festival time, I go up to Scotland to visit Auld Reekie. | 0:00:23 | 0:00:28 | |
I do wish Grandad would move closer to where I live. | 0:00:28 | 0:00:31 | |
But I really enjoy the quirkiness | 0:00:31 | 0:00:33 | |
and the son et lumiere of the Edinburgh Fringe. | 0:00:33 | 0:00:36 | |
What can I tell you? I just love oddness and spectacles. | 0:00:36 | 0:00:40 | |
Let's meet the teams. | 0:00:40 | 0:00:42 | |
On my right, Andy Davis, | 0:00:42 | 0:00:44 | |
a civil servant with a degree in law, | 0:00:44 | 0:00:47 | |
who recently sculpted a nude and greatly enjoyed it. | 0:00:47 | 0:00:51 | |
Tony Moore, a software developer and maths graduate | 0:00:51 | 0:00:54 | |
who was the first member of the British public | 0:00:54 | 0:00:56 | |
to sit in the EU President's office. | 0:00:56 | 0:00:58 | |
And their captain, Jonathan Elliott, | 0:00:58 | 0:01:00 | |
a maths graduate who plays the bassoon, | 0:01:00 | 0:01:03 | |
the cello, the harmonica, the piano and the tin whistle. | 0:01:03 | 0:01:06 | |
United by a craving for curry, | 0:01:06 | 0:01:07 | |
they are the Fire-Eaters. | 0:01:07 | 0:01:09 | |
Welcome to Only Connect. | 0:01:09 | 0:01:10 | |
How have you been preparing for your opening heat? | 0:01:10 | 0:01:13 | |
We thought we could only live up to our name by going out for | 0:01:13 | 0:01:15 | |
a curry last night, so that's what we did. | 0:01:15 | 0:01:17 | |
Your spicy opponents tonight are, on my left, Ciara Kennedy, | 0:01:17 | 0:01:22 | |
a media graduate with a passion for 1980s Italian disco. | 0:01:22 | 0:01:26 | |
Aaron Boardley, who, as a schoolboy, | 0:01:26 | 0:01:29 | |
had his maths textbook defaced by Gene Simmons from Kiss. | 0:01:29 | 0:01:33 | |
And their captain, Paddy Duffy, | 0:01:33 | 0:01:36 | |
an author and former youth worker | 0:01:36 | 0:01:38 | |
who once invited an Irish cabinet minister to the cinema by accident. | 0:01:38 | 0:01:42 | |
United by a soft spot for song contests, | 0:01:42 | 0:01:44 | |
they are the Eurovisionaries. | 0:01:44 | 0:01:47 | |
How does your team celebrate the Eurovision Song Contest? | 0:01:47 | 0:01:49 | |
Do you do weird food? | 0:01:49 | 0:01:51 | |
We do weird food, we do weird dress as well, so, for instance, | 0:01:51 | 0:01:54 | |
I've been chosen to go as Luxembourg this year. | 0:01:54 | 0:01:57 | |
And I don't know how that's going to go, actually. | 0:01:57 | 0:01:59 | |
Because I don't have any white clothes. | 0:01:59 | 0:02:01 | |
If you get to the final, you will have to come as Luxembourg. | 0:02:01 | 0:02:04 | |
If we get to the final, I'll come as the whole of the EU! | 0:02:04 | 0:02:06 | |
We're going to start by playing Round One, | 0:02:06 | 0:02:09 | |
what is the connection between four apparently random clues? | 0:02:09 | 0:02:12 | |
The Eurovisionaries won the toss, so you'll be going first. | 0:02:12 | 0:02:14 | |
Please choose an Egyptian hieroglyph. | 0:02:14 | 0:02:17 | |
Eye Of Horus, please, Victoria. | 0:02:17 | 0:02:18 | |
Eye Of Horus. JINGLE | 0:02:18 | 0:02:20 | |
Egypt, sadly, not in the Eurovision Song Contest. | 0:02:20 | 0:02:22 | |
Although, was that the jingle of music I heard? | 0:02:22 | 0:02:26 | |
It was. Could it be Egyptian music? | 0:02:26 | 0:02:28 | |
Let's find out. | 0:02:28 | 0:02:29 | |
You'll be hearing your clues. | 0:02:29 | 0:02:30 | |
What connects them? | 0:02:30 | 0:02:32 | |
First one coming in now... | 0:02:32 | 0:02:34 | |
FEMALE CLASSICAL SINGER | 0:02:34 | 0:02:36 | |
Next, please. | 0:02:43 | 0:02:44 | |
# Pardon me, but I gotta run... # | 0:02:44 | 0:02:51 | |
Frank Sinatra, anyway. | 0:02:51 | 0:02:52 | |
Um... | 0:02:52 | 0:02:53 | |
# The fact's uncommonly clear... # | 0:02:53 | 0:02:58 | |
Next, please. | 0:02:58 | 0:03:00 | |
CHORAL SINGING: # Glo-oria... # | 0:03:00 | 0:03:03 | |
It's... Gloria In Excelsis. | 0:03:03 | 0:03:04 | |
# ..in excelsis deo... # | 0:03:04 | 0:03:08 | |
Next, please. | 0:03:08 | 0:03:09 | |
# Your kiss... # | 0:03:09 | 0:03:10 | |
Oh... BUZZER CHIMES | 0:03:10 | 0:03:12 | |
Heaven. | 0:03:12 | 0:03:14 | |
Tell me something else. | 0:03:14 | 0:03:16 | |
Angels. I'll take angels or heaven. | 0:03:16 | 0:03:18 | |
I mean, there's angels | 0:03:18 | 0:03:19 | |
in all of them, | 0:03:19 | 0:03:20 | |
which some people might say is a heavenly thing, | 0:03:20 | 0:03:22 | |
but the word is angels. | 0:03:22 | 0:03:24 | |
What did we hear? So, we heard Heaven Must Be Missing An Angel, | 0:03:24 | 0:03:27 | |
was the last one. | 0:03:27 | 0:03:29 | |
"Hosanna in the highest" is what I call it. | 0:03:29 | 0:03:31 | |
Angels From The Realms Of Glory. | 0:03:31 | 0:03:34 | |
The King's College Choir. | 0:03:34 | 0:03:35 | |
I'm not sure... I know it was Frank Sinatra, but it was... | 0:03:35 | 0:03:39 | |
Angel Eyes. | 0:03:39 | 0:03:41 | |
The Angel's Farewell from Elgar's Dream Of Gerontius. | 0:03:41 | 0:03:43 | |
Let's be honest, you only recognised the Eurovision-style disco one. | 0:03:43 | 0:03:47 | |
We recognised the disco, yes. We found our level. | 0:03:47 | 0:03:50 | |
Your love of disco led you to heaven, | 0:03:50 | 0:03:51 | |
angels was the connection. | 0:03:51 | 0:03:53 | |
You get one point. Fire-Eaters, over | 0:03:53 | 0:03:55 | |
to you for a choice. Water, please. Water. | 0:03:55 | 0:03:57 | |
OK, what is the connection between these clues? | 0:03:57 | 0:03:59 | |
Here's the first. | 0:03:59 | 0:04:01 | |
OK... | 0:04:03 | 0:04:05 | |
THEY CONFER | 0:04:05 | 0:04:06 | |
Next, please. | 0:04:11 | 0:04:12 | |
Locations of something famous. | 0:04:15 | 0:04:16 | |
Yes, but... | 0:04:16 | 0:04:18 | |
I don't know what. | 0:04:18 | 0:04:20 | |
THEY CONFER | 0:04:20 | 0:04:21 | |
Next, please. | 0:04:23 | 0:04:24 | |
Tower. | 0:04:25 | 0:04:26 | |
There's a tower. Yes, Tokyo Tower. | 0:04:26 | 0:04:28 | |
Should we go for that? | 0:04:28 | 0:04:29 | |
BUZZER CHIMES | 0:04:29 | 0:04:31 | |
These are the locations of famous towers, we think. | 0:04:31 | 0:04:35 | |
Maybe I'll ask you to tell me something else. | 0:04:35 | 0:04:37 | |
Towers that look like the Eiffel Tower. | 0:04:37 | 0:04:39 | |
Well, exactly, I'll accept towers, | 0:04:39 | 0:04:41 | |
but famous towers that look like the Eiffel Tower, | 0:04:41 | 0:04:43 | |
particularly the fourth clue, which you didn't need to see. | 0:04:43 | 0:04:46 | |
The Eiffel Tower? | 0:04:46 | 0:04:47 | |
That one really looks like the Eiffel Tower. | 0:04:47 | 0:04:50 | |
What are the other ones? | 0:04:50 | 0:04:51 | |
The first is the Tokyo Tower, wherever it is in Tokyo. | 0:04:51 | 0:04:54 | |
And I don't know the second one. | 0:04:54 | 0:04:56 | |
The second one is the copy at the casino. | 0:04:56 | 0:04:58 | |
Oh, of course. Caesar's Palace, | 0:04:58 | 0:04:59 | |
or somewhere like that. | 0:04:59 | 0:05:00 | |
No, it's the Paris. The Paris Hotel. In Las Vegas. | 0:05:00 | 0:05:04 | |
All towers, particularly towers inspired by the Eiffel Tower, | 0:05:04 | 0:05:08 | |
including the Eiffel Tower itself. Well done. | 0:05:08 | 0:05:11 | |
Eurovisionaries, what would you like? | 0:05:11 | 0:05:13 | |
Twisted Flax, please. The Twisted Flax. | 0:05:13 | 0:05:15 | |
These are going to be picture clues. | 0:05:15 | 0:05:17 | |
What links them? | 0:05:17 | 0:05:18 | |
Here's the first. | 0:05:18 | 0:05:19 | |
Next, please. | 0:05:25 | 0:05:26 | |
That's John Bull. | 0:05:27 | 0:05:29 | |
They're going to be... | 0:05:31 | 0:05:32 | |
Next, please. | 0:05:34 | 0:05:36 | |
What is that? Is that shoes? Cobblers. | 0:05:36 | 0:05:38 | |
Bull... | 0:05:42 | 0:05:44 | |
Next, please. | 0:05:44 | 0:05:45 | |
That the flag of...the Dutch flag. | 0:05:45 | 0:05:48 | |
Two Dutch... Double Dutch. | 0:05:48 | 0:05:50 | |
Double Dutch, John Bull... | 0:05:50 | 0:05:53 | |
Three seconds. | 0:05:56 | 0:05:57 | |
BUZZER CHIMES | 0:05:57 | 0:05:58 | |
Double.... | 0:06:00 | 0:06:02 | |
It's cobblers and double Dutch, | 0:06:02 | 0:06:03 | |
it means nonsense. | 0:06:03 | 0:06:04 | |
Oh, nonsense. | 0:06:04 | 0:06:06 | |
Which incidentally was about what I was just about to make up, | 0:06:06 | 0:06:08 | |
so it might have been a pertinent answer anyway. | 0:06:08 | 0:06:11 | |
I will accept nonsense. | 0:06:11 | 0:06:12 | |
I think you could have got this much earlier | 0:06:12 | 0:06:14 | |
because you were going, "Bull, | 0:06:14 | 0:06:16 | |
"cobblers, Bull..." | 0:06:16 | 0:06:18 | |
And then double Dutch. All gibberish or nonsense. | 0:06:18 | 0:06:20 | |
Do you know who that is in the first picture? | 0:06:20 | 0:06:23 | |
I'm trying to think... Even with the answer, I'm struggling. | 0:06:23 | 0:06:26 | |
No, I don't know. | 0:06:26 | 0:06:28 | |
You don't know Philip Jibberish? | 0:06:28 | 0:06:29 | |
It's not Philip Jibberish. It's Peter Tosh. | 0:06:29 | 0:06:32 | |
He was in the Wailers, Bob Marley And The Wailers, originally. | 0:06:32 | 0:06:34 | |
The musician Tosh, Bull, cobblers and double Dutch. | 0:06:34 | 0:06:38 | |
Why does cobblers mean nonsense? | 0:06:38 | 0:06:40 | |
No idea. | 0:06:40 | 0:06:41 | |
It's rhyming slang. | 0:06:41 | 0:06:43 | |
Cobblers' awls. | 0:06:43 | 0:06:45 | |
I won't say what that rhymes with. | 0:06:45 | 0:06:47 | |
I mean, this really is not a family show. | 0:06:47 | 0:06:50 | |
Families would fall apart trying to make each other watch this, | 0:06:50 | 0:06:53 | |
but I won't spell it out. | 0:06:53 | 0:06:54 | |
But cobblers' awls is the full rhyming phrase. | 0:06:54 | 0:06:58 | |
Fire-Eaters, what would you like? | 0:06:58 | 0:06:59 | |
Lion, please. Lion. | 0:06:59 | 0:07:01 | |
What is the connection between these clues? | 0:07:01 | 0:07:03 | |
Here's the first. | 0:07:03 | 0:07:04 | |
Oh, is this like... | 0:07:06 | 0:07:08 | |
Seems like a fictional character, probably. | 0:07:10 | 0:07:12 | |
Next, please. | 0:07:14 | 0:07:16 | |
Are these myths about Obama or something like that? | 0:07:17 | 0:07:20 | |
I don't know. | 0:07:22 | 0:07:23 | |
THEY CONFER | 0:07:23 | 0:07:25 | |
Next, please. | 0:07:25 | 0:07:27 | |
BUZZER CHIMES | 0:07:27 | 0:07:29 | |
These are things which are alleged about Barack Obama. | 0:07:30 | 0:07:32 | |
That probably aren't true. | 0:07:32 | 0:07:34 | |
You could have come in earlier as well. | 0:07:34 | 0:07:37 | |
They are claims made against Barack Obama, | 0:07:37 | 0:07:39 | |
and the fourth clue would have been, he was born in Kenya. | 0:07:39 | 0:07:42 | |
But, yes, all sorts of things said about Barack Obama. | 0:07:42 | 0:07:44 | |
And they were some of them, well done. | 0:07:44 | 0:07:47 | |
Back to you, Eurovisionaries. | 0:07:47 | 0:07:49 | |
Horned Viper, please. Horned Viper. | 0:07:49 | 0:07:50 | |
OK. What's the connection? | 0:07:50 | 0:07:53 | |
Here's the first clue. | 0:07:53 | 0:07:54 | |
Next, please. | 0:08:01 | 0:08:02 | |
We can. Se puede...is it? | 0:08:04 | 0:08:06 | |
Not seeing much here. Next, please. | 0:08:09 | 0:08:13 | |
We ourselves. Oh! | 0:08:13 | 0:08:14 | |
BUZZER CHIMES | 0:08:14 | 0:08:15 | |
They're the names of political parties | 0:08:15 | 0:08:18 | |
in the respective countries. | 0:08:18 | 0:08:19 | |
Yes, they are. | 0:08:19 | 0:08:21 | |
You did not need the last one, | 0:08:21 | 0:08:22 | |
Party of Wales, Plaid Cymru. | 0:08:22 | 0:08:24 | |
These are names of political parties translated. | 0:08:24 | 0:08:26 | |
Can you tell me them in their original languages? | 0:08:26 | 0:08:30 | |
Yes, so "We ourselves" is Sinn Fein... | 0:08:30 | 0:08:32 | |
That's right. | 0:08:32 | 0:08:33 | |
People often say it's ourselves alone, don't they? | 0:08:33 | 0:08:36 | |
But that's not right. | 0:08:36 | 0:08:37 | |
That's not right. Do you speak any Gaelic? | 0:08:37 | 0:08:39 | |
HE SPEAKS A GAELIC PHRASE Excellent. | 0:08:39 | 0:08:41 | |
And the others? "We can" is Podemos? | 0:08:41 | 0:08:44 | |
That's right. And "From the roots" must be Syriza. | 0:08:44 | 0:08:47 | |
That's absolutely right. | 0:08:47 | 0:08:49 | |
"Radical coalition of the left" - | 0:08:49 | 0:08:50 | |
it's an acronym for that as well. | 0:08:50 | 0:08:51 | |
So that is it. Names of political parties translated into English. | 0:08:51 | 0:08:54 | |
Well done. | 0:08:54 | 0:08:56 | |
Fire-Eaters, what would you like? | 0:08:56 | 0:08:57 | |
I guess we'll go for the Two Reeds. | 0:08:57 | 0:08:59 | |
It's just as well because that's the only one you can have. | 0:08:59 | 0:09:02 | |
The Two Reeds. What is the connection between these clues? | 0:09:02 | 0:09:04 | |
Here's the first. | 0:09:04 | 0:09:06 | |
OK, I don't have a clue. | 0:09:07 | 0:09:08 | |
Is this film? I don't know. | 0:09:10 | 0:09:12 | |
Next, please. | 0:09:12 | 0:09:13 | |
I've seen that film but I don't remember it much. | 0:09:18 | 0:09:20 | |
THEY CONFER | 0:09:20 | 0:09:21 | |
I think we should take another. Next, please. | 0:09:24 | 0:09:27 | |
OK, these are things that... Time. | 0:09:27 | 0:09:30 | |
Yeah, that's right. | 0:09:30 | 0:09:31 | |
BUZZER CHIMES | 0:09:31 | 0:09:33 | |
These are ways of | 0:09:33 | 0:09:35 | |
turning back time, we think, | 0:09:35 | 0:09:37 | |
particularly in fictional contexts. | 0:09:37 | 0:09:39 | |
They are means of achieving time travel in those films. | 0:09:39 | 0:09:42 | |
You didn't need the last clue, the flux capacitor | 0:09:42 | 0:09:45 | |
from Back To The Future. | 0:09:45 | 0:09:46 | |
My favourite. How does the flux capacitor work? | 0:09:46 | 0:09:48 | |
By getting to 88mph. | 0:09:48 | 0:09:50 | |
That's right. It's a DeLorean, isn't it, that Doc Brown constructs? | 0:09:50 | 0:09:53 | |
When it gets to 88mph, it travels in time. | 0:09:53 | 0:09:55 | |
The black hole in Star Trek, | 0:09:55 | 0:09:57 | |
I have no idea how that works, | 0:09:57 | 0:09:59 | |
but let's not pause to discuss it. | 0:09:59 | 0:10:01 | |
Donnie Darko, who remembers that? | 0:10:01 | 0:10:03 | |
Why does he go into the wormhole? | 0:10:03 | 0:10:05 | |
Why does he do that? Because there's a jumbo jet going to crash? | 0:10:05 | 0:10:08 | |
He's sacrificing himself, isn't he, | 0:10:08 | 0:10:10 | |
to prevent bad things happening in the future. | 0:10:10 | 0:10:13 | |
Superman flies around the Earth. | 0:10:13 | 0:10:14 | |
All means for achieving time travel in films, well done. | 0:10:14 | 0:10:17 | |
That means, at the end of Round One, | 0:10:17 | 0:10:20 | |
Eurovisionaries have 4 points, | 0:10:20 | 0:10:22 | |
the Fire-Eaters have 6. | 0:10:22 | 0:10:23 | |
On to Round Two, the sequences round. | 0:10:26 | 0:10:28 | |
What comes fourth is what I will be asking the teams. | 0:10:28 | 0:10:30 | |
And I'll be asking them that... immediately. | 0:10:30 | 0:10:32 | |
Eurovisionaries, which question would you like? | 0:10:32 | 0:10:35 | |
Lion, please. | 0:10:35 | 0:10:36 | |
Lion. What will be fourth in this sequence? | 0:10:36 | 0:10:39 | |
Here's the first. | 0:10:39 | 0:10:40 | |
Johnny Briggs. | 0:10:40 | 0:10:42 | |
Johnny Briggs is Mike Baldwin, | 0:10:42 | 0:10:46 | |
Coronation Street. | 0:10:46 | 0:10:47 | |
THEY CONFER | 0:10:49 | 0:10:50 | |
Next, please. | 0:10:52 | 0:10:53 | |
200, Alec Bedser. | 0:10:54 | 0:10:56 | |
Who's Alec Bedser? I don't know who he is. No idea. | 0:10:58 | 0:11:01 | |
Next, please. | 0:11:01 | 0:11:03 | |
Fred Trueman. That's a cricketer, isn't it? | 0:11:03 | 0:11:06 | |
There might be more than one Johnny Briggs. | 0:11:06 | 0:11:09 | |
Yes. Let's think about a cricketer that's relatively... | 0:11:09 | 0:11:13 | |
Ian Botham, say? | 0:11:15 | 0:11:16 | |
Yeah, why not? | 0:11:16 | 0:11:18 | |
400, Ian Botham. | 0:11:18 | 0:11:20 | |
That's not the answer. Fire-Eaters, | 0:11:20 | 0:11:23 | |
would you like to have a go for a bonus point? | 0:11:23 | 0:11:25 | |
I'm going to say 400: Richard Hadley. | 0:11:25 | 0:11:27 | |
That's not it. What do you think the sequence is? | 0:11:27 | 0:11:30 | |
The first person to that many wickets. | 0:11:30 | 0:11:32 | |
Yes, it is bowling milestones, but 400, it's James Anderson. | 0:11:32 | 0:11:35 | |
The Burnley Lara. | 0:11:35 | 0:11:36 | |
I remember that happening... | 0:11:36 | 0:11:38 | |
Why is it I get the feeling that cricket | 0:11:38 | 0:11:40 | |
is not your strong point? | 0:11:40 | 0:11:41 | |
Not a thing. | 0:11:41 | 0:11:43 | |
I was hoping it was Coronation Street | 0:11:43 | 0:11:45 | |
when I saw the first one come up. | 0:11:45 | 0:11:47 | |
We thought that, too. | 0:11:47 | 0:11:48 | |
Thought we were having a Mike Baldwin question. | 0:11:48 | 0:11:50 | |
What did Fred Trueman say when he was asked | 0:11:50 | 0:11:52 | |
if anyone would ever beat his record? | 0:11:52 | 0:11:54 | |
"No." | 0:11:54 | 0:11:55 | |
I don't know. | 0:11:55 | 0:11:57 | |
He said, "Aye, but they'll be bloody tired." | 0:11:57 | 0:12:00 | |
James Anderson got the 400 | 0:12:00 | 0:12:01 | |
Test match wickets in 2015. | 0:12:01 | 0:12:04 | |
So, nobody gets a bonus point, but you may have your own question, | 0:12:04 | 0:12:08 | |
Fire-Eaters. Which is it to be? | 0:12:08 | 0:12:09 | |
We'll have the Twisted Flax, please. | 0:12:09 | 0:12:12 | |
The Twisted Flax. What would come fourth in this sequence? | 0:12:12 | 0:12:15 | |
Here's the first. | 0:12:15 | 0:12:16 | |
THEY CONFER | 0:12:18 | 0:12:19 | |
Possibly, but it could be lots of things. | 0:12:21 | 0:12:24 | |
Next, please. | 0:12:25 | 0:12:27 | |
Cat. | 0:12:27 | 0:12:28 | |
Oh, dear. | 0:12:30 | 0:12:31 | |
It's not to do with... I can't see this at all. | 0:12:31 | 0:12:35 | |
Next, please. | 0:12:37 | 0:12:38 | |
Oh, GMT, time zones. | 0:12:40 | 0:12:42 | |
Oh, yes, well done. | 0:12:42 | 0:12:43 | |
Happy with that? | 0:12:43 | 0:12:45 | |
BUZZER CHIMES | 0:12:45 | 0:12:46 | |
0: GMT. | 0:12:47 | 0:12:50 | |
I'll take that answer. | 0:12:50 | 0:12:51 | |
We actually had 0: UTC. | 0:12:51 | 0:12:53 | |
Fair enough. But GMT is correct. | 0:12:53 | 0:12:56 | |
What are we looking at? | 0:12:56 | 0:12:57 | |
Central European Time, | 0:12:57 | 0:12:59 | |
Central African Time | 0:12:59 | 0:13:00 | |
and Eastern African Time. | 0:13:00 | 0:13:02 | |
That's absolutely right. | 0:13:02 | 0:13:03 | |
And what does UTC stand for? Universal Time something. | 0:13:03 | 0:13:06 | |
Clock. No, can't be clock, doesn't make sense. | 0:13:06 | 0:13:08 | |
No, it doesn't stand for anything at all! | 0:13:08 | 0:13:10 | |
That was a weird compromise. | 0:13:10 | 0:13:12 | |
English speakers wanted | 0:13:12 | 0:13:13 | |
CUT, Coordinated Universal Time, | 0:13:13 | 0:13:15 | |
and French speakers wanted Temps Universel Coordonne. | 0:13:15 | 0:13:19 | |
So they agreed to have neither, | 0:13:19 | 0:13:21 | |
and they have the same letters but in a completely different order. | 0:13:21 | 0:13:24 | |
So it's the same as GMT. | 0:13:24 | 0:13:26 | |
So, time zones, that's absolutely right, and nought, where we are, | 0:13:26 | 0:13:29 | |
there's no time difference with ourselves. | 0:13:29 | 0:13:31 | |
UTC or GMT. | 0:13:31 | 0:13:33 | |
Eurovisionaries, what would you like? | 0:13:33 | 0:13:35 | |
Eye Of Horus, please. The Eye Of Horus. | 0:13:35 | 0:13:37 | |
What will come fourth in this sequence? | 0:13:37 | 0:13:39 | |
Here's the first. | 0:13:39 | 0:13:40 | |
THEY CONFER | 0:13:42 | 0:13:44 | |
Next, please. | 0:13:49 | 0:13:51 | |
Were they married? | 0:13:55 | 0:13:57 | |
THEY CONFER | 0:13:58 | 0:14:01 | |
Next, please. | 0:14:04 | 0:14:06 | |
So maybe it's going back in time. | 0:14:08 | 0:14:10 | |
I mean, the only one... | 0:14:10 | 0:14:12 | |
BUZZER CHIMES | 0:14:15 | 0:14:16 | |
Marie and Pierre Curie, Chemistry. | 0:14:16 | 0:14:20 | |
I'm afraid that's not | 0:14:20 | 0:14:21 | |
the answer, so there's a bonus chance for you, | 0:14:21 | 0:14:23 | |
Fire-Eaters. | 0:14:23 | 0:14:25 | |
We'll try Marie and Pierre Curie, Physics. | 0:14:26 | 0:14:30 | |
That is the right answer. | 0:14:30 | 0:14:32 | |
What are we looking at? | 0:14:34 | 0:14:35 | |
I think they are | 0:14:35 | 0:14:37 | |
married couples who have won Nobel prizes | 0:14:37 | 0:14:40 | |
at the same time. And in brackets is what they won it in. | 0:14:40 | 0:14:43 | |
That's absolutely right. And we are going back in time, | 0:14:43 | 0:14:46 | |
because May-Britt and Moser, it was 2014, in fact, that | 0:14:46 | 0:14:49 | |
that married couple won. And we are going back in time, | 0:14:49 | 0:14:52 | |
and Marie and Pierre Curie won jointly for physics. | 0:14:52 | 0:14:54 | |
These are Nobel prize-winners, | 0:14:54 | 0:14:56 | |
married couples, unlucky over there. | 0:14:56 | 0:14:58 | |
Right people, | 0:14:58 | 0:15:00 | |
wrong discipline - physics is right for a bonus point. | 0:15:00 | 0:15:03 | |
And you may choose a question. | 0:15:03 | 0:15:04 | |
We'll have the Water, please. | 0:15:04 | 0:15:06 | |
The Water question. JINGLE | 0:15:06 | 0:15:08 | |
Ah! It's a music sequence. | 0:15:08 | 0:15:10 | |
So you will be hearing the clues, but you won't hear the fourth clue, | 0:15:10 | 0:15:14 | |
I want you to tell me what it is. | 0:15:14 | 0:15:16 | |
Your first one is coming in now. | 0:15:16 | 0:15:17 | |
INSTRUMENTAL DANCE MUSIC | 0:15:19 | 0:15:21 | |
Is this familiar to anyone? | 0:15:21 | 0:15:22 | |
Does anyone know this? | 0:15:22 | 0:15:24 | |
Next, please. | 0:15:26 | 0:15:28 | |
ORCHESTRAL MUSIC WITH FLUTE | 0:15:28 | 0:15:30 | |
OK, this is... Faure's Pavane. | 0:15:30 | 0:15:31 | |
Pavane, yes... | 0:15:31 | 0:15:33 | |
It was used as the World Cup for France '98. | 0:15:33 | 0:15:36 | |
'96. No, I think it was '98, France '98, actually. | 0:15:36 | 0:15:39 | |
So could this be... | 0:15:39 | 0:15:40 | |
Next, please. | 0:15:43 | 0:15:44 | |
MUSIC: America from West Side Story | 0:15:44 | 0:15:46 | |
America, 2002. | 0:15:46 | 0:15:47 | |
2006... | 0:15:47 | 0:15:48 | |
2006 was in... Japan, wasn't it? | 0:15:48 | 0:15:51 | |
No, no. | 0:15:51 | 0:15:52 | |
No, Germany. No, it wasn't there, sorry. I don't know. | 0:15:52 | 0:15:54 | |
We've got to say something. | 0:15:54 | 0:15:56 | |
Three seconds. | 0:15:56 | 0:15:57 | |
BUZZER CHIMES | 0:15:57 | 0:15:58 | |
Um... I think German. | 0:16:00 | 0:16:01 | |
Beethoven's Ninth Symphony. | 0:16:03 | 0:16:05 | |
Not the answer, I'm afraid. | 0:16:05 | 0:16:06 | |
So, Eurovisionaries, you have a chance of a bonus point now. | 0:16:06 | 0:16:09 | |
Nessun Dorma. Is the right answer. | 0:16:09 | 0:16:11 | |
What's the sequence? | 0:16:11 | 0:16:12 | |
So it's the themes of... | 0:16:12 | 0:16:14 | |
It's World Cup themes, going from... | 0:16:16 | 0:16:18 | |
Starting in 2002 and going back to 1990. | 0:16:18 | 0:16:21 | |
That's absolutely right. Nessun Dorma is the answer. | 0:16:21 | 0:16:24 | |
Unfortunately we don't have Nessun Dorma to play in, | 0:16:24 | 0:16:29 | |
but there's no reason why the viewers at home | 0:16:29 | 0:16:31 | |
wouldn't be reminded how it goes. | 0:16:31 | 0:16:33 | |
Let's go from "All'alba vincero," you'll remember, | 0:16:33 | 0:16:36 | |
"Vincero, vincero." Let's go, one, two, | 0:16:36 | 0:16:38 | |
three. | 0:16:38 | 0:16:40 | |
# Vincer... # | 0:16:40 | 0:16:41 | |
Yes, go, I like it. | 0:16:41 | 0:16:42 | |
# Vince... # Oh, come on! | 0:16:42 | 0:16:45 | |
I don't know the words. | 0:16:45 | 0:16:47 | |
To be honest... | 0:16:48 | 0:16:49 | |
We made a pact not to sing! ..I'm very disappointed, frankly. | 0:16:49 | 0:16:53 | |
That was an opportunity for a rousing statement of "I will win". | 0:16:53 | 0:16:57 | |
Yes, Nessun Dorma, Pavarotti, | 0:16:57 | 0:16:59 | |
was the theme of the 1990 World Cup and is the right answer. | 0:16:59 | 0:17:02 | |
Plus you may choose a question. | 0:17:02 | 0:17:04 | |
The Horned Viper, please. | 0:17:04 | 0:17:06 | |
The Horned Viper, OK. | 0:17:06 | 0:17:07 | |
What will come forth in this sequence? | 0:17:07 | 0:17:08 | |
Here's the first. | 0:17:08 | 0:17:10 | |
Is this a Canadian rapper question? | 0:17:14 | 0:17:17 | |
Next, please. | 0:17:18 | 0:17:20 | |
Steinbeck? | 0:17:20 | 0:17:21 | |
Yeah. Are they... | 0:17:21 | 0:17:24 | |
Prize-winning novels? | 0:17:26 | 0:17:28 | |
Next, please. | 0:17:29 | 0:17:30 | |
Are they Oscar winners? | 0:17:32 | 0:17:34 | |
How Green Was My Valley wasn't... | 0:17:38 | 0:17:41 | |
Is it...? Maybe... | 0:17:42 | 0:17:45 | |
Three seconds. BUZZER CHIMES | 0:17:47 | 0:17:49 | |
The Philadelphia Story. | 0:17:49 | 0:17:51 | |
Not the answer, I'm afraid. | 0:17:51 | 0:17:54 | |
Fire-Eaters, do you want to have a go for a bonus point? | 0:17:54 | 0:17:57 | |
Gone With The Wind. We are going to try Gone With The Wind. | 0:17:57 | 0:18:00 | |
Not it either. What do you think this sequence is? | 0:18:00 | 0:18:02 | |
It is something about Oscar winners, I think. Yes. | 0:18:02 | 0:18:05 | |
In order of when they got them... | 0:18:05 | 0:18:07 | |
Yes, it is Oscar winners | 0:18:07 | 0:18:08 | |
in order of when they got them. | 0:18:08 | 0:18:10 | |
But I don't know which one is forth. | 0:18:10 | 0:18:12 | |
What they have in common is they were all directed by John Ford. | 0:18:12 | 0:18:16 | |
John Ford's films, and the next one was The Quiet Man. | 0:18:16 | 0:18:20 | |
Oh, you're joking. Yes, The Quiet Man. | 0:18:20 | 0:18:22 | |
Lovely romantic comedy set in Ireland with John Wayne. | 0:18:22 | 0:18:25 | |
Still room for a massive fight sequence. | 0:18:25 | 0:18:27 | |
I've seen it at least three times a year for most of my life. | 0:18:27 | 0:18:30 | |
Well, you may never want to see it again. No. | 0:18:30 | 0:18:33 | |
The Quiet Man was the answer, so no bonus points, | 0:18:33 | 0:18:35 | |
but, Fire-Eaters, you may choose a question. | 0:18:35 | 0:18:38 | |
Two Reeds. It's a very good choice, | 0:18:38 | 0:18:39 | |
I'm pleased you went for that one. | 0:18:39 | 0:18:41 | |
These are going to be picture clues. | 0:18:41 | 0:18:43 | |
What would you expect to see in a fourth picture? | 0:18:43 | 0:18:45 | |
Here's the first. | 0:18:45 | 0:18:46 | |
OK, the snake. He's called Kaa. From Jungle Book. | 0:18:47 | 0:18:50 | |
K-a or K-a-a. I don't know... | 0:18:50 | 0:18:52 | |
I can't think what the sequence is. | 0:18:52 | 0:18:54 | |
Should we go for the next one? | 0:18:54 | 0:18:56 | |
Next, please. | 0:18:56 | 0:18:58 | |
That's the horse from War Horse, presumably. | 0:18:58 | 0:19:01 | |
Yes. | 0:19:01 | 0:19:02 | |
Oh, is it Equus or War Horse? I don't know. | 0:19:03 | 0:19:06 | |
That's Michael Morpurgo. The first one is by Rudyard Kipling. | 0:19:07 | 0:19:11 | |
Next, please. | 0:19:11 | 0:19:13 | |
I don't know what that is. | 0:19:13 | 0:19:15 | |
Goat. | 0:19:17 | 0:19:18 | |
What's going to come next, I don't know. | 0:19:18 | 0:19:21 | |
Snake, horse... | 0:19:21 | 0:19:23 | |
Three seconds. | 0:19:23 | 0:19:24 | |
BUZZER CHIMES | 0:19:24 | 0:19:26 | |
What comes after goat? | 0:19:26 | 0:19:27 | |
Is it rat? I can't give you long. | 0:19:27 | 0:19:30 | |
A rat? Not the answer, | 0:19:30 | 0:19:32 | |
I'm afraid, so, Eurovisionaries, | 0:19:32 | 0:19:34 | |
last chance for a bonus this round. | 0:19:34 | 0:19:36 | |
Will it be a picture | 0:19:36 | 0:19:37 | |
of the gorilla doing the In The Air Tonight drumming? | 0:19:37 | 0:19:41 | |
Unfortunately, no, | 0:19:41 | 0:19:43 | |
it's a picture of Cuddles the monkey with Keith Harris, | 0:19:43 | 0:19:45 | |
but I will give you the points, | 0:19:45 | 0:19:47 | |
and why? | 0:19:47 | 0:19:48 | |
So, it's Chinese Zodiac years going around, in sequential years, | 0:19:48 | 0:19:52 | |
so one year is the year of the snake, | 0:19:52 | 0:19:54 | |
the following is the year of the horse. | 0:19:54 | 0:19:56 | |
Yes, Chinese years. Snake, horse, | 0:19:56 | 0:19:59 | |
goat, the next one will be a monkey. | 0:19:59 | 0:20:00 | |
We went for lovely Cuddles the monkey. | 0:20:00 | 0:20:03 | |
Could have been a gorilla drumming. | 0:20:03 | 0:20:04 | |
Technically an ape rather than a monkey, but it is acceptable, | 0:20:04 | 0:20:07 | |
so you get the bonus point. | 0:20:07 | 0:20:08 | |
And that means, at the end of Round Two, | 0:20:08 | 0:20:11 | |
the Eurovisionaries have 6 points, | 0:20:11 | 0:20:13 | |
the Fire-Eaters have 9. | 0:20:13 | 0:20:14 | |
It's the Connecting Wall now - | 0:20:17 | 0:20:18 | |
the 16 jumbled-up clues that must be solved like concept Sudoku. | 0:20:18 | 0:20:23 | |
You're going first this time, Fire-Eaters, | 0:20:23 | 0:20:25 | |
so would you like Lion or Water? | 0:20:25 | 0:20:27 | |
We'll have the Lion wall, please. | 0:20:27 | 0:20:29 | |
OK, two and a half minutes to solve the Lion wall, starting... | 0:20:29 | 0:20:33 | |
now. | 0:20:33 | 0:20:34 | |
OK, Cornucopia. Giant Puffball? I don't... Mushroom, mushroom. | 0:20:34 | 0:20:38 | |
Yeah. Oyster's a mushroom as well. | 0:20:38 | 0:20:40 | |
Milkcap's a mushroom. Brilliant, OK. | 0:20:40 | 0:20:43 | |
We have types of sushi here as well. Western roll, I think... | 0:20:43 | 0:20:46 | |
Hang on, Western roll's a way of... | 0:20:46 | 0:20:47 | |
These are ways of doing the high jump. | 0:20:47 | 0:20:49 | |
Do we have another type of mushroom here? | 0:20:49 | 0:20:53 | |
Gutshot sounds like it... No, OK. So we've got... | 0:20:53 | 0:20:55 | |
Flop and Western roll are both ways of doing... | 0:20:55 | 0:20:58 | |
and belly roll sounds like it probably is. | 0:20:58 | 0:21:00 | |
Scissors is, too. Shall we try this as ways of doing the high jump? | 0:21:00 | 0:21:03 | |
OK, something else. The Kicker, could that be one? | 0:21:03 | 0:21:05 | |
Eastern cut-off is definitely one. Let's try cutting Scissors. | 0:21:05 | 0:21:08 | |
OK, we'll try cutting the Flop. | 0:21:08 | 0:21:10 | |
OK, cool. | 0:21:10 | 0:21:11 | |
So you're on mushrooms here? What's River? | 0:21:12 | 0:21:14 | |
Under the Gun - that's a poker term. | 0:21:14 | 0:21:16 | |
Flop is a poker term. | 0:21:16 | 0:21:17 | |
Yeah. Gutshot is a poker term, and Kicker is a poker term. | 0:21:17 | 0:21:21 | |
Three strikes and you're out now. | 0:21:21 | 0:21:23 | |
Right, so think. So... | 0:21:23 | 0:21:24 | |
Mushrooms. Mark the three mushrooms that we have. | 0:21:24 | 0:21:26 | |
So we reckon that... | 0:21:26 | 0:21:28 | |
Did you reckon Horn of Plenty is a mushroom? Oyster. | 0:21:28 | 0:21:31 | |
Horn of Plenty? No, Milkcap. OK. | 0:21:31 | 0:21:33 | |
We've got... | 0:21:33 | 0:21:35 | |
We haven't had a word one yet, have we? | 0:21:35 | 0:21:37 | |
Bunk and River and Camp. Hmm. | 0:21:37 | 0:21:39 | |
Bunk bed. Camp bed. | 0:21:41 | 0:21:43 | |
Riverbed. Apple-pie bed doesn't... | 0:21:43 | 0:21:45 | |
Oyster bed is a thing, though. So maybe it's that. | 0:21:45 | 0:21:47 | |
In which case, we're going to have... | 0:21:47 | 0:21:49 | |
Camp, Oyster, Bunk and River. | 0:21:49 | 0:21:51 | |
And so what's these ones? These four - Apple-pie, Giant Puffball... | 0:21:51 | 0:21:54 | |
Let's mark... | 0:21:54 | 0:21:55 | |
Could that be a mushroom? I think these have got to be mushrooms. | 0:21:55 | 0:21:58 | |
That's got to be beds. Yes. | 0:21:58 | 0:22:00 | |
Do we want to go for that? | 0:22:00 | 0:22:01 | |
We'll give that a try, shall we? | 0:22:01 | 0:22:03 | |
Yeah, so we reckon it's mushrooms and beds. | 0:22:03 | 0:22:05 | |
OK, that's not right. So Oyster mushroom. | 0:22:05 | 0:22:07 | |
Could you have a Milkcap bed? | 0:22:07 | 0:22:09 | |
Apple-pie bed, maybe? That sounds more plausible than anything else. | 0:22:09 | 0:22:12 | |
You've solved the wall, very well done. | 0:22:12 | 0:22:15 | |
And I will give you extra points if you can tell me what connects them. | 0:22:15 | 0:22:18 | |
Tell me about the first blue group, starting Belly roll. | 0:22:18 | 0:22:21 | |
These are ways of performing the high jump. | 0:22:21 | 0:22:23 | |
That's exactly right, methods of doing the high jump. | 0:22:23 | 0:22:25 | |
And the green group - Flop, Kicker, Under the Gun, Gutshot. | 0:22:25 | 0:22:29 | |
These are poker terms. Yeah. They are all poker terms. | 0:22:29 | 0:22:32 | |
What about the pink group, starting Milkcap? | 0:22:32 | 0:22:34 | |
I'm told they're types of mushroom. | 0:22:34 | 0:22:37 | |
They are all simply types of mushroom. | 0:22:37 | 0:22:39 | |
And the last turquoise group, Apple-pie, Camp, Bunk, River. | 0:22:39 | 0:22:43 | |
We think that if you put... | 0:22:43 | 0:22:45 | |
You can put the word "bed" after all of them to get concepts, | 0:22:45 | 0:22:48 | |
which are, some of them, beds. | 0:22:48 | 0:22:49 | |
You can put "bed" after all of them. | 0:22:49 | 0:22:51 | |
Yes, the Apple-pie bed is a sort of practical joke, | 0:22:51 | 0:22:53 | |
where you fold the sheet halfway so you can't get in. | 0:22:53 | 0:22:55 | |
Oh, I've never heard of that. In old school stories. | 0:22:55 | 0:22:58 | |
They do it at boarding school, | 0:22:58 | 0:22:59 | |
so you get into bed but you can't quite get in. | 0:22:59 | 0:23:01 | |
OK. But you did find all the groups, and that is all the connections, | 0:23:01 | 0:23:04 | |
so you get the maximum of 10 points. | 0:23:04 | 0:23:06 | |
Let's bring in the Eurovisionaries now, | 0:23:06 | 0:23:08 | |
give them a new Connecting Wall | 0:23:08 | 0:23:09 | |
and see what they can do about solving it. | 0:23:09 | 0:23:11 | |
It's the Water wall for you. | 0:23:11 | 0:23:13 | |
Two and a half minutes of clues to solve it, starting now. | 0:23:13 | 0:23:16 | |
OK, so, Cheney, so we've got some... | 0:23:16 | 0:23:21 | |
Oh, yeah. We've got Dick Cheney. Goatee beard? | 0:23:23 | 0:23:25 | |
Goatee beards. We've got some Dicks. | 0:23:25 | 0:23:28 | |
Emperor. OK, so let's try this. | 0:23:28 | 0:23:31 | |
Dick Cheney, Dick Advocaat, Dick Van Dyke... | 0:23:31 | 0:23:35 | |
Dick Francis? | 0:23:35 | 0:23:37 | |
No. Oh, Dick Turpin. Advocaat, Turpin, Van Dyke. | 0:23:37 | 0:23:42 | |
Is Humboldt one? That's a penguin. Yeah. | 0:23:42 | 0:23:45 | |
Chinstrap penguin? Yes, that is a type of... | 0:23:46 | 0:23:49 | |
And a... Whew. I don't know. | 0:23:49 | 0:23:52 | |
Adelie penguin? | 0:23:52 | 0:23:53 | |
No. | 0:23:53 | 0:23:55 | |
So who do we think are the Dicks? Go through them. | 0:23:55 | 0:23:57 | |
So Dick Cheney, Dick Turpin, Dick Advocaat, Dick Van Dyke, | 0:23:57 | 0:24:01 | |
maybe Dick Francis. | 0:24:01 | 0:24:03 | |
So leave Francis out. | 0:24:03 | 0:24:05 | |
Leave Van Dyke out. | 0:24:06 | 0:24:08 | |
There we go. | 0:24:08 | 0:24:09 | |
You can have a wedding anniversary. You can have a Golden, Diamond... | 0:24:10 | 0:24:14 | |
Yeah, no. | 0:24:14 | 0:24:16 | |
I think Adelie is a penguin, is it? | 0:24:16 | 0:24:18 | |
Maybe, try it. Adelie. Humboldt, Emperor. | 0:24:18 | 0:24:20 | |
Chinstrap. | 0:24:20 | 0:24:22 | |
I think we tried that. Balbo penguin? | 0:24:22 | 0:24:25 | |
Shall we try again, leave out Humboldt? | 0:24:25 | 0:24:28 | |
Leave out Emperor, cos that's the obvious one. | 0:24:28 | 0:24:31 | |
No, OK. | 0:24:31 | 0:24:32 | |
Macaroni. | 0:24:32 | 0:24:34 | |
Is it other kinds of, um, pasta? | 0:24:34 | 0:24:37 | |
Shall we do the beards? | 0:24:37 | 0:24:38 | |
OK, so Chinstrap, Goatee, Macaroni, a twiddly moustache. | 0:24:38 | 0:24:43 | |
Humboldt sounds like a beard to me. Try that. | 0:24:43 | 0:24:46 | |
Skaters' beard? | 0:24:46 | 0:24:50 | |
Skaters' beard, Chinstrap, Goatee and what else did we go for? | 0:24:50 | 0:24:54 | |
Macaroni. | 0:24:54 | 0:24:56 | |
I'm looking for a wordy one. What's a Balbo? I don't know. | 0:24:56 | 0:24:59 | |
30 seconds. | 0:24:59 | 0:25:01 | |
Skaters' something. | 0:25:01 | 0:25:02 | |
10 seconds. Looking for words in words. | 0:25:06 | 0:25:10 | |
No... | 0:25:10 | 0:25:11 | |
And that's it, your time is up, | 0:25:15 | 0:25:17 | |
the wall has frozen but you found a group, | 0:25:17 | 0:25:20 | |
and can you tell me what connects Cheney, Advocaat, Francis, Turpin? | 0:25:20 | 0:25:24 | |
They're all Dicks. | 0:25:24 | 0:25:26 | |
They are all Dicks, I can confirm that's correct. | 0:25:26 | 0:25:29 | |
And you can still get points for the connections | 0:25:29 | 0:25:31 | |
in the groups you didn't find. So let's resolve the wall. | 0:25:31 | 0:25:34 | |
There you go. | 0:25:34 | 0:25:35 | |
Anniversary, Emperor, Skaters', Minute. | 0:25:35 | 0:25:39 | |
Or Minute. | 0:25:39 | 0:25:40 | |
Oh, the Skaters' waltz... | 0:25:40 | 0:25:41 | |
Are they waltzes? They are all waltzes. Yeah. | 0:25:41 | 0:25:44 | |
Spotted that at the end there. | 0:25:44 | 0:25:46 | |
Macaroni, Humboldt, Adelie, Chinstrap. | 0:25:46 | 0:25:48 | |
Types of penguin. | 0:25:48 | 0:25:50 | |
They are the penguins. That's absolutely right. OK. | 0:25:50 | 0:25:53 | |
And the last turquoise group, starting French fork. | 0:25:53 | 0:25:56 | |
Facial hair? | 0:25:56 | 0:25:57 | |
Yes, more specifically? | 0:25:57 | 0:25:59 | |
Beards. They're all beards. | 0:25:59 | 0:26:00 | |
So one point for the group you found and four more for the connections. | 0:26:00 | 0:26:04 | |
That's a total of five. | 0:26:04 | 0:26:05 | |
Let's have a look at the scores. | 0:26:05 | 0:26:07 | |
The Eurovisionaries have 11 points, | 0:26:07 | 0:26:10 | |
the Fire-Eaters have 19. | 0:26:10 | 0:26:12 | |
But it could all change here in Round Four, | 0:26:14 | 0:26:16 | |
where points are won and lost in the missing vowels round. | 0:26:16 | 0:26:20 | |
Fingers on buzzers, teams. | 0:26:20 | 0:26:22 | |
I can tell you that the first group | 0:26:22 | 0:26:24 | |
are all adjectives involving food. | 0:26:24 | 0:26:26 | |
Visionaries. | 0:26:29 | 0:26:30 | |
Ham-fisted. Correct. | 0:26:30 | 0:26:32 | |
Visionaries. | 0:26:35 | 0:26:36 | |
Beefed-up. Correct. | 0:26:36 | 0:26:38 | |
Visionaries. | 0:26:41 | 0:26:42 | |
Pie-eyed. Yes, it is. | 0:26:42 | 0:26:43 | |
Fire-Eaters. Bread and butter. | 0:26:46 | 0:26:48 | |
Correct. Next category - | 0:26:48 | 0:26:50 | |
similes involving black. | 0:26:50 | 0:26:52 | |
Visionaries. | 0:26:55 | 0:26:56 | |
The ace of spades. Correct. | 0:26:56 | 0:26:57 | |
Tricky one here from Twelfth Night. | 0:27:05 | 0:27:06 | |
As black as Vulcan in the smoke of war. | 0:27:06 | 0:27:09 | |
Next clue. | 0:27:09 | 0:27:10 | |
Fire-Eaters. | 0:27:11 | 0:27:12 | |
Newgate's Knocker. Correct. | 0:27:12 | 0:27:14 | |
Visionaries. | 0:27:17 | 0:27:19 | |
Oh... Not it, I'm afraid. | 0:27:19 | 0:27:21 | |
I must take a point away. | 0:27:21 | 0:27:22 | |
Fire-Eaters, do you know? | 0:27:22 | 0:27:23 | |
Darkest night? | 0:27:23 | 0:27:25 | |
It is, as black as darkest night. | 0:27:25 | 0:27:27 | |
Next category, cities on the Mississippi. | 0:27:27 | 0:27:29 | |
Fire-Eaters. | 0:27:31 | 0:27:32 | |
New Orleans. Correct. | 0:27:32 | 0:27:33 | |
Fire-Eaters. | 0:27:36 | 0:27:37 | |
Minneapolis. Correct. | 0:27:37 | 0:27:38 | |
Fire-Eaters. | 0:27:41 | 0:27:42 | |
Baton Rouge. Yes, it is. | 0:27:42 | 0:27:43 | |
Fire-Eaters. Saint Paul. | 0:27:46 | 0:27:47 | |
Are you from the Mississippi?! | 0:27:47 | 0:27:49 | |
Correct. | 0:27:49 | 0:27:50 | |
There will not be another category | 0:27:53 | 0:27:55 | |
because the bell has gone for the end of the quiz. | 0:27:55 | 0:27:57 | |
And, looking at the final scores, I can tell you that | 0:27:57 | 0:28:00 | |
the Eurovisionaries finish with 14, | 0:28:00 | 0:28:03 | |
but the winners, with 26, | 0:28:03 | 0:28:05 | |
are the Fire-Eaters. | 0:28:05 | 0:28:07 | |
Very well done, excellent quizzing. | 0:28:07 | 0:28:09 | |
You are through to the next round. | 0:28:09 | 0:28:11 | |
Visionaries, you've been a great pleasure to quiz with and you may | 0:28:11 | 0:28:14 | |
be through in our new system - | 0:28:14 | 0:28:16 | |
if you are among the highest scoring losers in this block of the quiz, | 0:28:16 | 0:28:19 | |
we'll be seeing you again, and I hope we do. | 0:28:19 | 0:28:22 | |
Thanks very much for watching and please join me next time | 0:28:22 | 0:28:26 | |
for another episode of the show with closing remarks so formulaic | 0:28:26 | 0:28:29 | |
that if A were B, then C would be D. | 0:28:29 | 0:28:32 | |
Goodbye. | 0:28:32 | 0:28:33 | |
This is a trailer for BBC Four's conceptual art season. | 0:29:03 | 0:29:06 |