Browse content similar to Verbivores v Channel Islanders. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
which you should think of as an Old Firm game without the hatred, | 0:00:23 | 0:00:27 | |
sectarianism and football. | 0:00:27 | 0:00:29 | |
It basically is an Old Firm game, | 0:00:29 | 0:00:30 | |
only each team has only three players, they're avid quizzers, | 0:00:30 | 0:00:34 | |
and instead of Ibrox, they play in a Cardiff TV studio. | 0:00:34 | 0:00:37 | |
Other than that, the same. | 0:00:37 | 0:00:40 | |
Kicking off tonight, we have... | 0:00:40 | 0:00:42 | |
On my right, Phyl Styles, a competent cricket scorer | 0:00:42 | 0:00:45 | |
who also acts as secretary for the Sevenoaks Society | 0:00:45 | 0:00:48 | |
for the Conservation and Improvement of the Town. | 0:00:48 | 0:00:51 | |
Tom Cappleman, a software engineer who spent New Year | 0:00:51 | 0:00:55 | |
at a Hungarian maths camp. | 0:00:55 | 0:00:56 | |
And their captain, Graeme Cole, | 0:00:56 | 0:00:59 | |
a computer sciences graduate who played the part of weatherman | 0:00:59 | 0:01:02 | |
Ian McCaskill in his school's nativity play. | 0:01:02 | 0:01:05 | |
United by an affection for the alphabet, they are the Verbivores. | 0:01:05 | 0:01:09 | |
Now, you lost your opening game against the Smiths, but you're back | 0:01:09 | 0:01:12 | |
as part of our highest scoring second-place finisher structure. | 0:01:12 | 0:01:16 | |
What's your team been up to since we saw you last? | 0:01:16 | 0:01:19 | |
In our first game we noticed we had inadvertently slipped in a tribute, | 0:01:19 | 0:01:22 | |
a homage to the Star Trek film series in that we were | 0:01:22 | 0:01:25 | |
only really any good at the even-numbered rounds. | 0:01:25 | 0:01:28 | |
So continuing the sci-fi theme, | 0:01:28 | 0:01:29 | |
Tom and I went to the Doctor Who Experience | 0:01:29 | 0:01:32 | |
just down the road from here. | 0:01:32 | 0:01:33 | |
So we're hoping for lots of sequences of missing vowels | 0:01:33 | 0:01:36 | |
questions about Doctor Who. That would be lovely. | 0:01:36 | 0:01:38 | |
We usually have at least nine Doctor Who questions | 0:01:38 | 0:01:40 | |
in every episode, so you'll probably be all right. | 0:01:40 | 0:01:42 | |
This time around you are facing, on my left... | 0:01:42 | 0:01:45 | |
Sean McManus, | 0:01:45 | 0:01:47 | |
a geography graduate who visited a national park in Mozambique | 0:01:47 | 0:01:50 | |
at the same time as East German leader Erich Honecker. | 0:01:50 | 0:01:54 | |
Caroline McManus, an aspiring | 0:01:54 | 0:01:57 | |
politician and former teacher | 0:01:57 | 0:01:58 | |
who is on a mission to visit the grave of every English monarch. | 0:01:58 | 0:02:02 | |
And their captain, Tabitha Osborne, | 0:02:02 | 0:02:05 | |
a junior doctor whose significant collection of penguin memorabilia | 0:02:05 | 0:02:08 | |
was once exhibited at Nottingham Castle. | 0:02:08 | 0:02:11 | |
United by their Guernsey routes, | 0:02:11 | 0:02:13 | |
they are the Channel Islanders. | 0:02:13 | 0:02:14 | |
Tabitha, you lost your first game to the Korfballers, | 0:02:14 | 0:02:17 | |
but you're also back as a sort of lucky loser. | 0:02:17 | 0:02:19 | |
What advice have you given your team-mates? | 0:02:19 | 0:02:22 | |
I've suggested they try and get more right, | 0:02:22 | 0:02:23 | |
I think that will help us. | 0:02:23 | 0:02:25 | |
We've been practising the Wall, so | 0:02:25 | 0:02:27 | |
we'll give it our best shot. | 0:02:27 | 0:02:28 | |
Yes, this is Round sort of 1b, | 0:02:29 | 0:02:32 | |
where the teams get a second chance to win through to Round 2, | 0:02:32 | 0:02:35 | |
and they do that initially by playing Round 1. | 0:02:35 | 0:02:37 | |
With me so far? You won the toss, Channel Islanders, | 0:02:37 | 0:02:41 | |
so you'll be first to choose an Egyptian hieroglyph. | 0:02:41 | 0:02:43 | |
Let's go for Eye of Horus, please. | 0:02:43 | 0:02:46 | |
OK. The first of four clues is going to come up. | 0:02:46 | 0:02:48 | |
They're picture clues, | 0:02:48 | 0:02:49 | |
something connects them, what is it? | 0:02:49 | 0:02:51 | |
Your time starts now. | 0:02:51 | 0:02:53 | |
Next, please. | 0:02:57 | 0:02:58 | |
Daniel Radcliffe. | 0:02:59 | 0:03:01 | |
I don't know any connection. | 0:03:03 | 0:03:05 | |
Next, please. | 0:03:07 | 0:03:09 | |
Alligator, crocodile? | 0:03:09 | 0:03:12 | |
I can't think of a connection | 0:03:15 | 0:03:16 | |
between Khrushchev and Daniel Radcliffe. | 0:03:16 | 0:03:18 | |
We're going to have to see the next, please. | 0:03:18 | 0:03:20 | |
A candle. | 0:03:22 | 0:03:23 | |
No, I can't see it. | 0:03:25 | 0:03:26 | |
Songs! | 0:03:26 | 0:03:27 | |
Three seconds. | 0:03:30 | 0:03:31 | |
BUZZER | 0:03:31 | 0:03:32 | |
-WHISPERING: -Elton John songs? | 0:03:32 | 0:03:35 | |
Yes, Elton John songs. | 0:03:35 | 0:03:37 | |
Is the right answer. | 0:03:37 | 0:03:38 | |
I think it was you that spotted that, Caroline. | 0:03:38 | 0:03:40 | |
What are we looking at? | 0:03:40 | 0:03:41 | |
Well, actually wrongly, I think. | 0:03:41 | 0:03:43 | |
I was thinking about... | 0:03:43 | 0:03:44 | |
Well, obviously, the candle in the wind at the end. | 0:03:45 | 0:03:47 | |
-And Nikita. -But Nikita it is, isn't it? | 0:03:47 | 0:03:49 | |
It's Nikita Khrushchev, | 0:03:49 | 0:03:50 | |
the Russian leader. | 0:03:50 | 0:03:51 | |
Lovely Daniel Radcliffe, | 0:03:51 | 0:03:53 | |
-and a crocodile and a rock. -Oh! | 0:03:53 | 0:03:55 | |
All denoting songs by Elton John. | 0:03:55 | 0:03:57 | |
So well done, you get a point. | 0:03:57 | 0:03:59 | |
And Verbivores, your chance to choose. | 0:03:59 | 0:04:01 | |
Horned Viper, please. | 0:04:01 | 0:04:02 | |
The Horned Viper. | 0:04:02 | 0:04:03 | |
What is the connection between these clues? | 0:04:03 | 0:04:05 | |
Here's the first. | 0:04:05 | 0:04:06 | |
A film, maybe? | 0:04:09 | 0:04:10 | |
I don't think so. | 0:04:10 | 0:04:11 | |
Oh, yeah. | 0:04:12 | 0:04:13 | |
Right, so is it anagrams of prime ministers? | 0:04:13 | 0:04:15 | |
And the year they took office. | 0:04:15 | 0:04:17 | |
Is it worth going for it? | 0:04:17 | 0:04:18 | |
I think so. | 0:04:18 | 0:04:19 | |
BUZZER | 0:04:20 | 0:04:21 | |
Is it anagrams of prime ministers | 0:04:22 | 0:04:24 | |
and the years they took office? | 0:04:24 | 0:04:26 | |
There's horrified sighing | 0:04:26 | 0:04:28 | |
to my left. | 0:04:28 | 0:04:29 | |
It IS anagrams of prime ministers | 0:04:29 | 0:04:31 | |
and the year they took office. | 0:04:31 | 0:04:33 | |
For the first time this series | 0:04:33 | 0:04:34 | |
I can give you five points for | 0:04:34 | 0:04:36 | |
coming in after one clue, very well done. | 0:04:36 | 0:04:39 | |
What are we looking at? | 0:04:39 | 0:04:41 | |
Harold Macmillan is the second one. | 0:04:41 | 0:04:43 | |
David Cameron and Tony Blair. | 0:04:43 | 0:04:45 | |
Yes, I always rather liked that anagram, | 0:04:45 | 0:04:47 | |
was it "I am Tory plan B"? | 0:04:47 | 0:04:50 | |
For Tony Blair. You need "MP". | 0:04:50 | 0:04:52 | |
So it wouldn't work with the others. | 0:04:52 | 0:04:54 | |
You need "Tony Blair, MP." | 0:04:54 | 0:04:55 | |
I think that was a good one. | 0:04:55 | 0:04:56 | |
Anyway, very well done. | 0:04:56 | 0:04:57 | |
Excellent stuff, five points. | 0:04:57 | 0:04:59 | |
Back to you, Channel Islanders, | 0:04:59 | 0:05:00 | |
for a question. | 0:05:00 | 0:05:01 | |
-Water, please. -Water. | 0:05:01 | 0:05:03 | |
What is the connection between these clues? | 0:05:03 | 0:05:05 | |
Here's the first. | 0:05:05 | 0:05:06 | |
Next, please. | 0:05:10 | 0:05:11 | |
Next, please. | 0:05:19 | 0:05:21 | |
Punishments? | 0:05:30 | 0:05:31 | |
Next, please. | 0:05:31 | 0:05:33 | |
Ways in which you can be...? | 0:05:39 | 0:05:41 | |
Three seconds. | 0:05:43 | 0:05:44 | |
BUZZER | 0:05:44 | 0:05:45 | |
Ways in which you can be found | 0:05:47 | 0:05:49 | |
not guilty of an offence? | 0:05:49 | 0:05:51 | |
I'm afraid that's not an | 0:05:53 | 0:05:54 | |
answer I can accept. | 0:05:54 | 0:05:56 | |
So there's a possible bonus chance | 0:05:56 | 0:05:57 | |
for the Verbivores. | 0:05:57 | 0:05:58 | |
I, shall we go with... | 0:05:58 | 0:06:00 | |
Are they things that are normally | 0:06:00 | 0:06:02 | |
written in a different language | 0:06:02 | 0:06:04 | |
in legal...in legal texts? | 0:06:04 | 0:06:07 | |
No, that's not right. | 0:06:07 | 0:06:08 | |
And you're actually looking at | 0:06:08 | 0:06:09 | |
a selection of languages, of course. Cos we've got some Latin in there. | 0:06:09 | 0:06:12 | |
No, where you are unlucky is | 0:06:12 | 0:06:14 | |
they are all verdicts | 0:06:14 | 0:06:15 | |
but not of being not guilty. | 0:06:15 | 0:06:16 | |
Non compos mentis, | 0:06:16 | 0:06:18 | |
that is a not guilty verdict. | 0:06:18 | 0:06:20 | |
That's what we'd now say is | 0:06:20 | 0:06:21 | |
"not guilty by reason of insanity." | 0:06:21 | 0:06:23 | |
But the others, all guilty verdicts. | 0:06:23 | 0:06:25 | |
So no bonus point, Verbivores. | 0:06:25 | 0:06:27 | |
But you may choose a question. | 0:06:27 | 0:06:29 | |
-Twisted Flax, please. -Twisted Flax. | 0:06:29 | 0:06:30 | |
OK. What is the connection between these clues? | 0:06:30 | 0:06:32 | |
Here's the first. | 0:06:32 | 0:06:34 | |
-Minotaur? It could be a lot of things, though. -Yeah. | 0:06:34 | 0:06:38 | |
Next, please. | 0:06:38 | 0:06:39 | |
Labyrinths? | 0:06:43 | 0:06:44 | |
Is the second...? Have you heard the second? | 0:06:45 | 0:06:48 | |
-I don't know the second. -Next, please. | 0:06:48 | 0:06:50 | |
I don't know that. | 0:06:52 | 0:06:53 | |
Frobscottle sounds like Roald Dahl. | 0:06:57 | 0:06:59 | |
Next, please. | 0:06:59 | 0:07:01 | |
Fictional types of beer. | 0:07:04 | 0:07:07 | |
Cos that's the Simpsons. | 0:07:07 | 0:07:08 | |
It could be. | 0:07:08 | 0:07:11 | |
Are these fictional brands of beer? | 0:07:11 | 0:07:13 | |
I'm afraid that is | 0:07:13 | 0:07:15 | |
not the right answer. | 0:07:15 | 0:07:16 | |
So a bonus chance for you now, | 0:07:16 | 0:07:17 | |
Channel Islanders. | 0:07:17 | 0:07:18 | |
Going to go with fictional drinks. | 0:07:18 | 0:07:20 | |
They're fictional drinks, | 0:07:20 | 0:07:21 | |
unfortunately you went too specific. | 0:07:21 | 0:07:23 | |
Moloko Plus is a cocktail, but not beer. | 0:07:23 | 0:07:25 | |
Duff is a beer, that's from what? | 0:07:25 | 0:07:26 | |
-The Simpsons. -That's from the Simpsons. | 0:07:26 | 0:07:28 | |
Frobscottle, anyone know what that's from? | 0:07:28 | 0:07:30 | |
-BFG. -That's from The BFG. | 0:07:30 | 0:07:32 | |
It's a sort of fizzy drink. | 0:07:32 | 0:07:33 | |
And Minotaur, very much not beer, | 0:07:33 | 0:07:34 | |
it's an energy drink in the film | 0:07:34 | 0:07:36 | |
The Role Models, | 0:07:36 | 0:07:38 | |
which is about people who sell | 0:07:38 | 0:07:40 | |
energy drink. | 0:07:40 | 0:07:41 | |
In my experience, beer, | 0:07:41 | 0:07:42 | |
not an energy drink. | 0:07:42 | 0:07:44 | |
So a bonus point to you, | 0:07:44 | 0:07:45 | |
Channel Islanders, | 0:07:45 | 0:07:46 | |
and your chance for a question. | 0:07:46 | 0:07:47 | |
-Two Reeds. -Two Reeds, OK. | 0:07:47 | 0:07:50 | |
It's the music question. | 0:07:50 | 0:07:52 | |
You asked nervously, hoping | 0:07:52 | 0:07:53 | |
it wouldn't be, no doubt. | 0:07:53 | 0:07:54 | |
-I did. -Unlucky, it is. | 0:07:54 | 0:07:56 | |
What connects these clues? | 0:07:56 | 0:07:57 | |
Here's the first. | 0:07:57 | 0:07:58 | |
# See my love through loneliness | 0:07:58 | 0:08:01 | |
# See my love for sorrow. # | 0:08:01 | 0:08:04 | |
Next, please. | 0:08:04 | 0:08:06 | |
# Drink beer with the guys | 0:08:06 | 0:08:08 | |
# And chase after girls. # | 0:08:11 | 0:08:14 | |
OK. | 0:08:14 | 0:08:15 | |
Next, please. | 0:08:15 | 0:08:16 | |
# Yes, I knew my morale would crack | 0:08:16 | 0:08:19 | |
# From the wonderful way you looked | 0:08:19 | 0:08:23 | |
# Boy if I were a duck I'd quack. # | 0:08:23 | 0:08:27 | |
BUZZER | 0:08:28 | 0:08:29 | |
They're all singing about | 0:08:30 | 0:08:32 | |
wishing to be something else. | 0:08:32 | 0:08:34 | |
Tell me a bit more. | 0:08:34 | 0:08:35 | |
So the second one was If I Were a Boy. | 0:08:35 | 0:08:39 | |
First one was Carpenter... | 0:08:39 | 0:08:40 | |
If I Was a Carpenter and you were a lady was first. | 0:08:40 | 0:08:42 | |
And the last lady sang something about being a duck. | 0:08:43 | 0:08:46 | |
But I don't know the song. | 0:08:46 | 0:08:47 | |
I'm going to accept that answer. | 0:08:49 | 0:08:50 | |
Because I'm in a very good mood, | 0:08:50 | 0:08:52 | |
mainly because we had that song | 0:08:52 | 0:08:53 | |
at my wedding. | 0:08:53 | 0:08:54 | |
-If I Were a Bell, from Guys & Dolls. -Aw. | 0:08:54 | 0:08:56 | |
It IS songs about wishing | 0:08:56 | 0:08:58 | |
you were something else. | 0:08:58 | 0:08:59 | |
We've expressed the answer as | 0:08:59 | 0:09:00 | |
the subjunctive. | 0:09:00 | 0:09:01 | |
Because they're all If I Were. | 0:09:01 | 0:09:03 | |
But that is absolutely the point of it, | 0:09:03 | 0:09:05 | |
is they are all wistfully singing, | 0:09:05 | 0:09:06 | |
"If I were something else". | 0:09:06 | 0:09:08 | |
And you didn't need | 0:09:08 | 0:09:09 | |
If I Were a Rich Man, | 0:09:09 | 0:09:10 | |
the hopeful song from | 0:09:10 | 0:09:12 | |
Fiddler on the Roof. | 0:09:12 | 0:09:13 | |
They're songs imagining an alternative world where the singer | 0:09:13 | 0:09:16 | |
is something else. | 0:09:16 | 0:09:18 | |
Verbivores, what would you like? | 0:09:18 | 0:09:20 | |
Let's go with Lion. | 0:09:20 | 0:09:22 | |
Lion. I think that's a very good choice under the circumstances. | 0:09:22 | 0:09:25 | |
What is the connection between these clues? | 0:09:25 | 0:09:28 | |
Here's the first. | 0:09:28 | 0:09:29 | |
Next, please. | 0:09:36 | 0:09:37 | |
Power is... | 0:09:39 | 0:09:41 | |
Is it someone's law? It's not Ohm's law, it's, um... | 0:09:41 | 0:09:43 | |
Next, please. | 0:09:46 | 0:09:47 | |
No, I don't know this. | 0:09:49 | 0:09:51 | |
It's not Anne Hathaway, is it? | 0:09:55 | 0:09:57 | |
No. | 0:09:57 | 0:09:58 | |
Next. | 0:09:58 | 0:09:59 | |
I don't know, I've not got this at all. | 0:10:02 | 0:10:05 | |
Three seconds. | 0:10:05 | 0:10:06 | |
BUZZER | 0:10:08 | 0:10:09 | |
-Go Boyle. -We'll say Boyle. | 0:10:09 | 0:10:11 | |
And why would that be? | 0:10:11 | 0:10:13 | |
So we think it's Boyle's Law, | 0:10:13 | 0:10:14 | |
and is it Danny Boyle? | 0:10:14 | 0:10:15 | |
For the last one? | 0:10:15 | 0:10:17 | |
All eminent Boyles. | 0:10:17 | 0:10:18 | |
That is the right answer. | 0:10:18 | 0:10:20 | |
And you don't know anything | 0:10:20 | 0:10:21 | |
about the other two clues? | 0:10:21 | 0:10:23 | |
Oh, it's Susan Boyle. | 0:10:23 | 0:10:26 | |
Sue Boyle, of course. | 0:10:26 | 0:10:27 | |
Fantine's Solo, that's what Susan Boyle sang, famously, in 2009, | 0:10:27 | 0:10:30 | |
in a sort of moment that stopped | 0:10:30 | 0:10:32 | |
the nation on a reality TV show. | 0:10:32 | 0:10:35 | |
And do you know who the controller | 0:10:35 | 0:10:36 | |
of Radio 4 was on those dates? | 0:10:36 | 0:10:38 | |
-No. -It was James Boyle, | 0:10:38 | 0:10:40 | |
he controversially changed | 0:10:40 | 0:10:42 | |
the broadcast time of The Archers. | 0:10:42 | 0:10:44 | |
I'm sorry to use that language | 0:10:44 | 0:10:45 | |
on this show. But he did that, | 0:10:45 | 0:10:47 | |
people were very shocked. | 0:10:47 | 0:10:48 | |
All eminent Boyles, very well done. | 0:10:48 | 0:10:51 | |
That means at the end of Round 1, | 0:10:51 | 0:10:52 | |
the Channel Islanders have four points, | 0:10:52 | 0:10:54 | |
the Verbivores have six. | 0:10:54 | 0:10:56 | |
Onto the sequences round now, and Channel Islanders, | 0:10:58 | 0:11:01 | |
you'll be first again. | 0:11:01 | 0:11:02 | |
Which hieroglyph would you like? | 0:11:02 | 0:11:04 | |
Water, please. | 0:11:04 | 0:11:05 | |
OK, the water question, | 0:11:05 | 0:11:06 | |
you're going to see the first in a sequence. | 0:11:06 | 0:11:08 | |
I'd like to know what would come fourth. | 0:11:08 | 0:11:10 | |
Your time starts now. | 0:11:10 | 0:11:11 | |
Valentine's Day massacre? | 0:11:14 | 0:11:15 | |
Next, please. | 0:11:17 | 0:11:18 | |
It is, it is. | 0:11:22 | 0:11:23 | |
So what's the fourth? | 0:11:23 | 0:11:25 | |
Any idea? | 0:11:25 | 0:11:27 | |
Next, please. | 0:11:27 | 0:11:28 | |
The Becher's, or the Chair, or the Water Jump? | 0:11:31 | 0:11:34 | |
-I don't know which it is. -I don't know which it is. | 0:11:34 | 0:11:36 | |
We're just going to have to give one of them. | 0:11:36 | 0:11:38 | |
OK, Becher's. | 0:11:41 | 0:11:42 | |
We're going to go for Becher's Brook. | 0:11:45 | 0:11:46 | |
Is the right answer. | 0:11:46 | 0:11:48 | |
Or Becher's, as it's colloquially known. | 0:11:48 | 0:11:50 | |
What are we looking at? | 0:11:50 | 0:11:51 | |
We're looking at jumps on the Grand National. | 0:11:51 | 0:11:53 | |
And there's something else about it. | 0:11:53 | 0:11:55 | |
-It is... -Named after? | 0:11:56 | 0:11:57 | |
No, what it is, gamblers will know, | 0:11:57 | 0:12:00 | |
and that's why I know, it's, | 0:12:00 | 0:12:02 | |
unlike the horses, going backwards. | 0:12:02 | 0:12:04 | |
So you'd actually, I mean they go | 0:12:04 | 0:12:05 | |
around twice in the Grand National | 0:12:05 | 0:12:07 | |
but you'd go over Becher's and then | 0:12:07 | 0:12:08 | |
Foinavon and then the Canal Turn, | 0:12:08 | 0:12:09 | |
and then Valentine's Brook. | 0:12:09 | 0:12:11 | |
over so we're going backwards to the famous one, | 0:12:11 | 0:12:13 | |
Becher's in the last place, there. | 0:12:13 | 0:12:16 | |
Verbivores, what would you like? | 0:12:16 | 0:12:18 | |
Two Reeds, please. Two Reeds. | 0:12:18 | 0:12:20 | |
What would come fourth in this sequence? | 0:12:20 | 0:12:22 | |
Here's the first. | 0:12:22 | 0:12:23 | |
Next, please. | 0:12:27 | 0:12:28 | |
King... King Lear? | 0:12:30 | 0:12:31 | |
It is a sequence, but I don't... | 0:12:33 | 0:12:35 | |
OK, Hamlet's a prince, and then King, | 0:12:35 | 0:12:37 | |
-but I don't know what comes after King! -I don't know. | 0:12:37 | 0:12:39 | |
Next. | 0:12:39 | 0:12:40 | |
Ghosts of? | 0:12:44 | 0:12:46 | |
-No. -No. -Hamlet wasn't a ghost, was he? | 0:12:46 | 0:12:49 | |
Name a character in Hamlet. | 0:12:56 | 0:12:57 | |
Three seconds. | 0:13:00 | 0:13:01 | |
BUZZER | 0:13:02 | 0:13:03 | |
We'll say that... The Sentry? | 0:13:03 | 0:13:06 | |
Not an acceptable answer, | 0:13:07 | 0:13:08 | |
I'm afraid. | 0:13:08 | 0:13:09 | |
So a bonus chance for you, | 0:13:09 | 0:13:10 | |
Channel Islanders. | 0:13:10 | 0:13:11 | |
We're going to guess Son. | 0:13:11 | 0:13:14 | |
That's very much not the case. | 0:13:14 | 0:13:16 | |
The answer is Royal Dane. | 0:13:16 | 0:13:19 | |
Now, you're trying to think of | 0:13:20 | 0:13:21 | |
different characters in Hamlet, aren't you? | 0:13:21 | 0:13:23 | |
Yes, the order in which they appear. | 0:13:23 | 0:13:25 | |
But it's not, | 0:13:25 | 0:13:26 | |
it's all the same character. | 0:13:26 | 0:13:27 | |
-This is all Hamlet's father. -Oh! | 0:13:27 | 0:13:30 | |
It's young Prince Hamlet addressing the ghost. | 0:13:30 | 0:13:32 | |
He doesn't really want to believe | 0:13:32 | 0:13:34 | |
that it is a ghost so he says to it, | 0:13:34 | 0:13:35 | |
"I'll call thee Hamlet, King, | 0:13:35 | 0:13:37 | |
Father, Royal Dane." | 0:13:37 | 0:13:39 | |
All terms of address for the | 0:13:39 | 0:13:41 | |
fearsome ghost that confronts Hamlet | 0:13:41 | 0:13:42 | |
at the beginning of that play. | 0:13:42 | 0:13:44 | |
Channel Islanders, your turn | 0:13:45 | 0:13:46 | |
to choose a question. | 0:13:46 | 0:13:47 | |
-Twisted Flax. -The Twisted Flax. | 0:13:47 | 0:13:49 | |
These are going to be picture clues, | 0:13:49 | 0:13:51 | |
what sort of thing would you expect to see in the fourth picture? | 0:13:51 | 0:13:53 | |
Here's the first. | 0:13:53 | 0:13:54 | |
So that is what's-his-face. | 0:13:55 | 0:13:58 | |
Whose name I can't remember. | 0:13:58 | 0:13:59 | |
Next, please. | 0:13:59 | 0:14:01 | |
-That's Celia? -Yes, but what's her surname? -Was she in...? | 0:14:03 | 0:14:06 | |
I don't know. | 0:14:06 | 0:14:07 | |
Next, please. | 0:14:07 | 0:14:08 | |
Ben Johnson? | 0:14:11 | 0:14:12 | |
She's Celia Johnson. | 0:14:13 | 0:14:15 | |
Are they all Johnsons? | 0:14:15 | 0:14:17 | |
-But we need the next one. -Oh, the fourth one. | 0:14:17 | 0:14:18 | |
-Don Johnson? -D, C, B? So it'll be A. | 0:14:20 | 0:14:24 | |
Amy Johnson. | 0:14:26 | 0:14:27 | |
Would have been an acceptable answer. | 0:14:27 | 0:14:31 | |
We've actually got a picture | 0:14:31 | 0:14:32 | |
of Alan Johnson, MP. | 0:14:32 | 0:14:34 | |
Of whom I'm a big fan, but I can't | 0:14:34 | 0:14:36 | |
quite see him for the dazzle of that | 0:14:36 | 0:14:39 | |
vision next to him. | 0:14:39 | 0:14:41 | |
Magnificent, quite an understated shirt, there, but really, | 0:14:41 | 0:14:43 | |
doesn't he look wonderful? | 0:14:43 | 0:14:46 | |
Now, the question. | 0:14:47 | 0:14:48 | |
Why would Amy Johnson or | 0:14:48 | 0:14:50 | |
Alan Johnson be acceptable? | 0:14:50 | 0:14:52 | |
So they're all surnamed Johnson and we're going back, | 0:14:52 | 0:14:56 | |
so you've got Don Johnson, Celia Johnson, | 0:14:56 | 0:14:58 | |
Ben Johnson and then Amy or Alan Johnson. | 0:14:58 | 0:15:01 | |
That's right. D, C and B Johnson, | 0:15:01 | 0:15:04 | |
and I wanted an A Johnson | 0:15:04 | 0:15:06 | |
at the beginning there. | 0:15:06 | 0:15:07 | |
Verbivores, what would you like? | 0:15:07 | 0:15:08 | |
-Horned Viper, please. -The Horned Viper. | 0:15:08 | 0:15:10 | |
What would come fourth in this sequence? | 0:15:10 | 0:15:12 | |
Here's the first. | 0:15:12 | 0:15:13 | |
Words Of The Year? That was a Word Of The Year. | 0:15:15 | 0:15:18 | |
-But I don't know what's next. -It could be the smiley face emoji. | 0:15:18 | 0:15:21 | |
Yeah, was that the most recent one? | 0:15:21 | 0:15:24 | |
Is it worth going for now? | 0:15:24 | 0:15:25 | |
-Because we're not going to get anything... -Yeah. | 0:15:25 | 0:15:27 | |
-Shall we go for it? -In which order? | 0:15:27 | 0:15:29 | |
-The latest one is the, I'm sure it's the emoji. -Yeah. | 0:15:29 | 0:15:31 | |
BUZZER | 0:15:31 | 0:15:33 | |
Emoji, the smiley face emoji. | 0:15:33 | 0:15:36 | |
Tell me something else. | 0:15:37 | 0:15:39 | |
A picture of a smiley face, | 0:15:39 | 0:15:41 | |
a smiley face emoji. | 0:15:41 | 0:15:43 | |
I'm afraid | 0:15:43 | 0:15:44 | |
I cannot give you the points. | 0:15:44 | 0:15:46 | |
I like it that you've come in after | 0:15:46 | 0:15:47 | |
one clue, but I can't give it to you. | 0:15:47 | 0:15:49 | |
So I'm going to show the next two in the sequence to the | 0:15:49 | 0:15:51 | |
Channel Islanders for a bonus point. | 0:15:51 | 0:15:54 | |
I think it's a colon and a close brackets. | 0:15:54 | 0:15:58 | |
Not it, I'm afraid. Now, Verbivores. | 0:15:58 | 0:16:01 | |
You are so nearly right, it breaks my heart. | 0:16:01 | 0:16:04 | |
You are right, it is the | 0:16:04 | 0:16:05 | |
Oxford Dictionary's Word Of The Year, | 0:16:05 | 0:16:07 | |
going forward towards 2015. | 0:16:07 | 0:16:09 | |
It was an emoji. | 0:16:09 | 0:16:10 | |
Is it the crying laughing one? | 0:16:10 | 0:16:11 | |
It was the crying face! | 0:16:11 | 0:16:13 | |
It was the crying and laughing. | 0:16:13 | 0:16:15 | |
And it's very important which one because of course they deliberated | 0:16:15 | 0:16:18 | |
which one, what is the most widely used. | 0:16:18 | 0:16:20 | |
And it is this. | 0:16:20 | 0:16:21 | |
So two things are going on. | 0:16:21 | 0:16:22 | |
Recognising the sequence and also | 0:16:22 | 0:16:24 | |
what is the emoji that they decided | 0:16:24 | 0:16:26 | |
fully represented what people were up to that year, | 0:16:26 | 0:16:29 | |
and it was the crying face. | 0:16:29 | 0:16:30 | |
Nearly brilliant, but not quite. | 0:16:30 | 0:16:33 | |
Channel Islanders, what would you like? | 0:16:33 | 0:16:35 | |
We'll go for Lion, please. | 0:16:35 | 0:16:37 | |
Lion, OK. | 0:16:37 | 0:16:38 | |
What would come fourth in this sequence? | 0:16:38 | 0:16:40 | |
Here's the first. | 0:16:40 | 0:16:41 | |
Next. | 0:16:43 | 0:16:45 | |
Next, please. | 0:16:50 | 0:16:52 | |
OK. | 0:16:55 | 0:16:56 | |
You can't have 5teen. | 0:17:12 | 0:17:15 | |
-Yes, you're right. -Yeah. It's 18. | 0:17:15 | 0:17:17 | |
BUZZER | 0:17:17 | 0:17:18 | |
But need to say 8. | 0:17:18 | 0:17:20 | |
So I'm going to go for 18, "8 E-E-N". | 0:17:20 | 0:17:25 | |
I'm afraid that is not the answer. | 0:17:25 | 0:17:27 | |
So a bonus chance for you now, Verbivores. | 0:17:27 | 0:17:29 | |
We'll have to go for a number 9 followed by the word "teen". | 0:17:29 | 0:17:32 | |
...Is the right answer. | 0:17:32 | 0:17:34 | |
Are you only saying that because it isn't 18, so it must be 19? | 0:17:34 | 0:17:36 | |
We were going to go with 18 until they went 18, yeah. | 0:17:36 | 0:17:39 | |
So we got a bit lucky there. | 0:17:39 | 0:17:40 | |
Now, I would have thought your team | 0:17:40 | 0:17:41 | |
would get this one, because | 0:17:41 | 0:17:42 | |
it is a word question. | 0:17:42 | 0:17:44 | |
Obviously we've jumped over 15, | 0:17:44 | 0:17:46 | |
so it isn't just sequential. | 0:17:46 | 0:17:47 | |
These are the numbers where you can | 0:17:47 | 0:17:49 | |
put the whole original number | 0:17:49 | 0:17:52 | |
-before the word "teen". -Yeah. | 0:17:52 | 0:17:53 | |
So for 18 you drop a T. | 0:17:53 | 0:17:54 | |
But the connection here is that | 0:17:54 | 0:17:57 | |
you're adding "teen" to the original | 0:17:57 | 0:17:58 | |
numbers. You can't do it with eight, | 0:17:58 | 0:18:00 | |
but you can with nine. | 0:18:00 | 0:18:02 | |
You get a bonus point, well done. | 0:18:02 | 0:18:03 | |
And you get the last question of the round, | 0:18:03 | 0:18:05 | |
the Eye of Horus. | 0:18:05 | 0:18:07 | |
What will come fourth in this sequence? | 0:18:07 | 0:18:08 | |
Here's the first. | 0:18:08 | 0:18:09 | |
-Yeah, next! -Next, please. | 0:18:11 | 0:18:12 | |
Coke? | 0:18:14 | 0:18:16 | |
Coke Zero, Coke...Diet Coke. | 0:18:16 | 0:18:17 | |
But what's the sequence? | 0:18:18 | 0:18:19 | |
It's not Pepsi Zero, is it? | 0:18:19 | 0:18:22 | |
It's definitely Coke Zero. | 0:18:22 | 0:18:24 | |
Is it just going to be normal Coke? | 0:18:25 | 0:18:26 | |
Or is it Max? Is it normal then Max? | 0:18:26 | 0:18:28 | |
They don't do Max Coke, or something? | 0:18:28 | 0:18:30 | |
No, it's Pepsi Max, isn't it? | 0:18:30 | 0:18:31 | |
Yeah, but is there something extra for Coke? | 0:18:31 | 0:18:34 | |
-Shall we go next? -Next. | 0:18:37 | 0:18:39 | |
Life. OK. | 0:18:40 | 0:18:41 | |
So we could put Max. | 0:18:41 | 0:18:44 | |
You what? | 0:18:44 | 0:18:45 | |
Three seconds. | 0:18:46 | 0:18:48 | |
BUZZER | 0:18:49 | 0:18:50 | |
Max? | 0:18:51 | 0:18:52 | |
Not the answer, I'm afraid. | 0:18:52 | 0:18:53 | |
So bonus chance for you now, | 0:18:53 | 0:18:55 | |
Channel Islanders? | 0:18:55 | 0:18:56 | |
Just Coca-Cola? | 0:18:57 | 0:18:58 | |
What do you mean by that? | 0:18:59 | 0:19:00 | |
As in a full sugar version of Coca-Cola. | 0:19:00 | 0:19:03 | |
Is the right answer. | 0:19:03 | 0:19:04 | |
Just an Original Coca-Cola. | 0:19:04 | 0:19:06 | |
What is the sequence? | 0:19:06 | 0:19:07 | |
So I think it's the amount of sugar that's in them. | 0:19:07 | 0:19:10 | |
No, it's not sugar, but calories. | 0:19:10 | 0:19:13 | |
-Right. -Calories. So Coke Zero, | 0:19:13 | 0:19:15 | |
legally, it actually could | 0:19:15 | 0:19:16 | |
have up to four calories, | 0:19:16 | 0:19:18 | |
but at the moment it's supposed to | 0:19:18 | 0:19:19 | |
have zero. And then Diet Coke | 0:19:19 | 0:19:20 | |
could have one calorie, | 0:19:20 | 0:19:22 | |
Coke Life 89 calories, | 0:19:22 | 0:19:24 | |
and going up by calorific content, | 0:19:24 | 0:19:26 | |
Original Coke, 139 calories. | 0:19:26 | 0:19:28 | |
Doesn't sound like that much, does it? | 0:19:28 | 0:19:30 | |
Practically a health drink. | 0:19:30 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:32 | |
But the sugar, there is an awful lot of sugar. | 0:19:32 | 0:19:35 | |
That means at the end of Round 2, | 0:19:36 | 0:19:38 | |
the Verbivores have seven points, | 0:19:38 | 0:19:40 | |
the Channel Islanders have nine. | 0:19:40 | 0:19:41 | |
It's the Connecting Wall round, and the Verbivores' turn to go first | 0:19:44 | 0:19:48 | |
this time. So you have a choice, Lion or Water? | 0:19:48 | 0:19:50 | |
-Water, please. -OK, the Water Wall. | 0:19:50 | 0:19:52 | |
Two and a half minutes to solve it as usual. | 0:19:52 | 0:19:55 | |
And that starts now. | 0:19:55 | 0:19:56 | |
Tartare, is that steak tartare, tartare sauce? | 0:19:58 | 0:20:00 | |
Steak Diane. | 0:20:00 | 0:20:02 | |
Salisbury, that's a steak, isn't it? | 0:20:02 | 0:20:03 | |
-Chateaubriand? -Let's try those four. | 0:20:03 | 0:20:05 | |
There must be another one. | 0:20:05 | 0:20:08 | |
-Steak renton, is that a thing? -I don't know. | 0:20:08 | 0:20:10 | |
We'll try it. Begbie sounds very steaky, doesn't it? | 0:20:10 | 0:20:14 | |
BB gun, machine gun. | 0:20:21 | 0:20:23 | |
Well done, yeah. Flare gun. | 0:20:23 | 0:20:24 | |
And field or spud gun. | 0:20:24 | 0:20:26 | |
Spud gun, OK. | 0:20:26 | 0:20:28 | |
That's one. | 0:20:29 | 0:20:31 | |
I think we should go back to the steaks. | 0:20:31 | 0:20:33 | |
Angel of the North, Another Place, Quantum Cloud, all sound sculpturey. | 0:20:33 | 0:20:38 | |
-Sick Boy? -We'll try that. | 0:20:38 | 0:20:39 | |
Carpetbag? | 0:20:42 | 0:20:44 | |
We were almost there with the steaks, I'm sure. | 0:20:44 | 0:20:47 | |
Steak tartare, steak Diane, Salisbury steak. | 0:20:47 | 0:20:50 | |
I think we were having a go with Begbie, weren't we? | 0:20:52 | 0:20:54 | |
Let's do Chateaubriand, we'll start with that. | 0:20:54 | 0:20:58 | |
I must have done them all. OK, so. | 0:21:06 | 0:21:10 | |
You've got a minute left. | 0:21:11 | 0:21:13 | |
I wouldn't name a steak Sick Boy, either. | 0:21:18 | 0:21:20 | |
Salisbury was one. | 0:21:20 | 0:21:22 | |
Those are the four we did originally. | 0:21:22 | 0:21:24 | |
That one, that one and that one? | 0:21:26 | 0:21:28 | |
Yeah, shall we try...? | 0:21:28 | 0:21:30 | |
Is there another one? | 0:21:30 | 0:21:32 | |
That one. | 0:21:34 | 0:21:35 | |
Field? | 0:21:35 | 0:21:37 | |
OK, field... Field Marshal? | 0:21:37 | 0:21:41 | |
Field... Field... | 0:21:41 | 0:21:43 | |
This is going to annoy me now. | 0:21:46 | 0:21:48 | |
That's also the third time I've tried those four. | 0:21:48 | 0:21:50 | |
OK, so let's try... | 0:21:50 | 0:21:52 | |
There it is! | 0:21:53 | 0:21:54 | |
Three strikes now. | 0:21:55 | 0:21:57 | |
Ten seconds. | 0:22:01 | 0:22:02 | |
That one. | 0:22:05 | 0:22:06 | |
Go on. Pick one. | 0:22:06 | 0:22:07 | |
No, that's it. That's your three goes, and the Wall has frozen. | 0:22:08 | 0:22:11 | |
But you found two groups. | 0:22:11 | 0:22:12 | |
What about the connections? | 0:22:12 | 0:22:14 | |
Spud, BB, machine, flare. | 0:22:14 | 0:22:17 | |
-Types of gun. -You can put "gun" after all of them. | 0:22:17 | 0:22:19 | |
The green group. Tartare, carpetbag, Salisbury, Chateaubriand. | 0:22:19 | 0:22:23 | |
-Steak. -Those are the steaks. | 0:22:23 | 0:22:25 | |
And you can still get points for the connections in the groups you | 0:22:25 | 0:22:27 | |
didn't find. So let's resolve the wall. | 0:22:27 | 0:22:29 | |
There you go. | 0:22:29 | 0:22:30 | |
Diane, Sick Boy, Renton, Begbie. | 0:22:30 | 0:22:33 | |
Any ideas? Grand National winners. | 0:22:33 | 0:22:35 | |
I think they would not stand much chance in the Grand National. | 0:22:37 | 0:22:40 | |
I enjoyed hearing you talk about the steak Begbie. | 0:22:40 | 0:22:42 | |
Which I imagine is a steak | 0:22:42 | 0:22:44 | |
covered in heroin. | 0:22:44 | 0:22:46 | |
-They're characters from Trainspotting. -Oh! | 0:22:46 | 0:22:47 | |
The Irvine Welsh novel. Yes, delicious steak Begbie, | 0:22:47 | 0:22:50 | |
I'll be having one of those later. | 0:22:50 | 0:22:52 | |
And the last group, Angel of the North, Quantum Cloud, | 0:22:52 | 0:22:55 | |
Another Place, Field. | 0:22:55 | 0:22:57 | |
They were the sculptures. | 0:22:57 | 0:22:58 | |
-Antony Gormley? -Big, public... | 0:23:00 | 0:23:01 | |
By Antony Gormley. | 0:23:01 | 0:23:02 | |
They are sculptures by Antony Gormley. | 0:23:02 | 0:23:05 | |
So two points for the groups you found | 0:23:05 | 0:23:06 | |
and three for the connections, that's a total of five. | 0:23:06 | 0:23:09 | |
We'll bring back the Channel Islanders now and give them | 0:23:09 | 0:23:11 | |
a different Connecting Wall and see what they can do about solving it. | 0:23:11 | 0:23:14 | |
It'll be the Lion Wall for you, Islanders, | 0:23:14 | 0:23:16 | |
cos the Water has been taken. | 0:23:16 | 0:23:17 | |
You've got two and a half minutes, starting now. | 0:23:17 | 0:23:21 | |
So Cornet, let's see... | 0:23:23 | 0:23:25 | |
Sackbut, maybe? | 0:23:29 | 0:23:30 | |
Not heard of any of them. | 0:23:32 | 0:23:34 | |
-Genting? -Try it, because I think, bugle, clarion, sackbut and cornet. | 0:23:35 | 0:23:41 | |
Cornet? | 0:23:41 | 0:23:42 | |
Recorder? | 0:23:42 | 0:23:43 | |
Echo, Clarion, Herald, Chronicle. | 0:23:45 | 0:23:48 | |
Those are newspapers. | 0:23:48 | 0:23:49 | |
Echo, Clarion, bit all over the place. | 0:23:49 | 0:23:52 | |
I'm going to stick with five. You keep looking. | 0:23:55 | 0:23:57 | |
OK, we've got that one. | 0:23:57 | 0:23:59 | |
So we've now we've got the musical instruments. | 0:23:59 | 0:24:02 | |
Cornet, bugle, clarion, sackbut. | 0:24:02 | 0:24:05 | |
-What was the other one? -Serpent. | 0:24:05 | 0:24:07 | |
Is that one, yeah? | 0:24:07 | 0:24:09 | |
It's an old one. Go with old. | 0:24:11 | 0:24:13 | |
What's O2? How is O2 going with Hydro? | 0:24:15 | 0:24:17 | |
Three strikes and you're out, now. | 0:24:17 | 0:24:19 | |
O2, Oxygen? Oh, they're... | 0:24:19 | 0:24:21 | |
Hang on. | 0:24:23 | 0:24:24 | |
O2 and Hydro are both arenas, I think. | 0:24:24 | 0:24:26 | |
The Odyssey could well be. | 0:24:26 | 0:24:28 | |
So that's those three. | 0:24:28 | 0:24:29 | |
And then you've got Mousehole, | 0:24:29 | 0:24:32 | |
Redruth and maybe Par, do we think could be a Cornish town? | 0:24:32 | 0:24:35 | |
We've done that, I think. | 0:24:35 | 0:24:37 | |
Par, Genting, Mousehole, Redruth. | 0:24:37 | 0:24:39 | |
I tend to think maybe Genting, | 0:24:41 | 0:24:42 | |
cos that could be a brand or something. | 0:24:42 | 0:24:44 | |
-Try it, then. Go on, we can risk one. -Risk it? -Yeah. | 0:24:44 | 0:24:47 | |
That's it, you've solved the Wall, very well done! | 0:24:47 | 0:24:50 | |
What about the connections? | 0:24:50 | 0:24:51 | |
First group, Herald, Recorder, Chronicle, Echo. | 0:24:51 | 0:24:55 | |
I think they're all newspapers. | 0:24:55 | 0:24:57 | |
Local newspapers have those names. | 0:24:57 | 0:25:00 | |
The green group, Serpent, Cornet, Clarion, Sackbut. | 0:25:00 | 0:25:04 | |
We think they're musical instruments. | 0:25:04 | 0:25:07 | |
-Old musical instruments. -Brass instruments. | 0:25:07 | 0:25:09 | |
They're brass instruments. | 0:25:09 | 0:25:10 | |
That's absolutely right, | 0:25:10 | 0:25:11 | |
brass instruments. | 0:25:11 | 0:25:13 | |
The next group, O2 and so forth, what are they? | 0:25:13 | 0:25:16 | |
I think they're arenas or music venues? | 0:25:16 | 0:25:18 | |
They're UK arenas, that's right. | 0:25:18 | 0:25:20 | |
The Genting Arena is in Birmingham, | 0:25:20 | 0:25:22 | |
part of a big complex in Birmingham. | 0:25:22 | 0:25:23 | |
The Odyssey in Belfast, all UK arenas. | 0:25:23 | 0:25:26 | |
And the last group, starting Bugle. | 0:25:26 | 0:25:29 | |
We think they're Cornish towns. | 0:25:30 | 0:25:31 | |
They're places in Cornwall. | 0:25:31 | 0:25:33 | |
That's it. So you've found all the groups, | 0:25:33 | 0:25:34 | |
you told me all the connections, that is a maximum of ten points. | 0:25:34 | 0:25:37 | |
-Well done. -Thank you very much. | 0:25:37 | 0:25:38 | |
Let's have a look at the overall scores. | 0:25:38 | 0:25:40 | |
The Verbivores have 12 points, the Channel Islanders have 19. | 0:25:41 | 0:25:45 | |
Now it's time for the Missing Vowels round, which will decide who goes | 0:25:47 | 0:25:51 | |
through to Round 2 and who goes home. | 0:25:51 | 0:25:53 | |
So fingers on buzzers, teams. | 0:25:53 | 0:25:55 | |
I can tell you that the first group | 0:25:55 | 0:25:57 | |
are all things found on a curriculum vitae. | 0:25:57 | 0:26:01 | |
BUZZER | 0:26:03 | 0:26:04 | |
-Verbivores. -Work experience. | 0:26:04 | 0:26:06 | |
Correct. | 0:26:06 | 0:26:07 | |
BUZZER | 0:26:08 | 0:26:09 | |
-Verbivores. -References. | 0:26:09 | 0:26:10 | |
Correct. | 0:26:10 | 0:26:11 | |
BUZZER Verbivores. | 0:26:14 | 0:26:16 | |
Education and qualifications. | 0:26:16 | 0:26:17 | |
Correct. | 0:26:17 | 0:26:18 | |
BUZZER | 0:26:20 | 0:26:21 | |
-Verbivores. -Additional skills. | 0:26:21 | 0:26:22 | |
Correct. Next category, | 0:26:22 | 0:26:24 | |
things that are said to help you fall asleep. | 0:26:24 | 0:26:26 | |
BUZZER Verbivores. | 0:26:28 | 0:26:29 | |
-Count sheep. -Correct. | 0:26:29 | 0:26:30 | |
BUZZER Verbivores. | 0:26:33 | 0:26:34 | |
-Drink hot chocolate. -Correct. | 0:26:34 | 0:26:35 | |
BUZZER Verbivores. | 0:26:38 | 0:26:40 | |
-Avoid blue light. -Correct. | 0:26:40 | 0:26:41 | |
BUZZER Channel Islanders. | 0:26:44 | 0:26:46 | |
Take sleeping pill. | 0:26:46 | 0:26:47 | |
Correct. Next category, | 0:26:47 | 0:26:49 | |
BUZZER Channel Islanders. | 0:26:54 | 0:26:55 | |
Snoopy and Charlie Brown. | 0:26:55 | 0:26:56 | |
Correct. | 0:26:56 | 0:26:57 | |
BUZZER Verbivores. | 0:26:59 | 0:27:00 | |
Scooby-Doo and Shaggy. | 0:27:00 | 0:27:01 | |
Correct. | 0:27:01 | 0:27:02 | |
BUZZER Verbivores. | 0:27:04 | 0:27:05 | |
-Dogbert and Dilbert. -Correct. | 0:27:05 | 0:27:07 | |
BUZZER | 0:27:11 | 0:27:12 | |
-Santa... -Verbivores. | 0:27:12 | 0:27:13 | |
Santa's Little Helper and The Simpsons. | 0:27:13 | 0:27:15 | |
Correct. Next category, | 0:27:15 | 0:27:16 | |
BUZZER Channel Islanders. | 0:27:19 | 0:27:21 | |
-Cheese. -Correct. | 0:27:21 | 0:27:22 | |
BUZZER Verbivores. | 0:27:24 | 0:27:26 | |
-Iron. -Correct. | 0:27:26 | 0:27:27 | |
END OF ROUND MUSIC | 0:27:29 | 0:27:31 | |
No time to give me that answer, | 0:27:32 | 0:27:34 | |
which is "scare", because the bell | 0:27:34 | 0:27:36 | |
has gone for the end of the quiz. | 0:27:36 | 0:27:38 | |
And looking at the final scores after a heated Round 4, | 0:27:38 | 0:27:42 | |
I can tell you that the winners, with 23 points, | 0:27:42 | 0:27:45 | |
and through to the next round | 0:27:45 | 0:27:46 | |
are the Verbivores. | 0:27:46 | 0:27:48 | |
What a catch up in that round. | 0:27:48 | 0:27:50 | |
Channel Islanders, you've finished | 0:27:50 | 0:27:52 | |
with a brilliant 22 points. | 0:27:52 | 0:27:54 | |
Just one behind. | 0:27:54 | 0:27:56 | |
Really unlucky. You led all the way | 0:27:56 | 0:27:58 | |
but the wordy skills of your opponents just pipped you there. | 0:27:58 | 0:28:01 | |
Thank you very much for playing. | 0:28:01 | 0:28:04 | |
Thank you for watching, and see you next week. | 0:28:04 | 0:28:06 | |
That is, unless you're part of some future reptilian super race that's | 0:28:06 | 0:28:10 | |
ruled the Earth for millions of years and are watching the show | 0:28:10 | 0:28:13 | |
because it's been found preserved for eternity | 0:28:13 | 0:28:16 | |
on Betamax in a peat bog, perhaps thanks to some enthusiast | 0:28:16 | 0:28:19 | |
for that ill-fated tape technology who lived in a peat bog. | 0:28:19 | 0:28:22 | |
In which case, we won't see you next week and you probably don't | 0:28:22 | 0:28:25 | |
understand what I'm saying. | 0:28:25 | 0:28:26 | |
But thanks for watching anyway and do have a look at the website if | 0:28:26 | 0:28:29 | |
it's still there. Goodbye. | 0:28:29 | 0:28:31 |