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I'm going to begin tonight with an apology to Joanna Lumley. | 0:00:21 | 0:00:25 | |
I won't say why. | 0:00:25 | 0:00:26 | |
The agreement was that the apology be as brief as possible, | 0:00:26 | 0:00:29 | |
lest an extended reference to Joanna Lumley | 0:00:29 | 0:00:32 | |
reignite those synapses in our question editor's brain | 0:00:32 | 0:00:36 | |
that have been so agonisingly and expensively | 0:00:36 | 0:00:39 | |
rendered dormant by order of the court. | 0:00:39 | 0:00:42 | |
Miss Lumley, we're sorry, | 0:00:42 | 0:00:45 | |
but, thankfully, it was | 0:00:45 | 0:00:46 | |
only squirty cream, whatever it looked like. | 0:00:46 | 0:00:49 | |
On my right, Nina Grant, | 0:00:50 | 0:00:53 | |
a postgraduate student who has a | 0:00:53 | 0:00:55 | |
tattoo of her favourite extinct bird, the great auk. | 0:00:55 | 0:00:59 | |
Katie McGettigan, a university research fellow who, | 0:00:59 | 0:01:02 | |
as a former employee of a mobile phone shop, | 0:01:02 | 0:01:05 | |
witnessed Judi Dench trying to reclaim | 0:01:05 | 0:01:08 | |
her lost James Bond ringtone. | 0:01:08 | 0:01:10 | |
And their captain - Jenny Harris, a PhD student | 0:01:11 | 0:01:14 | |
and keen choral singer, | 0:01:14 | 0:01:16 | |
who once attended an Ancient Greek summer school. | 0:01:16 | 0:01:19 | |
United by a passion for poetry, they are the Part-time Poets. | 0:01:19 | 0:01:22 | |
Now, you won your opening heat against the Oscar Men. | 0:01:22 | 0:01:25 | |
How are you feeling about tonight's game? | 0:01:25 | 0:01:27 | |
We're feeling good, confident, ready to make some connections. | 0:01:27 | 0:01:30 | |
Let's see who you're facing this time around. | 0:01:30 | 0:01:32 | |
It is, on my left, Jeremy Partington, | 0:01:32 | 0:01:35 | |
a geography graduate and former archive assistant, | 0:01:35 | 0:01:38 | |
who painted a sports hall at Dracula's birthplace. | 0:01:38 | 0:01:42 | |
Chris James, | 0:01:42 | 0:01:44 | |
a software developer who once opened a bottle of beer for Bob Mortimer | 0:01:44 | 0:01:47 | |
with his teeth. And their captain - Jonathan Carter, | 0:01:47 | 0:01:51 | |
a former criminal barrister | 0:01:51 | 0:01:53 | |
who has written a short comedy play about the law of murder. | 0:01:53 | 0:01:57 | |
United by a love of asparagus, fish, wheel, they are the Surrealists. | 0:01:57 | 0:02:02 | |
Now, you won your opening heat against the Genealogists. | 0:02:02 | 0:02:05 | |
What do you think are your team's strengths? | 0:02:05 | 0:02:07 | |
I think we are reasonably confident on closed railway stations, | 0:02:07 | 0:02:10 | |
'80s sitcoms and the poems of John Cooper Clarke. | 0:02:10 | 0:02:13 | |
All of which could be coming up. | 0:02:13 | 0:02:15 | |
But we won't find out whether they are or not unless we play Round One. | 0:02:15 | 0:02:18 | |
What is the connection between four apparently random clues? | 0:02:18 | 0:02:20 | |
Part-Time Poets, you won the toss - | 0:02:20 | 0:02:22 | |
you'll be going first. | 0:02:22 | 0:02:24 | |
Which hieroglyph would you like? | 0:02:24 | 0:02:26 | |
The Eye of Horus, please. | 0:02:26 | 0:02:27 | |
The Eye of Horus. | 0:02:27 | 0:02:28 | |
That will be the first question | 0:02:28 | 0:02:30 | |
of the game. | 0:02:30 | 0:02:31 | |
Your first clue coming up now. | 0:02:31 | 0:02:32 | |
Pink Pinky. Next, please. | 0:02:34 | 0:02:37 | |
Orange Clyde. | 0:02:38 | 0:02:40 | |
Oh, are they... | 0:02:40 | 0:02:42 | |
Is this like Reservoir Dogs? | 0:02:44 | 0:02:45 | |
I'm half thinking, but maybe another one. | 0:02:45 | 0:02:48 | |
Next, please. No. | 0:02:48 | 0:02:50 | |
Oh, no, no. | 0:02:50 | 0:02:51 | |
Oh, it's the Pac-Man... | 0:02:51 | 0:02:53 | |
-Oh. -Ghosts, isn't it? | 0:02:53 | 0:02:54 | |
-Names of Pac-Man ghosts. -Yeah. OK. | 0:02:54 | 0:02:56 | |
And the colours. | 0:02:56 | 0:02:57 | |
-Yeah. -Names and colours | 0:02:57 | 0:02:58 | |
of the Pac-Man ghosts. | 0:02:58 | 0:03:00 | |
Names and colours | 0:03:00 | 0:03:01 | |
of the Pac-Man ghosts. | 0:03:01 | 0:03:03 | |
Almost certainly an inspiration for | 0:03:03 | 0:03:04 | |
Reservoir Dogs, | 0:03:04 | 0:03:06 | |
it is the Pac-Man ghosts. | 0:03:06 | 0:03:08 | |
You didn't need to see | 0:03:08 | 0:03:09 | |
Cyan Inky at the end there. | 0:03:09 | 0:03:11 | |
-Yeah. -We once did one of our charity | 0:03:11 | 0:03:13 | |
episodes with Charlie Brooker, | 0:03:13 | 0:03:15 | |
we had a Pac-Man question, | 0:03:15 | 0:03:16 | |
he got it so quickly, the first clue | 0:03:16 | 0:03:18 | |
hadn't even come up. | 0:03:18 | 0:03:19 | |
"Is it Pac-Man?" he shouted, | 0:03:19 | 0:03:21 | |
as I said, "Here's your first clue." | 0:03:21 | 0:03:23 | |
Very well done - | 0:03:23 | 0:03:24 | |
they are Pac-Man ghosts. | 0:03:24 | 0:03:26 | |
Surrealists, what would you like? | 0:03:26 | 0:03:28 | |
-Lion, please. -Lion. | 0:03:28 | 0:03:30 | |
What is the connection | 0:03:30 | 0:03:31 | |
between these clues? | 0:03:31 | 0:03:32 | |
Here's the first. | 0:03:32 | 0:03:33 | |
Next, please. | 0:03:36 | 0:03:37 | |
John Terry's the footballer. | 0:03:45 | 0:03:46 | |
Is this captains? Captains? | 0:03:46 | 0:03:48 | |
Next, please. | 0:03:48 | 0:03:50 | |
-Next, please. -Protector of... | 0:04:01 | 0:04:05 | |
-Defence. Protect. -Yeah. | 0:04:05 | 0:04:08 | |
Defender, defender. | 0:04:08 | 0:04:10 | |
Defender. | 0:04:10 | 0:04:11 | |
Defender is the word you want. | 0:04:11 | 0:04:14 | |
Defender of the... | 0:04:14 | 0:04:16 | |
Talk me through the clues. | 0:04:16 | 0:04:17 | |
Well, the British monarch is | 0:04:17 | 0:04:19 | |
defender of the faith. | 0:04:19 | 0:04:21 | |
Flash Gordon... | 0:04:21 | 0:04:22 | |
Had 14 hours to save the Earth, | 0:04:22 | 0:04:25 | |
so he was defender of that. | 0:04:25 | 0:04:26 | |
Yes, one of the defenders of | 0:04:26 | 0:04:27 | |
the Earth - there were several of | 0:04:27 | 0:04:28 | |
them, yeah. | 0:04:28 | 0:04:29 | |
I'd guess John Terry must have won | 0:04:29 | 0:04:31 | |
Defender of the Year in those years. | 0:04:31 | 0:04:32 | |
Three-time UEFA | 0:04:32 | 0:04:33 | |
Defender of the Year. | 0:04:33 | 0:04:34 | |
Seems like a nice guy, doesn't he, | 0:04:34 | 0:04:36 | |
John Terry? I'm happy for him. | 0:04:36 | 0:04:38 | |
And the first one? | 0:04:38 | 0:04:39 | |
-No. -It's a sort of 14th-century | 0:04:41 | 0:04:43 | |
political treatise. | 0:04:43 | 0:04:45 | |
Marsilius of Padua, | 0:04:45 | 0:04:46 | |
Defender of the Peace. | 0:04:46 | 0:04:48 | |
So well done, you get a point. | 0:04:48 | 0:04:49 | |
And back to you, | 0:04:49 | 0:04:51 | |
Part-Time Poets, for a choice. | 0:04:51 | 0:04:52 | |
Can we have Water please? | 0:04:52 | 0:04:53 | |
You certainly can. What is the | 0:04:53 | 0:04:55 | |
connection between these clues? | 0:04:55 | 0:04:57 | |
Here's the first. | 0:04:57 | 0:04:59 | |
Did he play... | 0:05:01 | 0:05:02 | |
Guitar on Roll With It? | 0:05:02 | 0:05:04 | |
OK, next please. | 0:05:04 | 0:05:05 | |
-Mimed. -Maybe it's miming in videos. | 0:05:09 | 0:05:11 | |
But I wouldn't want to jump... No, | 0:05:11 | 0:05:13 | |
because in videos they usually mime. | 0:05:13 | 0:05:15 | |
They always mime in videos. | 0:05:15 | 0:05:16 | |
I don't know if he actually played | 0:05:16 | 0:05:17 | |
the guitar in that track. | 0:05:17 | 0:05:18 | |
Somebody else might have played it. | 0:05:18 | 0:05:20 | |
They mimed doing it in the video? | 0:05:20 | 0:05:21 | |
Maybe we should have another one. | 0:05:21 | 0:05:23 | |
Yeah, next please. | 0:05:23 | 0:05:24 | |
Yes, he did do that. | 0:05:25 | 0:05:26 | |
So he mimed it on the video | 0:05:26 | 0:05:27 | |
but he didn't play on the record. | 0:05:27 | 0:05:29 | |
OK. | 0:05:29 | 0:05:30 | |
They mimed it on the video, but they | 0:05:30 | 0:05:32 | |
didn't play it on the track. | 0:05:32 | 0:05:34 | |
Tell me something else. | 0:05:35 | 0:05:38 | |
Erm... | 0:05:38 | 0:05:40 | |
I'm going to give you another go. | 0:05:40 | 0:05:42 | |
Are they credited with it, too? | 0:05:42 | 0:05:45 | |
Or are they not featured | 0:05:45 | 0:05:46 | |
on the track at all? | 0:05:46 | 0:05:47 | |
I can't take it, I'm afraid. | 0:05:47 | 0:05:48 | |
So I'm going to throw it over to | 0:05:48 | 0:05:50 | |
the Surrealists for a possible bonus | 0:05:50 | 0:05:51 | |
-point. -So, it was all on... | 0:05:51 | 0:05:53 | |
Top Of The Pops. | 0:05:53 | 0:05:55 | |
It was all on Top Of The Pops | 0:05:55 | 0:05:57 | |
that they were miming. | 0:05:57 | 0:05:58 | |
It is about Top Of The Pops. | 0:05:58 | 0:06:00 | |
Because on all pop videos there is | 0:06:00 | 0:06:02 | |
some mime and some singing. | 0:06:02 | 0:06:04 | |
It's not really a commonality. | 0:06:04 | 0:06:06 | |
The thing is that when they appeared | 0:06:06 | 0:06:08 | |
on Top Of The Pops, | 0:06:08 | 0:06:09 | |
where they're supposed to be singing | 0:06:09 | 0:06:10 | |
live, they were miming. | 0:06:10 | 0:06:12 | |
Can you tell me anything about | 0:06:12 | 0:06:13 | |
the particular clues? | 0:06:13 | 0:06:15 | |
I can remember John... I've seen the | 0:06:15 | 0:06:16 | |
thing of John Peel playing mandolin | 0:06:16 | 0:06:18 | |
-on Maggie May. -That's right. | 0:06:18 | 0:06:19 | |
Rod Stewart just invited him | 0:06:19 | 0:06:20 | |
to come on and do it. | 0:06:20 | 0:06:22 | |
That was for fun. The last one, | 0:06:22 | 0:06:24 | |
All About Eve were the performers, | 0:06:24 | 0:06:26 | |
and they just couldn't hear it. | 0:06:26 | 0:06:28 | |
They just couldn't hear the music | 0:06:28 | 0:06:29 | |
being played in. So they... | 0:06:29 | 0:06:31 | |
SHE MOUTHS | 0:06:31 | 0:06:33 | |
SHE LAUGHS | 0:06:37 | 0:06:38 | |
For a choice. | 0:06:40 | 0:06:41 | |
What would you like? | 0:06:42 | 0:06:43 | |
I'll have Twisted Flax, please. | 0:06:43 | 0:06:45 | |
The Twisted Flax. | 0:06:45 | 0:06:47 | |
Well, well, well. | 0:06:47 | 0:06:49 | |
It's the music question. | 0:06:49 | 0:06:50 | |
Let's hope these aren't all silent, | 0:06:50 | 0:06:51 | |
or it could be very difficult. | 0:06:51 | 0:06:53 | |
I've got a knack for picking them. | 0:06:53 | 0:06:54 | |
You'll be hearing your clues, | 0:06:54 | 0:06:56 | |
and the first one is coming in now. | 0:06:56 | 0:06:58 | |
# Gonna get through your head | 0:06:58 | 0:07:00 | |
# What the mystery man said | 0:07:00 | 0:07:02 | |
# Because I'm gonna... # | 0:07:02 | 0:07:03 | |
Next, please. | 0:07:06 | 0:07:07 | |
# You'll remember me... # | 0:07:07 | 0:07:09 | |
Sting, Fields of Gold. | 0:07:09 | 0:07:11 | |
OK, next, please. | 0:07:11 | 0:07:13 | |
# Get on up on the floor | 0:07:13 | 0:07:16 | |
# Cos we're gonna boogie-oogie-oogie | 0:07:16 | 0:07:18 | |
# Till you just can't boogie no more... # | 0:07:18 | 0:07:21 | |
Anything? Next, please. | 0:07:21 | 0:07:23 | |
MUSIC: Nut Rocker By B Bumble and the Stingers | 0:07:23 | 0:07:26 | |
Is it elements? | 0:07:31 | 0:07:32 | |
I'm going to say gold. Gold. | 0:07:32 | 0:07:35 | |
-They all have metals? -So often | 0:07:37 | 0:07:38 | |
the answer on this show, isn't it? | 0:07:38 | 0:07:40 | |
Not this time, I'm afraid, so a | 0:07:40 | 0:07:41 | |
bonus chance for you now, Poets. | 0:07:41 | 0:07:43 | |
We think that they are... | 0:07:43 | 0:07:46 | |
Things that you might get if | 0:07:47 | 0:07:48 | |
something bites you? | 0:07:48 | 0:07:49 | |
Related to bees. | 0:07:49 | 0:07:51 | |
Things to do with bees. | 0:07:51 | 0:07:52 | |
Things to do with bees? | 0:07:52 | 0:07:53 | |
Yes, I think stinging, rather than | 0:07:53 | 0:07:55 | |
biting, is the... | 0:07:55 | 0:07:56 | |
-Hives, yeah. -You can get hives, or | 0:07:56 | 0:07:57 | |
they come in a hive. | 0:07:57 | 0:07:58 | |
So we weren't sure. | 0:07:58 | 0:08:00 | |
Absolutely right, the first one was | 0:08:00 | 0:08:01 | |
The Hives. What else did we hear? | 0:08:01 | 0:08:02 | |
Sting, which bees do. | 0:08:02 | 0:08:05 | |
I'm not sure what else, though. | 0:08:05 | 0:08:08 | |
Something to do with honey, maybe? | 0:08:08 | 0:08:09 | |
A Taste Of Honey was the third clue. | 0:08:09 | 0:08:11 | |
And the fourth one, | 0:08:11 | 0:08:12 | |
this is the performers, | 0:08:12 | 0:08:13 | |
B Bumble and the Stingers. | 0:08:13 | 0:08:15 | |
So all to do with bees. | 0:08:15 | 0:08:16 | |
That is absolutely right. | 0:08:16 | 0:08:18 | |
You get a bonus point, then, | 0:08:18 | 0:08:19 | |
and the chance to choose a question. | 0:08:19 | 0:08:21 | |
We will have | 0:08:21 | 0:08:22 | |
the Horned Viper, please. | 0:08:22 | 0:08:23 | |
OK. What is the connection between | 0:08:23 | 0:08:24 | |
these clues? | 0:08:24 | 0:08:26 | |
Here's the first. | 0:08:26 | 0:08:27 | |
-One. Gaelic football. -OK, OK. | 0:08:27 | 0:08:29 | |
There's one ball. | 0:08:29 | 0:08:30 | |
Next, please. | 0:08:30 | 0:08:32 | |
One and three. Two divisions... | 0:08:34 | 0:08:36 | |
Or is it how many points | 0:08:38 | 0:08:39 | |
you get if you score...? | 0:08:39 | 0:08:40 | |
Numbers worn by somebody, maybe? | 0:08:40 | 0:08:42 | |
Next, please. | 0:08:44 | 0:08:45 | |
OK. This is never going to be our... | 0:08:50 | 0:08:51 | |
Let's get the last one, maybe, | 0:08:51 | 0:08:53 | |
cos it might be the giveaway. | 0:08:53 | 0:08:54 | |
Yeah. Next, please. | 0:08:54 | 0:08:56 | |
Oh, God. | 0:08:58 | 0:09:00 | |
How many are allowed to shoot for | 0:09:00 | 0:09:01 | |
goal or something? | 0:09:01 | 0:09:02 | |
Differences between... | 0:09:02 | 0:09:04 | |
Three seconds. | 0:09:04 | 0:09:05 | |
Erm, it's the... | 0:09:07 | 0:09:10 | |
..number shirt worn by the attackers. | 0:09:12 | 0:09:14 | |
I think that's a reasonable guess. | 0:09:14 | 0:09:16 | |
I love the word "attackers". | 0:09:16 | 0:09:18 | |
I'd like to see | 0:09:18 | 0:09:19 | |
one of those on a sports team. | 0:09:19 | 0:09:20 | |
Not the answer, I'm afraid, so a | 0:09:20 | 0:09:22 | |
bonus chance for you, Surrealists. | 0:09:22 | 0:09:23 | |
-Chris? -Erm... | 0:09:23 | 0:09:24 | |
The scores for a field goal and... | 0:09:26 | 0:09:28 | |
..for putting the ball over the posts itself. | 0:09:30 | 0:09:33 | |
That's right. This is the points you | 0:09:33 | 0:09:35 | |
get in these various sports if | 0:09:35 | 0:09:37 | |
the ball goes through the posts | 0:09:37 | 0:09:38 | |
over the crossbar. | 0:09:38 | 0:09:40 | |
That's absolutely right. Which one | 0:09:40 | 0:09:41 | |
-of these sports are you a fan of, Chris? -All of them. | 0:09:41 | 0:09:43 | |
Big Gaelic football watcher, are you? | 0:09:43 | 0:09:46 | |
Well done, you get a bonus point and | 0:09:46 | 0:09:48 | |
you get the final question | 0:09:48 | 0:09:49 | |
of the round. The Two Reeds. | 0:09:49 | 0:09:50 | |
These are going to be picture clues | 0:09:50 | 0:09:52 | |
because we haven't had those yet. | 0:09:52 | 0:09:53 | |
First one coming up now. | 0:09:53 | 0:09:56 | |
Barbecue grill. Chicken. | 0:09:58 | 0:10:00 | |
Next, please. | 0:10:00 | 0:10:01 | |
Next, please. | 0:10:06 | 0:10:08 | |
That's The Jerk. So jerk? | 0:10:10 | 0:10:12 | |
Jerk chicken. | 0:10:12 | 0:10:13 | |
What are you going to say? | 0:10:13 | 0:10:16 | |
-Jerk. -That's not very nice. | 0:10:16 | 0:10:19 | |
It's not just barbecue chicken, | 0:10:19 | 0:10:21 | |
it's jerk chicken, yes, | 0:10:21 | 0:10:22 | |
that's absolutely right, | 0:10:22 | 0:10:23 | |
you recognised The Jerk in the poster, | 0:10:23 | 0:10:25 | |
didn't need to see the last clue, | 0:10:25 | 0:10:26 | |
that's in Olympic weightlifting, a jerk. | 0:10:26 | 0:10:28 | |
And what's going on at clue two? | 0:10:28 | 0:10:31 | |
Some kind... Well, there must be | 0:10:31 | 0:10:32 | |
some kind of concept in physics | 0:10:32 | 0:10:34 | |
for a jerk, I suppose. | 0:10:34 | 0:10:36 | |
That's the equation for it. | 0:10:36 | 0:10:37 | |
It's the rate of change of | 0:10:37 | 0:10:39 | |
acceleration. That's the jerk. | 0:10:39 | 0:10:40 | |
If you change acceleration, | 0:10:40 | 0:10:42 | |
it feels like you're being jerked, | 0:10:42 | 0:10:43 | |
laughed the question editor earlier. | 0:10:43 | 0:10:45 | |
He loves a maths question, loves it. | 0:10:45 | 0:10:48 | |
That's right, they are all jerks, | 0:10:48 | 0:10:50 | |
very well done. | 0:10:50 | 0:10:52 | |
At the end of Round One, | 0:10:52 | 0:10:53 | |
the Part-Time Poets | 0:10:53 | 0:10:54 | |
have three points, | 0:10:54 | 0:10:55 | |
the Surrealists have five. | 0:10:55 | 0:10:56 | |
On to Round Two, the Sequences Round. | 0:10:59 | 0:11:01 | |
What comes fourth in a sequence is what I want to know. | 0:11:01 | 0:11:03 | |
Part-time Poets, you'll be going first again. | 0:11:03 | 0:11:05 | |
Please choose a question. | 0:11:05 | 0:11:07 | |
Twisted Flax, please. | 0:11:07 | 0:11:08 | |
The Twisted Flax. What will come | 0:11:08 | 0:11:09 | |
fourth in this sequence? | 0:11:09 | 0:11:11 | |
Here's the first. | 0:11:11 | 0:11:13 | |
OK. | 0:11:14 | 0:11:15 | |
Next, please. | 0:11:15 | 0:11:17 | |
Logan. | 0:11:18 | 0:11:20 | |
-There's a loganberry. -There is. | 0:11:20 | 0:11:22 | |
That's in North America. | 0:11:22 | 0:11:23 | |
Erm, next please. | 0:11:23 | 0:11:24 | |
Ojos del Salado. | 0:11:27 | 0:11:28 | |
OK, it has to be an order. | 0:11:28 | 0:11:29 | |
Eyes of... Right, we're looking for | 0:11:29 | 0:11:31 | |
the next one, so Europe, | 0:11:31 | 0:11:32 | |
North America, South America. | 0:11:32 | 0:11:33 | |
-Africa? -Yeah, or Asia. | 0:11:33 | 0:11:36 | |
But what are they? It's the name of | 0:11:36 | 0:11:38 | |
some kind of thing. | 0:11:38 | 0:11:40 | |
Why on earth | 0:11:42 | 0:11:44 | |
is it called that in Europe? | 0:11:44 | 0:11:45 | |
Three seconds. | 0:11:48 | 0:11:49 | |
OK. Erm, Asia... | 0:11:51 | 0:11:55 | |
..gooseberry. | 0:11:56 | 0:11:57 | |
Not the answer, I'm afraid. | 0:11:57 | 0:11:59 | |
So Surrealists, you have the chance | 0:11:59 | 0:12:00 | |
of a bonus point. | 0:12:00 | 0:12:02 | |
Africa: Kilimanjaro. | 0:12:02 | 0:12:04 | |
That's not it, | 0:12:06 | 0:12:07 | |
but tell me why you say it. | 0:12:07 | 0:12:09 | |
We thought it was going... | 0:12:09 | 0:12:11 | |
It would be Antarctica, wouldn't it? | 0:12:12 | 0:12:14 | |
Because it's going, it's going... | 0:12:14 | 0:12:16 | |
Yeah, highest volcanoes in | 0:12:16 | 0:12:18 | |
the continents going anti-clockwise. | 0:12:18 | 0:12:21 | |
Yes, that's not what | 0:12:21 | 0:12:22 | |
the sequence is. | 0:12:22 | 0:12:23 | |
The third one, anyway, | 0:12:23 | 0:12:25 | |
you're looking at, | 0:12:25 | 0:12:26 | |
would be the world's highest active | 0:12:26 | 0:12:28 | |
volcano, so you couldn't get higher. | 0:12:28 | 0:12:29 | |
The answer is Asia: Godwin-Austen. | 0:12:29 | 0:12:32 | |
Or I'd have taken K2. | 0:12:32 | 0:12:34 | |
These are the second-highest peaks | 0:12:34 | 0:12:38 | |
on their respective continents. | 0:12:38 | 0:12:40 | |
But then the order is of height. | 0:12:40 | 0:12:42 | |
Right. So it's not a geographical | 0:12:42 | 0:12:44 | |
order of continent. | 0:12:44 | 0:12:45 | |
We've taken the second-highest peaks | 0:12:45 | 0:12:46 | |
on each one, | 0:12:46 | 0:12:47 | |
and we're going in height order. | 0:12:47 | 0:12:49 | |
This is what you get after ten | 0:12:49 | 0:12:50 | |
series. We did the highest peaks on | 0:12:50 | 0:12:51 | |
BBC Four. I was a redhead | 0:12:51 | 0:12:53 | |
and smoked 20 a day. | 0:12:53 | 0:12:54 | |
Now, second-highest peaks per | 0:12:54 | 0:12:56 | |
continent in order of height. | 0:12:56 | 0:12:58 | |
So no bonus points for you, | 0:12:58 | 0:12:59 | |
Surrealists, but you may choose a question. | 0:12:59 | 0:13:02 | |
Horned Viper, please. | 0:13:02 | 0:13:03 | |
The Horned Viper. What would come | 0:13:03 | 0:13:04 | |
fourth in this sequence? | 0:13:04 | 0:13:06 | |
Here's the first. | 0:13:06 | 0:13:07 | |
Decimalisation. | 0:13:10 | 0:13:11 | |
Next, please. | 0:13:13 | 0:13:15 | |
So it would be 20p, would it be? | 0:13:16 | 0:13:19 | |
It's the number of... | 0:13:19 | 0:13:21 | |
Is it number of sides? | 0:13:21 | 0:13:22 | |
Of the silver. | 0:13:22 | 0:13:23 | |
No, because they're round. | 0:13:23 | 0:13:24 | |
Next, please. | 0:13:24 | 0:13:27 | |
20p. | 0:13:27 | 0:13:28 | |
-Why? -Ones that came in... | 0:13:28 | 0:13:30 | |
It's when they came in and out. | 0:13:30 | 0:13:32 | |
It's what happened. | 0:13:32 | 0:13:33 | |
They came in first, then... | 0:13:33 | 0:13:34 | |
Decimalisation, yeah. | 0:13:34 | 0:13:36 | |
20p, I think. | 0:13:36 | 0:13:37 | |
4th: 20p. | 0:13:37 | 0:13:39 | |
Is the right answer, | 0:13:39 | 0:13:40 | |
and what's the sequence? | 0:13:40 | 0:13:42 | |
The issues of... | 0:13:42 | 0:13:43 | |
It's the issues of decimalisation, | 0:13:43 | 0:13:45 | |
and then the taking out... | 0:13:45 | 0:13:46 | |
No, the issues of decimalisation and | 0:13:46 | 0:13:48 | |
the last one to arrive was | 0:13:48 | 0:13:49 | |
the 20-pence piece in the '80s. | 0:13:49 | 0:13:51 | |
It's just in order of introduction | 0:13:51 | 0:13:52 | |
of decimal coins. | 0:13:52 | 0:13:54 | |
That's absolutely right. | 0:13:54 | 0:13:55 | |
And when was decimalisation? | 0:13:55 | 0:13:57 | |
'71 but the coins came in in '69. | 0:13:57 | 0:14:00 | |
That's right. Although in the early | 0:14:00 | 0:14:02 | |
70s, that was when ITV had its TV | 0:14:02 | 0:14:04 | |
series Granny Gets The Point. | 0:14:04 | 0:14:06 | |
Which was in which a grandson | 0:14:06 | 0:14:08 | |
explains to a grandma about | 0:14:08 | 0:14:09 | |
decimalisation to help her | 0:14:09 | 0:14:11 | |
understand the coins. | 0:14:11 | 0:14:12 | |
That's right. Fourth. | 0:14:12 | 0:14:14 | |
20p would be the right answer. | 0:14:14 | 0:14:15 | |
Introduction of the 20p coin | 0:14:15 | 0:14:17 | |
in 1982. | 0:14:17 | 0:14:18 | |
-Poets, what would you like? -Lion, please. | 0:14:18 | 0:14:20 | |
Lion. What will come forth in this sequence? | 0:14:20 | 0:14:23 | |
Here's the first. | 0:14:23 | 0:14:24 | |
Next, please. | 0:14:28 | 0:14:29 | |
OK. Alexander II. | 0:14:29 | 0:14:32 | |
Nicholas II. | 0:14:32 | 0:14:33 | |
Do you know these definitely? | 0:14:33 | 0:14:34 | |
This is my history at A level, | 0:14:34 | 0:14:35 | |
so I should. | 0:14:35 | 0:14:36 | |
Nicholas II is the one that gets | 0:14:36 | 0:14:38 | |
done in the revolutions, isn't he? | 0:14:38 | 0:14:39 | |
-Yes, he is. -So there's got to be | 0:14:39 | 0:14:41 | |
someone else in between. | 0:14:41 | 0:14:42 | |
Oh, is it Alexander III? | 0:14:42 | 0:14:43 | |
Is there somebody between | 0:14:43 | 0:14:45 | |
Alexander II and III? | 0:14:45 | 0:14:47 | |
That's a really good question. | 0:14:47 | 0:14:48 | |
Should we get the next one? | 0:14:48 | 0:14:49 | |
That will call Alexander or Nicholas. | 0:14:49 | 0:14:51 | |
-I think we should get the next one. -Next, please. | 0:14:51 | 0:14:54 | |
-Right, I think that's Nicholas II. I think. -OK. | 0:14:54 | 0:14:57 | |
Nicholas II. | 0:14:57 | 0:14:58 | |
Is the right answer. | 0:14:58 | 0:15:00 | |
-And who are these people? -They are | 0:15:00 | 0:15:02 | |
tsars of Russia up to the last one. | 0:15:02 | 0:15:03 | |
They're the last emperors of Russia | 0:15:03 | 0:15:05 | |
up to unlucky Nicholas II, | 0:15:05 | 0:15:07 | |
executed by the Bolsheviks. | 0:15:07 | 0:15:08 | |
That's right. | 0:15:08 | 0:15:10 | |
Surrealists, I'm coming back to you | 0:15:10 | 0:15:11 | |
for a choice. | 0:15:11 | 0:15:13 | |
Eye of Horus, please. | 0:15:13 | 0:15:14 | |
The Eye of Horus. | 0:15:14 | 0:15:15 | |
What would you expect to come fourth | 0:15:15 | 0:15:17 | |
in this sequence? Here's the first. | 0:15:17 | 0:15:19 | |
Next, please. | 0:15:25 | 0:15:26 | |
-Computer. -Yes. | 0:15:32 | 0:15:33 | |
Next, please. | 0:15:34 | 0:15:36 | |
Something to do with development. | 0:15:39 | 0:15:41 | |
Well, it... | 0:15:41 | 0:15:43 | |
Things are going to get... | 0:15:43 | 0:15:44 | |
It's not number, the answer, is it? | 0:15:44 | 0:15:46 | |
You must start with database | 0:15:46 | 0:15:47 | |
management, web development. | 0:15:47 | 0:15:49 | |
Then you get the coding languages | 0:15:49 | 0:15:50 | |
and then you get assembly languages, | 0:15:50 | 0:15:52 | |
so it will be whatever the final, highest level of languages is. | 0:15:52 | 0:15:55 | |
What are we going to say? | 0:15:58 | 0:16:00 | |
Compilers? | 0:16:00 | 0:16:01 | |
Compiler languages. | 0:16:01 | 0:16:03 | |
Not the answer, I'm afraid. | 0:16:03 | 0:16:04 | |
Part-time Poets, would you like to have a go? | 0:16:04 | 0:16:06 | |
Er...HTML. | 0:16:06 | 0:16:10 | |
Not it either. | 0:16:10 | 0:16:11 | |
Do you know what sort of thing | 0:16:11 | 0:16:13 | |
we are looking at? | 0:16:13 | 0:16:14 | |
Well, it's... Well, well, | 0:16:14 | 0:16:16 | |
they're sort of programming | 0:16:16 | 0:16:17 | |
languages. Computer languages. | 0:16:17 | 0:16:18 | |
Yeah, they are. | 0:16:18 | 0:16:20 | |
They're programming languages. | 0:16:20 | 0:16:21 | |
Fourth, third, second | 0:16:21 | 0:16:22 | |
and first generation. | 0:16:22 | 0:16:23 | |
And we're going back towards | 0:16:23 | 0:16:24 | |
-machine languages. -Oh. | 0:16:24 | 0:16:27 | |
I mean, I would go through the full | 0:16:27 | 0:16:28 | |
explanation of why, | 0:16:28 | 0:16:29 | |
but we actually did a | 0:16:29 | 0:16:30 | |
focus group of our viewers. | 0:16:30 | 0:16:31 | |
It turns out they're not immortal, | 0:16:31 | 0:16:33 | |
and so I'm not going to go through | 0:16:33 | 0:16:35 | |
all the explanations of why this is, | 0:16:35 | 0:16:37 | |
but trust me, | 0:16:37 | 0:16:39 | |
machine languages is the answer. | 0:16:39 | 0:16:41 | |
So no bonus points for you, Poets. | 0:16:41 | 0:16:43 | |
But you may choose a question. | 0:16:43 | 0:16:44 | |
-Water, please. -Water. | 0:16:44 | 0:16:46 | |
OK, these are going to be picture clues. | 0:16:46 | 0:16:47 | |
What kind of thing would you expect | 0:16:47 | 0:16:49 | |
to see in the last picture? | 0:16:49 | 0:16:50 | |
Here's the first. | 0:16:50 | 0:16:52 | |
-Edward Scissorhands. -Yeah. | 0:16:52 | 0:16:54 | |
Next, please. | 0:16:54 | 0:16:56 | |
Oh, that's Andrew... | 0:16:56 | 0:16:58 | |
whatever his name is - he does the | 0:16:58 | 0:16:59 | |
tennis on television, doesn't he? | 0:16:59 | 0:17:01 | |
-Andrew... -Is there... | 0:17:01 | 0:17:02 | |
Is there something... | 0:17:02 | 0:17:04 | |
Andrew Scissorfeet. | 0:17:04 | 0:17:06 | |
Andrew, Edward... | 0:17:06 | 0:17:07 | |
Oh, is it the Queen's children? | 0:17:07 | 0:17:08 | |
-Edward, Andrew... -Do you think? | 0:17:08 | 0:17:10 | |
Is that definitely an Andrew? | 0:17:10 | 0:17:11 | |
I would go for Charles. | 0:17:11 | 0:17:12 | |
You've got Anne and then Charles. | 0:17:12 | 0:17:14 | |
I'd go for Charles Dickens. | 0:17:14 | 0:17:16 | |
-Yeah. OK. -Why not? | 0:17:16 | 0:17:17 | |
All right. Charles Dickens. | 0:17:17 | 0:17:18 | |
Why would you pick Charles Dickens | 0:17:18 | 0:17:19 | |
when you could have picked Charles Hawtrey? | 0:17:19 | 0:17:22 | |
I will reluctantly | 0:17:22 | 0:17:23 | |
give you the point. | 0:17:23 | 0:17:25 | |
We had the wonderful | 0:17:25 | 0:17:26 | |
Charles Hawtrey. | 0:17:26 | 0:17:27 | |
-And why? -They're the Queen's... | 0:17:27 | 0:17:30 | |
Names of the Queen's children in | 0:17:30 | 0:17:33 | |
-ascending order. -Yeah. | 0:17:33 | 0:17:34 | |
Reverse order of age. | 0:17:34 | 0:17:35 | |
That's right. Edward, | 0:17:35 | 0:17:37 | |
that's Edward Scissorhands. | 0:17:37 | 0:17:38 | |
And it's Andrew Castle, the tennis | 0:17:38 | 0:17:40 | |
player, now TV presenter. | 0:17:40 | 0:17:41 | |
Anne Diamond, we had at clue three | 0:17:41 | 0:17:43 | |
so we needed a Charles. | 0:17:43 | 0:17:44 | |
The Queen's children in increasing | 0:17:44 | 0:17:46 | |
age and Charles Hawtrey was our | 0:17:46 | 0:17:47 | |
lovely choice. | 0:17:47 | 0:17:48 | |
Charles Dickens was yours. | 0:17:48 | 0:17:50 | |
Well done. Surrealists, | 0:17:50 | 0:17:51 | |
one question left. | 0:17:51 | 0:17:52 | |
It is the Two Reeds. | 0:17:52 | 0:17:54 | |
What will come fourth | 0:17:54 | 0:17:55 | |
in this sequence? | 0:17:55 | 0:17:56 | |
Here's the first. | 0:17:56 | 0:17:58 | |
Next, please. | 0:18:01 | 0:18:03 | |
Oh, it's a scale. | 0:18:04 | 0:18:06 | |
-D. -Next. -No, hang on. | 0:18:09 | 0:18:12 | |
D. | 0:18:12 | 0:18:14 | |
E flat. F. | 0:18:14 | 0:18:16 | |
F sharp. | 0:18:17 | 0:18:19 | |
I think it's just going up. | 0:18:19 | 0:18:20 | |
Fifth. F sharp. | 0:18:22 | 0:18:25 | |
Not right, I'm afraid. | 0:18:25 | 0:18:26 | |
That would not be a sequence. | 0:18:26 | 0:18:28 | |
Part-time Poets, | 0:18:28 | 0:18:29 | |
I'm going to show you the third. | 0:18:29 | 0:18:31 | |
You tell me what you think | 0:18:31 | 0:18:33 | |
would be next. | 0:18:33 | 0:18:34 | |
Oh, is it an inversion? | 0:18:34 | 0:18:35 | |
D... | 0:18:37 | 0:18:38 | |
No, that's too long, and I can see | 0:18:38 | 0:18:40 | |
that you don't know it. | 0:18:40 | 0:18:41 | |
These are Beethoven symphonies. | 0:18:41 | 0:18:43 | |
Oh. No, no, it's not. | 0:18:43 | 0:18:44 | |
So Beethoven's Second, Third, | 0:18:44 | 0:18:46 | |
Fourth and then a big one, | 0:18:46 | 0:18:47 | |
Beethoven's Fifth would be in... | 0:18:47 | 0:18:50 | |
-C? -C minor. | 0:18:50 | 0:18:52 | |
It's in C minor. | 0:18:52 | 0:18:53 | |
Yeah. Fifth Symphony in C minor. | 0:18:53 | 0:18:56 | |
Well, if you don't know that, | 0:18:56 | 0:18:57 | |
you may not know this. | 0:18:57 | 0:18:58 | |
But it's an interesting thing | 0:18:58 | 0:18:59 | |
about this symphony - | 0:18:59 | 0:19:01 | |
it was the first symphony to use what? | 0:19:01 | 0:19:03 | |
Is it cymbals or something? | 0:19:04 | 0:19:06 | |
-No. -Some instrument. -Timpani? | 0:19:06 | 0:19:08 | |
Trombones. | 0:19:08 | 0:19:09 | |
First Symphony to use trombones. | 0:19:09 | 0:19:11 | |
Yeah, C minor is what it was in. | 0:19:11 | 0:19:13 | |
At the end of Round Two, | 0:19:15 | 0:19:16 | |
the Surrealists have seven points | 0:19:16 | 0:19:18 | |
and the Part-Time Poets have eight. | 0:19:18 | 0:19:20 | |
Connecting Wall time now, | 0:19:23 | 0:19:25 | |
and, Surrealists, it will be you to go first. | 0:19:25 | 0:19:27 | |
Would you like Lion or Water? | 0:19:27 | 0:19:29 | |
-Lion, please. -The Lion Wall, two and a half minutes to solve it, | 0:19:29 | 0:19:32 | |
starting now. | 0:19:32 | 0:19:34 | |
OK, so these are... | 0:19:36 | 0:19:38 | |
They're kind of puritan people, aren't they? | 0:19:38 | 0:19:42 | |
Fox, Wesley, Lively... | 0:19:42 | 0:19:45 | |
Sorry? | 0:19:46 | 0:19:48 | |
People who've started religion-type things. | 0:19:48 | 0:19:50 | |
So who's the fourth one? | 0:19:50 | 0:19:52 | |
-What did you press last? -I pressed, er...Smith. | 0:19:52 | 0:19:55 | |
Shall we do cricket terms? | 0:19:55 | 0:19:57 | |
Yeah, bail. | 0:19:57 | 0:19:58 | |
Right, slip. | 0:19:58 | 0:19:59 | |
Square. | 0:20:01 | 0:20:03 | |
OK. Bewilder. | 0:20:03 | 0:20:05 | |
Bewilder, baffle... | 0:20:07 | 0:20:09 | |
Oh, baffle. | 0:20:09 | 0:20:10 | |
-Puzzle. -Puzzle. -Fox. | 0:20:10 | 0:20:13 | |
Could be stump. | 0:20:13 | 0:20:15 | |
-BUZZER -Oh, it could. | 0:20:15 | 0:20:17 | |
So we'll just go through all the variations. | 0:20:17 | 0:20:19 | |
BUZZER | 0:20:19 | 0:20:21 | |
Right, got one. | 0:20:21 | 0:20:22 | |
Darby... | 0:20:22 | 0:20:24 | |
BUZZER | 0:20:25 | 0:20:26 | |
-OK. Right. -Three strikes now. | 0:20:29 | 0:20:31 | |
So we've got Fox and Wesley go together, we know that. | 0:20:31 | 0:20:34 | |
Penelope Lively... | 0:20:34 | 0:20:36 | |
Winners of the... | 0:20:36 | 0:20:38 | |
Women's players. | 0:20:38 | 0:20:40 | |
Yeah, women... Mary. She's a writer. | 0:20:40 | 0:20:42 | |
Mary Wesley. Penelope Lively. | 0:20:42 | 0:20:45 | |
-Paris Murdoch. -It could be a Smith. | 0:20:45 | 0:20:48 | |
So what are the others, then? The others would be... | 0:20:48 | 0:20:51 | |
Starters of religions. | 0:20:51 | 0:20:52 | |
Plymouth Brethren, | 0:20:52 | 0:20:54 | |
Christian scientists... | 0:20:54 | 0:20:56 | |
Fox is Quakers. | 0:20:56 | 0:20:58 | |
So who's the fourth one? | 0:20:58 | 0:20:59 | |
-Smith. -Smith is... Smith is... | 0:20:59 | 0:21:02 | |
-Shall we try...? -Let's try that. -With Smith? -Yeah. | 0:21:02 | 0:21:05 | |
That's it, you've solved the Wall with a minute to go. | 0:21:05 | 0:21:08 | |
Well done. What about the connections? | 0:21:08 | 0:21:11 | |
The first blue group - slip, square, yorker, bail? | 0:21:11 | 0:21:14 | |
-Terms used in cricket. -Terms used in cricket. | 0:21:14 | 0:21:17 | |
That's all it is. Terms in cricket. | 0:21:17 | 0:21:19 | |
And the green group starting baffle? | 0:21:19 | 0:21:21 | |
They're synonyms for "to confuse". | 0:21:21 | 0:21:23 | |
That's right. To perplex. | 0:21:23 | 0:21:25 | |
Synonyms also for each other, of course. | 0:21:25 | 0:21:27 | |
And the next group, starting Darby? | 0:21:27 | 0:21:29 | |
Founders of religion sects. | 0:21:29 | 0:21:31 | |
Founders of religious movements. | 0:21:31 | 0:21:33 | |
That's right and specifically Christian movements. | 0:21:33 | 0:21:36 | |
So who are we talking about? | 0:21:36 | 0:21:38 | |
-Smith is... -Mary Baker Eddy. | 0:21:38 | 0:21:41 | |
Founder of Christian Science. | 0:21:41 | 0:21:42 | |
-George Fox. -George Fox, who founded the Quakers, yeah. | 0:21:42 | 0:21:45 | |
Is it Abraham Darby of the Plymouth Brethren? | 0:21:45 | 0:21:48 | |
No, John Nelson Darby is the Plymouth Brethren, | 0:21:48 | 0:21:50 | |
and Joseph Smith is the founder of the Mormons. | 0:21:50 | 0:21:52 | |
Specifically Christian religions, they are all the founders. | 0:21:52 | 0:21:55 | |
And the last turquoise group, starting Murdoch? | 0:21:55 | 0:21:58 | |
Female writers. | 0:21:58 | 0:22:00 | |
Iris Murdoch, Pat Barker, Penelope Lively, Mary Wesley, | 0:22:00 | 0:22:03 | |
they are all female novelists. | 0:22:03 | 0:22:06 | |
So you found all the groups and all the connections | 0:22:06 | 0:22:08 | |
and I'll give you a bonus for getting it all right. | 0:22:08 | 0:22:10 | |
That's a total of 10. | 0:22:10 | 0:22:11 | |
Let's bring the Part-time Poets in now, | 0:22:11 | 0:22:14 | |
give them a new Connecting Wall and see what they can do with it. | 0:22:14 | 0:22:16 | |
You'll be getting the Water Wall cos the Lion's been taken. | 0:22:16 | 0:22:19 | |
You have two and a half minutes to solve it, starting now. | 0:22:19 | 0:22:23 | |
Scull is the part of a boat. | 0:22:23 | 0:22:25 | |
Yeah, Cox is... Oh, the... | 0:22:25 | 0:22:26 | |
Cox, stroke, scull and blade? | 0:22:26 | 0:22:28 | |
-BUZZER -Those are rowing terms. | 0:22:28 | 0:22:30 | |
-Crab, you can catch a crab. -OK, maybe scull, stroke, crab, blade. | 0:22:30 | 0:22:33 | |
Yes. OK, that's great. | 0:22:33 | 0:22:35 | |
-Brian Clough, Brian Blessed, Brian May. -Brian Cox? | 0:22:35 | 0:22:37 | |
Yeah. Brian Cox. OK. | 0:22:37 | 0:22:39 | |
-BUZZER BOTH: -Brian Lara. -Oh, yeah. | 0:22:40 | 0:22:42 | |
-Without... -May, maybe. | 0:22:43 | 0:22:45 | |
-Yeah. -BUZZER | 0:22:45 | 0:22:47 | |
OK. Without Clough. | 0:22:47 | 0:22:49 | |
OK, right. | 0:22:49 | 0:22:50 | |
Three strikes now. | 0:22:50 | 0:22:51 | |
We've got so much time, so canyon and gorge and gulch and chasm. | 0:22:51 | 0:22:54 | |
All mean the same. But there's the Grand National... | 0:22:54 | 0:22:57 | |
-Grand piano. -Grand Canyon and Grand Cru. | 0:22:57 | 0:23:00 | |
So those are probably grands and then the others... | 0:23:00 | 0:23:02 | |
Clough must mean a... | 0:23:02 | 0:23:04 | |
-Yeah. -Like a dip in the landscape. | 0:23:04 | 0:23:06 | |
-Shall we... -Shall we try that one? -Shall we try grands? | 0:23:06 | 0:23:08 | |
-Yeah. -I don't think it is, but try it. | 0:23:08 | 0:23:11 | |
That's it, you've solved the Wall. | 0:23:12 | 0:23:15 | |
And very quickly. | 0:23:15 | 0:23:16 | |
Train to catch? THEY LAUGH | 0:23:16 | 0:23:17 | |
So that's four points for the groups. | 0:23:17 | 0:23:19 | |
What about the connections? | 0:23:19 | 0:23:20 | |
The first blue group - scull, stroke, crab, blade? | 0:23:20 | 0:23:24 | |
Well, as I learned in Cambridge, these are terms to do with rowing. | 0:23:24 | 0:23:27 | |
-They are. Were you a rower? -No. | 0:23:27 | 0:23:30 | |
But eventually I had to learn some of the words | 0:23:30 | 0:23:32 | |
cos I had friends who were. | 0:23:32 | 0:23:33 | |
Well, tell me what they mean, then. | 0:23:33 | 0:23:35 | |
Well, catching a crab was the one... | 0:23:35 | 0:23:37 | |
I thought it meant literally catching a crab... | 0:23:37 | 0:23:39 | |
Right. | 0:23:39 | 0:23:40 | |
..on your blade, but it actually means when your blade | 0:23:40 | 0:23:43 | |
goes in the water awkwardly and makes a little splash. | 0:23:43 | 0:23:45 | |
Yeah, apparently the blade handle strikes the athlete. | 0:23:45 | 0:23:47 | |
-Right. -Blade, I think people know, is an oar. | 0:23:47 | 0:23:50 | |
Yeah. A scull is a sort of oar for sculling. | 0:23:50 | 0:23:53 | |
-Yeah. -Stroke is the position of the boat, isn't it? | 0:23:53 | 0:23:55 | |
You sit at the stroke, I think. | 0:23:55 | 0:23:57 | |
Apparently so. I mean, I've never learned about rowing so quickly. | 0:23:57 | 0:24:02 | |
And the green group - Blessed, Lara, May, Cox? | 0:24:02 | 0:24:05 | |
They are all Brians. | 0:24:05 | 0:24:06 | |
They are famous Brians. Who are they, what do they do? | 0:24:06 | 0:24:09 | |
Brian Blessed, famous loud... | 0:24:09 | 0:24:11 | |
-Famous for shouting. -Loud, beardy man. | 0:24:11 | 0:24:13 | |
Brian Lara, the cricketer. | 0:24:13 | 0:24:15 | |
-West Indies and Warwickshire, I think. -Brian May, the musician. | 0:24:15 | 0:24:18 | |
And which Brian Cox am I thinking of? | 0:24:18 | 0:24:20 | |
The incredibly talented actor. | 0:24:20 | 0:24:22 | |
Oh, I was going to go for the scientist. | 0:24:22 | 0:24:23 | |
I was going to go for the scientist as well. | 0:24:23 | 0:24:25 | |
I'm thinking of both of them. | 0:24:25 | 0:24:27 | |
Famous Brians. | 0:24:27 | 0:24:28 | |
And what about the pink group, starting national? | 0:24:28 | 0:24:31 | |
They are all Grand or "Grond." | 0:24:31 | 0:24:33 | |
That's absolutely right. Grand National, grand piano, | 0:24:33 | 0:24:35 | |
Grand Canyon and perhaps "Grond" cru, | 0:24:35 | 0:24:38 | |
if you want to say it "grondly". THEY CHUCKLE | 0:24:38 | 0:24:40 | |
And the last turquoise group, starting Clough? | 0:24:40 | 0:24:43 | |
We think they are words for like a dip in the landscape | 0:24:43 | 0:24:46 | |
or a kind of opening. | 0:24:46 | 0:24:48 | |
Valley, sort of. | 0:24:48 | 0:24:49 | |
Yeah. Ravine would be another word. | 0:24:49 | 0:24:51 | |
Geographical dips. | 0:24:51 | 0:24:52 | |
That's absolutely right. | 0:24:52 | 0:24:54 | |
So you found all the groups and the connections. | 0:24:54 | 0:24:56 | |
I'll give you a bonus for getting it all right. | 0:24:56 | 0:24:57 | |
That is the maximum of 10. | 0:24:57 | 0:24:59 | |
Let's have a look at the scores. | 0:24:59 | 0:25:01 | |
The Surrealists have 17 points. | 0:25:01 | 0:25:04 | |
The Part-time Poets have 18. | 0:25:04 | 0:25:06 | |
And if you were shouting, "No, | 0:25:07 | 0:25:09 | |
"the Plymouth Brethren is John NELSON Derby," | 0:25:09 | 0:25:12 | |
then why don't you come along and have a go at the next series | 0:25:12 | 0:25:14 | |
of Only Connect? Go to... | 0:25:14 | 0:25:16 | |
..to find out how to apply. | 0:25:19 | 0:25:21 | |
These are very close scores. | 0:25:21 | 0:25:24 | |
The missing vowels round will determine who is going home | 0:25:24 | 0:25:27 | |
and who is through to the next round. | 0:25:27 | 0:25:30 | |
Lest there be any doubt, | 0:25:30 | 0:25:31 | |
I will tell you that we have taken the vowels | 0:25:31 | 0:25:33 | |
out of well-known names, phrases and sayings. | 0:25:33 | 0:25:36 | |
We've respaced the consonants | 0:25:36 | 0:25:38 | |
and I want you to tell me what the disguised clues are. | 0:25:38 | 0:25:41 | |
I will tell you the connections upfront. | 0:25:41 | 0:25:44 | |
Let the Missing Vowels Round begin. | 0:25:44 | 0:25:46 | |
I will tell you that the first group are all... | 0:25:46 | 0:25:49 | |
Surrealists. | 0:25:54 | 0:25:55 | |
The devil and the deep blue sea. | 0:25:55 | 0:25:56 | |
Correct. | 0:25:56 | 0:25:57 | |
-Poets. -A rock and a hard place. | 0:25:59 | 0:26:01 | |
Correct. | 0:26:01 | 0:26:02 | |
-Surrealists. -Scylla and Charybdis. | 0:26:05 | 0:26:07 | |
Correct. | 0:26:07 | 0:26:08 | |
Surrealists. | 0:26:11 | 0:26:12 | |
-The sheets. -That's correct. | 0:26:12 | 0:26:13 | |
Next category... | 0:26:13 | 0:26:15 | |
-Surrealists. -Meg Ryan | 0:26:21 | 0:26:23 | |
and Sleepless In Seattle. | 0:26:23 | 0:26:24 | |
Correct. | 0:26:24 | 0:26:25 | |
Surrealists. | 0:26:27 | 0:26:28 | |
Meg Ryan and You've Got Mail. | 0:26:28 | 0:26:31 | |
Correct. | 0:26:31 | 0:26:33 | |
A very tricky one. | 0:26:40 | 0:26:41 | |
This is Michael Clarke Duncan | 0:26:41 | 0:26:43 | |
and The Green Mile. | 0:26:43 | 0:26:44 | |
Next clue. | 0:26:44 | 0:26:45 | |
Surrealists. | 0:26:53 | 0:26:54 | |
Beasley and Turner And Hooch. | 0:26:54 | 0:26:56 | |
Who would know that? Well done. | 0:26:56 | 0:26:57 | |
Next category... | 0:26:57 | 0:26:59 | |
-Poets. -Rugby League side. | 0:27:03 | 0:27:05 | |
Correct. | 0:27:05 | 0:27:06 | |
-Poets. -Baker's dozen. | 0:27:08 | 0:27:09 | |
Correct. | 0:27:09 | 0:27:11 | |
Not seeing this one? It's... | 0:27:18 | 0:27:20 | |
Next clue. | 0:27:22 | 0:27:23 | |
END-OF-ROUND STING | 0:27:26 | 0:27:29 | |
You can no longer tell me that that | 0:27:29 | 0:27:31 | |
is people at The Last Supper | 0:27:31 | 0:27:33 | |
because the bell has gone for the end of the quiz. | 0:27:33 | 0:27:37 | |
And I can tell you that, looking at the final scores, | 0:27:37 | 0:27:41 | |
I'm afraid, finishing with 21 points in second place, | 0:27:41 | 0:27:45 | |
it's The Last Supper | 0:27:45 | 0:27:46 | |
for the Part-time Poets. | 0:27:46 | 0:27:49 | |
The winners, with 23, it's the Surrealists. | 0:27:49 | 0:27:53 | |
Very well done to you. | 0:27:53 | 0:27:54 | |
You are through to the next round. | 0:27:54 | 0:27:56 | |
Poets, I'm so sorry. | 0:27:56 | 0:27:58 | |
In our new structure, losing one match is enough to send you home. | 0:27:58 | 0:28:02 | |
You've been a brilliant team. | 0:28:02 | 0:28:03 | |
Some really good quizzing. | 0:28:03 | 0:28:04 | |
We're very sorry to lose you. | 0:28:04 | 0:28:07 | |
But well done to you. You're through and we'll see you again. | 0:28:07 | 0:28:10 | |
What a night. Please join me next time as we continue our race towards | 0:28:10 | 0:28:14 | |
the finish line with all the glamour, excitement, sex appeal, | 0:28:14 | 0:28:17 | |
loan diamonds and saucy offers | 0:28:17 | 0:28:19 | |
that winning this esoteric quiz won't bestow. | 0:28:19 | 0:28:23 | |
Goodbye. | 0:28:23 | 0:28:24 |