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"People who need people | 0:00:21 | 0:00:24 | |
"are the luckiest people in the world." | 0:00:24 | 0:00:28 | |
Barbra Streisand talking about Hollywood, of course, | 0:00:28 | 0:00:30 | |
where everyone has people, in the sense of, | 0:00:30 | 0:00:33 | |
"My people will get in touch with your people." | 0:00:33 | 0:00:35 | |
Other people, meanwhile, don't need people. | 0:00:35 | 0:00:37 | |
Whole days and weeks go by where they don't even talk to people. | 0:00:37 | 0:00:42 | |
Let's meet the teams. | 0:00:42 | 0:00:44 | |
On my right, | 0:00:44 | 0:00:46 | |
Ian Wallace, retired accountant and bee inspector, | 0:00:46 | 0:00:49 | |
who works to eradicate bee diseases and is trying to restore | 0:00:49 | 0:00:52 | |
the population of the native black bee. | 0:00:52 | 0:00:55 | |
Josh Spero, | 0:00:55 | 0:00:56 | |
a classics graduate, who once hopped up and down on one leg | 0:00:56 | 0:00:59 | |
in front of Bianca Jagger. | 0:00:59 | 0:01:01 | |
And their captain, Mark Wallace, | 0:01:01 | 0:01:04 | |
a political journalist, who beat the band AC/DC at a pub quiz | 0:01:04 | 0:01:08 | |
in Northumberland. | 0:01:08 | 0:01:09 | |
United by their hive minds, | 0:01:09 | 0:01:11 | |
they are the Beekeepers. | 0:01:11 | 0:01:12 | |
Now, Mark, you beat the Scunthorpe Scholars in your first game. | 0:01:12 | 0:01:16 | |
What advice have you given your team-mates tonight? | 0:01:16 | 0:01:19 | |
Always the best advice. | 0:01:19 | 0:01:20 | |
Wine before beer, you'll feel queer. | 0:01:20 | 0:01:22 | |
Beer before wine, you'll feel fine. | 0:01:22 | 0:01:24 | |
Excellent advice. | 0:01:24 | 0:01:26 | |
Let's hope it stands you in good stead. | 0:01:26 | 0:01:28 | |
You are facing, tonight, on my left, Helen Thomas, | 0:01:28 | 0:01:32 | |
a PPE graduate, who has written a French-language poem about | 0:01:32 | 0:01:35 | |
Eric Cantona's famous flying kick. | 0:01:35 | 0:01:37 | |
Robert Colvile, | 0:01:37 | 0:01:39 | |
an author, who was once ejected from a pub | 0:01:39 | 0:01:42 | |
because of his perceived resemblance to Jesus. | 0:01:42 | 0:01:45 | |
And their captain, Robert McIlveen, | 0:01:45 | 0:01:47 | |
a history and politics graduate, who enjoy setting himself | 0:01:47 | 0:01:50 | |
fish-based culinary challenges. | 0:01:50 | 0:01:53 | |
United by a passion for policy, | 0:01:53 | 0:01:54 | |
they are the Policy Wonks. | 0:01:54 | 0:01:56 | |
Now, you won your opening heat against the Maltsters. | 0:01:56 | 0:01:59 | |
How are you feeling about tonight's game? | 0:01:59 | 0:02:01 | |
We've done some stretches in the car park, we're feeling flexible. | 0:02:01 | 0:02:03 | |
-We're ready to quiz. -Excellent. | 0:02:03 | 0:02:05 | |
There's not many of our quizzers | 0:02:05 | 0:02:07 | |
that actually can do stretches, | 0:02:07 | 0:02:08 | |
so you're miles ahead already. | 0:02:08 | 0:02:10 | |
We're going to start by playing Round One. | 0:02:10 | 0:02:12 | |
What is the connection between four apparently random clues? | 0:02:12 | 0:02:15 | |
Beekeepers, you won the toss, | 0:02:15 | 0:02:17 | |
but you've decided to put your opponents in first. | 0:02:17 | 0:02:20 | |
Nasty work! Policy Wonks, you will | 0:02:20 | 0:02:22 | |
be choosing the first question. Which is it to be? | 0:02:22 | 0:02:25 | |
-Lion, please. -Lion. OK. | 0:02:25 | 0:02:27 | |
What is the connection between these clues? | 0:02:27 | 0:02:29 | |
Here's the first. | 0:02:29 | 0:02:30 | |
-OK. Go next. -Next, please. | 0:02:32 | 0:02:35 | |
Is it noun...? No. | 0:02:37 | 0:02:40 | |
Um, next, please. | 0:02:40 | 0:02:42 | |
Oh, hang on, so that has got no gap and a...lower case is O. | 0:02:45 | 0:02:50 | |
Um... | 0:02:50 | 0:02:52 | |
-Any... Any...? -A camel has two humps. Um... | 0:02:54 | 0:02:58 | |
-Shall we...? Shall we get the final one? -Get the final one. | 0:02:58 | 0:03:01 | |
-Go on. -Next, please. | 0:03:01 | 0:03:03 | |
Oh, it's the characters which are... | 0:03:05 | 0:03:07 | |
Three seconds. | 0:03:07 | 0:03:08 | |
BELL | 0:03:08 | 0:03:09 | |
-Robert? -No, it's the characters which connect them, | 0:03:09 | 0:03:11 | |
but it's not. | 0:03:11 | 0:03:13 | |
That's not it. | 0:03:13 | 0:03:14 | |
Beekeepers, do you know? | 0:03:14 | 0:03:16 | |
Are these typographic terms? | 0:03:16 | 0:03:19 | |
-No. -That's not it. Do you know now? | 0:03:19 | 0:03:22 | |
-Is it case? -They are cases. I'm surprised | 0:03:22 | 0:03:25 | |
with so many professional writers here. | 0:03:25 | 0:03:27 | |
I suppose that's what subs are for! | 0:03:27 | 0:03:29 | |
That's what subs are for! | 0:03:29 | 0:03:30 | |
Yes, case types. So Only Connect | 0:03:30 | 0:03:32 | |
at the beginning there - title case. | 0:03:32 | 0:03:34 | |
You would capitalise | 0:03:34 | 0:03:35 | |
the first letters in title case. In sentence case you wouldn't. | 0:03:35 | 0:03:38 | |
Camel case is when you squidge | 0:03:38 | 0:03:40 | |
the words up with a capital letter. | 0:03:40 | 0:03:42 | |
And "only - underscore - connect". | 0:03:42 | 0:03:44 | |
That is snake cased. | 0:03:44 | 0:03:46 | |
So, no points there, although | 0:03:46 | 0:03:48 | |
well spotted a bit too late. | 0:03:48 | 0:03:49 | |
Beekeepers, what would you like? | 0:03:49 | 0:03:51 | |
The Horned Viper, please. | 0:03:51 | 0:03:52 | |
The Horned Viper. OK. | 0:03:52 | 0:03:53 | |
CHIME Oh, it's the music question. | 0:03:53 | 0:03:55 | |
What do these clues have in common? | 0:03:55 | 0:03:58 | |
Here's the first. | 0:03:58 | 0:03:59 | |
TANGO MUSIC | 0:03:59 | 0:04:02 | |
# At your command | 0:04:02 | 0:04:04 | |
# Before you here I stand... # | 0:04:04 | 0:04:06 | |
Next, please. | 0:04:06 | 0:04:08 | |
-# When I look into your eyes... # -November Rain. | 0:04:08 | 0:04:11 | |
-# I can see a love... # -It's Guns N' Roses. | 0:04:11 | 0:04:14 | |
-The first one was the Suicide Tango, wasn't it? -Masochism Tango. | 0:04:14 | 0:04:18 | |
This is November Rain. | 0:04:18 | 0:04:20 | |
-What's it called? -November Rain. | 0:04:20 | 0:04:21 | |
# Darling, when I... # | 0:04:21 | 0:04:23 | |
Next, please. | 0:04:23 | 0:04:24 | |
# On a dark desert highway | 0:04:24 | 0:04:26 | |
# Cool wind in my hair... # | 0:04:26 | 0:04:29 | |
Hotel California. | 0:04:29 | 0:04:30 | |
# Warm smell of colitas... # | 0:04:30 | 0:04:32 | |
Do we want to go next? | 0:04:32 | 0:04:33 | |
# Rising up through the air... # | 0:04:33 | 0:04:36 | |
-November Rain... -Go on. -Three seconds. | 0:04:36 | 0:04:37 | |
BELL | 0:04:37 | 0:04:39 | |
They are all... | 0:04:39 | 0:04:42 | |
songs that start with a letter in the alphabet. | 0:04:42 | 0:04:46 | |
A for Alpha, B for Bravo. | 0:04:46 | 0:04:48 | |
I'm going to give you the point. | 0:04:48 | 0:04:50 | |
We call it the Nato alphabet. | 0:04:50 | 0:04:51 | |
That's absolutely right. Yes. | 0:04:51 | 0:04:53 | |
Well, we didn't actually hear Bravo. | 0:04:53 | 0:04:54 | |
What did we hear? | 0:04:54 | 0:04:56 | |
So we had The Masochism Tango. T for Tango. | 0:04:56 | 0:04:58 | |
-Yeah. -November Rain. N for November. | 0:04:58 | 0:05:02 | |
-Hotel California. -That's right. | 0:05:02 | 0:05:04 | |
And you didn't need to hear... | 0:05:04 | 0:05:05 | |
Papa Don't Preach would have been | 0:05:05 | 0:05:06 | |
the next one. | 0:05:06 | 0:05:07 | |
Yes, T - Tango. N - November. C - California. P - Papa. | 0:05:07 | 0:05:11 | |
-It's the Nato alphabet. Well done. -Well done. | 0:05:11 | 0:05:14 | |
Policy Wonks, what would you like? | 0:05:14 | 0:05:15 | |
Eye of Horus, please. | 0:05:15 | 0:05:17 | |
The Eye of Horus. | 0:05:17 | 0:05:18 | |
What is the connection between these picture clues? | 0:05:18 | 0:05:20 | |
Here's the first. | 0:05:20 | 0:05:23 | |
Mr T. B A Baracus. But...I think he's... | 0:05:23 | 0:05:25 | |
-So he's one of the two. -Next, please. | 0:05:25 | 0:05:28 | |
George Orwell. | 0:05:28 | 0:05:31 | |
BBC. BBC... Maybe... Get the next one. | 0:05:31 | 0:05:34 | |
Next, please. | 0:05:34 | 0:05:35 | |
-Oh... -Romesh Ranganathan. | 0:05:36 | 0:05:39 | |
-Yeah. -Comedian. -Comedian. -Romesh... | 0:05:39 | 0:05:41 | |
Is it a real name...? | 0:05:41 | 0:05:43 | |
B A... | 0:05:43 | 0:05:45 | |
Um... George Orwell... | 0:05:45 | 0:05:47 | |
Did they give their name to something? No. | 0:05:47 | 0:05:49 | |
Next, please. | 0:05:49 | 0:05:51 | |
Sting. | 0:05:51 | 0:05:53 | |
-Who's that? -Sting. -Sting. | 0:05:53 | 0:05:55 | |
Three seconds. | 0:05:55 | 0:05:57 | |
BELL | 0:05:58 | 0:05:59 | |
All have the middle name Arthur. | 0:06:01 | 0:06:03 | |
They do not all have | 0:06:03 | 0:06:05 | |
the middle name Arthur. | 0:06:05 | 0:06:07 | |
We'll go over to the Beekeepers | 0:06:07 | 0:06:08 | |
for a possible bonus point. | 0:06:08 | 0:06:09 | |
They are all best known by their pseudonym. | 0:06:09 | 0:06:13 | |
I mean, do you think you would take | 0:06:13 | 0:06:14 | |
Romesh Ranganathan as a pseudonym? | 0:06:14 | 0:06:16 | |
I-I don't know. Maybe he's got another character by night. | 0:06:16 | 0:06:19 | |
It's a beautiful name, but it's really... | 0:06:19 | 0:06:21 | |
That's got to be your birth name. | 0:06:21 | 0:06:23 | |
It's not B A Baracus. It's Mr T, of course, | 0:06:23 | 0:06:25 | |
which I think is his birth name. | 0:06:25 | 0:06:27 | |
I think that is his birth name. | 0:06:27 | 0:06:28 | |
George Orwell. Romesh Ranganathan. | 0:06:28 | 0:06:30 | |
And, of course, every beekeeper's favourite musician, Sting. | 0:06:30 | 0:06:33 | |
All former teachers. | 0:06:33 | 0:06:35 | |
Oh, that was my alternative. | 0:06:35 | 0:06:37 | |
-That's what you said. -That is... | 0:06:37 | 0:06:38 | |
Mr T was a gym teacher. | 0:06:38 | 0:06:40 | |
You'd do what he told you, | 0:06:40 | 0:06:42 | |
wouldn't you? Wouldn't you do that? | 0:06:42 | 0:06:43 | |
George Orwell taught in a private school - | 0:06:43 | 0:06:45 | |
absolutely hated it. | 0:06:45 | 0:06:46 | |
-Romesh Ranganathan - what did he teach? -Drama. | 0:06:46 | 0:06:48 | |
He was a maths teacher. | 0:06:48 | 0:06:49 | |
Maths teacher. And Sting was | 0:06:49 | 0:06:51 | |
a primary school teacher | 0:06:51 | 0:06:52 | |
for a couple of years | 0:06:52 | 0:06:54 | |
back in the day. | 0:06:54 | 0:06:55 | |
All former teachers. | 0:06:55 | 0:06:56 | |
So, no bonus point, Beekeepers. | 0:06:56 | 0:06:57 | |
But you may choose a question. | 0:06:57 | 0:06:58 | |
-Water, please. -Water. OK. | 0:06:58 | 0:07:00 | |
What is the connection between these clues? | 0:07:00 | 0:07:02 | |
Here's the first. | 0:07:02 | 0:07:04 | |
Next, please. | 0:07:07 | 0:07:09 | |
THEY CONFER QUIETLY | 0:07:11 | 0:07:13 | |
Jeeves. Jeeves. Jeeves. | 0:07:15 | 0:07:18 | |
BELL | 0:07:18 | 0:07:19 | |
-Jeeves. -Very well done. | 0:07:19 | 0:07:21 | |
After two clues | 0:07:21 | 0:07:22 | |
you get three points. They are Jeeves books. | 0:07:22 | 0:07:24 | |
Didn't need The Inimitable and Right Ho. Tell me about those books. | 0:07:24 | 0:07:27 | |
What's interesting about | 0:07:27 | 0:07:29 | |
Ring For Jeeves? | 0:07:29 | 0:07:31 | |
I've never read any. Is that the one where he's introduced? | 0:07:31 | 0:07:33 | |
Is it the first one? | 0:07:33 | 0:07:35 | |
I'm sorry? | 0:07:35 | 0:07:36 | |
-You've never read any?! -No. | 0:07:36 | 0:07:39 | |
You've never read a Jeeves book?! | 0:07:39 | 0:07:40 | |
-No. -Why?! | 0:07:40 | 0:07:42 | |
What have you been doing?! | 0:07:42 | 0:07:44 | |
I'm on Twitter 24/7. | 0:07:44 | 0:07:46 | |
This is disastrous! | 0:07:46 | 0:07:47 | |
I have nothing else to do. | 0:07:47 | 0:07:49 | |
Anyone over there | 0:07:49 | 0:07:50 | |
hasn't read a Jeeves book? | 0:07:50 | 0:07:52 | |
You haven't read a Jeeves book?! | 0:07:52 | 0:07:54 | |
What have you read?! | 0:07:54 | 0:07:55 | |
Lots of other things. | 0:07:55 | 0:07:57 | |
None of... None of anything | 0:07:57 | 0:07:59 | |
is worth anything compared to this. | 0:07:59 | 0:08:01 | |
I'm almost tempted to stop the quiz | 0:08:01 | 0:08:02 | |
right now and you both go away | 0:08:02 | 0:08:04 | |
and read The Inimitable Jeeves and come back. What's interesting | 0:08:04 | 0:08:06 | |
about Ring For Jeeves is that | 0:08:06 | 0:08:08 | |
Bertie Wooster isn't in it. | 0:08:08 | 0:08:09 | |
Jeeves is on loan to a different family. | 0:08:09 | 0:08:11 | |
I won't tell you about the others - I don't want to spoil it. | 0:08:11 | 0:08:13 | |
You've got a massive treat ahead, | 0:08:13 | 0:08:15 | |
let me tell you. | 0:08:15 | 0:08:16 | |
The greatest books ever written | 0:08:16 | 0:08:18 | |
in English, I'm serious. | 0:08:18 | 0:08:20 | |
Very well done, though. | 0:08:20 | 0:08:21 | |
You get the points. | 0:08:21 | 0:08:22 | |
And, Policy Wonks, | 0:08:22 | 0:08:23 | |
-what would you like? -Twisted Flax, please. -The Twisted Flax. | 0:08:23 | 0:08:27 | |
What is the connection between these clues? Here's the first. | 0:08:27 | 0:08:29 | |
Ship of Theseus? No? | 0:08:31 | 0:08:33 | |
Yeah, I mean, it was the...the Argo. | 0:08:33 | 0:08:35 | |
Next, please. | 0:08:35 | 0:08:36 | |
OK. Interesting. | 0:08:37 | 0:08:40 | |
That it was... | 0:08:40 | 0:08:41 | |
Are these all things that were rebuilt? | 0:08:41 | 0:08:43 | |
-They've had different line-ups? -Different line-ups. | 0:08:43 | 0:08:45 | |
-Cos they reconstruct... -THEY CONFER QUIETLY | 0:08:45 | 0:08:47 | |
BELL | 0:08:47 | 0:08:49 | |
Are they all things that have been reconstructed? | 0:08:49 | 0:08:51 | |
You also get three points | 0:08:51 | 0:08:53 | |
for coming in after two clues. | 0:08:53 | 0:08:54 | |
Very well done. They have had their original components replaced. | 0:08:54 | 0:08:58 | |
Didn't even need to see the next two clues. | 0:08:58 | 0:09:00 | |
Talk me through | 0:09:00 | 0:09:01 | |
what we're looking at. | 0:09:01 | 0:09:02 | |
Theseus' ship was the Argo, which I dimly remember was shipwrecked | 0:09:02 | 0:09:06 | |
and then they had to get the timbers together and rebuild it. | 0:09:06 | 0:09:09 | |
And of course the Sugababes have been through about | 0:09:09 | 0:09:11 | |
27 seven different line-ups. Er... | 0:09:11 | 0:09:13 | |
It wasn't the Argo, | 0:09:13 | 0:09:14 | |
but otherwise right. | 0:09:14 | 0:09:15 | |
Recorded by Plutarch. | 0:09:15 | 0:09:16 | |
That's the original one | 0:09:16 | 0:09:17 | |
that they talk about - you know, is it... | 0:09:17 | 0:09:20 | |
Is it still the same ship if all | 0:09:20 | 0:09:21 | |
the original components | 0:09:21 | 0:09:23 | |
have been replaced? | 0:09:23 | 0:09:24 | |
The Sugababes. | 0:09:24 | 0:09:25 | |
Remind me of the original line-up. | 0:09:25 | 0:09:27 | |
-It was... -Mutya. -Mutya Buena. | 0:09:27 | 0:09:28 | |
Keisha Buchanan. | 0:09:28 | 0:09:30 | |
Siobhan Donnelly? | 0:09:30 | 0:09:32 | |
I mean, I was joking! | 0:09:32 | 0:09:33 | |
LAUGHTER | 0:09:33 | 0:09:35 | |
-Siobhan Donaghy, apparently. -Oh! | 0:09:35 | 0:09:38 | |
Now I see why you haven't been | 0:09:38 | 0:09:39 | |
reading any Jeeves books! | 0:09:39 | 0:09:40 | |
My goodness! Replaced, of course, by...? | 0:09:40 | 0:09:43 | |
That's the point at which I... | 0:09:43 | 0:09:45 | |
-Heidi. -Heidi... Heidi Allen? -No, she's an MP. | 0:09:45 | 0:09:48 | |
Heidi Range. | 0:09:48 | 0:09:49 | |
LAUGHTER | 0:09:49 | 0:09:51 | |
Heidi, Amelle and Jade replaced them. | 0:09:51 | 0:09:54 | |
And George Washington's axe - that's a sort of apocryphal story | 0:09:54 | 0:09:57 | |
about the axe head and the handle | 0:09:57 | 0:09:59 | |
were changed so many times. | 0:09:59 | 0:10:01 | |
And Trigger | 0:10:01 | 0:10:02 | |
in Only Fools And Horses, | 0:10:02 | 0:10:03 | |
the great Roger Lloyd-Pack. He once said that his broom had had | 0:10:03 | 0:10:06 | |
17 new heads and 14 new handles. | 0:10:06 | 0:10:08 | |
All been reconstructed. Well done. | 0:10:08 | 0:10:11 | |
Beekeepers, you will have the Two Reeds, | 0:10:12 | 0:10:14 | |
it's the only question left. | 0:10:14 | 0:10:16 | |
What is the connection between these clues? Here's the first. | 0:10:16 | 0:10:19 | |
THEY DISCUSS IN HUSHED VOICES | 0:10:20 | 0:10:23 | |
Next, please. | 0:10:23 | 0:10:25 | |
The "I" and "L" are taken out of it. | 0:10:27 | 0:10:30 | |
-Springfield. -And... | 0:10:30 | 0:10:33 | |
Yes, it's probably Springfield. So then "I" and... | 0:10:33 | 0:10:36 | |
Next, please. | 0:10:37 | 0:10:39 | |
Oh, right, so... | 0:10:40 | 0:10:41 | |
-Letters of the state. -Yes. | 0:10:41 | 0:10:44 | |
These are state capitals | 0:10:46 | 0:10:48 | |
for which the letters of the state abbreviation | 0:10:48 | 0:10:50 | |
have been removed from the name. | 0:10:50 | 0:10:52 | |
Very well quizzed. I like this question. | 0:10:52 | 0:10:56 | |
Tell me in a little more detail about each clue. | 0:10:56 | 0:10:58 | |
-Albany. -So... Yes, we have Albany, New York, | 0:10:58 | 0:11:02 | |
-Springfield... -Illinois. -Yeah. | 0:11:02 | 0:11:05 | |
Sacramento, California, | 0:11:05 | 0:11:07 | |
and Indianapolis, Indiana. | 0:11:07 | 0:11:09 | |
That's right. So Albany is the capital of New York, | 0:11:09 | 0:11:11 | |
its abbreviation is NY. | 0:11:11 | 0:11:13 | |
We've taken NY out of it | 0:11:13 | 0:11:14 | |
to get Alba and so on for all the clues. | 0:11:14 | 0:11:17 | |
Very well spotted. | 0:11:17 | 0:11:19 | |
That means, at the end of Round One, | 0:11:19 | 0:11:20 | |
the Policy Wonks have three points, | 0:11:20 | 0:11:22 | |
the Beekeepers have seven. | 0:11:22 | 0:11:24 | |
Time for Round Two now, the sequences round, | 0:11:27 | 0:11:29 | |
and Policy Wonks, you'll be going first again. | 0:11:29 | 0:11:31 | |
Which question would you like? | 0:11:31 | 0:11:32 | |
Horned Viper, please. | 0:11:32 | 0:11:34 | |
The Horned Viper. BELL RINGS | 0:11:34 | 0:11:36 | |
OOh, it's a music sequence. | 0:11:36 | 0:11:38 | |
You're going to be hearing the clues, and I want to know | 0:11:38 | 0:11:40 | |
what kind of thing you'd expect to hear in fourth place. | 0:11:40 | 0:11:42 | |
Your first musical clue is coming in now. | 0:11:42 | 0:11:45 | |
# You're my baby | 0:11:45 | 0:11:47 | |
# You're my pet | 0:11:47 | 0:11:48 | |
# We fell in love on the night we met | 0:11:48 | 0:11:51 | |
# You touched my hand, my heart went pop... # | 0:11:51 | 0:11:53 | |
Next, please. | 0:11:53 | 0:11:55 | |
-# A brown-eyed girl in hand-me-downs -Great Balls Of Fire? No. | 0:11:55 | 0:11:58 | |
-# Whose name I never could pronounce -I don't know who this is. | 0:11:58 | 0:12:03 | |
-# Said pretty please... # -Next, please. | 0:12:03 | 0:12:06 | |
# ..finger on the trigger | 0:12:06 | 0:12:07 | |
-# I'm gonna pull it -I have no idea about the second. | 0:12:07 | 0:12:11 | |
The first one was someone like Bobby Lee... | 0:12:11 | 0:12:13 | |
# I'm picked to click now | 0:12:13 | 0:12:14 | |
-Or could've been Jerry Lewis. -# I'm a son of a gun | 0:12:14 | 0:12:17 | |
-Could it be the titles? -# So hold it right there | 0:12:17 | 0:12:19 | |
# Little girl, little girl We're gonna have big fun. # | 0:12:19 | 0:12:23 | |
Three seconds. | 0:12:23 | 0:12:24 | |
-They're all songs about weapons. -The fourth one in the sequence... | 0:12:26 | 0:12:29 | |
Unfortunately, I want to know what comes forth in a sequence, | 0:12:29 | 0:12:31 | |
so Beekeepers, there's a chance for a possible bonus point. | 0:12:31 | 0:12:35 | |
Uh...Annie Get Your Gun. | 0:12:35 | 0:12:37 | |
No. You did hear Pete Wingfield, 18 With A Bullet. | 0:12:38 | 0:12:42 | |
Otherwise, they're not about weapons. | 0:12:42 | 0:12:45 | |
-You heard Johnny Burnette, You're Sixteen. -Oh. | 0:12:45 | 0:12:49 | |
Janis Ian, At Seventeen. | 0:12:49 | 0:12:51 | |
Eighteen With A Bullet, | 0:12:51 | 0:12:52 | |
and we wanted to hear something with 19 in it. | 0:12:52 | 0:12:55 | |
-For example... -Paul Hardcastle. -Paul Hardcastle, 19. | 0:12:55 | 0:12:58 | |
The only good news I have for you is that's not really a singable tune, | 0:12:58 | 0:13:01 | |
so I can't really make you do it. | 0:13:01 | 0:13:02 | |
Although you could complete the chorus for me. | 0:13:02 | 0:13:04 | |
"In World War II, the average age of the combat soldier was 26. | 0:13:04 | 0:13:07 | |
-"In Vietnam it was..." -"N-n-n-n-nineteen." | 0:13:07 | 0:13:11 | |
Lovely. Lovely. | 0:13:11 | 0:13:13 | |
I feel like I really made that moving, didn't I? That description. | 0:13:13 | 0:13:15 | |
I really did that. | 0:13:15 | 0:13:17 | |
Beekeepers, what would you like next? | 0:13:17 | 0:13:19 | |
-Twisted Flax, please. -Twisted Flax. | 0:13:19 | 0:13:20 | |
What would come fourth in this sequence? | 0:13:20 | 0:13:22 | |
Here's the first. | 0:13:22 | 0:13:24 | |
Next, please. | 0:13:26 | 0:13:27 | |
DC, DS... | 0:13:29 | 0:13:31 | |
-Nintendo DS... -Nintendo DS... | 0:13:31 | 0:13:34 | |
The 360... | 0:13:35 | 0:13:37 | |
THEY DISCUSS IN HUSHED VOICES | 0:13:37 | 0:13:39 | |
Next, please. | 0:13:41 | 0:13:44 | |
These are police inspectors. | 0:13:44 | 0:13:47 | |
-Detective Inspector. -Chief Inspector? | 0:13:47 | 0:13:50 | |
-DCI. -DCI. | 0:13:50 | 0:13:52 | |
DCI. | 0:13:52 | 0:13:54 | |
Is the right answer. And why is that? | 0:13:54 | 0:13:56 | |
Because these are detective police ranks | 0:13:56 | 0:13:58 | |
in rising seniority. | 0:13:58 | 0:14:01 | |
That's right, ascending ranks in the CID. | 0:14:01 | 0:14:04 | |
Detective Constable, Detective Sergeant, Detective Inspector, | 0:14:04 | 0:14:06 | |
and I wanted to hear Detective Chief Inspector, DCI. | 0:14:06 | 0:14:09 | |
Well done. | 0:14:09 | 0:14:10 | |
Policy Wonks, what would you like next? | 0:14:10 | 0:14:12 | |
-Eye of Horus, please. -The Eye of Horus. | 0:14:12 | 0:14:15 | |
What would come fourth in this sequence? | 0:14:15 | 0:14:17 | |
Here's the first. | 0:14:17 | 0:14:18 | |
THEY DISCUSS IN HUSHED VOICES | 0:14:21 | 0:14:23 | |
-Oh, OK, fine. -Next, please. | 0:14:26 | 0:14:28 | |
So... OK, so these are the 29th of Februarys that don't... | 0:14:30 | 0:14:33 | |
Because 1900 didn't happen, but 2000 did, so it would be... | 0:14:33 | 0:14:37 | |
2100. | 0:14:37 | 0:14:38 | |
29th of February 2100. | 0:14:41 | 0:14:44 | |
Correct. Very well done. | 0:14:44 | 0:14:46 | |
And what's the reason? | 0:14:46 | 0:14:48 | |
They are years divisible by four | 0:14:48 | 0:14:50 | |
in which there is not a leap day. | 0:14:50 | 0:14:52 | |
-Or shouldn't be a leap day. -That's right. | 0:14:52 | 0:14:54 | |
Every so often they have to drop a leap year in order to catch up, | 0:14:54 | 0:14:57 | |
and they did that in 1700, 1800, 1900, | 0:14:57 | 0:15:00 | |
but the 29th of February 2,000 did happen, | 0:15:00 | 0:15:03 | |
so the next one will be 29th of February 2100. | 0:15:03 | 0:15:06 | |
Well done. You get the points there. | 0:15:06 | 0:15:08 | |
Beekeepers, what would you like? | 0:15:08 | 0:15:09 | |
-Two Reeds, please. -Two Reeds. | 0:15:09 | 0:15:11 | |
These will be picture clues. | 0:15:11 | 0:15:13 | |
What kind of thing would you expect to see in the fourth picture? | 0:15:13 | 0:15:15 | |
Here's the first. | 0:15:15 | 0:15:17 | |
Is that a sea anemone? | 0:15:19 | 0:15:21 | |
Next, please. | 0:15:21 | 0:15:23 | |
Australia. Is that John...? | 0:15:26 | 0:15:30 | |
John Key's New Zealand, isn't it? | 0:15:30 | 0:15:33 | |
Next, please. | 0:15:33 | 0:15:34 | |
-Tiananmen Square. -No, that's the Forbidden City. | 0:15:36 | 0:15:39 | |
THEY DISCUSS IN HUSHED VOICES | 0:15:44 | 0:15:47 | |
Three seconds. | 0:15:49 | 0:15:51 | |
-The flag of New South Wales. -That's not it. | 0:15:53 | 0:15:55 | |
So, Policy Wonks, would you like to have a go for a bonus point? | 0:15:55 | 0:15:59 | |
A random guess - the map of North Korea. | 0:15:59 | 0:16:02 | |
Who do you think that is a clue to? | 0:16:02 | 0:16:04 | |
We don't know. | 0:16:04 | 0:16:05 | |
It's the former Australian Prime Minister Bob Hawke. | 0:16:05 | 0:16:08 | |
-We're looking at sponge, Bob, square... -Pants! | 0:16:08 | 0:16:12 | |
And I would hear a pair of pants. | 0:16:12 | 0:16:14 | |
Unfortunately for you, | 0:16:14 | 0:16:15 | |
a pair of pants not currently the flag of New Zealand, | 0:16:15 | 0:16:17 | |
so I could not give you the points. | 0:16:17 | 0:16:19 | |
-Policy Wonks, what would you like? -Lion, please. -Lion. OK. | 0:16:19 | 0:16:23 | |
What will come fourth in this sequence? Here's the first. | 0:16:23 | 0:16:26 | |
-Prime Minister. -Yeah, Liberal Prime Minister. | 0:16:28 | 0:16:31 | |
-We don't know what the sequence is, though. -Next, please. | 0:16:31 | 0:16:33 | |
Prime Ministers without a majority? No... | 0:16:35 | 0:16:37 | |
Coalition Prime Ministers? | 0:16:39 | 0:16:42 | |
-So, Chamberlain and Churchill... -Was Chamberlain? -Yeah. | 0:16:42 | 0:16:46 | |
Oh, no, because Ramsay MacDonald was the coalition Prime Minister. | 0:16:46 | 0:16:49 | |
And they re-elected... | 0:16:49 | 0:16:50 | |
-Shall we say next just to make sure? -Next, please. | 0:16:50 | 0:16:53 | |
-Oh. -Oh, God. Oh, coronations! | 0:16:53 | 0:16:56 | |
So Churchill in... | 0:16:56 | 0:16:59 | |
-No, it's... -1953? -Yeah. | 0:16:59 | 0:17:02 | |
1953, Churchill. | 0:17:03 | 0:17:05 | |
Not the answer, I'm afraid, so, Beekeepers, | 0:17:05 | 0:17:07 | |
you've got the chance of a bonus point. | 0:17:07 | 0:17:09 | |
1952, Winston Churchill. | 0:17:09 | 0:17:11 | |
That, I'm afraid, is the answer. And why? | 0:17:11 | 0:17:14 | |
These are Prime Ministers at the time of a coronation. | 0:17:14 | 0:17:17 | |
At the time of the accession. | 0:17:17 | 0:17:20 | |
Yes, of Royal ascension. | 0:17:20 | 0:17:22 | |
So this is why you get Stanley Baldwin twice - | 0:17:22 | 0:17:24 | |
cos in 1936, there were two Royal ascensions | 0:17:24 | 0:17:26 | |
cos Edward VIII was never crowned, and then George VI, | 0:17:26 | 0:17:29 | |
so I wanted to know the next Royal ascension, | 0:17:29 | 0:17:32 | |
that of Her Majesty Queen Elizabeth. | 0:17:32 | 0:17:33 | |
1952, Winston Churchill was Prime Minister. | 0:17:33 | 0:17:36 | |
So, well done, you get the bonus point | 0:17:36 | 0:17:38 | |
and you get the final question of the round - Water. | 0:17:38 | 0:17:40 | |
What will come fourth in this sequence? | 0:17:40 | 0:17:42 | |
Here's the first. | 0:17:42 | 0:17:44 | |
Coleridge Close... | 0:17:46 | 0:17:47 | |
THEY DISCUSS IN HUSHED VOICES | 0:17:47 | 0:17:50 | |
Next, please. | 0:17:50 | 0:17:51 | |
These are all...poetic streets. | 0:17:53 | 0:17:57 | |
But they must appear somewhere in a sequence. | 0:17:57 | 0:18:00 | |
THEY DISCUSS IN HUSHED VOICES | 0:18:00 | 0:18:02 | |
Next, please. | 0:18:05 | 0:18:06 | |
Wordsworth Drive. | 0:18:07 | 0:18:09 | |
These are all... | 0:18:09 | 0:18:11 | |
-So, it's going to be Byron... -No... | 0:18:11 | 0:18:15 | |
Three seconds. | 0:18:20 | 0:18:22 | |
Byron Place. | 0:18:24 | 0:18:26 | |
You see, that's just not a sequence, really, is it? | 0:18:26 | 0:18:28 | |
You can't quite make that tight enough, I'm afraid. | 0:18:28 | 0:18:31 | |
So there's a bonus chance for the Policy Wonks. | 0:18:31 | 0:18:33 | |
-Shelley Street? -Sadly, no. | 0:18:33 | 0:18:36 | |
Now, if you're going to tell me that | 0:18:36 | 0:18:38 | |
as well as not having read PG Wodehouse, | 0:18:38 | 0:18:40 | |
you have never seen Reginald Perrin on the television, | 0:18:40 | 0:18:45 | |
I'm going to be horrified. | 0:18:45 | 0:18:47 | |
This is Reginald Perrin's walk to work. | 0:18:47 | 0:18:49 | |
He walks along Coleridge Close, Tennyson Avenue, Wordsworth Drive | 0:18:49 | 0:18:53 | |
to Station Drive. | 0:18:53 | 0:18:55 | |
That means, at the end of Round Two, | 0:18:55 | 0:18:58 | |
the Policy Wonks have six points, | 0:18:58 | 0:19:00 | |
the Beekeepers have ten. | 0:19:00 | 0:19:01 | |
Time now for the Connecting Wall, | 0:19:04 | 0:19:05 | |
and it'll be the Beekeepers who are going first this time. | 0:19:05 | 0:19:08 | |
Would you like Lion or Water? | 0:19:08 | 0:19:10 | |
-Lion wall, please. -OK. | 0:19:10 | 0:19:12 | |
Two and a half minutes to solve the Lion wall, starting now. | 0:19:12 | 0:19:16 | |
We've got tyres or motorbikes. | 0:19:18 | 0:19:20 | |
THEY DISCUSS IN HUSHED VOICES | 0:19:20 | 0:19:23 | |
Ports... | 0:19:24 | 0:19:25 | |
-Port Stanley, Port Harcourt... -Port Talbot. | 0:19:25 | 0:19:29 | |
And Port... Yeah, Port Elizabeth. | 0:19:29 | 0:19:31 | |
-BUZZ -Try Moresby. | 0:19:32 | 0:19:34 | |
-Port Moresby? -Yeah. | 0:19:34 | 0:19:36 | |
You've also got the Calcutta Cup... | 0:19:37 | 0:19:39 | |
-BUZZ -..the Ryder Cup... | 0:19:39 | 0:19:41 | |
Port Harcourt. | 0:19:41 | 0:19:42 | |
The motorbikes, as well. | 0:19:42 | 0:19:44 | |
BUZZ | 0:19:45 | 0:19:47 | |
OK. So, what else have we got? Let's give it another... | 0:19:47 | 0:19:49 | |
BUZZ | 0:19:49 | 0:19:51 | |
OK, so we've got the Calcutta Cup, the Ryder Cup... | 0:19:51 | 0:19:54 | |
-Stanley Cup...and Elizabeth Cup. -Is Elizabeth Cup a thing? | 0:19:54 | 0:19:57 | |
-Any other cups you can see there? -BUZZ | 0:19:57 | 0:19:59 | |
And Melbourne Cup! | 0:19:59 | 0:20:01 | |
BUZZ | 0:20:01 | 0:20:02 | |
We've also got motorbikes, as well. | 0:20:02 | 0:20:04 | |
Let's have a quick look. Wait a second. | 0:20:04 | 0:20:07 | |
So, we've got Ducati, we've got Triumph, we've got Suzuki... | 0:20:07 | 0:20:10 | |
Stanley? | 0:20:11 | 0:20:13 | |
THEY SPEAK OVER EACH OTHER | 0:20:15 | 0:20:18 | |
-Indian's a motorbike. -Yeah. | 0:20:18 | 0:20:20 | |
-BUZZ -No. OK... | 0:20:23 | 0:20:25 | |
Galore - is this from...? | 0:20:25 | 0:20:27 | |
Oh, these are Bond girls, aren't they? | 0:20:27 | 0:20:29 | |
-Pussy Galore, Mary Goodnight, Honey Ryder... -And... | 0:20:29 | 0:20:34 | |
Go for... OK, great. That's a great start. OK. | 0:20:37 | 0:20:40 | |
HE SPEAKS IN HUSHED VOICE | 0:20:40 | 0:20:43 | |
-OK. There must be another one in here somewhere. -Yes, OK... | 0:20:52 | 0:20:55 | |
Three strikes now, and 30 seconds. | 0:20:55 | 0:20:58 | |
So, we've got... | 0:20:58 | 0:20:59 | |
Melbourne Cup... Stanley Cup, Calcutta Cup. | 0:20:59 | 0:21:03 | |
-The Fed Cup, maybe? -No, we tried that. | 0:21:03 | 0:21:06 | |
-Triumph Cup? -Is the Aprilia...? | 0:21:06 | 0:21:08 | |
No, Triumph... | 0:21:10 | 0:21:11 | |
THEY SPEAK OVER EACH OTHER | 0:21:12 | 0:21:14 | |
-Ducati Cup? -Go for it. | 0:21:17 | 0:21:19 | |
No... Let's try the motorbikes. | 0:21:20 | 0:21:22 | |
OK, so if we go Triumph... | 0:21:22 | 0:21:24 | |
-No. I'm afraid the time is up, and the Wall has frozen. -Curses. | 0:21:26 | 0:21:29 | |
But you've found two groups, and what about the connections? | 0:21:29 | 0:21:32 | |
Suzuki, Ryder, Galore, Goodnight. | 0:21:32 | 0:21:35 | |
-It's surnames of Bond girls. -That's right. | 0:21:35 | 0:21:37 | |
Kissy Suzuki, of course, | 0:21:37 | 0:21:39 | |
the magnificently politically incorrect name | 0:21:39 | 0:21:42 | |
of the lady in You Only Live Twice. | 0:21:42 | 0:21:44 | |
And what about this green group starting Moresby? | 0:21:44 | 0:21:46 | |
Places with Port. | 0:21:46 | 0:21:48 | |
Port Moresby, Port Harcourt, Port Elizabeth, Port Talbot. | 0:21:48 | 0:21:50 | |
They are places that you can put Port in front of. Well done. | 0:21:50 | 0:21:53 | |
And you can still get connection points | 0:21:53 | 0:21:55 | |
for the groups you didn't find. | 0:21:55 | 0:21:56 | |
So, let's resolve the Wall. Here we go. | 0:21:56 | 0:21:59 | |
Indian, Triumph, Ducati, Aprilia. | 0:21:59 | 0:22:01 | |
These are makes of motorcycle. | 0:22:01 | 0:22:04 | |
Those are the motorbike brands. | 0:22:04 | 0:22:06 | |
And the turquoise group - Melbourne, Fed, Stanley, Calcutta. | 0:22:06 | 0:22:09 | |
They precede the word "cup". | 0:22:09 | 0:22:11 | |
They precede cup in sports matches, yes. | 0:22:11 | 0:22:14 | |
It was the Federation Cup, women's tennis. | 0:22:14 | 0:22:16 | |
It's now the Fed Cup. | 0:22:16 | 0:22:18 | |
So you found two groups and you gave me four connections - | 0:22:18 | 0:22:20 | |
that is a total of six. | 0:22:20 | 0:22:22 | |
Let's bring in their opponents now, give them a new Connecting Wall, | 0:22:22 | 0:22:24 | |
and see what they can do about solving it. | 0:22:24 | 0:22:27 | |
Policy Wonks, you'll be getting the Water wall - the Lion's been taken. | 0:22:27 | 0:22:30 | |
Two and a half minutes to solve it, starting now. | 0:22:30 | 0:22:33 | |
THEY DISCUSS IN HUSHED VOICES | 0:22:35 | 0:22:39 | |
Well, Corleone's in Godfather. | 0:22:39 | 0:22:41 | |
He's killed in a particular way, Prince Albert is... | 0:22:41 | 0:22:45 | |
Romulus, then, is also... And Cain. | 0:22:45 | 0:22:47 | |
-Romulus and Cain, killed by their brother. -No, um... | 0:22:47 | 0:22:49 | |
Or betrayed by their brother. | 0:22:49 | 0:22:51 | |
Who else...? | 0:22:51 | 0:22:52 | |
-I mean... -BUZZ | 0:22:54 | 0:22:56 | |
Some need to be words followed by something else, I feel. | 0:22:56 | 0:22:59 | |
Scar...and... | 0:22:59 | 0:23:01 | |
Raise the roof, raise hell, raise Cain, raise eyebrow. | 0:23:01 | 0:23:04 | |
-BUZZ -Raise a siege... | 0:23:04 | 0:23:06 | |
-BUZZ -That's without roof. | 0:23:08 | 0:23:10 | |
-BUZZ -That's without...eyebrow. | 0:23:10 | 0:23:12 | |
So... | 0:23:15 | 0:23:17 | |
-Dance? The robot is a dance? -Madonna... | 0:23:17 | 0:23:19 | |
-Alan Partridge... -I was thinking Alan Partridge, famous Alans. | 0:23:19 | 0:23:23 | |
-I, Claudius, I, Partridge... -Oh, yes. | 0:23:23 | 0:23:26 | |
-I, Robot. -I, Robot, and... | 0:23:28 | 0:23:29 | |
-I, Cain? I mean, can we just...? -BUZZ | 0:23:31 | 0:23:33 | |
I, Madonna. | 0:23:35 | 0:23:37 | |
Madonna's probably written a book | 0:23:37 | 0:23:38 | |
called I, Madonna. | 0:23:38 | 0:23:39 | |
I don't think so... | 0:23:39 | 0:23:40 | |
BUZZ | 0:23:40 | 0:23:42 | |
I, Scar? I, Prince Albert? | 0:23:42 | 0:23:45 | |
-BUZZ -OK, Corleone... | 0:23:45 | 0:23:47 | |
Go back to where you think... | 0:23:47 | 0:23:49 | |
Corleone, Romulus, Cain and Claudius was... | 0:23:49 | 0:23:51 | |
-BUZZ -No. | 0:23:51 | 0:23:53 | |
-OK, what... -BUZZ | 0:23:53 | 0:23:54 | |
..are the things here? | 0:23:54 | 0:23:55 | |
-What's snake bites? -BUZZ | 0:23:55 | 0:23:57 | |
Snake bites and scar... | 0:23:57 | 0:23:58 | |
-Snake bite is a drink. -BUZZ | 0:23:58 | 0:24:00 | |
Oh, Scar, of course, from The Lion King. | 0:24:00 | 0:24:03 | |
Three strikes now. | 0:24:03 | 0:24:05 | |
OK... So we still have I, Robot, I, Partridge, I, Claudius, | 0:24:05 | 0:24:09 | |
so let's look at the other five. | 0:24:09 | 0:24:11 | |
Prince Albert, which is... | 0:24:12 | 0:24:13 | |
-BUZZ -Remember it's three strikes. | 0:24:15 | 0:24:17 | |
-Sorry, sorry. -Confident about those three. | 0:24:17 | 0:24:20 | |
I don't think there'd be "I" in front of any. | 0:24:20 | 0:24:22 | |
We're stuck on "I" now. | 0:24:22 | 0:24:23 | |
Let's think about something completely different. | 0:24:23 | 0:24:25 | |
We're running out of time. | 0:24:25 | 0:24:27 | |
Shall we just take a couple of...? We've still got Partridge. | 0:24:27 | 0:24:30 | |
-And...and... -BUZZ | 0:24:30 | 0:24:32 | |
We've tried everything, haven't we? | 0:24:32 | 0:24:34 | |
And Tragus and Madonna. | 0:24:34 | 0:24:35 | |
It can't be snake bites, can it? | 0:24:35 | 0:24:37 | |
Snake bites could be... | 0:24:37 | 0:24:38 | |
That's it. You've had your third go, | 0:24:40 | 0:24:42 | |
and the Wall has frozen. | 0:24:42 | 0:24:43 | |
But you found two groups, and I'll give you points | 0:24:43 | 0:24:45 | |
if you can tell me the connections. | 0:24:45 | 0:24:46 | |
Siege, eyebrow, hell, roof. | 0:24:46 | 0:24:49 | |
-Things you can raise. -Things you can raise. | 0:24:49 | 0:24:52 | |
And the green group, starting Michael Corleone. | 0:24:52 | 0:24:54 | |
These are all people who betrayed their own brother. | 0:24:54 | 0:24:57 | |
Well, that's right, but not just that. I mean, what else? | 0:24:57 | 0:24:59 | |
Father. Family member. | 0:24:59 | 0:25:01 | |
No, but they killed their brothers! | 0:25:01 | 0:25:03 | |
Michael Corleone in The Godfather films, | 0:25:03 | 0:25:05 | |
Romulus and Remus, Cain and Abel, | 0:25:05 | 0:25:07 | |
and Scar, the Jeremy Irons character in The Lion King, | 0:25:07 | 0:25:10 | |
kills his brother, Mufasa. | 0:25:10 | 0:25:12 | |
But I reckon murder's a form of betrayal, so I'll give you that. | 0:25:12 | 0:25:15 | |
And you can still get points for the connections | 0:25:15 | 0:25:17 | |
in the groups you didn't find. | 0:25:17 | 0:25:18 | |
So let's resolve the wall. There you go. | 0:25:18 | 0:25:20 | |
Madonna, Prince Albert, tragus, snake bites. | 0:25:20 | 0:25:23 | |
-Piercings. -They are all piercings - that's it. | 0:25:23 | 0:25:26 | |
And the turquoise group? Libertine, Robot, Claudius, Partridge. | 0:25:26 | 0:25:30 | |
-Can all be preceded by "I". -They can. | 0:25:30 | 0:25:32 | |
I, Libertine, you didn't actually try. | 0:25:32 | 0:25:34 | |
A sort of literary hoax, a pretend 18th-century... | 0:25:34 | 0:25:37 | |
We thought it was the obvious one, we thought we'd tried it... | 0:25:37 | 0:25:39 | |
You never tried it. | 0:25:39 | 0:25:40 | |
But you found two groups, gave you four connections. | 0:25:40 | 0:25:42 | |
That is a total of six. | 0:25:42 | 0:25:44 | |
Let's have a look at the scores. | 0:25:44 | 0:25:46 | |
And if you like the idea of sorting | 0:25:52 | 0:25:54 | |
your Honey Ryders from your Kissy Suzukis, | 0:25:54 | 0:25:56 | |
then why not go to the website... | 0:25:56 | 0:25:58 | |
..to find out how to be a contestant on our next series? | 0:26:01 | 0:26:05 | |
We are going to play the missing-vowels round. | 0:26:05 | 0:26:08 | |
You'll remember this horror from your opening heats. | 0:26:08 | 0:26:11 | |
Fingers on buzzers, teams. | 0:26:11 | 0:26:12 | |
I can tell you that the first group are all... | 0:26:12 | 0:26:16 | |
Correct. | 0:26:22 | 0:26:23 | |
Correct. | 0:26:26 | 0:26:28 | |
Yes, it is. | 0:26:32 | 0:26:34 | |
Correct. | 0:26:37 | 0:26:39 | |
Next category... | 0:26:39 | 0:26:41 | |
Well done. | 0:26:47 | 0:26:48 | |
Lovely. | 0:26:52 | 0:26:53 | |
Yes, it is. | 0:26:58 | 0:26:59 | |
Correct. | 0:27:03 | 0:27:04 | |
Next category... | 0:27:04 | 0:27:05 | |
Yes, it is. | 0:27:14 | 0:27:15 | |
Yep. | 0:27:20 | 0:27:22 | |
Correct. | 0:27:27 | 0:27:29 | |
Correct. | 0:27:34 | 0:27:35 | |
Correct. | 0:27:41 | 0:27:42 | |
END-OF-ROUND JINGLE | 0:27:42 | 0:27:45 | |
The rousing chorus of Top Hat followed by the bell | 0:27:46 | 0:27:48 | |
spells the end of the quiz. | 0:27:48 | 0:27:51 | |
And looking at the final scores, I can tell you that the winners, | 0:27:51 | 0:27:54 | |
and through to the next round with 24 points are... | 0:27:54 | 0:27:57 | |
the Beekeepers. | 0:27:57 | 0:27:59 | |
Very well done. | 0:27:59 | 0:28:00 | |
In second place, with an impressive 17 points, | 0:28:00 | 0:28:03 | |
but not quite enough tonight, | 0:28:03 | 0:28:04 | |
it's the Policy Wonks. | 0:28:04 | 0:28:06 | |
Thank you very much for playing. | 0:28:06 | 0:28:07 | |
I'm afraid we must say goodbye. | 0:28:07 | 0:28:10 | |
And that is the end of the show. | 0:28:10 | 0:28:12 | |
It's been a brilliant one, and I'd like to extend it, | 0:28:12 | 0:28:14 | |
but unfortunately, I'm late for the annual Cryptographers' Ball. | 0:28:14 | 0:28:18 | |
It's not actually for a few months, | 0:28:18 | 0:28:19 | |
but I need a good long stare at the invitation | 0:28:19 | 0:28:22 | |
to figure out where I'm going. | 0:28:22 | 0:28:23 | |
Goodbye. | 0:28:23 | 0:28:25 |