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Hello. At the beginning of last week's show, | 0:00:21 | 0:00:24 | |
I talked about the hardest logic problem in the world, | 0:00:24 | 0:00:26 | |
and some viewers have been in touch to say I didn't get it completely | 0:00:26 | 0:00:29 | |
right. In the original version, which was devised | 0:00:29 | 0:00:32 | |
by the American philosopher and logician George Boolos, | 0:00:32 | 0:00:35 | |
it's not three natives on an island, it's three gods, | 0:00:35 | 0:00:38 | |
and one always tells the truth and one always lies, | 0:00:38 | 0:00:41 | |
and one tells the truth and lies at random, | 0:00:41 | 0:00:42 | |
they only say "ja" and "da" and you don't have a translation. | 0:00:42 | 0:00:45 | |
So, just to clarify after last week's error, that's the gist, | 0:00:45 | 0:00:49 | |
three unearthly creatures sit, answering questions, | 0:00:49 | 0:00:52 | |
and it's not clear who they are, why they are there, | 0:00:52 | 0:00:55 | |
or what they are on about. | 0:00:55 | 0:00:56 | |
Let's meet the teams. | 0:00:57 | 0:00:58 | |
On my right, John Payne, | 0:01:00 | 0:01:02 | |
a politics and economics student who befriended a pig on a recent trip to | 0:01:02 | 0:01:05 | |
Nicaragua. | 0:01:05 | 0:01:07 | |
Richard Arthur, a geography and | 0:01:07 | 0:01:09 | |
geology teacher who was once found | 0:01:09 | 0:01:11 | |
sleeping next to a bass speaker in a nightclub. | 0:01:11 | 0:01:14 | |
And their captain, Sanjoy Sen, | 0:01:14 | 0:01:16 | |
a chemical engineer who was led away for questioning at the Che Guevara | 0:01:16 | 0:01:20 | |
monument in Cuba. | 0:01:20 | 0:01:22 | |
United by a love of long walks, | 0:01:22 | 0:01:23 | |
they are the Wanderers. | 0:01:23 | 0:01:25 | |
Now, in your Only Connect history, | 0:01:25 | 0:01:27 | |
you've beaten the Pedagogues and the Inquisitors | 0:01:27 | 0:01:29 | |
to make it through to the third round. | 0:01:29 | 0:01:31 | |
What are your feelings about Only Connect so far? | 0:01:31 | 0:01:34 | |
Gone well so far - two wins out of two. | 0:01:34 | 0:01:36 | |
But in both games, we've been really hauled in | 0:01:36 | 0:01:38 | |
on the missing vowels round. | 0:01:38 | 0:01:39 | |
So, we've been practising that and generally pressing buttons | 0:01:39 | 0:01:42 | |
-as fast as we can. -What a waste of time, it's been cancelled! | 0:01:42 | 0:01:45 | |
-Oh. -It hasn't, we'll be playing it at the end. | 0:01:45 | 0:01:48 | |
You are facing tonight, on my left, | 0:01:48 | 0:01:50 | |
Mark Oxley, | 0:01:50 | 0:01:51 | |
a physiotherapist who works for the Toulouse Rugby League team, | 0:01:51 | 0:01:54 | |
though he has never visited Toulouse. | 0:01:54 | 0:01:57 | |
John Wilson, a retail assistant who | 0:01:57 | 0:01:59 | |
dresses up as Father Christmas every | 0:01:59 | 0:02:01 | |
year. And their captain, Mick Lee, | 0:02:01 | 0:02:04 | |
a chemical engineer who has 83 former housemates. | 0:02:04 | 0:02:08 | |
United by a love of longboats, | 0:02:08 | 0:02:10 | |
they are the Vikings. | 0:02:10 | 0:02:11 | |
Now, your team has beaten the Geocachers and the Parishioners | 0:02:11 | 0:02:14 | |
to get through. What advice have you given your team-mates | 0:02:14 | 0:02:17 | |
about the next stage? | 0:02:17 | 0:02:18 | |
Well, we've looked deeply at the whole performance, | 0:02:18 | 0:02:21 | |
and I think what we need to do is answer questions correctly. | 0:02:21 | 0:02:24 | |
Well, how can you do that unless I start asking them? | 0:02:24 | 0:02:27 | |
So, Wanderers, you won the toss, | 0:02:27 | 0:02:29 | |
but you've decided to put your opponents in first. | 0:02:29 | 0:02:31 | |
Spotlight on you, Vikings. | 0:02:31 | 0:02:33 | |
Which hieroglyph would you like? | 0:02:33 | 0:02:35 | |
-Horned Viper, please. -The Horned Viper. | 0:02:35 | 0:02:37 | |
What is the connection between these apparently random | 0:02:37 | 0:02:40 | |
picture clues? | 0:02:40 | 0:02:42 | |
Here's the first. | 0:02:42 | 0:02:43 | |
Robert De Niro, but he's in character. | 0:02:44 | 0:02:46 | |
Is that from Goodfellas? | 0:02:46 | 0:02:48 | |
So, Jimmy. Next, please. | 0:02:48 | 0:02:51 | |
-That's Carlos, yeah. -As Dracula. -As Dracula. | 0:02:51 | 0:02:56 | |
So, Dracula and Jimmy... | 0:02:56 | 0:02:58 | |
Goodfellas... | 0:02:59 | 0:03:00 | |
It's going to have to be next. Yeah, next, please. | 0:03:00 | 0:03:03 | |
-That's John Kettley. -John Kettley Is A Weatherman. | 0:03:03 | 0:03:06 | |
Oh, and Robert De Niro's Waiting, right. | 0:03:06 | 0:03:09 | |
Um, they all feature in the title of songs. | 0:03:09 | 0:03:13 | |
Coming in after three clues, you get two points. | 0:03:13 | 0:03:15 | |
You didn't need to see the last clue. | 0:03:15 | 0:03:17 | |
Talk me through what we're looking at. | 0:03:17 | 0:03:18 | |
OK, Bette Davis Eyes. | 0:03:18 | 0:03:20 | |
John Kettley Is A Weatherman, by... | 0:03:20 | 0:03:22 | |
Tribe of Toffs, was that? | 0:03:22 | 0:03:23 | |
-That's right, yes. -Yeah, solid. | 0:03:23 | 0:03:25 | |
Oh, is that Bela Lugosi? | 0:03:25 | 0:03:26 | |
Bela Lugosi's Dead. | 0:03:26 | 0:03:27 | |
Yes, the Bauhaus song, Bela Lugosi's Dead. | 0:03:27 | 0:03:29 | |
And there he is as Dracula in 1956. | 0:03:29 | 0:03:32 | |
And Robert De Niro's Waiting. | 0:03:32 | 0:03:34 | |
-By...? -Bananarama. | 0:03:34 | 0:03:35 | |
Bananarama, that's right, yes. | 0:03:35 | 0:03:37 | |
The Bette Davis Eyes, | 0:03:37 | 0:03:38 | |
originally Jackie DeShannon, | 0:03:38 | 0:03:40 | |
but the Kim Carnes cover | 0:03:40 | 0:03:42 | |
is better known. | 0:03:42 | 0:03:43 | |
Very well done, well spotted. | 0:03:43 | 0:03:45 | |
Over to you, Wanderers, for a question. | 0:03:45 | 0:03:47 | |
-Eye of Horus, please. -The Eye of Horus. | 0:03:47 | 0:03:49 | |
MUSICAL NOTE Ah! | 0:03:49 | 0:03:51 | |
This is the music question. | 0:03:51 | 0:03:52 | |
What is the connection between these audible clues? | 0:03:52 | 0:03:55 | |
Here's the first. | 0:03:55 | 0:03:56 | |
GERMAN OPERATIC MUSIC | 0:03:56 | 0:04:02 | |
Yup, next. | 0:04:02 | 0:04:04 | |
ROMANTIC SONG IN FRENCH | 0:04:04 | 0:04:07 | |
Next. | 0:04:13 | 0:04:14 | |
WHIMSICAL SONG HUMMED | 0:04:14 | 0:04:17 | |
# But if I know you... # | 0:04:21 | 0:04:24 | |
Next. | 0:04:24 | 0:04:26 | |
# Some of them want to use you... # | 0:04:26 | 0:04:28 | |
Sweet Dreams. | 0:04:31 | 0:04:32 | |
Given that ALL my dreams are sweet, | 0:04:32 | 0:04:34 | |
I will accept that answer. | 0:04:34 | 0:04:36 | |
Talk me through what we heard. | 0:04:36 | 0:04:38 | |
I know we had Once Upon A Dream. | 0:04:38 | 0:04:39 | |
Yeah, Once Upon A Dream, from? | 0:04:39 | 0:04:40 | |
-Sleeping Beauty. -Sleeping Beauty, yes. | 0:04:40 | 0:04:42 | |
What's that based on, do you know? | 0:04:42 | 0:04:44 | |
Um, that song was based on the Tchaikovsky... | 0:04:44 | 0:04:46 | |
Yeah, Tchaikovsky's ballet, that's absolutely right, | 0:04:46 | 0:04:49 | |
the 1959 film Sleeping Beauty, | 0:04:49 | 0:04:51 | |
Once Upon a Dream. | 0:04:51 | 0:04:52 | |
And then, Sweet Dreams Are Made Of This, Eurythmics. | 0:04:52 | 0:04:55 | |
Yes. | 0:04:55 | 0:04:56 | |
And we don't know the first two! | 0:04:56 | 0:04:58 | |
Apres Un Reve, Faure - that was the second one, | 0:04:58 | 0:05:00 | |
sung by Barbra Streisand. | 0:05:00 | 0:05:01 | |
The first one, Elsa's Dream | 0:05:01 | 0:05:03 | |
from Act One of Lohengrin by Richard Wagner. | 0:05:03 | 0:05:06 | |
Vikings, what would you like? | 0:05:06 | 0:05:08 | |
-Lion, please. -Lion, OK. | 0:05:08 | 0:05:10 | |
What is the connection between these clues? | 0:05:10 | 0:05:12 | |
Here's the first. | 0:05:12 | 0:05:13 | |
These are children of... | 0:05:16 | 0:05:18 | |
Next, please. | 0:05:21 | 0:05:22 | |
No. | 0:05:28 | 0:05:31 | |
Next, please. Oh! | 0:05:31 | 0:05:35 | |
Right, so, are the bottom ones pets? | 0:05:39 | 0:05:42 | |
Charlotte's Web. | 0:05:42 | 0:05:43 | |
Charlotte's Web, yeah. | 0:05:43 | 0:05:45 | |
-It's Wilbur the Pig, isn't it? -Yeah. | 0:05:45 | 0:05:48 | |
I think we need next. Next, please. | 0:05:48 | 0:05:51 | |
Two seconds. | 0:05:51 | 0:05:52 | |
Oh, right, it's players within a play, is it? | 0:05:52 | 0:05:55 | |
Characters in plays within a play. | 0:05:55 | 0:05:58 | |
Not it, I'm afraid. | 0:05:58 | 0:05:59 | |
Wanderers, a possible bonus point. | 0:05:59 | 0:06:00 | |
-No, we're stuck. -No. -Don't know it? -Haven't got this one, no. | 0:06:00 | 0:06:03 | |
If I ever get a guinea pig, | 0:06:03 | 0:06:04 | |
I am definitely calling it Lenin. | 0:06:04 | 0:06:06 | |
But that's not what it is. It's to do with plays. | 0:06:06 | 0:06:09 | |
Tom Stoppard plays. | 0:06:09 | 0:06:10 | |
These are all characters in Tom Stoppard. That last one, | 0:06:10 | 0:06:13 | |
of course, Rosencrantz And Guildenstern Are Dead, | 0:06:13 | 0:06:15 | |
that's where Tom Stoppard takes the two minor characters from Hamlet | 0:06:15 | 0:06:18 | |
and puts them into his title. | 0:06:18 | 0:06:20 | |
Septimus, Thomasina, Plautus the tortoise, | 0:06:20 | 0:06:23 | |
that's from Arcadia. | 0:06:23 | 0:06:24 | |
Arcadia, where academics are researching old things. | 0:06:24 | 0:06:28 | |
James Joyce, Tristan Tzara and Lenin... | 0:06:28 | 0:06:31 | |
Travesties. | 0:06:31 | 0:06:32 | |
Travesties, it's based on the idea that James Joyce, | 0:06:32 | 0:06:36 | |
Tristan Tzara and Lenin were all in Zurich at the same time, | 0:06:36 | 0:06:38 | |
and they all meet in that play. | 0:06:38 | 0:06:40 | |
And the first one, do you want to have a go? | 0:06:40 | 0:06:42 | |
The Tom Stoppard play I haven't mentioned yet? | 0:06:42 | 0:06:44 | |
-Jumpers? -It's The Real Thing. | 0:06:44 | 0:06:45 | |
Huge Tom Stoppard fans here! | 0:06:46 | 0:06:48 | |
Perhaps we'll put on a production at the end of the show. | 0:06:48 | 0:06:52 | |
No points there, then, | 0:06:52 | 0:06:53 | |
but, Wanderers, you may have your own question. | 0:06:53 | 0:06:55 | |
-Water, please. -Water. | 0:06:55 | 0:06:56 | |
OK, what is the connection between these clues? | 0:06:56 | 0:06:59 | |
Here's the first. | 0:06:59 | 0:07:00 | |
Next. | 0:07:05 | 0:07:07 | |
Is this to do with Asterix, or something? | 0:07:10 | 0:07:13 | |
Next, please. | 0:07:14 | 0:07:16 | |
French versions of nursery rhymes. | 0:07:22 | 0:07:24 | |
-Go with that? -Yeah. | 0:07:24 | 0:07:26 | |
French versions of nursery rhymes. | 0:07:27 | 0:07:30 | |
I need to hear something specific in this quarterfinal. | 0:07:30 | 0:07:34 | |
The original was in French, and it's translated into English. | 0:07:34 | 0:07:38 | |
I'm afraid that's not it, so I'm going to show the last clue to the | 0:07:38 | 0:07:41 | |
Vikings for a possible bonus point. | 0:07:41 | 0:07:42 | |
It's transliterations, so, it's phonetically, um, | 0:07:42 | 0:07:47 | |
nursery rhymes written in French. | 0:07:47 | 0:07:49 | |
Cos the last one is "pat-a-cake, pat-a-cake, baker's man." | 0:07:49 | 0:07:52 | |
That's what it is - they're not translations, | 0:07:52 | 0:07:54 | |
they are transliterations. | 0:07:54 | 0:07:55 | |
If you translate these into English, it would be gobbledygook, | 0:07:55 | 0:07:58 | |
it would be "a small of a small". | 0:07:58 | 0:07:59 | |
But if you say them out loud... | 0:08:00 | 0:08:02 | |
Un petit d'un petit - Humpty Dumpty. | 0:08:02 | 0:08:06 | |
Et qui rit des cures d'Oc... | 0:08:06 | 0:08:08 | |
THEY LAUGH | 0:08:08 | 0:08:09 | |
Lille beau pipe. | 0:08:09 | 0:08:10 | |
And pas de caique, pas de caique, becasse, mane. | 0:08:10 | 0:08:14 | |
It's just nonsensical French words | 0:08:14 | 0:08:16 | |
that sound like the titles. | 0:08:16 | 0:08:18 | |
Here's one for you. Which nursery | 0:08:18 | 0:08:19 | |
rhyme would translate as, | 0:08:19 | 0:08:20 | |
"Queen, Queen, arouse the rabble, | 0:08:20 | 0:08:23 | |
"who use their girdles, horror, as pillow slips"? | 0:08:23 | 0:08:26 | |
-Shall I translate it for you? -Ring-a-ring of roses? | 0:08:26 | 0:08:28 | |
-No. -No? | 0:08:28 | 0:08:30 | |
Reine, Reine, gueux eveille, | 0:08:30 | 0:08:32 | |
gomme a gaine, en horreur, taie. | 0:08:32 | 0:08:34 | |
Isn't that lovely? | 0:08:35 | 0:08:36 | |
So, a bonus point to you, Vikings, | 0:08:36 | 0:08:38 | |
-and what would you like? -Two Reeds, please. | 0:08:38 | 0:08:40 | |
Two Reeds. OK, what is the connection between these clues? | 0:08:40 | 0:08:43 | |
Here's the first. | 0:08:43 | 0:08:44 | |
-A lot of... -Yeah! That's done it. Next, please. | 0:08:48 | 0:08:52 | |
Oh, um... | 0:08:55 | 0:08:57 | |
I mean, did these all lead to fights in Parliament? | 0:08:59 | 0:09:03 | |
-It could have done. -Like actual fistfights. | 0:09:03 | 0:09:05 | |
Let's go next. Next, please. | 0:09:05 | 0:09:07 | |
Oh, originally they voted no and then... That's it! | 0:09:10 | 0:09:13 | |
Originally, the referendum was a no, but then they ran the referendum | 0:09:13 | 0:09:17 | |
again, it was yes. | 0:09:17 | 0:09:18 | |
Nominate. | 0:09:20 | 0:09:22 | |
When they first held the referendum to see whether the Colombian | 0:09:22 | 0:09:25 | |
government should do a peace deal with FARC, it was voted down, | 0:09:25 | 0:09:27 | |
but then they had another referendum and it was accepted. | 0:09:27 | 0:09:30 | |
I'm afraid I can't accept that as an answer, | 0:09:30 | 0:09:33 | |
and let's have a look at the last clue. | 0:09:33 | 0:09:35 | |
Possible bonus point to you, Wanderers. | 0:09:35 | 0:09:37 | |
2016 referendums. | 0:09:37 | 0:09:38 | |
Yes. Now, I'm afraid you went too specific. | 0:09:38 | 0:09:40 | |
In your last question, you weren't specific enough. | 0:09:40 | 0:09:42 | |
That's too much, it doesn't apply to all the clues. | 0:09:42 | 0:09:45 | |
They simply were referendums. | 0:09:45 | 0:09:46 | |
Some might say referenda that were held in 2016. | 0:09:46 | 0:09:49 | |
If I had to sum up what this programme is, | 0:09:49 | 0:09:51 | |
the fact that we go from Humpty Dumpty | 0:09:51 | 0:09:52 | |
to Italian constitutional reform in about 20 seconds. | 0:09:52 | 0:09:55 | |
So you get the bonus point that time, Wanderers, | 0:09:55 | 0:09:57 | |
and you get the last question of the round, the Twisted Flax. | 0:09:57 | 0:10:00 | |
What is the connection between these clues? | 0:10:00 | 0:10:02 | |
Here's the first. | 0:10:02 | 0:10:03 | |
Odyle, Odyle... | 0:10:06 | 0:10:09 | |
Next. | 0:10:09 | 0:10:10 | |
Is it calorific, or something like that? | 0:10:12 | 0:10:15 | |
Uh, next. | 0:10:19 | 0:10:20 | |
These are all kind of fake scientific theories, | 0:10:22 | 0:10:24 | |
or something like that, that got debunked? | 0:10:24 | 0:10:27 | |
Go for it. | 0:10:27 | 0:10:28 | |
Are these sort of scientific theories that got debunked? | 0:10:30 | 0:10:33 | |
I'll accept that. Can you tell me anything else? | 0:10:33 | 0:10:35 | |
No. That's the only one I have, so, yeah. | 0:10:36 | 0:10:39 | |
These are the substances at the centre of scientific theories. | 0:10:39 | 0:10:42 | |
The last one, luminiferous aether, | 0:10:42 | 0:10:44 | |
that's an idea from the late 19th century | 0:10:44 | 0:10:47 | |
that light has to flow through something, | 0:10:47 | 0:10:49 | |
so there must be something in the air | 0:10:49 | 0:10:51 | |
that light can go through. | 0:10:51 | 0:10:52 | |
Do you know about any of the others? | 0:10:52 | 0:10:54 | |
-What's Odyle? -It means nothing to me. | 0:10:54 | 0:10:57 | |
It's a sort of life force. | 0:10:57 | 0:10:58 | |
This was a scientific theory from | 0:10:58 | 0:11:00 | |
the 1840s that it causes electricity | 0:11:00 | 0:11:02 | |
somehow, a life force. Caloric was a | 0:11:02 | 0:11:04 | |
self-repelling fluid that explained | 0:11:04 | 0:11:06 | |
the flow of heat from hot objects to cold ones. | 0:11:06 | 0:11:08 | |
The third clue, do you know what that is? | 0:11:08 | 0:11:10 | |
That's when they didn't understand sort of combustion and oxygen, | 0:11:10 | 0:11:13 | |
when you burnt something, they thought it gained negative mass. | 0:11:13 | 0:11:17 | |
That's right, they thought that a substance flowed out of it, | 0:11:17 | 0:11:19 | |
when you burnt it, that it released a substance. | 0:11:19 | 0:11:21 | |
-Yeah. -That's right. They are debunked scientific theories. | 0:11:21 | 0:11:25 | |
That means, at the end of round one, | 0:11:25 | 0:11:26 | |
the Vikings have three points, | 0:11:26 | 0:11:28 | |
the Wanderers have four. | 0:11:28 | 0:11:29 | |
And we flow like a fiery substance on to round two. | 0:11:32 | 0:11:36 | |
Vikings, you'll be going first again, | 0:11:36 | 0:11:37 | |
which hieroglyph would you like? | 0:11:37 | 0:11:39 | |
-The Eye of Horus. -The Eye of Horus. | 0:11:39 | 0:11:41 | |
What might come fourth in the sequence? | 0:11:41 | 0:11:43 | |
Your time starts now. | 0:11:43 | 0:11:45 | |
Next, please. | 0:11:52 | 0:11:53 | |
THEY WHISPER | 0:11:58 | 0:12:00 | |
Oh! | 0:12:00 | 0:12:03 | |
Missed out the vowels. | 0:12:03 | 0:12:04 | |
-So it would be DLT. -DLT. | 0:12:04 | 0:12:07 | |
-I think. -Yeah. -I think. | 0:12:07 | 0:12:09 | |
-Yeah. -OK. | 0:12:09 | 0:12:10 | |
-DLT. -Hasn't been an answer | 0:12:10 | 0:12:12 | |
on this quiz for so long, | 0:12:12 | 0:12:14 | |
but it is again now. | 0:12:14 | 0:12:15 | |
Coming in after two clues, you get three points. | 0:12:15 | 0:12:17 | |
Very well done. What is this? | 0:12:17 | 0:12:19 | |
This is the Greek alphabet, um, first four characters, | 0:12:19 | 0:12:22 | |
but with the vowels removed. | 0:12:22 | 0:12:24 | |
That's exactly right. | 0:12:24 | 0:12:25 | |
So, Alpha, Beta, Gamma, Delta. | 0:12:25 | 0:12:27 | |
We've taken out the vowels. | 0:12:27 | 0:12:28 | |
Wanderers, what would you like? | 0:12:28 | 0:12:30 | |
-Horned Viper, please. -The snake for you. | 0:12:30 | 0:12:32 | |
What would come fourth in this sequence? | 0:12:32 | 0:12:34 | |
Here's the first. | 0:12:34 | 0:12:35 | |
Next. | 0:12:41 | 0:12:42 | |
Next. | 0:12:49 | 0:12:51 | |
So are these sort of stages of learning, or something like that? | 0:12:53 | 0:12:56 | |
It's going to be first something. | 0:12:57 | 0:12:59 | |
Philosophy or classics, or something. | 0:13:04 | 0:13:06 | |
It's worth a guess, isn't it? | 0:13:06 | 0:13:08 | |
-First and classics? -Yeah. | 0:13:08 | 0:13:09 | |
First and classics. | 0:13:11 | 0:13:13 | |
Far from it, I'm afraid. | 0:13:13 | 0:13:14 | |
Vikings, do you want to go | 0:13:14 | 0:13:15 | |
for another bonus point? | 0:13:15 | 0:13:17 | |
-First religion. -And why would that be? | 0:13:17 | 0:13:19 | |
Um, I'm already flailing, sorry. | 0:13:19 | 0:13:22 | |
I really couldn't give you any more. | 0:13:22 | 0:13:24 | |
The answer is 1st - Animals. | 0:13:24 | 0:13:27 | |
These are all comedy tours | 0:13:27 | 0:13:29 | |
by Ricky Gervais. | 0:13:29 | 0:13:30 | |
Any fans of Ricky Gervais over there? | 0:13:30 | 0:13:32 | |
No, but my hate for him would've... | 0:13:32 | 0:13:36 | |
I knew I recognised that for some reason. | 0:13:36 | 0:13:39 | |
He was asked on Twitter, | 0:13:39 | 0:13:40 | |
"How do you feel about the American Office being | 0:13:40 | 0:13:42 | |
"better than the British version?" | 0:13:42 | 0:13:44 | |
He responded, "Rich." | 0:13:44 | 0:13:46 | |
All Ricky Gervais comedy tours, | 0:13:47 | 0:13:49 | |
and next in the sequence would be Animals. | 0:13:49 | 0:13:51 | |
So no bonus points there. | 0:13:51 | 0:13:53 | |
Vikings, you may choose your own question. | 0:13:53 | 0:13:55 | |
Water, please. | 0:13:55 | 0:13:56 | |
Water. OK, what would come fourth in this sequence? | 0:13:56 | 0:13:59 | |
Here's the first. | 0:13:59 | 0:14:00 | |
Um... Right. | 0:14:02 | 0:14:03 | |
Yeah, it's... Next, please. | 0:14:08 | 0:14:11 | |
Are these books? | 0:14:12 | 0:14:14 | |
-Yeah, it looks like. -Are these books by... | 0:14:14 | 0:14:17 | |
-The president? -Of German... | 0:14:17 | 0:14:20 | |
OK, next, please. | 0:14:22 | 0:14:23 | |
OK, it's US presidents, so The Art of the Deal, | 0:14:25 | 0:14:28 | |
something like that, that Trump's written? | 0:14:28 | 0:14:30 | |
The Art Of The Deal, is that what it is? | 0:14:30 | 0:14:33 | |
-Just, just, just... Yeah. -OK, well. | 0:14:33 | 0:14:35 | |
Please don't buy it, but The Art Of The Deal. | 0:14:36 | 0:14:39 | |
Is exactly the answer we chose ourselves. | 0:14:39 | 0:14:42 | |
What is happening here? | 0:14:42 | 0:14:43 | |
That's successive US presidents who've written books. | 0:14:43 | 0:14:47 | |
Who are those presidents? | 0:14:47 | 0:14:49 | |
Working backwards from Trump, um, | 0:14:49 | 0:14:52 | |
Obama, and um... | 0:14:52 | 0:14:55 | |
-George Bush. -Yeah, Bush. | 0:14:55 | 0:14:57 | |
George W Bush, Decision Points. | 0:14:57 | 0:14:58 | |
And My Life, Bill Clinton. | 0:14:58 | 0:15:00 | |
Is that a very well known book, The Art Of The Deal? | 0:15:00 | 0:15:02 | |
You thought of that one and so did our question writers. | 0:15:02 | 0:15:05 | |
-Have you read it? -I haven't, no. | 0:15:05 | 0:15:07 | |
No, I've made all of my deals without it. | 0:15:07 | 0:15:09 | |
What else might I have accepted as the fourth clue? | 0:15:09 | 0:15:14 | |
I mean, you could guess these. | 0:15:14 | 0:15:15 | |
Time To Get Tough, Making America Number One Again. | 0:15:15 | 0:15:18 | |
LAUGHTER | 0:15:18 | 0:15:19 | |
Think Like A Champion, Surviving At The Top, The Art Of Survival, | 0:15:19 | 0:15:22 | |
The America We Deserve, | 0:15:22 | 0:15:24 | |
The Way To The Top - The Best Business Advice I Ever Received, | 0:15:24 | 0:15:27 | |
Think Like A Billionaire. | 0:15:27 | 0:15:28 | |
I definitely do think like a billionaire, | 0:15:28 | 0:15:30 | |
and spend like a billionaire. | 0:15:30 | 0:15:31 | |
The only problem is | 0:15:31 | 0:15:32 | |
I'm not a billionaire. | 0:15:32 | 0:15:34 | |
Think Big And Kick Ass In Business And Life, | 0:15:34 | 0:15:36 | |
Trump 101 - The Way To Success, | 0:15:36 | 0:15:38 | |
How To Get Rich, | 0:15:38 | 0:15:39 | |
and the best of course, Golf Advice. | 0:15:39 | 0:15:42 | |
That's Golf Advice, he's written that one. | 0:15:42 | 0:15:45 | |
Very well done. Wanderers, | 0:15:45 | 0:15:46 | |
back to you for a question. | 0:15:46 | 0:15:48 | |
-Lion, please. -The Lion question. | 0:15:48 | 0:15:49 | |
What would come fourth in this sequence? | 0:15:49 | 0:15:52 | |
Here's the first. | 0:15:52 | 0:15:53 | |
Next. | 0:16:02 | 0:16:03 | |
Oh, is it...? | 0:16:05 | 0:16:06 | |
THEY WHISPER | 0:16:06 | 0:16:08 | |
-Putney Bridge or... Putney Bridge? -Yeah. -Yeah. | 0:16:13 | 0:16:15 | |
-Putney Bridge. -I'm afraid | 0:16:17 | 0:16:18 | |
that is not the answer. | 0:16:18 | 0:16:19 | |
So I'm going to show the third | 0:16:19 | 0:16:21 | |
in the sequence to the Vikings, | 0:16:21 | 0:16:22 | |
for a possible bonus point. | 0:16:22 | 0:16:23 | |
Uh, yeah, The Finish Line. | 0:16:23 | 0:16:25 | |
SHE LAUGHS I'm afraid that's not the answer. | 0:16:25 | 0:16:28 | |
The answer is, unluckily for you, Barnes Bridge. | 0:16:28 | 0:16:32 | |
-Barnes Bridge. -What's the sequence? | 0:16:32 | 0:16:34 | |
It's to do with the boat race. | 0:16:34 | 0:16:36 | |
That's right. They're timing points. | 0:16:36 | 0:16:38 | |
So in the Oxford and Cambridge University boat races, | 0:16:38 | 0:16:40 | |
they start with the | 0:16:40 | 0:16:42 | |
whatever you call | 0:16:42 | 0:16:43 | |
the front bit of the boat, the... | 0:16:43 | 0:16:45 | |
-Bow. -Bow, is it? | 0:16:45 | 0:16:47 | |
The front bit, it lines up | 0:16:47 | 0:16:49 | |
with the university stone, | 0:16:49 | 0:16:51 | |
and as they row... | 0:16:51 | 0:16:52 | |
Do they row? They row, don't they, not sailing. | 0:16:52 | 0:16:54 | |
I'm not big on... I'm not big on boats. | 0:16:54 | 0:16:56 | |
As they move through the water, | 0:16:56 | 0:16:58 | |
they pass the mile post, | 0:16:58 | 0:16:59 | |
and you get timings for | 0:16:59 | 0:17:00 | |
where they are at those points. | 0:17:00 | 0:17:02 | |
But geographically, | 0:17:02 | 0:17:03 | |
Barnes Bridge is what you'd expect, | 0:17:03 | 0:17:05 | |
not Putney. So no points there. | 0:17:05 | 0:17:07 | |
Vikings, what would you like to boat towards this time? | 0:17:07 | 0:17:10 | |
-Twisted Flax. -The Twisted Flax. | 0:17:10 | 0:17:12 | |
OK, what will come fourth in this sequence? | 0:17:12 | 0:17:14 | |
Here's the first. | 0:17:14 | 0:17:16 | |
Luchsinger and Reiss, '56, um... | 0:17:18 | 0:17:21 | |
-They're German names. -It could be | 0:17:21 | 0:17:23 | |
the first Eurovision Song Contest that was about then. | 0:17:23 | 0:17:25 | |
Yeah, actually. I think go next, please. | 0:17:26 | 0:17:29 | |
'53. When was Volare? | 0:17:35 | 0:17:38 | |
-I don't know. Possibly. -Next, please. | 0:17:38 | 0:17:42 | |
OK, it's somebody who won in '50. | 0:17:42 | 0:17:46 | |
That's probably people climbing Everest, so say Hillary and Hillary. | 0:17:46 | 0:17:49 | |
Oh, Hillary. Beautiful. | 0:17:49 | 0:17:51 | |
-I hope that's right. -We'll take it. | 0:17:51 | 0:17:54 | |
'53, Hillary and Tenzing. | 0:17:54 | 0:17:57 | |
And just give us a blast of Volare. | 0:17:57 | 0:17:59 | |
# Vo... # | 0:17:59 | 0:18:01 | |
The answer is Hillary and Tenzing, | 0:18:01 | 0:18:03 | |
1953. | 0:18:03 | 0:18:04 | |
-What's going on here? -Uh, yeah, | 0:18:04 | 0:18:06 | |
these are people who've conquered Everest in those respective years. | 0:18:06 | 0:18:09 | |
Now, it actually isn't Everest. | 0:18:09 | 0:18:12 | |
They are all the first climbers. | 0:18:12 | 0:18:14 | |
It's different mountains, getting higher. | 0:18:14 | 0:18:16 | |
So, Luchsinger and Reiss, that's Lhotse. | 0:18:16 | 0:18:18 | |
The Swiss climbers first | 0:18:18 | 0:18:20 | |
to climb up Lhotse, | 0:18:20 | 0:18:22 | |
and then Kangchenjunga, Band and Brown, | 0:18:22 | 0:18:24 | |
1955. They were British climbers, | 0:18:24 | 0:18:25 | |
and it's said they never got | 0:18:25 | 0:18:27 | |
completely to the summit, | 0:18:27 | 0:18:28 | |
because they were respecting local | 0:18:28 | 0:18:30 | |
beliefs that you don't tread on the | 0:18:30 | 0:18:31 | |
snow at the top, but they got as close as you can. | 0:18:31 | 0:18:34 | |
So, who do you think these people are in clue three? | 0:18:34 | 0:18:36 | |
K2, presumably? | 0:18:36 | 0:18:38 | |
First people to climb K2, | 0:18:38 | 0:18:40 | |
and then Hillary and Tenzing, | 0:18:40 | 0:18:42 | |
the highest mountain, of course, Everest in 1953. | 0:18:42 | 0:18:44 | |
Well done. Wanderers, | 0:18:44 | 0:18:45 | |
one question remains for you. | 0:18:45 | 0:18:47 | |
The Two Reeds. What would come fourth in this sequence? | 0:18:47 | 0:18:49 | |
They will be picture clues - I want to know what sort of thing | 0:18:49 | 0:18:52 | |
you'd expect to see in the fourth picture. | 0:18:52 | 0:18:53 | |
Time starts now. | 0:18:53 | 0:18:55 | |
No. So it's not... | 0:18:57 | 0:18:59 | |
THEY WHISPER | 0:19:00 | 0:19:02 | |
Next. | 0:19:03 | 0:19:05 | |
No drinking. So this is like Wilson Smith, right? | 0:19:07 | 0:19:10 | |
Dogs... By animals, maybe. | 0:19:10 | 0:19:11 | |
-No pets. -No monkeys... | 0:19:11 | 0:19:13 | |
-No dogs... -Monkey's drinking. | 0:19:13 | 0:19:15 | |
Next. | 0:19:15 | 0:19:18 | |
Oh. | 0:19:18 | 0:19:20 | |
It's the pushing in the swimming pool. | 0:19:20 | 0:19:23 | |
-So, is it going to be...? -I don't know. | 0:19:23 | 0:19:25 | |
Pushing a bicycle. | 0:19:27 | 0:19:29 | |
Oh, no. Drinking, bicycle... | 0:19:29 | 0:19:32 | |
Two seconds. | 0:19:32 | 0:19:33 | |
No heavy petting. | 0:19:35 | 0:19:36 | |
A picture of somebody kissing. | 0:19:36 | 0:19:38 | |
I love so many things about that answer. | 0:19:38 | 0:19:40 | |
I wish I could give you points. | 0:19:40 | 0:19:42 | |
I love it as an idea, cos it's brilliant. | 0:19:42 | 0:19:44 | |
I love it that the suggestion for illustrating heavy petting would be | 0:19:44 | 0:19:47 | |
kissing. It's all brilliant. | 0:19:47 | 0:19:48 | |
Unfortunately, it's not the answer. | 0:19:48 | 0:19:50 | |
Vikings, do you want to have a go for a bonus? | 0:19:50 | 0:19:52 | |
Uh, yeah, no smoking. | 0:19:52 | 0:19:53 | |
I'm afraid that's not it. | 0:19:53 | 0:19:54 | |
Let me tell you what would be in the fourth picture. | 0:19:54 | 0:19:57 | |
It would be a seesaw, | 0:19:57 | 0:19:58 | |
with an elephant at one end and a butterfly at the other. | 0:19:58 | 0:20:01 | |
Of course, that doesn't help. | 0:20:01 | 0:20:03 | |
What if I told you that the rules | 0:20:03 | 0:20:04 | |
being suggested by these pictures | 0:20:04 | 0:20:07 | |
are no animal shall sleep in a bed. | 0:20:07 | 0:20:10 | |
No animal shall drink alcohol. | 0:20:10 | 0:20:11 | |
No animal shall kill any other animal. | 0:20:11 | 0:20:14 | |
And I want to hear - | 0:20:14 | 0:20:16 | |
all animals are equal. | 0:20:16 | 0:20:18 | |
What is the sequence? | 0:20:18 | 0:20:20 | |
Animal Farm. | 0:20:20 | 0:20:22 | |
It is the Seven Commandments of Animalism, | 0:20:22 | 0:20:25 | |
in George Orwell's Animal Farm. | 0:20:25 | 0:20:27 | |
What happened to Animal Farm in 1944, | 0:20:27 | 0:20:30 | |
when it was sent in for publication at Faber and Faber? | 0:20:30 | 0:20:33 | |
It was published as a children's book? | 0:20:33 | 0:20:35 | |
It wasn't published at all. It was rejected. | 0:20:35 | 0:20:37 | |
TS Eliot, director of Faber and Faber, said, | 0:20:37 | 0:20:39 | |
"We have no conviction that this is the right point of view | 0:20:39 | 0:20:41 | |
"from which to criticise the political situation | 0:20:41 | 0:20:43 | |
"at the present time." | 0:20:43 | 0:20:44 | |
Nice guy, TS Eliot. | 0:20:44 | 0:20:45 | |
It was rejected, but then it was published the following year, 1945. | 0:20:45 | 0:20:48 | |
Animal Farm by George Orwell. | 0:20:48 | 0:20:51 | |
At the end of round two, | 0:20:51 | 0:20:52 | |
the Wanderers have four points, | 0:20:52 | 0:20:54 | |
the Vikings have ten. | 0:20:54 | 0:20:55 | |
I'm now going to invite the teams to make themselves comfortable up | 0:20:57 | 0:21:00 | |
against the Wall. | 0:21:00 | 0:21:02 | |
It's time to connect 16 clues into four groups of four. | 0:21:02 | 0:21:05 | |
You'll be going first this time, Wanderers. | 0:21:05 | 0:21:07 | |
Would you like Lion or Water? | 0:21:07 | 0:21:08 | |
-The Lion, please. -OK. | 0:21:08 | 0:21:10 | |
Two and a half minutes to solve the Lion Wall, starting now. | 0:21:10 | 0:21:14 | |
OK. Those are computers there, so Acron, Oric, Apple... | 0:21:15 | 0:21:20 | |
-There it goes. -Yep. | 0:21:21 | 0:21:23 | |
We've got fruit. | 0:21:24 | 0:21:26 | |
Apple. It's probably going to be too simple. | 0:21:27 | 0:21:29 | |
Should we try mango? | 0:21:29 | 0:21:31 | |
Go for it, yeah. | 0:21:31 | 0:21:32 | |
Mango... | 0:21:32 | 0:21:34 | |
Go for it. | 0:21:34 | 0:21:35 | |
Yeah, it's not working. | 0:21:35 | 0:21:36 | |
Harlequin, musical entertainers. | 0:21:38 | 0:21:40 | |
There's a word one. | 0:21:42 | 0:21:44 | |
There's going to be a word one. | 0:21:44 | 0:21:45 | |
OK, right, it's... | 0:21:45 | 0:21:47 | |
What's Bruce going to be? Who's...? | 0:21:47 | 0:21:50 | |
-English film star. -Philips is a... | 0:21:50 | 0:21:52 | |
-There's two presenters. -Yeah. | 0:21:54 | 0:21:56 | |
Shall we put some surnames in | 0:21:56 | 0:21:58 | |
and see what happens? | 0:21:58 | 0:21:59 | |
-CHUCKLES: -OK, we'll do that. | 0:21:59 | 0:22:01 | |
Find another surname. | 0:22:01 | 0:22:02 | |
All right. | 0:22:02 | 0:22:04 | |
-Harry Lime. Harry... -Harry... | 0:22:05 | 0:22:08 | |
Fionas. Fiona Apple, Fiona Phillips. | 0:22:10 | 0:22:12 | |
-Fiona Bruce. -Nice. -Very nice. | 0:22:12 | 0:22:14 | |
-Right, do you want me to go for it? -Yeah. -Oh, we got that one. | 0:22:14 | 0:22:17 | |
Three lives now. | 0:22:17 | 0:22:19 | |
-Right, so... -What we got left? | 0:22:19 | 0:22:21 | |
What else is Rambo in? | 0:22:21 | 0:22:22 | |
THEY WHISPER | 0:22:24 | 0:22:28 | |
Is it a pronunciation thing? | 0:22:28 | 0:22:30 | |
Maybe there is fruit. | 0:22:35 | 0:22:37 | |
But there's an obscure one. | 0:22:37 | 0:22:38 | |
Harlequin could be a fruit. | 0:22:38 | 0:22:39 | |
Go for harlequin as a fruit. | 0:22:39 | 0:22:40 | |
We've now got limited lives. | 0:22:40 | 0:22:42 | |
OK. No, so... | 0:22:42 | 0:22:44 | |
There's wood. | 0:22:46 | 0:22:48 | |
There's a harlequin duck, is there another duck? | 0:22:49 | 0:22:52 | |
No. | 0:22:52 | 0:22:53 | |
Should we try some fruit again | 0:22:56 | 0:22:58 | |
and see, just try another one? | 0:22:58 | 0:22:59 | |
-Pick one. -Rambo. | 0:22:59 | 0:23:02 | |
One more. | 0:23:02 | 0:23:04 | |
Is our bet fruit's a red herring? | 0:23:04 | 0:23:06 | |
CAPTAIN CHUCKLES | 0:23:06 | 0:23:08 | |
-Ten seconds. -Do we go for wood already? | 0:23:08 | 0:23:11 | |
-Go for it. -Nope. That's your three lives. | 0:23:11 | 0:23:13 | |
The Wall has frozen. | 0:23:13 | 0:23:14 | |
But you've found two groups on this very difficult wall. | 0:23:14 | 0:23:16 | |
Can you tell me the connection? | 0:23:16 | 0:23:18 | |
Acorn and so forth? | 0:23:18 | 0:23:20 | |
They're computers, I think, from the '80s. | 0:23:20 | 0:23:22 | |
Yeah, they're former computer brands. | 0:23:22 | 0:23:24 | |
And the green group - Shaw, Phillips, Bruce, Apple? | 0:23:24 | 0:23:27 | |
They're all Fionas. | 0:23:27 | 0:23:28 | |
That's right. Fiona Shaw, the actor, and you can still get points for the | 0:23:28 | 0:23:31 | |
connections in the groups you didn't find, so let's resolve the Wall. | 0:23:31 | 0:23:34 | |
Hello. | 0:23:34 | 0:23:36 | |
Mango, balsa, hive, Rambo. | 0:23:36 | 0:23:40 | |
Change one letter, they're a dance. | 0:23:40 | 0:23:41 | |
That's what we'll go for. | 0:23:41 | 0:23:43 | |
Very well spotted. | 0:23:43 | 0:23:44 | |
You change a letter, and they become tango, salsa, jive and mambo. | 0:23:44 | 0:23:47 | |
Really hard to see on the Wall. | 0:23:47 | 0:23:49 | |
Well done for seeing it there. | 0:23:49 | 0:23:50 | |
Hidden dances. | 0:23:50 | 0:23:52 | |
And the last one. Lime, avocado, and so forth. | 0:23:52 | 0:23:55 | |
Green. | 0:23:55 | 0:23:56 | |
They are all types of green. | 0:23:56 | 0:23:59 | |
So you found two groups and gave me four connections. | 0:23:59 | 0:24:02 | |
That is a total of six. | 0:24:02 | 0:24:03 | |
Let's bring the Vikings back now, give them the other Wall. | 0:24:03 | 0:24:06 | |
It's the Water Wall for you, Vikings, | 0:24:06 | 0:24:07 | |
you should be comfortable with that. | 0:24:07 | 0:24:09 | |
Two and a half minutes to solve it, starting now. | 0:24:09 | 0:24:13 | |
Let's cut out those design ones. | 0:24:15 | 0:24:17 | |
Yeah, I can see... | 0:24:17 | 0:24:18 | |
Ponder and Mull. | 0:24:21 | 0:24:23 | |
Um, da, da, da, da... Brood. | 0:24:23 | 0:24:26 | |
Woolgather. | 0:24:26 | 0:24:28 | |
-Oh! -Right. | 0:24:28 | 0:24:29 | |
-Shipping areas as well. -Fisher. | 0:24:29 | 0:24:32 | |
Lundy, Shannon... | 0:24:32 | 0:24:33 | |
Shannon... | 0:24:33 | 0:24:35 | |
-Come on. -Three lives now. | 0:24:35 | 0:24:37 | |
John Quill is a sort of yellow. | 0:24:37 | 0:24:39 | |
It's also flowers... | 0:24:39 | 0:24:40 | |
Angus, Guernsey, | 0:24:40 | 0:24:41 | |
Jersey and Red Poll are all cattle. | 0:24:41 | 0:24:44 | |
What would be the other four? | 0:24:44 | 0:24:45 | |
Sounds like John Quill. Read, read. | 0:24:45 | 0:24:47 | |
-Yes. -Ah, rows. | 0:24:47 | 0:24:48 | |
So rows works for John Quill. | 0:24:48 | 0:24:50 | |
-Yeah. -OK. Rows, read, wight, | 0:24:50 | 0:24:51 | |
John Quill, and that's because...? | 0:24:51 | 0:24:54 | |
-It's a yellow. -Is it now? | 0:24:54 | 0:24:55 | |
A John Quill's a bit like a daffodil. | 0:24:55 | 0:24:56 | |
Same colour. Similar colour. | 0:24:56 | 0:24:58 | |
-We've still got so time, so... -Try it. | 0:24:58 | 0:25:00 | |
That's it! You've solved the wall. | 0:25:00 | 0:25:02 | |
Very well done. | 0:25:02 | 0:25:03 | |
So that's four points immediately. | 0:25:03 | 0:25:05 | |
What about the connections? | 0:25:05 | 0:25:06 | |
Ponder and so on? | 0:25:06 | 0:25:09 | |
Ah, well, that would be to think on. | 0:25:09 | 0:25:11 | |
That's it. All things you didn't really need to do during that Wall. | 0:25:11 | 0:25:14 | |
And the green group, starting Shannon? | 0:25:14 | 0:25:16 | |
-Did we say shipping? -The shipping forecast areas. | 0:25:16 | 0:25:19 | |
Shipping forecast areas. | 0:25:19 | 0:25:20 | |
Shannon, Bailey, Lundy, Fisher. | 0:25:20 | 0:25:22 | |
And what about the next pink group, starting read or "red"? | 0:25:22 | 0:25:26 | |
They're homophones, or heterophones, | 0:25:26 | 0:25:29 | |
I'm never sure which is which, | 0:25:29 | 0:25:31 | |
of colours, red, jonquil, rose and white. | 0:25:31 | 0:25:33 | |
Homophones. Homo, the same, hetero, different. | 0:25:33 | 0:25:36 | |
And the last turquoise group, starting jersey? | 0:25:36 | 0:25:39 | |
Is it cows? Cows? | 0:25:39 | 0:25:41 | |
-Cattle breeds, yeah. -Jersey, Red Poll, Guernsey, Angus. | 0:25:41 | 0:25:44 | |
Simply breeds of cow. | 0:25:44 | 0:25:45 | |
So that's four more points for the connections and the bonus of two for | 0:25:45 | 0:25:49 | |
getting it all right. That is a maximum of ten. | 0:25:49 | 0:25:51 | |
Very well done. Let's have a look at the overall scores. | 0:25:51 | 0:25:54 | |
The Wanderers have ten points. | 0:25:55 | 0:25:57 | |
The Vikings have 20. | 0:25:57 | 0:25:58 | |
So, a bit of a turnaround needed, but it can be done. | 0:26:01 | 0:26:03 | |
It's been done before. Lucky you've been practising. | 0:26:03 | 0:26:07 | |
Fingers on buzzers, teams. | 0:26:07 | 0:26:08 | |
I can tell you that the first group all begin with a soft C. | 0:26:08 | 0:26:13 | |
Wanderers. | 0:26:13 | 0:26:16 | |
-Celery. -Correct. | 0:26:16 | 0:26:17 | |
-Wanderers. -Cerebellum. | 0:26:19 | 0:26:21 | |
Correct. | 0:26:21 | 0:26:22 | |
-Wanderers. -Coeliac. -Good vowelling. | 0:26:24 | 0:26:26 | |
-Wanderers. -Cipher. -Correct. | 0:26:28 | 0:26:30 | |
Next category. Famous men given their wives' maiden names. | 0:26:30 | 0:26:34 | |
-Wanderers. -William Middleton. | 0:26:37 | 0:26:38 | |
Prince William. | 0:26:38 | 0:26:39 | |
-Vikings. -Denis Roberts. | 0:26:43 | 0:26:44 | |
Better known as Denis Thatcher. | 0:26:44 | 0:26:46 | |
-Vikings. -Gordon Styler. | 0:26:49 | 0:26:51 | |
That's Sting, Gordon Sumner. | 0:26:51 | 0:26:52 | |
Correct. | 0:26:52 | 0:26:53 | |
-Vikings. -Daniel Weisz. | 0:26:55 | 0:26:57 | |
Or Daniel Craig. Well done. | 0:26:57 | 0:26:58 | |
Next category. Commonwealth countries and their largest cities. | 0:26:58 | 0:27:02 | |
-Vikings. -Nigeria and Lagos. | 0:27:05 | 0:27:08 | |
Correct. | 0:27:08 | 0:27:09 | |
-Wanderers. -Australia and Sydney. | 0:27:11 | 0:27:13 | |
Correct. | 0:27:13 | 0:27:14 | |
Wanderers. | 0:27:16 | 0:27:18 | |
-India and Mumbai. -Correct. | 0:27:18 | 0:27:20 | |
-Wanderers. -Canada and Toronto. | 0:27:22 | 0:27:24 | |
Correct. Next category. | 0:27:24 | 0:27:26 | |
Films featuring Marilyn Monroe. | 0:27:26 | 0:27:27 | |
-Wanderers. -How to Marry a Millionaire. -Correct. | 0:27:30 | 0:27:33 | |
-Vikings. -The Seven Year Itch. | 0:27:35 | 0:27:37 | |
Correct. | 0:27:37 | 0:27:38 | |
ENDGAME JINGLE | 0:27:38 | 0:27:40 | |
That's it. The bell has gone for the end of the quiz, | 0:27:40 | 0:27:43 | |
and I can tell you, | 0:27:43 | 0:27:44 | |
after a very impressive round four - | 0:27:44 | 0:27:46 | |
very good round for you there, John - | 0:27:46 | 0:27:47 | |
the final scores are Wanderers 19, Vikings 25. | 0:27:47 | 0:27:53 | |
So, Vikings, you are through to the next round. | 0:27:53 | 0:27:55 | |
Wanderers, you're also through to the next round. | 0:27:55 | 0:27:57 | |
A different sort of next round. | 0:27:57 | 0:27:58 | |
I'm still struggling with the concept, but no-one's going. | 0:27:58 | 0:28:01 | |
These are the quarterfinals. No-one's through to the semis yet, | 0:28:01 | 0:28:04 | |
and yet nobody's out either. Well done, everyone. | 0:28:04 | 0:28:06 | |
Very good quizzing. And that's it. | 0:28:06 | 0:28:09 | |
If this were a meal, we've had our starters, | 0:28:09 | 0:28:11 | |
our main courses and our puddings, | 0:28:11 | 0:28:13 | |
and as the last of the missing vowels coffee slips away, | 0:28:13 | 0:28:16 | |
all that remains is the bill, which is astronomical. | 0:28:16 | 0:28:20 | |
It's tens of thousands of pounds. | 0:28:20 | 0:28:22 | |
That's where the comparison sort of falls down. | 0:28:22 | 0:28:24 | |
Compared with having a meal, | 0:28:24 | 0:28:25 | |
a television programme is eye-wateringly expensive. | 0:28:25 | 0:28:28 | |
It's crazy money. It's ridi... | 0:28:28 | 0:28:30 | |
You'll have to split it. | 0:28:30 | 0:28:31 | |
Goodbye. | 0:28:31 | 0:28:32 |