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Good evening, and apologies if you've tuned in hoping to see | 0:00:21 | 0:00:24 | |
the exciting final moments of the European Masters golf, | 0:00:24 | 0:00:27 | |
live from The Belfry. | 0:00:27 | 0:00:29 | |
You can turn over to BBC Four, | 0:00:29 | 0:00:31 | |
although it's not showing there either. | 0:00:31 | 0:00:33 | |
Budget cuts mean the BBC can't really afford golf any more, | 0:00:33 | 0:00:36 | |
and also, the European Masters golf isn't on at the moment. | 0:00:36 | 0:00:39 | |
How could it be? I made it up. | 0:00:39 | 0:00:41 | |
If you've tuned in expecting to see the exciting final moments of | 0:00:41 | 0:00:44 | |
the European Masters golf live from The Belfry | 0:00:44 | 0:00:47 | |
then I'm afraid you're living with a very slender grasp of | 0:00:47 | 0:00:50 | |
what actually happens in the real world. | 0:00:50 | 0:00:52 | |
So, stay and watch the show - you'll be in good company. | 0:00:52 | 0:00:54 | |
Quizzing tonight on my right, Ian King, a fund manager who once | 0:00:54 | 0:00:59 | |
told Bill Murray he looked just like Bill Murray. | 0:00:59 | 0:01:03 | |
Tim Harrison, a communications consultant who was | 0:01:03 | 0:01:05 | |
photographed as a fashion model for the Observer magazine. | 0:01:05 | 0:01:09 | |
And their captain, Tim Hall, | 0:01:09 | 0:01:11 | |
a classics graduate who fell asleep in the throne room of | 0:01:11 | 0:01:14 | |
the British Embassy in Paris | 0:01:14 | 0:01:15 | |
and was politely ejected the following morning. | 0:01:15 | 0:01:18 | |
United by a soft spot for sleuths, they are the Detectives. | 0:01:18 | 0:01:21 | |
On the Only Connect road, you beat the Theatricals | 0:01:21 | 0:01:24 | |
and the Arrowheads, that's how you've come to be here. | 0:01:24 | 0:01:26 | |
What have you been up to since we saw you last? | 0:01:26 | 0:01:28 | |
We had a thorough and comprehensive debrief and analysed our | 0:01:28 | 0:01:31 | |
performance, by which I mean we went out to dinner and did a pub quiz. | 0:01:31 | 0:01:34 | |
Lovely. | 0:01:34 | 0:01:35 | |
Tonight you are facing, on my left, | 0:01:35 | 0:01:38 | |
Frank Paul, | 0:01:38 | 0:01:39 | |
an artist and pub quiz host who dreamt last night that he'd | 0:01:39 | 0:01:42 | |
devised a set of Hungarian cryptic crossword clues. | 0:01:42 | 0:01:46 | |
Tom Rowell, a teaching assistant who shared an awkward supper with | 0:01:46 | 0:01:49 | |
an actor from Coronation Street. | 0:01:49 | 0:01:52 | |
And their captain, Lydia Mizon, an American studies graduate who | 0:01:52 | 0:01:55 | |
enjoys listening to the shipping forecast. | 0:01:55 | 0:01:58 | |
United by a love of locked rooms, they are the Escapologists. | 0:01:58 | 0:02:01 | |
Now, you've had a slightly longer journey | 0:02:01 | 0:02:02 | |
because you lost your opening heat to the Eco Warriors, | 0:02:02 | 0:02:05 | |
but you came back in the lucky losers round | 0:02:05 | 0:02:07 | |
and you beat the Cricketers and the Dandies. | 0:02:07 | 0:02:09 | |
How competitive are you feeling tonight? | 0:02:09 | 0:02:11 | |
-Increasingly, as the series goes on. -Excellent. | 0:02:11 | 0:02:15 | |
Well, you didn't win the toss, I'm afraid, | 0:02:15 | 0:02:17 | |
that went to you, Detectives, | 0:02:17 | 0:02:18 | |
so you'll be going first. | 0:02:18 | 0:02:19 | |
Please choose an Egyptian hieroglyph. | 0:02:19 | 0:02:21 | |
-Twisted Flax, please. -The Twisted Flax. | 0:02:21 | 0:02:23 | |
What is the connection between these apparently random clues? | 0:02:23 | 0:02:27 | |
Here's the first. | 0:02:27 | 0:02:28 | |
THEY CONFER | 0:02:31 | 0:02:33 | |
Next, please. | 0:02:33 | 0:02:35 | |
People who have moved across the city to play for both sides? | 0:02:36 | 0:02:40 | |
-Could be, yeah. -I would go for that. | 0:02:40 | 0:02:42 | |
-Shall we try one more to be safe? -Go on, then. -Next, please. | 0:02:42 | 0:02:46 | |
Yeah, cos he played for Everton. | 0:02:49 | 0:02:50 | |
It's footballers who've played for cross-town rivals. | 0:02:52 | 0:02:56 | |
Very well done. Who do you think we would have had in fourth place? | 0:02:56 | 0:02:58 | |
-Denis Law. -Denis Law is what we had, for Manchester. | 0:02:58 | 0:03:02 | |
Yes, which teams did these players play for? | 0:03:02 | 0:03:04 | |
Denis Law played for City and United, | 0:03:04 | 0:03:06 | |
Beardsley for Liverpool and Everton, | 0:03:06 | 0:03:08 | |
Zlatan for AC Milan and Inter, | 0:03:08 | 0:03:11 | |
and Alfie Conn presumably Rangers and Celtic. | 0:03:11 | 0:03:14 | |
That's right, they all played for both of their city's leading teams. | 0:03:14 | 0:03:17 | |
-Escapologists, what would you like? -Two Reeds, please. -Two Reeds. | 0:03:17 | 0:03:21 | |
You're going to be seeing picture clues. | 0:03:21 | 0:03:23 | |
Something connects them - what is it? | 0:03:23 | 0:03:25 | |
The first one coming in now. | 0:03:25 | 0:03:27 | |
-Tortillas, aren't they? -Tortillas? Or poppadums? | 0:03:29 | 0:03:32 | |
-They might be poppadums, actually, the surroundings look Indian. -Next. | 0:03:32 | 0:03:35 | |
That's Tori Spelling. | 0:03:37 | 0:03:38 | |
Is it? OK. | 0:03:39 | 0:03:41 | |
Her autobiography's called Stori Telling, I think. | 0:03:41 | 0:03:44 | |
-That's great, that's a good fact. -They both start with TOR, I guess. | 0:03:44 | 0:03:47 | |
-OK. Shall we see the next one? -Yeah. -Yeah, go on. -Next. | 0:03:47 | 0:03:50 | |
That's a string trio. OK. | 0:03:54 | 0:03:56 | |
Does it mean something? Tortilla and... | 0:03:56 | 0:04:01 | |
Next. | 0:04:01 | 0:04:02 | |
That's a riot. | 0:04:03 | 0:04:05 | |
Two seconds. | 0:04:05 | 0:04:06 | |
-They're anagrams, Tori and riot. -Oh, yeah, they're all... -Trio. | 0:04:06 | 0:04:10 | |
-They're anagrams of each other. -They're anagrams of each other. | 0:04:10 | 0:04:13 | |
You recognised Tori, trio and riot, | 0:04:13 | 0:04:15 | |
so what do you think is in the first clue? | 0:04:15 | 0:04:16 | |
-The first one is roti, I think. -Roti, Indian flatbread. | 0:04:16 | 0:04:19 | |
-Good Tori Spelling knowledge, by the way. -Yeah. -Thank you. | 0:04:19 | 0:04:22 | |
Is it you, Frank, you said her autobiography is Stori Telling? | 0:04:22 | 0:04:24 | |
I think it's called Stori Telling. | 0:04:24 | 0:04:26 | |
It's certainly some pun on her name, I think it's Stori Telling. | 0:04:26 | 0:04:28 | |
-You haven't read it? -No, I have not. -I'd really like to. | 0:04:28 | 0:04:31 | |
I definitely will be reading it now. | 0:04:31 | 0:04:33 | |
Very well done, they're all anagrams of each other. | 0:04:33 | 0:04:36 | |
Back to you, Detectives, for a choice. | 0:04:36 | 0:04:37 | |
-Can we have Eye of Horus, please? -You certainly can. | 0:04:37 | 0:04:40 | |
-JINGLE PLAYS -Oh, brilliant. | 0:04:40 | 0:04:41 | |
-Do you still want it? -No! | 0:04:41 | 0:04:43 | |
It's the music question, you'll be hearing your clues. | 0:04:43 | 0:04:45 | |
What do they have in common? Here's the first. | 0:04:45 | 0:04:47 | |
MEN SING OPERATICALLY | 0:04:47 | 0:04:49 | |
-Is that Bread Of Heaven? -No, it's not Bread Of Heaven. | 0:04:49 | 0:04:53 | |
THEY CONFER | 0:04:54 | 0:04:56 | |
Next, please. | 0:04:56 | 0:04:57 | |
# The old hometown is the same | 0:04:57 | 0:05:01 | |
# As I step down from the train... # | 0:05:01 | 0:05:05 | |
Next, please. | 0:05:05 | 0:05:06 | |
MALE VOICES SING GRIMLY | 0:05:06 | 0:05:09 | |
-I've never... -I've heard it. | 0:05:12 | 0:05:14 | |
Don't know. | 0:05:14 | 0:05:16 | |
-Go on, next. -Next, please. | 0:05:16 | 0:05:17 | |
# When I was just a baby | 0:05:17 | 0:05:20 | |
# My mama told me, son | 0:05:20 | 0:05:22 | |
# Always be a good boy | 0:05:22 | 0:05:24 | |
# Don't ever play with a gun... # | 0:05:24 | 0:05:26 | |
Two seconds. | 0:05:26 | 0:05:28 | |
Are they about prisons? | 0:05:28 | 0:05:29 | |
Is it to do with prisons? | 0:05:29 | 0:05:31 | |
It's to do with prisons, that's absolutely right. | 0:05:31 | 0:05:33 | |
You knew that, Tim - what songs did you recognise? | 0:05:33 | 0:05:36 | |
-Folsom Prison Blues... -Mm-hmm. -..and that was it. -Really? | 0:05:36 | 0:05:39 | |
The Green, Green Grass Of Home. | 0:05:39 | 0:05:40 | |
The Green, Green Grass Of Home, that's right. | 0:05:40 | 0:05:42 | |
It's a man coming back from prison. | 0:05:42 | 0:05:44 | |
Well, he isn't really. He's in prison. | 0:05:44 | 0:05:45 | |
These songs are all sung, in theory, by prisoners who are still | 0:05:45 | 0:05:49 | |
in prison, so he's dreaming about going home, seeing his sweetheart. | 0:05:49 | 0:05:53 | |
-Did you recognise any of the others? -No. | 0:05:53 | 0:05:54 | |
The third one sounded like it might have been from a musical. | 0:05:54 | 0:05:57 | |
Yes, from Les Miserables, Look Down, | 0:05:57 | 0:05:58 | |
it's sung by prisoners at the start of that. | 0:05:58 | 0:06:00 | |
-And the Prisoners' Chorus, that's from Fidelio. -All right. | 0:06:00 | 0:06:03 | |
All songs in prisons. Well done. | 0:06:03 | 0:06:06 | |
-Escapologists, what would you like? -Water, please. -Water, OK. | 0:06:06 | 0:06:09 | |
What is the connection between these clues? Here's the first. | 0:06:09 | 0:06:13 | |
Random lists of words, OK. Next. | 0:06:13 | 0:06:16 | |
Names and faces. | 0:06:17 | 0:06:19 | |
To do with memory? Or... | 0:06:19 | 0:06:20 | |
Yeah, I mean, there are sort of conditions where you can't | 0:06:20 | 0:06:23 | |
-remember, but I don't know... -Next. | 0:06:23 | 0:06:25 | |
Abstract images. | 0:06:27 | 0:06:28 | |
Random lists of words, names and faces, abstract images. | 0:06:28 | 0:06:32 | |
They're not tests, cos abstract images, | 0:06:32 | 0:06:35 | |
you've to use them to test... | 0:06:35 | 0:06:37 | |
-Shall we do next? -Yeah, I think so. -Next. | 0:06:37 | 0:06:40 | |
You have to pick one out from... I don't know why. | 0:06:44 | 0:06:48 | |
Two seconds. | 0:06:50 | 0:06:51 | |
Are they... | 0:06:52 | 0:06:54 | |
..tests where you have to pick one? That's really bad. | 0:06:55 | 0:06:58 | |
They are not tests where you have to pick one. | 0:06:58 | 0:07:00 | |
There's a bonus chance for you, Detectives. | 0:07:00 | 0:07:02 | |
We're thinking, are they things that people | 0:07:02 | 0:07:04 | |
have to do in the World Memory Championships? | 0:07:04 | 0:07:06 | |
That's exactly what it is. And you were very close | 0:07:06 | 0:07:08 | |
because you said there are conditions where people can't | 0:07:08 | 0:07:10 | |
remember things - there are also | 0:07:10 | 0:07:11 | |
conditions where people can remember | 0:07:11 | 0:07:13 | |
things, and great memory people | 0:07:13 | 0:07:15 | |
in the World Memory Championships, | 0:07:15 | 0:07:16 | |
they demonstrate these things. | 0:07:16 | 0:07:18 | |
I mean, names and faces, | 0:07:18 | 0:07:19 | |
God help us, I can do about three. | 0:07:19 | 0:07:21 | |
So, well done, you get the bonus, and you get a choice. | 0:07:21 | 0:07:23 | |
-Lion, please. -Lion, OK. | 0:07:23 | 0:07:25 | |
What's the connection? Here's the first clue. | 0:07:25 | 0:07:27 | |
THEY CONFER | 0:07:29 | 0:07:31 | |
Next, please. | 0:07:31 | 0:07:32 | |
Something to do with theatre? | 0:07:37 | 0:07:39 | |
Possibly. Next, please. | 0:07:42 | 0:07:44 | |
That's Mexican music, so it's... | 0:07:45 | 0:07:47 | |
Are they things that are not from | 0:07:49 | 0:07:51 | |
the country which they're supposed to...? | 0:07:51 | 0:07:54 | |
Shall me get one more? | 0:07:54 | 0:07:56 | |
Next, please. | 0:07:56 | 0:07:57 | |
THEY CONFER | 0:08:01 | 0:08:03 | |
Two seconds. | 0:08:05 | 0:08:06 | |
Things which are associated with a country | 0:08:08 | 0:08:10 | |
from which they didn't originate. | 0:08:10 | 0:08:12 | |
Very nice idea. Completely wrong. | 0:08:12 | 0:08:15 | |
A bonus chance for you, Escapologists. | 0:08:15 | 0:08:17 | |
-We think they are trilogies. -They are trilogies. | 0:08:17 | 0:08:20 | |
-What did you recognise? -The Edgar Wright Cornetto trilogy. | 0:08:20 | 0:08:24 | |
Each of their three films - Shaun Of The Dead, Hot Fuzz | 0:08:24 | 0:08:26 | |
and The World's End - has a moment where a character buys a Cornetto. | 0:08:26 | 0:08:30 | |
Red Curtain, do you know what that is? | 0:08:30 | 0:08:31 | |
-It's Baz Luhrmann, isn't it? -That's right. | 0:08:31 | 0:08:33 | |
Mariachi, that's Robert Rodriguez, and his style of film-making, | 0:08:33 | 0:08:37 | |
he said the essence of it | 0:08:37 | 0:08:38 | |
is that creativity, not money, | 0:08:38 | 0:08:40 | |
is used to address the problem. | 0:08:40 | 0:08:42 | |
Very much like the BBC in that respect. | 0:08:42 | 0:08:43 | |
And Three Colours, you don't know that one? | 0:08:43 | 0:08:45 | |
That's red, white and blue, the French-Polish... | 0:08:45 | 0:08:48 | |
That's right, Krzysztof Kieslowski, and, yes, it's the colours | 0:08:48 | 0:08:51 | |
of the French flag, is what that trilogy title is all about. | 0:08:51 | 0:08:55 | |
So, well done, you get the bonus | 0:08:55 | 0:08:56 | |
and you get the last question of the round, the Horned Viper. | 0:08:56 | 0:08:59 | |
What is the connection between these clues? Here's the first. | 0:08:59 | 0:09:02 | |
Next. | 0:09:05 | 0:09:06 | |
Duke of Grafton was Prime Minister, but I don't know who Villiers was. | 0:09:09 | 0:09:13 | |
Yeah, they might be their mothers or something, maybe. | 0:09:13 | 0:09:16 | |
I mean, that's too easy. Next. | 0:09:16 | 0:09:17 | |
OK! | 0:09:20 | 0:09:21 | |
The Duke of Monmouth was a Prime Minister, wasn't he? | 0:09:22 | 0:09:24 | |
-Maybe. -Shall we get the last one? -Yeah, I think we probably... | 0:09:24 | 0:09:28 | |
What are we going to say the last one...? | 0:09:28 | 0:09:31 | |
-Is it going to be any different? Go ahead. -Next. | 0:09:31 | 0:09:35 | |
-Nell Gwynne was... Was she the mistress or something? -Two seconds. | 0:09:37 | 0:09:40 | |
Are these the... | 0:09:43 | 0:09:44 | |
..illegitimate children of... The bottom ones are the illegitimate | 0:09:45 | 0:09:49 | |
children of the ones at the top? | 0:09:49 | 0:09:51 | |
I need to hear one more thing. | 0:09:51 | 0:09:53 | |
Their fathers were monarchs? | 0:09:53 | 0:09:55 | |
Kings? Royals? Royals! Royals! | 0:09:55 | 0:09:58 | |
I'm going to give it to you, for goodness' sake. | 0:09:58 | 0:10:00 | |
Nobody can go out in this match, I will give it to you. | 0:10:00 | 0:10:03 | |
-Specifically, the king... -Charles II. -Charles II, yes. | 0:10:03 | 0:10:07 | |
These people are the illegitimate children of kings, or rather | 0:10:07 | 0:10:10 | |
specifically one king, Charles II, | 0:10:10 | 0:10:12 | |
and their mother is the mistress at the top. | 0:10:12 | 0:10:15 | |
Nell Gwynne, you surely know, is the mistress of Charles II. | 0:10:15 | 0:10:18 | |
Yeah, that's how we got the mistress bit. That's the only thing we knew. | 0:10:18 | 0:10:20 | |
Yes, she was a great rival of Louise de Kerouaille, | 0:10:20 | 0:10:23 | |
but Louise de Kerouaille was Catholic and there's a story that | 0:10:23 | 0:10:26 | |
when an angry mob were hurling things at her carriage, Nell Gwynne | 0:10:26 | 0:10:29 | |
shouted out of the window, "Good people, I'm the PROTESTANT whore." | 0:10:29 | 0:10:33 | |
All mistresses and illegitimate children of royalty, | 0:10:34 | 0:10:37 | |
specifically King Charles II. | 0:10:37 | 0:10:39 | |
That means, at the end of Round 1, | 0:10:39 | 0:10:41 | |
the Escapologists have three points, the Detectives have four. | 0:10:41 | 0:10:44 | |
Sequences now, one thing following another, | 0:10:47 | 0:10:49 | |
like children after you meet King Charles II. | 0:10:49 | 0:10:52 | |
Detectives, you'll be going first again. | 0:10:52 | 0:10:54 | |
-Which question would you like? -Can we have Two Reeds, please? | 0:10:54 | 0:10:56 | |
I don't see why not. | 0:10:56 | 0:10:57 | |
You'll be seeing the first in a sequence of picture clues. | 0:10:57 | 0:11:00 | |
What sort of thing do you expect to see in the fourth picture? | 0:11:00 | 0:11:02 | |
Your time starts now. | 0:11:02 | 0:11:03 | |
THEY CONFER | 0:11:06 | 0:11:08 | |
Next. | 0:11:08 | 0:11:09 | |
That's Alan Bennett. | 0:11:10 | 0:11:12 | |
THEY CONFER | 0:11:17 | 0:11:19 | |
Next, please. | 0:11:21 | 0:11:23 | |
THEY CONFER | 0:11:28 | 0:11:30 | |
Two seconds. | 0:11:40 | 0:11:41 | |
No, that's it, the time's run out. | 0:11:41 | 0:11:43 | |
Escapologists, do you want to have a go for a bonus? | 0:11:43 | 0:11:46 | |
A picture of Scott Mills. | 0:11:46 | 0:11:48 | |
It is absolutely a picture of Scott Mills. And why is that? | 0:11:48 | 0:11:52 | |
They are the Tracy brothers from Thunderbirds in age order. | 0:11:52 | 0:11:56 | |
-Thunderbird order. -Oh, in Thunderbird order. | 0:11:56 | 0:11:58 | |
It is those pilots. I don't know if it's age order. | 0:11:58 | 0:12:00 | |
The Thunderbird pilots, four, three, two, one. | 0:12:00 | 0:12:02 | |
Gordon - that's Gordon Brown, Alan - Alan Bennett, | 0:12:02 | 0:12:05 | |
and of course Virgil - it's The Aeneid in the background | 0:12:05 | 0:12:08 | |
there of the statue, and we want to hear Scott. Very well done. | 0:12:08 | 0:12:11 | |
-You get the bonus and your chance to choose. -Water, please. -Water, OK. | 0:12:11 | 0:12:15 | |
What will come fourth in this sequence? Here's the first. | 0:12:15 | 0:12:18 | |
THEY CONFER | 0:12:20 | 0:12:22 | |
Next. | 0:12:24 | 0:12:26 | |
They might be the most common names in Spain, | 0:12:27 | 0:12:30 | |
or Spanish-speaking countries. | 0:12:30 | 0:12:32 | |
But I can't remember what the most common one is. | 0:12:32 | 0:12:35 | |
-Shall we go next? -Hernandez is common but... -Next. | 0:12:35 | 0:12:37 | |
-I think you might be right. -Might be Hernandez. | 0:12:39 | 0:12:42 | |
Shall we try that? I mean... | 0:12:42 | 0:12:44 | |
-I have seen Hernandez as one of the most common. -Yeah, go for it. | 0:12:48 | 0:12:52 | |
Why not? I don't know. | 0:12:52 | 0:12:53 | |
-Hernandez. -No, it isn't. -Oh, sorry. | 0:12:55 | 0:12:57 | |
-Would you like to have a go for a bonus? -Is it Garcia? -Yes, it is. | 0:12:57 | 0:12:59 | |
I'm slightly disappointed, cos what I hoped to do was go backwards | 0:12:59 | 0:13:02 | |
and forwards, shouting Spanish names until somebody got the right one. | 0:13:02 | 0:13:06 | |
You knew the sequence, which is he four most common | 0:13:06 | 0:13:08 | |
Spanish surnames in Spain, and the most common, Garcia. | 0:13:08 | 0:13:11 | |
Very well done, you get the bonus that time, | 0:13:11 | 0:13:13 | |
and what would you like for a question? | 0:13:13 | 0:13:14 | |
-Can we have Twisted Flax, please? -Yes, you can. | 0:13:14 | 0:13:17 | |
What will come fourth in this sequence? Here's the first. | 0:13:17 | 0:13:20 | |
THEY CONFER | 0:13:21 | 0:13:23 | |
Next, please. | 0:13:37 | 0:13:39 | |
THEY CONFER | 0:13:39 | 0:13:42 | |
Next, please. | 0:13:48 | 0:13:50 | |
THEY CONFER | 0:13:52 | 0:13:55 | |
Two seconds. | 0:13:57 | 0:13:58 | |
One, Stansted. | 0:14:00 | 0:14:01 | |
-And why would that be? -Because it's an airport. | 0:14:01 | 0:14:04 | |
Well, I will accept one, Stansted | 0:14:05 | 0:14:07 | |
because it's an acceptable answer, though you haven't got the sequence. | 0:14:07 | 0:14:10 | |
-I'd have preferred one, Cardiff. -Obviously. | 0:14:10 | 0:14:12 | |
But Stansted is an acceptable answer. Do you know why? | 0:14:12 | 0:14:14 | |
We think it might be the number of runways. | 0:14:14 | 0:14:17 | |
-It's not. -Oh. | 0:14:17 | 0:14:18 | |
It's the number of terminals. | 0:14:18 | 0:14:19 | |
Now, this is very mean because you may have flown from Terminal 5 - | 0:14:19 | 0:14:23 | |
that's one of four terminals. Terminal 1 closed in 2015. | 0:14:23 | 0:14:27 | |
Now they have only two, three, four, five, | 0:14:27 | 0:14:29 | |
so there are four terminals at Heathrow, three at Manchester, | 0:14:29 | 0:14:32 | |
two at Gatwick, and I wanted to hear somewhere that has | 0:14:32 | 0:14:34 | |
one terminal - lovely Cardiff - but you wouldn't know that | 0:14:34 | 0:14:36 | |
because why would anyone want to leave Cardiff? | 0:14:36 | 0:14:38 | |
Why would you go to the airport, even? | 0:14:38 | 0:14:40 | |
You'd simply stay for as long as you could. | 0:14:40 | 0:14:42 | |
But you get the point. | 0:14:42 | 0:14:44 | |
-Escapologists, what would you like? -Lion, please. -Lion. | 0:14:44 | 0:14:47 | |
What would come fourth in this sequence? Here's the first. | 0:14:47 | 0:14:49 | |
OK! | 0:14:50 | 0:14:52 | |
Next. | 0:14:54 | 0:14:55 | |
Oh, the year. | 0:14:58 | 0:15:00 | |
-Oh, yeah. -"Sex began in 1963", or something, | 0:15:01 | 0:15:03 | |
-"which was very late for me", from the poem. -OK. | 0:15:03 | 0:15:06 | |
-Isn't it? -It may well be. | 0:15:06 | 0:15:08 | |
-So was it '64, the marriage of Burton and Taylor? -Oh, I don't know. | 0:15:08 | 0:15:11 | |
-Shall we see next? -So it would be '66. | 0:15:11 | 0:15:14 | |
Shall we do that? | 0:15:14 | 0:15:16 | |
Yeah, go for it. | 0:15:16 | 0:15:17 | |
England winning the World Cup. | 0:15:19 | 0:15:20 | |
Is an acceptable answer. | 0:15:20 | 0:15:23 | |
We went with Harold Wilson winning a general election. And why is that? | 0:15:23 | 0:15:26 | |
Something happening in '63, '64, '65, '66 - | 0:15:26 | 0:15:29 | |
the poem "sex began in '63 (which was really very late for me)" | 0:15:29 | 0:15:33 | |
-or something. -That's right, Larkin. | 0:15:33 | 0:15:34 | |
"Sexual intercourse began in 1963 (which was rather late for me) | 0:15:34 | 0:15:37 | |
"Between the end of the Chatterley ban | 0:15:37 | 0:15:39 | |
"And the Beatles' first LP." | 0:15:39 | 0:15:40 | |
And the first marriage of Richard Burton and Elizabeth Taylor, '64, | 0:15:40 | 0:15:43 | |
then we're going '65, | 0:15:43 | 0:15:45 | |
and something that happened in 1966, | 0:15:45 | 0:15:47 | |
Harold Wilson wins a snap election, or England winning the football. | 0:15:47 | 0:15:50 | |
Well done. | 0:15:50 | 0:15:51 | |
-Back to you, Detectives, what would you like? -Horned Viper, please. | 0:15:51 | 0:15:54 | |
The Horned Viper. What will come fourth in this sequence? | 0:15:54 | 0:15:57 | |
Here's the first. | 0:15:57 | 0:15:58 | |
Next. | 0:16:03 | 0:16:04 | |
Next. | 0:16:13 | 0:16:14 | |
THEY CONFER | 0:16:19 | 0:16:21 | |
Two seconds. | 0:16:35 | 0:16:37 | |
41 = 17. | 0:16:37 | 0:16:39 | |
I'm afraid that's not a sequence. | 0:16:40 | 0:16:42 | |
-Escapologists, do you want to have a go? -Nominate Tom. | 0:16:42 | 0:16:46 | |
It's 41 = 1. | 0:16:46 | 0:16:49 | |
-No, it's not. -No, it's 41 = 4. -Yes, it is that, | 0:16:49 | 0:16:52 | |
but unfortunately the first answer you gave was 41 = 1. | 0:16:52 | 0:16:55 | |
What is the sequence? | 0:16:55 | 0:16:56 | |
It's the first number to the power of the next number equals | 0:16:56 | 0:17:01 | |
the answer, which I should have got because I'm a maths teacher | 0:17:01 | 0:17:04 | |
and I didn't get it. | 0:17:04 | 0:17:06 | |
That's absolutely right. | 0:17:06 | 0:17:07 | |
It's not about the whole number, it's about the two numbers. | 0:17:07 | 0:17:10 | |
So you'll see the first number in each case, it goes 1, 2, 3, | 0:17:10 | 0:17:13 | |
the second number goes 4, 3, 2, | 0:17:13 | 0:17:15 | |
so you want 4 and 1, and then it's powers. | 0:17:15 | 0:17:18 | |
We've left off the power symbol and the superscript, | 0:17:18 | 0:17:20 | |
so 1 to the power of 4 is 1, 2 to the power of 3 is 8, | 0:17:20 | 0:17:23 | |
3 to the power of 2 is 9 - we want to hear 4 to the power of 1 is 4. | 0:17:23 | 0:17:26 | |
Now, were you thinking...? | 0:17:28 | 0:17:29 | |
I'm sure your students would want me to grill you on this. | 0:17:29 | 0:17:33 | |
Were you thinking 4 to the power of 1 is 1? | 0:17:33 | 0:17:35 | |
-Or were you doing a different calculation? -No, I was thinking... | 0:17:35 | 0:17:39 | |
I was thinking, "Is it 1 or is it 4?" | 0:17:39 | 0:17:40 | |
I can't remember, I always forget that one. | 0:17:40 | 0:17:43 | |
And what is the age of your pupils? | 0:17:43 | 0:17:45 | |
They're all GCSE age. | 0:17:45 | 0:17:47 | |
Oh, that's fine, they can do it by themselves. | 0:17:47 | 0:17:49 | |
By then they don't even need advice. | 0:17:49 | 0:17:51 | |
You may have the last question of the round, the Eye of Horus. | 0:17:51 | 0:17:53 | |
What would come fourth in this sequence? Here's the first. | 0:17:53 | 0:17:56 | |
Next. | 0:17:59 | 0:18:00 | |
Federal Executive Board. Is this to do with abbreviations, acronyms? | 0:18:02 | 0:18:06 | |
THEY CONFER | 0:18:06 | 0:18:08 | |
Next. | 0:18:11 | 0:18:12 | |
Memory Address Register? | 0:18:13 | 0:18:14 | |
They're not, cos... No, no, they're... | 0:18:18 | 0:18:20 | |
I was thinking RAM is read-only memory, | 0:18:20 | 0:18:22 | |
but that's nothing to do with it. | 0:18:22 | 0:18:24 | |
-Oh, it's JAN, FEB, MAR... -It could be FedEx, but no, that's... | 0:18:26 | 0:18:29 | |
-I know what it is. -OK. Oh, yes, of course. | 0:18:29 | 0:18:32 | |
Automatic Plate Recognition. | 0:18:33 | 0:18:36 | |
Well, everybody is very familiar with that phrase. | 0:18:36 | 0:18:38 | |
I mean, a slightly more common one is Annual Percentage Rate. | 0:18:38 | 0:18:41 | |
-That one, yes. -And why is this? What's the sequence? | 0:18:41 | 0:18:44 | |
They are acronyms that spell out the months, so Jan, Feb, Mar, Apr. | 0:18:44 | 0:18:48 | |
That's exactly it, you can | 0:18:48 | 0:18:49 | |
abbreviate Joint Army-Navy to Jan, | 0:18:49 | 0:18:52 | |
and if you look downwards on the other clues, Feb, Mar, | 0:18:52 | 0:18:54 | |
and we want something that will go Apr for April. | 0:18:54 | 0:18:56 | |
Well done. | 0:18:56 | 0:18:57 | |
That means, at the end of Round 2, | 0:18:57 | 0:18:59 | |
the Detectives have seven points, | 0:18:59 | 0:19:00 | |
the Escapologists have nine. | 0:19:00 | 0:19:02 | |
Onwards to the Connecting Wall, and, Escapologists, | 0:19:05 | 0:19:07 | |
you'll be the first to try scaling it. Would you like Lion or Water? | 0:19:07 | 0:19:11 | |
-Water, please. -The Water Wall. | 0:19:11 | 0:19:12 | |
You have two and a half minutes to solve it, starting now. | 0:19:12 | 0:19:16 | |
OK, so it's P Diddy. | 0:19:17 | 0:19:18 | |
-Kip Thorne is a physicist, but... -OK. | 0:19:18 | 0:19:20 | |
-OK, so chicken... -If it's Parky, it's cold. -Oh, yeah. | 0:19:22 | 0:19:25 | |
-Biting is cold. -Yeah. | 0:19:25 | 0:19:27 | |
-OK, what else is chicken? -BUZZER | 0:19:28 | 0:19:31 | |
BUZZER | 0:19:32 | 0:19:33 | |
BUZZER | 0:19:35 | 0:19:36 | |
BUZZER | 0:19:38 | 0:19:40 | |
BUZZER | 0:19:40 | 0:19:41 | |
-You can have also skip, sparky. -Yeah. | 0:19:44 | 0:19:47 | |
What else is cold? | 0:19:48 | 0:19:49 | |
BUZZER | 0:19:51 | 0:19:52 | |
Try chicken again. | 0:19:54 | 0:19:56 | |
What else have we got? | 0:19:56 | 0:19:57 | |
There could be. | 0:19:57 | 0:19:58 | |
Gambo, Frango, I don't know. | 0:20:01 | 0:20:03 | |
BUZZER | 0:20:03 | 0:20:04 | |
Seems a bit chickeny. | 0:20:05 | 0:20:07 | |
-It does, doesn't it? -BUZZER | 0:20:07 | 0:20:08 | |
OK, so we've got... | 0:20:08 | 0:20:10 | |
OK. Oh, yeah, Diddy, Grimmy... | 0:20:13 | 0:20:16 | |
Oh, that's no good at all. Parky... | 0:20:18 | 0:20:21 | |
Yeah, the one ending in O, Gambaccini. | 0:20:21 | 0:20:24 | |
Gambaccini, yeah, maybe. | 0:20:24 | 0:20:26 | |
-He's a DJ, isn't he? -Parky. | 0:20:26 | 0:20:28 | |
-He's not really, is he? -No, not really. | 0:20:28 | 0:20:31 | |
OK, we need to get some thoughts. | 0:20:31 | 0:20:33 | |
Oh, no. | 0:20:36 | 0:20:37 | |
Maybe Kip is a DJ, I don't know. | 0:20:37 | 0:20:39 | |
OK, let's move on from DJs. | 0:20:39 | 0:20:41 | |
So we've got words for cold. | 0:20:41 | 0:20:43 | |
Frango... | 0:20:43 | 0:20:45 | |
-What is that? -I've no idea. | 0:20:45 | 0:20:46 | |
OK, don't panic. What about Dinner? | 0:20:49 | 0:20:51 | |
Dinner plate, chicken Dinner. | 0:20:51 | 0:20:53 | |
Dinner guest. | 0:20:53 | 0:20:55 | |
30 seconds. | 0:20:55 | 0:20:56 | |
Chris Huhne, but it's not spelt like that. | 0:20:57 | 0:20:59 | |
-Have we got Apollo? -Apollo, yeah. | 0:21:01 | 0:21:03 | |
It could be gods with one letter taken off but... | 0:21:06 | 0:21:09 | |
Ten seconds. | 0:21:15 | 0:21:17 | |
BUZZER | 0:21:17 | 0:21:18 | |
-Balso Snell in the Nathaniel West novel. -OK. -But I don't know... | 0:21:18 | 0:21:22 | |
BUZZER | 0:21:22 | 0:21:23 | |
-That's it, the time's up. -Oh, no! -What a horrible wall. | 0:21:24 | 0:21:27 | |
The difficulty does go up at the quarterfinals. A nasty thing indeed. | 0:21:27 | 0:21:32 | |
Let's have a look at how it should have been. | 0:21:32 | 0:21:34 | |
There we go. Can you give me points for the connections? | 0:21:34 | 0:21:37 | |
Huhn, Kip, Poulet, Frango. | 0:21:37 | 0:21:40 | |
-Chicken. -That is chicken, yes. | 0:21:40 | 0:21:43 | |
Kip is chicken in Dutch, Huhn in German, | 0:21:43 | 0:21:45 | |
Frango is apparently chicken in Portuguese. | 0:21:45 | 0:21:49 | |
Green - Grimmy, Copping, Dinner, Pollo. | 0:21:49 | 0:21:52 | |
You can remove one of the double letters to make a new word. | 0:21:52 | 0:21:55 | |
Yes, you can - grimy, coping, diner, polo. | 0:21:55 | 0:21:59 | |
Well spotted at this point. | 0:21:59 | 0:22:00 | |
And the next group - Deadly, Parky, Diddy, Gambo. | 0:22:00 | 0:22:05 | |
-Are they...? -They're all nicknames for DJs. | 0:22:05 | 0:22:07 | |
They are, nicknames for BBC radio presenters. | 0:22:07 | 0:22:10 | |
Alan Dedicoat - Deadly - he retired in 2015. | 0:22:10 | 0:22:12 | |
-You might know him as the voice of the balls on the Lottery. -Yeah. | 0:22:12 | 0:22:14 | |
Parky - Michael Parkinson, was a radio presenter for many years. | 0:22:14 | 0:22:17 | |
Diddy - David Hamilton. | 0:22:17 | 0:22:19 | |
And Gamba - Paul Gambaccini, as I think you mentioned. | 0:22:19 | 0:22:22 | |
And the turquoise group - Biting, Crisp, Snell, Rimy. | 0:22:22 | 0:22:25 | |
-They might be synonyms for cold. -They all mean cold. | 0:22:25 | 0:22:27 | |
Snell a Scottish word for bitterly cold. | 0:22:27 | 0:22:30 | |
So, no groups but all the connections - that is four points. | 0:22:30 | 0:22:33 | |
Let's bring in their opponents now, | 0:22:33 | 0:22:34 | |
give them the other Connecting Wall, see what they can do. | 0:22:34 | 0:22:37 | |
You'll be getting the Lion Wall because Water's been taken. | 0:22:37 | 0:22:40 | |
You have two and a half minutes to solve it, starting now. | 0:22:40 | 0:22:43 | |
OK, there's cocktails. | 0:22:48 | 0:22:49 | |
-BUZZER -What else is a cocktail? | 0:22:54 | 0:22:56 | |
Bulldog. | 0:22:56 | 0:22:57 | |
BUZZER | 0:23:00 | 0:23:02 | |
BUZZER | 0:23:03 | 0:23:04 | |
Alcove is part of a building. | 0:23:04 | 0:23:06 | |
THEY CONFER | 0:23:07 | 0:23:09 | |
-Leisler's means nothing. -No. | 0:23:14 | 0:23:16 | |
Wisley, does that mean anything? | 0:23:16 | 0:23:18 | |
Flower show, shooting championship... | 0:23:18 | 0:23:20 | |
-No, that's Bisley. -Oh. | 0:23:20 | 0:23:23 | |
BUZZER | 0:23:30 | 0:23:31 | |
Vesper's definitely a cocktail. | 0:23:32 | 0:23:33 | |
Screwdriver is definitely a cocktail. | 0:23:33 | 0:23:35 | |
THEY CONFER | 0:23:41 | 0:23:44 | |
Kamikaze is a Japanese word. | 0:23:44 | 0:23:46 | |
THEY CONFER | 0:23:49 | 0:23:51 | |
BUZZER | 0:24:00 | 0:24:02 | |
BUZZER | 0:24:04 | 0:24:05 | |
BUZZER | 0:24:06 | 0:24:07 | |
BUZZER | 0:24:10 | 0:24:11 | |
BUZZER | 0:24:12 | 0:24:13 | |
Is there a Horseshoe cocktail? | 0:24:18 | 0:24:20 | |
What about the ones that we don't know? | 0:24:26 | 0:24:28 | |
That's got lake in it. That's got sea in it. | 0:24:28 | 0:24:32 | |
That's got cove in it. | 0:24:32 | 0:24:34 | |
River. | 0:24:34 | 0:24:36 | |
BUZZER | 0:24:44 | 0:24:46 | |
BUZZER Ten seconds. | 0:24:46 | 0:24:48 | |
BUZZER | 0:24:48 | 0:24:50 | |
BUZZER | 0:24:50 | 0:24:51 | |
BUZZER | 0:24:53 | 0:24:54 | |
That's it, the time's up, but you found a group, which, | 0:24:56 | 0:24:58 | |
let me tell you, can be hard to do. | 0:24:58 | 0:25:00 | |
What about the connections? Screwdriver, Chelsea, Flake, Alcove. | 0:25:00 | 0:25:04 | |
They've all got bodies of water hidden in them. | 0:25:04 | 0:25:06 | |
That's right, bodies of water at the end of the words, there - | 0:25:06 | 0:25:08 | |
river, sea, lake, cove. | 0:25:08 | 0:25:10 | |
And you can still get points for the connections in the groups | 0:25:10 | 0:25:13 | |
you didn't find, so let's resolve the wall. There we go. | 0:25:13 | 0:25:16 | |
Cardiff, Chatsworth, Rosemoor, Wisley. | 0:25:16 | 0:25:19 | |
-Any ideas? -Stately homes. -Stately homes. | 0:25:20 | 0:25:23 | |
No, they are flower shows, | 0:25:23 | 0:25:25 | |
Royal Horticultural Society flower shows, RHS Wisley and so on. | 0:25:25 | 0:25:30 | |
And the next group - Salty Dog, Kamikaze, Cape Cod, Vesper. | 0:25:30 | 0:25:34 | |
-They're all cocktails. -They are cocktails. | 0:25:34 | 0:25:36 | |
They're vodka cocktails, | 0:25:36 | 0:25:38 | |
but I won't make you be more specific on this horrible wall. | 0:25:38 | 0:25:40 | |
And the last group - Serotine, Leisler's, Horseshoe, Bulldog. | 0:25:40 | 0:25:45 | |
-Are they all clips? -They are not, they are bats. | 0:25:45 | 0:25:48 | |
As in, flap, flap in the moonlight type of bats. They are all bats. | 0:25:48 | 0:25:51 | |
What a nasty wall! | 0:25:51 | 0:25:53 | |
But well done for finding a group, | 0:25:53 | 0:25:54 | |
and you also got two connection points, that's a total of three. | 0:25:54 | 0:25:57 | |
Let's have a look at the overall scores. | 0:25:57 | 0:25:59 | |
So, everyone's relieved, | 0:26:06 | 0:26:07 | |
as you find out that the other team didn't solve the wall either. | 0:26:07 | 0:26:11 | |
We're now going to play the missing vowels round, | 0:26:11 | 0:26:13 | |
so fingers on buzzers, teams. | 0:26:13 | 0:26:15 | |
I can tell you that the first group are all the... | 0:26:15 | 0:26:17 | |
-Escapologists? -Doppelgangers. -Correct. | 0:26:22 | 0:26:24 | |
-Escapologists? -Identical twins. -Yes, it is. | 0:26:27 | 0:26:30 | |
-Escapologists. -Mirror image. -Yes, it is. | 0:26:32 | 0:26:35 | |
-Detectives? -Allotropes. -Correct. | 0:26:38 | 0:26:40 | |
Next category... | 0:26:40 | 0:26:41 | |
-Detectives? -Hepatitis and liver. -Lovely. | 0:26:46 | 0:26:48 | |
-Escapologists? -Nephritis and kidney. -Delightful. | 0:26:52 | 0:26:55 | |
-Detectives? -Sinusitis and nose. | 0:26:59 | 0:27:02 | |
I'm afraid that's not it. Escapologists, do you know? | 0:27:02 | 0:27:05 | |
Sinusitis and sinus. | 0:27:05 | 0:27:06 | |
That's right, there's an S that doesn't work in yours. Last clue... | 0:27:06 | 0:27:10 | |
-Escapologists. -Arthritis and joints. -My personal favourite. | 0:27:10 | 0:27:13 | |
Next category... | 0:27:13 | 0:27:14 | |
-Detectives? -Weston-super-Mare. -Correct. | 0:27:18 | 0:27:20 | |
-Escapologists? -Ashton-under-Lyne. -Yes, it is. | 0:27:23 | 0:27:27 | |
-Escapologists? -Stow-on-the-Wold. -Correct. | 0:27:29 | 0:27:32 | |
-Escapologists? -Chester-le-Street. -Correct. | 0:27:35 | 0:27:37 | |
Next category... | 0:27:37 | 0:27:39 | |
-Escapologists? -The Magic Flute and Mozart. -Correct. | 0:27:42 | 0:27:45 | |
DETECTIVES BUZZ IN, END OF SHOW JINGLE | 0:27:48 | 0:27:50 | |
No time to tell me the answer - what would you have said? | 0:27:52 | 0:27:54 | |
-Fidelio and Beethoven. -Oh, you know it now? | 0:27:54 | 0:27:56 | |
We had it earlier in the show! | 0:27:56 | 0:27:57 | |
That's absolutely right, but too late for the bell. | 0:27:57 | 0:27:59 | |
It's the end of the quiz and I can tell you that the winners, | 0:27:59 | 0:28:02 | |
and through to the next round with 23 points, | 0:28:02 | 0:28:05 | |
are the Escapologists. Very well done. | 0:28:05 | 0:28:07 | |
Finishing in second place with 12 is the Detectives. | 0:28:07 | 0:28:10 | |
But of course, you're not out via our new incomprehensible system, | 0:28:10 | 0:28:13 | |
where the quarterfinals go on and on for at least 23 episodes. | 0:28:13 | 0:28:17 | |
So, well done to you and you, and that is the end of the show. | 0:28:17 | 0:28:20 | |
Night-night, if you're going to bed, bye-bye. | 0:28:20 | 0:28:22 | |
Morning, if you're just getting up - we don't presume. | 0:28:22 | 0:28:25 | |
Bonsoir if you run a restaurant. | 0:28:25 | 0:28:27 | |
Giddy up if you're a horse. | 0:28:27 | 0:28:28 | |
And if you haven't paid your TV licence, hisssss! | 0:28:28 | 0:28:31 |