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If ignorance is bliss, prepare to meet some unhappy people. | 0:00:21 | 0:00:25 | |
Ignorant they're not, | 0:00:25 | 0:00:26 | |
these teams have made it all away to the Only Connect semifinal. | 0:00:26 | 0:00:29 | |
They know they're just one step away from the final, but then | 0:00:29 | 0:00:32 | |
so does anyone who's heard the word "semifinal" before, | 0:00:32 | 0:00:35 | |
so good luck, all. | 0:00:35 | 0:00:36 | |
I know whoever loses tonight will have a very bitter taste | 0:00:36 | 0:00:39 | |
in the mouth and that's what happens | 0:00:39 | 0:00:40 | |
when you try to console yourself with a BBC sandwich! | 0:00:40 | 0:00:44 | |
In contention, on my right, | 0:00:44 | 0:00:46 | |
Holly Pattenden, a strategy analyst | 0:00:46 | 0:00:48 | |
and Oxford classics graduate with a passion for the works of Homer and | 0:00:48 | 0:00:52 | |
a love of the Mediterranean, | 0:00:52 | 0:00:54 | |
Gareth Price, a magazine editor | 0:00:54 | 0:00:56 | |
and history buff who loves Formula 1 racing | 0:00:56 | 0:00:59 | |
and attending classic motor shows, | 0:00:59 | 0:01:01 | |
and their captain, Dom Tait, | 0:01:01 | 0:01:03 | |
an associate editor | 0:01:03 | 0:01:04 | |
and indie music enthusiast and who has snorkelled with | 0:01:04 | 0:01:07 | |
a manatee and been attacked by a tarantula. | 0:01:07 | 0:01:09 | |
That was just in his first heat! | 0:01:09 | 0:01:11 | |
All fans of the written word, | 0:01:11 | 0:01:13 | |
they are Scribes. | 0:01:13 | 0:01:15 | |
Dom, you've beaten the Ciphers and the TEFL Teachers so far, | 0:01:15 | 0:01:18 | |
how are you feeling about your semifinal opposition? | 0:01:18 | 0:01:21 | |
Er, I think they're quite daunting. | 0:01:21 | 0:01:22 | |
I think they clearly very good and it's going to be very | 0:01:22 | 0:01:25 | |
tough to beat them, but we like | 0:01:25 | 0:01:27 | |
a challenge, so we'll go for it. | 0:01:27 | 0:01:28 | |
You are meeting on my left, | 0:01:28 | 0:01:30 | |
Brian Pendreigh, a journalist | 0:01:30 | 0:01:33 | |
and vertigo sufferer, | 0:01:33 | 0:01:34 | |
whose wedding was MC'ed by Andrew Marr, | 0:01:34 | 0:01:36 | |
Chris Brewis, a journalist | 0:01:36 | 0:01:38 | |
and Sunderland FC supporter, | 0:01:38 | 0:01:40 | |
who wrote to the Football Federation | 0:01:40 | 0:01:42 | |
to suggest a change to the rules of the game, | 0:01:42 | 0:01:44 | |
which they adopted just 20 years later, | 0:01:44 | 0:01:46 | |
and their captain, Dave Taylor, | 0:01:46 | 0:01:48 | |
a retired transport manager, | 0:01:48 | 0:01:50 | |
who has donated blood 94 times and once represented Germany in | 0:01:50 | 0:01:55 | |
the European Quizzing Championships because they were short of players. | 0:01:55 | 0:01:59 | |
They enjoy putting pen to paper, | 0:01:59 | 0:02:01 | |
they are the Wordsmiths. | 0:02:01 | 0:02:02 | |
Dave, you've beaten the Educators and the Wintonians to get | 0:02:02 | 0:02:05 | |
to the semifinal, what is your strategy tonight? | 0:02:05 | 0:02:07 | |
Er, hopefully, having a massive lead going into the Missing Vowels Round, | 0:02:07 | 0:02:14 | |
because we're hopeless at it. | 0:02:14 | 0:02:16 | |
Is there any area of general knowledge | 0:02:16 | 0:02:18 | |
you're hoping won't come up? | 0:02:18 | 0:02:19 | |
Anything to do with music | 0:02:19 | 0:02:21 | |
after 1970-ish and... | 0:02:21 | 0:02:23 | |
OK, you said that during your heat. | 0:02:23 | 0:02:26 | |
You still haven't learnt | 0:02:26 | 0:02:27 | |
about music after 1970, | 0:02:27 | 0:02:28 | |
even though you're in the semifinal? | 0:02:28 | 0:02:30 | |
No, no, and also computer games | 0:02:30 | 0:02:34 | |
and anything to do with the kids nowadays. | 0:02:34 | 0:02:37 | |
LAUGHTER | 0:02:37 | 0:02:39 | |
Well, that rules out most things. Let's play the quiz. | 0:02:39 | 0:02:42 | |
In Round One, teams, | 0:02:42 | 0:02:43 | |
I just want to know what's | 0:02:43 | 0:02:44 | |
the connection between | 0:02:44 | 0:02:46 | |
four apparently random clues. | 0:02:46 | 0:02:47 | |
All right, Scribes, | 0:02:47 | 0:02:48 | |
you've been put in first, | 0:02:48 | 0:02:50 | |
what are you going to go for? | 0:02:50 | 0:02:52 | |
We're going to go for Lion, please. | 0:02:52 | 0:02:54 | |
All right, what is the connection between these clues? | 0:02:54 | 0:02:57 | |
Here's the first. | 0:02:57 | 0:02:58 | |
OK, lift hill ABOVE 200 feet, I presume that means. | 0:03:00 | 0:03:03 | |
Next, please. | 0:03:03 | 0:03:05 | |
Is this what the... Is this what the standard should be? Next, please. | 0:03:07 | 0:03:13 | |
Oooh, that's... Is this when it becomes hyper? Hyperinflation... | 0:03:15 | 0:03:21 | |
-Hypertension. -Hypertension, so, yeah, shall I go for that? OK. | 0:03:21 | 0:03:25 | |
BELL RINGS | 0:03:25 | 0:03:27 | |
-Is that when they become hyper? -It absolutely is! | 0:03:28 | 0:03:30 | |
And that first clue, that's a roller coaster | 0:03:30 | 0:03:33 | |
when it's got a lift hill of 200 foot or more, | 0:03:33 | 0:03:35 | |
that's a hyper coaster. | 0:03:35 | 0:03:37 | |
You didn't need the last one, speed, going to hypersonic. | 0:03:37 | 0:03:40 | |
Hyper is the connection, well done to you. Off the blocks. | 0:03:40 | 0:03:42 | |
Wordsmiths, it's your turn. | 0:03:42 | 0:03:44 | |
The Eye of Horus, please. | 0:03:44 | 0:03:47 | |
All right, time for you to find a connection. | 0:03:47 | 0:03:50 | |
Here's the first clue. | 0:03:50 | 0:03:51 | |
Vice president. He shot someone. | 0:03:55 | 0:03:58 | |
-Next one. -Next one, please. | 0:03:58 | 0:03:59 | |
-Is this the one, the something that made history? -Yes. | 0:04:03 | 0:04:07 | |
-The shot that made history. -We'll go on. Say next. | 0:04:07 | 0:04:11 | |
Next one, please. | 0:04:11 | 0:04:14 | |
Yeah. | 0:04:14 | 0:04:15 | |
Shots that made history. | 0:04:15 | 0:04:17 | |
Yeah, history. | 0:04:17 | 0:04:19 | |
Shots that were heard around the world or made history. | 0:04:19 | 0:04:21 | |
They're all shots that made history or were heard round the world. | 0:04:21 | 0:04:26 | |
That's exactly | 0:04:26 | 0:04:27 | |
what they are described as - | 0:04:27 | 0:04:29 | |
shots heard round the world. | 0:04:29 | 0:04:31 | |
Dick Cheney, what did he do in 2006? | 0:04:31 | 0:04:34 | |
I think he shot somebody on a hunting expedition by accident, | 0:04:34 | 0:04:38 | |
I'm led to believe. | 0:04:38 | 0:04:40 | |
Yes, well, so he claims. | 0:04:40 | 0:04:42 | |
He shot a 78-year-old lawyer, we hope it was an accident. | 0:04:42 | 0:04:45 | |
Bobby Thomson, what was that? | 0:04:45 | 0:04:46 | |
I think it was in World Series that... | 0:04:46 | 0:04:48 | |
Was it the Boston Red Sox...? | 0:04:48 | 0:04:52 | |
He won the National League Pennant | 0:04:52 | 0:04:53 | |
for the New York Giants in a baseball game. | 0:04:53 | 0:04:56 | |
Assassination of Archduke Ferdinand started the First World War, | 0:04:56 | 0:04:59 | |
and you didn't need to see | 0:04:59 | 0:05:00 | |
start of the American Revolution, that's from a poem | 0:05:00 | 0:05:03 | |
by Emerson in 1837. | 0:05:03 | 0:05:06 | |
So well before 1970 and in your comfort zone. | 0:05:06 | 0:05:10 | |
Shots heard around the world - well done for the points. | 0:05:10 | 0:05:12 | |
And back to you, Scribes. | 0:05:12 | 0:05:14 | |
Horned Viper, please. | 0:05:14 | 0:05:16 | |
OK, the music question. | 0:05:16 | 0:05:18 | |
What's the connection between these lovely sounding clues? | 0:05:18 | 0:05:21 | |
Here's the first. | 0:05:21 | 0:05:22 | |
CLASSICAL PIANO MUSIC | 0:05:22 | 0:05:24 | |
Next, please. | 0:05:30 | 0:05:31 | |
ORCHESTRAL MUSIC PLAYS | 0:05:32 | 0:05:34 | |
-The Theme From Thomas Tallis. -The Theme From Thomas Tallis. | 0:05:35 | 0:05:38 | |
Fantasia on A Theme From Thomas Tallis. | 0:05:38 | 0:05:40 | |
-Fantasia on A Theme From Thomas Tallis. -By Vaughan Williams. -OK. | 0:05:40 | 0:05:43 | |
Next, please. | 0:05:43 | 0:05:45 | |
ORCHESTRAL MUSIC PLAYS | 0:05:45 | 0:05:46 | |
-It's Rachmaninov. He's a Classic FM sort of top choices... -Ten seconds. | 0:05:46 | 0:05:53 | |
Next, please. | 0:05:53 | 0:05:55 | |
ORCHESTRAL MUSIC PLAYS | 0:05:55 | 0:05:57 | |
-What's that? -Three seconds. | 0:05:57 | 0:06:00 | |
BELL RINGS | 0:06:00 | 0:06:02 | |
-Er, are they all specifically for young people? -No, they're not. | 0:06:02 | 0:06:07 | |
Wouldn't it be lovely if they were? | 0:06:07 | 0:06:08 | |
All young people should be listening to that sort of thing - | 0:06:08 | 0:06:11 | |
that is not the specific connection so let me | 0:06:11 | 0:06:13 | |
go to the young people on my left. | 0:06:13 | 0:06:15 | |
They're all bits of music that the tune is by another composer | 0:06:15 | 0:06:22 | |
and other composers have used that tune | 0:06:22 | 0:06:25 | |
-to do their own variations or... -I'll accept it. | 0:06:25 | 0:06:28 | |
They're written on the theme of another composer. | 0:06:28 | 0:06:31 | |
Do you know any of the particular ones you heard? | 0:06:31 | 0:06:34 | |
The second one was a Rhapsody on The Theme Of Thomas Tallis | 0:06:34 | 0:06:36 | |
by Vaughan Williams. | 0:06:36 | 0:06:38 | |
It is Fantasia on The Theme Of Thomas Tallis, | 0:06:38 | 0:06:40 | |
that's Vaughan Williams. | 0:06:40 | 0:06:41 | |
And the Rachmaninov on the Theme Of Paganini was third. | 0:06:41 | 0:06:45 | |
That beautiful third piece was that, indeed. | 0:06:45 | 0:06:47 | |
And the fourth one is the Young Person's Guide To The Orchestra | 0:06:47 | 0:06:50 | |
which is Benjamin Britten on a Theme Of Purcell. | 0:06:50 | 0:06:54 | |
Brilliant! | 0:06:54 | 0:06:55 | |
I think the first one probably sounded like | 0:06:55 | 0:06:58 | |
-it was Beethoven, but I don't know what the... -Oh, just one more | 0:06:58 | 0:07:02 | |
piece of information. | 0:07:02 | 0:07:03 | |
It was Beethoven's... | 0:07:03 | 0:07:04 | |
I'll work on the fact | 0:07:04 | 0:07:06 | |
that it's a bit by Handel? | 0:07:06 | 0:07:07 | |
..Diabelli Variations, | 0:07:07 | 0:07:08 | |
but a really brilliant answer. | 0:07:08 | 0:07:11 | |
Pieces written on the theme of another composer, well done. | 0:07:11 | 0:07:13 | |
You get a bonus point and the chance | 0:07:13 | 0:07:15 | |
to choose your own question. | 0:07:15 | 0:07:16 | |
-Twisted Flax, please. -Twisted Flax. | 0:07:16 | 0:07:19 | |
How twisted is the connection going to be here? | 0:07:19 | 0:07:21 | |
Here's your first clue. | 0:07:21 | 0:07:22 | |
Thomas Hardy. | 0:07:25 | 0:07:26 | |
It might be where he was born | 0:07:26 | 0:07:27 | |
or something or a place he's made up. | 0:07:27 | 0:07:29 | |
Next, please. | 0:07:29 | 0:07:30 | |
-Hampton Court, Jane Seymour. -Might be where she was married... | 0:07:32 | 0:07:36 | |
-Could be. -..or buried. | 0:07:36 | 0:07:38 | |
The next one, please. | 0:07:38 | 0:07:40 | |
It's where hearts are kept. | 0:07:40 | 0:07:41 | |
It's where hearts are kept, yeah. | 0:07:41 | 0:07:43 | |
BELL RINGS | 0:07:45 | 0:07:47 | |
-Places where people's hearts are buried. -Exactly right - | 0:07:47 | 0:07:52 | |
the locations of buried hearts, | 0:07:52 | 0:07:53 | |
people whose bodies are buried elsewhere. | 0:07:53 | 0:07:56 | |
-Thomas Hardy's ashes are where? -Westminster Abbey? | 0:07:56 | 0:07:59 | |
They're in Westminster Abbey, but his heart at Stinsford. | 0:07:59 | 0:08:02 | |
Jane Seymour's buried at Windsor with Henry VIII | 0:08:02 | 0:08:04 | |
but her heart's at Hampton Court. Robert the Bruce, Melrose Abbey, | 0:08:04 | 0:08:07 | |
and you didn't need t see Chopin, whose heart is in Warsaw, | 0:08:07 | 0:08:11 | |
preserved in Cognac. | 0:08:11 | 0:08:12 | |
His heart like my own liver. | 0:08:12 | 0:08:15 | |
Their hearts are buried there. Well done. | 0:08:15 | 0:08:17 | |
-Scribes, back to you. -Two reeds, please. | 0:08:17 | 0:08:20 | |
Two reeds, what's the connection here? First clue coming up now. | 0:08:20 | 0:08:25 | |
Next, please. | 0:08:28 | 0:08:29 | |
-Is it an elephant? -Do you know anything about lockstitch? | 0:08:32 | 0:08:35 | |
-It's a Singer. -Singer? -Patent or something. -Singer? OK, next, please. | 0:08:35 | 0:08:40 | |
Benzene ring. Do you know anything about that through work? | 0:08:40 | 0:08:43 | |
Next, please. | 0:08:47 | 0:08:49 | |
By Coleridge. | 0:08:49 | 0:08:52 | |
-OK, what next? -10 seconds. | 0:08:54 | 0:08:57 | |
-Circular formation. -Circular formation? | 0:08:58 | 0:09:01 | |
Three seconds. | 0:09:01 | 0:09:03 | |
BELL | 0:09:04 | 0:09:05 | |
Circular formations. | 0:09:05 | 0:09:07 | |
They are not. I am just looking at them. | 0:09:08 | 0:09:10 | |
They are not all circular formations. | 0:09:10 | 0:09:12 | |
So there's a possible bonus again for you, Wordsmiths. | 0:09:12 | 0:09:15 | |
They were all thought up while a person asleep or in a dream? | 0:09:15 | 0:09:18 | |
All of them inspired by dreams. | 0:09:18 | 0:09:21 | |
Yes, Benzene Ring is a circular formation. | 0:09:21 | 0:09:23 | |
That was dreamed up in a dream of a snake grasping its own tail. | 0:09:23 | 0:09:27 | |
The other ones, Yesterday, written by Paul McCartney after a dream. | 0:09:27 | 0:09:30 | |
-Do you know what he originally called it? -Scrambled Eggs. | 0:09:30 | 0:09:33 | |
Scrambled Eggs. Scrambled Eggs it was called. | 0:09:33 | 0:09:35 | |
And the Lockstitch sewing machine, Elias Howe dreamed about... | 0:09:35 | 0:09:38 | |
what do you think he dreamt about? | 0:09:38 | 0:09:41 | |
-Sewing? -No, it wasn't. It was being chased by warriors with spears. | 0:09:41 | 0:09:46 | |
Gave him the idea for that. | 0:09:46 | 0:09:47 | |
And Kubla Khan you perhaps know was written by Coleridge | 0:09:47 | 0:09:50 | |
after an opium dream. | 0:09:50 | 0:09:52 | |
-He was interrupted by... -His landlady? No idea. | 0:09:52 | 0:09:55 | |
-It wasn't his landlady, who was it? -ALL: A man from Porlock. | 0:09:55 | 0:09:58 | |
A person from Porlock so they say. | 0:09:58 | 0:10:00 | |
The evil person from Porlock who interrupted that great dream. | 0:10:00 | 0:10:04 | |
So, once again, Wordsmiths, you get the bonus. | 0:10:04 | 0:10:06 | |
And you're going to get the last question, Water. | 0:10:06 | 0:10:08 | |
These are of course picture clues. What's the connection? | 0:10:08 | 0:10:12 | |
Here's the first. | 0:10:12 | 0:10:13 | |
-Next. -Some sort of flower. Next, please. | 0:10:15 | 0:10:17 | |
Is that not, sort of, the going... Next, please. | 0:10:20 | 0:10:24 | |
Er, that's a snake, isn't it? | 0:10:27 | 0:10:29 | |
Rubik's snake? | 0:10:29 | 0:10:32 | |
-Next. -Next, please. | 0:10:35 | 0:10:36 | |
A sort of Van de Graaff generator or something like that. | 0:10:40 | 0:10:43 | |
Ten seconds. | 0:10:43 | 0:10:44 | |
Weather? | 0:10:48 | 0:10:49 | |
Three seconds. | 0:10:49 | 0:10:51 | |
-It's something... -Rainbows. | 0:10:51 | 0:10:53 | |
Not the answer I'm afraid so you've got a bonus chance now, Scribes. | 0:10:53 | 0:10:57 | |
Prefaced by nationalities? | 0:10:57 | 0:10:59 | |
That's not it either, | 0:10:59 | 0:11:01 | |
although it is to do with the name. | 0:11:01 | 0:11:02 | |
They are all known as | 0:11:04 | 0:11:05 | |
a Jacob's ladder. | 0:11:05 | 0:11:07 | |
That little plant of the Polemonium genus | 0:11:07 | 0:11:09 | |
and crepuscular rays, there's a folk-toy there | 0:11:09 | 0:11:12 | |
and a high voltage electrical arc, all known as Jacob's ladder. | 0:11:12 | 0:11:15 | |
At the end of round one the Scribes have got two points. | 0:11:16 | 0:11:19 | |
The Wordsmiths are ahead with six. | 0:11:19 | 0:11:21 | |
Round Two is the sequences round. | 0:11:24 | 0:11:26 | |
Scribes, you'll go first again. | 0:11:26 | 0:11:28 | |
I want to know | 0:11:28 | 0:11:29 | |
what's fourth in a sequence. | 0:11:29 | 0:11:30 | |
Which hieroglyph will you choose? | 0:11:30 | 0:11:33 | |
Eye of Horus, please. | 0:11:33 | 0:11:34 | |
OK. First clue in a sequence coming up now. | 0:11:34 | 0:11:38 | |
Next, please. | 0:11:42 | 0:11:44 | |
The...er...the Thunderbird-type... | 0:11:46 | 0:11:51 | |
-Was it Stingray? -OK. | 0:11:51 | 0:11:53 | |
Next, please. | 0:11:53 | 0:11:54 | |
-So. -What's the order here? | 0:11:56 | 0:12:00 | |
It's something to do with Joe 90 or Captain Scarlet. | 0:12:00 | 0:12:02 | |
OK. Do you happen to know then, what the name is? | 0:12:02 | 0:12:04 | |
-I couldn't tell you. -Ah, that might be a bit of a problem. -10 seconds. | 0:12:04 | 0:12:09 | |
-OK. -Captain Scarlet's organisation? -Isn't it Thunderbirds? | 0:12:09 | 0:12:13 | |
-No, that's the third one. -Three seconds. | 0:12:13 | 0:12:16 | |
BELL | 0:12:16 | 0:12:18 | |
Uh...SMERSH.. | 0:12:18 | 0:12:20 | |
That is not the answer, I'm afraid. | 0:12:20 | 0:12:21 | |
There is a bonus chance for the Wordsmiths. | 0:12:21 | 0:12:23 | |
The Gerry Anderson show is working for... | 0:12:23 | 0:12:26 | |
it's Joe 90 but you're going to want his organisation. | 0:12:26 | 0:12:29 | |
Yeah, you gave me the name of an organisation and you told me | 0:12:29 | 0:12:32 | |
the Gerry Anderson Shows. | 0:12:32 | 0:12:33 | |
-The organisation I'm looking for is Spectrum. -Spectrum. | 0:12:33 | 0:12:36 | |
Organisations that the hero works for in successive series. | 0:12:36 | 0:12:41 | |
World Space Patrol from which show? | 0:12:41 | 0:12:44 | |
-Fireball XL5? -Yes, it is. World Aquanauts Security Patrol from...? | 0:12:44 | 0:12:50 | |
-Stingray. -Stingray. Known as WASP. International Rescue is of course? | 0:12:50 | 0:12:54 | |
-Thunderbirds. -Thunderbirds. And Spectrum is from? | 0:12:54 | 0:12:58 | |
Captain Scarlet? | 0:12:58 | 0:12:59 | |
Captain Scarlet and the Mysterons. Very good. | 0:12:59 | 0:13:01 | |
General Gerry Anderson knowledge, but I didn't get the name. | 0:13:01 | 0:13:04 | |
-Back to you, Wordsmiths, choose a question. -Horned Viper, please. | 0:13:04 | 0:13:07 | |
All right. What is the fourth in this sequence? | 0:13:07 | 0:13:10 | |
First clue coming up...now. | 0:13:10 | 0:13:12 | |
-Number four, payment for members. -Next. -Next, please. | 0:13:14 | 0:13:19 | |
What's that? Something to do with Parliament. | 0:13:21 | 0:13:24 | |
Changes of Parliament. | 0:13:24 | 0:13:26 | |
Payment for members will be most recent. | 0:13:26 | 0:13:28 | |
That's what they brought in for the Great Reform Bill? | 0:13:28 | 0:13:30 | |
Next, please. | 0:13:30 | 0:13:31 | |
Universal suffrage? One, universal suffrage? Votes for women? | 0:13:33 | 0:13:38 | |
THEY MUTTER BETWEEN THEMSELVES | 0:13:39 | 0:13:43 | |
-I think we'll try that. -Yeah. | 0:13:45 | 0:13:47 | |
-Universal suffrage. -Three seconds. | 0:13:47 | 0:13:50 | |
BELL | 0:13:50 | 0:13:52 | |
Number one, universal suffrage. | 0:13:52 | 0:13:55 | |
Have another go. | 0:13:55 | 0:13:57 | |
-Votes for women. -I'm afraid that's not the answer. | 0:13:57 | 0:14:00 | |
There's a bonus chance for Scribes. | 0:14:00 | 0:14:02 | |
OK, number one, age restriction. | 0:14:02 | 0:14:06 | |
That 's not it either. | 0:14:06 | 0:14:08 | |
You'll forgive me, Wordsmiths, | 0:14:08 | 0:14:09 | |
for not giving universal suffrage, it was votes for every man. | 0:14:09 | 0:14:13 | |
Never mind the women, they'll have the tea ready | 0:14:13 | 0:14:15 | |
when you get back from the polling booth! | 0:14:15 | 0:14:17 | |
This was the Chartists. | 0:14:17 | 0:14:18 | |
The people's Charter of 1838 and their first requirement | 0:14:18 | 0:14:21 | |
votes for every man. | 0:14:21 | 0:14:22 | |
Not universal. So no points there. | 0:14:22 | 0:14:25 | |
-Back to you, Scribes, to choose a question. -Two reeds, please. | 0:14:25 | 0:14:28 | |
Two reeds. What's the fourth in the sequence? | 0:14:28 | 0:14:30 | |
I can tell you, they're going to be picture clues | 0:14:30 | 0:14:32 | |
so what would you expect to see in the fourth picture? | 0:14:32 | 0:14:34 | |
Here's the first. | 0:14:34 | 0:14:36 | |
-Catamaran. -Double-breasted boat, isn't it? Next, please. | 0:14:37 | 0:14:41 | |
A banana so, skin. Yellow connection? | 0:14:41 | 0:14:45 | |
-What links catamaran and banana? -Banana boat? | 0:14:45 | 0:14:48 | |
Are they just, are they just words with decreasingly few, | 0:14:48 | 0:14:52 | |
all A's but decreasingly few? | 0:14:52 | 0:14:54 | |
Better go. Next, please. | 0:14:54 | 0:14:56 | |
-Macaw, could be Macaw. -Something with one A in it. | 0:14:56 | 0:14:59 | |
-Word with one A in it. -Yeah, OK, yeah. A word with one A in it. | 0:14:59 | 0:15:03 | |
BELL | 0:15:03 | 0:15:04 | |
Cat. | 0:15:04 | 0:15:05 | |
We went with hat. But very good. | 0:15:05 | 0:15:07 | |
You should have come in after two clues. | 0:15:07 | 0:15:09 | |
-Can you explain your thinking? -Catamaran has four A's in it. | 0:15:09 | 0:15:12 | |
Banana has three A's in it. And Macaw has two A's in it. | 0:15:12 | 0:15:14 | |
So you wanted something with one A in it. | 0:15:14 | 0:15:16 | |
And specifically alternate letter A's. | 0:15:16 | 0:15:18 | |
There's a consonant, an A, a consonant, an A. | 0:15:18 | 0:15:22 | |
You may not have spotted that but cat does fit in the sequence | 0:15:22 | 0:15:25 | |
so very well done. | 0:15:25 | 0:15:26 | |
Wordsmiths, what's it to be? | 0:15:26 | 0:15:28 | |
Twisted flax, please. | 0:15:28 | 0:15:30 | |
All right. What would you expect to see as the fourth? | 0:15:30 | 0:15:33 | |
It's something's tower. | 0:15:36 | 0:15:38 | |
-Name, name, keep going. -Next, please. | 0:15:40 | 0:15:43 | |
It's a number of something? | 0:15:46 | 0:15:48 | |
-A board game, is it? -Next, please. | 0:15:48 | 0:15:51 | |
-18. -Liver bird. There's two of them. | 0:15:53 | 0:15:58 | |
Is it one? | 0:15:58 | 0:15:59 | |
These are symbols of football teams. | 0:15:59 | 0:16:02 | |
So that's Everton, Arsenal, Liverpool. | 0:16:02 | 0:16:07 | |
What would come after that? | 0:16:07 | 0:16:09 | |
Five seconds. | 0:16:09 | 0:16:11 | |
-Two seconds. -BELL | 0:16:12 | 0:16:15 | |
-19 and what's that? -Red Devil. -Red devil. | 0:16:15 | 0:16:18 | |
I'll accept it. | 0:16:18 | 0:16:19 | |
And what's the reason? | 0:16:19 | 0:16:21 | |
It's the number of times they've won the league. | 0:16:21 | 0:16:23 | |
I'll leave it to my football correspondent. | 0:16:23 | 0:16:25 | |
Number nine, Everton, the Prince Rupert's Tower | 0:16:25 | 0:16:28 | |
is a symbol of Everton who've won the league nine times. | 0:16:28 | 0:16:31 | |
A Cannon is the symbol of Arsenal who've won it 13 times. | 0:16:31 | 0:16:34 | |
The Liver bird's a symbol of Liverpool who won 18 times. | 0:16:34 | 0:16:38 | |
And Manchester United are the Red Devils have won it 19 times. | 0:16:38 | 0:16:41 | |
Red devil or Ship also on the badge. Manchester United. | 0:16:41 | 0:16:45 | |
It's 19 as we record it, no doubt they've won 12 more. | 0:16:45 | 0:16:49 | |
Number of titles won by Manchester United | 0:16:49 | 0:16:51 | |
as represented by Red devil. | 0:16:51 | 0:16:53 | |
Well done. And back to you, Scribes. | 0:16:53 | 0:16:55 | |
Er, Lion, please. | 0:16:55 | 0:16:57 | |
-OK, what's the fourth in this sequence? -Here's the first. | 0:16:57 | 0:17:00 | |
THEY CONFER | 0:17:02 | 0:17:04 | |
-No, you're absolutely right. -That could be a US president. -Oh, oh! | 0:17:04 | 0:17:08 | |
Adam...OK, next, please. | 0:17:08 | 0:17:11 | |
Yeah, OK. | 0:17:11 | 0:17:13 | |
Oh, Lord! | 0:17:14 | 0:17:16 | |
After...so it's coming... | 0:17:16 | 0:17:18 | |
Er, next please. | 0:17:18 | 0:17:19 | |
So, it's the ones who shared surnames | 0:17:21 | 0:17:23 | |
and what's the relation of the next one, | 0:17:23 | 0:17:25 | |
and therefore it is Bush and it is Son. Is that correct? | 0:17:25 | 0:17:28 | |
Is there anyone in between that we've missed out? | 0:17:28 | 0:17:30 | |
-Ten seconds. -I think it'll be Bush, son. -Yeah. | 0:17:30 | 0:17:34 | |
Bush, son. | 0:17:34 | 0:17:36 | |
..is the correct answer. And why is that? | 0:17:36 | 0:17:39 | |
These are the presidents where there's been two of the name | 0:17:39 | 0:17:41 | |
and they've been related, so there was John Adams, John Quincy Adams | 0:17:41 | 0:17:44 | |
and then Benjamin Harrison and William Henry Harrison. | 0:17:44 | 0:17:47 | |
-Quite right. -And Theodore and Franklin Roosevelt, | 0:17:47 | 0:17:50 | |
and then, of course, George HW and George W Bush. | 0:17:50 | 0:17:52 | |
That's right, the younger Bush, the son of the previous, | 0:17:52 | 0:17:55 | |
was the next president with the same surname. Well done. | 0:17:55 | 0:17:58 | |
One question remains for you, Wordsmiths. Water. | 0:17:58 | 0:18:02 | |
What is the fourth in this sequence? Here's the first. | 0:18:02 | 0:18:06 | |
THEY CONFER | 0:18:07 | 0:18:09 | |
Next, please. | 0:18:11 | 0:18:12 | |
Five, six...next. | 0:18:14 | 0:18:16 | |
Next, please. | 0:18:16 | 0:18:18 | |
Ten seconds. | 0:18:35 | 0:18:36 | |
07, 06... | 0:18:38 | 0:18:42 | |
Three seconds. | 0:18:42 | 0:18:44 | |
07/06, 2354. | 0:18:44 | 0:18:49 | |
That is not the answer. Scribes, d'you want to have a go for a bonus? | 0:18:49 | 0:18:53 | |
-I would have been gutted if they'd guessed that. -Good luck. | 0:18:53 | 0:18:56 | |
Erm, 05/07, 2435. | 0:18:56 | 0:19:01 | |
I'm getting a sense that you both know what the connection is. | 0:19:01 | 0:19:04 | |
What's the connection? | 0:19:04 | 0:19:06 | |
-I don't know. -No idea? -Not at first hand, no. | 0:19:06 | 0:19:09 | |
Oh, well, what you said actually subscribed to it, | 0:19:09 | 0:19:11 | |
but it wasn't next in the sequence. | 0:19:11 | 0:19:13 | |
They are dates with no repeated digit, | 0:19:13 | 0:19:16 | |
dates where no one digit comes up twice, | 0:19:16 | 0:19:18 | |
and the next along would be the very next day, 18/06, 2345. | 0:19:18 | 0:19:23 | |
Dates where you only get the digits once, going forwards through time. | 0:19:23 | 0:19:28 | |
At the end of Round Two, | 0:19:28 | 0:19:30 | |
the Scribes are up to six points, | 0:19:30 | 0:19:32 | |
the Wordsmiths are ahead with eight. | 0:19:32 | 0:19:35 | |
We were worried that wasn't difficult enough, | 0:19:37 | 0:19:39 | |
so we've multiplied everything by four. | 0:19:39 | 0:19:41 | |
It's time for the Connecting Wall. | 0:19:41 | 0:19:42 | |
Wordsmiths, your turn to go first this time, | 0:19:42 | 0:19:44 | |
and you have a choice, Lion or Water? | 0:19:44 | 0:19:47 | |
Water, please. | 0:19:47 | 0:19:48 | |
OK, you have two and a half minutes to solve the Water Wall, | 0:19:48 | 0:19:52 | |
starting now. | 0:19:52 | 0:19:54 | |
-What do you say? -Jim Dale. -Well, we've got Carry On characters. | 0:19:56 | 0:20:00 | |
-Four-in-hand. Hansom. Gig. -Hansom... | 0:20:00 | 0:20:05 | |
Four-in-hand, Hansom... | 0:20:05 | 0:20:07 | |
Stanhope, Gig... | 0:20:07 | 0:20:10 | |
We've also got Carry On characters. Windsor, James, Jack... | 0:20:10 | 0:20:13 | |
-Places in the Isle of Man. -Four-in-hand... | 0:20:13 | 0:20:17 | |
-Ah, Peel. -There's Connor. | 0:20:17 | 0:20:19 | |
Douglas, Castletown... | 0:20:19 | 0:20:21 | |
-Ramsey. -Right, we're down to five for Carry On. | 0:20:21 | 0:20:25 | |
-Connor, James, Dale, Jack, Windsor. -What's that? Connor... | 0:20:25 | 0:20:30 | |
Connor, James, Jacques in the corner, Jacques in the corner. | 0:20:30 | 0:20:35 | |
Three strikes now, be careful. | 0:20:35 | 0:20:38 | |
Viscount Stanhope. | 0:20:38 | 0:20:40 | |
No, a gig would connect horses. | 0:20:40 | 0:20:42 | |
Gig, Surrey, right, | 0:20:42 | 0:20:43 | |
we're on Hansom, Gig, Surrey are all carriages, so's an Oriental. | 0:20:43 | 0:20:48 | |
-Is it? Oh, right. -So's a Windsor, I think. What is four-in-hand? | 0:20:48 | 0:20:51 | |
-Pratt... -What's Pratt? | 0:20:51 | 0:20:53 | |
Pratt changed his...Pratt was the name of Quentin Crisp | 0:20:53 | 0:20:56 | |
and also the name of Boris Karloff. | 0:20:56 | 0:20:59 | |
People that have changed their name? | 0:20:59 | 0:21:01 | |
Don't know who Stanhope is, but we know we've got carriages in there. | 0:21:01 | 0:21:04 | |
What's four-in-hand? | 0:21:04 | 0:21:05 | |
Four-in-hand's a carriage as well, unfortunately, yeah. | 0:21:05 | 0:21:09 | |
You're about halfway through the time. | 0:21:09 | 0:21:11 | |
-So, four-in-hand must be a carriage. -What can the others be? | 0:21:11 | 0:21:15 | |
Surrey we know is a carriage, | 0:21:15 | 0:21:17 | |
could be something else. | 0:21:17 | 0:21:19 | |
-Oriental's a carriage. -Pratt? | 0:21:19 | 0:21:21 | |
Hansom's likely to be a carriage, isn't it? | 0:21:21 | 0:21:24 | |
But he was an architect as well. | 0:21:24 | 0:21:26 | |
Is Pratt an architect? And Stanhope? | 0:21:26 | 0:21:28 | |
Stanhope's an architect. That one, that one, that one and that one? | 0:21:28 | 0:21:33 | |
-Yeah. Try it. Try it. -Shall we try that? | 0:21:33 | 0:21:35 | |
-OK, two lives now. -Right, four-in-hand must be a carriage. | 0:21:37 | 0:21:41 | |
Yeah, gig's going to be a carriage. | 0:21:41 | 0:21:43 | |
Oriental you reckon's a carriage, it's not a name. Try it. | 0:21:43 | 0:21:48 | |
-You've got 30 seconds. -And Surrey? -No, we've tried that. | 0:21:48 | 0:21:53 | |
Pratt, then, or Windsor. | 0:21:53 | 0:21:55 | |
One life remaining. | 0:21:55 | 0:21:57 | |
So four-in-hand, gig, Oriental, Hansom? | 0:21:57 | 0:22:01 | |
-Try that? -Yeah. | 0:22:01 | 0:22:02 | |
We've messed it up again, never mind. | 0:22:04 | 0:22:06 | |
Nope, that's not it and the wall's frozen | 0:22:07 | 0:22:10 | |
but you found two groups, I'll give you points for the connections. | 0:22:10 | 0:22:13 | |
Douglas, Castletown, Ramsey, Peel. | 0:22:13 | 0:22:15 | |
Towns on the Isle of Man. | 0:22:15 | 0:22:17 | |
Yes, they are in fact the only four official towns on the Isle of Man. | 0:22:17 | 0:22:21 | |
Connor, James, Dale, Jacques. | 0:22:21 | 0:22:23 | |
People who've appeared in Carry On films. | 0:22:23 | 0:22:27 | |
That's right, Kenneth Connor, Sid James, | 0:22:27 | 0:22:29 | |
Jim Dale, Hattie Jacques from the Carry On films. | 0:22:29 | 0:22:32 | |
More points available for the connections | 0:22:32 | 0:22:34 | |
in the groups you didn't find, so let's resolve the wall. | 0:22:34 | 0:22:36 | |
Right, Stanhope or Stannup, Gig, Hansom, Surrey. | 0:22:36 | 0:22:40 | |
-Carriages. -Types of carriages? | 0:22:40 | 0:22:43 | |
Any more? | 0:22:43 | 0:22:44 | |
-Horse-drawn carriages. -Horse-drawn carriages. | 0:22:44 | 0:22:47 | |
Yes, I'd have thought Hansom was the famous one, actually. | 0:22:47 | 0:22:50 | |
You get the point. And the last one, | 0:22:50 | 0:22:52 | |
Pratt, Windsor, Oriental, Four-in-hand. | 0:22:52 | 0:22:54 | |
-I can't give you long. -Hands in cards? | 0:22:58 | 0:23:00 | |
No, that's too long, I'm going to have to tell you. | 0:23:01 | 0:23:04 | |
They are knots used for neckties. | 0:23:04 | 0:23:07 | |
Knots, those ones. But you found two groups and you get three more points | 0:23:07 | 0:23:11 | |
for the connections, that's a total of five. | 0:23:11 | 0:23:13 | |
Time to bring in their opponents, the Scribes, | 0:23:13 | 0:23:15 | |
see how they fare with the other Connecting Wall. | 0:23:15 | 0:23:18 | |
Equally difficult, same basic principle. | 0:23:18 | 0:23:21 | |
Hello, Scribes. You're going to get the Lion Wall. | 0:23:21 | 0:23:23 | |
You've got two and a half minutes to solve it, starting now. | 0:23:23 | 0:23:27 | |
OK, female assassins. Leon, Nikita are different types of assassin... | 0:23:29 | 0:23:33 | |
-These are Luc Besson films. -Yeah, OK, Subway, Leon and Nikita. | 0:23:33 | 0:23:36 | |
OK, very good. Spanish bank, there are banks here, aren't there? | 0:23:36 | 0:23:40 | |
Santander, Yorkshire... Egg is also a type of bank. | 0:23:40 | 0:23:43 | |
-And Clydesdale's a bank. -Pamplona, Salamanca, Burgos... | 0:23:43 | 0:23:46 | |
-Percheron is a horse and Suffolk is a horse. -Northern Rock, Egg... | 0:23:46 | 0:23:49 | |
-OK, sorry, I should probably hit some, shouldn't I? -Spanish cities... | 0:23:49 | 0:23:52 | |
OK, Pamplona, Salamanca and Burgos? | 0:23:52 | 0:23:56 | |
Three lives, now, so be careful. | 0:23:56 | 0:23:57 | |
Percheron is a horse, Clydesdale is a horse... | 0:23:57 | 0:23:59 | |
Suffolk's a horse. And Belgian is...there's a Belgian... | 0:23:59 | 0:24:02 | |
It's more likely to be that, cos the others are definitely banks. | 0:24:02 | 0:24:05 | |
OK, try the banks. | 0:24:05 | 0:24:06 | |
That's it, you've solved the Wall. Goodness me! | 0:24:07 | 0:24:10 | |
Do you think this was a particularly easy one | 0:24:10 | 0:24:12 | |
or you just had a good fish breakfast? | 0:24:12 | 0:24:14 | |
-Just our area. -Let's find out if you know the connections. | 0:24:14 | 0:24:18 | |
So in the first one, Nikita, Subway, Leon, The Fifth Element. | 0:24:18 | 0:24:22 | |
-Luc Besson films. -Films by Luc Besson, quite right. | 0:24:23 | 0:24:28 | |
What about the next one? Pamplona, Salamanca, Toledo or Burgos? | 0:24:28 | 0:24:31 | |
Spanish cities? | 0:24:33 | 0:24:34 | |
I'll take it. Anything more you'd like to tell me about them? | 0:24:34 | 0:24:37 | |
They've got famous bullfighters? | 0:24:37 | 0:24:39 | |
They probably do, the Spanish are nice like that. | 0:24:39 | 0:24:41 | |
What I was looking for is INLAND Spanish cities. | 0:24:41 | 0:24:44 | |
They probably all have bullfights, though, more's the pity. | 0:24:44 | 0:24:47 | |
What about the next group? Suffolk, Belgian, Clydesdale, Percheron. | 0:24:47 | 0:24:52 | |
-They're all types of horse. -Any more? | 0:24:52 | 0:24:55 | |
Are they sort of draught horses, big ones? | 0:24:55 | 0:24:57 | |
Draught horses, that's exactly what they all are, well done. | 0:24:57 | 0:25:00 | |
And Egg, Northern, Santander, Yorkshire. | 0:25:00 | 0:25:05 | |
-They're banks. -Any more? | 0:25:05 | 0:25:08 | |
I mean, I'm going to accept banks, but tell me more if you can. | 0:25:08 | 0:25:11 | |
Egg is an...was an offshoot of Prudential and was online. | 0:25:11 | 0:25:15 | |
Santander was part of Abbey National, I don't know. | 0:25:15 | 0:25:17 | |
I'm just saying bank facts. | 0:25:17 | 0:25:19 | |
I'll tell you what they are, depressingly, | 0:25:19 | 0:25:21 | |
they are British banks owned by foreign groups, | 0:25:21 | 0:25:24 | |
but I will take banks. Four points for finding the groups, | 0:25:24 | 0:25:27 | |
four more points for the connections. | 0:25:27 | 0:25:29 | |
An extra two points for getting it all right, | 0:25:29 | 0:25:31 | |
we do usually do that, it's not an exception. | 0:25:31 | 0:25:33 | |
That's the maximum of ten points, very well done. | 0:25:33 | 0:25:36 | |
Let's see how that leaves the scores going into the final round. | 0:25:36 | 0:25:41 | |
The Wordsmiths have got 13 points, | 0:25:41 | 0:25:43 | |
but the Scribes are now ahead with 16. | 0:25:43 | 0:25:45 | |
And if you're watching Only Connect for the first time, | 0:25:47 | 0:25:49 | |
my Lord, you must be baffled! | 0:25:49 | 0:25:50 | |
But you might be interested to hear we also have a website, | 0:25:50 | 0:25:53 | |
where you can play connecting walls and even write your own. | 0:25:53 | 0:25:56 | |
Imagine that. | 0:25:56 | 0:25:57 | |
All change here and may change again as we play the Missing Vowels round. | 0:25:57 | 0:26:02 | |
This will decide who goes into the final. | 0:26:02 | 0:26:05 | |
Fingers on buzzers, teams. | 0:26:05 | 0:26:08 | |
I can tell you the first group are all... | 0:26:08 | 0:26:11 | |
-Scribes. -ALL: Barnardos. | 0:26:15 | 0:26:18 | |
-Wordsmiths? -ActionAid. | 0:26:23 | 0:26:26 | |
-Scribes. -Marie Curie Cancer Care. | 0:26:29 | 0:26:32 | |
-Scribes? -Woodland Trust. | 0:26:35 | 0:26:38 | |
Next category... | 0:26:38 | 0:26:39 | |
-Scribes? -Tetanus and Lockjaw. | 0:26:44 | 0:26:46 | |
Scribes? | 0:26:48 | 0:26:50 | |
Hansen's Disease and Leprosy. | 0:26:50 | 0:26:52 | |
-Scribes? -Sorry. -I'm afraid you lose a point. | 0:26:58 | 0:27:00 | |
-Wordsmiths, d'you want to have a go? -It's Pyresis and Heartburn. | 0:27:00 | 0:27:03 | |
I'm afraid that's not it, but you don't lose a point. | 0:27:03 | 0:27:06 | |
It's Pyrosis and Heartburn. Next clue. | 0:27:06 | 0:27:08 | |
-Scribes? -Pertussis and Whooping Cough. | 0:27:11 | 0:27:14 | |
Next category... | 0:27:14 | 0:27:15 | |
-Scribes? -Apple Martin. | 0:27:20 | 0:27:22 | |
-Scribes? -Suri Cruise. | 0:27:25 | 0:27:27 | |
Don't know this one, it's Nicolas Cage's unlucky child, | 0:27:32 | 0:27:35 | |
Kal-El Coppola. | 0:27:35 | 0:27:37 | |
Next clue. | 0:27:37 | 0:27:38 | |
-Scribes? -Jermajesty Jackson. | 0:27:41 | 0:27:43 | |
Oh, yes. Next category... | 0:27:43 | 0:27:45 | |
Don't know this one, it's... | 0:27:54 | 0:27:56 | |
Next clue. | 0:27:56 | 0:27:57 | |
-Scribes? -Tonight from West Side Story. | 0:27:59 | 0:28:02 | |
END OF ROUND MUSIC PLAYS | 0:28:05 | 0:28:08 | |
That tricky final clue was Aquarius from Hair, | 0:28:10 | 0:28:14 | |
but that musical sound means it's the end of the quiz | 0:28:14 | 0:28:17 | |
and looking at the final scores, after an excellent performance | 0:28:17 | 0:28:20 | |
in the series, the Wordsmiths have got 14 points but the winners, | 0:28:20 | 0:28:24 | |
and through to the final with 25 points, are the Scribes. | 0:28:24 | 0:28:27 | |
Very well done to you, you're through to the final, | 0:28:27 | 0:28:29 | |
and Wordsmiths, I'm pleased to say | 0:28:29 | 0:28:31 | |
we'll be seeing you again for the third place playoffs. | 0:28:31 | 0:28:35 | |
You regular viewers, please do join me next time, if you can. | 0:28:35 | 0:28:39 | |
If you have a social engagement I'll understand. | 0:28:39 | 0:28:41 | |
I'll be surprised, but I'll understand. Goodbye. | 0:28:41 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:51 |