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Welcome to Only Connect, the quiz so uncompromisingly difficult | 0:00:21 | 0:00:25 | |
you could put it in a bikini and call it a supermodel. | 0:00:25 | 0:00:27 | |
Our questions are so confusing you could put them | 0:00:27 | 0:00:29 | |
in flat-pack furniture and call them instructions, and our connections | 0:00:29 | 0:00:33 | |
are so well hidden it's like "Where's Wally" without the Wally. | 0:00:33 | 0:00:36 | |
Or is it? Let's meet the teams. | 0:00:36 | 0:00:39 | |
On my right, Barry Humphrey, an IT consultant | 0:00:39 | 0:00:43 | |
and psychology graduate, who supports Nottingham Forrest FC | 0:00:43 | 0:00:46 | |
and enjoys experimental theatre. | 0:00:46 | 0:00:48 | |
Michael McPartland, a civil servant with an interest in | 0:00:48 | 0:00:51 | |
Greek Mythology, who follows Middlesbrough FC, | 0:00:51 | 0:00:54 | |
and enjoys holidays in California. | 0:00:54 | 0:00:56 | |
And their captain, Jamie Turner, a traffic technician | 0:00:56 | 0:00:59 | |
and Huddersfield Town FC supporter, and failed clarinettist. | 0:00:59 | 0:01:04 | |
United by their passion for all things football related, | 0:01:04 | 0:01:07 | |
they are the Footballers. | 0:01:07 | 0:01:09 | |
So, Jamie, what brought the Footballers here? | 0:01:09 | 0:01:11 | |
I just think we're big fans of the show, from Series One. | 0:01:11 | 0:01:13 | |
We decided it was time to give it a whirl. | 0:01:13 | 0:01:16 | |
Hopefully all the good teams have already been on. | 0:01:16 | 0:01:18 | |
When it says you're a traffic technician, | 0:01:18 | 0:01:20 | |
is that just a way of saying traffic warden? | 0:01:20 | 0:01:22 | |
No. Don't worry about that. No, definitely not. | 0:01:22 | 0:01:24 | |
I design road schemes, so, the signs and the lines, | 0:01:24 | 0:01:27 | |
rather than issuing tickets to unsuspecting shoppers. | 0:01:27 | 0:01:31 | |
-That's much better. In that case you're very welcome. -Thank you. | 0:01:31 | 0:01:34 | |
Let's see who you're facing? On my left, | 0:01:34 | 0:01:36 | |
Sophie Fitzsimmons, | 0:01:36 | 0:01:39 | |
a medical student who sings with the BBC National Chorus of Wales, | 0:01:39 | 0:01:41 | |
and enjoys hiking and reading crime fiction. | 0:01:41 | 0:01:44 | |
Agnes Henson, a psychology student at Cardiff University, | 0:01:44 | 0:01:48 | |
with a passion for comedy writing and playing board games. | 0:01:48 | 0:01:51 | |
And their captain, Rosie Howarth, a cricket supporter | 0:01:51 | 0:01:53 | |
who enjoys foreign language films, | 0:01:53 | 0:01:56 | |
and is currently studying for her BA in Music and German. | 0:01:56 | 0:01:59 | |
They're all members of Cardiff University's Symphony Orchestra, | 0:01:59 | 0:02:02 | |
and the play in the same section, they are the Second Violinists. | 0:02:02 | 0:02:06 | |
Rosie, how's your team been preparing for the quiz? | 0:02:06 | 0:02:09 | |
We've had a couple of team meetings | 0:02:09 | 0:02:11 | |
but they've probably more involved drinking wine then actual preparing, | 0:02:11 | 0:02:15 | |
but we did have a concert yesterday, so in the interval | 0:02:15 | 0:02:18 | |
we were all huddled round trying to do some walls back stage. | 0:02:18 | 0:02:21 | |
Excellent. | 0:02:21 | 0:02:22 | |
Wine can only help with the quiz. It always does for me. | 0:02:22 | 0:02:26 | |
Let's get on with Round One, teams, I simply want to know what is | 0:02:26 | 0:02:28 | |
the connection between four apparently random clues. | 0:02:28 | 0:02:31 | |
The fewer clues you see before giving me the correct answer, | 0:02:31 | 0:02:34 | |
the more points you get! | 0:02:34 | 0:02:36 | |
Violinists, you won the toss, | 0:02:36 | 0:02:38 | |
but you've decided to put the Footballers in first. | 0:02:38 | 0:02:41 | |
So, Footballers, up to you to choose first, | 0:02:41 | 0:02:43 | |
which Egyptian hieroglyph would you like? | 0:02:43 | 0:02:46 | |
Twisted Flax, please. | 0:02:46 | 0:02:47 | |
The Twisted Flax. OK, what's the connection between these clues? | 0:02:47 | 0:02:51 | |
First one coming in...now. | 0:02:51 | 0:02:53 | |
True Lies, go for the next one. Next! | 0:02:54 | 0:02:57 | |
Well, it's nought to do with Schwarzenegger, is it? | 0:03:00 | 0:03:03 | |
-No, we need to move on. -Next again. | 0:03:03 | 0:03:05 | |
I have no idea. | 0:03:07 | 0:03:08 | |
It's, that one with Richard Gere where | 0:03:08 | 0:03:10 | |
he pretends to be somebody else. | 0:03:10 | 0:03:12 | |
Yep. True Lies begins with somebody else. | 0:03:12 | 0:03:14 | |
He pretends to be a vicar, does he? Go for that. | 0:03:14 | 0:03:18 | |
BELL RINGS | 0:03:18 | 0:03:20 | |
We think they're all films where one of the lead characters | 0:03:20 | 0:03:24 | |
pretends to be somebody else. | 0:03:24 | 0:03:26 | |
How does that work with the second? | 0:03:26 | 0:03:29 | |
Does Tom Selleck not pretend to be a vicar in it at some point? | 0:03:29 | 0:03:32 | |
I don't know, I can't remember. | 0:03:32 | 0:03:34 | |
Tom Selleck is pretending to be the | 0:03:34 | 0:03:36 | |
character he plays but that applies to all films. | 0:03:36 | 0:03:38 | |
-Yes, yeah, yeah. -I'm afraid I can't accept it. I'm afraid I can't. | 0:03:38 | 0:03:42 | |
So I'll show the fourth clue | 0:03:42 | 0:03:43 | |
to the Second Violinists, | 0:03:43 | 0:03:44 | |
see if you want to have a go. | 0:03:44 | 0:03:46 | |
The Birdcage. Does it involve cross-dressing? | 0:03:46 | 0:03:48 | |
Yeah, maybe? OK, are they films with cross-dressing involved? | 0:03:48 | 0:03:54 | |
They do not all involve cross-dressing. | 0:03:54 | 0:03:57 | |
Now, I'm surprised, because you have | 0:03:57 | 0:03:59 | |
on your team, Second Violinists, | 0:03:59 | 0:04:01 | |
someone who enjoys foreign language films. | 0:04:01 | 0:04:03 | |
These are all remakes of French films. | 0:04:03 | 0:04:06 | |
That's what they are. | 0:04:06 | 0:04:08 | |
True Lies was made from La Totale! | 0:04:08 | 0:04:10 | |
Three Men and a Baby from Trois Hommes Et Un Couffin, | 0:04:10 | 0:04:12 | |
Sommersby, Le Retour de Martin Guerre, | 0:04:12 | 0:04:15 | |
-and the Birdcage is a remake of... -La Cage aux Folles. | 0:04:15 | 0:04:17 | |
La Cage aux Folles. Remakes of French films was the answer. | 0:04:17 | 0:04:20 | |
So no points, but over to you, Violinists, to pick a question. | 0:04:20 | 0:04:23 | |
-Lion, please. -Lion, what is the connection here? | 0:04:23 | 0:04:26 | |
These are going to be picture clues. First one coming in...now. | 0:04:26 | 0:04:29 | |
OK, is that an opera of some sort? | 0:04:32 | 0:04:34 | |
I'm not entirely sure what character? | 0:04:34 | 0:04:36 | |
Queen of the Night, maybe. Next. | 0:04:36 | 0:04:38 | |
-I have no idea what football team that is. -No, next. | 0:04:40 | 0:04:44 | |
-Could be Chelsea, could be Everton. -OK, lets... Next. | 0:04:44 | 0:04:47 | |
-It's Cleopatra. -Is it Queens? | 0:04:49 | 0:04:51 | |
You think that's Queens Park Rangers or something, shall we try that? | 0:04:51 | 0:04:55 | |
Are they all Queens? | 0:04:55 | 0:04:57 | |
Tell me a little more. | 0:04:57 | 0:04:58 | |
Are they all Queen of the something? | 0:04:58 | 0:05:01 | |
They're all Queen of the something. | 0:05:01 | 0:05:03 | |
What are they all Queen of? | 0:05:03 | 0:05:05 | |
The first one we think is Queen of the Night, | 0:05:05 | 0:05:07 | |
is the next one Queen of the South? | 0:05:07 | 0:05:09 | |
Very well done, ladies. | 0:05:09 | 0:05:11 | |
I was very glad to avoid | 0:05:11 | 0:05:12 | |
throwing it over to the boys, | 0:05:12 | 0:05:14 | |
so they could say "We know that". | 0:05:14 | 0:05:15 | |
Queen of the South, the third one? | 0:05:15 | 0:05:17 | |
Queen of the Nile. | 0:05:17 | 0:05:18 | |
Yes, Cleopatra played by Elizabeth Taylor, and the last one? | 0:05:18 | 0:05:21 | |
-We're not entirely sure what the last one is. -Queen of the Desert? | 0:05:21 | 0:05:24 | |
It is Priscilla, Queen of the Desert. | 0:05:24 | 0:05:26 | |
You didn't need it before giving the answer. | 0:05:26 | 0:05:28 | |
So you get two points, | 0:05:28 | 0:05:30 | |
very well done. | 0:05:30 | 0:05:31 | |
-Back to you, Footballers, to pick a question. -Water, please. -Water. | 0:05:31 | 0:05:35 | |
Ah, the music question. Everyone's favourite. | 0:05:35 | 0:05:38 | |
What's the connection here, first clue coming in...now. | 0:05:38 | 0:05:41 | |
SONG: The Clog Dance | 0:05:41 | 0:05:43 | |
La Fille Mal Gardee, but go on. | 0:05:43 | 0:05:45 | |
Right. Next please. | 0:05:45 | 0:05:47 | |
SONG: The Welly Boot Song | 0:05:47 | 0:05:49 | |
Next again then, please. | 0:05:53 | 0:05:55 | |
SONG: These Boots Are Made For Walking | 0:05:55 | 0:05:57 | |
These Boots Are Made For Walking. | 0:05:57 | 0:05:58 | |
-It has to be walking. -Oh, the clog dance, it's about footwear. -OK. | 0:05:58 | 0:06:02 | |
BELL RINGS | 0:06:02 | 0:06:04 | |
Footwear. | 0:06:04 | 0:06:06 | |
They are songs about footwear, very well done. | 0:06:06 | 0:06:09 | |
-What did you hear? -Clog Dance, from La Fille Mal Garde? -Mm-hm. | 0:06:09 | 0:06:13 | |
Then, another one. | 0:06:13 | 0:06:16 | |
Then These Boots Are Made For Walking. | 0:06:16 | 0:06:18 | |
That's right, the middle one was The Welly Boot Song, | 0:06:18 | 0:06:21 | |
from the Alex Sutherland Singers, that classic. | 0:06:21 | 0:06:23 | |
And you didn't need to hear Blue Suede Shoes. Footwear, well done. | 0:06:23 | 0:06:27 | |
Back to you, Violinists. | 0:06:27 | 0:06:28 | |
-Two Reeds, please. -All right. | 0:06:28 | 0:06:30 | |
What is the connection between these clues? | 0:06:30 | 0:06:33 | |
Here's the first. | 0:06:33 | 0:06:36 | |
Next. | 0:06:37 | 0:06:39 | |
-No idea. -OK, next. | 0:06:41 | 0:06:42 | |
-Oh, I don't know who any of these are. -Nothing that rings a bell. | 0:06:45 | 0:06:48 | |
-Shall we try next and see? -Try next. | 0:06:48 | 0:06:49 | |
Ben Collins. Oh, we've got to come up with something. | 0:06:51 | 0:06:55 | |
-Something to do with fashion? -Not fashion. | 0:06:56 | 0:07:01 | |
Or to do with...? | 0:07:01 | 0:07:03 | |
-Brooke Magnanti, I think she might be a columnist? -A columnist, ooh. | 0:07:03 | 0:07:06 | |
-In which case, shall we guess columnists for...? -Five seconds. | 0:07:06 | 0:07:10 | |
OK, are they newspaper columnists? | 0:07:10 | 0:07:12 | |
They are not newspaper columnists, | 0:07:12 | 0:07:14 | |
although there's a couple | 0:07:14 | 0:07:16 | |
I'd really like to see have a go. | 0:07:16 | 0:07:18 | |
So there's a bonus chance for you, Footballers. | 0:07:18 | 0:07:20 | |
Other than saying they're people pretending to be | 0:07:20 | 0:07:23 | |
somebody else, again... I think they've got hidden identities, | 0:07:23 | 0:07:25 | |
they've all got hidden identities. Ben Collins is The Stig. | 0:07:25 | 0:07:28 | |
Brooke Magnanti is the call girl, isn't she? | 0:07:28 | 0:07:31 | |
I'll be interested to see what happens if you give | 0:07:31 | 0:07:33 | |
the same answer to every question! | 0:07:33 | 0:07:35 | |
In this case you're correct. | 0:07:35 | 0:07:36 | |
They're people whose hidden identities were revealed. | 0:07:36 | 0:07:40 | |
Brooke Magnanti, Belle de Jour. | 0:07:40 | 0:07:42 | |
Ben Collins, The Stig. | 0:07:42 | 0:07:44 | |
Mark Felt was the chap from The Watergate Scandal, | 0:07:44 | 0:07:47 | |
known as Deep Throat, there. | 0:07:47 | 0:07:49 | |
And Anne Desclos? | 0:07:49 | 0:07:52 | |
Wrote the Story of O, | 0:07:52 | 0:07:54 | |
anyone know what the pen name was? | 0:07:54 | 0:07:56 | |
No. | 0:07:56 | 0:07:59 | |
Look at your lovely innocent faces, | 0:07:59 | 0:08:01 | |
quite right you wouldn't read that filth, | 0:08:01 | 0:08:03 | |
Pauline Reage was the pen name. | 0:08:03 | 0:08:05 | |
And I'd advise you get it out of the library as soon as you get home. | 0:08:05 | 0:08:08 | |
It's excellent. | 0:08:08 | 0:08:09 | |
So, that's a bonus point for you, Footballers, | 0:08:09 | 0:08:12 | |
-you may now choose your own question. -Eye of Horus. | 0:08:12 | 0:08:15 | |
The Eye of Horus. What is the connection here? | 0:08:15 | 0:08:17 | |
Here's the first clue. | 0:08:17 | 0:08:19 | |
-They're not what's-its, are they? -We need more. | 0:08:20 | 0:08:23 | |
-Mondegreens? -No, no, no, next. | 0:08:23 | 0:08:26 | |
-I don't know. -Tigers? | 0:08:28 | 0:08:30 | |
-Something Tiger? -No, keep going. -Keep going, next. | 0:08:31 | 0:08:34 | |
-What? -Go for the last clue. Next again, please. | 0:08:37 | 0:08:41 | |
-They are. They are. -What? -They're misheard lyrics. Yeah. | 0:08:43 | 0:08:47 | |
BELL RINGS They're all misheard lyrics. | 0:08:47 | 0:08:50 | |
So in a way they're all pretending to be something that they're not. | 0:08:50 | 0:08:53 | |
Yeah, exactly that. | 0:08:53 | 0:08:55 | |
They are all misheard lyrics. | 0:08:55 | 0:08:56 | |
There is a word - mondegreens. | 0:08:56 | 0:08:58 | |
Misheard lyrics from songs. Do you know what they should be? | 0:08:58 | 0:09:01 | |
So Lonely. | 0:09:01 | 0:09:02 | |
So Lonely, from The Police. | 0:09:02 | 0:09:06 | |
-Scuse me while I kiss the sky. -That's Jimi Hendrix. | 0:09:06 | 0:09:09 | |
Gladly the cross. | 0:09:09 | 0:09:11 | |
A hymn, Gladly The Cross I'd Bear, | 0:09:11 | 0:09:13 | |
and the second one. | 0:09:13 | 0:09:15 | |
It's worth saying to yourself slowly, | 0:09:15 | 0:09:18 | |
because you can really sing it to this. It's Islands In The Stream. | 0:09:18 | 0:09:21 | |
-Oh, right. -Kenny Rogers. | 0:09:21 | 0:09:23 | |
# Ireland's industry. # Yeah. | 0:09:23 | 0:09:25 | |
Mondegreens or misheard lyrics. Well done. | 0:09:25 | 0:09:27 | |
That leaves one question for you, | 0:09:27 | 0:09:29 | |
Violinists, it's the Horned Viper. | 0:09:29 | 0:09:31 | |
What's the connection here? | 0:09:31 | 0:09:34 | |
Time starts...now. | 0:09:34 | 0:09:35 | |
Black and yellow, Buenos Aires. | 0:09:37 | 0:09:39 | |
No idea. Next. | 0:09:39 | 0:09:41 | |
-Flying? -Some kind of.... -City colour? | 0:09:42 | 0:09:46 | |
-Or what the football teams might wear? -OK, next. | 0:09:46 | 0:09:49 | |
What is black? Like black death or black plague, or something? | 0:09:52 | 0:09:58 | |
-Do you think there's a red plague? -Yes. -Shall we try the next? Next. | 0:09:58 | 0:10:03 | |
-Yellow. Taxis! -10 seconds. -BELL RINGS | 0:10:05 | 0:10:08 | |
Colour of taxis. | 0:10:08 | 0:10:09 | |
They are taxi colours in those cities. Yellow, for New York, | 0:10:09 | 0:10:12 | |
the giveaway there. | 0:10:12 | 0:10:13 | |
Taxi colours in those cities, well done. | 0:10:13 | 0:10:16 | |
Meaning, at the end of Round One, | 0:10:16 | 0:10:19 | |
the Second Violinists have got three points. | 0:10:19 | 0:10:21 | |
The Footballers are ahead with four. | 0:10:21 | 0:10:23 | |
Round Two is about sequences. There are still four connected clues, | 0:10:26 | 0:10:29 | |
but teams, I won't tell you what the fourth one is | 0:10:29 | 0:10:31 | |
cos I want you to tell me. | 0:10:31 | 0:10:33 | |
Starting with you again, Footballers, | 0:10:33 | 0:10:35 | |
please pick a question. | 0:10:35 | 0:10:37 | |
-Twisted Flax, please. -OK, Twisted Flax again. | 0:10:37 | 0:10:40 | |
What would be the fourth in this sequence? Here's the first. | 0:10:40 | 0:10:44 | |
-No. -Next. | 0:10:46 | 0:10:49 | |
Are they Italian regions? But are they moving upwards or downwards? | 0:10:50 | 0:10:54 | |
Take the next anyway? Next. | 0:10:54 | 0:10:56 | |
-Lazio's Rome. -It's probably going to be something like... | 0:10:57 | 0:11:03 | |
Basilicata is very low down, Campania's a bit further, Lazio's... | 0:11:03 | 0:11:06 | |
-Tuscany? -That would be my guess. | 0:11:06 | 0:11:08 | |
Tuscany definitely. | 0:11:08 | 0:11:09 | |
BELL RINGS | 0:11:09 | 0:11:10 | |
-Tuscany? -Tuscany is the answer. | 0:11:10 | 0:11:13 | |
They are coastal regions of western Italy going up or, | 0:11:13 | 0:11:17 | |
-to use the technical word, North. -North. | 0:11:17 | 0:11:21 | |
Very well done and it's over to you, Violinists, to pick a question. | 0:11:21 | 0:11:24 | |
-Water, please. -Water. Now these are going to be picture clues. | 0:11:24 | 0:11:27 | |
What would you expect to see in the fourth picture? | 0:11:27 | 0:11:30 | |
Here's the first. | 0:11:30 | 0:11:32 | |
-Who's that? -No idea. -Anyone? Next. | 0:11:33 | 0:11:36 | |
-Glass of red wine? Port. So, shall we go next? -Yeah. -Next. | 0:11:38 | 0:11:43 | |
Oh, it's parts of a ship. | 0:11:46 | 0:11:49 | |
Do we think? Bow, port, so...do we think, starboard? | 0:11:49 | 0:11:52 | |
-If that's... Do you think that's stern or something? -Maybe. | 0:11:52 | 0:11:56 | |
-Shall we try that? -Maybe the bird. Like you could say stern. | 0:11:56 | 0:11:58 | |
-A picture of a stern. -No, no. Shall we start? Shall we try it? | 0:11:58 | 0:12:02 | |
-10 seconds. -Go for it. | 0:12:02 | 0:12:04 | |
BELL RINGS | 0:12:04 | 0:12:06 | |
A star on a board, or something? Starboard. | 0:12:06 | 0:12:09 | |
It is starboard. We weren't imaginative enough | 0:12:09 | 0:12:11 | |
to put a star on a board. We've got the starboard of a ship. | 0:12:11 | 0:12:14 | |
-Who's that in the first picture? -We'd imagine someone Stern? | 0:12:14 | 0:12:18 | |
-Or, we're not sure. -It could have been a picture of me, looking stern. | 0:12:18 | 0:12:22 | |
-Do you know who that is, Footballers? -Howard Stern. | 0:12:22 | 0:12:25 | |
Howard Stern. The shock-jock DJ. | 0:12:25 | 0:12:27 | |
So we're looking at stern, port, bow, starboard. | 0:12:27 | 0:12:30 | |
Going round a ship in which direction? | 0:12:30 | 0:12:32 | |
Have a guess, it's 50/50. | 0:12:32 | 0:12:34 | |
-Anti-clockwise? -No, it's clockwise. | 0:12:34 | 0:12:37 | |
Very close, except you were wrong. | 0:12:37 | 0:12:38 | |
But, you do get the points for the answer, well done. | 0:12:38 | 0:12:41 | |
Back to you, Footballers, to pick a question. | 0:12:41 | 0:12:44 | |
-Lion, please. -Lion, what's the fourth in this sequence? Here's the first. | 0:12:44 | 0:12:48 | |
-No. -No. -Next please. | 0:12:51 | 0:12:53 | |
-Isle of Ely MP. -I don't know. -Go for the next? Next again, please. | 0:12:56 | 0:13:01 | |
-Oh, goodness me! -Name an Austrian architect. -Erm, Austrian architect. | 0:13:03 | 0:13:07 | |
Was it Richard Curtis that was the script editor? | 0:13:07 | 0:13:09 | |
What could start with Curtis? | 0:13:11 | 0:13:13 | |
No. | 0:13:15 | 0:13:16 | |
Austrian architect, Gropius? | 0:13:16 | 0:13:19 | |
But that's not going to work with anything, is it? Oh. | 0:13:19 | 0:13:22 | |
Three seconds. | 0:13:24 | 0:13:26 | |
Say something! | 0:13:26 | 0:13:29 | |
-Come on. -Tom Selleck. | 0:13:29 | 0:13:32 | |
It's not Tom Selleck, so over to you, | 0:13:32 | 0:13:35 | |
Violinists, for a possible bonus. | 0:13:35 | 0:13:38 | |
-We don't have any idea. -Right, | 0:13:38 | 0:13:40 | |
well, before revealing the answer. | 0:13:40 | 0:13:42 | |
Let me tell you, that the script editor of The Vicar of Dibley | 0:13:42 | 0:13:45 | |
is the lovely Emma Freud. | 0:13:45 | 0:13:48 | |
Her father, Clement Freud, former MP for the Isle of Ely, his father, | 0:13:48 | 0:13:52 | |
Ernst Freud, the Austrian architect, | 0:13:52 | 0:13:54 | |
-and his father was of course... -Sigmund. | 0:13:54 | 0:13:57 | |
Sigmund Freud, the founder of psycho-analysis. | 0:13:57 | 0:13:59 | |
That's what we would have wanted to see. | 0:13:59 | 0:14:01 | |
So nothing for the Freuds. Violinists, what would you like? | 0:14:01 | 0:14:05 | |
-Horned Viper, please. -Horned Viper. What's the fourth in this sequence? | 0:14:05 | 0:14:09 | |
Here's the first. | 0:14:09 | 0:14:11 | |
-Learning, yeah. -Next. | 0:14:13 | 0:14:16 | |
-No idea. -Next. | 0:14:17 | 0:14:20 | |
Oh, it could be like a hierarchy. | 0:14:26 | 0:14:28 | |
Yeah, what do we think it would be? So one would be...I don't know. | 0:14:28 | 0:14:32 | |
-Design, maybe? -Should we try it? | 0:14:36 | 0:14:40 | |
-BELL RINGS -One, design. | 0:14:40 | 0:14:44 | |
Not the answer, I'm afraid. | 0:14:44 | 0:14:46 | |
Possible bonus for the Footballers. | 0:14:46 | 0:14:48 | |
-Technology or something like that. -That's not it either. | 0:14:48 | 0:14:51 | |
In fact, you're really going in the wrong direction. | 0:14:51 | 0:14:54 | |
These are sectors of the economy going inward, | 0:14:54 | 0:14:57 | |
so tertiary sector would be services, | 0:14:57 | 0:15:00 | |
manufacturing would be secondary, | 0:15:00 | 0:15:02 | |
primary would be raw materials. So, no points. | 0:15:02 | 0:15:05 | |
Footballers, what would you like now? | 0:15:05 | 0:15:07 | |
-Two reeds, please. -The two reeds. First in a sequence coming up now. | 0:15:07 | 0:15:12 | |
Have to go next, don't we? Next, please. | 0:15:13 | 0:15:16 | |
-It's not set match, is it? -I think we need another. -Next again. | 0:15:19 | 0:15:23 | |
Grand Slam, surely? Grand Slam is something to do...probably bridge. | 0:15:25 | 0:15:28 | |
-Yeah, it's a good shout. -Not thinking anything else, are we? | 0:15:28 | 0:15:33 | |
-Grand Slam. -I like the way you feigned confidence there. | 0:15:35 | 0:15:39 | |
It seems much more authoritative. | 0:15:39 | 0:15:41 | |
And you're correct, it is Grand Slam. Why is that? | 0:15:41 | 0:15:45 | |
-Something to do with bridge, Barry says. -It is to do with bridge. | 0:15:45 | 0:15:48 | |
They are the level bonuses of the contracts in bridge getting bigger. | 0:15:48 | 0:15:52 | |
-And what do you need for a Grand Slam? -Skill, luck. | 0:15:52 | 0:15:57 | |
Arguably both. | 0:15:57 | 0:15:58 | |
All the tricks is what you need. | 0:15:58 | 0:16:01 | |
So, Violinists, one question remains. The Eye of Horus is yours. | 0:16:01 | 0:16:04 | |
First in a sequence coming up now. | 0:16:04 | 0:16:07 | |
OK, next. | 0:16:08 | 0:16:10 | |
Is it going towards us? Where is it? | 0:16:12 | 0:16:16 | |
What is it? Next. | 0:16:16 | 0:16:20 | |
-One Canada Square, that's Canary Wharf. -Do you think it's the Shard? | 0:16:22 | 0:16:26 | |
OK, should we try that? The Shard. | 0:16:26 | 0:16:28 | |
It is the Shard. And why is that? | 0:16:28 | 0:16:31 | |
Is it buildings in London getting taller? | 0:16:31 | 0:16:32 | |
They took it in turns to break records | 0:16:32 | 0:16:35 | |
for being the tallest building in London, that's right. | 0:16:35 | 0:16:38 | |
And One Canada Square, wrongly | 0:16:38 | 0:16:40 | |
-referred to as...? -Canary Wharf. | 0:16:40 | 0:16:41 | |
Canary Wharf, which is actually the area around it. Very well done. | 0:16:41 | 0:16:44 | |
That means at the end of Round Two | 0:16:44 | 0:16:46 | |
the Violinists are up to seven points, | 0:16:46 | 0:16:50 | |
but the Footballers are ahead with eight. | 0:16:50 | 0:16:52 | |
Time for the Connecting Wall. | 0:16:54 | 0:16:56 | |
16 mixed up clues that need sorting into four connected groups of four. | 0:16:56 | 0:17:00 | |
If you've got a computer to hand, perhaps you've been doing | 0:17:00 | 0:17:02 | |
some internet shopping or secretly reading your wife's emails, | 0:17:02 | 0:17:05 | |
you can play along at the same time as the teams on our website. | 0:17:05 | 0:17:09 | |
Violinists, your turn to go first this time. | 0:17:09 | 0:17:12 | |
-Would you like lion or water? -Water wall, please. | 0:17:12 | 0:17:15 | |
The water wall, you've got two and a half minutes to solve it. Starting now. | 0:17:15 | 0:17:20 | |
Tequila Sunrise is a kind of cocktail, | 0:17:24 | 0:17:26 | |
but it's also a song by the Eagles. | 0:17:26 | 0:17:29 | |
-Are there any other of those? -Maverick is someone in Top Gun. | 0:17:29 | 0:17:33 | |
Payback is a film with Ben Affleck in it. | 0:17:36 | 0:17:38 | |
-Chocolate for a bit. -OK. | 0:17:40 | 0:17:42 | |
-Fuse, Fudge, Bounty, what was the other one Bonus? No. -Kiss. | 0:17:42 | 0:17:47 | |
Maverick, maybe that was an old one. | 0:17:47 | 0:17:50 | |
OK, we'll go through those in a minute. | 0:17:50 | 0:17:53 | |
I think they might be chocolate bars that don't exist any more. | 0:17:54 | 0:17:58 | |
Maverick, Bonus, maybe Nome? OK, I'll try some of these. | 0:17:59 | 0:18:02 | |
You pay a ransom, you pay a fortune, you pay a bounty. Bonus. Reward. | 0:18:05 | 0:18:10 | |
You pay a premium, as well. | 0:18:11 | 0:18:14 | |
Salmon. | 0:18:18 | 0:18:19 | |
-Salmon could be a surname. They were types of pink. -Kiss. | 0:18:21 | 0:18:28 | |
Tequila sunrise, indeed. I'll try some of these. | 0:18:28 | 0:18:33 | |
You can also collect a reward. You can collect a bounty. | 0:18:33 | 0:18:37 | |
Halfway through the time. | 0:18:37 | 0:18:39 | |
I would do more of this paying. Paying a ransom. | 0:18:41 | 0:18:45 | |
I think I've done all these. | 0:18:45 | 0:18:47 | |
I don't know what Nove is. I don't know what that could be. | 0:18:51 | 0:18:54 | |
Are they radio stations? I don't know if any of the others are. | 0:18:59 | 0:19:02 | |
-I don't think so. -That's going to be with these. -OK. | 0:19:02 | 0:19:08 | |
-We've done lot's of these. -Is there anything else that could be pink? | 0:19:09 | 0:19:17 | |
30 seconds now. | 0:19:21 | 0:19:22 | |
-Try all of these. -I don't know. Bounty pink. I don't know. | 0:19:22 | 0:19:25 | |
Payback is like revenge. You can kiss. I don't know. | 0:19:28 | 0:19:36 | |
Buy something with a kiss. Reward. Maverick. | 0:19:36 | 0:19:40 | |
Ten seconds. | 0:19:40 | 0:19:41 | |
Light a fuse, light a... | 0:19:43 | 0:19:46 | |
We've done all of these. | 0:19:48 | 0:19:49 | |
You're out of time, so it's frozen. Defeated by the wall. | 0:19:50 | 0:19:53 | |
Many have been. But you can still get points for the connections. | 0:19:53 | 0:19:57 | |
So, let's resolve it. | 0:19:57 | 0:19:59 | |
That's how it should have looked. | 0:20:00 | 0:20:02 | |
Now, let's see if you can find the connections for the points. | 0:20:02 | 0:20:06 | |
Maverick, Payback, Ransom, Tequila Sunrise. | 0:20:06 | 0:20:09 | |
Are they all films of some sort? | 0:20:09 | 0:20:12 | |
-I need more than that. -Are they films with Ben Affleck in them? | 0:20:12 | 0:20:16 | |
I don't know. I can't think of any other. | 0:20:16 | 0:20:20 | |
Not Ben Affleck. If only you had guessed the name | 0:20:20 | 0:20:22 | |
of that loveable old anti-Semite | 0:20:22 | 0:20:24 | |
Mel Gibson I could have given you the points. | 0:20:24 | 0:20:26 | |
Not fans of his? | 0:20:26 | 0:20:28 | |
-Not really, no. -It's a shame, isn't it? | 0:20:28 | 0:20:32 | |
What about the next group? Bounty, reward, bonus, premium. | 0:20:32 | 0:20:35 | |
Sums of money that you can pay. | 0:20:35 | 0:20:37 | |
Pay or receive. Forms of compensation. | 0:20:39 | 0:20:42 | |
Something that you get or give in return for something else. | 0:20:42 | 0:20:45 | |
That's right. | 0:20:45 | 0:20:46 | |
And the next one - peach, nove, salmon, fudge. | 0:20:46 | 0:20:49 | |
Are they shades of pink? | 0:20:49 | 0:20:50 | |
Nove absolutely isn't and fudge you'd be pushing it. | 0:20:50 | 0:20:55 | |
I think you're miles away. They are newsreaders on Radio 2. | 0:20:55 | 0:20:59 | |
-From Radio 2? -Fenella Fudge, | 0:20:59 | 0:21:02 | |
Ricky Salmon, Charles Nove, Andrew Peach. | 0:21:02 | 0:21:05 | |
I don't listen to Radio 2. | 0:21:05 | 0:21:06 | |
Well, that's what they were, newsreaders on Radio 2. | 0:21:06 | 0:21:09 | |
And the last one - raspberry, fuse, fortune, kiss. | 0:21:09 | 0:21:12 | |
Former chocolate bars. We think they're former chocolate bars. | 0:21:12 | 0:21:16 | |
They're not, unfortunately. | 0:21:16 | 0:21:18 | |
I think there is a chocolate called a kiss, but they're not. | 0:21:18 | 0:21:22 | |
It's a word one. Things you can blow. | 0:21:22 | 0:21:25 | |
Blow a raspberry, blow a fuse, blow a fortune, blow a kiss. | 0:21:25 | 0:21:29 | |
So, you didn't find any groups | 0:21:29 | 0:21:31 | |
and I'm afraid you only got one point for the connections so that is one point. | 0:21:31 | 0:21:35 | |
Time to bring back the Footballers to see what they can do with the wall. | 0:21:35 | 0:21:38 | |
16 new clues still need to be solved into four connected groups of four. | 0:21:38 | 0:21:43 | |
Footballers, you're going to get the lion wall. | 0:21:43 | 0:21:45 | |
You have two and a half minutes to solve it starting now. | 0:21:45 | 0:21:49 | |
-Right. -Odie is a dog. Rover's a dog. Lady's a dog. | 0:21:51 | 0:21:58 | |
-Lady's a dog. -Bolt's -a dog. | 0:21:58 | 0:22:00 | |
Odie and Spike. Rover, Lady. | 0:22:00 | 0:22:04 | |
Right, Rover, Odie, Bolt, Spike. Surely? | 0:22:04 | 0:22:08 | |
-Ren and Stimpy. -We're looking for cartoon dogs then. | 0:22:08 | 0:22:13 | |
So it must be those. | 0:22:13 | 0:22:15 | |
Receiver, fullback, wing. | 0:22:15 | 0:22:19 | |
American football positions. Safety. | 0:22:19 | 0:22:21 | |
Let's see if we can get anything else. | 0:22:21 | 0:22:23 | |
We've got plenty of time, mate. | 0:22:23 | 0:22:25 | |
Ruckman, is he a footballer? | 0:22:29 | 0:22:32 | |
Pelt. Pelt, pelt, pelt. | 0:22:36 | 0:22:39 | |
Barrel. Dart. Hang on. | 0:22:40 | 0:22:42 | |
You shoot a bolt, you shoot a dart. | 0:22:42 | 0:22:45 | |
Do you shoot anything else? | 0:22:45 | 0:22:47 | |
Something like that. Hey. | 0:22:49 | 0:22:52 | |
Keep your hands to yourself now. | 0:22:52 | 0:22:55 | |
-I'll keep my hands away now. -It's three strikes and you're out. | 0:22:55 | 0:22:58 | |
There must be some kind of sports position. | 0:22:58 | 0:23:01 | |
-Safety. -What's the other one then? | 0:23:01 | 0:23:03 | |
-They don't have a wing in American football. -Think of other words. | 0:23:03 | 0:23:07 | |
Safety pin. | 0:23:07 | 0:23:09 | |
Wing man. Stock man. | 0:23:09 | 0:23:13 | |
Ruckman man. | 0:23:13 | 0:23:15 | |
Plenty of time. What's a Ruckman? | 0:23:15 | 0:23:19 | |
I don't know. | 0:23:19 | 0:23:21 | |
-Safety catch, safety stock, safety. -Pin. -Wide receiver. Wide. | 0:23:23 | 0:23:31 | |
Right. | 0:23:35 | 0:23:37 | |
Some sensible three goes now. | 0:23:37 | 0:23:39 | |
We have to start guessing. | 0:23:39 | 0:23:42 | |
-Fullback, receiver, safety. -Two more attempts. | 0:23:42 | 0:23:45 | |
Slowly, slowly. We've had safety and that. | 0:23:45 | 0:23:49 | |
-We've done that. -You've got 30 seconds. | 0:23:49 | 0:23:52 | |
We've tried that one, haven't we. | 0:23:52 | 0:23:55 | |
-What else could we have here? -Have to have a quick stab at something. | 0:23:56 | 0:24:01 | |
Go press. Just go pressing. | 0:24:01 | 0:24:04 | |
-Go with that. -Which one? -Safety. | 0:24:04 | 0:24:08 | |
-No. -Not having it. | 0:24:08 | 0:24:09 | |
That's it. You used your three lives | 0:24:09 | 0:24:11 | |
and the grid has frozen, but you found two groups for two points. | 0:24:11 | 0:24:15 | |
What about the connections? Spike, Odie, Lady, Ren? | 0:24:15 | 0:24:18 | |
They're all cartoon dogs. | 0:24:18 | 0:24:20 | |
Cartoon dogs from Tom and Jerry, Garfield, | 0:24:20 | 0:24:22 | |
Lady and the Tramp, Ren and Stimpy, that's right. | 0:24:22 | 0:24:25 | |
Pelt, bolt, barrel, dart. | 0:24:25 | 0:24:27 | |
Nobody knows this! | 0:24:27 | 0:24:29 | |
I don't actually... I got it but I don't know why. | 0:24:29 | 0:24:32 | |
Go with something you can shoot. | 0:24:34 | 0:24:37 | |
Things you can shoot. | 0:24:37 | 0:24:39 | |
-See now, I don't think you can shoot a barrel. -I don't think you can. | 0:24:39 | 0:24:42 | |
You can shoot fish in a barrel. | 0:24:42 | 0:24:44 | |
It doesn't hold together, but I think you'll kick yourselves | 0:24:44 | 0:24:47 | |
because it's a word one. | 0:24:47 | 0:24:48 | |
They're all synonyms for rush. | 0:24:48 | 0:24:51 | |
To rush. To pelt, to bolt, to barrel, to dart. | 0:24:51 | 0:24:54 | |
To move fast. That's what it is. | 0:24:54 | 0:24:56 | |
You can still also get points for the connections you didn't find. | 0:24:56 | 0:24:59 | |
So let's resolve the wall. | 0:24:59 | 0:25:01 | |
What about this? Stock, receiver, safety, sight. | 0:25:01 | 0:25:04 | |
-Part of a gun. -Parts of guns. | 0:25:04 | 0:25:06 | |
There you go! There's your shooting clue. | 0:25:06 | 0:25:08 | |
They're parts of a shotgun. | 0:25:08 | 0:25:10 | |
It's probably why you were thinking of it subliminally, | 0:25:10 | 0:25:13 | |
as there were gun parts in there. | 0:25:13 | 0:25:15 | |
The last one. Fullback, rover, wing, ruckman. | 0:25:15 | 0:25:18 | |
-Positions in sport. -They are definitely positions in something! | 0:25:18 | 0:25:23 | |
-I'm afraid I will need to know more. -Is it rugby league? -Or rugby union. | 0:25:23 | 0:25:28 | |
You're not going to get it. They are positions in Aussie Rules Football. | 0:25:28 | 0:25:33 | |
That's what it is. | 0:25:33 | 0:25:34 | |
But two points for finding two groups and you got two connections, | 0:25:34 | 0:25:38 | |
so that's a total of four. | 0:25:38 | 0:25:39 | |
Let's see what that does to the scores going into the final round. | 0:25:39 | 0:25:42 | |
Missing Vowels Round. | 0:25:50 | 0:25:51 | |
We take well-known names, phrases or sayings, whip out the vowels, squidge up the consonants. | 0:25:51 | 0:25:55 | |
I want to know what those disguised words are. | 0:25:55 | 0:25:58 | |
Fingers on buzzers then, teams. | 0:25:58 | 0:26:01 | |
The first category are all types of fundraising event. | 0:26:01 | 0:26:06 | |
-Violinists. -Sponsored swim. -Correct. | 0:26:09 | 0:26:11 | |
Violinists. | 0:26:12 | 0:26:14 | |
Bring and buy sale. | 0:26:14 | 0:26:16 | |
Don't know this one. | 0:26:20 | 0:26:22 | |
It's slave auction. Next clue. | 0:26:22 | 0:26:24 | |
Not this either, coffee morning. | 0:26:30 | 0:26:32 | |
Next category, | 0:26:32 | 0:26:33 | |
racecourses in the UK. | 0:26:33 | 0:26:35 | |
-Footballers. -Epsom Downs. | 0:26:38 | 0:26:40 | |
-Footballers. -Downpatrick. | 0:26:43 | 0:26:45 | |
-Violinists. -Newton Abbott. | 0:26:48 | 0:26:50 | |
-Footballers. -Aintree. -Stronger on gambling then fundraising, | 0:26:53 | 0:26:56 | |
that is correct. Next category, advocates of women's rights. | 0:26:56 | 0:27:00 | |
Footballers. | 0:27:01 | 0:27:02 | |
Simone de Beauvoir. | 0:27:02 | 0:27:04 | |
-Footballers. -Marie Stopes. | 0:27:08 | 0:27:10 | |
Tricky one, it has an initial in it, | 0:27:16 | 0:27:18 | |
Susan B Anthony. Next clue. | 0:27:18 | 0:27:20 | |
-Violinists. -Emily Davidson. | 0:27:24 | 0:27:26 | |
I'm afraid you lose a point. | 0:27:26 | 0:27:28 | |
Footballers. Too long. | 0:27:28 | 0:27:30 | |
Emily Davison, no D, which is key. | 0:27:30 | 0:27:33 | |
Next category, items in a first-aid kit. | 0:27:33 | 0:27:36 | |
-Violinists. -Rubbing alcohol. | 0:27:39 | 0:27:41 | |
Footballers. | 0:27:43 | 0:27:44 | |
Triangular bandage. | 0:27:44 | 0:27:46 | |
That last one was adhesive tape, but that is the end of the quiz. | 0:27:51 | 0:27:56 | |
So, looking at the final scores, | 0:27:56 | 0:27:58 | |
after an excellent performance | 0:27:58 | 0:28:00 | |
the Second Violinists have got 11 points | 0:28:00 | 0:28:03 | |
but the winners with 18 points are the Footballers. | 0:28:03 | 0:28:05 | |
Very well played, Violinists, just unlucky on that horrible wall there. | 0:28:05 | 0:28:11 | |
Thank you very much for playing. | 0:28:11 | 0:28:12 | |
Footballers, we will see you again in the quarterfinals. | 0:28:12 | 0:28:15 | |
Thank you for watching. | 0:28:15 | 0:28:16 | |
Please join me next time for another episode of the quiz | 0:28:16 | 0:28:19 | |
so devious that the police are currently digging up its patio. | 0:28:19 | 0:28:23 | |
So if we're not here next week, they found the hitch-hiker. | 0:28:23 | 0:28:26 | |
Goodbye. | 0:28:26 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:51 |