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Hello and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
the show that's unashamedly intelligent - which is not to say | 0:00:23 | 0:00:26 | |
we're unashamed, but that's only of | 0:00:26 | 0:00:28 | |
the standard of dancing at our end-of-series party. | 0:00:28 | 0:00:30 | |
By the way, licence fee worriers, please take note - | 0:00:30 | 0:00:33 | |
there is no end-of-series party. | 0:00:33 | 0:00:35 | |
It's just me, dancing in a corridor, | 0:00:35 | 0:00:38 | |
waiting for the next series to start. | 0:00:38 | 0:00:40 | |
On which festive note, let's meet the teams. | 0:00:40 | 0:00:44 | |
On my right, Steve Donnelly, | 0:00:44 | 0:00:46 | |
a history graduate and former IT systems analyst who enjoys | 0:00:46 | 0:00:49 | |
hill walking and European travel. | 0:00:49 | 0:00:51 | |
Gareth Williams, a retired IT consultant who is currently | 0:00:51 | 0:00:55 | |
studying for a degree in photography with the Open College of Art. | 0:00:55 | 0:00:58 | |
And their captain, Bob Hughes, a leadership consultant and coach, | 0:00:58 | 0:01:01 | |
who loves skiing, cooking and doing origami. | 0:01:01 | 0:01:05 | |
United by their hearty appetites and passion for food, | 0:01:05 | 0:01:08 | |
they are the Trenchermen. | 0:01:08 | 0:01:10 | |
So, Bob, you work as a leadership consultant. | 0:01:10 | 0:01:13 | |
Do you think that gives you a natural advantage as a team captain? | 0:01:13 | 0:01:16 | |
I think I'll be able to bring out the best in the team, yes. | 0:01:16 | 0:01:18 | |
Probably by trusting them. I think that's what a leader should do. | 0:01:18 | 0:01:22 | |
If they don't trust his or her team, what chance do they have? | 0:01:22 | 0:01:26 | |
So you're carrot, rather than stick? | 0:01:26 | 0:01:28 | |
Oh, yeah, and if the stick doesn't work, | 0:01:28 | 0:01:30 | |
you hit them with the carrot, I think. | 0:01:30 | 0:01:32 | |
Absolutely. I don't even bother with carrots. I'm all stick. | 0:01:32 | 0:01:35 | |
Your opponents tonight, on my left. | 0:01:35 | 0:01:39 | |
Hannah Twitchell, a maths graduate from Bath University, | 0:01:39 | 0:01:41 | |
who's about to study for a PhD in medical statistics. | 0:01:41 | 0:01:44 | |
Dorian Lidell, a maths student who loves cryptic crosswords, | 0:01:44 | 0:01:47 | |
retro video games and Japanese cinema. | 0:01:47 | 0:01:50 | |
And their captain, James Wilson, | 0:01:50 | 0:01:53 | |
a trainee analyst and programmer with a degree in maths, | 0:01:53 | 0:01:55 | |
who was once ranked 430th in British tennis due to a clerical error. | 0:01:55 | 0:02:00 | |
They're all fans of knotty maths equations. | 0:02:00 | 0:02:03 | |
They are the Numerists. | 0:02:03 | 0:02:04 | |
You've probably got the maths covered. How about everything else? | 0:02:04 | 0:02:08 | |
-Well, Dorian's our etymological expert. -Yep, that's me. | 0:02:08 | 0:02:11 | |
Hannah is our pop culture specialist | 0:02:11 | 0:02:13 | |
and I... My specialism lies in geography. | 0:02:13 | 0:02:16 | |
Let me just check... | 0:02:16 | 0:02:17 | |
None of those things are coming up. Never mind. | 0:02:17 | 0:02:20 | |
Congratulations, by the way, on your clerical tennis triumph. | 0:02:20 | 0:02:22 | |
-Thank you. -Let's see how well you fare tonight... | 0:02:22 | 0:02:25 | |
..by playing Round One. | 0:02:25 | 0:02:26 | |
I expect you've seen the programme on TV. If you haven't, | 0:02:26 | 0:02:29 | |
shoddy research. I simply want to know, | 0:02:29 | 0:02:31 | |
what's the connection between four apparently random clues? | 0:02:31 | 0:02:35 | |
The fewer clues you see, the more points you get. | 0:02:35 | 0:02:38 | |
Trenchermen, you won the toss, so you will be going first. | 0:02:38 | 0:02:42 | |
Please choose a hieroglyph. | 0:02:42 | 0:02:44 | |
The horned viper, please. | 0:02:44 | 0:02:46 | |
The horned viper. | 0:02:46 | 0:02:47 | |
Ah, the music question immediately. | 0:02:47 | 0:02:50 | |
Normally, people's faces fall, but you never know. | 0:02:50 | 0:02:52 | |
Good luck. First clue coming up now. | 0:02:52 | 0:02:55 | |
CLASSICAL MUSIC PLAYS | 0:02:55 | 0:03:03 | |
Next please. | 0:03:03 | 0:03:04 | |
# Oh, no, sweet maid, I cannot marry thee | 0:03:04 | 0:03:06 | |
# For I have no coat to put on | 0:03:06 | 0:03:09 | |
# Then up she went to her grandfather's chest... # | 0:03:09 | 0:03:12 | |
Next, please. | 0:03:12 | 0:03:13 | |
# He'd seen the glory | 0:03:13 | 0:03:15 | |
# He'd told the story | 0:03:15 | 0:03:17 | |
# Of battles glorious and deeds victorious | 0:03:17 | 0:03:21 | |
# But now he's sighing... # Next, please. | 0:03:21 | 0:03:23 | |
# Stolen from Africa | 0:03:23 | 0:03:26 | |
Ten seconds. | 0:03:26 | 0:03:27 | |
# Brought to... # BELL | 0:03:27 | 0:03:29 | |
Soldier. | 0:03:30 | 0:03:31 | |
That is the connection. Well done. | 0:03:31 | 0:03:34 | |
What did you hear? | 0:03:34 | 0:03:36 | |
There was the Stolen From Africa... | 0:03:36 | 0:03:38 | |
Buffalo Soldier was the last one. | 0:03:38 | 0:03:40 | |
Scottish Soldier before that. | 0:03:40 | 0:03:41 | |
If we'd known the first two, | 0:03:41 | 0:03:43 | |
we'd have buzzed in. | 0:03:43 | 0:03:44 | |
The first one was from A Soldier's Tale. | 0:03:44 | 0:03:46 | |
Stravinsky, that was. The second, | 0:03:46 | 0:03:48 | |
O, Soldier, Soldier, | 0:03:48 | 0:03:49 | |
Ionian Singers and Timothy Salter. | 0:03:49 | 0:03:52 | |
Soldier is the connection. | 0:03:52 | 0:03:53 | |
Well done, you are off with a point, | 0:03:53 | 0:03:56 | |
and it is now your turn, Numerists, | 0:03:56 | 0:03:57 | |
to choose a hieroglyph. | 0:03:57 | 0:03:59 | |
I'll have twisted flax, please. | 0:03:59 | 0:04:01 | |
First clue coming up now. | 0:04:01 | 0:04:03 | |
No idea? | 0:04:05 | 0:04:07 | |
Next. | 0:04:07 | 0:04:09 | |
These aren't things done for good luck, are they? | 0:04:09 | 0:04:11 | |
I don't think so. | 0:04:11 | 0:04:12 | |
Next. | 0:04:12 | 0:04:14 | |
-Are they noises used by Foley artists...? -Oh, yeah. | 0:04:16 | 0:04:20 | |
I'm going to buzz and nominate you, if that's all right? | 0:04:20 | 0:04:23 | |
But I don't know if it is for a particular... | 0:04:23 | 0:04:26 | |
THEY WHISPER | 0:04:26 | 0:04:28 | |
Next. | 0:04:28 | 0:04:29 | |
I'm going to buzz and nominate you. | 0:04:30 | 0:04:32 | |
-OK, yeah, that's fine. -Ten seconds. -BELL | 0:04:32 | 0:04:35 | |
I'm going to nominate Hannah. | 0:04:35 | 0:04:36 | |
Things that Foley artists use | 0:04:36 | 0:04:38 | |
to create sounds for television programmes. | 0:04:38 | 0:04:41 | |
That is precisely what it is. | 0:04:41 | 0:04:42 | |
Foley artists' sound effects. | 0:04:42 | 0:04:45 | |
Very well buzzed in, Numerists. | 0:04:45 | 0:04:46 | |
You get a point as well, | 0:04:46 | 0:04:48 | |
and we're back to the Trenchermen to choose a question. | 0:04:48 | 0:04:51 | |
Two reeds, please. | 0:04:51 | 0:04:52 | |
Your first clue coming up now. | 0:04:52 | 0:04:54 | |
They were stripped of their title. | 0:04:59 | 0:05:01 | |
-Shall we go with that? -Go for it. | 0:05:01 | 0:05:04 | |
BELL | 0:05:04 | 0:05:05 | |
They were stripped of their title. | 0:05:05 | 0:05:08 | |
Goodness me! | 0:05:08 | 0:05:09 | |
Haven't had one of those in a while. | 0:05:09 | 0:05:11 | |
Very well done. | 0:05:11 | 0:05:12 | |
Coming in after just one clue, | 0:05:12 | 0:05:15 | |
you get five points. | 0:05:15 | 0:05:17 | |
They are people disqualified from something they'd won. | 0:05:17 | 0:05:20 | |
What can you tell me about them? | 0:05:20 | 0:05:21 | |
Miss World 1973 was Angie somebody, | 0:05:21 | 0:05:24 | |
who was an American, | 0:05:24 | 0:05:26 | |
and I forget her second name... | 0:05:26 | 0:05:29 | |
Juventus were the Serie A champions | 0:05:29 | 0:05:31 | |
disqualified because of the corruption scandal | 0:05:31 | 0:05:34 | |
in Italian football. | 0:05:34 | 0:05:35 | |
Phil Woolas was the MP | 0:05:35 | 0:05:39 | |
who did his expenses. | 0:05:39 | 0:05:41 | |
And the marathon winner | 0:05:41 | 0:05:42 | |
in the 1908 Olympics, | 0:05:42 | 0:05:44 | |
I believe hitched a lift | 0:05:44 | 0:05:45 | |
-for part of the course. -He cheated. | 0:05:45 | 0:05:47 | |
Pietri had help from race officials. | 0:05:47 | 0:05:50 | |
The first one, Marjorie Wallace, | 0:05:50 | 0:05:52 | |
her name was, Miss World 1973. | 0:05:52 | 0:05:54 | |
Do you know what she was sacked for? | 0:05:54 | 0:05:56 | |
Had she been married, or something? | 0:05:56 | 0:05:59 | |
No, for dating too many celebrities. | 0:05:59 | 0:06:02 | |
I would never date a celebrity. | 0:06:02 | 0:06:04 | |
Inappropriate behaviour, I think. | 0:06:04 | 0:06:06 | |
In her case, Tom Jones | 0:06:06 | 0:06:08 | |
and George Best were included. | 0:06:08 | 0:06:09 | |
That was thought not proper. | 0:06:09 | 0:06:11 | |
Very well done to you, Trenchermen. | 0:06:11 | 0:06:12 | |
Excellent flashing answer, there. | 0:06:12 | 0:06:14 | |
Numerists, your turn to pick a question. | 0:06:14 | 0:06:17 | |
-Lion, please. -Lion. OK. | 0:06:17 | 0:06:19 | |
These are going to be picture clues. | 0:06:19 | 0:06:21 | |
First one coming up now. | 0:06:21 | 0:06:23 | |
Is it a Fennec Fox? | 0:06:26 | 0:06:28 | |
Next. | 0:06:28 | 0:06:29 | |
I have no idea about that. Do you? | 0:06:31 | 0:06:33 | |
I don't know what that is. | 0:06:33 | 0:06:34 | |
Next. | 0:06:34 | 0:06:35 | |
-Who's that? -What was the first one? | 0:06:37 | 0:06:39 | |
I think it's a Fennec Fox. | 0:06:39 | 0:06:41 | |
Do they all begin with a double F? | 0:06:41 | 0:06:43 | |
Yeah, that must be it. | 0:06:43 | 0:06:44 | |
-Shall we go with that? -Yeah, go. -BELL | 0:06:44 | 0:06:46 | |
They all begin with a double F. | 0:06:46 | 0:06:49 | |
Or have F-F in them. | 0:06:49 | 0:06:52 | |
I'm afraid that's not the answer. | 0:06:52 | 0:06:53 | |
I'm going to show the fourth clue | 0:06:53 | 0:06:55 | |
for a possible bonus. | 0:06:55 | 0:06:57 | |
-Llama so... -Double letters. -Yeah. | 0:06:57 | 0:06:59 | |
They all start with double letters. | 0:06:59 | 0:07:01 | |
That's it. It's double letters. | 0:07:01 | 0:07:04 | |
A range of double letters. | 0:07:04 | 0:07:06 | |
Aardwolf, Ooglies and a llama. | 0:07:06 | 0:07:07 | |
Just Ffion Hague that's double F. | 0:07:07 | 0:07:09 | |
In Welsh, and it's a Welsh name, | 0:07:09 | 0:07:12 | |
that's just one letter. | 0:07:12 | 0:07:13 | |
So you were close, | 0:07:13 | 0:07:14 | |
but it's a bonus point to the Trenchermen. | 0:07:14 | 0:07:16 | |
-Please choose your own question. -Eye of Horus, please. | 0:07:16 | 0:07:19 | |
OK. Your time starts now. | 0:07:19 | 0:07:22 | |
-Next. -Say it louder. | 0:07:25 | 0:07:26 | |
Next, please. | 0:07:26 | 0:07:28 | |
The Once And Future King... | 0:07:31 | 0:07:33 | |
Was it James? | 0:07:33 | 0:07:35 | |
-Or King Arthur. -Shall we go next? | 0:07:35 | 0:07:37 | |
Next, please. | 0:07:37 | 0:07:38 | |
Speak up. You have to speak up. | 0:07:41 | 0:07:43 | |
-Divided. -Ah, OK. Yeah? | 0:07:43 | 0:07:45 | |
Shall we go with that? | 0:07:45 | 0:07:46 | |
-In two parts. -Two halves. | 0:07:46 | 0:07:48 | |
BELL | 0:07:48 | 0:07:50 | |
These are things that are divided | 0:07:50 | 0:07:52 | |
into two parts. | 0:07:52 | 0:07:54 | |
I'm afraid not. So, I'll show | 0:07:54 | 0:07:56 | |
the last clue to the Numerists. | 0:07:56 | 0:07:58 | |
Your chance for a possible bonus. | 0:07:58 | 0:08:00 | |
Divided into four parts. | 0:08:00 | 0:08:01 | |
They are divided into four parts. | 0:08:01 | 0:08:03 | |
I must say, if you could all combine | 0:08:03 | 0:08:05 | |
to make a six-part team, | 0:08:05 | 0:08:06 | |
you would be brilliant. | 0:08:06 | 0:08:08 | |
Four chambers in the human heart. | 0:08:08 | 0:08:10 | |
The Once And Future King, | 0:08:10 | 0:08:11 | |
a four-part novel by T H White. | 0:08:11 | 0:08:12 | |
Post-war Berlin, divided in four. | 0:08:12 | 0:08:14 | |
And this question, like all | 0:08:14 | 0:08:15 | |
questions on Only Connect, | 0:08:15 | 0:08:17 | |
divided into four parts. | 0:08:17 | 0:08:18 | |
So, the bonus goes to you this time. | 0:08:18 | 0:08:20 | |
And it is your turn - not so much to choose a question, | 0:08:20 | 0:08:23 | |
because it is going to be water - | 0:08:23 | 0:08:25 | |
but to see if you can give the answer. | 0:08:25 | 0:08:27 | |
First clue coming up now. | 0:08:27 | 0:08:29 | |
-It's a fractal. -Fractals. | 0:08:30 | 0:08:32 | |
Should we just go for it? | 0:08:32 | 0:08:33 | |
THEY WHISPER | 0:08:33 | 0:08:36 | |
Should we go with fractal? | 0:08:36 | 0:08:37 | |
-I think we should say next. -OK. | 0:08:37 | 0:08:39 | |
Next. | 0:08:41 | 0:08:42 | |
OK, we should have... | 0:08:44 | 0:08:45 | |
What's the property of the Sierpinski Triangle? | 0:08:47 | 0:08:49 | |
Next. | 0:08:49 | 0:08:51 | |
-Oh, they all contain smaller versions of themselves. -That's it. | 0:08:52 | 0:08:56 | |
-OK. All right? -Yeah. | 0:08:56 | 0:08:57 | |
-Ten seconds. -BELL | 0:08:57 | 0:08:59 | |
Nominate Dorian on this one. | 0:08:59 | 0:09:00 | |
Do they all contain | 0:09:00 | 0:09:01 | |
smaller versions of themselves? | 0:09:01 | 0:09:03 | |
Like Matryoshka dolls are small ones inside large ones. | 0:09:03 | 0:09:06 | |
That is correct, | 0:09:06 | 0:09:07 | |
but I'd be really happy, | 0:09:07 | 0:09:08 | |
given you're a mathematical team, | 0:09:08 | 0:09:10 | |
if you could give me | 0:09:10 | 0:09:11 | |
a better word to describe that. | 0:09:11 | 0:09:12 | |
Oh... Well, fractal. | 0:09:12 | 0:09:14 | |
Well, the first one would be about fractals. | 0:09:14 | 0:09:16 | |
It's recursion, when they contain | 0:09:16 | 0:09:18 | |
smaller parts within themselves. | 0:09:18 | 0:09:20 | |
Last one would have been Inception, | 0:09:20 | 0:09:22 | |
the film with dreams within dreams. | 0:09:22 | 0:09:24 | |
Sierpinski triangle, | 0:09:24 | 0:09:25 | |
that's the fractals. | 0:09:25 | 0:09:26 | |
Atwood's novel The Blind Assassin has in it | 0:09:26 | 0:09:28 | |
a novel called The Blind Assassin | 0:09:28 | 0:09:30 | |
which has within it | 0:09:30 | 0:09:31 | |
a novel called The Blind Assassin, | 0:09:31 | 0:09:33 | |
and matryoshka is the Russian dolls. | 0:09:33 | 0:09:35 | |
Very well done. | 0:09:35 | 0:09:36 | |
So, at the end of Round One, the Numerists have got four points, | 0:09:36 | 0:09:41 | |
but the Trenchermen are ahead with seven. | 0:09:41 | 0:09:43 | |
Round Two is sequences. | 0:09:45 | 0:09:47 | |
There are still four clues, but they come in a sequence. | 0:09:47 | 0:09:50 | |
Teams, I want to know, what is the fourth? | 0:09:50 | 0:09:52 | |
So, you may only see up to three clues before giving me the answer. | 0:09:52 | 0:09:55 | |
Trenchermen, you'll be going first again. | 0:09:55 | 0:09:58 | |
Which hieroglyph would you like? | 0:09:58 | 0:09:59 | |
We'd like the lion, please. | 0:09:59 | 0:10:00 | |
That can certainly be arranged. | 0:10:00 | 0:10:02 | |
What would be the fourth | 0:10:02 | 0:10:03 | |
in this sequence? Here's the first. | 0:10:03 | 0:10:04 | |
THEY WHISPER | 0:10:06 | 0:10:09 | |
Next, please. | 0:10:09 | 0:10:10 | |
-They're islands. -Yeah. | 0:10:14 | 0:10:16 | |
-Where? -Japan? | 0:10:16 | 0:10:18 | |
Shall we go for next? | 0:10:18 | 0:10:19 | |
-I think that if it's Japan, then the answer is Honshu. -Let's go for that. | 0:10:19 | 0:10:23 | |
BELL | 0:10:23 | 0:10:25 | |
Honshu. | 0:10:25 | 0:10:26 | |
I'm afraid that's not the answer. | 0:10:26 | 0:10:28 | |
So, I will show the third | 0:10:28 | 0:10:29 | |
in the sequence to the Numerists. | 0:10:29 | 0:10:30 | |
Can you tell me what comes fourth? | 0:10:30 | 0:10:32 | |
Hawaii. | 0:10:32 | 0:10:33 | |
I'm... | 0:10:34 | 0:10:36 | |
Yes, the Big Island. | 0:10:36 | 0:10:38 | |
I don't know what to call it. | 0:10:38 | 0:10:40 | |
But one or the other. | 0:10:40 | 0:10:42 | |
The answer is Hawaii, | 0:10:42 | 0:10:43 | |
also known as the Big Island. | 0:10:43 | 0:10:44 | |
They are the islands of Hawaii, getting bigger, | 0:10:44 | 0:10:47 | |
and Hawaii would be the big one. | 0:10:47 | 0:10:49 | |
Very well done for the bonus. | 0:10:49 | 0:10:50 | |
You may now choose your question. | 0:10:50 | 0:10:52 | |
Eye of Horus, please. | 0:10:52 | 0:10:54 | |
What would be the fourth | 0:10:54 | 0:10:55 | |
in this sequence? | 0:10:55 | 0:10:57 | |
Time starts now. | 0:10:57 | 0:10:58 | |
No idea. Next. | 0:11:02 | 0:11:03 | |
It's football, definitely. Next, please. | 0:11:06 | 0:11:09 | |
Are they teams played in... | 0:11:12 | 0:11:14 | |
I think, I would guess... | 0:11:14 | 0:11:15 | |
Is that what it's called? What's the name of the... | 0:11:15 | 0:11:18 | |
No, it's different, it's not that. | 0:11:18 | 0:11:20 | |
I think 2011-12 League Two. | 0:11:20 | 0:11:25 | |
-Football League Two. -OK, go for it. | 0:11:25 | 0:11:27 | |
-I don't know. -BELL | 0:11:27 | 0:11:29 | |
2011-12 Football League Two? | 0:11:29 | 0:11:32 | |
Absolutely brilliant. | 0:11:32 | 0:11:34 | |
We didn't put to 12, just 11 | 0:11:34 | 0:11:35 | |
because you never know, | 0:11:35 | 0:11:36 | |
this might be shown over and over. | 0:11:36 | 0:11:38 | |
But I will accept your answer. | 0:11:38 | 0:11:41 | |
Very good. Why? | 0:11:41 | 0:11:43 | |
I'm not sure I've got this right. | 0:11:43 | 0:11:45 | |
I think it's the leagues AFC Wimbledon were in | 0:11:45 | 0:11:48 | |
but it might be something completely different. | 0:11:48 | 0:11:50 | |
That is absolutely brilliant. | 0:11:50 | 0:11:51 | |
I said to our question meister, | 0:11:51 | 0:11:54 | |
nobody will know it's AFC Wimbledon, | 0:11:54 | 0:11:56 | |
certainly not the sort of person | 0:11:56 | 0:11:57 | |
that comes on our quiz! | 0:11:57 | 0:12:00 | |
You just need to say it's a sort of series of divisions. | 0:12:00 | 0:12:02 | |
But they form different shapes, and | 0:12:02 | 0:12:05 | |
this is the rise of AFC Wimbledon. | 0:12:05 | 0:12:08 | |
Absolutely brilliant. | 0:12:08 | 0:12:10 | |
I'm impressed by that. | 0:12:10 | 0:12:11 | |
Trenchermen, game on. What would you like? | 0:12:11 | 0:12:14 | |
Water, please. | 0:12:14 | 0:12:16 | |
You may have that. | 0:12:16 | 0:12:17 | |
What would be the fourth | 0:12:17 | 0:12:19 | |
in this sequence? | 0:12:19 | 0:12:20 | |
Time starts now. | 0:12:20 | 0:12:22 | |
THEY WHISPER | 0:12:23 | 0:12:25 | |
Number of elements... | 0:12:27 | 0:12:28 | |
Next, please. | 0:12:28 | 0:12:30 | |
-Are they tarot cards? -Tarot cards? | 0:12:31 | 0:12:33 | |
What is 13, then? | 0:12:33 | 0:12:34 | |
Shall we go for the next one? | 0:12:34 | 0:12:36 | |
Are we going to know it? | 0:12:36 | 0:12:37 | |
If it is tarot cards, are we going to know any different? | 0:12:37 | 0:12:40 | |
-So what would we guess? -Death? | 0:12:40 | 0:12:42 | |
Could be. Good point. Shall we guess? | 0:12:42 | 0:12:44 | |
Quick, team. Come on. | 0:12:44 | 0:12:46 | |
Shall we go for the next? | 0:12:46 | 0:12:48 | |
Will it help us? | 0:12:48 | 0:12:50 | |
-Are we going to guess or not? -Guess? | 0:12:50 | 0:12:52 | |
-Ten seconds. -Go for it. | 0:12:52 | 0:12:54 | |
BELL | 0:12:54 | 0:12:55 | |
13: Death. | 0:12:55 | 0:12:57 | |
That is the answer. | 0:12:57 | 0:13:00 | |
Dramatic chord. Why? | 0:13:00 | 0:13:02 | |
They are tarot cards. | 0:13:02 | 0:13:04 | |
That's absolutely right, | 0:13:04 | 0:13:05 | |
and unlucky number 13 is death. | 0:13:05 | 0:13:07 | |
That's the one they turn over, | 0:13:07 | 0:13:09 | |
their face goes ashen and they say, | 0:13:09 | 0:13:11 | |
"It could be good news." | 0:13:11 | 0:13:13 | |
-And it never is. -It never is. | 0:13:13 | 0:13:16 | |
13 is death in the tarot. Well done. | 0:13:16 | 0:13:17 | |
Back to you, Numerists. | 0:13:17 | 0:13:20 | |
Two reeds, please. | 0:13:20 | 0:13:22 | |
What would be the fourth | 0:13:22 | 0:13:24 | |
in this sequence? | 0:13:24 | 0:13:25 | |
Time starts now. | 0:13:25 | 0:13:27 | |
Next. | 0:13:28 | 0:13:29 | |
I know this. It's Jane Austen, the daughters going upwards. | 0:13:31 | 0:13:35 | |
So I think we had Elizabeth Bennet and then Jane Bennet is the oldest. | 0:13:35 | 0:13:38 | |
OK, go for it. | 0:13:38 | 0:13:39 | |
BELL | 0:13:39 | 0:13:41 | |
Jane. | 0:13:41 | 0:13:42 | |
The answer is Jane. | 0:13:42 | 0:13:44 | |
As I heard you mutter, | 0:13:44 | 0:13:45 | |
they are the Bennet sisters in | 0:13:45 | 0:13:47 | |
Pride and Prejudice getting older. | 0:13:47 | 0:13:49 | |
Which sisters are missed out? | 0:13:49 | 0:13:51 | |
-Lydia is the youngest. -She is. | 0:13:51 | 0:13:53 | |
Are you a fan of the novel? | 0:13:53 | 0:13:54 | |
I quite like that novel, actually. | 0:13:54 | 0:13:57 | |
-How many times have you read it? -Once. | 0:13:57 | 0:13:59 | |
But I've listened to the abridged | 0:13:59 | 0:14:01 | |
audio book countless times. | 0:14:01 | 0:14:04 | |
But that one, the audio version, | 0:14:04 | 0:14:05 | |
you're neither reading the book nor | 0:14:05 | 0:14:07 | |
seeing Colin Firth emerge | 0:14:07 | 0:14:08 | |
dripping from a lake. | 0:14:08 | 0:14:09 | |
That doesn't really bother me. | 0:14:09 | 0:14:11 | |
-Really?! -Really. | 0:14:11 | 0:14:12 | |
That was the highlight. | 0:14:12 | 0:14:13 | |
Jane Austen would have been | 0:14:13 | 0:14:15 | |
so pleased to know that would happen | 0:14:15 | 0:14:17 | |
just a few short years later. | 0:14:17 | 0:14:18 | |
Very well done. | 0:14:18 | 0:14:19 | |
Back to you, Trenchermen. What would you like? | 0:14:19 | 0:14:22 | |
We'd like twisted flax, please. | 0:14:22 | 0:14:24 | |
These will be picture clues. | 0:14:24 | 0:14:25 | |
What would you expect to see | 0:14:25 | 0:14:27 | |
in the fourth picture? | 0:14:27 | 0:14:28 | |
Here's the first. | 0:14:28 | 0:14:29 | |
-It's a football. -That's a handball. | 0:14:32 | 0:14:34 | |
Next. | 0:14:36 | 0:14:37 | |
-That's like a basketball. -What is it? | 0:14:38 | 0:14:41 | |
Basketball, is it? Or is it a...? | 0:14:41 | 0:14:43 | |
We'll have to do next. | 0:14:43 | 0:14:45 | |
Next. | 0:14:45 | 0:14:46 | |
That's a basketball. | 0:14:47 | 0:14:49 | |
Put balls in order of size. | 0:14:49 | 0:14:51 | |
-It must be a football. -Go with that? | 0:14:51 | 0:14:53 | |
-Go for it. -BELL | 0:14:53 | 0:14:55 | |
And it's Association Football. | 0:14:55 | 0:14:57 | |
It'll be an Association football. | 0:14:57 | 0:14:59 | |
Why? | 0:14:59 | 0:15:01 | |
Increasing size of balls | 0:15:01 | 0:15:02 | |
in competitive games. | 0:15:02 | 0:15:04 | |
I'm afraid that is not a sequence | 0:15:04 | 0:15:06 | |
because an awful lot would be missed out in between | 0:15:06 | 0:15:08 | |
the clues you're looking at, so I'm going to the Numerists | 0:15:08 | 0:15:12 | |
for a possible bonus. | 0:15:12 | 0:15:14 | |
-I... -Just say something. | 0:15:14 | 0:15:15 | |
We'll go with... | 0:15:15 | 0:15:17 | |
Too long, I'm afraid. | 0:15:17 | 0:15:18 | |
Now, we put a picture of a polo ball, | 0:15:18 | 0:15:20 | |
but I would have taken | 0:15:20 | 0:15:22 | |
a ball from any sport which is played four-a-side. | 0:15:22 | 0:15:24 | |
We're looking at handball, seven-a-side game, | 0:15:24 | 0:15:27 | |
volleyball, six-a-side, | 0:15:27 | 0:15:28 | |
basketball, five-a-side. Any four-a-side game. | 0:15:28 | 0:15:30 | |
I asked you why because for all I know, | 0:15:30 | 0:15:32 | |
association football is a four-a-side game. Is it? | 0:15:32 | 0:15:35 | |
-I have no idea. -Is it? | 0:15:35 | 0:15:37 | |
-Unfortunately, it isn't. -It isn't. | 0:15:37 | 0:15:39 | |
Then I can't give you a belated point. | 0:15:39 | 0:15:41 | |
No points for anyone there. | 0:15:41 | 0:15:42 | |
But one remaining question, which is going to you, Numerists. | 0:15:42 | 0:15:45 | |
The horned viper. What's the fourth in this sequence? Time starts now. | 0:15:45 | 0:15:48 | |
Positions or something? Next. | 0:15:51 | 0:15:53 | |
Still don't know. Next again? Next. | 0:15:54 | 0:15:58 | |
-Apron? -Is it a wordy one? -These must be positions in a certain sport. | 0:16:00 | 0:16:04 | |
We've already had a sport one. | 0:16:04 | 0:16:08 | |
But I'm not familiar with the word apron in... | 0:16:08 | 0:16:10 | |
Is it to do with positions on the stage, perhaps? | 0:16:10 | 0:16:13 | |
Like...front, for example? Cos, yeah, they use that. | 0:16:13 | 0:16:16 | |
So I'm going to go with front, or... | 0:16:16 | 0:16:19 | |
-Ten seconds. -Yeah, OK, that's a good idea. OK, go for that. | 0:16:19 | 0:16:22 | |
-Front. -Not the answer, I'm afraid, so Trenchermen, | 0:16:22 | 0:16:25 | |
there's a bonus chance for you. | 0:16:25 | 0:16:28 | |
-Erm, the orchestra pit. -Yes, it is. | 0:16:28 | 0:16:32 | |
The orchestra or the orchestra pit. | 0:16:32 | 0:16:34 | |
I heard you mutter, "Is it a rugby question?" Thank the Lord, no. | 0:16:34 | 0:16:37 | |
We've moved off sport and into the theatre. | 0:16:37 | 0:16:39 | |
Parts of a theatre moving towards the audience, | 0:16:39 | 0:16:41 | |
last would be orchestra pit. Very well done. | 0:16:41 | 0:16:44 | |
At the end of Round Two, then, | 0:16:44 | 0:16:46 | |
the Numerists are up to ten points, | 0:16:46 | 0:16:49 | |
but the Trenchermen are just ahead with 11. | 0:16:49 | 0:16:52 | |
Time to play the Connecting Wall, 16 clues which may and must | 0:16:54 | 0:16:57 | |
be sorted into four connected groups of four. | 0:16:57 | 0:16:59 | |
The teams don't have to do that alone. | 0:16:59 | 0:17:01 | |
Well, they do have to do it alone, but you can also do that at home | 0:17:01 | 0:17:04 | |
if you look at our website, where the Connecting Walls will appear. | 0:17:04 | 0:17:07 | |
Numerists, it's your turn to go first. And you have a choice. | 0:17:07 | 0:17:11 | |
Lion or water? | 0:17:11 | 0:17:13 | |
-Water, please. -Water. | 0:17:13 | 0:17:15 | |
OK, you have two and a half minutes to solve this. Time starts now. | 0:17:15 | 0:17:20 | |
-Winter Olympics, Winter Olympics. -Profumo scandal. | 0:17:23 | 0:17:26 | |
I don't know, Lillehammer was...OK. | 0:17:26 | 0:17:28 | |
-Do the Winter Olympics. -Is there another one? | 0:17:28 | 0:17:31 | |
Er, Chamonix, so there's five. I'll do them and you can talk. | 0:17:32 | 0:17:35 | |
OK, so there's Profumo Scandal. Any more scandals here? | 0:17:35 | 0:17:39 | |
-He was a politician. -Oh, hang on, there's some theatres there. | 0:17:39 | 0:17:42 | |
Alec Guinness... | 0:17:42 | 0:17:44 | |
-Yeah, there we go. -Three strikes and you're out, now. | 0:17:44 | 0:17:47 | |
That's in alphabetical order. Any others that...what could XYZ be? | 0:17:47 | 0:17:50 | |
-What could Lillehammer...? -It's a town, is it in Finland? | 0:17:50 | 0:17:54 | |
-Norway. -Rick Wakeley. | 0:17:54 | 0:17:56 | |
-Mike Oldfield is another person. -Mike Guinness is a Mike. | 0:17:56 | 0:17:59 | |
OK. Iran-Contra? | 0:17:59 | 0:18:01 | |
I don't know what that is. | 0:18:01 | 0:18:02 | |
Is that a scandal, perhaps? | 0:18:02 | 0:18:04 | |
It looks like it could be. | 0:18:04 | 0:18:06 | |
I'm not going to press things. | 0:18:06 | 0:18:08 | |
XYZ seems to be a strange thing | 0:18:08 | 0:18:09 | |
if it weren't a scandal. | 0:18:09 | 0:18:11 | |
Do you think there's a scandal that would be...? | 0:18:11 | 0:18:13 | |
Lillehammer, I think, was something to do with ambush marketing. | 0:18:13 | 0:18:16 | |
I think the others might be Mikes. | 0:18:16 | 0:18:18 | |
Are they musician Mikes? | 0:18:18 | 0:18:19 | |
I've never heard of Boateng. | 0:18:19 | 0:18:21 | |
There's a footballer called Boateng. | 0:18:21 | 0:18:24 | |
Rick Wakeley is the only Wakeley I know. | 0:18:24 | 0:18:26 | |
Is there really a Mike Guinness? | 0:18:26 | 0:18:28 | |
There's an Alec Guinness. | 0:18:28 | 0:18:29 | |
There's Alec Guinness, there's Rick Wakeley... | 0:18:29 | 0:18:31 | |
-Shall we try...? -Well, no, there's no point trying it yet. | 0:18:31 | 0:18:34 | |
-Musicians. -Halfway through the time. -So, we don't know Boateng at all. | 0:18:34 | 0:18:38 | |
-What's Profumo? -We think they're scandals. -He's a politician. | 0:18:38 | 0:18:40 | |
I think Lillehammer is the final scandal. | 0:18:40 | 0:18:43 | |
-We don't know the... -We don't know the other one. | 0:18:43 | 0:18:46 | |
Unless they're members of... | 0:18:46 | 0:18:48 | |
Rick Wakeley, Mike Oldfield... | 0:18:48 | 0:18:49 | |
Those two are both, | 0:18:49 | 0:18:50 | |
like, old singers. | 0:18:50 | 0:18:52 | |
-You know, musicians. -But they don't do anything remotely similar. | 0:18:52 | 0:18:55 | |
Rick Wakeley's a rock musician and Mike Oldfield's new age. | 0:18:55 | 0:18:58 | |
-Boateng's a politician, I think. -OK. | 0:18:58 | 0:19:00 | |
I want to try it so that we've got some time if we get it wrong. | 0:19:00 | 0:19:03 | |
-OK, just try it. -Try it. | 0:19:03 | 0:19:04 | |
-Oh. -That's it. | 0:19:04 | 0:19:06 | |
You've solved the wall. That's four points for the groups you found | 0:19:06 | 0:19:09 | |
and there are bonus points, of course, for the connections. | 0:19:09 | 0:19:11 | |
So, let's go through them. | 0:19:11 | 0:19:13 | |
Hosts of the Winter Olympics. | 0:19:15 | 0:19:17 | |
That's it, Winter Olympics host cities. | 0:19:17 | 0:19:19 | |
What about the next one? | 0:19:19 | 0:19:22 | |
They're all theatres in London, I think. | 0:19:22 | 0:19:26 | |
They're all big theatres in London. | 0:19:26 | 0:19:28 | |
Quite right. Now, what about this? | 0:19:28 | 0:19:30 | |
We believe they're scandals. | 0:19:32 | 0:19:36 | |
It's not exactly what I want to hear. | 0:19:36 | 0:19:38 | |
I might give it to you, but it's not exactly what I want to hear. | 0:19:38 | 0:19:41 | |
Have you heard of any of them? | 0:19:41 | 0:19:43 | |
I've heard of Profumo. | 0:19:43 | 0:19:45 | |
I think Lillehammer has to do with ambush marketing. That's all I know. | 0:19:45 | 0:19:48 | |
They are generally known as affairs. I'm going to take scandals. | 0:19:48 | 0:19:52 | |
The Profumo affair, that was, do you know? | 0:19:52 | 0:19:55 | |
-I only know the name, I'm afraid. -John Profumo, | 0:19:55 | 0:19:57 | |
the government minister, tangled up with vice girls and so on. | 0:19:57 | 0:20:00 | |
That was a scandal. | 0:20:00 | 0:20:02 | |
-Iran-Contra. You've literally never heard of it? -It rings a bell. | 0:20:02 | 0:20:06 | |
-I don't know. -You make me feel so old. | 0:20:06 | 0:20:09 | |
That was to do with the selling of missiles by America to Iran. | 0:20:09 | 0:20:13 | |
XYZ? | 0:20:13 | 0:20:15 | |
Again, no idea. | 0:20:15 | 0:20:16 | |
This is not to do with age, cos this is something from the 18th century. | 0:20:16 | 0:20:19 | |
And even I am not so old to remember that. | 0:20:19 | 0:20:22 | |
But that was a skirmish between America and France | 0:20:22 | 0:20:24 | |
to do with bribery in 1798. | 0:20:24 | 0:20:26 | |
And Lillehammer? | 0:20:26 | 0:20:29 | |
I know at the Winter Olympics there was an ambush marketing... | 0:20:29 | 0:20:32 | |
Nothing to do with that. | 0:20:32 | 0:20:33 | |
It was Mossad killing a Moroccan waiter. | 0:20:33 | 0:20:35 | |
But I'm going to take scandals | 0:20:35 | 0:20:37 | |
because they basically are scandals, but they're known as affairs. | 0:20:37 | 0:20:41 | |
And what about this last group? | 0:20:41 | 0:20:43 | |
-Musicians? -It's too general. -You said famous Mikes. | 0:20:47 | 0:20:50 | |
-Do you want to go with that? -Famous Mikes. | 0:20:50 | 0:20:52 | |
Tell me about Mike Guinness. | 0:20:52 | 0:20:55 | |
I have heard of him. | 0:20:55 | 0:20:58 | |
-We don't know. -They must exist. | 0:20:58 | 0:21:00 | |
I'm expecting to hear from them on Twitter any minute now. | 0:21:00 | 0:21:02 | |
But, no, they are British fashion designers. | 0:21:02 | 0:21:05 | |
Ozwald Boateng, Lulu Guinness, Bruce Oldfield and Amanda Wakeley. | 0:21:05 | 0:21:09 | |
They are fashion designers. | 0:21:09 | 0:21:11 | |
Not our bag, I'm afraid. | 0:21:11 | 0:21:12 | |
But you did find four groups and you got three points | 0:21:12 | 0:21:15 | |
for the connections. That is a total of seven. | 0:21:15 | 0:21:17 | |
Time to bring back the Trenchermen | 0:21:17 | 0:21:19 | |
to see how they do with the connecting wall. | 0:21:19 | 0:21:21 | |
Different wall, different clues | 0:21:21 | 0:21:22 | |
but must be solved along the same-principled lines. | 0:21:22 | 0:21:25 | |
Trenchermen, you're going to have the Lion Wall. | 0:21:25 | 0:21:27 | |
You've got two and a half minutes to solve it, starting now. | 0:21:27 | 0:21:31 | |
OK. House of Fun is a song. | 0:21:33 | 0:21:35 | |
-Madness song. -So what else is there? | 0:21:35 | 0:21:38 | |
Michael Caine. | 0:21:38 | 0:21:40 | |
-Shut up. -Michael Caine. | 0:21:41 | 0:21:44 | |
OK, what else is going on here? | 0:21:44 | 0:21:46 | |
-Lovestruck. -OK. | 0:21:49 | 0:21:50 | |
Advance fee. Insurance. Brokers? | 0:21:50 | 0:21:54 | |
Fairground rides. | 0:21:54 | 0:21:56 | |
-Waltzer, Carousel. -Teacups. | 0:21:57 | 0:22:00 | |
BUZZ | 0:22:01 | 0:22:04 | |
-BUZZ -Leave teacups out. | 0:22:06 | 0:22:08 | |
Carousel, Pirate ship. | 0:22:10 | 0:22:13 | |
BUZZ Leave Waltzer out. | 0:22:13 | 0:22:15 | |
BUZZ | 0:22:16 | 0:22:18 | |
Is there a Vajazzle? | 0:22:18 | 0:22:19 | |
Have you heard of Vajazzle? | 0:22:19 | 0:22:20 | |
Is there...? | 0:22:20 | 0:22:23 | |
You take over, Jack. | 0:22:23 | 0:22:26 | |
Keep looking. | 0:22:26 | 0:22:29 | |
Jel. Reem. Are these words? | 0:22:30 | 0:22:33 | |
That could be word things | 0:22:33 | 0:22:35 | |
couldn't they? | 0:22:35 | 0:22:37 | |
Reem just screams of being | 0:22:37 | 0:22:38 | |
a word clue, doesn't it? | 0:22:38 | 0:22:40 | |
Double E. Reem. Meer backwards. | 0:22:40 | 0:22:43 | |
Is there anything with H in it? | 0:22:44 | 0:22:46 | |
You're halfway through the time. | 0:22:47 | 0:22:50 | |
Waltzer has to be one of them. | 0:22:50 | 0:22:52 | |
Carousel. | 0:22:52 | 0:22:53 | |
Not Rodgers and Hammerstein musicals. | 0:22:53 | 0:22:56 | |
Hair. | 0:22:56 | 0:22:58 | |
Something insurance. | 0:22:58 | 0:23:00 | |
Shipping insurance, life insurance. | 0:23:00 | 0:23:04 | |
What about D-Reem, is that...? | 0:23:04 | 0:23:05 | |
Anything you can put a D | 0:23:05 | 0:23:06 | |
at the beginning of? | 0:23:06 | 0:23:08 | |
That was a group. | 0:23:08 | 0:23:09 | |
Anything else a D would fit in? | 0:23:09 | 0:23:12 | |
A letter before it? | 0:23:12 | 0:23:13 | |
Yeah. | 0:23:13 | 0:23:14 | |
Something whatever. | 0:23:14 | 0:23:16 | |
OK. | 0:23:22 | 0:23:23 | |
We're running out of time here, team. | 0:23:23 | 0:23:25 | |
You've got 30 seconds. | 0:23:28 | 0:23:30 | |
D. | 0:23:32 | 0:23:33 | |
Words. Let's go for words. | 0:23:35 | 0:23:38 | |
BUZZ | 0:23:38 | 0:23:40 | |
BUZZ | 0:23:44 | 0:23:46 | |
Ten seconds now. | 0:23:49 | 0:23:50 | |
Tried all these. | 0:23:52 | 0:23:53 | |
BUZZ | 0:23:54 | 0:23:56 | |
-BUZZ -That's it. | 0:23:58 | 0:24:00 | |
The wall has frozen but you got one group | 0:24:00 | 0:24:03 | |
and I'll give you a bonus point if you can tell me the connection. | 0:24:03 | 0:24:07 | |
-Songs by Madness. -They are songs by the group Madness. | 0:24:09 | 0:24:12 | |
Bonus point still available, of course, | 0:24:12 | 0:24:14 | |
for the groups you didn't find. So let's resolve the wall. OK. | 0:24:14 | 0:24:18 | |
Are they forms of financial transaction? | 0:24:24 | 0:24:26 | |
So, a carousel would be methods in which people pay money | 0:24:29 | 0:24:33 | |
to each other. | 0:24:33 | 0:24:35 | |
It's some sort of complex financial... | 0:24:35 | 0:24:37 | |
-There is a word I have to hear. -Fraud. | 0:24:37 | 0:24:39 | |
They are types of financial fraud is exactly what they are. | 0:24:39 | 0:24:42 | |
They're types of financial transaction | 0:24:42 | 0:24:44 | |
but, specifically, fraud. Insurance fraud, benefit fraud. | 0:24:44 | 0:24:47 | |
Advance fee is when you're told you've won a big amount | 0:24:47 | 0:24:50 | |
if you just send a little bit in advance. | 0:24:50 | 0:24:52 | |
Never do that, of course. | 0:24:52 | 0:24:53 | |
A carousel is to do with moving goods around between countries | 0:24:53 | 0:24:57 | |
-to dodge the VAT. -Avoiding VAT. -So, types of financial fraud. | 0:24:57 | 0:25:00 | |
Next one. | 0:25:00 | 0:25:02 | |
They're fairground rides. | 0:25:04 | 0:25:05 | |
They are fairground rides. | 0:25:05 | 0:25:07 | |
You just never put all four in the same group. You kept pressing them. | 0:25:07 | 0:25:11 | |
Not all four at once. | 0:25:11 | 0:25:13 | |
And the last one. | 0:25:13 | 0:25:17 | |
Shall we go with the letter in front? Anything else? | 0:25:17 | 0:25:21 | |
They can all be preceded by a single letter. | 0:25:21 | 0:25:24 | |
Give me some examples. | 0:25:24 | 0:25:26 | |
-D-Reem. -And the others? -They can all also be preceded by a single letter. | 0:25:26 | 0:25:29 | |
I'm afraid they can't, | 0:25:29 | 0:25:32 | |
but I won't say I don't respect you more for not knowing | 0:25:32 | 0:25:36 | |
that these are all examples of slang | 0:25:36 | 0:25:38 | |
from the TV show The Only Way Is Essex. | 0:25:38 | 0:25:41 | |
-Well, there you go. -I'm quite glad we didn't get it. | 0:25:41 | 0:25:45 | |
I've gone up in my own estimation. | 0:25:45 | 0:25:47 | |
I suspect there may be something generational | 0:25:47 | 0:25:49 | |
going on here. You might be reassured to know that | 0:25:49 | 0:25:51 | |
your opponents had never heard of the Iran-Contra affair. | 0:25:51 | 0:25:54 | |
-Ah! -And I'm sure they'd be shocked | 0:25:54 | 0:25:56 | |
to hear you don't know The Only Way Is Essex. | 0:25:56 | 0:25:58 | |
-Yes. -But you did get one point for the group you found | 0:25:58 | 0:26:01 | |
and three more bonuses. That's a total of four points. | 0:26:01 | 0:26:03 | |
Let's have a look at the scores at the end of Round Three. | 0:26:03 | 0:26:07 | |
The Trenchermen have got 15 points but the Numerists are ahead with 17. | 0:26:07 | 0:26:12 | |
If you'd like to have a go at more connecting walls, | 0:26:14 | 0:26:16 | |
you'll find them on our website where you can even make your own. | 0:26:16 | 0:26:18 | |
We're going to play the missing vowels round. Well-known phrases, | 0:26:18 | 0:26:22 | |
names or sayings. The vowels gone, the consonants squidged up. | 0:26:22 | 0:26:25 | |
Teams, what are those disguised words? Fingers on buzzers then. | 0:26:25 | 0:26:29 | |
They'll come in groups of four. I'll tell you the connections upfront. | 0:26:29 | 0:26:33 | |
The first are all... | 0:26:33 | 0:26:35 | |
BELL | 0:26:38 | 0:26:40 | |
-Numerists? -Air steward. -Correct. | 0:26:40 | 0:26:42 | |
BELL | 0:26:44 | 0:26:46 | |
-Numerists? -Oversized baggage. -Correct. | 0:26:46 | 0:26:48 | |
BELL | 0:26:50 | 0:26:51 | |
-Numerists? -Aisle seat. -Correct. | 0:26:51 | 0:26:53 | |
BELL | 0:26:57 | 0:26:59 | |
-Trenchermen? -Blue Channel. -That's right. | 0:26:59 | 0:27:01 | |
Next category. | 0:27:01 | 0:27:02 | |
BELL | 0:27:08 | 0:27:09 | |
-Numerists? -Cape of Good Hope. -Correct. | 0:27:09 | 0:27:11 | |
BELL | 0:27:13 | 0:27:14 | |
-Numerists? -Lake Malawi. -Correct. | 0:27:14 | 0:27:16 | |
BELL | 0:27:18 | 0:27:19 | |
-Numerists? -Atlas Mountains. -Correct. | 0:27:19 | 0:27:21 | |
BELL | 0:27:23 | 0:27:24 | |
-Trenchermen. -Great Rift Valley. -Correct. | 0:27:24 | 0:27:26 | |
Next category. | 0:27:26 | 0:27:27 | |
BELL | 0:27:30 | 0:27:31 | |
-Trenchermen? -Ralph Nickleby. -From Nicholas Nickleby. Correct. | 0:27:31 | 0:27:34 | |
Come on. It's the Famous one from Moliere's The Miser. Harpagon. | 0:27:41 | 0:27:44 | |
Next clue. | 0:27:44 | 0:27:45 | |
BELL | 0:27:47 | 0:27:48 | |
-Numerists? -Silas Marner. -Correct. | 0:27:48 | 0:27:50 | |
BELL | 0:27:52 | 0:27:53 | |
-Numerists? -Montgomery Burns. -In The Simpsons. Correct. | 0:27:53 | 0:27:56 | |
Next category. | 0:27:56 | 0:27:57 | |
BELL | 0:27:59 | 0:28:00 | |
-Numerists? -Bodice. -Correct. | 0:28:00 | 0:28:02 | |
That last clue I know because I'm wearing three of them myself, | 0:28:11 | 0:28:15 | |
athletic support. | 0:28:15 | 0:28:16 | |
But the bell's gone off, which means it's the end of the show | 0:28:16 | 0:28:19 | |
and looking at the final scores, the Trenchermen have got | 0:28:19 | 0:28:21 | |
an excellent 18 points, but the winners with 26 are the Numerists. | 0:28:21 | 0:28:26 | |
Very good round 4, particularly for you, James. Very well done. | 0:28:27 | 0:28:31 | |
Trenchermen, I'm afraid it's goodbye to you | 0:28:31 | 0:28:33 | |
despite some excellent quizzing. Thank you very much for coming. | 0:28:33 | 0:28:36 | |
Please, join me next time for another episode | 0:28:36 | 0:28:38 | |
so nail-biting that at the end of it I'll be manicuring my elbows. | 0:28:38 | 0:28:42 | |
And with that hideous image, goodbye. | 0:28:42 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 |