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Hello and welcome to the toughest quiz on TV. | 0:00:21 | 0:00:24 | |
We have two fresh teams and if they fail to do well, | 0:00:24 | 0:00:26 | |
I'm sure there'll be much gnashing of teeth | 0:00:26 | 0:00:29 | |
as they try to eat a sandwich in the Only Connect green room. | 0:00:29 | 0:00:32 | |
But, no, I'm confident that once again we'll have a dazzling performance | 0:00:32 | 0:00:35 | |
with contestants so fast, they make other quiz-show punters | 0:00:35 | 0:00:38 | |
look like tortoises forced to carry a heavy load for a bet. | 0:00:38 | 0:00:41 | |
I shouldn't say that, it's cruel | 0:00:41 | 0:00:43 | |
and simply serves to give ITV2 a new idea for a game show. | 0:00:43 | 0:00:46 | |
What I should say is let's meet the teams. | 0:00:46 | 0:00:48 | |
So, on my right, Holly Pattenden, a classics graduate | 0:00:48 | 0:00:53 | |
with an MSc in global politics, | 0:00:53 | 0:00:55 | |
who sings second soprano in the Bach Choir. | 0:00:55 | 0:00:58 | |
Gareth Price, a magazine editor and history buff, | 0:00:58 | 0:01:01 | |
who can converse in German, French, Swedish and Polish. | 0:01:01 | 0:01:06 | |
And their captain Dom Tait, an associate editor | 0:01:06 | 0:01:08 | |
with a BA in English literature and an MA in international cinema, | 0:01:08 | 0:01:12 | |
who's a goalie for a seven-a-side football team in North London. | 0:01:12 | 0:01:16 | |
They're all professional publishers and editors. They are the Scribes. | 0:01:16 | 0:01:20 | |
Dom, you've got a fairly academic heavyweight team. | 0:01:20 | 0:01:23 | |
How did you decide who'd be captain? | 0:01:23 | 0:01:25 | |
It wasn't particularly democratic, I have to say. | 0:01:25 | 0:01:28 | |
But it possibly stems down to the goalkeeper's secret desire | 0:01:28 | 0:01:31 | |
to play up front once in a while. So here I am. | 0:01:31 | 0:01:35 | |
Do you feel you're the one who has got the most breadth of knowledge for quizzes? | 0:01:35 | 0:01:39 | |
I feel like I'm the one who really likes hitting the buzzer | 0:01:39 | 0:01:42 | |
and therefore I'm perfectly placed for it right here. | 0:01:42 | 0:01:45 | |
Excellent. | 0:01:45 | 0:01:46 | |
I hope you'll be hitting the buzzer regularly throughout the evening. | 0:01:46 | 0:01:49 | |
Let's see who you're playing. | 0:01:49 | 0:01:51 | |
On my left, Antony Edwards, a keen bridge player who plays tuba | 0:01:51 | 0:01:55 | |
with the York Railway Institute Brass Band | 0:01:55 | 0:01:57 | |
and has a PhD in mathematics education from Loughborough University. | 0:01:57 | 0:02:01 | |
Neil Zussman, a data analyst with a degree in maths, who can read | 0:02:01 | 0:02:05 | |
Hebrew and has represented the UK in the World Puzzle Championships. | 0:02:05 | 0:02:09 | |
And their captain, James Hall, a maths graduate | 0:02:09 | 0:02:12 | |
with an interest in Renaissance music, | 0:02:12 | 0:02:14 | |
who can recite the first Harry Potter book in its entirety from memory. | 0:02:14 | 0:02:18 | |
United by a passion for puzzles, they are the Ciphers. | 0:02:18 | 0:02:22 | |
That's a useful skill you've got, James, how did you acquire that? | 0:02:22 | 0:02:25 | |
We had a recording off the radio - it was broadcast - | 0:02:25 | 0:02:29 | |
and I used to fall asleep listening to it when I was about 12. | 0:02:29 | 0:02:32 | |
And it stuck with me, unfortunately, or fortunately, | 0:02:32 | 0:02:35 | |
depending on how you view it. | 0:02:35 | 0:02:37 | |
I know what you mean. I used to do that with Jennings. That's what I listened to going to sleep. | 0:02:37 | 0:02:41 | |
-"Mr Carter got on the bus." -LAUGHTER | 0:02:41 | 0:02:44 | |
-Do you still read Jennings these days? -I certainly did. | 0:02:44 | 0:02:47 | |
Excellent. Glad to hear it. Let's hope for your sake it comes up. | 0:02:47 | 0:02:50 | |
But we won't know what will come up unless we play Round One. Teams, | 0:02:50 | 0:02:54 | |
I simply want to know what is the connection between four apparently random clues. | 0:02:54 | 0:02:58 | |
Ciphers, you won the toss, you'll be going first. | 0:02:58 | 0:03:01 | |
Which Egyptian hieroglyph appeals to you most? | 0:03:01 | 0:03:04 | |
-What do you think, Neil? -Lion, please. -Lion. -Lion. | 0:03:04 | 0:03:08 | |
OK. You're going to get picture clues immediately. | 0:03:08 | 0:03:10 | |
What's the connection between them? Here's the first. | 0:03:10 | 0:03:13 | |
Ballot paper. | 0:03:15 | 0:03:17 | |
You can spoil them. Next, please. | 0:03:17 | 0:03:20 | |
Check. Checkers. | 0:03:21 | 0:03:25 | |
Could be draughts. | 0:03:25 | 0:03:26 | |
It could be "check". You put a check mark. | 0:03:26 | 0:03:29 | |
Should we go with...? Next, please. | 0:03:29 | 0:03:32 | |
That's a fin. A shark's fin. | 0:03:34 | 0:03:36 | |
Um... | 0:03:38 | 0:03:39 | |
THEY WHISPER | 0:03:39 | 0:03:41 | |
Ten seconds. | 0:03:43 | 0:03:45 | |
Next, please. | 0:03:45 | 0:03:46 | |
Tie. Not.... | 0:03:48 | 0:03:50 | |
Three seconds. | 0:03:50 | 0:03:52 | |
BELL | 0:03:52 | 0:03:54 | |
What do you think? Checks? | 0:03:54 | 0:03:55 | |
Checks. | 0:03:55 | 0:03:56 | |
That is not the connection. | 0:03:56 | 0:03:58 | |
So, Scribes, you have the chance of a bonus. | 0:03:58 | 0:04:01 | |
Are they styles of shirt? Check, fin, X? The famous X-shirt(!) | 0:04:01 | 0:04:05 | |
You're both very seized by the check. | 0:04:05 | 0:04:09 | |
How would the others be styles of shirt? | 0:04:09 | 0:04:11 | |
That's an excellent question. Black and white is a style of shirt! | 0:04:11 | 0:04:16 | |
Black and white is not a style of shirt! | 0:04:16 | 0:04:18 | |
That's just a description of the shirt. | 0:04:18 | 0:04:20 | |
In which case, I give up. | 0:04:20 | 0:04:22 | |
What if I were to tell you | 0:04:22 | 0:04:23 | |
that these pictures represent | 0:04:23 | 0:04:25 | |
Pole, Czech, Finn, Thai. | 0:04:25 | 0:04:27 | |
They are nationalities. | 0:04:27 | 0:04:29 | |
It's all about what they sound like - | 0:04:29 | 0:04:32 | |
Pole, Czech, Finn, Thai. | 0:04:32 | 0:04:34 | |
No points there. Scribes, it's your turn to pick a question. | 0:04:34 | 0:04:37 | |
-Horned Viper, please. -OK. | 0:04:37 | 0:04:40 | |
What's the connection between these? Here's the first. | 0:04:40 | 0:04:42 | |
Must be something that happens... | 0:04:44 | 0:04:47 | |
Next, please. | 0:04:47 | 0:04:48 | |
-It's every ten years, isn't it? Is that correct? -Yeah. -Are you sure? | 0:04:51 | 0:04:55 | |
-Driving licence is ten years? -Yeah, it is. | 0:04:55 | 0:04:57 | |
-The Poet Laureate. Has that changed recently? -It's changed. | 0:04:57 | 0:05:00 | |
It used to be for life, now it's for ten years. | 0:05:00 | 0:05:01 | |
-Are you happy for me to buzz? -Go for it. | 0:05:01 | 0:05:04 | |
BELL | 0:05:04 | 0:05:06 | |
Are they things that happen every ten years? | 0:05:06 | 0:05:08 | |
They are things that happen every ten years. | 0:05:08 | 0:05:11 | |
You didn't even need to see the next clues... | 0:05:11 | 0:05:14 | |
Very well done. | 0:05:16 | 0:05:17 | |
-Did you fill in the Census? -Yes. | 0:05:17 | 0:05:20 | |
Did you do it honestly? | 0:05:20 | 0:05:21 | |
-As far as I could, yeah. -I didn't. | 0:05:21 | 0:05:24 | |
I always lie about my age on principle. | 0:05:24 | 0:05:27 | |
I once reported the theft of a mobile phone to the police | 0:05:27 | 0:05:29 | |
and they ask for your date of birth. | 0:05:29 | 0:05:31 | |
I was so offended, I took 12 years off. That'll show them, I thought. | 0:05:31 | 0:05:35 | |
I never got the phone back. | 0:05:35 | 0:05:36 | |
Very well done, coming in after two clues you get three points. | 0:05:36 | 0:05:40 | |
Back to you to choose a hieroglyph. | 0:05:40 | 0:05:41 | |
-Ant? -Water, please. | 0:05:41 | 0:05:43 | |
Water. | 0:05:43 | 0:05:45 | |
What is this connection? Time starts now. | 0:05:45 | 0:05:48 | |
THEY WHISPER | 0:05:52 | 0:05:53 | |
Next, please. | 0:05:54 | 0:05:55 | |
Avian resident of Hundred Acre Wood. | 0:05:57 | 0:05:59 | |
Hundred Acre Wood is Winnie the Pooh. | 0:05:59 | 0:06:01 | |
THEY WHISPER THROUGHOUT | 0:06:01 | 0:06:04 | |
It's Wol. It's Wol. | 0:06:04 | 0:06:06 | |
Are they...? Take the name of something and swap it around? | 0:06:06 | 0:06:10 | |
Swap the letter round to get a name? | 0:06:10 | 0:06:12 | |
Next, please. | 0:06:12 | 0:06:13 | |
Agh. | 0:06:16 | 0:06:17 | |
-10 seconds. -Is it W-O-L? | 0:06:18 | 0:06:20 | |
-It's definitely Wol, yes. -Just do that. | 0:06:20 | 0:06:23 | |
OK. | 0:06:23 | 0:06:24 | |
Um, they're something where the name has come from a more general name. | 0:06:24 | 0:06:30 | |
So the avian resident of Hundred Acre Wood is Owl and that's Wol. | 0:06:30 | 0:06:32 | |
The name is an anagram of what it is. | 0:06:32 | 0:06:35 | |
They are not to do with anagrams, I'm sorry about that. | 0:06:35 | 0:06:40 | |
Scribes, do you want to go for a bonus? | 0:06:40 | 0:06:42 | |
Yeah, um, they are... The very creatures themselves is their name. | 0:06:43 | 0:06:48 | |
Holly Golightly's flatmate is a cat called Cat. | 0:06:48 | 0:06:50 | |
The resident of Hundred Acre Wood is Owl. | 0:06:50 | 0:06:52 | |
The monkey is the knitted sidekick. of Johnny Vegas and it's a monkey. | 0:06:52 | 0:06:56 | |
And Colombo's basset hound is Dog. Very well done. | 0:06:56 | 0:06:59 | |
You were close. It was to do with the names. | 0:06:59 | 0:07:02 | |
These creatures are named after what they are. | 0:07:02 | 0:07:04 | |
Cat, owl, dog, monkey. Let me ask you this question. | 0:07:04 | 0:07:09 | |
Based purely on your knowledge of children's literature, | 0:07:09 | 0:07:13 | |
if you could have a fourth member of a quiz team, | 0:07:13 | 0:07:15 | |
would you choose an owl or a badger? | 0:07:15 | 0:07:17 | |
I'd choose an owl, because | 0:07:20 | 0:07:22 | |
they're always portrayed as wise and also they probably smell less. | 0:07:22 | 0:07:25 | |
I think you're probably right. | 0:07:25 | 0:07:27 | |
It's not about the smell, | 0:07:27 | 0:07:28 | |
because many great quizzers are not fragrant, | 0:07:28 | 0:07:30 | |
but the owl, I feel, | 0:07:30 | 0:07:31 | |
is the one who would have the general knowledge. | 0:07:31 | 0:07:35 | |
The badger, it's more general wisdom, isn't it, advice? | 0:07:35 | 0:07:37 | |
Although both would be great at Triv, I feel confident. | 0:07:37 | 0:07:41 | |
Bonus to you, Scribes, and a chance to choose your own question. | 0:07:41 | 0:07:43 | |
-Let's go for Eye of Horus, please. -Why not go for that? | 0:07:43 | 0:07:47 | |
What is the connection here? Time starts now. | 0:07:47 | 0:07:50 | |
One minute. | 0:07:52 | 0:07:55 | |
INDISTINCT CHAT The break in between? | 0:07:55 | 0:07:59 | |
Next, please. | 0:07:59 | 0:08:00 | |
THEY MUTTER | 0:08:02 | 0:08:04 | |
You can't have penalty of 10cm. | 0:08:04 | 0:08:06 | |
It's something... Next, please. | 0:08:06 | 0:08:08 | |
Ah. Yes. Is it the extra amount | 0:08:11 | 0:08:14 | |
when a man is doing it? | 0:08:14 | 0:08:16 | |
-I think it is. -Yeah. -Go for it. | 0:08:18 | 0:08:19 | |
BELL | 0:08:19 | 0:08:21 | |
We think this is the extra amount of time or distance or weight | 0:08:21 | 0:08:25 | |
that's put on when a man is doing it, | 0:08:25 | 0:08:27 | |
as compared to when a woman is doing said Olympic event. | 0:08:27 | 0:08:30 | |
Right. The difference between men's and women's sport. | 0:08:30 | 0:08:33 | |
You didn't see "Lacrosse: -2 players". Men get fewer players. | 0:08:33 | 0:08:36 | |
Let me ask you this, Holly, | 0:08:36 | 0:08:38 | |
do you think that's fair that women's sports are easier, | 0:08:38 | 0:08:41 | |
that they have more players, or less time or less weight? | 0:08:41 | 0:08:45 | |
-Er, yes. -I think so, too. | 0:08:45 | 0:08:47 | |
Some people say it's sexist. | 0:08:47 | 0:08:49 | |
I think in women's sports there should be armchairs provided | 0:08:49 | 0:08:51 | |
and cups of tea. I think that should happen in all sport. | 0:08:51 | 0:08:54 | |
It's not a gender issue. | 0:08:54 | 0:08:56 | |
Ciphers, which would you like? | 0:08:56 | 0:08:59 | |
Twisted Flax, please. | 0:08:59 | 0:09:01 | |
The Twisted Flax. | 0:09:01 | 0:09:02 | |
What is the connection here? Time starts now. | 0:09:02 | 0:09:05 | |
Um... | 0:09:09 | 0:09:11 | |
Next, please. | 0:09:11 | 0:09:12 | |
Pretentious pose? | 0:09:14 | 0:09:16 | |
-It's "prose". -Pretentious prose. | 0:09:16 | 0:09:19 | |
Next, please. | 0:09:20 | 0:09:22 | |
Heliotrope. INDISTINCT CHAT | 0:09:24 | 0:09:27 | |
-Kaleidoscope, I think. Light. -Next, please. | 0:09:28 | 0:09:32 | |
Ten seconds. | 0:09:35 | 0:09:37 | |
Stained? They were stained when they did it. | 0:09:37 | 0:09:39 | |
Stained. Stained? Yeah. BELL | 0:09:39 | 0:09:43 | |
They're all stained? | 0:09:43 | 0:09:45 | |
I'm afraid they are not all stained. | 0:09:45 | 0:09:48 | |
I think you'd have a problem with the second clue to get that. | 0:09:48 | 0:09:51 | |
Scribes, a bonus chance? | 0:09:51 | 0:09:54 | |
We think it is the colour purple. | 0:09:54 | 0:09:55 | |
All of those are purple in some sense. | 0:09:55 | 0:09:59 | |
It is purple. You were thinking of the Iraqi voters' fingers. | 0:09:59 | 0:10:01 | |
They were stained with purple | 0:10:01 | 0:10:03 | |
to prevent double voting. | 0:10:03 | 0:10:04 | |
A heliotrope is a purple flower, pretentious prose, | 0:10:04 | 0:10:07 | |
described as purple prose, and the curtains in The Raven are purple. | 0:10:07 | 0:10:11 | |
Not quite, I'm afraid. All right, Scribes. | 0:10:11 | 0:10:14 | |
There's one question remaining. The Two Reeds. | 0:10:14 | 0:10:16 | |
-JINGLE -A-ha. You might have been expecting that sound, | 0:10:16 | 0:10:19 | |
because we haven't had a music question yet. This is it. | 0:10:19 | 0:10:22 | |
What's the connection? First clue coming in... | 0:10:22 | 0:10:25 | |
now. | 0:10:25 | 0:10:26 | |
# I ain't happy... # | 0:10:26 | 0:10:28 | |
Gorillaz, and it's "Clint Eastwood". Next, please. | 0:10:28 | 0:10:32 | |
# Once, I had a husband | 0:10:32 | 0:10:33 | |
# You know the sort of chap | 0:10:33 | 0:10:35 | |
# I met him at a dance... # | 0:10:35 | 0:10:37 | |
It could be... | 0:10:37 | 0:10:39 | |
It's probably going to be animals or actors. | 0:10:39 | 0:10:41 | |
Shall I go to the next one? | 0:10:41 | 0:10:42 | |
Next, please. | 0:10:42 | 0:10:44 | |
# Whoo-ooh-ooh-ooh... # | 0:10:44 | 0:10:46 | |
Barbra Streisand. | 0:10:46 | 0:10:47 | |
So it's... Or named after famous people. Yeah. | 0:10:47 | 0:10:51 | |
BELL | 0:10:51 | 0:10:52 | |
Named after famous people and if you want more specifics, probably actors. | 0:10:52 | 0:10:56 | |
I'm delighted with the extra specifics. They are songs | 0:10:56 | 0:10:59 | |
named after actors. What did you hear? | 0:10:59 | 0:11:02 | |
Clint Eastwood, Barbra Streisand. | 0:11:02 | 0:11:05 | |
-The second one was? -I'm not sure. | 0:11:05 | 0:11:08 | |
Have a guess. | 0:11:08 | 0:11:10 | |
It certainly wasn't Grace Kelly, but maybe that's the fourth to come. | 0:11:10 | 0:11:13 | |
Grace Kelly would have been the fourth one. | 0:11:13 | 0:11:16 | |
Marilyn Monroe was the second, so very well done to you. | 0:11:16 | 0:11:20 | |
That means at the end of Round One, the Ciphers have yet to score, | 0:11:20 | 0:11:24 | |
the Scribes have got nine points. | 0:11:24 | 0:11:26 | |
On to Round Two. I feel confident you're going to catch up, Ciphers. | 0:11:28 | 0:11:32 | |
I want to know what is the fourth in a sequence. | 0:11:32 | 0:11:35 | |
There are four clues, but you can only see three of them. before giving me an answer. | 0:11:35 | 0:11:39 | |
Which hieroglyph would you like to start with? | 0:11:39 | 0:11:41 | |
-Horned Viper, please. -Horned Viper. | 0:11:41 | 0:11:43 | |
What is the fourth in this sequence? Here's the first. | 0:11:43 | 0:11:46 | |
INDISTINCT WHISPERING | 0:11:48 | 0:11:51 | |
Next, please. | 0:11:54 | 0:11:55 | |
Hallowe'en. | 0:11:58 | 0:11:59 | |
31st? | 0:11:59 | 0:12:00 | |
It's going to be All Souls or All Saints. Which is first? | 0:12:00 | 0:12:03 | |
-The last day of September, or something. -No. Next, please. | 0:12:06 | 0:12:08 | |
Yeah. BELL | 0:12:10 | 0:12:11 | |
All Souls' Day. | 0:12:11 | 0:12:13 | |
Your zero points have curved nicely into a two. | 0:12:13 | 0:12:16 | |
It is All Souls' Day | 0:12:16 | 0:12:18 | |
and it's 30th October to 2nd November, going forwards. | 0:12:18 | 0:12:21 | |
Well done. Excellent. | 0:12:21 | 0:12:23 | |
Scribes, your turn. | 0:12:23 | 0:12:24 | |
-Let's go for Twisted Flax, please. -Twisted Flax. | 0:12:24 | 0:12:27 | |
What's the fourth in this sequence? Here's the first. | 0:12:27 | 0:12:30 | |
Skiddaw. | 0:12:30 | 0:12:32 | |
It rings a bell. | 0:12:32 | 0:12:34 | |
But I can't think what... Next, please. | 0:12:34 | 0:12:37 | |
Are these the highest peaks in the Peak District or | 0:12:38 | 0:12:43 | |
in, in fact, in England possibly. | 0:12:43 | 0:12:45 | |
-Such a Welsh sounding word. -No. Helvellyn is in the Peak... | 0:12:45 | 0:12:48 | |
Next, please. | 0:12:48 | 0:12:49 | |
Oh, OK. Ooh, that's annoying. | 0:12:51 | 0:12:54 | |
Is it the UK, then? | 0:12:54 | 0:12:56 | |
-No. -Pike in the word? | 0:12:56 | 0:12:58 | |
No, that wouldn't be a sequence. | 0:12:58 | 0:13:00 | |
-Ten seconds. -We might have to go for Snowdon. | 0:13:00 | 0:13:03 | |
-I'm not quite sure. -Yeah. | 0:13:03 | 0:13:06 | |
Three seconds. | 0:13:06 | 0:13:07 | |
BELL | 0:13:09 | 0:13:10 | |
-Snowdon. -I'm afraid that's not the answer. | 0:13:10 | 0:13:13 | |
I can tell from the tone of your voice you didn't think it was. | 0:13:13 | 0:13:16 | |
Ciphers, do you want to go for a bonus? | 0:13:16 | 0:13:18 | |
-Ben Nevis? -That's not it, either. | 0:13:18 | 0:13:21 | |
Ben Nevis and Snowdon are the others | 0:13:21 | 0:13:23 | |
in the National Three Peaks Challenge. | 0:13:23 | 0:13:25 | |
What you want is the third, | 0:13:25 | 0:13:27 | |
Scafell Pike. | 0:13:27 | 0:13:28 | |
These are the highest mountains in England in ascending order | 0:13:28 | 0:13:32 | |
and higher than Sca Fell, Scafell Pike. | 0:13:32 | 0:13:35 | |
-To you, Ciphers, to choose a hieroglyph. -Eye of Horus, please. | 0:13:35 | 0:13:38 | |
The Eye of Horus. | 0:13:38 | 0:13:39 | |
What is the fourth in this sequence? Here's the first. | 0:13:39 | 0:13:42 | |
THEY WHISPER | 0:13:44 | 0:13:46 | |
Next, please. | 0:13:47 | 0:13:48 | |
-Chess. -White goes first. | 0:13:50 | 0:13:52 | |
-Um... -Is it a start of a sequence? | 0:13:52 | 0:13:54 | |
It's not a sequence, is it? Number of squares on a board? | 0:13:54 | 0:13:57 | |
Er... | 0:13:57 | 0:13:59 | |
Next, please. | 0:13:59 | 0:14:00 | |
Um, beehive has a queen. Chess has two queens. | 0:14:04 | 0:14:07 | |
Three queens, monarchs of the UK. Something with four queens. | 0:14:07 | 0:14:10 | |
What's got four queens? | 0:14:10 | 0:14:12 | |
Ten seconds. | 0:14:12 | 0:14:14 | |
Two games of chess. | 0:14:14 | 0:14:16 | |
BELL | 0:14:16 | 0:14:18 | |
We want something with four queens, | 0:14:18 | 0:14:20 | |
-so a simultaneous game of chess with two boards. -Goodness me! | 0:14:20 | 0:14:23 | |
That's very complicated. I'd have said a pack of cards. | 0:14:23 | 0:14:26 | |
But you're right, something with four queens. | 0:14:26 | 0:14:28 | |
A beehive has one queen, a game of chess has two queens, | 0:14:28 | 0:14:30 | |
unless you're playing several on a lot of boards. | 0:14:30 | 0:14:33 | |
Do you often do that? | 0:14:33 | 0:14:34 | |
You get games where a grandmaster will | 0:14:34 | 0:14:37 | |
play a whole school at once and have 200 boards, | 0:14:37 | 0:14:39 | |
he'll walk along and make a move. | 0:14:39 | 0:14:41 | |
In that case, it's a far simpler idea than a pack of cards(!) | 0:14:41 | 0:14:44 | |
Monarchs of the UK. Three queens. Why not Elizabeth I? | 0:14:44 | 0:14:46 | |
Why doesn't she count? | 0:14:46 | 0:14:48 | |
She was not a monarch of the UK. | 0:14:48 | 0:14:50 | |
Yeah, she was monarch of England only. | 0:14:50 | 0:14:53 | |
Because there wasn't a UK. | 0:14:53 | 0:14:54 | |
It wasn't formed until the reign of Queen Anne. | 0:14:54 | 0:14:56 | |
So Anne, Victoria and Elizabeth II, | 0:14:56 | 0:14:58 | |
her Majesty would be. Monarchs of the UK, three queens. | 0:14:58 | 0:15:03 | |
Well done for the points. Scribes, what would you like? | 0:15:03 | 0:15:06 | |
-Let's try Water, please. -OK. | 0:15:06 | 0:15:07 | |
What's the fourth in this sequence? Here's the first. | 0:15:07 | 0:15:10 | |
Treaties. THEY WHISPER | 0:15:13 | 0:15:15 | |
-The most recent. -Is it? | 0:15:15 | 0:15:17 | |
Let's go for the next one. Next, please. | 0:15:17 | 0:15:20 | |
Is that still correct? I don't think that is a treaty. | 0:15:22 | 0:15:24 | |
I think it might be. | 0:15:24 | 0:15:26 | |
Er, next, please. | 0:15:26 | 0:15:28 | |
Are you still happy with that? | 0:15:29 | 0:15:31 | |
These aren't all treaties, maybe. | 0:15:31 | 0:15:33 | |
Going backwards? | 0:15:33 | 0:15:34 | |
-Treaty of Reims? Or Rome? -Versailles, or something? -Rome? | 0:15:34 | 0:15:37 | |
The first European ones. | 0:15:37 | 0:15:39 | |
Are you happier with that, than going forwards? | 0:15:39 | 0:15:42 | |
Yeah, yeah, I am. It's not going forwards. | 0:15:42 | 0:15:44 | |
-Yeah. -Five seconds. -BELL | 0:15:44 | 0:15:47 | |
-Rome. -Not the answer. | 0:15:47 | 0:15:50 | |
It's a bonus chance to you now, Ciphers. | 0:15:50 | 0:15:53 | |
-Erm... -Versailles. -Versailles? | 0:15:53 | 0:15:55 | |
That's not it, either. Why did you say Rome? | 0:15:55 | 0:15:58 | |
We were thinking it was treaties but going backwards in time. | 0:15:58 | 0:16:02 | |
Ah. | 0:16:02 | 0:16:04 | |
They are major EU treaties but they're going forwards in time | 0:16:04 | 0:16:06 | |
and next after Nice would be Lisbon. | 0:16:06 | 0:16:10 | |
So close but no treaty. Back to you, Ciphers, to choose a question. | 0:16:10 | 0:16:14 | |
What will it be? | 0:16:14 | 0:16:15 | |
-Lion, please. -Lion. OK. | 0:16:15 | 0:16:17 | |
What's the fourth in this sequence? Here's the first. | 0:16:17 | 0:16:20 | |
THEY WHISPER | 0:16:22 | 0:16:24 | |
Next, please. | 0:16:24 | 0:16:26 | |
Characters? | 0:16:28 | 0:16:29 | |
Are they from...? | 0:16:29 | 0:16:31 | |
I think you're right. | 0:16:31 | 0:16:33 | |
But what's the sequence? | 0:16:33 | 0:16:36 | |
Spanish? | 0:16:36 | 0:16:38 | |
Next, please. | 0:16:38 | 0:16:40 | |
Oh, it's leaders of the IMF. | 0:16:40 | 0:16:45 | |
I don't know who the leader of the IMF is. | 0:16:45 | 0:16:47 | |
-Um... -I should. -Ten seconds. -I don't know his name. | 0:16:49 | 0:16:52 | |
THEY WHISPER | 0:16:52 | 0:16:54 | |
I think he's French. | 0:16:55 | 0:16:58 | |
-You've got three seconds. -BELL | 0:16:58 | 0:17:00 | |
Er, Louis Le Bleu! | 0:17:02 | 0:17:03 | |
SHE LAUGHS | 0:17:03 | 0:17:05 | |
Funnily enough, that's not the answer(!) Scribes? | 0:17:05 | 0:17:08 | |
-Do you know what it is? -Is it Christine Lagarde? | 0:17:08 | 0:17:10 | |
-It is Christine Lagarde and why is that? -Heads of the IMF. | 0:17:10 | 0:17:14 | |
Yeah. Heads of the IMF. | 0:17:14 | 0:17:15 | |
We did initially think that Rodrigo Rato was Roland Rat in Spanish! | 0:17:15 | 0:17:20 | |
-We've since changed our mind. -You are right with what you said first. | 0:17:20 | 0:17:23 | |
They are managing directors of the International Monetary Fund | 0:17:23 | 0:17:26 | |
and after the controversial Dominique Strauss-Kahn, | 0:17:26 | 0:17:29 | |
Christine Lagarde. Well done for the bonus point. | 0:17:29 | 0:17:31 | |
And you get a question of your own. It will be the Two Reeds. | 0:17:31 | 0:17:35 | |
They're picture clues. | 0:17:35 | 0:17:36 | |
What would you expect to see in the fourth picture? Here's the first. | 0:17:36 | 0:17:39 | |
-Indira Gandhi. -That's Indira Gandhi, is it? | 0:17:43 | 0:17:45 | |
Next, please. | 0:17:45 | 0:17:46 | |
-Golda Meir. -Golda Meir. | 0:17:47 | 0:17:49 | |
Is this...? It could end in Thatcher. | 0:17:49 | 0:17:52 | |
Sort of leaders of... female leaders of countries in order | 0:17:52 | 0:17:58 | |
of the next one. I'd better go for the next one. Next, please. | 0:17:58 | 0:18:01 | |
Is that Bandaranaike? No. | 0:18:01 | 0:18:03 | |
Who is that? | 0:18:03 | 0:18:05 | |
-OK. -Ten seconds. | 0:18:08 | 0:18:10 | |
I should probably go for Thatcher, | 0:18:10 | 0:18:13 | |
based on her being an extremely famous female. | 0:18:13 | 0:18:16 | |
Three seconds. | 0:18:16 | 0:18:17 | |
BELL | 0:18:17 | 0:18:19 | |
Margaret Thatcher? | 0:18:19 | 0:18:22 | |
Margaret Thatcher is the answer. Tell me your thinking. | 0:18:22 | 0:18:24 | |
It wasn't particularly good thinking, in all honesty. | 0:18:24 | 0:18:27 | |
We recognised a variety of female leaders of countries | 0:18:27 | 0:18:30 | |
and we were wondering about a particular order, | 0:18:30 | 0:18:33 | |
but we hadn't worked out the order. Indira Gandhi is first, | 0:18:33 | 0:18:35 | |
then Golda Meir. We're not sure who that is. | 0:18:35 | 0:18:38 | |
Ellen Johnson Surlief? Um... | 0:18:38 | 0:18:40 | |
No, the third is Elisabeth Domitien of Central African Republic. | 0:18:40 | 0:18:43 | |
They are female prime ministers in chronological order | 0:18:43 | 0:18:46 | |
going forwards and I think you mentioned | 0:18:46 | 0:18:50 | |
Bandaranaike about that third picture. | 0:18:50 | 0:18:52 | |
The first female prime minister of Ceylon, | 0:18:52 | 0:18:55 | |
these are second to fifth forwards, | 0:18:55 | 0:18:56 | |
but you get the points for saying Margaret Thatcher. Well done. | 0:18:56 | 0:19:00 | |
The scores at the end of Round Two. | 0:19:00 | 0:19:03 | |
The Ciphers up to four points but the Scribes are ahead with 12. | 0:19:03 | 0:19:07 | |
Time now for the joys of the Connecting Wall | 0:19:08 | 0:19:11 | |
and if the programme just isn't interesting enough for you, | 0:19:11 | 0:19:14 | |
why don't you watch something else? | 0:19:14 | 0:19:17 | |
Or play along at the same time as the teams on our website. | 0:19:17 | 0:19:20 | |
That'll make it much more exciting. | 0:19:20 | 0:19:22 | |
Scribes, your turn to go first and you have the choice, Lion or Water? | 0:19:22 | 0:19:27 | |
-Lion, please. -OK, the Lion Wall. | 0:19:27 | 0:19:29 | |
You've got two and a half minutes to solve it starting now. | 0:19:29 | 0:19:34 | |
Parts of a pig. | 0:19:35 | 0:19:39 | |
-Not that I know the other... -Lights. | 0:19:39 | 0:19:42 | |
Bunk, tripe and nonsense. These all mean the same thing. | 0:19:42 | 0:19:45 | |
As does cobblers and rot, so maybe leave that for now. | 0:19:45 | 0:19:48 | |
Blank, free. | 0:19:48 | 0:19:50 | |
Free verse, blank verse? | 0:19:50 | 0:19:52 | |
Er, nonsense verse. Narrative verse? | 0:19:52 | 0:19:54 | |
So that takes one of the nonsenses out, | 0:19:54 | 0:19:57 | |
so maybe I should go for rot, bunk, tripe, bilge | 0:19:57 | 0:20:00 | |
and cobblers is the other one in there. | 0:20:00 | 0:20:03 | |
So... | 0:20:03 | 0:20:04 | |
if I just try this for a bit. | 0:20:04 | 0:20:07 | |
-So now we've got the bits of the... -I think lights are part of a pig. | 0:20:07 | 0:20:10 | |
Chitterlings, lights, brawn and tripe. Or liver. | 0:20:10 | 0:20:13 | |
-Blackpool, Pontypool, Welshpool, Liverpool? -Yeah. -Yeah. | 0:20:13 | 0:20:16 | |
So we're happy with that. | 0:20:16 | 0:20:18 | |
These are parts of a pig and those are followed by "pool". | 0:20:18 | 0:20:20 | |
They are also geographical. | 0:20:20 | 0:20:22 | |
That was quick! You solved the wall. | 0:20:22 | 0:20:24 | |
Very well done. Four points immediately | 0:20:24 | 0:20:27 | |
for finding groups. Let's talk about the connections. | 0:20:27 | 0:20:29 | |
Narrative, free, nonsense, blank. | 0:20:29 | 0:20:32 | |
-Types of verse. -Types of verse. That's all it is. | 0:20:32 | 0:20:35 | |
Rot, cobblers, bunk and bilge. | 0:20:35 | 0:20:38 | |
They're all things that you say when you don't believe someone. | 0:20:38 | 0:20:42 | |
I suppose so, yes. | 0:20:42 | 0:20:43 | |
They are synonyms for... I was going to say give me another word. | 0:20:43 | 0:20:46 | |
Nonsense, but it's there. | 0:20:46 | 0:20:48 | |
Nonsense'll do, rubbish, but they're synonyms for each other. | 0:20:48 | 0:20:52 | |
Chitterlings, brawn, tripe, lights. | 0:20:52 | 0:20:55 | |
-Offal. -Parts of a pig for the explorative eater. | 0:20:55 | 0:21:01 | |
-SHE CHUCKLES -They are offal. | 0:21:02 | 0:21:04 | |
All my brother's favourite things. | 0:21:04 | 0:21:06 | |
He'd have them for breakfast every day if he could. | 0:21:06 | 0:21:08 | |
-And the last one Liver, Welsh, Black, Ponty. -Pools. | 0:21:08 | 0:21:11 | |
Followed by "pool" to make a geographical area or town. | 0:21:11 | 0:21:15 | |
That's exactly what it is. | 0:21:15 | 0:21:17 | |
Four points for the groups found. Four more for the connections. | 0:21:17 | 0:21:20 | |
A bonus of two for getting them all, that is a maximum ten. Very well done. | 0:21:20 | 0:21:23 | |
Time to bring back the Ciphers, see what they can do with the Connecting Wall. | 0:21:23 | 0:21:26 | |
They are going to get the Water Wall. | 0:21:26 | 0:21:28 | |
16 clues still need sorting along the same principles. | 0:21:28 | 0:21:32 | |
Hello, again, Ciphers, Water Wall for you. | 0:21:32 | 0:21:34 | |
You've got two and a half minutes to solve it, starting now. | 0:21:34 | 0:21:38 | |
-OK, steaks. -Rump steak, chuck steak. -Sirloin steak. | 0:21:40 | 0:21:44 | |
-Chop. -Slap steak, perhaps? | 0:21:44 | 0:21:47 | |
Let's try a few. | 0:21:47 | 0:21:48 | |
Thin flank might be a steak. | 0:21:48 | 0:21:52 | |
I'll keep trying steaks. Look at other things. | 0:21:52 | 0:21:55 | |
Things you can have in the cupboard. broom, skeleton. | 0:21:55 | 0:21:59 | |
Ah, "Skelton", not "skeleton". | 0:21:59 | 0:22:01 | |
-That's Helen Skelton. -They're British medal winners. | 0:22:01 | 0:22:04 | |
Skelton, Funnell. | 0:22:04 | 0:22:06 | |
-It's not Funnell, is it? -Whitaker. | 0:22:06 | 0:22:09 | |
-Maher. -And...? | 0:22:09 | 0:22:11 | |
I don't know. I'll try some more. | 0:22:12 | 0:22:14 | |
So Funnell gets narrower. | 0:22:15 | 0:22:19 | |
There we go, right they must be steaks. | 0:22:19 | 0:22:21 | |
Rump, chuck, sirloin. | 0:22:21 | 0:22:24 | |
Long steak? Or broom? Try a few more. | 0:22:24 | 0:22:26 | |
Thin flank must be a steak, | 0:22:26 | 0:22:27 | |
I think. | 0:22:27 | 0:22:29 | |
I think we've tried some of these already. | 0:22:29 | 0:22:31 | |
A group of people. | 0:22:31 | 0:22:34 | |
Drum. | 0:22:37 | 0:22:38 | |
-A clod of earth? -A kick drum. | 0:22:38 | 0:22:40 | |
Slapstick? | 0:22:40 | 0:22:42 | |
A long shot, a slap shot | 0:22:42 | 0:22:44 | |
a chop shot. | 0:22:44 | 0:22:45 | |
Think flank. Have you done all the steak ones? | 0:22:45 | 0:22:48 | |
There are so many. | 0:22:48 | 0:22:49 | |
Yeah, we don't know which. | 0:22:49 | 0:22:51 | |
Convention, broom, chuck, barebones, long. | 0:22:51 | 0:22:53 | |
You're about halfway through the time. | 0:22:53 | 0:22:55 | |
Barebones argument. Barebones. | 0:22:57 | 0:23:00 | |
Barebones as in one word. | 0:23:00 | 0:23:03 | |
I don't what that is. | 0:23:03 | 0:23:04 | |
-Chop suey? -A barebones sketch, or something. | 0:23:04 | 0:23:07 | |
Chopsticks. | 0:23:07 | 0:23:09 | |
Drumstick, chopsticks. | 0:23:09 | 0:23:11 | |
-Broomstick. -Slapstick. | 0:23:11 | 0:23:14 | |
OK, so we've only got three left. | 0:23:14 | 0:23:16 | |
The steaks, potentially, are rump, chuck, sirloin and thin flank. | 0:23:16 | 0:23:20 | |
I've definitely done those. | 0:23:20 | 0:23:22 | |
Have we tried long steak? | 0:23:22 | 0:23:23 | |
-Yeah, we have. -Barebones, convention. -Clod. | 0:23:23 | 0:23:26 | |
A clod of earth. | 0:23:26 | 0:23:28 | |
Convention? By convention, | 0:23:28 | 0:23:31 | |
conventional argument, barebones argument. | 0:23:31 | 0:23:34 | |
Yep, types of argument. Long argument. | 0:23:34 | 0:23:36 | |
Clod argument. Rump argument. | 0:23:36 | 0:23:39 | |
-Rump is part of a... -30 seconds. | 0:23:39 | 0:23:40 | |
If we have these four, we've still got some steaks. | 0:23:40 | 0:23:44 | |
Let's try those. No. | 0:23:44 | 0:23:46 | |
-Um. -What about a clod steak? | 0:23:46 | 0:23:49 | |
-Instead of which one? -Instead of chuck. | 0:23:49 | 0:23:51 | |
A rump argument? | 0:23:51 | 0:23:52 | |
Let's try a couple, because we've only got a few seconds left. | 0:23:52 | 0:23:56 | |
I would go for these three. | 0:23:56 | 0:23:58 | |
-Go on. -Ten seconds and you've solved the wall! | 0:23:58 | 0:24:01 | |
Very well done. That was dramatic. | 0:24:01 | 0:24:04 | |
Just in the nick of time. | 0:24:04 | 0:24:05 | |
Four points, what about the connections? | 0:24:05 | 0:24:07 | |
Tell me about the blue group? | 0:24:07 | 0:24:10 | |
Skelton is a Blue Peter presenter I don't know if the other three are? | 0:24:10 | 0:24:14 | |
Yeah, Blue Peter presenters. | 0:24:14 | 0:24:16 | |
I'm afraid not. They are show jumpers. | 0:24:16 | 0:24:20 | |
Nick Skelton, Ben Maher, William Whitaker... | 0:24:20 | 0:24:23 | |
there's a whole Whitaker family show jumping. And William Funnell. | 0:24:23 | 0:24:26 | |
Show jumpers. | 0:24:26 | 0:24:28 | |
Slap, broom, chop, drum. | 0:24:28 | 0:24:30 | |
-Stick. -You follow them by stick. | 0:24:30 | 0:24:33 | |
And the pink group - rump, convention, barebones, long. | 0:24:33 | 0:24:35 | |
-There are types of argument, aren't they? -Let's go with | 0:24:35 | 0:24:38 | |
types of argument, or putting information forwards. | 0:24:38 | 0:24:43 | |
And would a rump argument be what follows | 0:24:43 | 0:24:46 | |
when a woman asks, "Does my bum look big in this?" | 0:24:46 | 0:24:48 | |
They're actually not. These are 17th-century parliaments. | 0:24:48 | 0:24:52 | |
Parliaments that came and went in the 17th century. | 0:24:52 | 0:24:56 | |
The Barebones Parliament and so on. | 0:24:56 | 0:24:59 | |
And the last one chuck, clod, thin flank, sirloin. | 0:24:59 | 0:25:01 | |
-Cuts of meat. -They are cuts of beef. Clod, a shoulder cut. | 0:25:01 | 0:25:04 | |
That was the one you struggled with, the more obscure one. But well done. | 0:25:04 | 0:25:09 | |
That is four points for the groups, two points for the connections, | 0:25:09 | 0:25:12 | |
giving you a total of six. Let's see how that leaves the scores. | 0:25:12 | 0:25:16 | |
The Ciphers are up to ten but the Scribes are ahead with 22. | 0:25:16 | 0:25:22 | |
And if you'd like to play a Connecting Wall, | 0:25:24 | 0:25:26 | |
you can do so on our website, where you can even write your own. | 0:25:26 | 0:25:29 | |
We'll play the missing vowels round, you'll be glad to know. | 0:25:29 | 0:25:32 | |
The first group are all obscure lines from Harry Potter. | 0:25:32 | 0:25:36 | |
Of course they're not! I'm just very impressed with your skills. Go on, James, | 0:25:36 | 0:25:40 | |
how does it start? | 0:25:40 | 0:25:42 | |
"Mr and Mrs Dursley of number four, Privet Drive, were pleased to say | 0:25:42 | 0:25:45 | |
-"they were perfectly normal, thank you very much." -Lovely. | 0:25:45 | 0:25:47 | |
-Are you a Harry Potter reader? -No. It's spoiled it for me now! | 0:25:47 | 0:25:50 | |
-LAUGHTER -OK. | 0:25:50 | 0:25:52 | |
Round Four, the Missing Vowels round. Fingers on buzzers. | 0:25:52 | 0:25:56 | |
The first group are all bread products. | 0:25:56 | 0:26:00 | |
-Scribes. -English muffin. -Correct. | 0:26:03 | 0:26:05 | |
-Scribes. -Focaccia. -Correct. | 0:26:08 | 0:26:09 | |
-Scribes. -Metzo? -I'm afraid that's not right. You lose a point. | 0:26:12 | 0:26:15 | |
-Ciphers? -Matzo. -It's matzo. Next clue. | 0:26:15 | 0:26:18 | |
Ciphers. Too long I'm afraid. You must lose a point. | 0:26:21 | 0:26:23 | |
-Scribes? -Irish soda bread. -Yes, it is. | 0:26:23 | 0:26:26 | |
Next category... | 0:26:26 | 0:26:29 | |
-Scribes. -Daughter-in-law. -Correct. | 0:26:31 | 0:26:33 | |
-Ciphers. -Great-grandfather. -I'm afraid that's not it. | 0:26:34 | 0:26:38 | |
-Lose a point. Scribes? -Great-great-grandfather. -Yes it is. | 0:26:38 | 0:26:41 | |
Two "greats" in there. Next clue. | 0:26:41 | 0:26:43 | |
-Ciphers. -First cousin twice removed. -That's it. Next clue. | 0:26:45 | 0:26:48 | |
-Scribes. -Half-sister. -Correct. | 0:26:51 | 0:26:53 | |
Next category... | 0:26:53 | 0:26:55 | |
-Ciphers. -Joe DiMaggio. -Correct. | 0:26:57 | 0:26:59 | |
Scribes. | 0:27:01 | 0:27:02 | |
-Hank Aaron. -Correct. | 0:27:02 | 0:27:04 | |
-Scribes. -Mark McGower. | 0:27:06 | 0:27:08 | |
That's not it, lose a point. | 0:27:08 | 0:27:10 | |
Ciphers? Too long. | 0:27:10 | 0:27:11 | |
It's Mark McGwire. Next clue. | 0:27:11 | 0:27:13 | |
-Scribes. -Yogi Berra. -Yes it is. | 0:27:15 | 0:27:18 | |
Next category... | 0:27:18 | 0:27:20 | |
-Ciphers. -Water Lilies. -Correct. | 0:27:23 | 0:27:24 | |
-Scribes. -Irises. -Correct. | 0:27:27 | 0:27:29 | |
-Scribes. -The Hibiscus Tree. -Correct. | 0:27:32 | 0:27:34 | |
-Ciphers. -Carnation, Lily, Lily, Rose. -Correct. | 0:27:40 | 0:27:43 | |
Next category... | 0:27:43 | 0:27:45 | |
-Scribes. -Kingsley Amis. -Correct. | 0:27:48 | 0:27:50 | |
END-OF-ROUND JINGLE | 0:27:54 | 0:27:55 | |
That last clue was Alan Sillitoe, | 0:27:58 | 0:28:00 | |
who wrote The Loneliness Of The Long Distance Runner, | 0:28:00 | 0:28:03 | |
but that is the end of the quiz and after a bit of a nail-biting | 0:28:03 | 0:28:08 | |
Round Four, the Ciphers up to 13 points, but the winners | 0:28:08 | 0:28:11 | |
with 31 are the Scribes. | 0:28:11 | 0:28:14 | |
Very well done, you're through to the quarter-finals. | 0:28:14 | 0:28:16 | |
Ciphers, sorry to lose you, you've been a lovely team | 0:28:16 | 0:28:19 | |
and displayed all sorts of excellent outside skills | 0:28:19 | 0:28:21 | |
that we always love to see. | 0:28:21 | 0:28:23 | |
But it's goodbye for now. | 0:28:23 | 0:28:25 | |
Thank you for watching and we go our separate ways once again. | 0:28:25 | 0:28:30 | |
But, as in any complicated relationship, | 0:28:30 | 0:28:32 | |
I'm confident we'll be back together soon enough | 0:28:32 | 0:28:34 | |
for another half-hour of awkward fun, | 0:28:34 | 0:28:36 | |
which leaves one side smug and satisfied, | 0:28:36 | 0:28:38 | |
the other empty and regretful. | 0:28:38 | 0:28:40 | |
Until that dubious reunion, goodbye. | 0:28:40 | 0:28:44 | |
Subtitles by Red Bee Media Ltd | 0:28:58 | 0:29:01 |