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Hello, and welcome to Only Connect, | 0:00:21 | 0:00:23 | |
the quiz so hard it's possible to lose | 0:00:23 | 0:00:24 | |
even if your opponents forget to show up. | 0:00:24 | 0:00:26 | |
Tonight, the pressure is intense, the tension's unbearable | 0:00:26 | 0:00:30 | |
and everyone's desperate to win. | 0:00:30 | 0:00:32 | |
I'm sorry...I seem to be reading a script from the X Factor. | 0:00:32 | 0:00:35 | |
But it is a big deal, because this is the semifinal. | 0:00:35 | 0:00:37 | |
We're quizzing for a place in the final | 0:00:37 | 0:00:40 | |
and if you didn't grasp that from the word "semifinal", | 0:00:40 | 0:00:42 | |
you're really in for a tough half-hour. | 0:00:42 | 0:00:44 | |
Our semifinalists are... | 0:00:44 | 0:00:47 | |
On my right, Ed Dovey, | 0:00:47 | 0:00:50 | |
a charity support worker and accomplished illustrator | 0:00:50 | 0:00:52 | |
who's designed a box for a King Arthur themed board game. | 0:00:52 | 0:00:56 | |
Stewart McCartney, | 0:00:56 | 0:00:57 | |
who used to work in a biscuit factory | 0:00:57 | 0:01:00 | |
and once spent the night locked in a wardrobe. | 0:01:00 | 0:01:02 | |
And their captain, Marianne Fairthorne, | 0:01:02 | 0:01:05 | |
a software developer who enjoys building stone circles | 0:01:05 | 0:01:07 | |
and drawing monsters. | 0:01:07 | 0:01:09 | |
United by a love of music and mud, | 0:01:09 | 0:01:11 | |
they are the Festival Fans. | 0:01:11 | 0:01:13 | |
Marianne, you lost your first heat, won your second, | 0:01:13 | 0:01:17 | |
had a tie-break in the third. What can we expect from you today? | 0:01:17 | 0:01:20 | |
Hopefully, something less stressful than last time! | 0:01:20 | 0:01:22 | |
Good luck tonight. | 0:01:22 | 0:01:24 | |
Your opponents are, on my left, | 0:01:24 | 0:01:26 | |
Beverley Downes, | 0:01:26 | 0:01:28 | |
a Cardiff City supporter and fluent Welsh speaker, | 0:01:28 | 0:01:30 | |
who spent a year learning to bake different kinds of bread. | 0:01:30 | 0:01:34 | |
David Pritchard, a civil servant | 0:01:34 | 0:01:36 | |
who has competed in international debating competitions | 0:01:36 | 0:01:39 | |
and was once hugged by James Callaghan. | 0:01:39 | 0:01:41 | |
And their captain, Huw Pritchard, | 0:01:41 | 0:01:44 | |
a national Eisteddfod winner, | 0:01:44 | 0:01:45 | |
national poetry competition champion, | 0:01:45 | 0:01:47 | |
director of Bangor City Football Club | 0:01:47 | 0:01:49 | |
and proud owner of a whippet called Ted. | 0:01:49 | 0:01:52 | |
United by their patriotism, | 0:01:52 | 0:01:54 | |
they are the Celts. | 0:01:54 | 0:01:56 | |
Now, Huw, you've had a straight run of wins to get here. | 0:01:56 | 0:01:58 | |
You haven't dropped a game. How are you feeling about this match? | 0:01:58 | 0:02:01 | |
Well, we're on a good run at the moment, | 0:02:01 | 0:02:03 | |
and just hope it continues. | 0:02:03 | 0:02:05 | |
Looking forward to it, really. | 0:02:05 | 0:02:07 | |
Let's get on with the semifinal. | 0:02:07 | 0:02:09 | |
Round One is how we're going to begin. | 0:02:09 | 0:02:11 | |
What's the connection between four apparently random clues? | 0:02:11 | 0:02:14 | |
Festival Fans, you won the toss, | 0:02:14 | 0:02:16 | |
but you've chosen to put the Celts in first. | 0:02:16 | 0:02:18 | |
Which hieroglyph would you like? | 0:02:18 | 0:02:20 | |
-Two Reeds. -Two Reeds. | 0:02:20 | 0:02:22 | |
What is the connection between these pictorial clues? | 0:02:22 | 0:02:26 | |
Here's the first. | 0:02:26 | 0:02:28 | |
THEY CONFER | 0:02:32 | 0:02:33 | |
Next. | 0:02:36 | 0:02:37 | |
I think it could be impossible machines. | 0:02:40 | 0:02:43 | |
Oh, OK. | 0:02:43 | 0:02:45 | |
-Shall we say next? -Yes. | 0:02:45 | 0:02:46 | |
Next. | 0:02:46 | 0:02:47 | |
-Yeah, I think... -Shall we go? What do you say? | 0:02:49 | 0:02:51 | |
A perpetual motion machine. | 0:02:51 | 0:02:53 | |
BELL | 0:02:53 | 0:02:54 | |
Perpetual motion machines. | 0:02:54 | 0:02:56 | |
They are designed for perpetual motion machines. | 0:02:56 | 0:03:01 | |
There's the last one. | 0:03:01 | 0:03:03 | |
Can you see how any of them work, these machines here? | 0:03:03 | 0:03:05 | |
The first one's along the idea of a flow... | 0:03:05 | 0:03:09 | |
When you take a liquid through a pump, | 0:03:09 | 0:03:12 | |
you siphon, and it'll theoretically go round and round and round, | 0:03:12 | 0:03:14 | |
though, theoretically, of course, it can't, | 0:03:14 | 0:03:16 | |
-as it's losing energy all the time. -That's right. | 0:03:16 | 0:03:19 | |
The second one's got magnets in it, to sort of ramp with a magnet. | 0:03:19 | 0:03:22 | |
We've got a rotating cylinder, | 0:03:22 | 0:03:24 | |
and then there's an over-balanced wheel that's meant to keep turning. | 0:03:24 | 0:03:27 | |
None of them would remain in perpetual motion. | 0:03:27 | 0:03:29 | |
They're impossible machines. | 0:03:29 | 0:03:31 | |
Two points to you. Over to the Festival Fans to pick a question. | 0:03:31 | 0:03:34 | |
-Horned Viper, please. -Horned Viper. | 0:03:34 | 0:03:35 | |
What's the connection between these clues? Here's the first. | 0:03:35 | 0:03:38 | |
US intervention in World War I... | 0:03:40 | 0:03:42 | |
There could be a lot of things this is. Next. | 0:03:42 | 0:03:46 | |
Cause of the Franco-Prussian War... | 0:03:48 | 0:03:50 | |
-Telegrams! -Go on. Go for it. | 0:03:50 | 0:03:52 | |
BELL | 0:03:52 | 0:03:54 | |
Telegrams. | 0:03:54 | 0:03:56 | |
Coming in after two clues, | 0:03:56 | 0:03:57 | |
I'm going to give you three points. The connection is telegrams. | 0:03:57 | 0:04:00 | |
Here are the other clues. What can you tell me about them? | 0:04:00 | 0:04:03 | |
-The US intervention... What that the...? -The Zimmermann note. | 0:04:03 | 0:04:06 | |
-That's right. -I don't know the cause of the Franco-Prussian War. | 0:04:06 | 0:04:09 | |
-It was telegrams. -Crippen was aboard ship | 0:04:09 | 0:04:12 | |
and they sent a telegram to the ship | 0:04:12 | 0:04:14 | |
and arrested him and brought him back to the UK. | 0:04:14 | 0:04:16 | |
The captain of the ship recognised him | 0:04:16 | 0:04:18 | |
and telegraphed the police, who were waiting. | 0:04:18 | 0:04:20 | |
And obviously, the centenarian one | 0:04:20 | 0:04:23 | |
is you got a telegram from the Queen. | 0:04:23 | 0:04:25 | |
But obviously, nowadays, we don't really do telegrams. | 0:04:25 | 0:04:28 | |
No, I think the Queen sends a text message. | 0:04:28 | 0:04:31 | |
"That's gr8," writes the Queen, | 0:04:31 | 0:04:33 | |
with 8 where the "eat" should be. | 0:04:33 | 0:04:35 | |
That's right. The first two, military ones. | 0:04:35 | 0:04:37 | |
All associated by telegram. | 0:04:37 | 0:04:39 | |
Well done. | 0:04:39 | 0:04:40 | |
Higher scores than I was expecting for this difficult round. | 0:04:40 | 0:04:44 | |
Let's see how we continue. | 0:04:44 | 0:04:46 | |
Back to you Celts for a question. | 0:04:46 | 0:04:47 | |
Lion, please. | 0:04:47 | 0:04:49 | |
BELL | 0:04:49 | 0:04:50 | |
Music is coming your way. | 0:04:50 | 0:04:52 | |
What's the connection between these clues? Here's the first. | 0:04:52 | 0:04:55 | |
# It's your freshman year | 0:04:55 | 0:04:57 | |
# And you're gonna be here for the next four years... # | 0:04:57 | 0:05:02 | |
Next. | 0:05:02 | 0:05:04 | |
# I'm so hot and bothered | 0:05:04 | 0:05:06 | |
# That I don't know | 0:05:06 | 0:05:08 | |
# My elbow from my ear... # | 0:05:08 | 0:05:11 | |
THEY CONFER | 0:05:11 | 0:05:13 | |
Next. | 0:05:15 | 0:05:16 | |
# I'm not bragging, babe So don't put me down... # | 0:05:16 | 0:05:19 | |
It's the Beach Boys. It's Little Deuce Coupe. | 0:05:19 | 0:05:22 | |
# When something comes up to me... # | 0:05:22 | 0:05:25 | |
Next. | 0:05:25 | 0:05:26 | |
# Only then | 0:05:26 | 0:05:29 | |
# I knew my heart was free... # | 0:05:29 | 0:05:31 | |
-Oh, crumbs! -Three seconds. | 0:05:31 | 0:05:34 | |
BELL | 0:05:34 | 0:05:35 | |
Newspapers? | 0:05:35 | 0:05:36 | |
I don't know! | 0:05:37 | 0:05:39 | |
It's to do with cars. | 0:05:39 | 0:05:41 | |
No, it is not to do with cars. | 0:05:41 | 0:05:44 | |
They're not all connected with that. | 0:05:44 | 0:05:46 | |
So, Festival Fans, you've got a bonus chance. | 0:05:46 | 0:05:48 | |
We'll try places in Wales. | 0:05:48 | 0:05:49 | |
No, I don't think any of them is a place in Wales. | 0:05:49 | 0:05:52 | |
-We might have... -He thought it might be Help Me, Rhonda, one of them. | 0:05:52 | 0:05:56 | |
So we thought... | 0:05:56 | 0:05:58 | |
No, the Beach Boys one is the one your opponents recognised | 0:05:58 | 0:06:01 | |
as Little Deuce Coupe, which is why I think you went for cars. | 0:06:01 | 0:06:05 | |
It wasn't newspapers either, by the way. | 0:06:05 | 0:06:07 | |
You heard, by Taylor Swift, 15. | 0:06:07 | 0:06:10 | |
By Ella Fitzgerald, You Took Advantage Of Me. | 0:06:10 | 0:06:13 | |
Then we had Little Deuce Coupe | 0:06:13 | 0:06:15 | |
and the last one, Only Love. | 0:06:15 | 0:06:17 | |
Tennis scores are hidden there. | 0:06:17 | 0:06:19 | |
Festival Fans, you don't get the bonus point, | 0:06:19 | 0:06:22 | |
-but you do get the chance to choose a question. -Eye of Horus, please. | 0:06:22 | 0:06:25 | |
OK. What's the connection between these clues? Here's the first. | 0:06:25 | 0:06:28 | |
Do we know anything about those? I think we should take next. | 0:06:31 | 0:06:34 | |
Next. | 0:06:34 | 0:06:35 | |
I think we should go next. Next. | 0:06:41 | 0:06:43 | |
-Pret A Manger? -No, there is one called Eat. -No, because... | 0:06:47 | 0:06:51 | |
I don't know anything about Eat. | 0:06:51 | 0:06:53 | |
Next. | 0:06:53 | 0:06:55 | |
Bench clothing label... | 0:06:57 | 0:06:58 | |
-Three seconds. -BELL | 0:07:05 | 0:07:07 | |
Oh, big. | 0:07:07 | 0:07:09 | |
Not the answer, I'm afraid, | 0:07:09 | 0:07:11 | |
as I think you know. | 0:07:11 | 0:07:13 | |
Celts, can you get a bonus here? | 0:07:13 | 0:07:15 | |
Do they have an exclamation mark at the end of them, or something? | 0:07:15 | 0:07:19 | |
Have another go. | 0:07:19 | 0:07:21 | |
Right... Thank you! | 0:07:21 | 0:07:22 | |
They have... | 0:07:22 | 0:07:24 | |
-a symbol of some sort. -A punctuation mark at the end. | 0:07:24 | 0:07:26 | |
Yes, they do. They have a full stop. Not an exclamation mark, | 0:07:26 | 0:07:29 | |
but I will take punctuation. | 0:07:29 | 0:07:31 | |
They all have a superfluous full stop - | 0:07:31 | 0:07:33 | |
a bit of punctuation they really don't need. | 0:07:33 | 0:07:35 | |
On the front of the Pet Shop Boys' Behaviour album, | 0:07:35 | 0:07:37 | |
they've got a full stop. You'll see that as well in the logo | 0:07:37 | 0:07:40 | |
of Eat and Bench, and Fun, the indie pop group | 0:07:40 | 0:07:42 | |
with which I'm not familiar, style themselves with a full stop. | 0:07:42 | 0:07:45 | |
So, yes, extraneous punctuation for the point. | 0:07:45 | 0:07:48 | |
And Celts, you may now choose your own question. | 0:07:48 | 0:07:50 | |
-Twisted Flax, please. -Twisted Flax. | 0:07:50 | 0:07:52 | |
What is the connection between these clues? Here's the first. | 0:07:52 | 0:07:55 | |
Next. | 0:08:00 | 0:08:01 | |
Oh, I think these, um... | 0:08:05 | 0:08:07 | |
-Go for one more. -Next. | 0:08:07 | 0:08:10 | |
-Next. -Next again. | 0:08:18 | 0:08:20 | |
Oh, I...I... | 0:08:24 | 0:08:26 | |
This is the alternative Nobel prizes, I think. | 0:08:26 | 0:08:29 | |
-Research into these. -OK. | 0:08:29 | 0:08:31 | |
BELL | 0:08:31 | 0:08:32 | |
These were... It's the alternative Nobel Prize | 0:08:32 | 0:08:36 | |
for the most strange, odd, off-the-wall | 0:08:36 | 0:08:40 | |
scientific research of the year. | 0:08:40 | 0:08:42 | |
That's absolutely right. It's known as the Ig Nobel Prize. | 0:08:42 | 0:08:45 | |
Yes, it's a prize given for odder forms of research. | 0:08:45 | 0:08:48 | |
Yes, the 2000 Ig Nobel Prize for Physics | 0:08:48 | 0:08:53 | |
went to some people that were levitating a frog. | 0:08:53 | 0:08:55 | |
How swearing relives pain - that got the Peace Prize. | 0:08:55 | 0:08:58 | |
Apparently it does. | 0:08:58 | 0:09:00 | |
Anyone want to have a go at telling me the odds | 0:09:00 | 0:09:02 | |
that Gorbachev was the Antichrist? | 0:09:02 | 0:09:04 | |
No! | 0:09:04 | 0:09:05 | |
It's 710,609,175,188,028,000 to one. | 0:09:05 | 0:09:10 | |
Alternative Nobel Prizes. Ig Nobel Prizes. Well done, Celts. | 0:09:10 | 0:09:13 | |
And back to you, Festival Fans, for the last question, | 0:09:13 | 0:09:15 | |
Water. | 0:09:15 | 0:09:17 | |
What is the connection between these clues? Here's the first. | 0:09:17 | 0:09:20 | |
Next. That could be a lot of things. | 0:09:23 | 0:09:25 | |
Did they give everybody a free pardon? | 0:09:30 | 0:09:33 | |
I think there's been an amnesty. | 0:09:33 | 0:09:37 | |
-Go for the next one. -Next. | 0:09:37 | 0:09:39 | |
So... | 0:09:42 | 0:09:43 | |
That's a big prize, isn't it? | 0:09:43 | 0:09:45 | |
I think we should go next. | 0:09:45 | 0:09:46 | |
Yeah. Yeah. Next. | 0:09:46 | 0:09:49 | |
That's the Basketball Association. | 0:09:53 | 0:09:56 | |
Three seconds. | 0:09:56 | 0:09:57 | |
BELL | 0:09:57 | 0:09:59 | |
It's all done by draft. | 0:09:59 | 0:10:01 | |
Something done by... It's a lottery. | 0:10:01 | 0:10:03 | |
Well, now, | 0:10:03 | 0:10:05 | |
you were scrabbling around in the area, | 0:10:05 | 0:10:07 | |
but the word I heard from your captain was lottery, | 0:10:07 | 0:10:09 | |
which is the connection. | 0:10:09 | 0:10:11 | |
Yes, allocated via lotteries. | 0:10:11 | 0:10:12 | |
On the Green Card system, | 0:10:12 | 0:10:14 | |
50,000 Green Cards a year given out by lottery. | 0:10:14 | 0:10:16 | |
Vietnam - do you know anything about that? | 0:10:16 | 0:10:18 | |
Basically, you drew lots, and if you were picked, | 0:10:18 | 0:10:21 | |
you went to Vietnam. | 0:10:21 | 0:10:22 | |
They did it with people's birthdays. | 0:10:22 | 0:10:24 | |
And the order in which they'd go | 0:10:24 | 0:10:26 | |
went by pulling birthdays out of some sort of hat, | 0:10:26 | 0:10:29 | |
and that third one | 0:10:29 | 0:10:30 | |
is a record-breaking Euro-Millions jackpot. | 0:10:30 | 0:10:32 | |
I think that's why I got there. | 0:10:32 | 0:10:34 | |
That's it. The NBA draft. Done by lotteries. | 0:10:34 | 0:10:36 | |
Well done. At the end of Round One, | 0:10:36 | 0:10:38 | |
the Festival Fans got four points. | 0:10:38 | 0:10:41 | |
The Celts also have four points. | 0:10:41 | 0:10:43 | |
Round Two is the sequences round. | 0:10:46 | 0:10:48 | |
There are still four clues, | 0:10:48 | 0:10:49 | |
but the teams may see a maximum of three of them, | 0:10:49 | 0:10:51 | |
because I want to know what's fourth. | 0:10:51 | 0:10:53 | |
They must work it out sequentially. | 0:10:53 | 0:10:55 | |
Celts, you'll be going first again. | 0:10:55 | 0:10:56 | |
Which hieroglyph would you like? | 0:10:56 | 0:10:58 | |
-Two Reeds, please. -Two Reeds. OK. | 0:10:58 | 0:11:00 | |
These are going to be pictures. | 0:11:00 | 0:11:01 | |
What would you expect to see in the fourth picture? Here's the first. | 0:11:01 | 0:11:04 | |
That looks like a Microsoft E... | 0:11:08 | 0:11:09 | |
Next. | 0:11:11 | 0:11:12 | |
It's a trill. | 0:11:14 | 0:11:16 | |
And it's a C. | 0:11:16 | 0:11:17 | |
-Next? -Next. | 0:11:20 | 0:11:22 | |
It's Crimewatch. | 0:11:24 | 0:11:25 | |
Is it? Is it Crimewatch? | 0:11:25 | 0:11:27 | |
What's an E with a cross on it? | 0:11:31 | 0:11:33 | |
-Next. -No, you can't. | 0:11:35 | 0:11:36 | |
-Oh, sorry! -That's the question, I'm afraid. | 0:11:36 | 0:11:38 | |
-Three seconds. -BELL | 0:11:41 | 0:11:44 | |
-The letter A. -I'm afraid that's not the answer, | 0:11:46 | 0:11:48 | |
so there's a bonus chance for the Festival Fans. | 0:11:48 | 0:11:50 | |
Er...a drill. | 0:11:50 | 0:11:52 | |
I'm afraid that's not it, but you're a lot closer. | 0:11:52 | 0:11:55 | |
What's your thinking? | 0:11:55 | 0:11:56 | |
Well, we thought trill and then maybe bill, | 0:11:56 | 0:11:59 | |
so we think maybe ending in "ill" is something to do with it. | 0:11:59 | 0:12:02 | |
Oh, and you're a mathematician! | 0:12:02 | 0:12:04 | |
We're dividing by 1,000. | 0:12:04 | 0:12:06 | |
That's quadrille paper, for a quadrillion. | 0:12:06 | 0:12:08 | |
-A trillion. -Oh! | 0:12:08 | 0:12:10 | |
It is The Bill - billion. | 0:12:10 | 0:12:12 | |
Dividing by 1,000 again - a mill. | 0:12:12 | 0:12:13 | |
We went with a pepper mill. | 0:12:13 | 0:12:15 | |
It's the powers of 1,000 and we're going backwards - | 0:12:15 | 0:12:18 | |
quadrillion, trillion, billion, million. | 0:12:18 | 0:12:20 | |
Festival Fans, what question would you like? | 0:12:20 | 0:12:24 | |
-Twisted Flax, please. -Twisted Flax. | 0:12:24 | 0:12:26 | |
What is the fourth in this sequence? | 0:12:26 | 0:12:28 | |
Here's the first. | 0:12:28 | 0:12:29 | |
Do you know...? | 0:12:33 | 0:12:35 | |
-Shall we say next? -Yes. -Yes. -Next, please. | 0:12:35 | 0:12:37 | |
It's 100 days. | 0:12:40 | 0:12:42 | |
-You sure? -Yes, but what's the third one? | 0:12:42 | 0:12:45 | |
What's the sequence? | 0:12:45 | 0:12:47 | |
-The something-day marriage... -It's ten days. | 0:12:47 | 0:12:49 | |
It's 100... No, it's one day. | 0:12:49 | 0:12:52 | |
It's 1,000 days, 100 days, | 0:12:52 | 0:12:54 | |
ten days...it'll be one day. | 0:12:54 | 0:12:56 | |
Are we happy it's one day? | 0:12:56 | 0:12:58 | |
BELL | 0:12:58 | 0:12:59 | |
Something that lasted for a day. | 0:12:59 | 0:13:01 | |
Like a day. | 0:13:01 | 0:13:02 | |
Like a day?! You can do better than that. What lasts a day? | 0:13:02 | 0:13:05 | |
Christmas Day? | 0:13:05 | 0:13:06 | |
That'll do. I'm going to give you three points | 0:13:06 | 0:13:09 | |
for coming after two clues. | 0:13:09 | 0:13:10 | |
We are looking at things that lasted 1,000 days, | 0:13:10 | 0:13:13 | |
100 days, then ten days, then one. | 0:13:13 | 0:13:16 | |
This time, we're dividing by ten. | 0:13:16 | 0:13:18 | |
The David Nicholls novel, One Day. | 0:13:18 | 0:13:20 | |
Very well done. Three points to you and we're going back to the Celts | 0:13:20 | 0:13:24 | |
to pick a question. | 0:13:24 | 0:13:25 | |
-Lion, please. -Lion. | 0:13:25 | 0:13:26 | |
What is the fourth in this sequence? | 0:13:26 | 0:13:28 | |
Here's the first. | 0:13:28 | 0:13:30 | |
Oh, are they the humours? | 0:13:33 | 0:13:35 | |
-Do you know the order? -No. | 0:13:35 | 0:13:37 | |
-Go for the next one. -Next. | 0:13:37 | 0:13:39 | |
Ah. | 0:13:42 | 0:13:43 | |
-Is it something to do with music? -I don't know. | 0:13:46 | 0:13:49 | |
Go next. Next. | 0:13:51 | 0:13:52 | |
Oh, gosh! | 0:13:54 | 0:13:56 | |
Oh, it's John Masefield. | 0:13:58 | 0:14:00 | |
-It's a poet. -Poet Laureate? | 0:14:00 | 0:14:02 | |
Three seconds. | 0:14:07 | 0:14:08 | |
BELL | 0:14:08 | 0:14:10 | |
Waste Land, I don't know. | 0:14:10 | 0:14:11 | |
Waste Land. | 0:14:11 | 0:14:13 | |
Not the answer, I'm afraid, so there's a bonus chance | 0:14:13 | 0:14:15 | |
for the Festival Fans. | 0:14:15 | 0:14:17 | |
Name a poem, somebody! | 0:14:17 | 0:14:18 | |
A poem. | 0:14:18 | 0:14:20 | |
Something... | 0:14:21 | 0:14:23 | |
I'm afraid you've already taken too long debating it. | 0:14:23 | 0:14:25 | |
Now, you, I heard during the debate mention Poets Laureate. | 0:14:25 | 0:14:29 | |
-Yeah. -That is what it is. | 0:14:29 | 0:14:30 | |
Poems by successive Poets Laureate. | 0:14:30 | 0:14:32 | |
Melancholia by Robert Bridges. | 0:14:32 | 0:14:34 | |
Cargoes, I think you recognised - John Masefield. | 0:14:34 | 0:14:37 | |
-Where Are The War Poets? -Is that C Day-Lewis? | 0:14:37 | 0:14:39 | |
Cecil Day-Lewis. | 0:14:39 | 0:14:41 | |
So we wanted to hear something by John Betjeman. | 0:14:41 | 0:14:43 | |
We went with Slough. | 0:14:43 | 0:14:45 | |
Had you shouted Summoned By Bells, | 0:14:45 | 0:14:47 | |
I might have said, "Can you be any more specific?" | 0:14:47 | 0:14:50 | |
Because, of course, we wanted a poem rather than a book. | 0:14:50 | 0:14:52 | |
The Licorice Fields At Pontefract. | 0:14:52 | 0:14:54 | |
That would have been lovely. | 0:14:54 | 0:14:56 | |
Imagine if you'd said it at the right moment. | 0:14:56 | 0:14:58 | |
Oh, it's like leaving a party! | 0:14:58 | 0:15:00 | |
Yes, poems by successive Poets Laureate. | 0:15:00 | 0:15:04 | |
Near, but not quite. | 0:15:04 | 0:15:06 | |
All right, Festival Fans, | 0:15:06 | 0:15:08 | |
-what would you like? -Horned Viper, please. | 0:15:08 | 0:15:10 | |
The Horned Viper. | 0:15:10 | 0:15:12 | |
What is the fourth in this sequence? Here's the first. | 0:15:12 | 0:15:14 | |
Let's go next. | 0:15:19 | 0:15:21 | |
Sounds like... Is it something to do with golf? I don't know. | 0:15:25 | 0:15:27 | |
Shall we go next? | 0:15:27 | 0:15:29 | |
Next. | 0:15:29 | 0:15:31 | |
Oh, oh, oh, it's poker. | 0:15:34 | 0:15:36 | |
Because it could be... I think it's a succession of numbers, | 0:15:41 | 0:15:44 | |
so it could be a succession of four numbers, maybe. | 0:15:44 | 0:15:47 | |
-Hit the button. -Three seconds. | 0:15:47 | 0:15:49 | |
BELL | 0:15:49 | 0:15:51 | |
Um... | 0:15:51 | 0:15:52 | |
-So... -I do need an answer. | 0:15:52 | 0:15:55 | |
Four, five, six, seven. I don't know! | 0:15:55 | 0:15:57 | |
-Eight. -It's not four, five, six, seven or eight, | 0:15:57 | 0:16:00 | |
so I'm going to throw it over to the Celts for a possible bonus. | 0:16:00 | 0:16:03 | |
We think it's the odds of getting something, so insight straight flush? | 0:16:03 | 0:16:06 | |
Have another go. | 0:16:06 | 0:16:08 | |
1: Inside straight flush. | 0:16:08 | 0:16:10 | |
That'll do. I'll absolutely take it. | 0:16:10 | 0:16:12 | |
It's not exactly the odds - it's the number of outs you have. | 0:16:12 | 0:16:15 | |
-Right, OK. -So if you've got a particular hand, | 0:16:15 | 0:16:17 | |
you're trying to make another hand, | 0:16:17 | 0:16:19 | |
it's the number of cards available to make your hand. | 0:16:19 | 0:16:21 | |
So if you want an inside straight, there's four cards you can hit. | 0:16:21 | 0:16:24 | |
Three if you want to pair an overcard, | 0:16:24 | 0:16:26 | |
two for either side of a straight flush | 0:16:26 | 0:16:28 | |
and an inside straight flush, there's only one card you can hit, | 0:16:28 | 0:16:31 | |
so one. We went with four of a kind. Inside straight flush will do. | 0:16:31 | 0:16:35 | |
So, well done, Celts, you get the bonus. Are you poker players? | 0:16:35 | 0:16:38 | |
Very mildly! | 0:16:38 | 0:16:40 | |
-How much money do you have with you? -£2.25. -That'll do. | 0:16:40 | 0:16:44 | |
Let's get to the end of this. | 0:16:44 | 0:16:46 | |
Your turn to choose a question. | 0:16:46 | 0:16:48 | |
-Water, please. -Water. | 0:16:48 | 0:16:50 | |
What is the fourth in this sequence? | 0:16:50 | 0:16:52 | |
Here's the first. | 0:16:52 | 0:16:53 | |
Next. | 0:16:59 | 0:17:00 | |
GPRS is satellite. | 0:17:02 | 0:17:04 | |
-So it's a satellite system? -Yes. | 0:17:04 | 0:17:06 | |
Oh, it might be something to do with the sequence of letters. | 0:17:08 | 0:17:11 | |
-Shall we go for the next one? -Next. -Next. | 0:17:11 | 0:17:14 | |
It's a mobile phone thing. | 0:17:16 | 0:17:19 | |
-3G? -3G. -2G? | 0:17:19 | 0:17:22 | |
3G. | 0:17:22 | 0:17:24 | |
-Shall we say that? -Yeah. | 0:17:24 | 0:17:25 | |
BELL | 0:17:25 | 0:17:27 | |
3G. | 0:17:27 | 0:17:28 | |
Otherwise known as UMTS, the answer is 3G. | 0:17:28 | 0:17:30 | |
Very well done. And why is that? | 0:17:30 | 0:17:32 | |
It's something to do with mobile phone satellite signals. | 0:17:32 | 0:17:35 | |
It's data communications standards. | 0:17:35 | 0:17:37 | |
That's right. Technologies going forwards, | 0:17:37 | 0:17:39 | |
and after EDGE, 3G. | 0:17:39 | 0:17:41 | |
Well done. | 0:17:41 | 0:17:43 | |
Festival Fans, that leaves | 0:17:43 | 0:17:45 | |
the Eye of Horus for you. | 0:17:45 | 0:17:46 | |
What is the fourth in this sequence? | 0:17:46 | 0:17:48 | |
Here's the first. | 0:17:48 | 0:17:50 | |
We'll need next, I think. | 0:17:53 | 0:17:55 | |
Next. | 0:17:55 | 0:17:56 | |
This could even be, like, songs or something, | 0:18:00 | 0:18:02 | |
by someone I've never heard of. | 0:18:02 | 0:18:03 | |
I think we should go next. Next. | 0:18:03 | 0:18:06 | |
Oh, is it nicknames for kings or something? | 0:18:08 | 0:18:11 | |
So it's someone the IV, | 0:18:11 | 0:18:13 | |
and I would think the name of a king. | 0:18:13 | 0:18:15 | |
Go for The Terrible. | 0:18:15 | 0:18:17 | |
IV: The Terrible. | 0:18:17 | 0:18:19 | |
BELL | 0:18:19 | 0:18:20 | |
IV: The Terrible? | 0:18:20 | 0:18:21 | |
That's right. What name are we looking for? | 0:18:21 | 0:18:23 | |
-Ivan. -Ivan. | 0:18:23 | 0:18:25 | |
Ivan I was The Moneybag. | 0:18:25 | 0:18:26 | |
Ivan II was The Red. Ivan III was The Great. | 0:18:26 | 0:18:29 | |
Ivan IV was The Terrible. | 0:18:29 | 0:18:31 | |
Meaning, at the end of Round Two, | 0:18:31 | 0:18:33 | |
the Celts have got seven points. | 0:18:33 | 0:18:35 | |
The Festival Fans are ahead with nine. | 0:18:35 | 0:18:38 | |
Time for the Connecting Wall, | 0:18:41 | 0:18:43 | |
the 16 jumbled-up clues that need sorting into four groups of four. | 0:18:43 | 0:18:46 | |
Points for the groups and points for the connections are available. | 0:18:46 | 0:18:49 | |
Festival Fans, you'll be going first this time. | 0:18:49 | 0:18:51 | |
-Would you like Lion or Water? -Lion, please. | 0:18:51 | 0:18:54 | |
You've got two and a half minutes to solve it. | 0:18:54 | 0:18:57 | |
Starting now. | 0:18:57 | 0:18:59 | |
Right, Caesars Palace, Black Jack - those are games, aren't they? | 0:18:59 | 0:19:03 | |
Vermont is the Green Mountain State. | 0:19:03 | 0:19:06 | |
Aintree's 40 fences. Christmas pudding... | 0:19:06 | 0:19:09 | |
Cos you've got things that are aniseed flavour too - | 0:19:09 | 0:19:12 | |
fennel, absinthe, | 0:19:12 | 0:19:13 | |
sambuca... | 0:19:13 | 0:19:15 | |
And maybe that's a sort of tea that could be aniseed-flavoured. | 0:19:15 | 0:19:18 | |
-BUZZ -What's...? | 0:19:18 | 0:19:21 | |
Try that? | 0:19:21 | 0:19:22 | |
-BUZZ -Or maybe even Vermont - I don't know what that is. | 0:19:22 | 0:19:25 | |
BUZZ | 0:19:25 | 0:19:26 | |
No. So... | 0:19:26 | 0:19:27 | |
Caesars Palace is a...casino. Monaco's got a casino. | 0:19:27 | 0:19:32 | |
So, Monaco, Caesars Palace... | 0:19:32 | 0:19:35 | |
Black Jack and... | 0:19:35 | 0:19:37 | |
-What? -Oh, Paul Ricard is aniseed as well. | 0:19:39 | 0:19:41 | |
Go back to that. | 0:19:41 | 0:19:43 | |
So you think Paul Ricard, fennel, | 0:19:43 | 0:19:46 | |
absinthe, sambuca? | 0:19:46 | 0:19:47 | |
BUZZ | 0:19:47 | 0:19:49 | |
Is that a type of tea? I don't know. | 0:19:49 | 0:19:51 | |
So Christmas pudding... | 0:19:51 | 0:19:53 | |
Green eyes, jealousy. | 0:19:53 | 0:19:56 | |
Funeral pyre... | 0:19:56 | 0:19:57 | |
Green Mountain State is Vermont. | 0:19:57 | 0:19:59 | |
So, green... Jealousy for green. | 0:19:59 | 0:20:01 | |
That could be green tea. | 0:20:01 | 0:20:02 | |
Tea is green and absinthe's green. | 0:20:02 | 0:20:04 | |
BUZZ | 0:20:04 | 0:20:06 | |
So we've got three things that are green. | 0:20:08 | 0:20:09 | |
Anything else that strikes people that has anything to do with green? | 0:20:09 | 0:20:13 | |
Does that mean anything to people? | 0:20:13 | 0:20:15 | |
It doesn't mean anything to me. | 0:20:15 | 0:20:17 | |
Oh, God! | 0:20:17 | 0:20:19 | |
Black Jack, Caesars Palace... | 0:20:19 | 0:20:21 | |
Aintree's a horse course - 40 fences. | 0:20:21 | 0:20:23 | |
So, things that you burn are a guy, | 0:20:23 | 0:20:26 | |
you burn a pyre, | 0:20:26 | 0:20:27 | |
you burn a Christmas pudding. You set that on fire. | 0:20:27 | 0:20:30 | |
You set that on fire. | 0:20:30 | 0:20:31 | |
You set that on fire and you set sambuca on fire. | 0:20:31 | 0:20:33 | |
BUZZ | 0:20:33 | 0:20:34 | |
Oh! Um... | 0:20:37 | 0:20:38 | |
Let's keep going. | 0:20:38 | 0:20:40 | |
So we've got green things, things you set on fire, | 0:20:40 | 0:20:42 | |
aniseed flavours and gambling. | 0:20:42 | 0:20:43 | |
And we can't sort this out! | 0:20:43 | 0:20:44 | |
Christmas pudding... | 0:20:44 | 0:20:46 | |
Christmas pudding, sambuca, | 0:20:46 | 0:20:48 | |
and a pyre... | 0:20:48 | 0:20:50 | |
What else might we set on fire? | 0:20:50 | 0:20:54 | |
We've still got... What the hell is that? | 0:20:54 | 0:20:56 | |
What is Vermont doing here? | 0:20:56 | 0:20:57 | |
I don't know. | 0:20:57 | 0:20:59 | |
But you think that's green? | 0:20:59 | 0:21:00 | |
You've got 30 seconds. | 0:21:00 | 0:21:01 | |
Green fairy, green state... | 0:21:01 | 0:21:04 | |
green eyes of jealousy... | 0:21:04 | 0:21:06 | |
We tried this before | 0:21:06 | 0:21:08 | |
and I've no idea. | 0:21:08 | 0:21:09 | |
And the tea didn't work as the fourth, | 0:21:09 | 0:21:11 | |
so we'll go for something else. | 0:21:11 | 0:21:12 | |
That sounds a bit weak, but... | 0:21:12 | 0:21:14 | |
BUZZ | 0:21:14 | 0:21:15 | |
What the hell is Britt Reid doing as well? | 0:21:15 | 0:21:18 | |
Ten seconds. | 0:21:18 | 0:21:19 | |
Er.... | 0:21:19 | 0:21:21 | |
BUZZ | 0:21:24 | 0:21:25 | |
It's a tough one. | 0:21:25 | 0:21:26 | |
That's it. The time's up and the wall's frozen. | 0:21:26 | 0:21:29 | |
What a nasty wall! | 0:21:29 | 0:21:31 | |
-Terrible! -The other one's horrible as well, if it helps. | 0:21:31 | 0:21:34 | |
And you can still get points for the connections, | 0:21:34 | 0:21:37 | |
despite not finding the groups, so let's resolve the wall. | 0:21:37 | 0:21:39 | |
There we go. | 0:21:39 | 0:21:41 | |
Caesars Palace, Paul Ricard, Aintree, Monaco. | 0:21:41 | 0:21:45 | |
That's got to be casinos, hasn't it? | 0:21:45 | 0:21:47 | |
It's not casinos, I'm afraid. | 0:21:47 | 0:21:48 | |
They are locations for the Formula 1 Grand Prix. | 0:21:48 | 0:21:51 | |
-Of course! -Grand Prix is what they are. | 0:21:51 | 0:21:53 | |
Now, the next group - jealousy, Britt Reid, | 0:21:53 | 0:21:55 | |
Vermont, absinthe. | 0:21:55 | 0:21:58 | |
We think green eyes of jealousy, absinthe is the green fairy, | 0:21:58 | 0:22:00 | |
so things with "green" in their nickname. | 0:22:00 | 0:22:03 | |
Britt Reid is the Green Hornet. | 0:22:03 | 0:22:05 | |
So that's right. Green is the connection. | 0:22:05 | 0:22:07 | |
What about the next one? | 0:22:07 | 0:22:09 | |
Guy, pyre, Christmas pudding and Chametz. | 0:22:09 | 0:22:13 | |
It's things you set on fire. | 0:22:13 | 0:22:15 | |
It is. That last one you didn't know, | 0:22:15 | 0:22:16 | |
that is something in the Passover ritual - | 0:22:16 | 0:22:19 | |
leavened food which is burned in advance of Passover | 0:22:19 | 0:22:22 | |
as part of the ceremony. | 0:22:22 | 0:22:23 | |
All things that can be set on fire. | 0:22:23 | 0:22:26 | |
That leaves Black Jack, fennel, Gunpowder Kali, sambuca. | 0:22:26 | 0:22:30 | |
I'm kicking myself for not seeing the aniseed sweet! | 0:22:30 | 0:22:33 | |
It's aniseed-flavoured things. | 0:22:33 | 0:22:34 | |
They are the things that are flavoured with aniseed. | 0:22:34 | 0:22:37 | |
So, no points for the groups, but you do get | 0:22:37 | 0:22:39 | |
three points for the connections. | 0:22:39 | 0:22:41 | |
Let's bring in the Celts | 0:22:41 | 0:22:42 | |
and see how they fare with a semifinal Connecting Wall. | 0:22:42 | 0:22:45 | |
16 new clues, of course, | 0:22:45 | 0:22:47 | |
equally fiendish, | 0:22:47 | 0:22:48 | |
still need solving. The Water wall, that is what remains for you. | 0:22:48 | 0:22:51 | |
Two and a half minutes to solve it. | 0:22:51 | 0:22:53 | |
Starting now. | 0:22:53 | 0:22:55 | |
Bombay Sapphire is gin, isn't it? | 0:22:59 | 0:23:00 | |
Gin - Hendricks. | 0:23:00 | 0:23:02 | |
Beefeater. | 0:23:02 | 0:23:03 | |
-Shall we have a try? -Remember which one we're not doing. | 0:23:03 | 0:23:06 | |
BUZZ | 0:23:06 | 0:23:07 | |
So Cork Dry we missed, then? | 0:23:07 | 0:23:09 | |
-Is that right? -Yeah. | 0:23:09 | 0:23:11 | |
BUZZ | 0:23:11 | 0:23:13 | |
OK, miss Tanqueray. | 0:23:13 | 0:23:14 | |
BUZZ | 0:23:17 | 0:23:18 | |
OK, miss Beefeater. | 0:23:18 | 0:23:19 | |
BUZZ | 0:23:19 | 0:23:21 | |
BUZZ | 0:23:23 | 0:23:24 | |
Penny Black is a stamp. | 0:23:24 | 0:23:26 | |
It is, yes. | 0:23:26 | 0:23:27 | |
Um... | 0:23:27 | 0:23:28 | |
Oh, hang on, we've got red coats. | 0:23:28 | 0:23:32 | |
Butlins, Chelsea Pensioner, | 0:23:32 | 0:23:35 | |
toastmaster... and master of foxhounds. | 0:23:35 | 0:23:37 | |
Which ones did we miss there? | 0:23:39 | 0:23:41 | |
The Beefeater... | 0:23:42 | 0:23:44 | |
-That's a gin. -Yeah. | 0:23:44 | 0:23:45 | |
Um... | 0:23:45 | 0:23:47 | |
-This one? -Yeah. | 0:23:49 | 0:23:50 | |
BUZZ | 0:23:50 | 0:23:52 | |
Is Citadelle a gin? | 0:23:53 | 0:23:55 | |
OK, what else have we got? | 0:23:57 | 0:23:59 | |
Brie is cheese. | 0:23:59 | 0:24:00 | |
Do you know what Tanqueray is? | 0:24:00 | 0:24:02 | |
It's a gin, yeah? | 0:24:02 | 0:24:04 | |
Oh, hang on. | 0:24:04 | 0:24:06 | |
These are people in... | 0:24:06 | 0:24:07 | |
Mad Men. | 0:24:07 | 0:24:09 | |
I'm sure. | 0:24:09 | 0:24:11 | |
BUZZ | 0:24:11 | 0:24:12 | |
No. | 0:24:12 | 0:24:13 | |
Jones, Hendricks...what else could be a name? | 0:24:13 | 0:24:16 | |
-Brie? -Maybe. | 0:24:16 | 0:24:18 | |
Right. | 0:24:18 | 0:24:19 | |
Three strikes and you're out now. | 0:24:19 | 0:24:21 | |
What gin have we got now? Beefeater, Tanqueray, Cork Dry | 0:24:21 | 0:24:23 | |
and Bombay Sapphire. | 0:24:23 | 0:24:25 | |
These are all things that have been auctioned, I think. | 0:24:25 | 0:24:28 | |
-Right. -So, Bombay Sapphire... | 0:24:28 | 0:24:30 | |
the Crimea medal, double florin and Penny Black? | 0:24:30 | 0:24:34 | |
So they're all probably gins, in that case. | 0:24:34 | 0:24:37 | |
Citadelle could be a gin. | 0:24:37 | 0:24:39 | |
That's it! You've solved the wall. | 0:24:42 | 0:24:44 | |
That's four points immediately, | 0:24:44 | 0:24:46 | |
and there are more points available for the connections. | 0:24:46 | 0:24:48 | |
Master of foxhounds, toastmaster, | 0:24:48 | 0:24:51 | |
Butlins employee, Chelsea Pensioner. | 0:24:51 | 0:24:53 | |
They wear red coats. | 0:24:53 | 0:24:54 | |
They traditionally wear red coats. | 0:24:54 | 0:24:56 | |
Brie, Moss, Jones, Hendricks. | 0:24:56 | 0:24:59 | |
I think they're actors in Mad Men. | 0:24:59 | 0:25:01 | |
I didn't think anyone would spot that. | 0:25:01 | 0:25:03 | |
They are the surnames of women who appear in Mad Men. | 0:25:03 | 0:25:06 | |
Next group - Penny Black, Bombay Sapphire, | 0:25:06 | 0:25:09 | |
double florin, Crimea medal. | 0:25:09 | 0:25:12 | |
I think this is something about them being auctioned. | 0:25:12 | 0:25:15 | |
They're the... | 0:25:15 | 0:25:18 | |
highest price for an auction? | 0:25:18 | 0:25:19 | |
No. | 0:25:19 | 0:25:21 | |
That's a very good guess. | 0:25:21 | 0:25:22 | |
I can absolutely see your thinking. | 0:25:22 | 0:25:24 | |
Not it, though. | 0:25:24 | 0:25:25 | |
They are things that carry portraits of Queen Victoria. | 0:25:25 | 0:25:29 | |
Of course, you can see why the Crimea medal and the double florin | 0:25:29 | 0:25:31 | |
and the Penny Black, because they date from that time. | 0:25:31 | 0:25:34 | |
And the Bombay Sapphire also does. Queen Victoria. | 0:25:34 | 0:25:37 | |
And the last one - Beefeater, Citadelle, Tanqueray, | 0:25:37 | 0:25:39 | |
Cork Dry. | 0:25:39 | 0:25:40 | |
-We believe they're brands of gin. -They absolutely are. | 0:25:40 | 0:25:43 | |
Your problem there... I mean, it was like my bathroom cabinet at home. | 0:25:43 | 0:25:46 | |
So many gins, it was hard to choose. | 0:25:46 | 0:25:49 | |
So you get four points for finding the groups, | 0:25:49 | 0:25:51 | |
three more for the connections. That's a total of seven. | 0:25:51 | 0:25:54 | |
Let's see how that affects the scores going into the last round. | 0:25:54 | 0:25:57 | |
And if that made you want to play a Connecting Wall, | 0:26:04 | 0:26:06 | |
I think you're a masochist, but you can satisfy yourself | 0:26:06 | 0:26:09 | |
on our website, | 0:26:09 | 0:26:10 | |
where you can even write your own. | 0:26:10 | 0:26:12 | |
We, though, are going to decide who goes through to the final | 0:26:12 | 0:26:15 | |
with the Missing Vowels round. | 0:26:15 | 0:26:17 | |
Fingers on buzzers, teams. | 0:26:17 | 0:26:19 | |
The first group are all... | 0:26:20 | 0:26:21 | |
-Fans? -Eastern Cape. -Correct. | 0:26:28 | 0:26:30 | |
-Fans? -Limpopo. -Correct. | 0:26:33 | 0:26:35 | |
-Celts? -Free State. -Correct. | 0:26:38 | 0:26:40 | |
-Celts? -Kwazulu-Natal. -Correct. | 0:26:43 | 0:26:45 | |
Next category... | 0:26:45 | 0:26:48 | |
-Celts? -Stoicism. -Correct. | 0:26:51 | 0:26:53 | |
-Fans? -Empiricism. -Correct. | 0:26:55 | 0:26:58 | |
-Fans? -Epicurism. | 0:27:05 | 0:27:07 | |
Not it, I'm afraid. Celts, do you know it? | 0:27:07 | 0:27:09 | |
-Epicureanism. -That's it. | 0:27:09 | 0:27:11 | |
Next clue. | 0:27:11 | 0:27:12 | |
-Celts? -Romanticism. -Correct. | 0:27:14 | 0:27:16 | |
Next category... | 0:27:16 | 0:27:18 | |
-Celts? -It's not you, it's me. -Correct. | 0:27:21 | 0:27:25 | |
-Celts? -We should see other people. -Correct. | 0:27:29 | 0:27:32 | |
-Fans? -I need some space. | 0:27:36 | 0:27:38 | |
Oh, it's all so familiar! Correct. | 0:27:38 | 0:27:40 | |
-Celts? -Don't you love me any more? | 0:27:43 | 0:27:45 | |
I'm afraid that's not it. You lose a point. Fans, do you know it? | 0:27:45 | 0:27:48 | |
-I don't love you any more. -That's it. | 0:27:48 | 0:27:50 | |
END OF ROUND JINGLE | 0:27:50 | 0:27:52 | |
That bell signals the end of the quiz. | 0:27:54 | 0:27:57 | |
And the results are... | 0:27:57 | 0:27:59 | |
The Festival Fans finish with 16 points. | 0:27:59 | 0:28:02 | |
But the winners, and through to the final | 0:28:02 | 0:28:03 | |
with 20 points, it's the Celts. | 0:28:03 | 0:28:06 | |
Oh, my God! | 0:28:06 | 0:28:07 | |
Goodness me! How those break-up phrases tripped off the tongue | 0:28:07 | 0:28:11 | |
for all of you. | 0:28:11 | 0:28:13 | |
But I'm afraid it's the Festival Fans... | 0:28:13 | 0:28:15 | |
It's not that I don't love you any more. | 0:28:15 | 0:28:17 | |
It's not even that I need space. | 0:28:17 | 0:28:18 | |
It's just how it works. It's the world, it's fate. I'm sorry. | 0:28:18 | 0:28:21 | |
We have to say goodbye. | 0:28:21 | 0:28:22 | |
Thank you for playing. You've been a brilliant team. | 0:28:22 | 0:28:25 | |
Celts, many congratulations. You're through to the final. | 0:28:25 | 0:28:28 | |
So we'll see you again. | 0:28:28 | 0:28:29 | |
Thank you for watching, | 0:28:29 | 0:28:30 | |
and if you find any of those questions incomprehensible, | 0:28:30 | 0:28:33 | |
don't worry. | 0:28:33 | 0:28:34 | |
Many of them are now part of a one-time pad code | 0:28:34 | 0:28:36 | |
whereby MI6 send messages | 0:28:36 | 0:28:38 | |
to agents in the field that have infiltrated Al-Qaeda. | 0:28:38 | 0:28:41 | |
Either that, or it's a normal question | 0:28:41 | 0:28:43 | |
that you're not smart enough to get. | 0:28:43 | 0:28:45 | |
Goodbye. | 0:28:45 | 0:28:46 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 |