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Hello and welcome to Challenge TV. | 0:00:21 | 0:00:23 | |
It's 2064 and we've finally run out of episodes of Takeshi's Castle. | 0:00:23 | 0:00:28 | |
So, we're going to screen a repeat of Only Connect, | 0:00:28 | 0:00:32 | |
a quiz that used to be on BBC Four. But this IS Only Connect. | 0:00:32 | 0:00:36 | |
It's already started. | 0:00:36 | 0:00:38 | |
How can references to its being repeated in the future | 0:00:38 | 0:00:40 | |
be contained within the programme itself? | 0:00:40 | 0:00:43 | |
Well, it was quite an odd show and, being made in Cardiff, | 0:00:43 | 0:00:47 | |
wasn't subject to the same scrutiny as some of the BBC's more mainstream output. | 0:00:47 | 0:00:52 | |
Anyway, let's meet the teams that were on that old show 50 years ago. | 0:00:52 | 0:00:55 | |
On my right, Hamish Galloway, | 0:00:57 | 0:00:59 | |
an actuary from Aberdeen who once played tennis with Angela Rippon. | 0:00:59 | 0:01:03 | |
Nick Latham, a lighting director | 0:01:04 | 0:01:06 | |
who used to work in a betting shop | 0:01:06 | 0:01:08 | |
and travels the world supporting the Welsh football team. | 0:01:08 | 0:01:12 | |
And their captain, Davina Galloway, | 0:01:12 | 0:01:14 | |
a Scrabble fan who works | 0:01:14 | 0:01:16 | |
as a civil servant and advises on the policy of speed cameras. | 0:01:16 | 0:01:20 | |
United by family ties, | 0:01:20 | 0:01:22 | |
they are the Relatives. | 0:01:22 | 0:01:24 | |
Now you faced the Europhiles in your first heat. How did that game go? | 0:01:24 | 0:01:27 | |
-We lost. -Did you enjoy it anyway? | 0:01:27 | 0:01:30 | |
Yes, the wall was a nightmare but it was a good game. | 0:01:30 | 0:01:33 | |
Well, I hope you have an equally enjoyable | 0:01:33 | 0:01:35 | |
but higher-scoring game tonight. | 0:01:35 | 0:01:37 | |
You will be facing on my left, | 0:01:37 | 0:01:39 | |
Keith Andrew, a geography graduate | 0:01:39 | 0:01:42 | |
who enjoys baking muffins and gardening for his neighbours. | 0:01:42 | 0:01:46 | |
Eric Kilby, a statistician | 0:01:46 | 0:01:48 | |
who recently conducted a DNA study | 0:01:48 | 0:01:50 | |
-of his surname and is planning to build a two-roomed shed. -Classic. | 0:01:50 | 0:01:55 | |
And their captain, Tim Westcott, | 0:01:55 | 0:01:57 | |
a Swindon FC supporter and former | 0:01:57 | 0:01:59 | |
boy soprano who once ran a 5km race inside a prison. | 0:01:59 | 0:02:04 | |
They enjoy nothing more | 0:02:04 | 0:02:05 | |
than a nice work of art. | 0:02:05 | 0:02:06 | |
They are the Exhibitionists. | 0:02:06 | 0:02:08 | |
Now, you lost your first heat to the Heath family. | 0:02:08 | 0:02:11 | |
Is there anything you'd do differently this time? | 0:02:11 | 0:02:13 | |
Well, I think we need to play more strategically and I need | 0:02:13 | 0:02:16 | |
to pay more, or possibly even less, | 0:02:16 | 0:02:18 | |
-attention to my team-mates. -Yeah. | 0:02:18 | 0:02:21 | |
OK, well, two of our teams then lost their earlier heats | 0:02:21 | 0:02:25 | |
which means that tonight, one team will be going home. | 0:02:25 | 0:02:28 | |
In order to avoid that, you simply need the highest score, | 0:02:28 | 0:02:31 | |
and that won't happen unless we start the quiz. | 0:02:31 | 0:02:33 | |
So, Exhibitionists, | 0:02:33 | 0:02:35 | |
you won the toss, | 0:02:35 | 0:02:36 | |
you're going first, | 0:02:36 | 0:02:38 | |
choose your hieroglyph. | 0:02:38 | 0:02:39 | |
-Twisted Flax, please. -OK. | 0:02:39 | 0:02:41 | |
BELL | 0:02:41 | 0:02:42 | |
The music question immediately. | 0:02:42 | 0:02:44 | |
Sorry. What is the connection | 0:02:44 | 0:02:46 | |
between these musical clues? | 0:02:46 | 0:02:49 | |
Here's the first. | 0:02:49 | 0:02:50 | |
JAUNTY MUSIC PLAYS | 0:02:50 | 0:02:52 | |
That's cricket. | 0:02:52 | 0:02:54 | |
That's Caribbean Calypso... | 0:02:54 | 0:02:55 | |
THEY CONFER | 0:02:55 | 0:02:58 | |
Next. | 0:02:58 | 0:02:59 | |
# Meanwhile, back in the city The real pill | 0:02:59 | 0:03:02 | |
# The nitty gritty | 0:03:02 | 0:03:03 | |
# Sell yourself for your own soul | 0:03:03 | 0:03:05 | |
# For a nickel... # | 0:03:05 | 0:03:06 | |
Sounds like Grandmaster Flash, but... | 0:03:06 | 0:03:08 | |
-I would go with next. -Next. -Next. | 0:03:08 | 0:03:11 | |
# Rock my world until the sunlight | 0:03:11 | 0:03:13 | |
# Make this dream... # | 0:03:13 | 0:03:14 | |
That's Domino by Jessie J. | 0:03:14 | 0:03:16 | |
-I don't know. -Domino and cricket. | 0:03:16 | 0:03:20 | |
We'd better have the last one. | 0:03:20 | 0:03:21 | |
Next, please. | 0:03:21 | 0:03:22 | |
# By the rivers of Babylon... # | 0:03:22 | 0:03:25 | |
-That's Boney M. -Five seconds. | 0:03:25 | 0:03:28 | |
Anything? | 0:03:28 | 0:03:30 | |
BELL | 0:03:30 | 0:03:31 | |
Games. I've no idea. | 0:03:31 | 0:03:33 | |
Er, the Caribbean. | 0:03:33 | 0:03:34 | |
That is NOT the connection, I'm afraid. | 0:03:34 | 0:03:37 | |
So Relatives, you have the chance for a bonus point. | 0:03:37 | 0:03:39 | |
There's initials in the name, like | 0:03:39 | 0:03:41 | |
Booker T and the MGs for Soul Limbo | 0:03:41 | 0:03:43 | |
-and Jessie J, um... -Boney M. | 0:03:43 | 0:03:45 | |
That's what it is. | 0:03:45 | 0:03:46 | |
Single letters or initials. | 0:03:46 | 0:03:48 | |
Booker T, Jessie J, Boney M, | 0:03:48 | 0:03:50 | |
and did you know that second one? | 0:03:50 | 0:03:52 | |
Can't remember what it was now. | 0:03:52 | 0:03:54 | |
-Ice-T? -No, it wasn't Ice-T, | 0:03:54 | 0:03:56 | |
although good guess. | 0:03:56 | 0:03:57 | |
Dirty Cash | 0:03:57 | 0:03:58 | |
by The Adventures Of Stevie V. | 0:03:58 | 0:03:59 | |
So that's right, single letters, | 0:04:01 | 0:04:03 | |
and you get the bonus point. | 0:04:03 | 0:04:04 | |
Please choose your own question. | 0:04:04 | 0:04:06 | |
Could we have the Eye of Horus, | 0:04:06 | 0:04:08 | |
-please? -You certainly could. | 0:04:08 | 0:04:10 | |
What is the connection between | 0:04:10 | 0:04:11 | |
these clues? Here's the first. | 0:04:11 | 0:04:14 | |
Pandas at Edinburgh zoo. | 0:04:15 | 0:04:17 | |
Next, please. | 0:04:17 | 0:04:19 | |
Something that's been imported into the country? | 0:04:22 | 0:04:25 | |
Imported into Scotland. Try the next one? | 0:04:25 | 0:04:27 | |
Next, please. | 0:04:27 | 0:04:30 | |
No. Given away as gifts to the country. | 0:04:30 | 0:04:32 | |
Yeah, somebody's given us these gifts from another country. | 0:04:32 | 0:04:35 | |
BELL | 0:04:35 | 0:04:36 | |
Things that have been given from other countries | 0:04:36 | 0:04:38 | |
as gifts from one country to another, like the pandas | 0:04:38 | 0:04:42 | |
to Edinburgh Zoo and the Statue of Liberty from France to America. | 0:04:42 | 0:04:46 | |
They are gifts from one country to another. | 0:04:46 | 0:04:48 | |
The last one was | 0:04:48 | 0:04:49 | |
the Trafalgar Square Christmas tree | 0:04:49 | 0:04:51 | |
that's given from Norway. | 0:04:51 | 0:04:53 | |
That's in thanks for | 0:04:53 | 0:04:54 | |
the UK's support of Norway | 0:04:54 | 0:04:55 | |
during the Second World War. | 0:04:55 | 0:04:56 | |
100,000 tulip bulbs | 0:04:56 | 0:04:59 | |
-given from whom to whom? -Amsterdam? | 0:04:59 | 0:05:02 | |
Holland to somewhere. | 0:05:02 | 0:05:03 | |
See, actually, no. | 0:05:03 | 0:05:04 | |
They were given | 0:05:04 | 0:05:06 | |
from Canada to Holland. | 0:05:06 | 0:05:08 | |
And that's to say thank you | 0:05:08 | 0:05:10 | |
for wartime support as well. | 0:05:10 | 0:05:12 | |
Now, these pandas, | 0:05:12 | 0:05:13 | |
Chia-Chia and Ching-Ching, | 0:05:13 | 0:05:15 | |
they were a gift from China | 0:05:15 | 0:05:17 | |
to the UK in 1974. | 0:05:17 | 0:05:18 | |
Do you know what wonderful thing | 0:05:18 | 0:05:21 | |
did Britain do for China in 1974? | 0:05:21 | 0:05:23 | |
-'74? No idea. -I'll tell you. | 0:05:23 | 0:05:26 | |
It sent Edward Heath on a visit. | 0:05:26 | 0:05:29 | |
The Chinese were so delighted, | 0:05:29 | 0:05:31 | |
they immediately sent some pandas as a thank you. | 0:05:31 | 0:05:34 | |
OK, Exhibitionists, your turn again. | 0:05:34 | 0:05:36 | |
Which question would you like? | 0:05:36 | 0:05:38 | |
-Two Reeds, please. -Two Reeds. | 0:05:38 | 0:05:39 | |
What is the connection between these clues? | 0:05:39 | 0:05:42 | |
Here's the first. | 0:05:42 | 0:05:43 | |
THEY CONFER | 0:05:44 | 0:05:48 | |
Next. | 0:05:50 | 0:05:52 | |
Barcelona, Penelope Cruz, ah. | 0:05:54 | 0:05:56 | |
Well, Penelope Cruz was in Vicky Barcelona. | 0:05:56 | 0:05:59 | |
Vicky Cristina Barcelona. | 0:05:59 | 0:06:00 | |
-Was Marion Cotillard in some movie called Paris? -Possibly. | 0:06:00 | 0:06:04 | |
-We could go one more. -Next, please. | 0:06:04 | 0:06:06 | |
-Yes, she was in The Purple Rose Of Cairo. -They're all in films with... | 0:06:07 | 0:06:10 | |
Yeah, they're all in films | 0:06:10 | 0:06:12 | |
with that word in the title. | 0:06:12 | 0:06:14 | |
-You sure? -Yes. Yes! -Let's go for it. | 0:06:14 | 0:06:15 | |
BELL | 0:06:15 | 0:06:17 | |
Is it all actresses that have starred | 0:06:18 | 0:06:20 | |
in films with the city in the name? | 0:06:20 | 0:06:23 | |
Can you tell me any more? | 0:06:23 | 0:06:25 | |
Vicky Cristina Barcelona. | 0:06:25 | 0:06:27 | |
The Purple Rose Of Cairo. | 0:06:27 | 0:06:28 | |
We don't know the Paris one, do we? | 0:06:28 | 0:06:30 | |
The Purple Rose Of Cairo. | 0:06:30 | 0:06:31 | |
Not sure of the first one. | 0:06:31 | 0:06:33 | |
Vicky Cristina Barcelona. | 0:06:33 | 0:06:34 | |
And we're not sure about Paris. | 0:06:34 | 0:06:35 | |
Well, I'm going to accept it, | 0:06:35 | 0:06:37 | |
because they are all stars | 0:06:37 | 0:06:38 | |
that were in films with | 0:06:38 | 0:06:39 | |
those cities in the title. | 0:06:39 | 0:06:40 | |
I'll show you the last clue. | 0:06:40 | 0:06:42 | |
Manhattan, Diane Keaton. | 0:06:42 | 0:06:43 | |
Can you tell me any more, Relatives? | 0:06:43 | 0:06:45 | |
-No. -No, we can't. -No? | 0:06:45 | 0:06:46 | |
Woody Allen films. | 0:06:46 | 0:06:48 | |
Vicky Cristina Barcelona, | 0:06:48 | 0:06:49 | |
Purple Rose of Cairo, Manhattan | 0:06:49 | 0:06:52 | |
and the first one, | 0:06:52 | 0:06:53 | |
Midnight In Paris. | 0:06:53 | 0:06:55 | |
So specifically Woody Allen films | 0:06:55 | 0:06:56 | |
and those stars, | 0:06:56 | 0:06:57 | |
but you get the point because they are of course all films. | 0:06:57 | 0:07:00 | |
So back to you, Relatives, to choose a question. | 0:07:00 | 0:07:02 | |
-Water, please. -Water. | 0:07:02 | 0:07:05 | |
What is the connection between these clues? | 0:07:05 | 0:07:07 | |
Here's the first. | 0:07:07 | 0:07:08 | |
The Blues, WC Handy. | 0:07:10 | 0:07:11 | |
Don't know who WC Handy is. | 0:07:11 | 0:07:12 | |
Next, please. | 0:07:12 | 0:07:14 | |
-Father of. -Sorry? -They were the father of. Go for it. | 0:07:14 | 0:07:18 | |
BELL | 0:07:18 | 0:07:19 | |
Hamish will answer. | 0:07:19 | 0:07:21 | |
They're known | 0:07:21 | 0:07:22 | |
as the father of the thing above. | 0:07:22 | 0:07:25 | |
Coming in after two clues, | 0:07:25 | 0:07:26 | |
I will give you three points, | 0:07:26 | 0:07:28 | |
known as the "father of..." | 0:07:28 | 0:07:29 | |
You didn't need to see History, | 0:07:29 | 0:07:31 | |
that'll be Herodotus, or the father | 0:07:31 | 0:07:33 | |
of medicine, Hippocrates. | 0:07:33 | 0:07:34 | |
Wouldn't have helped. | 0:07:34 | 0:07:35 | |
Very well done indeed. | 0:07:35 | 0:07:37 | |
Do you know the names of WC Handy, | 0:07:37 | 0:07:39 | |
father of the blues? | 0:07:39 | 0:07:40 | |
-I have no idea. -Do you know | 0:07:40 | 0:07:42 | |
-his names? William Christopher. -Oh. | 0:07:42 | 0:07:44 | |
Nice little fact for anyone who's got a quiz coming up. | 0:07:44 | 0:07:47 | |
William Christopher Handy, father of the blues. | 0:07:47 | 0:07:49 | |
So well done and back to you, Exhibitionists, for a choice. | 0:07:49 | 0:07:51 | |
-Lion, please. -Lion. | 0:07:51 | 0:07:53 | |
These are going to be picture clues. | 0:07:53 | 0:07:55 | |
What connects them? | 0:07:55 | 0:07:56 | |
Here's the first. | 0:07:56 | 0:07:58 | |
I don't even know what that is. | 0:08:01 | 0:08:03 | |
It looks like a river delta. | 0:08:03 | 0:08:05 | |
Some animal that stings or something... | 0:08:05 | 0:08:07 | |
-Next. -Next. -Next! | 0:08:07 | 0:08:09 | |
Bowls. | 0:08:09 | 0:08:11 | |
Crown green bowls. | 0:08:11 | 0:08:12 | |
I don't know what the first one is. | 0:08:12 | 0:08:14 | |
-I don't know what the first one is. -Next. | 0:08:14 | 0:08:17 | |
Porridge. Bowls, porridge. | 0:08:17 | 0:08:21 | |
Next, please. | 0:08:23 | 0:08:25 | |
That's Bear Grylls, isn't it? | 0:08:26 | 0:08:27 | |
Yeah. | 0:08:27 | 0:08:28 | |
Bear Grylls, porridge... | 0:08:29 | 0:08:31 | |
It's erm, Little Red Riding Hood, | 0:08:31 | 0:08:33 | |
-isn't it? -Five seconds. | 0:08:33 | 0:08:34 | |
-Bear, bowl, porridge. -Yeah. | 0:08:34 | 0:08:37 | |
-Well done. -Little Red Riding Hood. | 0:08:37 | 0:08:40 | |
Not the answer, I'm afraid, | 0:08:40 | 0:08:41 | |
so there's a bonus chance | 0:08:41 | 0:08:42 | |
-for you, Relatives. -Nicholas? | 0:08:42 | 0:08:43 | |
Goldilocks And The Three Bears. | 0:08:43 | 0:08:46 | |
It's Goldilocks! Goldilocks! | 0:08:46 | 0:08:47 | |
The first clue was oyster beds, | 0:08:47 | 0:08:49 | |
so she finds the beds in the house, | 0:08:49 | 0:08:51 | |
bowls, porridge, and finally | 0:08:51 | 0:08:53 | |
the three bears. Goldilocks. Yeah. | 0:08:53 | 0:08:55 | |
Little Red Riding Hood is all about the wolf who dresses as grandma. | 0:08:55 | 0:08:59 | |
So you get the bonus point, Relatives, well done. | 0:08:59 | 0:09:01 | |
And the last question, the Horned Viper, will go to you. | 0:09:01 | 0:09:04 | |
What connects these clues? | 0:09:04 | 0:09:05 | |
Here's the first. | 0:09:05 | 0:09:09 | |
The Boulder Mobile. Wacky Races. | 0:09:09 | 0:09:10 | |
-Shall we go for it? -Take another one. | 0:09:10 | 0:09:12 | |
Next, please. | 0:09:12 | 0:09:14 | |
-Ah, no. -No, no. OK, let's not go for that. | 0:09:14 | 0:09:17 | |
Eh, Apollo 12 fuel element that's... | 0:09:17 | 0:09:21 | |
Shall I go for the next one or not? | 0:09:21 | 0:09:22 | |
-Take the next one. -Next, please. | 0:09:22 | 0:09:24 | |
-Back To The Future. -Nuclear power, weren't they? | 0:09:24 | 0:09:30 | |
-I don't know, I've no idea. -Can we have one more? -Next, please. | 0:09:30 | 0:09:35 | |
People who've appeared in films and... | 0:09:35 | 0:09:37 | |
Oh, no, no, no. You've got to | 0:09:37 | 0:09:39 | |
-hit it to start it. Go with it. -Yeah. | 0:09:39 | 0:09:41 | |
BELL | 0:09:41 | 0:09:42 | |
You've got to hit it to start it to make it go. | 0:09:42 | 0:09:45 | |
Or someone can hit it to start it. | 0:09:45 | 0:09:48 | |
That is the answer. | 0:09:48 | 0:09:49 | |
My question editor calls | 0:09:49 | 0:09:50 | |
it percussive maintenance. | 0:09:50 | 0:09:51 | |
That's what I meant. | 0:09:51 | 0:09:53 | |
If you hit them, you make it work. | 0:09:53 | 0:09:55 | |
The Boulder Mobile, that was hit by | 0:09:55 | 0:09:57 | |
the Slag brothers in the Wacky Races | 0:09:57 | 0:09:58 | |
with a club. Apollo 12 fuel element, | 0:09:58 | 0:10:00 | |
anyone know that story? | 0:10:00 | 0:10:02 | |
Someone had to hit it. | 0:10:02 | 0:10:03 | |
Well, the fuel element got stuck | 0:10:03 | 0:10:05 | |
in a casket | 0:10:05 | 0:10:06 | |
and the astronauts hit it | 0:10:06 | 0:10:08 | |
with some sort of space hammer | 0:10:08 | 0:10:09 | |
and it started working again. | 0:10:09 | 0:10:11 | |
Doc Brown's DeLorean, | 0:10:11 | 0:10:12 | |
what's that from? | 0:10:12 | 0:10:13 | |
That's Back To The Future. | 0:10:13 | 0:10:14 | |
And who hits what with what? | 0:10:14 | 0:10:16 | |
Marty McFly hits his head on the | 0:10:18 | 0:10:20 | |
steering wheel in frustration | 0:10:20 | 0:10:22 | |
and it starts. | 0:10:22 | 0:10:23 | |
And the last one, do you know | 0:10:23 | 0:10:24 | |
where that's from? | 0:10:24 | 0:10:26 | |
-Happy Days. -Happy Days. | 0:10:26 | 0:10:27 | |
The Fonz hits Arnold's jukebox, | 0:10:27 | 0:10:29 | |
at Arnold's drive-in to make it work. Very well done. | 0:10:29 | 0:10:32 | |
So, at the end of Round One the Exhibitionists have got | 0:10:32 | 0:10:34 | |
two points, | 0:10:34 | 0:10:36 | |
the Relatives are ahead with eight. | 0:10:36 | 0:10:37 | |
Round Two is the sequences round. | 0:10:40 | 0:10:42 | |
Teams may see a maximum of three clues before telling me | 0:10:42 | 0:10:45 | |
what comes next. Exhibitionists, you'll be going first again. | 0:10:45 | 0:10:49 | |
Please choose a question. | 0:10:49 | 0:10:50 | |
-Eye of Horus, please. -Eye of Horus. | 0:10:50 | 0:10:52 | |
OK, what would you expect to see fourth in this sequence? | 0:10:52 | 0:10:56 | |
Here's the first. | 0:10:56 | 0:10:58 | |
THEY CONFER | 0:11:00 | 0:11:02 | |
Travels. | 0:11:02 | 0:11:03 | |
Next. | 0:11:03 | 0:11:05 | |
Might have something to do with letters. | 0:11:06 | 0:11:08 | |
Spirit of...something. | 0:11:08 | 0:11:11 | |
Next. | 0:11:11 | 0:11:12 | |
Is it? Is it...? | 0:11:15 | 0:11:17 | |
Things on Mars? Is it Curiosity? | 0:11:17 | 0:11:19 | |
Mars rovers. I don't know. | 0:11:21 | 0:11:23 | |
Curiosity is the next one. Go for that. | 0:11:25 | 0:11:28 | |
I've no idea. | 0:11:28 | 0:11:29 | |
Yeah, Curiosity. | 0:11:29 | 0:11:30 | |
BELL | 0:11:30 | 0:11:32 | |
Curiosity. | 0:11:32 | 0:11:34 | |
All successful Mars rovers. | 0:11:34 | 0:11:36 | |
The next is Curiosity. | 0:11:36 | 0:11:38 | |
Well done. | 0:11:38 | 0:11:40 | |
NASA missions to Mars. | 0:11:40 | 0:11:42 | |
Over to you, Relatives, for a sequence question. | 0:11:42 | 0:11:45 | |
Twisted Flax, please. | 0:11:45 | 0:11:46 | |
OK. | 0:11:46 | 0:11:47 | |
What would come fourth? | 0:11:47 | 0:11:49 | |
Here's the first. | 0:11:49 | 0:11:50 | |
THEY CONFER | 0:11:52 | 0:11:53 | |
Next, please. | 0:11:53 | 0:11:55 | |
An owl, a fox and an owl. | 0:11:55 | 0:11:58 | |
Any idea? Next, please. | 0:11:58 | 0:12:00 | |
Snake... | 0:12:03 | 0:12:05 | |
A fox, an owl and a snake. | 0:12:06 | 0:12:07 | |
Brown? Brown owl? | 0:12:14 | 0:12:15 | |
I kid you not, the only thing | 0:12:15 | 0:12:17 | |
I can connect all three of them with | 0:12:17 | 0:12:20 | |
is the animals of Farthing Wood. | 0:12:20 | 0:12:22 | |
What's the last one? | 0:12:22 | 0:12:24 | |
I'd take a stab at badger. | 0:12:24 | 0:12:25 | |
-Five seconds. -Yeah, go for it. | 0:12:25 | 0:12:27 | |
BELL | 0:12:27 | 0:12:28 | |
-Badger? -Not a sequence, I'm afraid. | 0:12:28 | 0:12:31 | |
There is a bonus chance | 0:12:31 | 0:12:32 | |
for the Exhibitionists. | 0:12:32 | 0:12:33 | |
Bear? I don't know. | 0:12:33 | 0:12:34 | |
-Fourth, a beaver. -No! | 0:12:34 | 0:12:37 | |
I mean, it's a bit like a beaver, | 0:12:37 | 0:12:38 | |
it's a bit like a bear. | 0:12:38 | 0:12:39 | |
You know, but... | 0:12:39 | 0:12:41 | |
-What was your answer? -Badger. | 0:12:41 | 0:12:42 | |
Bit like a beaver, bit like a bear, | 0:12:42 | 0:12:44 | |
bit like a badger. | 0:12:44 | 0:12:45 | |
But actually, the Gruffalo. | 0:12:45 | 0:12:47 | |
These are the creatures | 0:12:47 | 0:12:48 | |
that the mouse meets as it | 0:12:48 | 0:12:50 | |
progresses through the book | 0:12:50 | 0:12:53 | |
The Gruffalo. | 0:12:53 | 0:12:54 | |
Apparently the mouse | 0:12:54 | 0:12:56 | |
convinces these | 0:12:56 | 0:12:57 | |
animals that the Gruffalo | 0:12:57 | 0:12:58 | |
will eat them, and then it meets | 0:12:58 | 0:13:00 | |
the Gruffalo itself. | 0:13:00 | 0:13:01 | |
Back to you then, Exhibitionists, to choose a question. | 0:13:01 | 0:13:04 | |
-Two Reeds, please. -Two Reeds. | 0:13:04 | 0:13:06 | |
These are going to be picture clues. | 0:13:06 | 0:13:08 | |
What would you expect to see in the fourth picture? | 0:13:08 | 0:13:10 | |
Here's the first. | 0:13:10 | 0:13:12 | |
Beam. Two feet on the beam. | 0:13:14 | 0:13:17 | |
Next. | 0:13:17 | 0:13:18 | |
-What's that? -It's, uh, Maine. | 0:13:18 | 0:13:21 | |
-It's Maine. -Maine? It's not Maine. | 0:13:21 | 0:13:24 | |
It's not Maine because it's right at the top, it's on the coast. | 0:13:24 | 0:13:27 | |
-North Hampshire? -Come on, we want the next one. -Next. | 0:13:27 | 0:13:32 | |
Up. Up. | 0:13:34 | 0:13:37 | |
-Up in the air. Beam me up, Scotty. -Scotty. | 0:13:37 | 0:13:39 | |
-Scotty. Yeah. Go for it. -OK. | 0:13:39 | 0:13:42 | |
BELL | 0:13:42 | 0:13:45 | |
-Beam me up, Scotty. -Scotty. | 0:13:45 | 0:13:47 | |
Something that's got Scotty in it. | 0:13:47 | 0:13:49 | |
A picture of a Scotty dog, | 0:13:49 | 0:13:51 | |
is what we went for. | 0:13:51 | 0:13:52 | |
The answer is Scotty, | 0:13:52 | 0:13:53 | |
from the phrase, | 0:13:53 | 0:13:54 | |
"Beam me up, Scotty" | 0:13:54 | 0:13:56 | |
that was used in most | 0:13:56 | 0:13:57 | |
episodes of Star Trek. | 0:13:57 | 0:13:58 | |
Put your pens down, Trekkies. | 0:13:58 | 0:14:00 | |
I know it wasn't said on Star Trek, I'm just teasing. | 0:14:00 | 0:14:03 | |
Back to you, Relatives, to choose a question. | 0:14:05 | 0:14:07 | |
-Lion please. -Lion. | 0:14:07 | 0:14:08 | |
OK, what's the fourth in this sequence? | 0:14:08 | 0:14:10 | |
Here's the first. | 0:14:10 | 0:14:11 | |
-Domo. -It's Latin, isn't it? | 0:14:14 | 0:14:17 | |
Next, please. | 0:14:17 | 0:14:18 | |
Salad. | 0:14:20 | 0:14:21 | |
-Where's the sequence? -I don't know. -Can we have next? | 0:14:21 | 0:14:26 | |
Next, please. | 0:14:26 | 0:14:28 | |
Brown girl. | 0:14:28 | 0:14:30 | |
-Girl in the ring. -Is it not sumo? | 0:14:32 | 0:14:37 | |
I don't know. | 0:14:37 | 0:14:38 | |
How's it sumo? | 0:14:38 | 0:14:39 | |
Brown girl in the ring. | 0:14:39 | 0:14:41 | |
Waldorf is... | 0:14:41 | 0:14:45 | |
from the Muppets, but that's... | 0:14:45 | 0:14:48 | |
Nine seconds. | 0:14:48 | 0:14:49 | |
-Brown girl... -Hit the buzzer. | 0:14:49 | 0:14:51 | |
And I'm afraid the time is up, | 0:14:51 | 0:14:53 | |
so there's a bonus chance | 0:14:53 | 0:14:54 | |
for the Exhibitionists. | 0:14:54 | 0:14:55 | |
Something hotel brown? | 0:14:55 | 0:14:58 | |
-I need an answer. -A gold ring. | 0:14:59 | 0:15:02 | |
Gold ring is not the answer. | 0:15:02 | 0:15:04 | |
Now we would have accepted Diaz | 0:15:04 | 0:15:07 | |
or crow. | 0:15:07 | 0:15:09 | |
Cameron. | 0:15:09 | 0:15:10 | |
Something you can put | 0:15:10 | 0:15:11 | |
Cameron in front of. | 0:15:11 | 0:15:12 | |
Girl in the Ring is the clue. | 0:15:12 | 0:15:14 | |
You can put Brown before that. | 0:15:14 | 0:15:15 | |
And you can put before the others... | 0:15:15 | 0:15:17 | |
Major for Major Domo. | 0:15:17 | 0:15:19 | |
Blair Waldorf is | 0:15:19 | 0:15:20 | |
a character in Gossip Girl. | 0:15:20 | 0:15:22 | |
Major Blair, Brown and next will be | 0:15:22 | 0:15:24 | |
something you can put after Cameron, | 0:15:24 | 0:15:26 | |
for example Diaz. | 0:15:26 | 0:15:28 | |
Fiendish. No points there. | 0:15:28 | 0:15:31 | |
Exhibitionists, your turn to choose a question. | 0:15:31 | 0:15:33 | |
-Water, please. -Water. | 0:15:33 | 0:15:35 | |
OK. The last question, | 0:15:35 | 0:15:37 | |
specifically for you of this round. | 0:15:37 | 0:15:39 | |
What is the fourth | 0:15:39 | 0:15:40 | |
in this sequence? Here's the first. | 0:15:40 | 0:15:42 | |
CHATTER | 0:15:44 | 0:15:47 | |
Next. | 0:15:47 | 0:15:48 | |
WHISPERING | 0:15:52 | 0:15:55 | |
Next. | 0:15:55 | 0:15:56 | |
-What's the fourth one there? -The sky. | 0:16:01 | 0:16:07 | |
I've no idea. | 0:16:07 | 0:16:08 | |
-Are they in order of size? -I don't know. I've no idea. | 0:16:12 | 0:16:17 | |
Five seconds. | 0:16:17 | 0:16:18 | |
BELL | 0:16:18 | 0:16:20 | |
Er, sky. | 0:16:20 | 0:16:21 | |
Not the answer, I'm afraid. | 0:16:21 | 0:16:23 | |
So you get a bonus chance, Relatives. | 0:16:23 | 0:16:25 | |
I'm going to hand to our Scottish contingent. | 0:16:25 | 0:16:27 | |
Who will get it wrong. | 0:16:27 | 0:16:29 | |
Mainland Orkney. | 0:16:29 | 0:16:31 | |
Well, I'll accept it. | 0:16:31 | 0:16:32 | |
Just the Mainland is the title, | 0:16:32 | 0:16:33 | |
but they are the Orkney Islands | 0:16:33 | 0:16:35 | |
in order of size and the largest | 0:16:35 | 0:16:37 | |
is mainland or the mainland. | 0:16:37 | 0:16:38 | |
I'd also have accepted - | 0:16:38 | 0:16:40 | |
I don't know how to pronounce it - | 0:16:40 | 0:16:41 | |
but Rothesay, an ancient name | 0:16:41 | 0:16:43 | |
for the mainland in the Orkneys. | 0:16:43 | 0:16:45 | |
Well done for the bonus point, | 0:16:45 | 0:16:46 | |
and it's your team's question now. | 0:16:46 | 0:16:48 | |
The Horned Viper is what remains. | 0:16:48 | 0:16:50 | |
What is the fourth in this sequence? | 0:16:50 | 0:16:52 | |
Here's the first. | 0:16:52 | 0:16:54 | |
WHISPERING | 0:16:56 | 0:17:00 | |
Next, please. | 0:17:00 | 0:17:01 | |
WHISPERING | 0:17:04 | 0:17:07 | |
Next, please. | 0:17:25 | 0:17:27 | |
We know what's going to be next. | 0:17:27 | 0:17:28 | |
Three seconds. | 0:17:31 | 0:17:32 | |
BELL | 0:17:32 | 0:17:34 | |
I'll ask Hamish to answer. | 0:17:34 | 0:17:36 | |
Er... | 0:17:36 | 0:17:39 | |
The star sign... Star sign seven. | 0:17:39 | 0:17:42 | |
Not the answer, I'm afraid. | 0:17:42 | 0:17:43 | |
So, Exhibitionists, | 0:17:43 | 0:17:45 | |
you have a bonus chance. | 0:17:45 | 0:17:46 | |
WHISPERING | 0:17:46 | 0:17:48 | |
Left bracket seven. | 0:17:48 | 0:17:50 | |
That's not it either. | 0:17:50 | 0:17:51 | |
You're both right - | 0:17:51 | 0:17:52 | |
these are the symbols on a keyboard | 0:17:52 | 0:17:54 | |
going with the numbers | 0:17:54 | 0:17:55 | |
ascending with number seven. | 0:17:55 | 0:17:57 | |
An ampersand, an "and" sign, | 0:17:57 | 0:17:59 | |
that's what was number seven. | 0:17:59 | 0:18:00 | |
At the end of round two then, | 0:18:00 | 0:18:01 | |
the Exhibitionists have six points, | 0:18:01 | 0:18:04 | |
the Relatives have nine. | 0:18:04 | 0:18:06 | |
Time for the Connecting Wall, | 0:18:08 | 0:18:09 | |
16 clues that need separating into four neatly connected quarters. | 0:18:09 | 0:18:14 | |
The Relatives will be going first this time. | 0:18:14 | 0:18:17 | |
So, Relatives, you have a choice - Lion or Water? | 0:18:17 | 0:18:20 | |
Lion, please. | 0:18:20 | 0:18:21 | |
OK. You've got two and a half minutes to solve this wall... | 0:18:21 | 0:18:23 | |
starting now. | 0:18:23 | 0:18:25 | |
WHISPERING | 0:18:28 | 0:18:31 | |
Paradise Lost. Paradise Gained. | 0:18:37 | 0:18:41 | |
Arcsine is a mathematical function. | 0:18:41 | 0:18:45 | |
What else is a mathematical function? | 0:18:45 | 0:18:47 | |
I'm not seeing any... | 0:18:47 | 0:18:50 | |
Gorge and glen, and the dale and the basin... | 0:18:50 | 0:18:54 | |
and depression. | 0:18:54 | 0:18:56 | |
OK, keep looking. | 0:18:58 | 0:19:00 | |
What about funk music, organ music, blues and something else? | 0:19:09 | 0:19:12 | |
Sorts of music. | 0:19:12 | 0:19:14 | |
Misery? No, OK. | 0:19:14 | 0:19:18 | |
Misery, sorrow, blues | 0:19:18 | 0:19:20 | |
and funk are things that upset. | 0:19:20 | 0:19:22 | |
Three strikes and you're out now. | 0:19:22 | 0:19:24 | |
Come on then, think now. | 0:19:24 | 0:19:26 | |
Er... Double trouble. | 0:19:26 | 0:19:27 | |
Organ donor... | 0:19:28 | 0:19:31 | |
Double talk. | 0:19:31 | 0:19:33 | |
Double trouble, double talk... | 0:19:33 | 0:19:35 | |
-Double yellow. -And double arcsine. | 0:19:35 | 0:19:37 | |
Double dale. Double paradise. | 0:19:37 | 0:19:40 | |
What are the others? | 0:19:40 | 0:19:41 | |
Humidor is something you keep things in. | 0:19:41 | 0:19:44 | |
You keep cigars in a humidor. | 0:19:44 | 0:19:48 | |
It wants to have something like a... | 0:19:48 | 0:19:51 | |
word connection between them. | 0:19:51 | 0:19:53 | |
Emmerdale. Dale... | 0:19:53 | 0:19:58 | |
You've got a minute left. | 0:19:58 | 0:19:59 | |
Organ is something you play... | 0:20:01 | 0:20:04 | |
Try double... | 0:20:06 | 0:20:08 | |
Double organ. | 0:20:08 | 0:20:10 | |
Are we happy with those three as doubles? | 0:20:10 | 0:20:14 | |
Try double humidor. | 0:20:14 | 0:20:17 | |
Nope. | 0:20:17 | 0:20:19 | |
-This is the last. -One more go. | 0:20:19 | 0:20:21 | |
Don't touch anything. | 0:20:21 | 0:20:22 | |
What's an arcsine? | 0:20:22 | 0:20:24 | |
Arsine is when you... | 0:20:24 | 0:20:29 | |
-So what is it? -Paradise... | 0:20:29 | 0:20:32 | |
Halfway to paradise... | 0:20:32 | 0:20:36 | |
Paradise City. | 0:20:38 | 0:20:40 | |
Double or... What did we try? | 0:20:40 | 0:20:43 | |
Ten seconds now. | 0:20:43 | 0:20:44 | |
-Double dale. -Try it again. | 0:20:44 | 0:20:47 | |
That's not it. Your strikes are up, | 0:20:47 | 0:20:48 | |
the wall's frozen, but you found two groups so that's two points. | 0:20:48 | 0:20:51 | |
I'll give you bonus points, of course, for the connections. | 0:20:51 | 0:20:54 | |
So gorge, glen, basin, depression. | 0:20:54 | 0:20:57 | |
Geographical features for things... | 0:20:57 | 0:21:01 | |
holes in the earth. | 0:21:01 | 0:21:02 | |
That's it. Hollows or valleys | 0:21:02 | 0:21:04 | |
in the landscape. | 0:21:04 | 0:21:06 | |
Misery, sorrow, funk, blues. | 0:21:06 | 0:21:08 | |
When you're feeling down or sad. | 0:21:10 | 0:21:13 | |
That's it. Terms for sadness. | 0:21:13 | 0:21:15 | |
And you can still get points for the connections of the groups you | 0:21:15 | 0:21:18 | |
didn't find, so let's resolve the wall. | 0:21:18 | 0:21:20 | |
OK. Yellow, talk, trouble, paradise. | 0:21:20 | 0:21:24 | |
-They can all be doubled. -OK. | 0:21:24 | 0:21:25 | |
Can all be doubled. | 0:21:25 | 0:21:27 | |
Double yellow, double talk, double trouble... | 0:21:27 | 0:21:29 | |
Yeah, but it falls down at paradise, I'm afraid. | 0:21:29 | 0:21:33 | |
They are actually songs by Coldplay. | 0:21:33 | 0:21:35 | |
ALL: Oh... | 0:21:35 | 0:21:37 | |
Coldplay songs. | 0:21:37 | 0:21:38 | |
And the last group - | 0:21:38 | 0:21:39 | |
arcsine, humidor, dale, organ. | 0:21:39 | 0:21:42 | |
Something you keep things in. | 0:21:43 | 0:21:45 | |
Mathematical functions. | 0:21:45 | 0:21:48 | |
You're not seeing it, | 0:21:48 | 0:21:49 | |
so I'm going to tell you. | 0:21:49 | 0:21:50 | |
They are anagrams of chemical elements. | 0:21:50 | 0:21:53 | |
-ALL: Oh. -Arsenic, rhodium, lead, argon - | 0:21:53 | 0:21:58 | |
anagrams of elements. | 0:21:58 | 0:21:59 | |
But you found two groups, | 0:21:59 | 0:22:00 | |
and you got two more points for the connections, | 0:22:00 | 0:22:03 | |
so that's a total of four. | 0:22:03 | 0:22:04 | |
Time to dismantle that wall | 0:22:04 | 0:22:06 | |
and construct an entire new one for the Exhibitionists. | 0:22:06 | 0:22:09 | |
16 clues still need sorting in the same old way. | 0:22:09 | 0:22:12 | |
Exhibitionists, you will have the Water wall. | 0:22:12 | 0:22:14 | |
Two and a half minutes to solve it starting now. | 0:22:14 | 0:22:18 | |
Bat, stump, bails are all cricket. | 0:22:21 | 0:22:23 | |
Pads and gloves. | 0:22:23 | 0:22:27 | |
There's too many. | 0:22:29 | 0:22:30 | |
WHISPERING | 0:22:33 | 0:22:36 | |
I'm pretty sure stump and bails... | 0:22:36 | 0:22:39 | |
Keep going. | 0:22:39 | 0:22:41 | |
Erm... | 0:22:43 | 0:22:45 | |
Watch television? What's this? | 0:22:45 | 0:22:48 | |
No. | 0:22:50 | 0:22:51 | |
OK. | 0:22:57 | 0:22:58 | |
-Players as well. -Nordic era. | 0:22:58 | 0:23:00 | |
Yeah, yeah, yeah. | 0:23:00 | 0:23:02 | |
Watch television, Nordic era, ages... | 0:23:02 | 0:23:04 | |
England. | 0:23:04 | 0:23:06 | |
I've got absolutely no idea. | 0:23:06 | 0:23:08 | |
Licence for alcohol... | 0:23:08 | 0:23:10 | |
Licence to watch television... | 0:23:10 | 0:23:12 | |
-Yeah, yeah. -To drive. | 0:23:12 | 0:23:15 | |
ALL TALK OVER EACH OTHER | 0:23:15 | 0:23:19 | |
OK. | 0:23:20 | 0:23:22 | |
What's Nordic era? | 0:23:22 | 0:23:23 | |
Well, we're not going to get very far here, are we? | 0:23:33 | 0:23:37 | |
Class... | 0:23:40 | 0:23:41 | |
HE LAUGHS | 0:23:44 | 0:23:47 | |
Right, come on. | 0:23:47 | 0:23:48 | |
-Helmet... -A minute left. | 0:23:48 | 0:23:51 | |
Nordic era, England... | 0:23:51 | 0:23:52 | |
-C. -Class action. | 0:24:02 | 0:24:05 | |
Class... First class. | 0:24:05 | 0:24:07 | |
WHISPERING | 0:24:09 | 0:24:14 | |
-Anything else? -Erm... | 0:24:16 | 0:24:19 | |
England... | 0:24:25 | 0:24:27 | |
HE LAUGHS | 0:24:27 | 0:24:31 | |
Three strikes and you're out now. | 0:24:32 | 0:24:34 | |
WHISPERING | 0:24:34 | 0:24:38 | |
Ten seconds. | 0:24:38 | 0:24:40 | |
WHISPERING | 0:24:40 | 0:24:44 | |
-Got one more go. -Three seconds. | 0:24:44 | 0:24:46 | |
No, that's it, and the wall's frozen. | 0:24:48 | 0:24:50 | |
But you found two groups, so that's two points. | 0:24:50 | 0:24:52 | |
Bonus points for the connections. | 0:24:52 | 0:24:54 | |
Watch television, box, drive, sell alcohol. | 0:24:54 | 0:24:57 | |
-Need a licence. -They must be covered by a licence. | 0:24:57 | 0:24:59 | |
Bat, helmet, pads, gloves. | 0:24:59 | 0:25:02 | |
Wear... Play cricket. | 0:25:02 | 0:25:05 | |
Accoutrements in cricket. | 0:25:05 | 0:25:07 | |
And you can still get points for the connections in the groups you | 0:25:07 | 0:25:10 | |
didn't find, so let's resolve the wall. | 0:25:10 | 0:25:12 | |
OK. Stump, C, class, England. | 0:25:13 | 0:25:17 | |
C... | 0:25:18 | 0:25:20 | |
You're not seeing it. | 0:25:22 | 0:25:23 | |
You can put middle before all of them. | 0:25:23 | 0:25:25 | |
Middle stump, middle C, middle class, middle England. | 0:25:25 | 0:25:29 | |
And the last one. | 0:25:29 | 0:25:30 | |
Bails, players, Nordic era, ages. | 0:25:30 | 0:25:34 | |
Sorry. Nothing there either. | 0:25:39 | 0:25:41 | |
They are anagrams of herbs. | 0:25:41 | 0:25:44 | |
Are they really? | 0:25:44 | 0:25:45 | |
Basil, parsley, coriander and sage. | 0:25:45 | 0:25:49 | |
Anagrams of herbs. | 0:25:49 | 0:25:51 | |
But you did find two groups and make two connections, | 0:25:51 | 0:25:54 | |
so that is a total of four points. | 0:25:54 | 0:25:56 | |
Let's see how that leaves the scores going into the final round. | 0:25:56 | 0:26:00 | |
The Exhibitionists have ten points, | 0:26:00 | 0:26:02 | |
the Relatives have 13. | 0:26:02 | 0:26:04 | |
And you can find more walls | 0:26:06 | 0:26:07 | |
to play on our website, | 0:26:07 | 0:26:09 | |
where you can also write your own. | 0:26:09 | 0:26:10 | |
We're going to play the Missing Vowels round. | 0:26:10 | 0:26:12 | |
You know the rules by now. What are the names, phrases or sayings | 0:26:12 | 0:26:15 | |
that are disguised by having the vowels removed? | 0:26:15 | 0:26:18 | |
Fingers on buzzers, teams. | 0:26:18 | 0:26:21 | |
The first group are all types of jazz. | 0:26:21 | 0:26:26 | |
-BELL -Relatives. | 0:26:28 | 0:26:29 | |
-New Orleans. -Correct. | 0:26:29 | 0:26:31 | |
BELL | 0:26:32 | 0:26:33 | |
-Exhibitionists. -Bebop. -Yeah. | 0:26:33 | 0:26:35 | |
-BELL -Exhibitionists. -Boogie-woogie. -Yes. | 0:26:37 | 0:26:40 | |
BELL | 0:26:40 | 0:26:41 | |
-Exhibitionists -Dixieland. | 0:26:41 | 0:26:43 | |
Someone's a jazz fan. | 0:26:43 | 0:26:44 | |
Next category - slang terms for "the wife." | 0:26:44 | 0:26:47 | |
-BELL -Relatives. | 0:26:49 | 0:26:50 | |
-Trouble and strife. -Correct. | 0:26:50 | 0:26:52 | |
-BELL -Relatives. | 0:26:53 | 0:26:54 | |
-Her indoors. -That's right. | 0:26:54 | 0:26:56 | |
-BELL -Relatives. | 0:26:58 | 0:27:00 | |
-Old lady. -That's right. | 0:27:00 | 0:27:01 | |
-BELL -Relatives. | 0:27:03 | 0:27:04 | |
-Better half. -Indeed. | 0:27:04 | 0:27:06 | |
Next category - things considered unlucky. | 0:27:06 | 0:27:09 | |
-BELL -Relatives. | 0:27:11 | 0:27:13 | |
-Spilling salt. -Yes. | 0:27:13 | 0:27:14 | |
-BELL -Relatives. -Friday the 13th. -Yeah. | 0:27:16 | 0:27:19 | |
-BELL -Relatives. | 0:27:21 | 0:27:22 | |
-Breaking a mirror. -Correct. | 0:27:22 | 0:27:24 | |
-BELL -Exhibitionists. | 0:27:25 | 0:27:27 | |
-Walking under a ladder. -Correct. | 0:27:27 | 0:27:29 | |
Next category - plays by Willy Russell. | 0:27:29 | 0:27:32 | |
This one's Educating Rita. | 0:27:37 | 0:27:40 | |
Next clue. | 0:27:40 | 0:27:41 | |
No. That one's Our Day Out. | 0:27:44 | 0:27:46 | |
Next clue. | 0:27:46 | 0:27:47 | |
No Willy Russell fans here. | 0:27:52 | 0:27:54 | |
It's One For The Road. Last clue. | 0:27:54 | 0:27:56 | |
-BELL -Exhibitionists. | 0:27:57 | 0:27:59 | |
-Shirley Valentine. -That's it. | 0:27:59 | 0:28:01 | |
Next category - hospital departments. | 0:28:01 | 0:28:04 | |
TIME UP JINGLE | 0:28:04 | 0:28:07 | |
But there is no time for any hospital departments | 0:28:07 | 0:28:10 | |
because that is the end of the quiz | 0:28:10 | 0:28:13 | |
and the Exhibitionists finish with 15 points, | 0:28:13 | 0:28:15 | |
but the winners and through to the next round | 0:28:15 | 0:28:17 | |
are the Relatives with 21. | 0:28:17 | 0:28:20 | |
Very well done, Relatives. | 0:28:20 | 0:28:21 | |
Exhibitionists, I am so sorry. | 0:28:21 | 0:28:23 | |
We have to say goodbye to you. | 0:28:23 | 0:28:25 | |
Thank you very much for coming and we're sorry to see you go. | 0:28:25 | 0:28:29 | |
Join me next time, when we'll have more sparkling minds | 0:28:29 | 0:28:32 | |
and clever clogs, | 0:28:32 | 0:28:33 | |
but not sparkling clogs. | 0:28:33 | 0:28:35 | |
That's a different show, more's the pity. Goodbye. | 0:28:35 | 0:28:39 |