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Though I keep searching for an answer, | 0:00:21 | 0:00:23 | |
I never seem to find what I'm looking for. | 0:00:23 | 0:00:26 | |
So I know what it means to walk along the lonely street of dreams | 0:00:26 | 0:00:29 | |
and here I go again, but not on my own, | 0:00:29 | 0:00:32 | |
and that's one of many ways in which I differ from Whitesnake. | 0:00:32 | 0:00:35 | |
I'm actually joined by some old friends - | 0:00:35 | 0:00:38 | |
winners of the most recent two series of Only Connect, | 0:00:38 | 0:00:40 | |
because this is the all-powerful champion of champions battle. | 0:00:40 | 0:00:45 | |
Who is here to try and get the ultimate supremacy? | 0:00:45 | 0:00:49 | |
On my right, Holly Pattenden, | 0:00:49 | 0:00:51 | |
a professional strategist | 0:00:51 | 0:00:52 | |
who loves Verdi operas and drinking Burgundy wine. | 0:00:52 | 0:00:56 | |
Gareth Price, a folk music fan | 0:00:56 | 0:00:58 | |
who works as a magazine editor and enjoys European travel. | 0:00:58 | 0:01:01 | |
And their captain, Dom Tait, | 0:01:01 | 0:01:04 | |
an associate editor and fan of Liverpool Football Club. | 0:01:04 | 0:01:07 | |
They beat the Ciphers, the TEFL Teachers, the Wordsmiths | 0:01:07 | 0:01:10 | |
and the Draughtsmen to claim their title as series six champions. | 0:01:10 | 0:01:13 | |
They are the Scribes. | 0:01:13 | 0:01:15 | |
So, Dom, new champions. | 0:01:15 | 0:01:17 | |
What was the highlight of your Only Connect tournament? | 0:01:17 | 0:01:19 | |
Um, I think early on in one of the rounds | 0:01:19 | 0:01:22 | |
we got a question on inscriptions on pound coins quite early. | 0:01:22 | 0:01:26 | |
It was the dawning realisation we might not be rubbish | 0:01:26 | 0:01:29 | |
was really quite nice. | 0:01:29 | 0:01:31 | |
I hope for you sake there will be a lot of money involved tonight | 0:01:31 | 0:01:33 | |
and I hope that for my own sake, as well. | 0:01:33 | 0:01:35 | |
Let's see who you're facing. | 0:01:35 | 0:01:37 | |
On my left, Paul Steeples, | 0:01:37 | 0:01:39 | |
a bass baritone with the Morley College Choir London | 0:01:39 | 0:01:42 | |
and fan of Altrincham Football Club, | 0:01:42 | 0:01:44 | |
who works as the head of a vocational qualifications team. | 0:01:44 | 0:01:47 | |
William De Ath, an Oxford maths graduate, | 0:01:47 | 0:01:49 | |
who enjoys scuba diving, trekking and skiing. | 0:01:49 | 0:01:52 | |
And their captain, David Lea, | 0:01:52 | 0:01:54 | |
a political risk analyst | 0:01:54 | 0:01:56 | |
who loves cricket and all things Spanish. | 0:01:56 | 0:01:58 | |
Well, welcome to the inquisition. | 0:01:58 | 0:02:00 | |
They are a team of professional analysts | 0:02:00 | 0:02:02 | |
and are series five Only Connect champions. | 0:02:02 | 0:02:04 | |
Welcome back to the Analysts. | 0:02:04 | 0:02:06 | |
David, lovely to see you again. | 0:02:06 | 0:02:08 | |
What have your team been up to since we saw you last? | 0:02:08 | 0:02:10 | |
Oh, just pottering about analysing stuff mostly. | 0:02:10 | 0:02:13 | |
I bought a flat, not with my proceeds from Only Connect, obviously. | 0:02:13 | 0:02:16 | |
I'm analysing what's in what box at the moment, mostly. | 0:02:16 | 0:02:19 | |
I'm sure you're as brilliant as ever | 0:02:19 | 0:02:20 | |
but there's only one way to find out. | 0:02:20 | 0:02:22 | |
Let's play the quiz, starting with Round One. | 0:02:22 | 0:02:24 | |
What's the connection between four near-impossible clues. | 0:02:24 | 0:02:29 | |
Scribes, you won the toss | 0:02:29 | 0:02:30 | |
but you've decided to throw the Analysts in first. | 0:02:30 | 0:02:33 | |
So, David, could you please choose a hieroglyph? | 0:02:33 | 0:02:36 | |
Lion, please, Victoria. | 0:02:36 | 0:02:38 | |
OK. What is the connection between these? | 0:02:38 | 0:02:41 | |
Here's the first. | 0:02:41 | 0:02:42 | |
OK. Next, please. | 0:02:45 | 0:02:47 | |
-Doesn't mean anything to me. -Something to with Toy Story? | 0:02:54 | 0:02:57 | |
-Yeah, that's what I was thinking. -It could be things on film. | 0:02:57 | 0:03:00 | |
-The statue might be the thing on Fargo. -OK. | 0:03:00 | 0:03:02 | |
OK. Next, please. | 0:03:02 | 0:03:04 | |
That's how Piltdown Man was made up. | 0:03:07 | 0:03:10 | |
-Um... -Ten seconds. | 0:03:10 | 0:03:11 | |
..so is it fake archaeological discoveries? | 0:03:11 | 0:03:15 | |
Next, please. | 0:03:15 | 0:03:16 | |
Three seconds. | 0:03:18 | 0:03:19 | |
BELL | 0:03:19 | 0:03:20 | |
It's the means of various famous hoaxes, fakes. | 0:03:20 | 0:03:25 | |
Yes, creating hoax creatures, | 0:03:25 | 0:03:27 | |
rather specifically, | 0:03:27 | 0:03:28 | |
but, yes, they are all hoaxes. | 0:03:28 | 0:03:30 | |
Paper cut-outs of fairies - | 0:03:30 | 0:03:31 | |
they were the Cottingley Fairies. | 0:03:31 | 0:03:33 | |
Do you know who they fooled? | 0:03:33 | 0:03:34 | |
Conan Doyle, wasn't it? | 0:03:34 | 0:03:36 | |
Sir Arthur Conan Doyle. A couple of schoolgirls | 0:03:36 | 0:03:38 | |
took primitive pictures of cut-outs of fairies. | 0:03:38 | 0:03:41 | |
Conan Doyle thought they were real. | 0:03:41 | 0:03:42 | |
The ten-foot gypsum statue. What's that? | 0:03:42 | 0:03:45 | |
Yeti, Big Foot, something like that? | 0:03:45 | 0:03:46 | |
It's the Cardiff Giant, | 0:03:46 | 0:03:48 | |
although not Cardiff where we are now. | 0:03:48 | 0:03:50 | |
Cardiff, New York. | 0:03:50 | 0:03:51 | |
A petrified giant that was dug up in 1869. | 0:03:51 | 0:03:54 | |
And what did the plastic wood head | 0:03:54 | 0:03:56 | |
and toy submarine create? | 0:03:56 | 0:03:57 | |
It wouldn't be the Loch Ness Monster? | 0:03:57 | 0:03:59 | |
Of course, the infamous Surgeon's Photograph of the Loch Ness Monster. | 0:03:59 | 0:04:03 | |
So, yes, hoaxes was the connection. | 0:04:03 | 0:04:05 | |
Scribes, it's your turn to choose. | 0:04:05 | 0:04:07 | |
-Twisted Flax, please. -Twisted Flax. | 0:04:07 | 0:04:09 | |
What is the link between these clues? Here's the first. | 0:04:09 | 0:04:11 | |
Any idea? | 0:04:13 | 0:04:15 | |
Next, please. | 0:04:15 | 0:04:17 | |
-Oh, much smaller... -Yeah, a tiny version. | 0:04:18 | 0:04:22 | |
They came back much smaller than intended. | 0:04:22 | 0:04:25 | |
BELL | 0:04:25 | 0:04:27 | |
Much smaller than they were intended to be. | 0:04:27 | 0:04:29 | |
I mean, smaller, less would sound better in some of the clues. | 0:04:29 | 0:04:33 | |
It's just measurement mix-ups. | 0:04:33 | 0:04:34 | |
Things that went wrong because of measurement mix-ups. | 0:04:34 | 0:04:37 | |
Yes, Stonehenge in Spinal Tap was supposed to be 18 foot high. | 0:04:37 | 0:04:40 | |
They made it 18 inches. | 0:04:40 | 0:04:42 | |
The Mars Climate Orbiter - that was a problem between | 0:04:42 | 0:04:45 | |
the difference between Newtons and pounds. | 0:04:45 | 0:04:47 | |
You didn't need to see the Gimli Glider which ran out of fuel | 0:04:47 | 0:04:50 | |
cos there was too little put in there | 0:04:50 | 0:04:52 | |
because pounds and kilograms were confused there. | 0:04:52 | 0:04:55 | |
And Jimbo the aeroplane - | 0:04:55 | 0:04:57 | |
his designer mixed up inches and centimetres. | 0:04:57 | 0:04:59 | |
Well done. Back to you, Analysts, for a choice. | 0:04:59 | 0:05:02 | |
-Water, please. -Water, OK. | 0:05:02 | 0:05:04 | |
These are picture clues. What connects them? | 0:05:04 | 0:05:07 | |
Here's the first. | 0:05:07 | 0:05:09 | |
-Will-o'-the-wisp? -OK, next, please. | 0:05:12 | 0:05:15 | |
-The Secret Garden? -Gates. | 0:05:21 | 0:05:22 | |
Next, please. | 0:05:26 | 0:05:27 | |
The Lion, The Witch And The Wardrobe? | 0:05:29 | 0:05:31 | |
It could be children's books, or something like that. | 0:05:32 | 0:05:35 | |
-The Secret Garden, and... -Ten seconds. | 0:05:36 | 0:05:39 | |
Next, please. | 0:05:41 | 0:05:42 | |
Three seconds. | 0:05:45 | 0:05:46 | |
BELL | 0:05:46 | 0:05:48 | |
They're in the titles of children's books. | 0:05:48 | 0:05:50 | |
They are not in the titles of children's books. | 0:05:50 | 0:05:52 | |
So, Scribes, your chance for a bonus. | 0:05:52 | 0:05:55 | |
They're by CS Lewis. | 0:05:55 | 0:05:56 | |
I'm not going to take that because it's a bonus chance | 0:05:57 | 0:06:00 | |
and I'm being strict cos it's champion of champions. | 0:06:00 | 0:06:02 | |
Together you're stumbling towards the answer. | 0:06:02 | 0:06:04 | |
They are ways to get into Narnia. | 0:06:04 | 0:06:06 | |
Of course, a creation of CS Lewis, but they're not all in the titles. | 0:06:06 | 0:06:10 | |
The pool in the wood is the way to get in the wood between the worlds. | 0:06:10 | 0:06:14 | |
The door in a high wall, that's the Silver Chair. | 0:06:14 | 0:06:18 | |
The wardrobe, of course, The Lion, The Witch And The Wardrobe. | 0:06:18 | 0:06:21 | |
And the Dawntreader - Voyage Of The Dawntreader. | 0:06:21 | 0:06:23 | |
-But, specifically, ways to access Narnia. -OK. | 0:06:23 | 0:06:26 | |
All right, Scribes, no bonus for you, | 0:06:26 | 0:06:27 | |
but would you like to choose a question? | 0:06:27 | 0:06:29 | |
Two Reeds, please. | 0:06:29 | 0:06:31 | |
Two Reeds, the music question. | 0:06:31 | 0:06:33 | |
What is the connection between these clues? | 0:06:33 | 0:06:35 | |
Here's the first. | 0:06:35 | 0:06:37 | |
MUSIC: "O Death Where Is Thy Sting" by Handel | 0:06:37 | 0:06:40 | |
Sounds like Handel. | 0:06:40 | 0:06:41 | |
Quite early. | 0:06:42 | 0:06:44 | |
Next, please. | 0:06:44 | 0:06:46 | |
-MUSIC: -"Only Connect Theme" | 0:06:46 | 0:06:49 | |
Next, please. | 0:06:54 | 0:06:56 | |
MUSIC: "The Entertainer" by Scott Joplin | 0:06:56 | 0:06:59 | |
The Entertainer. | 0:06:59 | 0:07:01 | |
Shall I keep going? | 0:07:01 | 0:07:02 | |
Next, please. | 0:07:02 | 0:07:03 | |
MUSIC: "Fields Of Gold" by Sting | 0:07:03 | 0:07:06 | |
-Fields Of Gold. -Ten seconds. | 0:07:06 | 0:07:08 | |
The Entertainer, Fields Of Gold, the end of Only Connect. | 0:07:08 | 0:07:11 | |
BELL | 0:07:15 | 0:07:17 | |
Er... | 0:07:17 | 0:07:18 | |
No. Ends of quiz shows. | 0:07:21 | 0:07:23 | |
They are not the ends of quiz shows, | 0:07:23 | 0:07:25 | |
although I nearly got up and walked out after one of them, | 0:07:25 | 0:07:27 | |
but that's not what they are. | 0:07:27 | 0:07:29 | |
Analysts, do you want to go for a bonus? | 0:07:29 | 0:07:31 | |
I don't think we've got anything, have we? No. | 0:07:31 | 0:07:34 | |
Now, that little bit you heard from Only Connect is not actually | 0:07:34 | 0:07:37 | |
the end of the show, it's the sting between the rounds. | 0:07:37 | 0:07:41 | |
You're sighing over there. We heard The Entertainer, known as The Sting, | 0:07:41 | 0:07:44 | |
a piece by Sting, Fields Of Gold, | 0:07:44 | 0:07:46 | |
and the first one from Handel's Messiah, O Death Where Is Thy Sting? | 0:07:46 | 0:07:50 | |
David, did you get that just as I started to give the answer? | 0:07:50 | 0:07:54 | |
-Literally, as soon as you said "No" I got it. -Unlucky. | 0:07:54 | 0:07:59 | |
Seconds too late you realised that one, but you don't get the bonus. | 0:07:59 | 0:08:02 | |
You do get the chance to choose a question. | 0:08:02 | 0:08:04 | |
-Eye of Horus, please. -OK, what is the connection between these clues? | 0:08:04 | 0:08:09 | |
Here's the first. | 0:08:09 | 0:08:11 | |
-It's that video game thing. -Yeah. | 0:08:14 | 0:08:18 | |
Next, please. | 0:08:18 | 0:08:19 | |
OK. Next, please. | 0:08:26 | 0:08:28 | |
-Next, please. -Ten seconds. | 0:08:39 | 0:08:41 | |
BELL | 0:08:45 | 0:08:46 | |
They point at you out of pictures, posters. | 0:08:48 | 0:08:51 | |
Yes, they do. | 0:08:51 | 0:08:53 | |
Professor Layton, a computer game character, | 0:08:53 | 0:08:55 | |
he points for all sorts of reasons all the time. | 0:08:55 | 0:08:57 | |
-I didn't know he pointed at you. -Apparently he does point. | 0:08:57 | 0:09:00 | |
Uncle Sam, of course, in the I Want You for the US Army. | 0:09:00 | 0:09:02 | |
Alan Sugar apparently points at people when he's firing them. | 0:09:02 | 0:09:05 | |
That's not very polite, is it? | 0:09:05 | 0:09:06 | |
And Lord Kitchener pointed on a poster which had which slogan? | 0:09:06 | 0:09:10 | |
-Your Country Needs You. -Your Country Needs You. | 0:09:10 | 0:09:13 | |
So, quite right, very well done. | 0:09:13 | 0:09:14 | |
Scribes, there is one question remaining, the Horned Viper. | 0:09:14 | 0:09:18 | |
What connection lies here? | 0:09:18 | 0:09:20 | |
Time starts now. | 0:09:20 | 0:09:22 | |
Any idea what's there? | 0:09:24 | 0:09:26 | |
Next, please. | 0:09:28 | 0:09:30 | |
Oh, You'll Never Walk Alone. | 0:09:31 | 0:09:33 | |
Kops? Do they have Kop ends? Next, please. | 0:09:35 | 0:09:37 | |
Eternal flames burning? | 0:09:41 | 0:09:43 | |
Eternal flames, OK. | 0:09:44 | 0:09:45 | |
BELL | 0:09:45 | 0:09:47 | |
-Eternal flames? -The locations of eternal flames. | 0:09:47 | 0:09:50 | |
You didn't need to see the last one, | 0:09:50 | 0:09:51 | |
the gravesite of John F Kennedy, the assassinated president. | 0:09:51 | 0:09:54 | |
These are all places where eternal flames burn | 0:09:54 | 0:09:57 | |
in memory of the victims of Hiroshima, of course, | 0:09:57 | 0:09:59 | |
at the Anfield Stadium after the terrible Hillsborough Disaster | 0:09:59 | 0:10:02 | |
and the Tomb Of The Unknown Soldier. | 0:10:02 | 0:10:04 | |
Eternal flames burn there. Well done. | 0:10:04 | 0:10:07 | |
So at the end of Round One, | 0:10:07 | 0:10:09 | |
the Analysts have got two points, the Scribes are ahead with five. | 0:10:09 | 0:10:12 | |
Ah, that familiar sting. Must sound like a rubdown now. | 0:10:15 | 0:10:18 | |
On to Round Two, the sequences round. | 0:10:18 | 0:10:21 | |
I simply want to know what's the fourth in the sequence | 0:10:21 | 0:10:24 | |
but the word 'simply' is misleading | 0:10:24 | 0:10:25 | |
because it's not going to be simple at all. | 0:10:25 | 0:10:27 | |
Analysts, you're to go first again. Please choose a question. | 0:10:27 | 0:10:30 | |
-Two reeds, please. -All right. What is the fourth in this sequence? | 0:10:30 | 0:10:34 | |
Here's the first. | 0:10:34 | 0:10:35 | |
Next, please. | 0:10:43 | 0:10:44 | |
-Onan. -Nano. | 0:10:46 | 0:10:49 | |
Onan... Um... | 0:10:50 | 0:10:52 | |
We'll take the next one because we can't get the sequence. | 0:10:54 | 0:10:57 | |
Next, please. | 0:10:57 | 0:10:58 | |
That'll be nano. Nona... | 0:11:00 | 0:11:03 | |
-Anon? -10 seconds. | 0:11:04 | 0:11:06 | |
-Attribution to author unknown. -Brilliant. And why is that? | 0:11:10 | 0:11:15 | |
Prefix for nine is nono. | 0:11:15 | 0:11:17 | |
-Eh, nona. -Nona, sorry, yeah. | 0:11:17 | 0:11:20 | |
Onan spilled his seed on the ground. | 0:11:20 | 0:11:23 | |
10 to the -9 is nano. | 0:11:23 | 0:11:25 | |
-So it's rearranging those letters. -That's right. | 0:11:25 | 0:11:30 | |
And the sequence, it's sort of a circle. | 0:11:30 | 0:11:33 | |
N-O-N-A, O-N-A-N, N-A-N-O, A-N-O-N for anon, | 0:11:33 | 0:11:36 | |
for example, an unknown author. | 0:11:36 | 0:11:38 | |
Well done. Scribes, your turn. | 0:11:38 | 0:11:40 | |
-Water, please. -All right. | 0:11:40 | 0:11:42 | |
What would be the fourth in this little sequence? Here's the first. | 0:11:42 | 0:11:45 | |
Next, please. | 0:11:49 | 0:11:50 | |
OK. Will do. Next, please. | 0:11:55 | 0:11:57 | |
Can we get the full title? | 0:11:58 | 0:12:00 | |
-Beltane is a Celtic Festival. -Is it? | 0:12:00 | 0:12:02 | |
MUTTERING | 0:12:04 | 0:12:06 | |
Celtic festivals by importance? | 0:12:06 | 0:12:08 | |
Is it Wicca? | 0:12:08 | 0:12:10 | |
MUTTERING | 0:12:10 | 0:12:13 | |
10 seconds. | 0:12:15 | 0:12:16 | |
What do you think? I might try... | 0:12:17 | 0:12:19 | |
Three seconds. | 0:12:22 | 0:12:23 | |
-Easter. -Not the answer, I'm afraid. | 0:12:23 | 0:12:25 | |
There's a bonus chance for the Analysts. | 0:12:25 | 0:12:28 | |
Halloween. | 0:12:28 | 0:12:29 | |
That's not it, either. But what's your logic? | 0:12:29 | 0:12:32 | |
Order of importance of pagan festivals, I hear from my left. | 0:12:32 | 0:12:36 | |
It actually is pagan festivals, sequentially, | 0:12:36 | 0:12:39 | |
but after Beltane you get Midsummer. | 0:12:39 | 0:12:41 | |
That would be the next pagan festival. | 0:12:41 | 0:12:43 | |
Your turn now, Analysts. Which hieroglyph appeals to you? | 0:12:43 | 0:12:46 | |
We'll have the lion , please. | 0:12:46 | 0:12:48 | |
OK. These are going to be picture clues. | 0:12:48 | 0:12:50 | |
What would you expect to see in the fourth picture? Here's the first. | 0:12:50 | 0:12:54 | |
It's not years in Japan or something like that? | 0:12:59 | 0:13:01 | |
Next, please. | 0:13:03 | 0:13:05 | |
No... no... | 0:13:11 | 0:13:14 | |
Next, please. | 0:13:14 | 0:13:15 | |
Yoke, 10. | 0:13:17 | 0:13:18 | |
So it's going to be hieroglyphs. | 0:13:18 | 0:13:20 | |
-What is one? -10 seconds. | 0:13:23 | 0:13:24 | |
Bird is one? | 0:13:27 | 0:13:29 | |
Three seconds. | 0:13:31 | 0:13:32 | |
BELL | 0:13:32 | 0:13:34 | |
Some form of bird and one. | 0:13:34 | 0:13:36 | |
I'm afraid that is not the answer. | 0:13:37 | 0:13:40 | |
Scribes, there's a bonus chance for you. | 0:13:40 | 0:13:42 | |
No. A parrot and one? | 0:13:43 | 0:13:46 | |
-A parrot? -Yep. | 0:13:46 | 0:13:47 | |
Do you think if it was a parrot | 0:13:47 | 0:13:48 | |
I'd have said they couldn't have it when they said a bird? | 0:13:48 | 0:13:51 | |
I see what you mean. | 0:13:51 | 0:13:52 | |
I may be a cruel taskmistress, but even I'm not that bad. No. | 0:13:52 | 0:13:56 | |
Now I wonder if you're thinking about the right sort of thing. | 0:13:56 | 0:13:59 | |
What did you think the connection was? | 0:13:59 | 0:14:01 | |
We were kind of very suspicious that we weren't barking up | 0:14:01 | 0:14:05 | |
the right tree with hieroglyphs and their representation of numbers. | 0:14:05 | 0:14:10 | |
You're right about that. The hieroglyph hid hieroglyphs. | 0:14:10 | 0:14:13 | |
They are Egyptian numerals and one is what wanted to hear, | 0:14:13 | 0:14:16 | |
but it was symbolised by a staff or a straight line, not a bird. | 0:14:16 | 0:14:20 | |
Yes, the lotus flower, for 1,000. | 0:14:20 | 0:14:23 | |
A coil of rope for 100, a cattle yoke - 10, | 0:14:23 | 0:14:26 | |
but the Egyptian numeral hieroglyphs for one | 0:14:26 | 0:14:29 | |
would be a straight line, or a staff. | 0:14:29 | 0:14:31 | |
Very close but no cigar. | 0:14:31 | 0:14:33 | |
I would have accepted cigar, | 0:14:33 | 0:14:34 | |
cos that's a straight line, but I didn't hear it. | 0:14:34 | 0:14:36 | |
Back to you, Scribes, for a choice. | 0:14:36 | 0:14:39 | |
-Horned viper, please. -OK. | 0:14:39 | 0:14:41 | |
What is the fourth in this sequence? Here's the first. | 0:14:41 | 0:14:44 | |
Remember, it's in caps. Um... Next, please. | 0:14:46 | 0:14:50 | |
Next, please. | 0:14:56 | 0:14:57 | |
OK, that's interesting. | 0:14:59 | 0:15:00 | |
Is it some kind of symmetry? | 0:15:04 | 0:15:06 | |
-I can't really see anything. -10 seconds. | 0:15:13 | 0:15:15 | |
Three seconds. | 0:15:20 | 0:15:22 | |
BELL | 0:15:22 | 0:15:23 | |
-Madam. -Yes? | 0:15:23 | 0:15:26 | |
Oh, that's your answer! I'm sorry, that's not correct. | 0:15:26 | 0:15:29 | |
There's a bonus chance for the Analysts. | 0:15:29 | 0:15:31 | |
R-O-T-A-S. | 0:15:31 | 0:15:32 | |
That's not it, but what's your thinking? | 0:15:33 | 0:15:36 | |
Paul said "R-O-T-A-S" in my right ear, so I... | 0:15:36 | 0:15:39 | |
I think it's a palindrome or something. | 0:15:39 | 0:15:41 | |
It's a complicated set | 0:15:41 | 0:15:42 | |
of palindromes known as the SATOR word square, | 0:15:42 | 0:15:45 | |
where the words read the same across and down every column. | 0:15:45 | 0:15:48 | |
Next would be OPERA, | 0:15:48 | 0:15:50 | |
which you'll see is the second clue backwards, which makes sense. | 0:15:50 | 0:15:53 | |
R-O-T-A-S would actually come next after OPERA, | 0:15:53 | 0:15:56 | |
so I'm guessing you must have seen this word square before | 0:15:56 | 0:15:59 | |
because you know the line, | 0:15:59 | 0:16:01 | |
but actually to get to ROTAS you need OPERA. | 0:16:01 | 0:16:04 | |
Analysts, then, | 0:16:04 | 0:16:05 | |
one more choice for you this round. | 0:16:05 | 0:16:07 | |
-Twisted Flax, then, please. -OK. | 0:16:07 | 0:16:09 | |
What is the fourth in this sequence? | 0:16:09 | 0:16:12 | |
Here's the first. | 0:16:12 | 0:16:13 | |
This is going to be Adrian Mole books. | 0:16:16 | 0:16:18 | |
Next, please. | 0:16:21 | 0:16:22 | |
-No, it's the... -So it's the... -St Albion's. | 0:16:24 | 0:16:28 | |
It's the Academy one, isn't it? | 0:16:30 | 0:16:32 | |
The Parish News was Blair, wasn't it? | 0:16:32 | 0:16:35 | |
The Secret Diary was John Major. | 0:16:35 | 0:16:36 | |
BELL | 0:16:37 | 0:16:40 | |
New Coalition Academy Newsletter. | 0:16:40 | 0:16:42 | |
That's exactly what it is. | 0:16:42 | 0:16:44 | |
The New Coalition Academy or Newsletter. Well done. | 0:16:44 | 0:16:47 | |
Coming in after two clues, you get three points. Why is that? | 0:16:47 | 0:16:50 | |
They're the spoof columns | 0:16:50 | 0:16:54 | |
from the Prime Minister of the day in Private Eye, consecutively, | 0:16:54 | 0:17:00 | |
from Major, Blair, Brown and Cameron. | 0:17:00 | 0:17:03 | |
Exactly right. Well done. | 0:17:03 | 0:17:06 | |
That leaves only the Eye of Horus | 0:17:06 | 0:17:08 | |
to stare menacingly at the Scribes. | 0:17:08 | 0:17:10 | |
What would the fourth clue be in this sequence? Here's the first. | 0:17:10 | 0:17:14 | |
Next, please. | 0:17:18 | 0:17:19 | |
-Don't think so... -Next, please. | 0:17:24 | 0:17:26 | |
Why is there a sequence? | 0:17:30 | 0:17:31 | |
-Why would that make sense? -Divorce? | 0:17:35 | 0:17:37 | |
Number of wives... | 0:17:37 | 0:17:39 | |
A four wife, a five wife, a seven wife? | 0:17:39 | 0:17:43 | |
-It could be. -10 seconds. | 0:17:43 | 0:17:45 | |
Oh, the man who went to St Ives? | 0:17:45 | 0:17:47 | |
-I met a man going to St Ives... -Oh, yeah. | 0:17:47 | 0:17:51 | |
OK. The man who I met on the way to St Ives? | 0:17:51 | 0:17:54 | |
Who did you meet on the way to St Ives? | 0:17:54 | 0:17:57 | |
A man with seven wives. | 0:17:57 | 0:17:58 | |
Ah, no. There was a chance you met | 0:17:58 | 0:18:00 | |
this person on the way to St Ives, | 0:18:00 | 0:18:02 | |
but apparently no. So a possible bonus chance for the Analysts. | 0:18:02 | 0:18:06 | |
Well, that was where we were going, as well. | 0:18:06 | 0:18:08 | |
So we're going to say Richard Burton. | 0:18:08 | 0:18:10 | |
SHE LAUGHS | 0:18:10 | 0:18:11 | |
That's a really nice answer | 0:18:11 | 0:18:13 | |
and sort of works, in a funny sort of way. | 0:18:13 | 0:18:15 | |
The answer is actually Thomas Seymour. | 0:18:15 | 0:18:16 | |
These are the husbands of Catherine Parr. | 0:18:16 | 0:18:18 | |
And if she kept going she probably would have | 0:18:18 | 0:18:21 | |
married Richard Burton eventually. | 0:18:21 | 0:18:23 | |
She was married twice before her union with Henry VIII. | 0:18:23 | 0:18:26 | |
That was the one that survived, of course, | 0:18:26 | 0:18:28 | |
and after his death, she married Thomas Seymour. | 0:18:28 | 0:18:31 | |
At the end of Round Two, then, | 0:18:31 | 0:18:33 | |
The Scribes have got five points | 0:18:33 | 0:18:34 | |
but the Analysts are ahead with seven. | 0:18:34 | 0:18:36 | |
On to the connecting wall now, the jumbled up 16 clues | 0:18:39 | 0:18:42 | |
that need sorting into four connected groups of four. | 0:18:42 | 0:18:44 | |
Scribes, you'll be going first now, so you've got a choice - | 0:18:44 | 0:18:48 | |
Lion or Water? | 0:18:48 | 0:18:49 | |
-Lion, please. -Lion. OK. | 0:18:49 | 0:18:51 | |
You've got two-and-a-half minutes to solve this wall, starting now. | 0:18:51 | 0:18:55 | |
Claret jug, this is a prize in... | 0:18:59 | 0:19:02 | |
So trophy, cup... | 0:19:02 | 0:19:04 | |
It seems a little bit too easy. Sorghum is a type of wheat, I think. | 0:19:04 | 0:19:07 | |
-Millet, these are... -Quinoa's a grain. | 0:19:07 | 0:19:10 | |
These are kind of grains, aren't they? | 0:19:10 | 0:19:12 | |
I wonder what Amaranth is? I can't quite remember. | 0:19:12 | 0:19:14 | |
I think they're probably words that precede things here, | 0:19:14 | 0:19:18 | |
like Belt and Plate. | 0:19:18 | 0:19:20 | |
Steroid... That can have an A before it. | 0:19:20 | 0:19:22 | |
Acorn? Asteroid? Anyone going to help here? | 0:19:24 | 0:19:28 | |
-Adrift. -Adrift... | 0:19:28 | 0:19:30 | |
There's got to be another. I can't believe there wouldn't be. | 0:19:30 | 0:19:33 | |
Atrophy. | 0:19:33 | 0:19:34 | |
Oh, damn it! | 0:19:34 | 0:19:36 | |
OK, well, let's say there's another. | 0:19:36 | 0:19:38 | |
Avenue. OK. | 0:19:38 | 0:19:40 | |
I bet I'm doing the same ones here, aren't I? | 0:19:45 | 0:19:47 | |
OK, let's leave Trophy. | 0:19:47 | 0:19:49 | |
So now grains. Quinoa can only be a grain. | 0:19:51 | 0:19:55 | |
-I agree. -So Millet, as well. | 0:19:55 | 0:19:57 | |
I like that. Corn is gone, of course. | 0:19:57 | 0:20:00 | |
-OK, so they're all grains. -Three lives of course, now. | 0:20:00 | 0:20:03 | |
-Trophies or prizes. -Plate, cup. | 0:20:03 | 0:20:05 | |
Claret Jug and Dish. | 0:20:05 | 0:20:08 | |
And then these... | 0:20:08 | 0:20:11 | |
-Continental shelf? Continental drift? -Yeah, the Earth's crust... | 0:20:11 | 0:20:14 | |
I wonder if it's just continental... | 0:20:15 | 0:20:17 | |
I like that, but we've got a bit of time so let's just have a think. | 0:20:17 | 0:20:21 | |
-It's got to be continental shelf. -I like it, | 0:20:22 | 0:20:25 | |
I'm just trying to make sure | 0:20:25 | 0:20:27 | |
that we know what we're going to say when we hit that. | 0:20:27 | 0:20:29 | |
Plate could be in either, couldn't it? | 0:20:29 | 0:20:31 | |
Yes, I see what you're saying. It is going to be those four. | 0:20:31 | 0:20:34 | |
But I do... I'll just hit three of them for now. | 0:20:34 | 0:20:37 | |
I want to make sure our answer is absolutely right for this. | 0:20:37 | 0:20:41 | |
I think that can be preceded by continental, I think. | 0:20:41 | 0:20:44 | |
-That certainly can. Belt - not sure. -Crust can't. | 0:20:44 | 0:20:47 | |
So maybe just parts of the Earth | 0:20:47 | 0:20:49 | |
or things that can happen at the Earth's core? | 0:20:49 | 0:20:51 | |
Things that move in the earth. | 0:20:51 | 0:20:53 | |
Areas associated with tectonics, maybe that's better? | 0:20:53 | 0:20:56 | |
You've got 30 seconds and two lives now. | 0:20:56 | 0:20:59 | |
So plate can be tectonic. | 0:20:59 | 0:21:01 | |
Let's leave it then. Claret Jug and Dish. A Belt? | 0:21:01 | 0:21:05 | |
That's it. You've solved the wall. Very well done. Four points there. | 0:21:05 | 0:21:09 | |
Let's see about the connections. | 0:21:09 | 0:21:11 | |
Trophy, Venue, Corn, Steroid. | 0:21:11 | 0:21:13 | |
Can be preceded by A to make new words. | 0:21:13 | 0:21:15 | |
-Atrophy, Avenue, Acorn and Asteroid. -Exactly. Very well spotted. | 0:21:15 | 0:21:19 | |
You got that early. That was the really tricky one. | 0:21:19 | 0:21:21 | |
And what about this green group here? | 0:21:21 | 0:21:23 | |
They are all types of grain or foodstuff. | 0:21:23 | 0:21:27 | |
Yeah, I'll take it. Their seeds are used in cereals, | 0:21:27 | 0:21:29 | |
but yes, edible crops. | 0:21:29 | 0:21:31 | |
And the next one: Cup, Dish, Belt, Claret Jug? | 0:21:31 | 0:21:34 | |
Sporting prizes. | 0:21:34 | 0:21:35 | |
All sporting prizes. You recognise the Claret Jug, what's that from? | 0:21:35 | 0:21:38 | |
-The Open. -It's some sort of golf thing, I'm led to believe. | 0:21:38 | 0:21:42 | |
Some people get some prizes for that - I don't know why. | 0:21:42 | 0:21:45 | |
And the last one: Shelf, Drift, Plate, Crust? | 0:21:45 | 0:21:48 | |
I think they're all terms from tectonics. | 0:21:48 | 0:21:50 | |
Yes, do you want to tell me any more? | 0:21:50 | 0:21:52 | |
Continental terms, continental drift. | 0:21:52 | 0:21:54 | |
In tectonics, you can put "continental" before all of them. | 0:21:54 | 0:21:57 | |
Very well done indeed. That is four points for the groups, | 0:21:57 | 0:22:00 | |
four points for the connections. | 0:22:00 | 0:22:01 | |
You get two bonus points for getting it all right. | 0:22:01 | 0:22:03 | |
That's the maximum of 10. Very well done. | 0:22:03 | 0:22:06 | |
Time to bring back the Analysts, | 0:22:06 | 0:22:07 | |
see what they can do with the connecting wall. | 0:22:07 | 0:22:09 | |
16 new clues still need sorting into four connecting groups of four. | 0:22:09 | 0:22:13 | |
Analysts, it will be the Water Wall for you. | 0:22:13 | 0:22:16 | |
You have two-and-a-half minutes to solve it, starting now. | 0:22:16 | 0:22:19 | |
Split, Dubrovnik, Zadar... | 0:22:23 | 0:22:26 | |
Then Eubank, Leonard, Duran, Hagler.. | 0:22:28 | 0:22:30 | |
Pula's Croatia, as well, isn't it? So, hang on, so... | 0:22:32 | 0:22:36 | |
-We've got lots of... -Hang on. So... | 0:22:36 | 0:22:38 | |
-Take the Croatians out? -Yeah. | 0:22:38 | 0:22:40 | |
-Split's possibly another category. -There we go. | 0:22:46 | 0:22:50 | |
OK. Leonard, Duran, Hagler... | 0:22:52 | 0:22:54 | |
-Middleweight boxers, specifically. -Yeah. | 0:22:55 | 0:22:57 | |
Loon, that's a Canadian coin, isn't it? | 0:22:57 | 0:22:59 | |
No, it's... Hang on. | 0:23:01 | 0:23:03 | |
Sub Sub, The The... | 0:23:03 | 0:23:05 | |
-Talk Talk, Duran Duran. -OK. | 0:23:05 | 0:23:08 | |
Which leaves us with... | 0:23:10 | 0:23:12 | |
-Lots of boxers. -Timer... | 0:23:12 | 0:23:14 | |
Pula... | 0:23:14 | 0:23:16 | |
-Loads of boxers. -And... | 0:23:18 | 0:23:19 | |
Yeah, another boxer coming after that. | 0:23:21 | 0:23:23 | |
We've got to sort the boxers. | 0:23:29 | 0:23:31 | |
Because there are six of them. | 0:23:31 | 0:23:34 | |
Right, OK, let's go for... | 0:23:34 | 0:23:36 | |
You're about halfway through the time. | 0:23:36 | 0:23:38 | |
Is it anything to do with the weights? | 0:23:40 | 0:23:42 | |
I think they're all more or less middleweight. | 0:23:44 | 0:23:48 | |
We might as well try the ones... | 0:23:48 | 0:23:51 | |
Hang on, hang on. | 0:23:51 | 0:23:52 | |
-There we go. -Three lives now. -OK. | 0:23:59 | 0:24:03 | |
-Pula, Loon... -Leonard and Timer. | 0:24:08 | 0:24:11 | |
That's it. You've solved the wall. | 0:24:20 | 0:24:22 | |
That's four points for you there. | 0:24:22 | 0:24:24 | |
Let's look for the connections. | 0:24:24 | 0:24:26 | |
Split, Dubrovnik, Zadar, Rijeka? | 0:24:26 | 0:24:29 | |
-Cities in Croatia. -They're Croatian cities. | 0:24:29 | 0:24:31 | |
What about this: Hearns, Hagler, Benn, Eubank? | 0:24:31 | 0:24:35 | |
Boxers, specifically middleweight world champions. | 0:24:35 | 0:24:39 | |
That's absolutely the perfect answer. | 0:24:39 | 0:24:40 | |
World middleweight champions. Are you boxing fans? | 0:24:40 | 0:24:43 | |
I probably was back then, back in the golden years. | 0:24:43 | 0:24:47 | |
-Something was better back then, eh? -Always. | 0:24:47 | 0:24:50 | |
And what about this: Duran, Sub, The, Talk? | 0:24:50 | 0:24:54 | |
Repeat them and you get the name of a band in each case. | 0:24:54 | 0:24:58 | |
That's right, the pop groups Duran Duran, Sub Sub, The The, Talk Talk. | 0:24:58 | 0:25:03 | |
And what about this last group: Leonard, Timer, Pula, Loon? | 0:25:03 | 0:25:07 | |
Um... Hmm... | 0:25:07 | 0:25:09 | |
Not so sure on this one. Currencies? | 0:25:09 | 0:25:13 | |
That's not it. | 0:25:13 | 0:25:14 | |
Now this devious connection is almost invisible to the human eye. | 0:25:14 | 0:25:20 | |
But what if you changed one letter in each of those clues, | 0:25:20 | 0:25:23 | |
you could turn them into Leopard, Tiger, Puma and Lion. | 0:25:23 | 0:25:28 | |
They all become big cats if you change a letter. | 0:25:28 | 0:25:31 | |
But the claws were really hidden there. | 0:25:31 | 0:25:33 | |
Very well done, though, you found four groups | 0:25:33 | 0:25:35 | |
and you get three bonus points for the connections, a total of seven. | 0:25:35 | 0:25:38 | |
Let's have a look at the scores going into round four. | 0:25:38 | 0:25:41 | |
The Analysts have got 14 points, but The Scribes are ahead with 15. | 0:25:42 | 0:25:46 | |
This is going to make for a hotly contested missing vowels round. | 0:25:48 | 0:25:52 | |
It will be decided here. | 0:25:52 | 0:25:53 | |
Of course, we'll be taking the vowels out of well-known names, | 0:25:53 | 0:25:56 | |
phrases or sayings, squidging up the consonants. | 0:25:56 | 0:25:58 | |
I want to know what the hidden clues are. | 0:25:58 | 0:26:00 | |
Of course, the teams can lose points | 0:26:00 | 0:26:02 | |
if they get a consonant wrong. | 0:26:02 | 0:26:04 | |
Or indeed a vowel. Fingers on buzzers, teams. | 0:26:04 | 0:26:08 | |
The first group are all literary aunts. | 0:26:08 | 0:26:12 | |
-Analysts? -Lady Bracknell. -Correct. | 0:26:14 | 0:26:16 | |
-Scribes? -Betsy Trotwood. -Correct. | 0:26:18 | 0:26:20 | |
A tricky one, this. | 0:26:27 | 0:26:29 | |
From Cold Comfort Farm, it's Ada Doom. Next clue. | 0:26:29 | 0:26:32 | |
-Analysts? -Aunt Agatha. | 0:26:34 | 0:26:35 | |
The mastodon herself. Correct. | 0:26:35 | 0:26:37 | |
Next category, films with photographer protagonists. | 0:26:37 | 0:26:40 | |
-Analysts? -Spiderman. | 0:26:42 | 0:26:44 | |
Correct. | 0:26:44 | 0:26:45 | |
-Scribes? -The Bridges of Madison County. | 0:26:47 | 0:26:49 | |
Correct. | 0:26:49 | 0:26:51 | |
-Scribes? -Funny Face. -Correct. | 0:26:52 | 0:26:54 | |
-Scribes? -Rear Window. -Correct. | 0:26:56 | 0:26:58 | |
Next category, correct versions of common misquotations. | 0:26:58 | 0:27:02 | |
-Scribes? -Double, double, toil and trouble. | 0:27:06 | 0:27:08 | |
That's right. | 0:27:08 | 0:27:10 | |
-Analysts? -Play it, Sam. | 0:27:12 | 0:27:13 | |
Correct. | 0:27:13 | 0:27:14 | |
-Analysts? -Lay on, Macduff. | 0:27:18 | 0:27:20 | |
That's right. | 0:27:20 | 0:27:21 | |
Oh, come on! | 0:27:30 | 0:27:31 | |
This one is "Alas, poor Yorick! I knew him, Horatio." | 0:27:31 | 0:27:34 | |
Next category, works of JMW Turner. | 0:27:34 | 0:27:37 | |
-Scribes? -Eruption of Vesuvius. | 0:27:41 | 0:27:43 | |
Correct. | 0:27:43 | 0:27:44 | |
END OF ROUND JINGLE | 0:27:50 | 0:27:52 | |
That last one was Dido Building Carthage. | 0:27:54 | 0:27:58 | |
But the little sound means we're at the end of the quiz. | 0:27:58 | 0:28:02 | |
And after an amazing round four, for the captains especially, | 0:28:02 | 0:28:06 | |
the Analysts finish on 19 points, but the winners, | 0:28:06 | 0:28:10 | |
and new champion of champions for Only Connect with 21 points, | 0:28:10 | 0:28:14 | |
are The Scribes. Very well done. | 0:28:14 | 0:28:17 | |
What an absolutely successful tournament for you | 0:28:17 | 0:28:19 | |
and your icing the cake with the champions of champions. | 0:28:19 | 0:28:23 | |
Analysts, just pipped this time but it was lovely to see you all again | 0:28:23 | 0:28:26 | |
and some brilliant quizzing, of course. Thank you for playing. | 0:28:26 | 0:28:29 | |
And thank you for watching this special episode | 0:28:29 | 0:28:31 | |
of the problem-solving quiz | 0:28:31 | 0:28:33 | |
that doesn't actually solve any of your problems - | 0:28:33 | 0:28:35 | |
as I've learned to my cost. Goodbye. | 0:28:35 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:58 | 0:29:03 |