Browse content similar to Comedians. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Thank you very much indeed. Hello, I'm Alexander Armstrong | 0:00:24 | 0:00:26 | |
and welcome to this special comedians edition of Pointless Celebrities, | 0:00:26 | 0:00:30 | |
the show where the aim of the game is to score as few points as you | 0:00:30 | 0:00:32 | |
possibly can and you do that by coming up with the answers | 0:00:32 | 0:00:35 | |
no-one else could think of. Let's meet today's Pointless Celebrities. | 0:00:35 | 0:00:38 | |
And couple number one. | 0:00:43 | 0:00:45 | |
Hi, I'm Francesca Martinez | 0:00:45 | 0:00:47 | |
and I am a wobbly comedian and I'm also really bad at quizzes. | 0:00:47 | 0:00:53 | |
I'm Jeremy Hardy, I am also a comedian and Francesca is my carer. | 0:00:53 | 0:00:57 | |
Couple number two. | 0:01:04 | 0:01:05 | |
I am Sean, I'm predominantly a comedian but, in my spare time, | 0:01:05 | 0:01:07 | |
I like to ask 100 random strangers quiz questions. | 0:01:07 | 0:01:10 | |
Yeah, I'm Rhona Cameron, I'm a comedian and a saboteur. | 0:01:13 | 0:01:16 | |
Couple number three. | 0:01:22 | 0:01:23 | |
I'm Robert Webb, | 0:01:23 | 0:01:24 | |
I'm a comedy actor which is why I haven't thought of a joke. | 0:01:24 | 0:01:28 | |
I'm Isy Suttie, I am a comedian and an actor, | 0:01:28 | 0:01:31 | |
and no relation to the glove puppet Sooty. | 0:01:31 | 0:01:35 | |
And, finally, couple number four. | 0:01:40 | 0:01:42 | |
I am Hal Cruttenden, comedian, writer and actor. | 0:01:42 | 0:01:46 | |
I also should have thought of a joke and don't have one. | 0:01:46 | 0:01:48 | |
I'm Justin Moorhouse and I'm a comedian, Hal's friend. | 0:01:49 | 0:01:53 | |
Well, thank you very much. We will find out more about you | 0:01:56 | 0:01:59 | |
throughout the show as it goes along. | 0:01:59 | 0:02:00 | |
So, that just leaves one more person for me to introduce. | 0:02:00 | 0:02:03 | |
If he gives you a piece of his mind, you might want to look after it. | 0:02:03 | 0:02:06 | |
Worth a fortune on eBay. | 0:02:06 | 0:02:07 | |
It's my Pointless friend, it's Richard. | 0:02:07 | 0:02:10 | |
Hiya. | 0:02:10 | 0:02:11 | |
Hi, everybody. Evening. | 0:02:11 | 0:02:13 | |
-Good evening to you. How are you? -And to you. I'm very well. | 0:02:14 | 0:02:16 | |
-This will be fun, won't it? -Well, I think it will. | 0:02:16 | 0:02:18 | |
We've got a few familiar faces who've been on the show before. | 0:02:18 | 0:02:21 | |
-Now, Rhona. -No. -And Robert have both been on the show before | 0:02:21 | 0:02:24 | |
-and both came on with the same person. -Oh, yes, they did. | 0:02:24 | 0:02:26 | |
Notoriously the worst player in Pointless Celebrities history, | 0:02:26 | 0:02:29 | |
-Richard Herring. -Richard Herring. -I think you have both traded up, | 0:02:29 | 0:02:32 | |
I would have to say, with Sean and Isy today. | 0:02:32 | 0:02:34 | |
On podium four, both been on before, Hal... | 0:02:34 | 0:02:36 | |
-Yeah. -..is a champion. | 0:02:36 | 0:02:38 | |
-He is. -He has a Pointless trophy, | 0:02:38 | 0:02:39 | |
very few people out there with two Pointless trophies, Hal. | 0:02:39 | 0:02:42 | |
So, Justin, no pressure on you at all. | 0:02:42 | 0:02:45 | |
On podium one, lovely Francesca and Jeremy Hardy. | 0:02:45 | 0:02:47 | |
I think Jeremy Hardy, I would say, | 0:02:47 | 0:02:48 | |
is probably one of Britain's greatest ever stand-up comedians. | 0:02:48 | 0:02:51 | |
If you have the chance to go see him live, you must do it, | 0:02:51 | 0:02:53 | |
sensationally brilliant. Pleasure to have you both on the show. | 0:02:53 | 0:02:56 | |
-Thank you. -Thank you very much indeed, Richard. | 0:02:56 | 0:02:58 | |
Now, as usual, all of today's questions have been put | 0:02:58 | 0:03:00 | |
to 100 people before the show. | 0:03:00 | 0:03:01 | |
Our contestants are looking for those all-important pointless | 0:03:01 | 0:03:04 | |
answers, those are the answers that none of our 100 people gave. | 0:03:04 | 0:03:07 | |
Each time that happens, we will add 250 quid to the jackpot. | 0:03:07 | 0:03:10 | |
Now, as today's show is a celebrity special, | 0:03:10 | 0:03:13 | |
each of our lovely celebrities is playing for a nominated charity. | 0:03:13 | 0:03:15 | |
We start off with a jackpot of £2,500. | 0:03:15 | 0:03:19 | |
There we are. | 0:03:19 | 0:03:20 | |
Right, if everyone's ready, let's play Pointless. | 0:03:23 | 0:03:26 | |
All you have to remember is this - | 0:03:31 | 0:03:33 | |
the pair with the highest score at the end of each round will be | 0:03:33 | 0:03:36 | |
eliminated. The pair with the highest score. | 0:03:36 | 0:03:38 | |
So, keep your scores low. | 0:03:38 | 0:03:39 | |
No conferring in the first two rounds. | 0:03:39 | 0:03:41 | |
Our first category this evening... | 0:03:41 | 0:03:43 | |
..is Fictional Characters. Fictional Characters. | 0:03:45 | 0:03:48 | |
Can you all decide in your pairs, Rhona, who is going to go first, | 0:03:48 | 0:03:51 | |
who is going to go second? | 0:03:51 | 0:03:53 | |
And whoever's going first, please step up to the podium. | 0:03:53 | 0:03:55 | |
-RHONA: -You go first. | 0:03:58 | 0:04:00 | |
OK. And our first question concerns... | 0:04:00 | 0:04:05 | |
-I could've done that! -Empire magazine... | 0:04:08 | 0:04:10 | |
Well, you get a chance as well. | 0:04:10 | 0:04:12 | |
-OK. -Empire magazine's 100 greatest movie characters. | 0:04:12 | 0:04:14 | |
-Richard. -Yeah, in 2015, Empire magazine named | 0:04:14 | 0:04:17 | |
the 100 greatest movie characters of all time. | 0:04:17 | 0:04:19 | |
We're going to show you a board now with 16 of those characters on it. | 0:04:19 | 0:04:23 | |
You just need to name one of the characters, please. | 0:04:23 | 0:04:26 | |
Thank you very much indeed. | 0:04:26 | 0:04:27 | |
So, we're going to put this image up with 16 characters on. | 0:04:27 | 0:04:29 | |
The image, I'm guessing, is not going to change halfway through | 0:04:29 | 0:04:32 | |
-the round? -No. -It's going to be there the whole round. | 0:04:32 | 0:04:34 | |
You just have to name one of the characters on that image. | 0:04:34 | 0:04:37 | |
Le's see what that image is. | 0:04:37 | 0:04:39 | |
Here it is. | 0:04:39 | 0:04:40 | |
There we go. | 0:04:42 | 0:04:44 | |
There we go. Jeremy, welcome. | 0:04:44 | 0:04:47 | |
Now, you've been doing stand-up since 1984, I think. | 0:04:47 | 0:04:50 | |
-Yes. -You are the eminence grise of stand-up, I should say. | 0:04:50 | 0:04:53 | |
-Yes. -It must have changed a lot. | 0:04:53 | 0:04:54 | |
I'm the slightly inappropriate older uncle of stand-up. | 0:04:54 | 0:04:57 | |
I think of you slightly as a sort of academic. You're sort of | 0:04:57 | 0:04:59 | |
the intellectual wing of stand-up, I think. | 0:04:59 | 0:05:01 | |
So, you mean I am quite clever but not that entertaining? | 0:05:01 | 0:05:04 | |
-No, I think you are both of those things. -Excellent, thank you. | 0:05:04 | 0:05:06 | |
-Both of those things. -I'll take that. -No, but there is | 0:05:06 | 0:05:08 | |
a commercial side, there's a new massive commercial side to stand up. | 0:05:08 | 0:05:11 | |
Not saying that you're not commercial, Jeremy. | 0:05:11 | 0:05:14 | |
I think of you as a sort of, you know, a polemicist. | 0:05:14 | 0:05:16 | |
Excellent. Thank you. | 0:05:16 | 0:05:17 | |
There we are. Now, Jeremy. Jeremy, people. | 0:05:17 | 0:05:20 | |
-Yeah. -People from films. -Name a character? | 0:05:20 | 0:05:23 | |
Yes, ideally one that won't have been recognised | 0:05:23 | 0:05:25 | |
by too many of our 100 people. | 0:05:25 | 0:05:27 | |
Er... | 0:05:29 | 0:05:30 | |
Atticus Finch. | 0:05:30 | 0:05:32 | |
Atticus Finch, says Jeremy. | 0:05:32 | 0:05:33 | |
Let's see how many of 100 people said Atticus Finch. | 0:05:33 | 0:05:36 | |
He's right. | 0:05:40 | 0:05:41 | |
It's a good one, down it goes. Still going down. | 0:05:43 | 0:05:45 | |
Look at that, four. Very well done indeed, Jeremy, | 0:05:45 | 0:05:48 | |
you've got the hang of this. | 0:05:48 | 0:05:49 | |
Excellent start to the round and, indeed, the game. | 0:05:49 | 0:05:52 | |
Yeah. That's a great start, Jeremy, very well played. | 0:05:52 | 0:05:55 | |
There he is in black-and-white, such a good answer. | 0:05:55 | 0:05:58 | |
Gregory Peck playing Atticus Finch in To Kill A Mockingbird. | 0:05:58 | 0:06:01 | |
Thank you very much. Sean. | 0:06:01 | 0:06:02 | |
-Hello. -Sean. Welcome to Pointless, it's lovely to have you here. | 0:06:02 | 0:06:05 | |
-Thank you. -Again, your first time, a debut on Pointless. | 0:06:05 | 0:06:09 | |
Now, you, I always think of the Comedy Store | 0:06:09 | 0:06:12 | |
in the 1980s as being kind of like...almost like the Cavern Club | 0:06:12 | 0:06:15 | |
in Liverpool of the '60s. | 0:06:15 | 0:06:17 | |
It was really where it was at, | 0:06:17 | 0:06:18 | |
and you were very much part of the Comedy Store, weren't you? | 0:06:18 | 0:06:20 | |
I used to die most of the time I played there. | 0:06:20 | 0:06:22 | |
Do you remember anything about it? | 0:06:22 | 0:06:25 | |
Yeah, I remember the Beatles used to be in the dressing room a lot. | 0:06:25 | 0:06:28 | |
It was terrifying cos that was the main club then. | 0:06:31 | 0:06:34 | |
-Yeah. -But it was... Yeah, I used to really get, | 0:06:34 | 0:06:36 | |
I would throw up before a show and stuff. | 0:06:36 | 0:06:39 | |
Sean. | 0:06:39 | 0:06:41 | |
Characters from movies. | 0:06:41 | 0:06:42 | |
Now, he's known for one name, Red. | 0:06:43 | 0:06:46 | |
Red. Red, says Sean. | 0:06:46 | 0:06:49 | |
Let's see if Red is right, let's see how many of our 100 people said Red. | 0:06:49 | 0:06:53 | |
Another good answer, look at that, down to eight. | 0:07:00 | 0:07:02 | |
Very well done indeed. Two single figure answers so far. | 0:07:02 | 0:07:05 | |
Eight on podium two. | 0:07:05 | 0:07:07 | |
Another good answer, well played, Sean. | 0:07:07 | 0:07:09 | |
Yeah, Morgan Freeman in Shawshank Redemption. | 0:07:09 | 0:07:12 | |
His full name is Ellis Boyd Redding. | 0:07:12 | 0:07:14 | |
Thanks very much indeed. | 0:07:14 | 0:07:16 | |
Isy. Welcome to Pointless. | 0:07:16 | 0:07:18 | |
-Thank you. -Now, talk to me about The Actual One. | 0:07:18 | 0:07:21 | |
Oh, well, it's a book that I have written about my late 20s | 0:07:21 | 0:07:25 | |
and about not wanting to grow up | 0:07:25 | 0:07:28 | |
and settle down, and then, at the book launch, | 0:07:28 | 0:07:31 | |
I proposed to my boyfriend a few days ago. | 0:07:31 | 0:07:33 | |
So I have now grown up officially. | 0:07:33 | 0:07:36 | |
-So you are engaged? -Yeah. It's cos I need to write a second book. | 0:07:36 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:41 | |
There you go. OK. Now, what would you like to go for | 0:07:41 | 0:07:43 | |
-from our board of characters? -OK, so my knowledge is quite... | 0:07:43 | 0:07:46 | |
I'm thinking of all the actors' names and not the characters | 0:07:46 | 0:07:49 | |
so I've got one that I hope wasn't spotted by people because it was | 0:07:49 | 0:07:53 | |
a while ago now but I'm going to go for Amelie. | 0:07:53 | 0:07:55 | |
SIGHING FROM CONTESTANTS | 0:07:55 | 0:07:56 | |
Oh, someone... Hal Cruttenden doesn't like that at all. | 0:07:56 | 0:08:00 | |
Amelie, says Isy. | 0:08:00 | 0:08:01 | |
Well done. Doubly well done, if it's a low score. | 0:08:01 | 0:08:04 | |
Let's see how many of our 100 people went for Amelie. | 0:08:04 | 0:08:07 | |
Another low score, look at that, 21. | 0:08:14 | 0:08:17 | |
Not bad at all, Isy. | 0:08:17 | 0:08:19 | |
Well played, Isy. Yeah, played by Audrey Tautou in... | 0:08:21 | 0:08:24 | |
I can't remember the name of the film. | 0:08:24 | 0:08:27 | |
There she is, bottom row there. | 0:08:27 | 0:08:29 | |
Thank you very much indeed, Richard. | 0:08:29 | 0:08:32 | |
-Hal, welcome back. -Lovely to be back. -Welcome back. | 0:08:32 | 0:08:35 | |
I mean, coming back as a champion, you must feel the pressure there. | 0:08:35 | 0:08:38 | |
Yeah, you do feel the pressure but I'm going to | 0:08:38 | 0:08:40 | |
-blame Justin if we lose. -OK, fair enough. Hal, | 0:08:40 | 0:08:43 | |
you have done the Royal Variety Show not once but twice. | 0:08:43 | 0:08:45 | |
-Yes. -I have to say I have only done it once. And there were | 0:08:45 | 0:08:48 | |
three of us doing it. Terrifying. | 0:08:48 | 0:08:49 | |
It is, it is the scariest show, I think. | 0:08:49 | 0:08:51 | |
-Why is it so scary? -I think it's scary cos comics do really crash | 0:08:51 | 0:08:55 | |
-and burn on it. -I... -Look at how he's avoiding looking at me. | 0:08:55 | 0:08:59 | |
No, but did you find it...? | 0:08:59 | 0:09:00 | |
Because you're going on after musicians, or acrobats, | 0:09:00 | 0:09:02 | |
or something else, and, suddenly, you go on and I think, | 0:09:02 | 0:09:05 | |
for stand-ups anyway, that first minute is usually quite quiet | 0:09:05 | 0:09:08 | |
-until they relax. -Yeah, when they are sort of leading | 0:09:08 | 0:09:11 | |
juggling zebras off as you come on. | 0:09:11 | 0:09:12 | |
And it's the idea that if you die, | 0:09:12 | 0:09:14 | |
you're then going to have to meet the Royals after going, "Oh" | 0:09:14 | 0:09:16 | |
-"that was dreadful." -Who did you meet? | 0:09:16 | 0:09:18 | |
-Who were your Royals? -Well, I met the Queen and Prince Philip | 0:09:18 | 0:09:21 | |
in 2009, and Prince Charles and Camilla in 2013. | 0:09:21 | 0:09:24 | |
Good stuff. Now, then, Hal, who would you like to go for? | 0:09:24 | 0:09:28 | |
Quite a lot of youngsters might not know and I think this is the right | 0:09:28 | 0:09:31 | |
name cos I'm not sure myself, | 0:09:31 | 0:09:33 | |
Axel Foley. | 0:09:33 | 0:09:35 | |
Axel Foley, says Hal. | 0:09:35 | 0:09:37 | |
Axel Foley. Let's see how many of our 100 people said Axel Foley. | 0:09:37 | 0:09:41 | |
-Oh, thank God. -It's right. | 0:09:44 | 0:09:46 | |
Oh, look at that! 11. | 0:09:49 | 0:09:51 | |
Judiciously chosen, sir. | 0:09:53 | 0:09:55 | |
11 for Axel Foley. | 0:09:55 | 0:09:57 | |
Well played, Hal. Very impressive so far from everyone, good round. | 0:09:57 | 0:10:00 | |
Yeah, played by Eddie Murphy, of course, | 0:10:00 | 0:10:02 | |
in the Beverly Hills Cop trilogy. | 0:10:02 | 0:10:04 | |
We are halfway through the round. Let's take a look at | 0:10:04 | 0:10:06 | |
the scores as they stand. Four, the best score so far, very well done. | 0:10:06 | 0:10:09 | |
Jeremy and Francesca looking very strong on the back of that. | 0:10:09 | 0:10:12 | |
Then up to eight, where we find Sean and Rhona. | 0:10:12 | 0:10:14 | |
11, Hal and Justin. | 0:10:14 | 0:10:16 | |
Isy and Robert on 21. | 0:10:16 | 0:10:18 | |
I mean, you're not way out ahead but, Robert, | 0:10:18 | 0:10:20 | |
we need a really obscure, low-scoring answer from you | 0:10:20 | 0:10:23 | |
to keep you in the game. Best of luck with that. | 0:10:23 | 0:10:25 | |
We're going to come back down the line now. | 0:10:25 | 0:10:27 | |
Can the second players please step up to the podium? | 0:10:27 | 0:10:29 | |
So, Justin, remember we're looking for the name of any film character | 0:10:32 | 0:10:36 | |
depicted here on the board behind me. | 0:10:36 | 0:10:38 | |
Justin, there was a rumour going around backstage | 0:10:38 | 0:10:41 | |
that the reason why you've come back on Pointless | 0:10:41 | 0:10:43 | |
was because Richard Osborne blanked you at the Edinburgh Festival. | 0:10:43 | 0:10:46 | |
Yeah, just wanted to say hello, really. | 0:10:46 | 0:10:48 | |
I did that awful thing where he was walking down the street... | 0:10:48 | 0:10:50 | |
Richard's very recognisable, isn't he? | 0:10:50 | 0:10:53 | |
He was striding down the Royal Mile like a colossus. | 0:10:53 | 0:10:57 | |
It's the only way I can stride, Justin. | 0:10:57 | 0:10:59 | |
And I was shouting, "Richard! | 0:10:59 | 0:11:01 | |
"Richard!" And I just did it about five or six times too many. | 0:11:01 | 0:11:05 | |
-Too many. -"Look at that massive Pointless fan." | 0:11:05 | 0:11:08 | |
Justin's got one of those voices that you ignore in the street, | 0:11:08 | 0:11:11 | |
that's all, do you know what I mean? | 0:11:11 | 0:11:13 | |
He's got a voice that suggests trouble. | 0:11:13 | 0:11:15 | |
That's all. I'm sure I probably had my headphones on...or something. | 0:11:15 | 0:11:19 | |
You didn't. | 0:11:19 | 0:11:20 | |
-Never mind. -Now, Justin. | 0:11:23 | 0:11:25 | |
-Yeah. -You're on 11. A nice, low score. | 0:11:25 | 0:11:27 | |
If you can score nine or less, you will avoid being the high-scorers. | 0:11:27 | 0:11:31 | |
I'm going to go for...I'm going to play it safe, I think, oh, | 0:11:31 | 0:11:36 | |
-Tuesday Addams. -Tuesday Addams, Tuesday Addams, says Justin. | 0:11:36 | 0:11:40 | |
Here's your red line. If you happen to get below that red line, | 0:11:40 | 0:11:43 | |
then you are absolutely safe and sound. You're through | 0:11:43 | 0:11:45 | |
to the next round. Let's see how many of our 100 people | 0:11:45 | 0:11:47 | |
said Tuesday Addams. | 0:11:47 | 0:11:48 | |
Oh, no! Oh, Justin. | 0:11:51 | 0:11:54 | |
Again, I'm afraid that scored you 100 points. | 0:11:54 | 0:11:57 | |
That takes your total up to 111. | 0:11:57 | 0:11:59 | |
Anything could happen, though, in the rest of the round. | 0:11:59 | 0:12:02 | |
-It won't. -It could. -Start the car. | 0:12:02 | 0:12:05 | |
Yeah, sorry, Justin, I'll go through the whole board | 0:12:05 | 0:12:07 | |
-at the end of the pass. -Yeah, yeah. | 0:12:07 | 0:12:08 | |
Thanks very much, Richard. | 0:12:08 | 0:12:10 | |
Robert. | 0:12:10 | 0:12:12 | |
-Hello. -Robert. | 0:12:12 | 0:12:13 | |
-Yeah. -Now, officially, we've seen the last of Peep Show. | 0:12:13 | 0:12:15 | |
-We have. -Officially. Is that really...is that...? | 0:12:15 | 0:12:18 | |
That's it. That is it. | 0:12:18 | 0:12:21 | |
Except if we all make it to 70 and then we might come back | 0:12:21 | 0:12:25 | |
because it might be funny to watch. | 0:12:25 | 0:12:27 | |
Living in the same flat having the same conversations. | 0:12:27 | 0:12:30 | |
Was it very sad, the last episode? Or did you all just run off? | 0:12:30 | 0:12:32 | |
It was sad, it was sad doing the last scenes in the flat | 0:12:32 | 0:12:35 | |
knowing that they were about to burn the set and, you know... | 0:12:35 | 0:12:38 | |
To be fair, they probably did that after every series, I think. | 0:12:38 | 0:12:40 | |
-Yeah. -Now, Robert. -Yes. | 0:12:40 | 0:12:42 | |
21 is your score. | 0:12:42 | 0:12:44 | |
89 or less... | 0:12:44 | 0:12:46 | |
-Yes. -..sees you into Round Two. | 0:12:46 | 0:12:47 | |
Right. I was very grateful for Hal's answer because I was about to name | 0:12:47 | 0:12:51 | |
Eddie Murphy's character in a completely different film. | 0:12:51 | 0:12:54 | |
So that would've been an error. | 0:12:54 | 0:12:58 | |
I'm going to say Ripley. | 0:12:58 | 0:13:00 | |
Robert says Ripley, let's see if that's right. | 0:13:01 | 0:13:03 | |
Here's your red line. If you get below that with Ripley, | 0:13:03 | 0:13:05 | |
you are into the next round. How many of our 100 said Ripley? | 0:13:05 | 0:13:08 | |
It's right and you are through. | 0:13:11 | 0:13:12 | |
13. | 0:13:17 | 0:13:18 | |
13 takes you up to 34. | 0:13:19 | 0:13:21 | |
Yes, Ellen Ripley there, played by Sigourney Weaver, | 0:13:23 | 0:13:25 | |
number five on the list of greatest movie characters of all time, | 0:13:25 | 0:13:29 | |
in the Aliens quadrilogy. | 0:13:29 | 0:13:31 | |
Rhona, welcome back. | 0:13:31 | 0:13:33 | |
-Hi. -Welcome, it's lovely to have you back. | 0:13:33 | 0:13:35 | |
-It's lovely to be here. -Oh, listen, I can tell you something | 0:13:35 | 0:13:38 | |
that's going to speed your heart up. You are through to the next round. | 0:13:38 | 0:13:41 | |
It doesn't matter what you score here. | 0:13:41 | 0:13:43 | |
-Oh. -Now, you grew up in Musselburgh, didn't you? | 0:13:43 | 0:13:45 | |
I grew up in a fishing town of Musselburgh. | 0:13:45 | 0:13:47 | |
Why is it called the "Honest Town" Musselburgh, | 0:13:47 | 0:13:50 | |
-when you drive into it? -Well... -The Honest Town. | 0:13:50 | 0:13:52 | |
-The Honest Toun. -Toun, yes. | 0:13:52 | 0:13:54 | |
-T-O-U-N. -Yes. -Because the Earl of Moray was riding through there | 0:13:54 | 0:13:59 | |
and he fell off his horse was taken ill and locals nursed him | 0:13:59 | 0:14:05 | |
back to health and didn't rob him, so it was therefore | 0:14:05 | 0:14:09 | |
that the dignitaries and the aristocracy very kindly | 0:14:09 | 0:14:13 | |
labelled the working people of Musselburgh, the peasants, | 0:14:13 | 0:14:17 | |
as being very honest, and hence it was called the honest toun. | 0:14:17 | 0:14:20 | |
The honest toun. | 0:14:20 | 0:14:21 | |
I went to school there, and I was head girl at the school | 0:14:21 | 0:14:25 | |
cos I was the only one that wasn't pregnant but... Yeah, | 0:14:25 | 0:14:29 | |
I'm just really annoyed with myself cos movies are my thing and... | 0:14:29 | 0:14:34 | |
Come on, you've got it, you've got to have a good answer here, Rhona. | 0:14:34 | 0:14:37 | |
No, I can't, I can't bear what is about to happen to me. | 0:14:37 | 0:14:39 | |
No, I don't want to be the one that says the well-known one | 0:14:39 | 0:14:41 | |
-but I'm going to have to do. -Say the well-known one, | 0:14:41 | 0:14:43 | |
-you're still through. It doesn't matter. -So it doesn't matter? | 0:14:43 | 0:14:46 | |
-Doesn't matter. -Oh, I don't want to cos it's very popular | 0:14:46 | 0:14:49 | |
but I'm going to have to say Inspector Clouseau. | 0:14:49 | 0:14:51 | |
Inspector Clouseau, OK. | 0:14:51 | 0:14:53 | |
Rhona says Inspector Clouseau. | 0:14:53 | 0:14:55 | |
I didn't want to, it's my last resort. | 0:14:55 | 0:14:57 | |
There is no red line for you cos you're already through. | 0:14:57 | 0:14:59 | |
Let's see how many of our 100 people said Inspector Clouseau. | 0:14:59 | 0:15:02 | |
99? | 0:15:05 | 0:15:08 | |
59! There you are. 59. Taking your total up to 67. | 0:15:10 | 0:15:13 | |
Sorry about the drama, sorry about the drama. | 0:15:15 | 0:15:16 | |
-Don't worry. -So, from the Pink Panther films, of course, | 0:15:16 | 0:15:19 | |
-they remade them very, very bad, the remakes. -Oh, yes, why? | 0:15:19 | 0:15:22 | |
-Steve Martin. -They WILL do that, won't they? | 0:15:22 | 0:15:25 | |
There we are, thanks very much indeed, Richard. | 0:15:25 | 0:15:27 | |
Francesca. Oh, this has been a tough run to sit through. | 0:15:27 | 0:15:30 | |
-While answer after answer has been taken off your board there. -I know! | 0:15:30 | 0:15:34 | |
And I subscribed to Empire for 20 years. | 0:15:34 | 0:15:38 | |
-LAUGHTER -I should know this. | 0:15:38 | 0:15:40 | |
-You should. -Yeah. -Now before you answer your question, I want to know this, | 0:15:40 | 0:15:43 | |
you did a tour where you went to the southern hemisphere, | 0:15:43 | 0:15:46 | |
I think this was Australia, | 0:15:46 | 0:15:47 | |
-Malaysia and Singapore and you did 62 dates there. -I did. | 0:15:47 | 0:15:52 | |
I'm still knackered. | 0:15:52 | 0:15:54 | |
I was going to say, how the hell did you do that? | 0:15:54 | 0:15:56 | |
Oh, you know, it's great doing something you love. | 0:15:56 | 0:16:00 | |
-Yeah. -People think stand-up is really hard, or sit-down in my case, | 0:16:00 | 0:16:04 | |
but, you know, it's great having a job that you love and that | 0:16:04 | 0:16:09 | |
isn't a proper job and there are no early mornings. | 0:16:09 | 0:16:14 | |
-That's true, that's true. -And we get paid to insult people. It's great. | 0:16:14 | 0:16:17 | |
That's nice. | 0:16:17 | 0:16:19 | |
Now, Francesca, do you feel like talking us through the rest of the board | 0:16:19 | 0:16:22 | |
-or as many as the rest of the board as you can? -Yeah, OK. I think | 0:16:22 | 0:16:26 | |
I'm going to go for Wednesday Addams. | 0:16:26 | 0:16:30 | |
Wednesday Addams, says Francesca. | 0:16:30 | 0:16:32 | |
No red line for you, you are already through. | 0:16:32 | 0:16:33 | |
Let's see how many of our 100 people said Wednesday Addams. | 0:16:33 | 0:16:36 | |
It's right. | 0:16:39 | 0:16:41 | |
Still right. Still right! | 0:16:43 | 0:16:46 | |
Look at that, 15, | 0:16:46 | 0:16:48 | |
lovely low score there, Justin, that would've been. | 0:16:48 | 0:16:50 | |
19 is your total on podium one. | 0:16:50 | 0:16:52 | |
-Very well done. -Very well played, Francesca. | 0:16:52 | 0:16:54 | |
Yeah, Wednesday Addams, not Tuesday Addams, Justin. | 0:16:54 | 0:16:56 | |
Sorry. The good news is they do show this show in Australia and yours is | 0:16:56 | 0:16:59 | |
the correct answer out there. | 0:16:59 | 0:17:01 | |
That's the good news. That's a time difference joke for you. | 0:17:01 | 0:17:04 | |
Let's go through the rest of this board, shall we? | 0:17:04 | 0:17:07 | |
At the top there, you have got Rooney Mara as Lisbeth Salander from | 0:17:07 | 0:17:11 | |
The Girl With The Dragon Tattoo. Would've scored you two points. | 0:17:11 | 0:17:14 | |
Jennifer Lawrence, she plays Katniss Everdeen in The Hunger Games. | 0:17:14 | 0:17:17 | |
That would've scored you eight. | 0:17:17 | 0:17:18 | |
It's a pointless answer, the next one on the board, from Fargo, | 0:17:18 | 0:17:22 | |
that's Francis McDormand as Marge Gunderson. | 0:17:22 | 0:17:25 | |
Very well done if you said that, it's a pointless answer. | 0:17:25 | 0:17:28 | |
Another pointless answer on the second row there, | 0:17:28 | 0:17:30 | |
that is Javier Bardem as Anton Chigurh, from No Country For Old Men. | 0:17:30 | 0:17:34 | |
Very well done if you said that. Number one on the list, | 0:17:34 | 0:17:37 | |
the best movie character of all time, according to Empire, is Indiana Jones. | 0:17:37 | 0:17:41 | |
-Played by Harrison Ford. -That's number one? | 0:17:41 | 0:17:43 | |
He was number one. 62 points for him. | 0:17:43 | 0:17:46 | |
And on the third row, we have Grommit. | 0:17:47 | 0:17:50 | |
Top scorer of all, Grommit, | 0:17:50 | 0:17:51 | |
would've scored you 72 points and then Tom Hiddleston playing Loki. | 0:17:51 | 0:17:55 | |
Loki would've scored you 12. Then Ace Ventura, | 0:17:55 | 0:17:58 | |
22 and the only one we haven't done on that bottom row is Woody, | 0:17:58 | 0:18:01 | |
and Woody would've scored you 55. | 0:18:01 | 0:18:03 | |
So the best answers on the board, Marge Gunderson and Anton Chigurh. | 0:18:03 | 0:18:07 | |
Thank you very much indeed, Richard. | 0:18:07 | 0:18:09 | |
So, at the end of our first-round, I'm afraid we have to say goodbye to one of pairs | 0:18:09 | 0:18:13 | |
and that pair is Justin and Hal. | 0:18:13 | 0:18:15 | |
-Oh, Justin. -Didn't he describe | 0:18:15 | 0:18:18 | |
himself as my friend at the beginning? | 0:18:18 | 0:18:20 | |
That's no longer the case. | 0:18:20 | 0:18:22 | |
Justin, Hal, it's been lovely having you on, | 0:18:22 | 0:18:24 | |
-thank you so much for playing. Justin and Hal, everyone. -Thank you. | 0:18:24 | 0:18:27 | |
APPLAUSE | 0:18:27 | 0:18:29 | |
But for the remaining three pairs, it's now time for Round Two. | 0:18:29 | 0:18:33 | |
And so, three pairs remain, | 0:18:37 | 0:18:39 | |
obviously, at the end of this round we'll have to say goodbye to another | 0:18:39 | 0:18:42 | |
pair. But good answering, we made it through, | 0:18:42 | 0:18:44 | |
that round got steadily harder, but some nice film knowledge there, | 0:18:44 | 0:18:47 | |
Atticus Finch, Red, Ripley, we had some good solid answers there. | 0:18:47 | 0:18:52 | |
Anyway, best of luck to all three pairs for our next round. | 0:18:52 | 0:18:55 | |
Our category for Round Two this evening is... | 0:18:55 | 0:18:58 | |
RHONA LAUGHS | 0:18:58 | 0:19:01 | |
French Words. Can you decide in your pairs who's going to go first, | 0:19:01 | 0:19:04 | |
who's going to go second. And whoever's going first please step up to the podium. | 0:19:04 | 0:19:07 | |
OK and the question concerns... | 0:19:10 | 0:19:14 | |
..household items in French. | 0:19:15 | 0:19:17 | |
Household items in French. | 0:19:17 | 0:19:20 | |
-Richard. -On each board we're going to show you six French terms for items | 0:19:20 | 0:19:23 | |
you might find around the house, you need to tell us the English equivalent, please. | 0:19:23 | 0:19:26 | |
There will be 12 in all to have a go at at home, so very best of luck. | 0:19:26 | 0:19:30 | |
OK, so we're looking for the English equivalent of these French household terms and we have got... | 0:19:30 | 0:19:35 | |
HE SPEAKS WITH FRENCH ACCENT | 0:19:38 | 0:19:41 | |
I'll read those one last time. | 0:19:44 | 0:19:46 | |
APPLAUSE Oh, thank you! Oh! Look at that! | 0:19:51 | 0:19:55 | |
Francesca, what would you like to go for? | 0:19:57 | 0:20:00 | |
OK, I'm terrible at French, | 0:20:00 | 0:20:03 | |
but I think une assiette is a plate. | 0:20:03 | 0:20:08 | |
-A plate, says Francesca. -Yes! | 0:20:09 | 0:20:11 | |
-I'm not sure, but, yes. -It had better be. -OK. | 0:20:11 | 0:20:14 | |
Une assiette, surely it's a plate, isn't it? | 0:20:14 | 0:20:17 | |
Let's find out how many people said plate. | 0:20:17 | 0:20:19 | |
It's right. | 0:20:21 | 0:20:23 | |
It's a great answer, | 0:20:27 | 0:20:29 | |
look at that, 18, very well done indeed. | 0:20:29 | 0:20:31 | |
-18 for plate. -Very well played, Francesca, nice start to the round. | 0:20:31 | 0:20:35 | |
It's hard, this, because you can remember them all vaguely from... | 0:20:35 | 0:20:38 | |
-Yeah. -..O-level or GCSE. | 0:20:38 | 0:20:40 | |
-But assiette... -Assiette, it could be anything, right? | 0:20:40 | 0:20:44 | |
-It's a plate. -It is a plate. -It's a plate. -Now, Sean. | 0:20:44 | 0:20:48 | |
Une salle de bain, is that bathroom? | 0:20:48 | 0:20:50 | |
Une salle de bain, bathroom, says Sean. | 0:20:50 | 0:20:53 | |
Let's see if that's right, let's see how many of our 100 people said bathroom. | 0:20:53 | 0:20:58 | |
It's right. | 0:20:59 | 0:21:02 | |
Well, 18 is what we got for plate, | 0:21:02 | 0:21:04 | |
44 for bathroom. | 0:21:04 | 0:21:05 | |
44. I suppose more people ask where the bathroom is than ask where the plate is, don't they? | 0:21:06 | 0:21:11 | |
Yes, oui, la salle de bain. | 0:21:11 | 0:21:14 | |
Do you know Buckingham Palace has got 78 bathrooms? | 0:21:14 | 0:21:16 | |
-Really? -That's too many, isn't it? | 0:21:16 | 0:21:18 | |
-Oh, isn't it? -Are they that dirty? | 0:21:18 | 0:21:20 | |
The corgis, mainly, isn't it? | 0:21:22 | 0:21:25 | |
Now then, Robert. | 0:21:25 | 0:21:26 | |
This board is all yours, fill them in. | 0:21:26 | 0:21:28 | |
-Go through them all. -Oh. | 0:21:28 | 0:21:30 | |
If you like. You don't have to, you can just pick one. | 0:21:30 | 0:21:33 | |
I was going to say I'd play it safe but actually it's not playing it safe because it's literally the only | 0:21:33 | 0:21:38 | |
one I have a clue about. I would say that une chaise | 0:21:38 | 0:21:41 | |
-is a chair. I think. -Une chaise, a chair, let's see if that's right, | 0:21:41 | 0:21:45 | |
let's see how many of our 100 people said a chair for une chaise. | 0:21:45 | 0:21:48 | |
It's right, well, 44 is our high score, | 0:21:51 | 0:21:53 | |
WAS our high score. | 0:21:53 | 0:21:55 | |
71 for a chair. APPLAUSE | 0:21:55 | 0:21:59 | |
71 for chair, une chaise, a chair. | 0:21:59 | 0:22:02 | |
A lot better than 100 though, so it's a good one, une chaise. | 0:22:02 | 0:22:05 | |
-How are you on the rest of these? -I think I'm pretty good. | 0:22:05 | 0:22:07 | |
Oh, really? Un lavabo. | 0:22:07 | 0:22:09 | |
-Is a basin. -It is a basin, very well done, | 0:22:09 | 0:22:11 | |
that would have scored you 17 points. | 0:22:11 | 0:22:13 | |
-Un berceau. -I'm slightly unsure about this but I have a feeling | 0:22:13 | 0:22:17 | |
-it's a... -It's a what? -It's a carrycot. | 0:22:17 | 0:22:19 | |
-A cradle! -It's a cradle. -Very well done, nine points. | 0:22:19 | 0:22:23 | |
-Un lit. -Is a bed. -Is a bed. | 0:22:23 | 0:22:26 | |
And that would have scored you 31, | 0:22:26 | 0:22:28 | |
so the best answer on the board there is un berceau. | 0:22:28 | 0:22:30 | |
-Cradle. -Thank you, there we are, we're halfway through the round, | 0:22:30 | 0:22:33 | |
let's take a look at those scores, 18, that near podium, wonderful, | 0:22:33 | 0:22:37 | |
lovely low scores there, then up to 44, we find Sean and Rhona, | 0:22:37 | 0:22:40 | |
and up to 71, Robert and Isy. | 0:22:40 | 0:22:43 | |
-I think it's this, this podium. -Yeah. -Oh, do you think that? | 0:22:43 | 0:22:46 | |
-Yeah, it's the podium of doom. -Yeah. | 0:22:46 | 0:22:49 | |
Isy, we need a low score from you, simple as that. | 0:22:49 | 0:22:51 | |
But you get first dibs on the new board so that's fine, | 0:22:51 | 0:22:53 | |
let's hope you find a nice low-scoring one there. Back down the line now, | 0:22:53 | 0:22:56 | |
can the second players please step up to the podium. | 0:22:56 | 0:22:59 | |
OK, let's put six more French household items on the board and here they are. We have... | 0:23:01 | 0:23:07 | |
HE SPEAKS WITH FRENCH ACCENT | 0:23:07 | 0:23:10 | |
So, Isy, a nice board for you? | 0:23:18 | 0:23:21 | |
Erm, yes, yes, it's OK. | 0:23:22 | 0:23:25 | |
I failed A-level French, I got an N. | 0:23:25 | 0:23:27 | |
That's OK, A-level, that you WENT to A-level suggests... | 0:23:27 | 0:23:29 | |
I did, against the advice of the school, | 0:23:29 | 0:23:32 | |
so I can remember two of those and I'm going to go for the one that I | 0:23:32 | 0:23:36 | |
think is the most obscure, | 0:23:36 | 0:23:39 | |
which is douche, which I think is shower. | 0:23:39 | 0:23:42 | |
Douche, shower, says Isy. | 0:23:42 | 0:23:44 | |
No red line for you, you're the highest scorers. | 0:23:44 | 0:23:46 | |
Let's see how many of our 100 people said shower for douche. | 0:23:46 | 0:23:49 | |
43. | 0:23:55 | 0:23:58 | |
43 of our 100, which means 114 is your total. | 0:23:58 | 0:24:01 | |
Well played, Isy, you might have saved yourself there. | 0:24:01 | 0:24:03 | |
The Americans use douche to mean unpleasant person, don't they? | 0:24:03 | 0:24:07 | |
OK, thank you very much indeed. | 0:24:07 | 0:24:08 | |
Rhona, you are on 44, the high-scorers are behind you on 114, | 0:24:08 | 0:24:12 | |
so 69 or less gets you through to the head-to-head, Rhona. | 0:24:12 | 0:24:16 | |
Do you know I think I'm probably wrong, it might be un verre, | 0:24:16 | 0:24:20 | |
I think is a glass. | 0:24:20 | 0:24:21 | |
A glass, says Rhona, un verre, a glass. | 0:24:21 | 0:24:24 | |
-Is it? -There is your red line. | 0:24:24 | 0:24:27 | |
-FRANCESCA: -Don't look at me! -I'm scared! | 0:24:27 | 0:24:29 | |
-See if you can get below that red line. -I'm scared! | 0:24:29 | 0:24:32 | |
Let's see how many of our 100 people said a glass. | 0:24:32 | 0:24:35 | |
RHONA GASPS | 0:24:35 | 0:24:37 | |
It's right. | 0:24:37 | 0:24:39 | |
And you're into the head-to-head. | 0:24:39 | 0:24:41 | |
26 for glass. | 0:24:42 | 0:24:45 | |
Taking your total up to 70. | 0:24:45 | 0:24:46 | |
-Well played, Rhona, safely through. -Merci! | 0:24:46 | 0:24:49 | |
Glass slippers is allegedly a mistranslation of fur slippers, | 0:24:49 | 0:24:54 | |
-the Cinderella story. -There you go. | 0:24:54 | 0:24:56 | |
OK, now Jeremy. | 0:24:56 | 0:24:58 | |
Do I need to play it safe? | 0:24:58 | 0:25:00 | |
Well, you don't really, 95 or less sees you through. | 0:25:00 | 0:25:03 | |
If you wanted you could talk through that whole board, | 0:25:03 | 0:25:05 | |
-all the ones that haven't been filled in. -I don't know rideau. | 0:25:05 | 0:25:08 | |
Parapluie is an umbrella. | 0:25:08 | 0:25:09 | |
-Couteau is a knife. Lampe I think is a lamp. -Ooh! | 0:25:09 | 0:25:13 | |
I'm guessing. So I'd say the toughest one to get is | 0:25:13 | 0:25:18 | |
a knife, couteau. | 0:25:18 | 0:25:19 | |
Un couteau, Inspector Couteau. LAUGHTER | 0:25:19 | 0:25:22 | |
There is your red line coming in now. | 0:25:22 | 0:25:24 | |
If you get below that with couteau, you are through to the next round. | 0:25:24 | 0:25:27 | |
Let's see how many of our 100 people said knife. | 0:25:27 | 0:25:30 | |
It is absolutely right. | 0:25:32 | 0:25:34 | |
It gets you through very comfortably indeed. | 0:25:34 | 0:25:36 | |
Couteau still going down, lovely low score. | 0:25:36 | 0:25:39 | |
Well done, 15. | 0:25:39 | 0:25:41 | |
33 is your total. | 0:25:41 | 0:25:43 | |
Well played, Jeremy, | 0:25:43 | 0:25:45 | |
talked us through the board nicely as well there and you chose the best | 0:25:45 | 0:25:48 | |
one of the ones you knew. You are right about parapluie, it's an umbrella. | 0:25:48 | 0:25:53 | |
34 points for that. | 0:25:53 | 0:25:55 | |
Une lampe is a lamp, it would have been cruel if it wasn't, | 0:25:55 | 0:25:58 | |
a big scorer though, would have scored you 87. | 0:25:58 | 0:26:00 | |
And do you know un rideau? | 0:26:00 | 0:26:02 | |
-Is it a curtain? -It is a curtain, where you draw a close to this round, | 0:26:02 | 0:26:05 | |
13 points, best answer on the board. | 0:26:05 | 0:26:07 | |
Very nice, thank you very much, Richard, | 0:26:07 | 0:26:09 | |
so at the end of our second round the pair we're saying goodbye to, | 0:26:09 | 0:26:11 | |
I'm afraid it is that far podium. I don't know what it is over there. | 0:26:11 | 0:26:14 | |
Because we have to say goodbye to you, Isy and Robert. Will you come back, please, again and play | 0:26:14 | 0:26:18 | |
because it's been lovely having you here. Brilliant contestants, Isy and Robert. | 0:26:18 | 0:26:23 | |
But for Rhona and Sean, Jeremy and Francesca, | 0:26:24 | 0:26:26 | |
it's now time for our head-to-head. | 0:26:26 | 0:26:28 | |
Very many congratulations, Jeremy and Francesca, Rhona and Sean, | 0:26:33 | 0:26:37 | |
you are now one step closer to the final and a chance to play for our | 0:26:37 | 0:26:40 | |
jackpot, which currently stands at £2,500. | 0:26:40 | 0:26:44 | |
APPLAUSE | 0:26:44 | 0:26:46 | |
So this is the point where we have to decide who goes through to the final | 0:26:46 | 0:26:50 | |
to play for that jackpot and we do it by making you go head-to-head. | 0:26:50 | 0:26:53 | |
We pit you against each other but you can confer before you give your answers, which is much nicer. | 0:26:53 | 0:26:57 | |
You play as a team from here on in. | 0:26:57 | 0:26:59 | |
First pair to win two questions will be playing for that jackpot. | 0:26:59 | 0:27:02 | |
Very best of luck to both pairs. Let's play the head-to-head. | 0:27:02 | 0:27:06 | |
APPLAUSE | 0:27:06 | 0:27:09 | |
And here is your first question. | 0:27:11 | 0:27:13 | |
And the first question concerns baby animals. | 0:27:13 | 0:27:17 | |
Baby animals, Richard. | 0:27:17 | 0:27:18 | |
We're going to show you five pictures of baby animals now, | 0:27:18 | 0:27:20 | |
but we're going to give you certain letters from the names of these | 0:27:20 | 0:27:23 | |
animals, you tell us what the animals are, please, so five pictures of baby animals. | 0:27:23 | 0:27:26 | |
-What are the animals? -Let's reveal our five baby animals and here they are. | 0:27:26 | 0:27:30 | |
We have... | 0:27:30 | 0:27:32 | |
-AUDIENCE: -Awww! | 0:27:34 | 0:27:36 | |
Look! | 0:27:36 | 0:27:38 | |
-AUDIENCE: -Awww! | 0:27:38 | 0:27:40 | |
-That's not real! -It is. | 0:27:40 | 0:27:43 | |
-AUDIENCE: -Awww! -Look! | 0:27:44 | 0:27:48 | |
-AUDIENCE: -Awww! -Ah. | 0:27:50 | 0:27:53 | |
Yeah... | 0:27:53 | 0:27:56 | |
-AUDIENCE: -Awww! | 0:27:56 | 0:27:58 | |
-Oh, bless. -Ah, there we are - five baby animals. | 0:27:58 | 0:28:02 | |
Now Jeremy and Francesca, | 0:28:02 | 0:28:04 | |
you've been our low scorers throughout the show so you will go first. | 0:28:04 | 0:28:07 | |
You know what D is, don't you? | 0:28:07 | 0:28:09 | |
I know what three of them are. | 0:28:09 | 0:28:11 | |
HE WHISPERS | 0:28:11 | 0:28:14 | |
(Yeah, me too.) | 0:28:14 | 0:28:16 | |
OK, I think we know what B, C and D are, and what are we going for? | 0:28:16 | 0:28:22 | |
D is an opossum. | 0:28:22 | 0:28:24 | |
An opossum. D, an opossum say Jeremy and Francesca. | 0:28:24 | 0:28:28 | |
Now then, Rhona and Sean, | 0:28:28 | 0:28:30 | |
do you want to talk us through the rest of that board? | 0:28:30 | 0:28:32 | |
-Go ahead, Sean. -LAUGHTER | 0:28:32 | 0:28:34 | |
A begins with G. | 0:28:34 | 0:28:36 | |
B doesn't look like it's going to last a day. | 0:28:38 | 0:28:42 | |
C is a sloth. | 0:28:42 | 0:28:44 | |
-Yeah. -And E is a penguin, so... | 0:28:45 | 0:28:48 | |
It's not a penguin. | 0:28:49 | 0:28:51 | |
Let's go for sloth then. C. | 0:28:51 | 0:28:54 | |
OK, you are going to go for sloth, so we have opossum and we have sloth. | 0:28:54 | 0:28:59 | |
Jeremy and Francesca said opossum for D, let's see if that's right, | 0:28:59 | 0:29:02 | |
let's see how many of our 100 people said it. | 0:29:02 | 0:29:05 | |
20. | 0:29:14 | 0:29:16 | |
Rhona and Sean have gone for sloth. | 0:29:20 | 0:29:23 | |
-Awww. -Let's see if that's right, | 0:29:23 | 0:29:26 | |
let's see how many of our 100 people said sloth. | 0:29:26 | 0:29:28 | |
71. | 0:29:33 | 0:29:35 | |
Very well done, Jeremy and Francesca, after one question you're up 1-0. | 0:29:35 | 0:29:39 | |
Which of those do you think is the cutest? | 0:29:39 | 0:29:42 | |
-The panda. -I didn't know B was a panda, by the way. | 0:29:42 | 0:29:45 | |
-It looks like a baby dinosaur. -That's a guess! | 0:29:45 | 0:29:47 | |
It's so tiny. No, it IS a panda. | 0:29:47 | 0:29:50 | |
I didn't get it but lots of people did, it would have scored you... | 0:29:50 | 0:29:54 | |
Oh, look, 58 points. | 0:29:54 | 0:29:56 | |
Now, do you know what A is? | 0:29:56 | 0:29:58 | |
-Groundhog. -Groundhog is exactly right, Jeremy, very well played. | 0:29:58 | 0:30:03 | |
It would have scored you 18 points. | 0:30:03 | 0:30:05 | |
And E, not a penguin, | 0:30:05 | 0:30:07 | |
-that is a pangolin. -Ah! | 0:30:07 | 0:30:10 | |
Pangolin. 11 of our 100 knew it was, very well done to that 11, | 0:30:10 | 0:30:15 | |
so the best answer on the board there is the pangolin. | 0:30:15 | 0:30:18 | |
The highest answer on the board is sloth. | 0:30:18 | 0:30:20 | |
Thank you very much, Richard. So, here comes your second question. | 0:30:20 | 0:30:22 | |
Now, Rhona and Sean, you get to go first this time, | 0:30:22 | 0:30:24 | |
but you have to win to stay in the game. So, best of luck. | 0:30:24 | 0:30:27 | |
Our second question concerns criminal records. | 0:30:27 | 0:30:31 | |
-Criminal records. -It was a long time ago! | 0:30:31 | 0:30:33 | |
-LAUGHTER -Rhona, it wasn't that long ago. | 0:30:33 | 0:30:36 | |
-Four. -We're going to play you five clips of songs now, | 0:30:36 | 0:30:39 | |
all of which have titles relating to crime or the law. | 0:30:39 | 0:30:41 | |
We're looking for the artist who recorded any of these songs, please, | 0:30:41 | 0:30:44 | |
so the artist behind one of these five songs. | 0:30:44 | 0:30:47 | |
OK, so let's play our five songs and here they come. | 0:30:47 | 0:30:50 | |
We have got... A. | 0:30:50 | 0:30:52 | |
REGGAE MUSIC PLAYS | 0:30:52 | 0:30:54 | |
-MAN SINGS: -# All around in my old town | 0:30:54 | 0:30:57 | |
# They tryin to track me down... # | 0:30:57 | 0:31:02 | |
Here's B. | 0:31:02 | 0:31:03 | |
POP MUSIC INTRO | 0:31:03 | 0:31:07 | |
# Cha! # | 0:31:10 | 0:31:13 | |
Here's C. | 0:31:13 | 0:31:14 | |
DRUMS PLAY | 0:31:14 | 0:31:16 | |
ELECTRIC GUITAR INTRO | 0:31:16 | 0:31:19 | |
Here's D. | 0:31:23 | 0:31:24 | |
CLASSIC ROCK PLAYS | 0:31:24 | 0:31:27 | |
And here's E. | 0:31:34 | 0:31:36 | |
-FEMALE VOCALIST: -# I know I know I know I know I know I know I know | 0:31:36 | 0:31:39 | |
# About your kind... # | 0:31:39 | 0:31:43 | |
OK, there we are. | 0:31:44 | 0:31:46 | |
Five criminal records, as it were. | 0:31:46 | 0:31:48 | |
What would you like to go for, Rhona and Sean? | 0:31:48 | 0:31:51 | |
We'll go for D, Thin Lizzy. | 0:31:51 | 0:31:53 | |
Thin Lizzy for D, Thin Lizzy for D. | 0:31:53 | 0:31:55 | |
Now, Jeremy and Francesca. | 0:31:55 | 0:31:58 | |
Well, Michael Jackson was never actually convicted, so... | 0:31:58 | 0:32:01 | |
LAUGHTER | 0:32:01 | 0:32:03 | |
I think, well... I was going to go for that, | 0:32:03 | 0:32:05 | |
I was going to go for that, I'll go for C, The Clash. | 0:32:05 | 0:32:08 | |
C, The Clash. | 0:32:08 | 0:32:09 | |
So we have D, Thin Lizzy and C, The Clash. | 0:32:09 | 0:32:13 | |
Rhona and Sean said that D was Thin Lizzy. | 0:32:13 | 0:32:15 | |
Let's see if that's right, | 0:32:15 | 0:32:16 | |
let's see how many of our 100 people said Thin Lizzy. | 0:32:16 | 0:32:18 | |
It's right. | 0:32:21 | 0:32:24 | |
Oh, that's good! 11 is good. | 0:32:27 | 0:32:29 | |
APPLAUSE | 0:32:29 | 0:32:32 | |
11 for Thin Lizzy. | 0:32:32 | 0:32:34 | |
Jeremy and Francesca, meanwhile, have gone for The Clash for C. | 0:32:34 | 0:32:37 | |
Let's see if that's right, let's see how many people said it if it is. | 0:32:37 | 0:32:40 | |
The Clash. | 0:32:40 | 0:32:41 | |
It's right. | 0:32:45 | 0:32:46 | |
23 for The Clash. | 0:32:50 | 0:32:52 | |
APPLAUSE | 0:32:52 | 0:32:53 | |
Close. | 0:32:53 | 0:32:55 | |
But Rhona and Sean, very well done, you're back in the game. | 0:32:55 | 0:32:57 | |
After two questions, it's 1-all. | 0:32:57 | 0:32:59 | |
Yeah, the best two answers on the board. | 0:32:59 | 0:33:01 | |
Well played, both teams. They could not have beaten Thin Lizzy. | 0:33:01 | 0:33:03 | |
Jailbreak, of course, and I Fought The Law by The Clash, | 0:33:03 | 0:33:06 | |
written by one of The Crickets, one of Buddy Holly's Crickets. | 0:33:06 | 0:33:08 | |
-Really? -Yeah. | 0:33:08 | 0:33:10 | |
Let's listen to A. | 0:33:10 | 0:33:11 | |
-That, of course... -Bob Marley. | 0:33:14 | 0:33:15 | |
Bob Marley, I Shot The Sheriff. | 0:33:15 | 0:33:17 | |
Would have scored you 78. | 0:33:18 | 0:33:21 | |
Let's have a little listen to B. | 0:33:21 | 0:33:24 | |
Of course, Michael Jackson. Big scorer, though, | 0:33:24 | 0:33:27 | |
Would have scored 84 points, | 0:33:27 | 0:33:29 | |
Smooth Criminal. | 0:33:29 | 0:33:30 | |
And E... | 0:33:31 | 0:33:32 | |
-Murder On The Dance Floor. -Yeah. -By Sophie Ellis Bextor. | 0:33:35 | 0:33:39 | |
And it would have scored you 48. | 0:33:39 | 0:33:41 | |
There we are. Thank you very much. | 0:33:41 | 0:33:43 | |
Indeed, so it all comes down to a third question. | 0:33:43 | 0:33:45 | |
Whoever wins this goes through to the final and plays for our jackpot, | 0:33:45 | 0:33:49 | |
so best of luck to both pairs. | 0:33:49 | 0:33:50 | |
-Good luck. -Good luck. | 0:33:50 | 0:33:52 | |
Our third question is all about... | 0:33:52 | 0:33:56 | |
US airports and their IATA codes. | 0:33:56 | 0:33:59 | |
-Hurray! -Of course! -US airports and their IATA codes. | 0:33:59 | 0:34:02 | |
Oh, my...! | 0:34:02 | 0:34:04 | |
We're going to show you five IATA codes now for American airports. | 0:34:04 | 0:34:07 | |
You just need to tell us which cities these airports serve, please, | 0:34:07 | 0:34:09 | |
so which cities the airports serve. | 0:34:09 | 0:34:11 | |
The team that comes up with the most obscure answer is going through to | 0:34:11 | 0:34:14 | |
play for the jackpot, so very best of luck to everybody. | 0:34:14 | 0:34:17 | |
OK, thanks very much indeed, so here are the IATA codes. | 0:34:17 | 0:34:21 | |
And we have... | 0:34:22 | 0:34:23 | |
I'll read those all again. | 0:34:32 | 0:34:34 | |
There we are. Jeremy and Francesca will go first. | 0:34:39 | 0:34:43 | |
I was hoping this would come up! | 0:34:43 | 0:34:46 | |
I think there's only one that I can even guess, it's Phoenix. | 0:34:46 | 0:34:50 | |
-OK, you're going to take PHX, Phoenix. -Yeah. | 0:34:50 | 0:34:54 | |
There we go, Phoenix, the guessable one has gone. | 0:34:54 | 0:34:58 | |
Rhona and Sean, do some... | 0:34:58 | 0:35:00 | |
I'm a bit embarrassed about this, | 0:35:00 | 0:35:02 | |
because I'm not good at geography, | 0:35:02 | 0:35:04 | |
but I don't know, is HNL, | 0:35:04 | 0:35:07 | |
is Honolulu in...is that Hawaiian sort of thing? | 0:35:07 | 0:35:11 | |
Yeah, you're going to say Honolulu. | 0:35:11 | 0:35:13 | |
OK, so we have Phoenix and we have Honolulu. | 0:35:13 | 0:35:15 | |
Just a guess, guess, guess! | 0:35:15 | 0:35:16 | |
Jeremy and Francesca went for Phoenix for PHX. | 0:35:16 | 0:35:19 | |
Let's see if that's right and let's see how many people said it. | 0:35:19 | 0:35:23 | |
It's right. | 0:35:25 | 0:35:26 | |
Oh-ee! 83. | 0:35:26 | 0:35:28 | |
83 for Phoenix. | 0:35:28 | 0:35:31 | |
It's funny, yes, it's meant to be slightly in your favour | 0:35:31 | 0:35:34 | |
if you go first, but this is one of those ones where actually | 0:35:34 | 0:35:36 | |
chewing slightly softens the toffee, as it were. | 0:35:36 | 0:35:39 | |
You have gone for HNL, Honolulu, let's see if that's right. | 0:35:39 | 0:35:43 | |
Let's see how many of our 100 people said Honolulu. | 0:35:43 | 0:35:46 | |
It's right, Honolulu, and it wins you the point, look at that. | 0:35:50 | 0:35:52 | |
What?! | 0:35:52 | 0:35:54 | |
There you are. 37. | 0:35:54 | 0:35:55 | |
APPLAUSE | 0:35:55 | 0:35:57 | |
Which means very well done, Rhona and Sean, | 0:35:58 | 0:36:01 | |
after three questions you are through to the final 2-1. | 0:36:01 | 0:36:04 | |
-What? -It's sort of like a crossword clue, some of those things. | 0:36:04 | 0:36:06 | |
We've done it before - it's been easier, like JFK and LAX, | 0:36:06 | 0:36:09 | |
stuff like this. This was a much harder board. | 0:36:09 | 0:36:11 | |
The hardest one of all is the top one because there's actually no clue | 0:36:11 | 0:36:14 | |
there, that's O'Hare Airport in Chicago. | 0:36:14 | 0:36:18 | |
-Ah! -That would have scored you five points. | 0:36:18 | 0:36:20 | |
Some people will have worked out this next one. | 0:36:20 | 0:36:21 | |
-Florida? -Fort Lauderdale. -Fort Lauderdale! For heavens' sake! | 0:36:21 | 0:36:25 | |
Seven points. And this last one, you can work out, people will have done | 0:36:25 | 0:36:28 | |
-at home, but it's Salt Lake City. -Oh, there you are. | 0:36:28 | 0:36:31 | |
That would have scored 17 points. | 0:36:31 | 0:36:33 | |
So the best answer on the board is Chicago, | 0:36:33 | 0:36:35 | |
very well done if you said that at home. | 0:36:35 | 0:36:37 | |
That was a tough board. Really tough, really tough. | 0:36:37 | 0:36:39 | |
Well, thank you very much, indeed. | 0:36:39 | 0:36:41 | |
So the pair leaving us at the end of the head-to-head round - | 0:36:41 | 0:36:43 | |
I'm so sorry, Jeremy and Francesca, it is you. | 0:36:43 | 0:36:45 | |
It's been lovely having you on the show. Thank you so much for playing. | 0:36:45 | 0:36:48 | |
Brilliant play all the way through, Jeremy and Francesca, come again. | 0:36:48 | 0:36:51 | |
APPLAUSE | 0:36:51 | 0:36:53 | |
But for Sean and Rhona, it's now time for our Pointless final. | 0:36:54 | 0:36:57 | |
CHEERING AND APPLAUSE | 0:36:57 | 0:36:58 | |
Congratulations, Rhona and Sean, you've seen off all the competition | 0:37:01 | 0:37:05 | |
and you have won our coveted Pointless Trophy. | 0:37:05 | 0:37:08 | |
You now have a chance to win our Pointless jackpot, and at the end of | 0:37:13 | 0:37:16 | |
today's show the jackpot is standing at £2,500. | 0:37:16 | 0:37:20 | |
APPLAUSE | 0:37:20 | 0:37:22 | |
You see, there you are, just through dogged, | 0:37:24 | 0:37:27 | |
dogged perseverance, you have made it through to the final round. | 0:37:27 | 0:37:30 | |
This round gets a little bit tougher but maybe not, | 0:37:30 | 0:37:32 | |
if it falls nicely for you. | 0:37:32 | 0:37:34 | |
You get to choose your category from four we put up on the board, and we | 0:37:34 | 0:37:37 | |
have to hope there's something you quite like the look of. | 0:37:37 | 0:37:40 | |
This is what today's selection looks like. | 0:37:40 | 0:37:42 | |
Sean and I feel fairly confident about Woody Allen films, | 0:37:52 | 0:37:57 | |
but, you know, mildly, and, yeah. | 0:37:57 | 0:38:00 | |
Shall we? Woody Allen films. Woody Allen films, Richard. | 0:38:00 | 0:38:02 | |
Let's do it, shall we? Three different questions here, | 0:38:02 | 0:38:05 | |
we're looking for anybody credited with appearing in any of | 0:38:05 | 0:38:07 | |
the following three films, please. | 0:38:07 | 0:38:09 | |
Anyone credited with appearing in Annie Hall. | 0:38:09 | 0:38:12 | |
Anyone credited with appearing in Hannah And Her Sisters. | 0:38:12 | 0:38:15 | |
Or anyone credited with appearing in Vicky Cristina Barcelona, | 0:38:15 | 0:38:20 | |
so anyone according to IMDB who appeared in Annie Hall, | 0:38:20 | 0:38:23 | |
Hannah And Her Sisters or Vicky Cristina Barcelona. | 0:38:23 | 0:38:25 | |
Very, very best of luck. | 0:38:25 | 0:38:27 | |
There we are, thank you very much. Now, as always, | 0:38:27 | 0:38:29 | |
you've got up to one minute to come up with three answers, | 0:38:29 | 0:38:32 | |
and all you need to win the jackpot for your charities is for just one | 0:38:32 | 0:38:35 | |
of those answers to be pointless. | 0:38:35 | 0:38:37 | |
-Are you ready? -Yes. | 0:38:37 | 0:38:39 | |
Are you ready? OK, let's put 60 seconds up on the clock. | 0:38:39 | 0:38:41 | |
There they are, your time starts now. | 0:38:41 | 0:38:44 | |
-Well... -I would say the most obscure one in Annie Hall would probably be | 0:38:44 | 0:38:50 | |
maybe the... I think Marshall McLuhan actually played himself | 0:38:50 | 0:38:54 | |
in a cinema queue in the argument about the film, | 0:38:54 | 0:38:56 | |
so I'd put him in there. | 0:38:56 | 0:38:58 | |
Would Michael Caine in Hannah And Her Sisters, | 0:38:58 | 0:39:00 | |
-because people don't expect him to be in that? -No, he was a lead | 0:39:00 | 0:39:03 | |
and he got an Oscar for it so I would go for Max Von Sydow, | 0:39:03 | 0:39:05 | |
who was... "Have you seen the world out there? | 0:39:05 | 0:39:08 | |
"I've watched television all night." | 0:39:08 | 0:39:10 | |
You know? And the lover of...the older lover that stayed indoors. | 0:39:10 | 0:39:14 | |
-Right. -That's him, isn't it? | 0:39:14 | 0:39:15 | |
-It's how you pronounce his name, isn't it? -Yes! -Is it? | 0:39:15 | 0:39:18 | |
I mean, yeah. And I couldn't say Vicky Cristina Barcelona. | 0:39:18 | 0:39:22 | |
-Because I've forgotten it. -I can do two from any of the characters. | 0:39:22 | 0:39:25 | |
Right, OK, so... | 0:39:25 | 0:39:26 | |
-What was the... -I also think... | 0:39:28 | 0:39:31 | |
-There was a young woman in Annie Hall. -What? | 0:39:31 | 0:39:34 | |
-What do you mean, his daughter. No... -Her dad was famous. -What? | 0:39:34 | 0:39:38 | |
In Annie Hall. | 0:39:38 | 0:39:40 | |
-OK. OK. -OK, that's your time up and I need your three answers. | 0:39:42 | 0:39:46 | |
Marshall McLuhan playing himself in Annie Hall. | 0:39:46 | 0:39:49 | |
Marshall McLuhan, OK, in Annie Hall. | 0:39:49 | 0:39:51 | |
Max Von Sydow in Hannah And Her Sisters. | 0:39:51 | 0:39:53 | |
Max Von Sydow. | 0:39:53 | 0:39:55 | |
-You're saying Dianne Wiest? -Dianne Wiest, Hannah And Her Sisters. | 0:39:55 | 0:39:59 | |
And Dianne Wiest, OK, very good. | 0:39:59 | 0:40:01 | |
Of those three which is your best shot at a pointless answer, | 0:40:01 | 0:40:03 | |
-do you reckon? -Max Von Sydow. -Max Von Sydow goes last. | 0:40:03 | 0:40:07 | |
-Least likely to be pointless? -Well, Marshall McLuhan is, | 0:40:07 | 0:40:09 | |
but I'm kind of starting to think maybe that wasn't Marshall McLuhan! | 0:40:09 | 0:40:12 | |
Marshall McLuhan. Let's put those up on the board and here they are. | 0:40:12 | 0:40:15 | |
We've got... | 0:40:15 | 0:40:16 | |
If you were to win the jackpot, what charities are you playing for? | 0:40:22 | 0:40:25 | |
-Sean, let's come to you. -Shelter. -For Shelter, very good. | 0:40:25 | 0:40:28 | |
-Rhona, how about you? -To the Macmillan cancer nurses. | 0:40:28 | 0:40:33 | |
Excellent, very well done. | 0:40:33 | 0:40:35 | |
APPLAUSE | 0:40:35 | 0:40:36 | |
Two fantastic charities, three fantastic answers on the board, | 0:40:38 | 0:40:41 | |
surely one of those will win the jackpot for your charities. | 0:40:41 | 0:40:43 | |
Fingers crossed. Your first answer was Marshall McLuhan. | 0:40:43 | 0:40:46 | |
In this case, we were looking for the cast members of Annie Hall. | 0:40:46 | 0:40:51 | |
Remember, only one of these answers has to be pointless for you to win | 0:40:51 | 0:40:54 | |
that jackpot of £2,500 for your charities. | 0:40:54 | 0:40:56 | |
Let's find out, is Marshall McLuhan right, | 0:40:56 | 0:40:59 | |
how many people said it if it is? Is it pointless? | 0:40:59 | 0:41:02 | |
It's right. | 0:41:06 | 0:41:07 | |
Marshall McLuhan taking us down through the '40s. | 0:41:08 | 0:41:11 | |
If this goes all the way to zero, you leave with £2,500 to go to your | 0:41:11 | 0:41:14 | |
charities. Into single figures, down it goes, still going down, | 0:41:14 | 0:41:16 | |
still going down, you've done it! | 0:41:16 | 0:41:18 | |
Fantastic! Very well done, indeed! RHONA CHEERS | 0:41:18 | 0:41:23 | |
Oh, very well done, fantastic. | 0:41:23 | 0:41:27 | |
Come on! | 0:41:27 | 0:41:29 | |
Marshall McLuhan! | 0:41:29 | 0:41:31 | |
APPLAUSE | 0:41:31 | 0:41:33 | |
Very well done, congratulations, Marshall McLuhan was a pointless | 0:41:33 | 0:41:36 | |
-answer, which means you go home with that jackpot... -Oh! | 0:41:36 | 0:41:39 | |
..of £2,500 for your charities. | 0:41:39 | 0:41:40 | |
He was indeed in that cinema queue. Also in that cinema queue, | 0:41:40 | 0:41:43 | |
very early role, Sigourney Weaver, who was also a pointless answer. | 0:41:43 | 0:41:46 | |
-Come on! -APPLAUSE | 0:41:46 | 0:41:49 | |
Max von Sydow, absolutely, is in Hannah And Her Sisters. | 0:41:51 | 0:41:54 | |
Also a pointless answer. | 0:41:54 | 0:41:56 | |
Come on! | 0:41:56 | 0:41:58 | |
APPLAUSE | 0:41:58 | 0:42:00 | |
Dianne Wiest scored two points. Come on, Rhona. | 0:42:00 | 0:42:03 | |
-AUDIENCE: -Aww! | 0:42:03 | 0:42:05 | |
Great work. Let's take a look at the pointless answers, | 0:42:05 | 0:42:07 | |
see if you got any more of these at home. | 0:42:07 | 0:42:09 | |
So let's start with Annie Hall. | 0:42:09 | 0:42:11 | |
Christopher Walken, a pointless answer, Jeff Goldblum. | 0:42:11 | 0:42:14 | |
Paul Simon would have been a pointless answer, Sigourney Weaver. | 0:42:14 | 0:42:16 | |
Every single actor in that film apart from Diane Keaton, | 0:42:16 | 0:42:19 | |
Tony Roberts and Carol Kane, every other actor was a pointless answer, | 0:42:19 | 0:42:22 | |
well done if you got one of those. | 0:42:22 | 0:42:24 | |
Let's move on to Hannah And Her Sisters. | 0:42:24 | 0:42:26 | |
John Turturro was pointless, Julia Louis Dreyfus is a pointless answer, | 0:42:26 | 0:42:30 | |
Maureen O'Sullivan, there's Max von Sydow. | 0:42:30 | 0:42:32 | |
In fact, everybody in that film apart from Mia Farrow, | 0:42:32 | 0:42:35 | |
Michael Caine, Dianne Wiest, Barbara Hershey and Carrie Fisher, | 0:42:35 | 0:42:38 | |
everybody else is a pointless answer. | 0:42:38 | 0:42:40 | |
Now, Vicky Cristina Barcelona, a few pointless answers here, | 0:42:40 | 0:42:43 | |
Patricia Clarkson, Kevin Dunn, Chris Messina, Carrie Preston. | 0:42:43 | 0:42:46 | |
Everyone in that film was pointless other than | 0:42:46 | 0:42:48 | |
Penelope Cruz, Scarlet Johannson, Rebecca Hall and Javier Bardem. | 0:42:48 | 0:42:52 | |
Very well done if you got a pointless answer at home. | 0:42:52 | 0:42:54 | |
Congratulations, absolutely smashing the jackpot round today. | 0:42:54 | 0:42:57 | |
I want to take all my clothes off! | 0:42:57 | 0:42:59 | |
And that's all we've got time for today. | 0:42:59 | 0:43:02 | |
LAUGHTER | 0:43:02 | 0:43:03 | |
Well, thanks once again to our winning players, Rhona and Sean, | 0:43:03 | 0:43:06 | |
who go away with today's jackpot of £2,500 for their charities. | 0:43:06 | 0:43:10 | |
Very well done, indeed. | 0:43:10 | 0:43:12 | |
APPLAUSE | 0:43:12 | 0:43:13 | |
Join us next time, when we'll be putting more obscure knowledge to | 0:43:13 | 0:43:16 | |
the test on Pointless. Meanwhile, it's goodbye from Richard. | 0:43:16 | 0:43:19 | |
-Goodbye. -And it's goodbye from me. | 0:43:19 | 0:43:21 | |
Goodbye. | 0:43:21 | 0:43:22 | |
APPLAUSE | 0:43:22 | 0:43:23 |