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APPLAUSE | 0:00:20 | 0:00:22 | |
Thank you very much. Hello, I'm Alexander Armstrong, | 0:00:22 | 0:00:25 | |
and a very warm welcome to this special international edition | 0:00:25 | 0:00:27 | |
of Pointless Celebrities, the show where the aim of the game is | 0:00:27 | 0:00:31 | |
to score as few points as you can. You do that by coming up | 0:00:31 | 0:00:33 | |
with the answers no-one else could think of. | 0:00:33 | 0:00:35 | |
Let's meet today's Pointless celebrities. | 0:00:35 | 0:00:38 | |
And couple number one. | 0:00:42 | 0:00:44 | |
I am Nancy Lam, I cook, | 0:00:44 | 0:00:47 | |
but I don't spoil the cook. | 0:00:47 | 0:00:49 | |
And I'm Sam Simmons, I'm an Australian idiot. | 0:00:50 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:54 | |
Couple number two. | 0:00:56 | 0:00:57 | |
I am Guillem Balague, a member of Sky Sports coverage | 0:00:57 | 0:01:00 | |
of the Spanish football for 19 years. | 0:01:00 | 0:01:02 | |
And I write some books. | 0:01:02 | 0:01:03 | |
I'm Ossie Ardiles, football player. Well, I used to be one. | 0:01:03 | 0:01:07 | |
APPLAUSE | 0:01:07 | 0:01:08 | |
Couple number three. | 0:01:11 | 0:01:12 | |
Hi, I'm Kym Mazelle, I'm the First Lady of House Music. | 0:01:12 | 0:01:15 | |
# House music all night long! # | 0:01:15 | 0:01:16 | |
Yeah. And I'm Jimmy Osmond, I'm the youngest member of a pop band | 0:01:16 | 0:01:20 | |
that's been around a while called The Osmonds. | 0:01:20 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:24 | |
And finally, couple number four. | 0:01:26 | 0:01:28 | |
He's Johnny from Jedward, I'm Edward | 0:01:28 | 0:01:29 | |
-and I'm in the group Jedward. -We're best friends, | 0:01:29 | 0:01:31 | |
and we're here on Pointless for the third time. | 0:01:31 | 0:01:33 | |
And the theme was Hollywood, so we've got some bling-bling. | 0:01:33 | 0:01:36 | |
She's got her bling. You've got your red, you've got your suits. | 0:01:36 | 0:01:39 | |
-We're all ready. -Let's go. -APPLAUSE | 0:01:39 | 0:01:42 | |
Thank you very much indeed, all of you, | 0:01:43 | 0:01:45 | |
a very warm welcome to Pointless. We'll get to chat to each of you | 0:01:45 | 0:01:47 | |
throughout the show as it goes along. | 0:01:47 | 0:01:49 | |
So that just leaves one more person for me to introduce. | 0:01:49 | 0:01:51 | |
A man with a brain the size of the Central African Republic, | 0:01:51 | 0:01:54 | |
and by brain, we mean a cranial organ that's recognised | 0:01:54 | 0:01:57 | |
by the United Nations board of surgeons. | 0:01:57 | 0:01:59 | |
It's my Pointless friend, it's Richard. | 0:01:59 | 0:02:02 | |
Hiya. Hey, everybody. Good evening. | 0:02:02 | 0:02:05 | |
-Good evening to you. -Good evening. | 0:02:07 | 0:02:09 | |
This is like the most surreal dinner party anyone has ever had. | 0:02:09 | 0:02:12 | |
-Don't you think? Lovely, though. -We haven't even had the food yet. | 0:02:12 | 0:02:15 | |
Wonderful to have John and Edward back again. | 0:02:15 | 0:02:17 | |
One of my life's ambitions is to get Jedward past Round One on the show. | 0:02:17 | 0:02:20 | |
-Yes. -Never... -It's my ambition as well cos I feel like... | 0:02:20 | 0:02:23 | |
It's like the sequel to movies, there's one, two and three, | 0:02:23 | 0:02:26 | |
but I don't think we're going to come back for four. | 0:02:26 | 0:02:29 | |
Maybe when we get really, really older, but... | 0:02:29 | 0:02:31 | |
-Yes, thanks for having us back. -It's such a pleasure. | 0:02:31 | 0:02:35 | |
-Now... -Yeah. | 0:02:35 | 0:02:37 | |
Also on the show, I think I was just talking to him, Jimmy Osmond. | 0:02:37 | 0:02:40 | |
Now, my entire life, people have spelt my surname wrong, | 0:02:40 | 0:02:43 | |
because I'm an Osman. The Osmonds are Osmonds. | 0:02:43 | 0:02:46 | |
-But we think somehow we must be related. -We've got to be related. | 0:02:46 | 0:02:49 | |
He does look like some of my relatives. | 0:02:49 | 0:02:50 | |
-You're a bit taller than we are. -Yes, but there's more of you, | 0:02:50 | 0:02:53 | |
so stand one of you on the other one's shoulders. | 0:02:53 | 0:02:55 | |
And suddenly... Stick Donny on your shoulders, put glasses on him. | 0:02:55 | 0:02:58 | |
-Suddenly you're thinking, "Hold on a minute." -I do that sometimes. | 0:02:58 | 0:03:02 | |
But, yeah, listen, it's going to be a long evening, | 0:03:02 | 0:03:04 | |
-but a fun evening, I suspect. -Lovely. Well, thank you very much. | 0:03:04 | 0:03:06 | |
As usual, all of today's questions have been put to 100 people | 0:03:06 | 0:03:09 | |
before the show. Our contestants here are looking for | 0:03:09 | 0:03:11 | |
those all-important pointless answers, | 0:03:11 | 0:03:13 | |
these are answers that none of our 100 people gave. | 0:03:13 | 0:03:15 | |
Find one of those and we'll add £250 to the jackpot. | 0:03:15 | 0:03:18 | |
Now, as today's show is a celebrity special, | 0:03:18 | 0:03:20 | |
and each of our celebrities is playing for a nominated charity, | 0:03:20 | 0:03:23 | |
we're going to start off with a jackpot of £2,500. | 0:03:23 | 0:03:27 | |
There we are. | 0:03:27 | 0:03:28 | |
Right, if everyone's ready, let's play Pointless. | 0:03:30 | 0:03:32 | |
So, remember this, the pair with the highest score | 0:03:37 | 0:03:39 | |
at the end of each round will be eliminated, | 0:03:39 | 0:03:42 | |
so keep those scores down, if you can. | 0:03:42 | 0:03:44 | |
No conferring till we get to the third round. | 0:03:44 | 0:03:46 | |
Best of luck to all four pairs, our first category this evening... | 0:03:46 | 0:03:50 | |
Film Romance. | 0:03:53 | 0:03:54 | |
Can you all decide in your pairs who's going to go first, | 0:03:54 | 0:03:56 | |
who's going to go second? And whoever's going first, | 0:03:56 | 0:03:59 | |
please step up to the podium. | 0:03:59 | 0:04:01 | |
OK. And the question concerns... | 0:04:04 | 0:04:08 | |
On-screen Kisses. Richard. | 0:04:10 | 0:04:12 | |
On each board we're going to show you some pairs of actors | 0:04:12 | 0:04:14 | |
who've shared famous on-screen kisses on film. | 0:04:14 | 0:04:17 | |
We just need you to tell us the name of the film | 0:04:17 | 0:04:18 | |
in which these actors kissed, please. | 0:04:18 | 0:04:20 | |
There's going to be 14 in all to have a go at at home, | 0:04:20 | 0:04:22 | |
-so very best of luck. -Thanks very much indeed. | 0:04:22 | 0:04:25 | |
So, we want the name of the film in which these pairs of actors kissed. | 0:04:25 | 0:04:28 | |
And here is our first board of seven. We've got... | 0:04:28 | 0:04:31 | |
I'll read those all again. | 0:04:50 | 0:04:52 | |
-Sam, welcome. -OK. | 0:05:10 | 0:05:12 | |
-Good to have you here on Pointless. -Thank you for having me. | 0:05:12 | 0:05:15 | |
-Now, Sam, before we get into that... -Yeah. | 0:05:15 | 0:05:17 | |
Just tell me...tell me about... | 0:05:17 | 0:05:19 | |
Cos you're a comedian now, but you started off, | 0:05:19 | 0:05:22 | |
-you were a zookeeper. -Yes, I used to pick up poo professionally. | 0:05:22 | 0:05:25 | |
-That was my thing. -What about that? Where did you do that? | 0:05:25 | 0:05:28 | |
I was at Melbourne Zoo, and Taronga Zoo in Sydney. | 0:05:28 | 0:05:30 | |
-And... Yeah, I lived the dream. -You went from zoo to zoo. | 0:05:30 | 0:05:33 | |
-Yeah, I got around. -And how do you then cross over into comedy, | 0:05:33 | 0:05:36 | |
or were you doing comedy all the while? | 0:05:36 | 0:05:37 | |
They used to stick me out in the paddock | 0:05:37 | 0:05:39 | |
when, say, the elephant was off getting some footwork done, | 0:05:39 | 0:05:42 | |
cos they've got bad feet, elephants get bad feet, | 0:05:42 | 0:05:44 | |
that's what happens. They'd be off display, | 0:05:44 | 0:05:46 | |
they'd stick me out there with a headset microphone on, | 0:05:46 | 0:05:48 | |
and then I'd pull apart elephant poos | 0:05:48 | 0:05:51 | |
and do little displays for the general public and go, | 0:05:51 | 0:05:53 | |
"Hey, look in here, kids, I found my car keys." | 0:05:53 | 0:05:56 | |
Anyway, so then someone offered me a job in radio, like an idiot, | 0:05:56 | 0:05:59 | |
and now I don't know what I'm doing, and where are we? | 0:05:59 | 0:06:02 | |
-What's going on here? -I don't know. | 0:06:02 | 0:06:04 | |
-Pointless, the best show in the world. -Pointless. | 0:06:04 | 0:06:06 | |
-Now, Sam. -Yes. -On-screen Kisses. What would you like to go for? | 0:06:06 | 0:06:09 | |
Remember, a nice, obscure low-scoring answer | 0:06:09 | 0:06:11 | |
is what you're after. | 0:06:11 | 0:06:13 | |
I think it's going to be Cate Blanchett and Rooney Mara. | 0:06:13 | 0:06:16 | |
I think it was called... | 0:06:17 | 0:06:19 | |
Bridget? | 0:06:19 | 0:06:20 | |
The film was called Bridget or Margaret. | 0:06:20 | 0:06:22 | |
Or Molly. | 0:06:22 | 0:06:23 | |
One woman's name. Margaret. | 0:06:24 | 0:06:27 | |
I don't know. I don't know, Nancy. | 0:06:27 | 0:06:28 | |
I don't know Nancy. Nancy doesn't understand a word I'm saying. | 0:06:28 | 0:06:32 | |
Do you have to take the first answer? | 0:06:32 | 0:06:33 | |
-I have to take your first answer, I'm afraid. -All right, OK. | 0:06:33 | 0:06:36 | |
I'm sorry. So, Bridget. Sam is saying Bridget... | 0:06:36 | 0:06:38 | |
-I've got it wrong. -..for Cate Blanchett and Rooney Mara. | 0:06:38 | 0:06:41 | |
Let's see if it's right, | 0:06:41 | 0:06:42 | |
let's see how many of our 100 people said Bridget. | 0:06:42 | 0:06:44 | |
Oh, I'm sorry, Sam. | 0:06:46 | 0:06:48 | |
I'm sorry, not Bridget. | 0:06:48 | 0:06:49 | |
-Scores you 100 points. -I'll tell you what, Sam, | 0:06:49 | 0:06:51 | |
if we were going to have trouble with someone, | 0:06:51 | 0:06:53 | |
I did not predict it was going to be you. | 0:06:53 | 0:06:55 | |
Not Bridget, I'm afraid, I'll give all the correct answers | 0:06:55 | 0:06:58 | |
-at the end of the pass. -Thank you very much. | 0:06:58 | 0:07:00 | |
Guillem, great to have you here. Welcome to Pointless. | 0:07:00 | 0:07:02 | |
And you're a football pundit extraordinaire. | 0:07:02 | 0:07:05 | |
I mean, you've written books, haven't you? | 0:07:05 | 0:07:07 | |
You've written huge numbers of books. | 0:07:07 | 0:07:09 | |
-Biographies. Who have you written? -That's right. | 0:07:09 | 0:07:12 | |
Lionel Messi. | 0:07:12 | 0:07:13 | |
Messi, Cristiano Ronaldo, | 0:07:13 | 0:07:15 | |
Pep Guardiola... | 0:07:15 | 0:07:17 | |
Rafa Benitez, in a way. A book about Liverpool, so... | 0:07:17 | 0:07:21 | |
-Only the best. -Only the best. | 0:07:21 | 0:07:23 | |
I also read that you've got your coaching certificate B. | 0:07:23 | 0:07:27 | |
-Yes, B licence. -You've got your B licence. | 0:07:27 | 0:07:30 | |
-Always need a B licence. -Oh, well, absolutely. | 0:07:30 | 0:07:32 | |
If you've got an apiary, you're going to need a B licence. | 0:07:32 | 0:07:35 | |
-Yeah. -Allows you to enter a lot of bars. | 0:07:35 | 0:07:37 | |
But then you're going for the A licence. | 0:07:37 | 0:07:40 | |
What's the difference between the two? | 0:07:40 | 0:07:42 | |
It's just more hours of coaching, more understanding. | 0:07:42 | 0:07:45 | |
It's just really an excuse to understand the... | 0:07:45 | 0:07:49 | |
the game I'm involved with as a writer or a pundit. | 0:07:49 | 0:07:51 | |
Is this because you want to understand it better, | 0:07:51 | 0:07:53 | |
or is it because you're going to start a new career as a manager? | 0:07:53 | 0:07:56 | |
I will be coaching or run... | 0:07:56 | 0:07:58 | |
-or help run a club called Biggleswade United. -That's right. | 0:07:58 | 0:08:01 | |
We've got under 14s, under 16s, under 12s, | 0:08:01 | 0:08:04 | |
so I might get involved in that side a little bit. | 0:08:04 | 0:08:06 | |
Which is, I think, the most fascinating thing I've ever done, | 0:08:06 | 0:08:09 | |
-get involved with a football club. -Wonderful. | 0:08:09 | 0:08:12 | |
Now, Guillem, how are you finding this board of on-screen kisses? | 0:08:12 | 0:08:15 | |
It will be all right as long as I can say the name | 0:08:15 | 0:08:17 | |
of the films in Spanish - is that OK? | 0:08:17 | 0:08:19 | |
-Er... -No? | 0:08:19 | 0:08:21 | |
All right, well, then I have to just go for Tony Curtis | 0:08:21 | 0:08:23 | |
and Marilyn Monroe... | 0:08:23 | 0:08:25 | |
Oh, no, that's the one I was going for. | 0:08:25 | 0:08:27 | |
-Some Like It Hot. -Some Like It Hot, says Guillem. | 0:08:27 | 0:08:30 | |
Let's see if that's right, let's see how many of our 100 people | 0:08:30 | 0:08:32 | |
went for that, Some Like It Hot. | 0:08:32 | 0:08:34 | |
It's right. | 0:08:36 | 0:08:38 | |
Well, 100's our high score, | 0:08:38 | 0:08:39 | |
and you've passed that very comfortably. | 0:08:39 | 0:08:42 | |
-40 for Some Like It Hot. Excellent film. -All right. | 0:08:42 | 0:08:45 | |
-APPLAUSE -Very well played, Guillem. | 0:08:45 | 0:08:47 | |
Other than upsetting Jedward, yeah, terrific answer. | 0:08:47 | 0:08:49 | |
I actually had that movie, Some Like It Hot. | 0:08:49 | 0:08:51 | |
I actually got the Marilyn Monroe boxset. | 0:08:51 | 0:08:53 | |
I was about to ask whether you had that movie, if you had a boxset... | 0:08:53 | 0:08:56 | |
Thanks very much. Kym, welcome to Pointless. | 0:08:56 | 0:08:58 | |
Thank you. It's great to be here. Hello, everybody. | 0:08:58 | 0:09:01 | |
-The First Lady of House. -The First Lady of House Music. | 0:09:01 | 0:09:04 | |
Now, when did you get to become the First Lady of House? | 0:09:04 | 0:09:07 | |
-When was that proclaimed? -Well, that was proclaimed here | 0:09:07 | 0:09:09 | |
by being signed as one of the first house artists, | 0:09:09 | 0:09:13 | |
females, to a major label deal, worldwide, in the UK, | 0:09:13 | 0:09:17 | |
EMI Records, for about 1 million, something like this. | 0:09:17 | 0:09:22 | |
-Fantastic. -Yeah. -Now, you grew up in the same street as the Jacksons. | 0:09:22 | 0:09:25 | |
I grew up... Yeah, two doors down from Michael, Tito, | 0:09:25 | 0:09:28 | |
-Jermaine, La Toya, the Jacksons. Yeah. -That is incredible. | 0:09:28 | 0:09:31 | |
So you grew up alongside them. What was that street like? | 0:09:31 | 0:09:35 | |
The street was full of music. | 0:09:35 | 0:09:36 | |
-I mean, you come outside and start to play... -Yeah. | 0:09:36 | 0:09:38 | |
..soon as you hear the guitars cranked up. | 0:09:38 | 0:09:40 | |
-Yeah. -So that was really, really good. | 0:09:40 | 0:09:43 | |
And it influenced me to go into music. | 0:09:43 | 0:09:44 | |
I saw him leave down the street and go into the TV. | 0:09:44 | 0:09:48 | |
So as a little kid, I thought, | 0:09:48 | 0:09:50 | |
"I want to leave from the house and go into the TV." | 0:09:50 | 0:09:53 | |
So now I'm in the TV. | 0:09:53 | 0:09:55 | |
Now you're in the TV. Now, Kym, | 0:09:55 | 0:09:57 | |
what would you like to go for on this board? | 0:09:57 | 0:09:59 | |
Well, they did pick the one that I had my eye on, | 0:09:59 | 0:10:02 | |
which was Some Like It Hot. | 0:10:02 | 0:10:04 | |
But, erm... | 0:10:04 | 0:10:05 | |
Patrick Swayze and Jennifer Grey. | 0:10:05 | 0:10:08 | |
-Dirty Dancing. -Dirty Dancing, says Kim. | 0:10:08 | 0:10:11 | |
Let's see if it's right, let's see how many of our 100 people said | 0:10:11 | 0:10:13 | |
Dirty Dancing. | 0:10:13 | 0:10:15 | |
-It's right. -OK. | 0:10:17 | 0:10:18 | |
Now, 100's the high score... | 0:10:18 | 0:10:20 | |
65 is what you get for Dirty Dancing. | 0:10:20 | 0:10:22 | |
-Not bad. -Definitely not. -Not bad at all. | 0:10:22 | 0:10:24 | |
Yeah, well played, Kim. Baby and Johnny Castle. | 0:10:25 | 0:10:29 | |
Thank you very much indeed, Richard. | 0:10:29 | 0:10:31 | |
Now, John. Welcome back to Pointless. | 0:10:31 | 0:10:34 | |
-Thanks for having me, Al. I love the way you talk to me. -Listen... | 0:10:34 | 0:10:36 | |
You're just like, "Hey, John. Welcome back to Pointless." | 0:10:36 | 0:10:39 | |
-I love the way you call me Al, I like that. -Al. | 0:10:39 | 0:10:41 | |
Now, John, you've been in China. | 0:10:41 | 0:10:44 | |
OK, we got to go to China. It was unreal. | 0:10:44 | 0:10:46 | |
-What were you doing in China? -The shows over there, | 0:10:46 | 0:10:48 | |
basically, cos they always play our music, | 0:10:48 | 0:10:50 | |
the songs that we write and produce ourselves, | 0:10:50 | 0:10:52 | |
they play them on MTV and all the different TV shows. | 0:10:52 | 0:10:54 | |
They love songs with meanings, deep meanings | 0:10:54 | 0:10:56 | |
because they translate them into Chinese. | 0:10:56 | 0:10:58 | |
And we write really deep, meaningful songs. | 0:10:58 | 0:10:59 | |
I know to the English public that might come as a shock, | 0:10:59 | 0:11:02 | |
some of you are still stuck back seven years ago, | 0:11:02 | 0:11:04 | |
we were on the other TV shows. We don't mention that show. | 0:11:04 | 0:11:06 | |
-Anyway, we're on Pointless now. -I tell you what... -It's going great, | 0:11:06 | 0:11:10 | |
they're going to have us back to do more TV shows | 0:11:10 | 0:11:12 | |
and we're going to do... | 0:11:12 | 0:11:13 | |
These shows are watched by 90 million people. | 0:11:13 | 0:11:15 | |
That's like back in the '60s, people were watching, like, | 0:11:15 | 0:11:17 | |
-when you were on TV, people were watching... -He's still on TV! | 0:11:17 | 0:11:20 | |
He still is, but I mean, like, way, way back when nobody had Twitter, | 0:11:20 | 0:11:23 | |
-no-one had social media. -JIMMY: -I'm not that old. | 0:11:23 | 0:11:25 | |
OK, he's not that old. | 0:11:25 | 0:11:27 | |
But he hasn't... Look, he's totally fresh, you're so fresh. | 0:11:27 | 0:11:30 | |
-John. -Yes. | 0:11:30 | 0:11:31 | |
This board's all yours. Do you want to go through it? | 0:11:31 | 0:11:34 | |
-There's some very obvious ones. -OK, well, go through them all | 0:11:34 | 0:11:36 | |
-and then say which one you want to be your answer. -OK. | 0:11:36 | 0:11:40 | |
Everyone knows Titanic, cos everyone loves Leonardo DiCaprio. | 0:11:40 | 0:11:43 | |
I'm going to go for Renee and Colin Firth, | 0:11:43 | 0:11:45 | |
-Bridget Jones' Diary. -Bridget Jones' Diary, says John. | 0:11:45 | 0:11:48 | |
Let's see if it's right, let's see how many of our 100 people said it. | 0:11:48 | 0:11:51 | |
It's right. | 0:11:54 | 0:11:55 | |
-Now then, there we go. -Oh... | 0:11:55 | 0:11:58 | |
45. APPLAUSE | 0:11:58 | 0:12:00 | |
45 for Bridget Jones' Diary. | 0:12:00 | 0:12:02 | |
-Very well done indeed. -That is a good answer | 0:12:02 | 0:12:05 | |
and a lot of danger of Jedward being in Round Two... | 0:12:05 | 0:12:07 | |
-I know. -..if this carries on. -Guys, do you have a diary? | 0:12:07 | 0:12:10 | |
Honestly, OK? | 0:12:10 | 0:12:11 | |
Thank you so much, OK, for, like, the 2015 Cate Blanchett one, OK? | 0:12:11 | 0:12:14 | |
I was going to go for that one. That was probably the most pointless one. | 0:12:14 | 0:12:18 | |
-Which one was it? -I don't know. | 0:12:18 | 0:12:19 | |
I don't know which one I was talking about. | 0:12:19 | 0:12:21 | |
-It was the war one, was it? -No. | 0:12:21 | 0:12:23 | |
I cannot believe all of this is happening in front of Ossie Ardiles. | 0:12:23 | 0:12:26 | |
I can't believe this is happening. | 0:12:26 | 0:12:28 | |
These guys are great. I met Pele. I met Pele. | 0:12:28 | 0:12:31 | |
-Look, this is it, this is it... -I met David Beckham! | 0:12:31 | 0:12:34 | |
David Beckham was cool. | 0:12:34 | 0:12:35 | |
-EDWARD: -We were clubbing with Wayne Rooney. -Yeah! | 0:12:35 | 0:12:37 | |
-SAM: -I'm out of here. | 0:12:37 | 0:12:39 | |
No, honestly. Guys! | 0:12:39 | 0:12:41 | |
APPLAUSE | 0:12:42 | 0:12:45 | |
What are we doing? What's going on here? | 0:12:45 | 0:12:48 | |
-NANCY: -Come back, behave yourself. Come back. -OK. -Come back. | 0:12:48 | 0:12:51 | |
-Oh, dear. We're only halfway through the first round. -Yeah. | 0:12:51 | 0:12:54 | |
Sam, it was a woman's name, the name of the film. | 0:12:54 | 0:12:57 | |
-It's Carol. -Damn it. And it would've been the most pointless, you wait. | 0:12:57 | 0:13:00 | |
Yes, the best answer on the board. Six points for that. | 0:13:00 | 0:13:03 | |
Audrey Hepburn and George Peppard. | 0:13:03 | 0:13:05 | |
-Breakfast At Tiffany's. -It was Breakfast At Tiffany's. | 0:13:05 | 0:13:07 | |
25 points for that. Kate Winslet, Leonardo DiCaprio. | 0:13:07 | 0:13:10 | |
It was Titanic. | 0:13:10 | 0:13:11 | |
Big scorer, though, 85 points, | 0:13:11 | 0:13:13 | |
so you were right to go for Bridget Jones' Diary. | 0:13:13 | 0:13:15 | |
-And Dev Patel and Freida Pinto? -Slumdog Millionaire. | 0:13:15 | 0:13:17 | |
Slumdog Millionaire. Would've scored you 15, | 0:13:17 | 0:13:19 | |
very well done if you said that at home. | 0:13:19 | 0:13:21 | |
-Very well done if you said Carol. -Thank you. | 0:13:21 | 0:13:23 | |
OK, halfway through the round, let's take a look at the scores. | 0:13:23 | 0:13:26 | |
40 the best score of that pass, well done, Guillem. | 0:13:26 | 0:13:28 | |
40 for you. Puts you, I think, pretty comfortably | 0:13:28 | 0:13:30 | |
at the head of the table. | 0:13:30 | 0:13:31 | |
And 45, Jedward. | 0:13:31 | 0:13:33 | |
-Look at that. 45. -It's been a while. | 0:13:33 | 0:13:35 | |
Yeah, the Titanic one was a very obvious one that... | 0:13:35 | 0:13:37 | |
Well, there we are, 45, not bad. | 0:13:37 | 0:13:39 | |
65 is where we find Kym and Jimmy, | 0:13:39 | 0:13:40 | |
and then 100, Sam and Nancy. | 0:13:40 | 0:13:42 | |
Nancy, a nice low score from you will keep you in the game, | 0:13:42 | 0:13:45 | |
so good luck with that. We're going to come back down the line, | 0:13:45 | 0:13:47 | |
can the second players please step up to the podium? | 0:13:47 | 0:13:49 | |
OK, let's put seven more pairs of actors up on the board, | 0:13:52 | 0:13:55 | |
and here they are. | 0:13:55 | 0:13:57 | |
We have got... | 0:13:57 | 0:13:58 | |
I'll read those again. | 0:14:15 | 0:14:17 | |
-Edward. -Hi. | 0:14:33 | 0:14:34 | |
Everything John said kind of goes for me, | 0:14:34 | 0:14:36 | |
-so we can get on with this game. -Oh, let's get on with it. | 0:14:36 | 0:14:39 | |
Right, Edward. Edward... | 0:14:39 | 0:14:41 | |
I'm Edward, I get the full name of Jedward, he only gets a J, | 0:14:41 | 0:14:44 | |
-but it's all good. We worked it out. -I did wonder about that. -Yes. | 0:14:44 | 0:14:47 | |
So everyone knows, we can be very, very intellectual. | 0:14:47 | 0:14:49 | |
I actually write contracts at home. We write songs. | 0:14:49 | 0:14:52 | |
-We do very, very grown-up things. -You write contracts? | 0:14:52 | 0:14:54 | |
We book our own concerts, do shows. | 0:14:54 | 0:14:56 | |
I'm here today giving it my all for all of you. | 0:14:56 | 0:14:58 | |
We're all here to have some fun. I know you're a soccer player. | 0:14:58 | 0:15:01 | |
I appreciate everything you do, I really respect it. | 0:15:01 | 0:15:04 | |
You look very great. Jimmy Osmond, | 0:15:04 | 0:15:05 | |
I have so much respect for everyone here. | 0:15:05 | 0:15:07 | |
-OK. -I'm in a red suit, I'm wearing a sparkly... -So, Edward... | 0:15:07 | 0:15:10 | |
It's all good. | 0:15:10 | 0:15:11 | |
Edward, everything he says goes for you as well. | 0:15:11 | 0:15:14 | |
You're on 45. | 0:15:14 | 0:15:16 | |
The high-scorers at the moment are Nancy and Sam. | 0:15:16 | 0:15:18 | |
So, 54 or less keeps you in the game, Round Two. | 0:15:18 | 0:15:22 | |
OK. | 0:15:22 | 0:15:23 | |
Julia Roberts... Erm... | 0:15:23 | 0:15:25 | |
-OK, I'm going to go... -OK. -..for Heath Ledger and Jake Gyllenhaal, | 0:15:27 | 0:15:30 | |
-Brokeback Mountain. -Brokeback Mountain, says Edward. | 0:15:30 | 0:15:33 | |
Here is your red line. | 0:15:33 | 0:15:34 | |
If you can get below that red line with Brokeback Mountain, | 0:15:34 | 0:15:36 | |
you are into Round Two. | 0:15:36 | 0:15:38 | |
Let's see how many of our 100 people said Brokeback Mountain. | 0:15:38 | 0:15:40 | |
It's right. | 0:15:43 | 0:15:44 | |
Look at that, you're in Round Two. | 0:15:46 | 0:15:48 | |
History is made, 42 is what you score, 87 is your total. | 0:15:48 | 0:15:51 | |
Very well done indeed. APPLAUSE | 0:15:51 | 0:15:54 | |
-And Jedward are in Round Two. -Yeah. | 0:15:54 | 0:15:56 | |
I will inform the BBC's schedulers, get them to put Casualty back. | 0:15:56 | 0:16:00 | |
Well played. It won the MTV award for Best Screen Kiss as well. | 0:16:00 | 0:16:04 | |
Thank you very much, Richard. Now, Jimmy. | 0:16:04 | 0:16:06 | |
-Yes, sir. -Jimmy, you are in your 50th year in show business. | 0:16:06 | 0:16:09 | |
-Who's counting? -What about that? That's just amazing. | 0:16:09 | 0:16:12 | |
-I started when I was three on The Andy Williams Show... -Yeah. | 0:16:12 | 0:16:16 | |
..and haven't stopped, you know? | 0:16:16 | 0:16:17 | |
It's been wild, it's been a wild ride. | 0:16:17 | 0:16:19 | |
And what are you up to these days, Jimmy? What keeps you busy? | 0:16:19 | 0:16:22 | |
I'm still touring, I own a theatre | 0:16:22 | 0:16:23 | |
which used to be Andy Williams' theatre. And before he passed away, | 0:16:23 | 0:16:26 | |
he asked me to keep his music and legacy alive, | 0:16:26 | 0:16:29 | |
so I produce shows there and I actually tour, | 0:16:29 | 0:16:32 | |
I'm touring a show called Moon River And Me, | 0:16:32 | 0:16:34 | |
which celebrates not only our music, but Andy's music, | 0:16:34 | 0:16:37 | |
that we used to sing. It's kind of part of our... | 0:16:37 | 0:16:40 | |
We're kind of an extension of his legacy, | 0:16:40 | 0:16:42 | |
so it's great fun to bring all the footage and all the music back. | 0:16:42 | 0:16:45 | |
-He touched so many people's lives. -Wonderful. Wonderful. | 0:16:45 | 0:16:49 | |
Jimmy, you're on 65. | 0:16:49 | 0:16:50 | |
Our high-scorers at the moment are Nancy and Sam on 100, | 0:16:50 | 0:16:52 | |
so 34 or less keeps you in the game. | 0:16:52 | 0:16:55 | |
OK, I'm rubbish at this, sorry. | 0:16:55 | 0:16:57 | |
But I think the one that's obvious is Julia Roberts and Richard Gere | 0:16:57 | 0:17:02 | |
in Pretty Woman, is what I'd pick. | 0:17:02 | 0:17:05 | |
OK, you're going to go for Pretty Woman. | 0:17:05 | 0:17:07 | |
Now, let's see. Here is your red line. If you get below that | 0:17:07 | 0:17:09 | |
with Pretty Woman, you're through to the next round. | 0:17:09 | 0:17:11 | |
How many people said it? | 0:17:11 | 0:17:13 | |
Oh, look at that, 73. | 0:17:17 | 0:17:20 | |
-Not great. -APPLAUSE | 0:17:20 | 0:17:21 | |
There's a lifeline for Nancy and Sam there, | 0:17:21 | 0:17:23 | |
138 is your total. | 0:17:23 | 0:17:25 | |
Yeah, good answer, though. Much better than 100, Pretty Woman. | 0:17:25 | 0:17:29 | |
-Mm. -Mm. -Thank you very much. -Pleasure. -Thank you. | 0:17:29 | 0:17:32 | |
-Ossie, a very warm welcome to Pointless. -Thank you. | 0:17:32 | 0:17:34 | |
Great to have you here. | 0:17:34 | 0:17:36 | |
A World Cup winner, Ossie, playing for Argentina. | 0:17:36 | 0:17:39 | |
Now, your career at Argentina, you just... | 0:17:39 | 0:17:42 | |
Did you and Maradona cross over at all? | 0:17:42 | 0:17:45 | |
Yes, we played seven years together. | 0:17:45 | 0:17:47 | |
I start playing with him and I was a superstar, | 0:17:48 | 0:17:51 | |
-he was a little boy. -Yeah. -He was incredible... | 0:17:51 | 0:17:53 | |
in the way that he was improving all the time. | 0:17:53 | 0:17:57 | |
So I will say I teach him one or two things, and after that, | 0:17:57 | 0:18:00 | |
he improved too much and he become the player that he was. | 0:18:00 | 0:18:03 | |
-Yeah, he learnt it all at your knee. -Exactly. Not only from me. | 0:18:03 | 0:18:07 | |
Ossie, tell me about the Ossie Ardiles... | 0:18:07 | 0:18:09 | |
There's the soccer school, isn't there? | 0:18:09 | 0:18:11 | |
-There's a football school? -Yes, in the south of London. | 0:18:11 | 0:18:14 | |
It's a friend of mine, a very young guy that runs the school | 0:18:14 | 0:18:17 | |
and he's doing a tremendous, tremendous job, | 0:18:17 | 0:18:19 | |
so I'm very happy to put my name into it. | 0:18:19 | 0:18:22 | |
OK, now, Ossie, you are as good as through. | 0:18:22 | 0:18:25 | |
97 or less keeps you in the game. | 0:18:25 | 0:18:27 | |
-Yep. -97 or less. | 0:18:27 | 0:18:29 | |
So that's some indication of what you need to score. | 0:18:29 | 0:18:32 | |
I go for Vivien Leigh and Clark Gable, Gone With The Wind. | 0:18:32 | 0:18:36 | |
Gone With The Wind, says Ossie. Here is your... | 0:18:36 | 0:18:38 | |
That shows my age probably. | 0:18:38 | 0:18:39 | |
Here is your red line, it's nice and high. | 0:18:39 | 0:18:41 | |
If you can get below that with Gone With The Wind, | 0:18:41 | 0:18:43 | |
you are through to Round Two. | 0:18:43 | 0:18:45 | |
Let's see how many of our 100 people said Gone With The Wind. | 0:18:45 | 0:18:47 | |
It's right and you are through, very well done. | 0:18:50 | 0:18:52 | |
50. | 0:18:53 | 0:18:55 | |
Taking your total up to 90. | 0:18:55 | 0:18:57 | |
Very well played, Ossie, safe and sound. | 0:18:59 | 0:19:01 | |
Yeah, it was the first-ever colour film to win Best Picture Oscar. | 0:19:01 | 0:19:03 | |
Thank you very much indeed, Richard. | 0:19:03 | 0:19:06 | |
-Nancy. -Yes. -A very, very warm welcome to Pointless. | 0:19:06 | 0:19:08 | |
-Thank you. -Lovely to have you here. | 0:19:08 | 0:19:10 | |
-Now, you made a great name for yourself as a chef. -Yes. | 0:19:10 | 0:19:13 | |
-And Enak Enak, that was your restaurant. -Yes. | 0:19:13 | 0:19:16 | |
It means delicious, delicious. | 0:19:16 | 0:19:18 | |
But you then, you crossed over into television. | 0:19:18 | 0:19:20 | |
-Yes. -How did that happen? When and how? | 0:19:20 | 0:19:23 | |
Er, these two men came and had dinner. | 0:19:23 | 0:19:26 | |
And they said, "That woman is strange. | 0:19:26 | 0:19:30 | |
"I don't know where she come from. | 0:19:31 | 0:19:33 | |
"Why don't we try her on television?" | 0:19:33 | 0:19:36 | |
That's where I turn up. | 0:19:36 | 0:19:38 | |
And you never looked back. | 0:19:38 | 0:19:40 | |
Never. Never look back on anything. | 0:19:40 | 0:19:42 | |
Good or bad thing in your life, never look back, go forward. | 0:19:42 | 0:19:46 | |
Quite right. | 0:19:46 | 0:19:47 | |
Now, Nancy, you are not the high-scorers, you're on 100. | 0:19:47 | 0:19:51 | |
138's where Jimmy and Kym are. | 0:19:51 | 0:19:53 | |
If you can score 37 or less, | 0:19:53 | 0:19:55 | |
you and Sam will go through to the next round. | 0:19:55 | 0:19:58 | |
Do you feel like talking us through this board? | 0:19:58 | 0:20:01 | |
I only know one, that's all I know. | 0:20:01 | 0:20:04 | |
I'm going for Burt Lancaster. | 0:20:04 | 0:20:06 | |
And what film is that? | 0:20:06 | 0:20:08 | |
I forgot... What did you say? | 0:20:08 | 0:20:10 | |
On The Beach. | 0:20:11 | 0:20:13 | |
On The Lake. What do you think? | 0:20:13 | 0:20:16 | |
-We can't do it... -OK, On The Beach. | 0:20:16 | 0:20:17 | |
-You're going for On The Beach. -Don't laugh, you can't help it. | 0:20:17 | 0:20:20 | |
-Here is your red line. -Yeah. | 0:20:20 | 0:20:22 | |
If you can get below that red line with On The Beach, | 0:20:22 | 0:20:24 | |
-you're into the next round. -Yeah. | 0:20:24 | 0:20:26 | |
Let's see what happens, On The Beach. | 0:20:26 | 0:20:28 | |
Come on, baby. | 0:20:29 | 0:20:31 | |
No, I'm sorry. | 0:20:31 | 0:20:33 | |
-Sorry. It's a long day. -I'm sorry. | 0:20:33 | 0:20:35 | |
I'm afraid that scores 100 points, | 0:20:35 | 0:20:37 | |
-takes your total up to 200. -I am sorry. | 0:20:37 | 0:20:40 | |
-It's From Here To Eternity. -Oh, come off it. | 0:20:40 | 0:20:43 | |
Have we got to go? | 0:20:43 | 0:20:45 | |
And would've scored you 15 points. | 0:20:45 | 0:20:47 | |
Now, Andie MacDowell and Hugh Grant would have seen you through, | 0:20:47 | 0:20:50 | |
-funnily enough. -Four Weddings And A Funeral. | 0:20:50 | 0:20:52 | |
Yeah, 36 points for that. | 0:20:52 | 0:20:53 | |
Gwyneth Paltrow and Joseph Fiennes. | 0:20:53 | 0:20:55 | |
-Shakespeare In Love. -Shakespeare In Love. | 0:20:55 | 0:20:58 | |
That would've got 17. | 0:20:58 | 0:20:59 | |
And Natalie Wood and Richard Beymer... | 0:20:59 | 0:21:01 | |
is West Side Story. | 0:21:01 | 0:21:03 | |
-Yes. -And it's the best answer on the board, 4 points. | 0:21:03 | 0:21:05 | |
Very well done if you said that. | 0:21:05 | 0:21:07 | |
She's saying yes now, like, "Yes, I know that." | 0:21:07 | 0:21:09 | |
And it was the lowest one. | 0:21:09 | 0:21:10 | |
Well, listen, at the end of our first round, | 0:21:11 | 0:21:14 | |
I'm afraid the pair we've got to send home... | 0:21:14 | 0:21:16 | |
-This is not fair. -It's Nancy! -..is Nancy and Sam. | 0:21:16 | 0:21:18 | |
-Oh, it's been lovely having you here. -It's OK. | 0:21:18 | 0:21:21 | |
-We're going to miss you. -No, you're not. -Yeah, we are. | 0:21:21 | 0:21:23 | |
-JOHN: -It's fine... -People over there now. -Seriously. | 0:21:23 | 0:21:26 | |
There's always hope. We've been in your position twice. | 0:21:26 | 0:21:28 | |
-Yeah, OK. -And we're still here, OK? | 0:21:28 | 0:21:29 | |
You'll be back, Nancy. You'll be back, Sam. | 0:21:29 | 0:21:32 | |
-Always have hope, OK? -Yeah, all right. -He's right. | 0:21:32 | 0:21:34 | |
Everything he said goes for me. | 0:21:34 | 0:21:36 | |
I'm here to meet you two old men. | 0:21:36 | 0:21:38 | |
Nancy and Sam, you're wonderful, please come and play again. | 0:21:38 | 0:21:40 | |
Nancy and Sam, superb. APPLAUSE | 0:21:40 | 0:21:43 | |
I can't believe it. Can't believe it. | 0:21:43 | 0:21:44 | |
But, for the remaining three pairs, it's now time for Round Two. | 0:21:44 | 0:21:48 | |
And look at that, we're suddenly down to three pairs. | 0:21:51 | 0:21:54 | |
-Jedward, you're still in. -I know, we're in the Olympics. | 0:21:54 | 0:21:56 | |
-We might get to make a remix with Kym. -First, second, third. | 0:21:56 | 0:21:59 | |
Guillem, congratulations, our lowest scorer in that round, | 0:21:59 | 0:22:02 | |
so very well done. The very best of luck to all three pairs. | 0:22:02 | 0:22:05 | |
Our category for Round Two this evening is... | 0:22:05 | 0:22:09 | |
It's a Words round. | 0:22:09 | 0:22:10 | |
Can you all decide in your pairs, who's going to go first, | 0:22:10 | 0:22:12 | |
who's going to go second? And whoever is going first, | 0:22:12 | 0:22:14 | |
please step up to the podium. | 0:22:14 | 0:22:16 | |
OK, let's find out what the question is. Here it comes. | 0:22:20 | 0:22:22 | |
We gave 100 people 100 seconds to name as many... | 0:22:22 | 0:22:27 | |
Words ending in AP, Richard. | 0:22:30 | 0:22:32 | |
Yeah, we're looking for any words in the English dictionary, | 0:22:32 | 0:22:34 | |
please, that ends AP, | 0:22:34 | 0:22:35 | |
any word in the British & World section of oxforddictionaries.com | 0:22:35 | 0:22:39 | |
that ends AP. | 0:22:39 | 0:22:40 | |
As always, no proper nouns, no hyphenated words, very best of luck. | 0:22:40 | 0:22:43 | |
-Ossie. -Oh! | 0:22:45 | 0:22:46 | |
Words ending AP, in a nice, obscure word. | 0:22:46 | 0:22:49 | |
So I have to say one or...? | 0:22:49 | 0:22:51 | |
-Any... Yes, any word you can think of. -Only one? -Just one, yeah. | 0:22:51 | 0:22:54 | |
-Only one. -But think of a nice one | 0:22:54 | 0:22:57 | |
that you think the fewest of our 100 people would have thought of. | 0:22:57 | 0:23:00 | |
-Map. -Map. | 0:23:00 | 0:23:02 | |
Map, says Ossie. Let's see how many of our 100 people went for map. | 0:23:02 | 0:23:06 | |
59. | 0:23:12 | 0:23:13 | |
59 for map. APPLAUSE | 0:23:13 | 0:23:15 | |
Map. As in a map. | 0:23:15 | 0:23:18 | |
-Or to map. -Or to map. Yeah. -Yeah. | 0:23:18 | 0:23:21 | |
Thank you. Jimmy. | 0:23:21 | 0:23:23 | |
How about trap? | 0:23:23 | 0:23:25 | |
Trap, says Jimmy. | 0:23:25 | 0:23:27 | |
OK, let's see how many of our 100 people went for trap. | 0:23:27 | 0:23:29 | |
It's right, | 0:23:32 | 0:23:33 | |
59 is our only score at this point. | 0:23:33 | 0:23:36 | |
52 for trap. | 0:23:36 | 0:23:37 | |
-Trap. -Trap. -Like a trap, or to trap. | 0:23:42 | 0:23:44 | |
Thank you very much, Richard. | 0:23:44 | 0:23:46 | |
John, a word ending AP. | 0:23:46 | 0:23:49 | |
So it has to end AP. | 0:23:49 | 0:23:50 | |
There can't be like a silent E at the end? | 0:23:50 | 0:23:52 | |
-No. -OK. All right. So I had a really good one there | 0:23:52 | 0:23:55 | |
but then I wasn't really sure if there was an E at the end, | 0:23:55 | 0:23:57 | |
so I was like, "Mm, spelling bee." | 0:23:57 | 0:23:59 | |
So I'm just going to go for slap. | 0:23:59 | 0:24:01 | |
Slap, says John. | 0:24:01 | 0:24:02 | |
Let's see how many of our 100 people went for slap. | 0:24:02 | 0:24:04 | |
It's right. | 0:24:08 | 0:24:10 | |
Well, 59 was our high score, then 52, down it goes... | 0:24:10 | 0:24:13 | |
36, John. | 0:24:13 | 0:24:14 | |
APPLAUSE I tell you what, | 0:24:14 | 0:24:16 | |
the head-to-head maybe beckons. | 0:24:16 | 0:24:18 | |
Yes, slap. Can mean to strike, say, or make-up. | 0:24:20 | 0:24:25 | |
Thank you very much indeed, Richard. | 0:24:25 | 0:24:26 | |
We're halfway through the round, let's take a look at those scores. | 0:24:26 | 0:24:29 | |
36, the best score of the pass, Jedward. | 0:24:29 | 0:24:31 | |
-Lord preserve us. -What? I can't believe it... | 0:24:31 | 0:24:33 | |
-You are the low-scorers... -What? -..halfway through the round. | 0:24:33 | 0:24:36 | |
Then we go up to 52 where we find Jimmy and Kym. | 0:24:36 | 0:24:38 | |
Then up to 59 where we find Guillem and Ossie. | 0:24:38 | 0:24:41 | |
So, Guillem, we need a nice low score from you. | 0:24:41 | 0:24:43 | |
Good luck with that. We're going to come back down the line now. | 0:24:43 | 0:24:45 | |
Can the second players please step up to the podium? | 0:24:45 | 0:24:48 | |
OK. Now, Edward, remember, | 0:24:51 | 0:24:53 | |
we're looking for words ending with the letters AP. | 0:24:53 | 0:24:56 | |
You're on 36. Listen, if you can score 22 or less, | 0:24:56 | 0:24:58 | |
you're definitely in the next round. | 0:24:58 | 0:25:00 | |
OK. I'm going to go for wrap, as in food, | 0:25:00 | 0:25:03 | |
but not the rap like, yo, what's up? | 0:25:03 | 0:25:06 | |
-Just the wrap like, "Mm, chicken." -Wrap. | 0:25:06 | 0:25:09 | |
-Mm, chicken wrap. -Chicken wrap. | 0:25:09 | 0:25:10 | |
Or, no! Veggie wrap for all the vegetarians. | 0:25:10 | 0:25:13 | |
Oh, I'm glad we spelt that out, good. OK, there we are. | 0:25:13 | 0:25:15 | |
There's your red line. If you can get below that with wrap... | 0:25:15 | 0:25:18 | |
-But veggie wrap. -..you are through to the next round. | 0:25:18 | 0:25:20 | |
Let's see how many of our 100 people went for wrap. | 0:25:20 | 0:25:23 | |
It's right. | 0:25:26 | 0:25:27 | |
Look at that, you're through. 18! | 0:25:31 | 0:25:33 | |
You are in the head-to-head round, Jedward. | 0:25:33 | 0:25:36 | |
54 is your total. | 0:25:36 | 0:25:39 | |
Yeah, there you go. Wrap. To wrap. | 0:25:39 | 0:25:42 | |
Or a wrap. | 0:25:42 | 0:25:43 | |
No, the wrap, like W-R-A-P. | 0:25:43 | 0:25:45 | |
Oh, no, I know. Yeah, yeah, I meant wrap. | 0:25:45 | 0:25:47 | |
-I had a silent W on mine. -Nancy's going to make us food after this. | 0:25:47 | 0:25:50 | |
She's cooking it up right now backstage. | 0:25:50 | 0:25:52 | |
It's thanks to Nancy we actually got that answer | 0:25:52 | 0:25:54 | |
cos she was talking about cooking us food, | 0:25:54 | 0:25:56 | |
so some subliminal message went into his head and he got wrap. | 0:25:56 | 0:25:59 | |
-Certainly something is going on. -Yeah. | 0:25:59 | 0:26:01 | |
Guys, I feel like a genius now, | 0:26:03 | 0:26:04 | |
I feel like I'm on Who Wants To Be A Millionaire? | 0:26:04 | 0:26:06 | |
-I'm going to win all the money for the charity. -Kym. -Yes. | 0:26:06 | 0:26:09 | |
-Now then, Kym. -Uh-huh. | 0:26:09 | 0:26:11 | |
The high-scorers at the moment, Guillem and Ossie, are on 59, | 0:26:11 | 0:26:14 | |
-so ideally you'd score 6 or less... -Oh... -..with your answer. | 0:26:14 | 0:26:18 | |
Lap. | 0:26:20 | 0:26:21 | |
-Lap. -Sit on my lap. | 0:26:21 | 0:26:22 | |
-Lap, says Kym. -Yes. | 0:26:22 | 0:26:24 | |
-Here is your... -Not a lap dance, but sit on my lap. | 0:26:24 | 0:26:26 | |
-Santa Claus, sit on my lap. -That's a sort of Nancy-like comment. | 0:26:26 | 0:26:30 | |
Now, Kym, there is your red line coming in there, | 0:26:32 | 0:26:35 | |
-quite low. -Oh, boo. -Let's see how far down we get with lap. | 0:26:35 | 0:26:37 | |
How many of our 100 people said lap? | 0:26:37 | 0:26:40 | |
It's right. | 0:26:44 | 0:26:45 | |
55 for lap, taking your total up to 107. | 0:26:48 | 0:26:51 | |
All we need now is a professional journalist to be on the show, | 0:26:53 | 0:26:56 | |
that's all we need on our final podium. | 0:26:56 | 0:26:58 | |
Here's hoping. Now, Guillem, what would you like to go for? | 0:26:58 | 0:27:01 | |
You're on 59. 47 or less gets you through. | 0:27:01 | 0:27:04 | |
All right, I'll go for a football term, which is close to that one - | 0:27:04 | 0:27:08 | |
-overlap. -Overlap, says Guillem. | 0:27:08 | 0:27:10 | |
Let's see how many of our 100 people said overlap. | 0:27:10 | 0:27:12 | |
Here is your red line. | 0:27:12 | 0:27:13 | |
Get below this red line, you are home and dry. | 0:27:13 | 0:27:16 | |
Let's see how many of our 100 people said overlap. | 0:27:16 | 0:27:18 | |
It's right. | 0:27:21 | 0:27:22 | |
And you're through, very, very well done indeed. | 0:27:24 | 0:27:26 | |
Overlap, look at that, down it goes. | 0:27:26 | 0:27:28 | |
1! APPLAUSE | 0:27:28 | 0:27:29 | |
1, taking your total up to 60, very good indeed. | 0:27:31 | 0:27:33 | |
# Ooh-ooh! Ooh-ooh! # | 0:27:33 | 0:27:36 | |
Oh, thank you so much, Guillem, | 0:27:36 | 0:27:39 | |
it's almost like a regular episode of Pointless there, just briefly. | 0:27:39 | 0:27:42 | |
Thank you for bringing us back to that. | 0:27:42 | 0:27:44 | |
There's lots and lots of pointless answers here. | 0:27:44 | 0:27:46 | |
-Have you got a good...? -Dewlap. | 0:27:46 | 0:27:49 | |
-Dewlap. -Yeah. -What, the people that make the paint? | 0:27:49 | 0:27:51 | |
-Parent Trap the movie? -2 points. -Oh, no. -2 points. | 0:27:54 | 0:27:56 | |
Thunderclap was probably better, maybe. | 0:27:56 | 0:27:59 | |
-Thunderclap? -Yeah. -Thunderclap would've scored you 1 point. | 0:27:59 | 0:28:02 | |
-Oh, very annoying. -Now, there's some good pointless answers, though, | 0:28:02 | 0:28:04 | |
take a look at these. Lots of words that people could've got here. | 0:28:04 | 0:28:08 | |
Deathtrap, pointless answer. | 0:28:08 | 0:28:10 | |
-Nightcap. -JIMMY: -Nightcap. | 0:28:10 | 0:28:12 | |
Remap, rather than map, would've been a pointless answer. | 0:28:12 | 0:28:14 | |
-Would've added money to that jackpot. -KYM: -Skullcap? | 0:28:14 | 0:28:17 | |
-Why didn't I think of a skullcap? -Scrapheap. Skullcap. Stopgap. | 0:28:17 | 0:28:21 | |
Stopgap. | 0:28:21 | 0:28:22 | |
Toecap. | 0:28:22 | 0:28:23 | |
Unwrap would've been a pointless answer, so wrap scored 18, unwrap. | 0:28:23 | 0:28:27 | |
Wiretap you also could've had. | 0:28:27 | 0:28:28 | |
Docusoap, that's a nice one. | 0:28:28 | 0:28:30 | |
Dungheap, dustheap, handclap, | 0:28:30 | 0:28:32 | |
honeytrap, madcap, outleap, | 0:28:32 | 0:28:35 | |
-snowcap, all of those were pointless answers. -A dance going on. | 0:28:35 | 0:28:38 | |
Let's take a look at the top three, | 0:28:38 | 0:28:39 | |
the ones most of our 100 people said. | 0:28:39 | 0:28:42 | |
And they were... | 0:28:42 | 0:28:43 | |
-Top answers. -There we are. Thank you, Richard. | 0:28:49 | 0:28:51 | |
So we are at the end of our second round, | 0:28:51 | 0:28:53 | |
the pair we have to say goodbye to with their high score of 107, | 0:28:53 | 0:28:56 | |
Kym and Jimmy, I'm afraid it's you. | 0:28:56 | 0:28:57 | |
-Hey, this has been a blast. -We had a great time. | 0:28:57 | 0:28:59 | |
-It's been lovely having you here. JOHN: -Can I make a sacrifice? | 0:28:59 | 0:29:02 | |
Can I like...? Who do you want? | 0:29:02 | 0:29:03 | |
Do you want to replace me with anyone, Edward? | 0:29:03 | 0:29:05 | |
-Yeah, I'll take Jimmy. -I sacrifice myself, I'm gone. | 0:29:05 | 0:29:08 | |
I am hearing, yes, we can do that. | 0:29:08 | 0:29:12 | |
-I'm just going to... -APPLAUSE | 0:29:12 | 0:29:15 | |
All right, Kym and Jimmy, it's been lovely having you. | 0:29:15 | 0:29:17 | |
Jimmy, I know you're going to sing us out at the end, | 0:29:17 | 0:29:19 | |
I'm really looking forward to that. | 0:29:19 | 0:29:21 | |
-I will. -But thank you so much for playing, Kym and Jimmy. | 0:29:21 | 0:29:23 | |
-Thank you so much. -Thank you. -APPLAUSE | 0:29:23 | 0:29:25 | |
But, for John and Edward, Ossie and Guillem, | 0:29:27 | 0:29:29 | |
it's now time for our head-to-head. | 0:29:29 | 0:29:31 | |
Well, congratulations, John and Edward, Ossie and Guillem. | 0:29:35 | 0:29:38 | |
You're now one step closer to the final, | 0:29:38 | 0:29:40 | |
and a chance to play for our jackpot, | 0:29:40 | 0:29:42 | |
which currently stands at £2,500. There we are. | 0:29:42 | 0:29:46 | |
APPLAUSE | 0:29:46 | 0:29:49 | |
But this is where we decide who gets to play for that jackpot, | 0:29:49 | 0:29:52 | |
and we do it by making you go head-to-head. | 0:29:52 | 0:29:54 | |
But the big difference is, you are now allowed to confer. | 0:29:54 | 0:29:56 | |
First pair to win two questions will be playing for that jackpot. | 0:29:56 | 0:29:59 | |
Best of luck to both players, let's play the head-to-head. | 0:29:59 | 0:30:01 | |
APPLAUSE | 0:30:01 | 0:30:03 | |
Here is your first question, and it concerns... | 0:30:06 | 0:30:10 | |
-Funny Americans, Richard. -We will show you five pictures now | 0:30:12 | 0:30:15 | |
of Americans associated with the world of comedy. | 0:30:15 | 0:30:17 | |
Can you name the most obscure of these, please? | 0:30:17 | 0:30:19 | |
OK, let's reveal our five funny Americans, and here they come. | 0:30:19 | 0:30:22 | |
We have got... | 0:30:22 | 0:30:23 | |
There we are. Now, John and Edward, you will go first. | 0:30:49 | 0:30:52 | |
Well, OK, we have... | 0:30:52 | 0:30:54 | |
We've met her. | 0:30:54 | 0:30:56 | |
OK, don't say the names. OK, we are going to go for that babe, see her, | 0:30:56 | 0:31:00 | |
number D, Tina Fey. | 0:31:00 | 0:31:02 | |
Tina Fey, say John and Edward. | 0:31:02 | 0:31:04 | |
For D, Tina Fey. | 0:31:04 | 0:31:06 | |
Now then, Ossie and Guillem. | 0:31:06 | 0:31:09 | |
Well, I kind of recognise one, E. | 0:31:09 | 0:31:11 | |
I may not say it properly, but Ellen DeGeneres. | 0:31:13 | 0:31:16 | |
-Is that the one you want to go for? -Yes. | 0:31:18 | 0:31:19 | |
Ellen DeGeneres, E. | 0:31:19 | 0:31:21 | |
So we have Tina Fey and we have Ellen DeGeneres. | 0:31:21 | 0:31:23 | |
Now, Tina Fey, say Jedward. | 0:31:23 | 0:31:25 | |
For D. Let's see if that's right, | 0:31:25 | 0:31:26 | |
let's see how many of our 100 people said Tina Fey. | 0:31:26 | 0:31:28 | |
It's right. | 0:31:31 | 0:31:32 | |
10. | 0:31:38 | 0:31:39 | |
APPLAUSE 10 for Tina Fey. | 0:31:39 | 0:31:42 | |
Ossie and Guillem, meanwhile, have gone for Ellen DeGeneres for E. | 0:31:43 | 0:31:47 | |
Let's see if that's right, let's see how many | 0:31:47 | 0:31:49 | |
of our 100 people said Ellen DeGeneres. | 0:31:49 | 0:31:51 | |
It's right. | 0:31:54 | 0:31:55 | |
47. | 0:31:58 | 0:31:59 | |
APPLAUSE Which means well done, Jedward. | 0:31:59 | 0:32:02 | |
After only one question, you are up 1-0. | 0:32:02 | 0:32:04 | |
Tina Fey there. | 0:32:04 | 0:32:06 | |
Star of the greatest sitcom of all time, I think, 30 Rock. | 0:32:06 | 0:32:10 | |
A is Melissa McCarthy. | 0:32:10 | 0:32:12 | |
Would have scored you 13 points. | 0:32:12 | 0:32:14 | |
B, star of Seinfeld and now Veep, | 0:32:14 | 0:32:17 | |
Julia Louis-Dreyfus. | 0:32:17 | 0:32:19 | |
Best answer on the board, two points, well done if you said that. | 0:32:19 | 0:32:21 | |
And Joan Rivers is the highest scorer. | 0:32:21 | 0:32:24 | |
Joan Rivers would have scored you 55. | 0:32:24 | 0:32:26 | |
Thank you, Richard. Here is your second question. | 0:32:28 | 0:32:30 | |
Ossie and Guillem, you get to answer it first, | 0:32:30 | 0:32:32 | |
but you have to win this one to stay in the game, so very best of luck. | 0:32:32 | 0:32:35 | |
Our second question is all about... | 0:32:35 | 0:32:38 | |
Confused Fruit. | 0:32:39 | 0:32:41 | |
Yes, we're simply going to show you five descriptions of different types | 0:32:41 | 0:32:44 | |
of fruit which are often confused, often used as vegetables. | 0:32:44 | 0:32:47 | |
But they are really fruit. | 0:32:47 | 0:32:49 | |
We will describe them, but what are these fruit? | 0:32:49 | 0:32:52 | |
Oh. So what are these fruit? | 0:32:52 | 0:32:54 | |
Let's reveal our five confused fruit. | 0:32:54 | 0:32:57 | |
I will read those all one last time. | 0:33:20 | 0:33:22 | |
There we are. Now then, Ossie and Guillem, it's over to you. | 0:33:38 | 0:33:42 | |
We will go for the only one we know, | 0:33:42 | 0:33:44 | |
the Spanish one, tomatoes. | 0:33:44 | 0:33:46 | |
The tomato. The tomato at the bottom there. | 0:33:46 | 0:33:49 | |
Now then, John and Edward. | 0:33:49 | 0:33:51 | |
It's over to you. | 0:33:51 | 0:33:52 | |
-I don't know it. Just go for it. -Can we just think about it? | 0:33:54 | 0:33:57 | |
The first one, a courgette. | 0:33:58 | 0:34:01 | |
-A courgette. -A courgette. -A courgette. | 0:34:01 | 0:34:03 | |
For eggplant, courgette, say Jedward. | 0:34:03 | 0:34:05 | |
-So we have tomato, courgette. -Am I right, guys? | 0:34:05 | 0:34:07 | |
-Ossie and Guillem went for tomato... -Oh, God, just give me the no. | 0:34:07 | 0:34:10 | |
..let's just see if that's right, | 0:34:10 | 0:34:12 | |
let's see how many of our 100 people said tomato. | 0:34:12 | 0:34:14 | |
It's right. | 0:34:17 | 0:34:18 | |
75 for tomato. | 0:34:19 | 0:34:21 | |
APPLAUSE | 0:34:21 | 0:34:23 | |
John and Edward, meanwhile, have gone for courgette for the eggplant. | 0:34:23 | 0:34:27 | |
Let's see if that's right, let's see how many | 0:34:27 | 0:34:29 | |
of our 100 people said courgette. | 0:34:29 | 0:34:31 | |
No, not a courgette, I'm afraid. | 0:34:34 | 0:34:36 | |
Not a courgette. Very well done, Ossie and Guillem. | 0:34:36 | 0:34:38 | |
After two questions, 1-1. | 0:34:38 | 0:34:40 | |
Yes, it's not a courgette, | 0:34:40 | 0:34:41 | |
it's aubergine was the answer you were looking for. | 0:34:41 | 0:34:43 | |
Something like that. | 0:34:43 | 0:34:44 | |
It was something like that. It was something very like that. | 0:34:44 | 0:34:47 | |
Yes, 72 points if you said aubergine. | 0:34:47 | 0:34:49 | |
The best answer is the winter fruit, in fact it's a pointless answer. | 0:34:49 | 0:34:52 | |
Very well done if you said butternut squash. | 0:34:52 | 0:34:54 | |
Did you know that? Who's getting that? | 0:34:54 | 0:34:56 | |
Very well played if you got it. | 0:34:56 | 0:34:57 | |
The long skinned fruit is a cucumber. | 0:34:57 | 0:35:01 | |
38 points. And the plant of the mallow family? | 0:35:01 | 0:35:03 | |
-Okra. -Okra, yes. | 0:35:03 | 0:35:05 | |
And that would have scored you 43. | 0:35:05 | 0:35:07 | |
Thank you very much indeed. OK, so here is your third question. | 0:35:07 | 0:35:10 | |
This is the decider, whoever wins this goes through to the final | 0:35:10 | 0:35:12 | |
and plays for that jackpot. Best of luck to both pairs. | 0:35:12 | 0:35:15 | |
Our third question is all about... | 0:35:15 | 0:35:18 | |
-Richard. -Yes, we are simply going to show you five clues now | 0:35:20 | 0:35:22 | |
to facts about the Spice Girls. Whoever gives us | 0:35:22 | 0:35:24 | |
the most obscure answers is going to play for that jackpot, | 0:35:24 | 0:35:27 | |
so very, very best of luck. | 0:35:27 | 0:35:28 | |
Thank you very much indeed. OK, let's reveal our five clues, | 0:35:28 | 0:35:30 | |
and here they come. We have got... | 0:35:30 | 0:35:33 | |
I'll read those again. | 0:35:52 | 0:35:53 | |
Now, Jedward, you will go first. | 0:36:10 | 0:36:13 | |
-Are you going to go for it, John? -I hope it's the right answer, OK. | 0:36:15 | 0:36:17 | |
Used as a term of female empowerment, | 0:36:17 | 0:36:19 | |
the two word phrase which they popularised, girl power! | 0:36:19 | 0:36:23 | |
I know I'm not a girl. I hope it's girl power, I hope so. | 0:36:23 | 0:36:25 | |
OK, girl power. Jedward are saying girl power. | 0:36:25 | 0:36:27 | |
Now, Ossie and Guillem, it's over to you. | 0:36:27 | 0:36:29 | |
Do you want to talk us through that board? | 0:36:29 | 0:36:31 | |
I cannot use the same one, we cannot use the same one? | 0:36:31 | 0:36:33 | |
You can't use the same one, sadly. | 0:36:33 | 0:36:35 | |
So, the next one will have to be a guess at the single, | 0:36:35 | 0:36:40 | |
let's say 2003, just to say something. | 0:36:40 | 0:36:45 | |
2003 for Best British Single. | 0:36:45 | 0:36:47 | |
2003. So we have girl power versus 2003. | 0:36:47 | 0:36:50 | |
Jedward have gone for girl power, let's see if that's right, | 0:36:50 | 0:36:53 | |
let's see how many of our 100 people said it. | 0:36:53 | 0:36:55 | |
It's right. | 0:36:57 | 0:36:59 | |
61 for girl power. | 0:37:00 | 0:37:02 | |
APPLAUSE | 0:37:02 | 0:37:04 | |
Ossie and Guillem, meanwhile, | 0:37:04 | 0:37:06 | |
have gone for 2003 for the year they won Best British Single. | 0:37:06 | 0:37:09 | |
Let's see if that's right, let's see how many people said 2003. | 0:37:09 | 0:37:12 | |
No. | 0:37:15 | 0:37:16 | |
Bad luck. Which means, Jedward, after three questions, | 0:37:16 | 0:37:19 | |
-you are through to the final 2-1. -We won! | 0:37:19 | 0:37:22 | |
# I'll tell you what I want What I really, really want | 0:37:22 | 0:37:25 | |
# So tell me what you want What you really, really want... # | 0:37:25 | 0:37:28 | |
Let's fill in the rest of this board, shall we? | 0:37:28 | 0:37:30 | |
The B stands for Brown. | 0:37:30 | 0:37:33 | |
Melanie Brown. Would have scored 29 points. | 0:37:33 | 0:37:36 | |
The name of the musical, written by Jennifer Saunders, was Viva Forever. | 0:37:36 | 0:37:40 | |
Would have scored you 10. | 0:37:40 | 0:37:42 | |
The year they won the best single was actually 1997, | 0:37:42 | 0:37:44 | |
they won it for Wannabe, their first single. | 0:37:44 | 0:37:46 | |
-Close. -Nine points for that. | 0:37:46 | 0:37:48 | |
And the title of the 2007 song was Headlines. | 0:37:48 | 0:37:50 | |
And that would have scored you one point, | 0:37:50 | 0:37:53 | |
very well done if you said that. | 0:37:53 | 0:37:54 | |
Thank you very much indeed, Richard. | 0:37:54 | 0:37:56 | |
So, at the end of our head-to-head round, | 0:37:56 | 0:37:58 | |
we have to say goodbye to Ossie and Guillem. | 0:37:58 | 0:38:01 | |
I am so sorry that we didn't get you into the final, | 0:38:01 | 0:38:03 | |
but it's been great having you on. | 0:38:03 | 0:38:05 | |
-Thank you so much, please come and play again. -Thank you very much. | 0:38:05 | 0:38:08 | |
Ossie and Guillem, wonderful to have you, thank you so much. | 0:38:08 | 0:38:11 | |
APPLAUSE | 0:38:11 | 0:38:13 | |
But, for Jedward, it is now time for our Pointless final. | 0:38:13 | 0:38:16 | |
Congratulations, Jedward, | 0:38:20 | 0:38:22 | |
you have fought off all the competition | 0:38:22 | 0:38:24 | |
and you have won our coveted Pointless trophy. | 0:38:24 | 0:38:26 | |
You now have a chance to win our Pointless jackpot | 0:38:32 | 0:38:35 | |
for your charities. | 0:38:35 | 0:38:36 | |
And at the end of today's show, the jackpot is standing at £2,500. | 0:38:36 | 0:38:39 | |
APPLAUSE | 0:38:39 | 0:38:41 | |
Well, very, very well done indeed. | 0:38:41 | 0:38:44 | |
What a turn-up that is! | 0:38:44 | 0:38:46 | |
You've come through to the final. | 0:38:46 | 0:38:47 | |
I actually feel so... it's so rewarding. | 0:38:47 | 0:38:49 | |
It's just good being here to spread awareness for the charity, | 0:38:49 | 0:38:52 | |
and our charity is Princess Diana anti-bullying programme, | 0:38:52 | 0:38:54 | |
and that's the whole thing. | 0:38:54 | 0:38:56 | |
Live on television, everyone get behind it. | 0:38:56 | 0:38:58 | |
And they do a lot of work in schools, anti-bullying ambassadors, | 0:38:58 | 0:39:01 | |
-it all makes... -All the kids who are going through stuff like that, | 0:39:01 | 0:39:04 | |
and we love just being part of that and being involved. | 0:39:04 | 0:39:06 | |
Yes, because we are survivors as well. | 0:39:06 | 0:39:08 | |
All the stuff people have said about us and we're still here. | 0:39:08 | 0:39:10 | |
We're still here rocking sequinned tops, spiky hair, still doing it. | 0:39:10 | 0:39:14 | |
-Yeah, you've got to be yourself. -Got to be yourself. | 0:39:14 | 0:39:16 | |
See, that is fantastic. Well done, that's a great charity, isn't it? | 0:39:16 | 0:39:19 | |
Very well done. | 0:39:19 | 0:39:20 | |
APPLAUSE | 0:39:20 | 0:39:23 | |
Now, as always, you get to choose your category in this last round. | 0:39:24 | 0:39:27 | |
Four things on the board, let's see what today's selection looks like. | 0:39:27 | 0:39:31 | |
OK. We have, like, six dogs at home, shout out. | 0:39:40 | 0:39:44 | |
-We look after all our dogs. -Our dogs, some of them have, like, | 0:39:44 | 0:39:46 | |
10,000 and 20,000 followers on Twitter. | 0:39:46 | 0:39:48 | |
We literally have a zoo. We live in an estate, | 0:39:48 | 0:39:50 | |
I'm surprised the neighbours haven't reported us or anything, | 0:39:50 | 0:39:53 | |
but they're all really good dogs. | 0:39:53 | 0:39:55 | |
-OK. I think it's going to be Dogs, Richard. -OK. | 0:39:55 | 0:39:58 | |
OK, good luck, gents. | 0:39:58 | 0:39:59 | |
Very best of luck, a great charity. | 0:39:59 | 0:40:01 | |
We are looking for any distinct named breed | 0:40:01 | 0:40:03 | |
that took part in Crufts 2016 | 0:40:03 | 0:40:05 | |
in any of the following categories, please. | 0:40:05 | 0:40:08 | |
The toy breeds, | 0:40:08 | 0:40:09 | |
the hound breeds | 0:40:09 | 0:40:10 | |
or the working breeds. | 0:40:10 | 0:40:12 | |
So any distinct named breed that was in competition in 2016 at Crufts | 0:40:12 | 0:40:16 | |
in any of those three categories, please. | 0:40:16 | 0:40:18 | |
-Very best of luck. -OK, now, as always, | 0:40:18 | 0:40:20 | |
you've got up to one minute to come up with three answers. | 0:40:20 | 0:40:23 | |
All you need to win that jackpot for your brilliant charity | 0:40:23 | 0:40:26 | |
is for just one of those answers to be pointless. | 0:40:26 | 0:40:28 | |
OK, let's put 60 seconds up on the clock, there they are. | 0:40:28 | 0:40:30 | |
Your time starts now. | 0:40:30 | 0:40:32 | |
59, 8, 7... | 0:40:33 | 0:40:35 | |
-We have time. -So, a toy breed, | 0:40:35 | 0:40:37 | |
they are kind of like all Paris Hilton dogs. | 0:40:37 | 0:40:40 | |
Yes, I think everyone owns a Chihuahua. | 0:40:40 | 0:40:42 | |
Yeah, they are too technical now, we don't really know that category. | 0:40:42 | 0:40:45 | |
Hound breed, they are always howling. | 0:40:45 | 0:40:47 | |
I just think of wolves. | 0:40:47 | 0:40:48 | |
I know working breeds because our grandad, you know, | 0:40:48 | 0:40:51 | |
the type of dogs you always have. | 0:40:51 | 0:40:52 | |
Is it a German Shepherd or an Alsatian? | 0:40:52 | 0:40:55 | |
-There's two different names... -Alsatian, Doberman, | 0:40:55 | 0:40:58 | |
all of them, Beagle out hunting. | 0:40:58 | 0:41:00 | |
-Dalamatian. -No, that's not working. | 0:41:00 | 0:41:02 | |
But it's working in film. 101 Dalamatians. | 0:41:02 | 0:41:05 | |
Stop talking! | 0:41:05 | 0:41:08 | |
Every dog could be a working breed. | 0:41:08 | 0:41:10 | |
Oh, no, it's judged at Crufts. | 0:41:10 | 0:41:11 | |
Yes, but they would have been there, they would have been there. | 0:41:11 | 0:41:14 | |
Let's forget about the Crufts in 2016, | 0:41:14 | 0:41:16 | |
they obviously were there, come on. | 0:41:16 | 0:41:18 | |
-A Dalamatian. -It's Dalmatian. | 0:41:18 | 0:41:21 | |
-10 seconds left. -How do you pronounce Dalmatian? | 0:41:21 | 0:41:23 | |
-Focus. -10 seconds left. | 0:41:23 | 0:41:25 | |
You have to do the questions right after, so what are you going for? | 0:41:25 | 0:41:28 | |
OK, that is your minute up. | 0:41:31 | 0:41:33 | |
Jedward, I now need your three answers. | 0:41:33 | 0:41:36 | |
-A Miniature Pug. -A Miniature Pug. | 0:41:36 | 0:41:38 | |
-A Chihuahua. -A Chihuahua. | 0:41:38 | 0:41:40 | |
-They're for the toy breeds. -Yeah. | 0:41:40 | 0:41:41 | |
And then I'm going for working breeds, I'm going for Doberman. | 0:41:41 | 0:41:46 | |
OK, of those three, which do you think is your best shot | 0:41:46 | 0:41:48 | |
at a pointless answer? Which do you think is the most obscure? | 0:41:48 | 0:41:51 | |
We have a Chinese Crested and no-one has that dog, | 0:41:51 | 0:41:53 | |
so we should have gone for that answer, John, | 0:41:53 | 0:41:55 | |
because no-one really knows that dog. | 0:41:55 | 0:41:57 | |
Sadly that's not one of your three answers. | 0:41:57 | 0:41:59 | |
Of the three answers you've given, | 0:41:59 | 0:42:01 | |
which do you think is your best shot at a pointless? | 0:42:01 | 0:42:03 | |
It's just so we put them in the right order. | 0:42:03 | 0:42:05 | |
-Which is the best one? -Doberman. -OK, Doberman we'll put last. | 0:42:05 | 0:42:07 | |
Least likely to be pointless? | 0:42:07 | 0:42:09 | |
The least likely is Chihuahua. | 0:42:09 | 0:42:10 | |
OK, Chihuahua, and then mini pug in the middle. | 0:42:10 | 0:42:13 | |
OK, well, let's put those answers up on the board in that order, then, | 0:42:13 | 0:42:16 | |
and here they are. We have got... | 0:42:16 | 0:42:18 | |
Well, very, very best of luck. If you win that jackpot, | 0:42:21 | 0:42:23 | |
it goes straight to your charities, | 0:42:23 | 0:42:25 | |
-so wouldn't that be a nice end to this? -Yes. | 0:42:25 | 0:42:27 | |
OK, well, best of luck, your first answer was Chihuahua. | 0:42:27 | 0:42:29 | |
In this case, we were looking for toy breeds judged at Crufts in 2016. | 0:42:29 | 0:42:33 | |
Only one of these has to be pointless | 0:42:33 | 0:42:34 | |
for you to win that jackpot. | 0:42:34 | 0:42:36 | |
So, for £2,500, let's see how many people said Chihuahua. | 0:42:36 | 0:42:39 | |
It's right. | 0:42:41 | 0:42:43 | |
All it has to be now is pointless | 0:42:44 | 0:42:45 | |
and you can go away with that jackpot for your charity. | 0:42:45 | 0:42:48 | |
Down Chihuahua goes. | 0:42:48 | 0:42:50 | |
Oh, 38. | 0:42:50 | 0:42:51 | |
APPLAUSE 38 for Chihuahua. | 0:42:51 | 0:42:54 | |
Not a pointless answer. | 0:42:54 | 0:42:56 | |
Which means we move on to your next answer. | 0:42:56 | 0:42:58 | |
What's pointless, literally zero? | 0:42:58 | 0:42:59 | |
Literally, literally zero. | 0:42:59 | 0:43:01 | |
So well down there. I should have gone for | 0:43:01 | 0:43:04 | |
-the most obscure make ever breed. -Yeah, that's the... | 0:43:04 | 0:43:07 | |
LAUGHTER | 0:43:07 | 0:43:09 | |
-That's the game. -OK. | 0:43:09 | 0:43:11 | |
OK, but still, you've got two. | 0:43:11 | 0:43:12 | |
Well, Doberman... | 0:43:12 | 0:43:14 | |
Let's find out. Miniature Pug. | 0:43:14 | 0:43:16 | |
Again, we were looking for toy breeds from Crufts 2016. | 0:43:16 | 0:43:19 | |
Let's find out. For £2,500, | 0:43:19 | 0:43:22 | |
how many people named miniature pug as one of those breeds? | 0:43:22 | 0:43:25 | |
No, bad luck. | 0:43:28 | 0:43:30 | |
I don't mind spreading money to all your charities, | 0:43:30 | 0:43:32 | |
they all deserve a bit of money for their charity. | 0:43:32 | 0:43:34 | |
Well, listen, you only have one more shot at today's jackpot. | 0:43:34 | 0:43:36 | |
Let's find out what's going to happen with Doberman. | 0:43:36 | 0:43:39 | |
In this case, you've gone for working breeds | 0:43:39 | 0:43:41 | |
judged at Crufts in 2016. | 0:43:41 | 0:43:42 | |
If nobody said it, you will win £2,500 for your charity. | 0:43:42 | 0:43:46 | |
Let's find out how many people said Doberman. | 0:43:46 | 0:43:48 | |
It's right. Well, now, your first answer, Chihuahua, went down to 38. | 0:43:51 | 0:43:56 | |
Your second answer, miniature pug, was incorrect. | 0:43:56 | 0:43:58 | |
Doberman, though, passes 38, down it goes, through the teens, | 0:43:58 | 0:44:01 | |
into single figures, still going down, still going down. | 0:44:01 | 0:44:04 | |
Three. Not bad! | 0:44:04 | 0:44:05 | |
APPLAUSE That's a good answer. | 0:44:05 | 0:44:08 | |
Sadly not a pointless answer, | 0:44:10 | 0:44:11 | |
which means you don't win today's jackpot of £2,500. | 0:44:11 | 0:44:14 | |
However, as today's show is a celebrity special, | 0:44:14 | 0:44:17 | |
we are going to donate £500 to each celebrity pair to give | 0:44:17 | 0:44:20 | |
-to their respective charities, so there you are. -Perfect. | 0:44:20 | 0:44:22 | |
It's been fabulous having you on, | 0:44:22 | 0:44:24 | |
and you get to take home a Pointless trophy. | 0:44:24 | 0:44:26 | |
-We get a trophy? -Yeah! | 0:44:26 | 0:44:27 | |
-Guys. Guys, guys, guys! -APPLAUSE | 0:44:27 | 0:44:32 | |
We were on the Eurovision, we didn't win the Eurovision, | 0:44:32 | 0:44:34 | |
we didn't win that other talent show, but come on, | 0:44:34 | 0:44:37 | |
we kind of won the show, so... | 0:44:37 | 0:44:39 | |
You won it. | 0:44:39 | 0:44:41 | |
You won it fair and square, very well played. | 0:44:41 | 0:44:43 | |
I think you were going to change your answer | 0:44:43 | 0:44:45 | |
right at the last minute | 0:44:45 | 0:44:46 | |
to one of the types of dogs you have, is that right? | 0:44:46 | 0:44:48 | |
-A Chinese Crested. -Chinese Crested would have been a pointless answer. | 0:44:48 | 0:44:52 | |
Fiji, you're the best. | 0:44:52 | 0:44:55 | |
-That's my dog's name. -Let's go through the pointless answers, | 0:44:55 | 0:44:58 | |
we'll start with toy breeds. | 0:44:58 | 0:45:00 | |
Affenpinscher is a pointless answer. | 0:45:00 | 0:45:02 | |
Italian Greyhound, beautiful dog. | 0:45:02 | 0:45:03 | |
Australian Silky Terrier, | 0:45:03 | 0:45:04 | |
King Charles Spaniel is a pointless answer. | 0:45:04 | 0:45:06 | |
Very well done if you said that at home. | 0:45:06 | 0:45:08 | |
Cavalier King Charles Spaniel also a pointless answer. | 0:45:08 | 0:45:11 | |
Japanese Chin, Lowchen, a Miniature Pinscher, | 0:45:11 | 0:45:13 | |
all of those were pointless answers. | 0:45:13 | 0:45:15 | |
Let's take a look now at the hound breeds. | 0:45:15 | 0:45:17 | |
All of these pointless answers. | 0:45:17 | 0:45:19 | |
Basenji. The Finnish Spitz. | 0:45:19 | 0:45:20 | |
I'd like a Finnish Spitz, beautiful dogs. | 0:45:20 | 0:45:22 | |
Ibizan Hound. The Pharaoh Hound. | 0:45:22 | 0:45:24 | |
You also could have had | 0:45:24 | 0:45:26 | |
the Norwegian Elk Hound, the Otter Hound, | 0:45:26 | 0:45:28 | |
the Rhodesian Ridgeback, all of those pointless answers as well. | 0:45:28 | 0:45:31 | |
Now, let's take a look at the working breeds. | 0:45:31 | 0:45:33 | |
The Bernese Mountain Dog. | 0:45:33 | 0:45:36 | |
Giant Schnauzer. Newfoundland. | 0:45:36 | 0:45:38 | |
Rottweiler. Rottweiler was a pointless answer, amazingly. | 0:45:38 | 0:45:41 | |
You also could have had Bull Mastiff. | 0:45:41 | 0:45:42 | |
You could have had German Pinscher, Greenland Dog. | 0:45:42 | 0:45:45 | |
So, very, very well done if you got any of those at home. | 0:45:45 | 0:45:47 | |
Terrific answers there in that final round, good category for you, | 0:45:47 | 0:45:50 | |
and I'm really, really sorry about Chinese Crested, | 0:45:50 | 0:45:52 | |
that would have been such a lovely answer for Fiji and the charity. | 0:45:52 | 0:45:55 | |
But everyone shared in the money. | 0:45:55 | 0:45:56 | |
Should have let Edward answer the question. | 0:45:56 | 0:45:58 | |
Are you going to have us back? Because we'll come back. | 0:45:58 | 0:46:01 | |
-We'll be back for a sequel, we're like James Bond. -Let me just check. | 0:46:01 | 0:46:04 | |
Can we be like James Bond and come back every year? | 0:46:04 | 0:46:06 | |
-Yeah. -Let's say yes. | 0:46:06 | 0:46:07 | |
Yeah, you can. It's been lovely having you on. | 0:46:07 | 0:46:11 | |
John and Edward, thank you so much for playing. Jedward! | 0:46:11 | 0:46:13 | |
APPLAUSE | 0:46:13 | 0:46:16 | |
So, join us next time when we'll be putting | 0:46:18 | 0:46:20 | |
more obscure knowledge to the test on Pointless. | 0:46:20 | 0:46:22 | |
Meanwhile, it's goodbye from Richard. | 0:46:22 | 0:46:24 | |
-Goodbye. -And it's goodbye from me. | 0:46:24 | 0:46:25 | |
But before we go, singing us out | 0:46:25 | 0:46:27 | |
with Long Haired Lover From Liverpool, it's Jimmy Osmond! | 0:46:27 | 0:46:30 | |
APPLAUSE | 0:46:30 | 0:46:31 | |
Come on, everybody, sing this song loud and proud. | 0:46:33 | 0:46:36 | |
Some people think this was the pointless song of the Osmonds. | 0:46:36 | 0:46:40 | |
It's Long Haired Lover From Liverpool, do you know it? | 0:46:40 | 0:46:43 | |
Here we go. Christmas number one! | 0:46:44 | 0:46:46 | |
# I'll be your long haired lover from Liverpool | 0:46:48 | 0:46:53 | |
# And I'll do anything you say | 0:46:53 | 0:46:58 | |
# I'll be your clown or your puppet or your April Fool | 0:46:58 | 0:47:03 | |
# If you'll be my sunshine daisy from LA | 0:47:03 | 0:47:07 | |
# I'll be your leprechaun and sit upon an old toad stool | 0:47:07 | 0:47:12 | |
# I'll serenade you till I'm old and grey... # | 0:47:12 | 0:47:14 | |
Sing it loud! | 0:47:14 | 0:47:16 | |
# I'll be your long haired lover from Liverpool | 0:47:16 | 0:47:20 | |
# You'll be my sunshine daisy from LA... # | 0:47:20 | 0:47:24 | |
Yeah, you got it! | 0:47:24 | 0:47:27 | |
Here we go! | 0:47:27 | 0:47:30 | |
# You'll be my lovely daisy on a mountainside | 0:47:30 | 0:47:36 | |
# There were lots of other flowers too | 0:47:36 | 0:47:40 | |
# But all the other flowers hung their heads and they cried | 0:47:40 | 0:47:45 | |
# Cos the loveliest of all of them was you | 0:47:45 | 0:47:50 | |
# Since you were evidently the exception to the rule... # | 0:47:50 | 0:47:53 | |
You know this. | 0:47:53 | 0:47:55 | |
# I picked you quickly then I ran away... # | 0:47:55 | 0:47:58 | |
Sing it loud! | 0:47:58 | 0:47:59 | |
# Cos I was your long haired lover from Liverpool | 0:47:59 | 0:48:03 | |
# You were my sunshine daisy from LA | 0:48:03 | 0:48:07 | |
# Yeah! That's right, yeah! | 0:48:07 | 0:48:12 | |
# Yeah | 0:48:12 | 0:48:14 | |
# That's right! # | 0:48:14 | 0:48:17 | |
APPLAUSE | 0:48:17 | 0:48:19 |